An Giang info: Youtube daily report May 25 2018

Hi everyone! This is POP-MUSIC and today we're going to examine

the YAMAHA P-125 digital piano.

The remarkable instrument, that has 88 fully-weighted hammer-action keys, and the main feature

is its sound, of course. The company specially record samples of expansive grand piano of their production.

In addition to the grand piano sound, there are electric pianos, violins, harpsichords,

vibrophones. Here are not so many sounds, but the most necessary ones are here.

And for practice besides an ordinary metronome, you can use rhythmic drawings.

And not only rhythmic drawings, you can also add a bass part,

which is controlled by your left hand. Change the chord

sequence and the bass will follow you. I think it's great!

You can also record and listen to your music pieces.

In truth, only the one two-layered track (the left and the right hand).

There is also a smart-pianist function,

which allows you to control the instrument with external devices.

And you can view the notes of the built-in songs also.

Let's listen to the piano sound.

Each group of instruments has several variants of sound.

Let's listen to the several variants of the piano sound.

Listen to the variants of electric piano sound with rhythm patterns,

in other words with "self-players" that are built-in this instrument.

This instrument has two variants of electric organs and two variants of pipe organs.

Let's listen to them.

Harpsichord sound.

Vibraphone sound.

Strings.

And one more variants of strings.

Voices.

Synth background music.

And now about the bass category. In this instrument the bass is implemented so…

here is the lettering + bass, while using any instrument you can split the keyboard,

and the bass appears in your left hand.

To control the instrument there is USB on the rear panel,

for computer and external devices connecting.

Also there is a connector for a sustain pedal, a connector for three stationary pedals,

which are installed when you put the instrument on the stand. And also here are outputs for amplifying

equipment: the left one and the right one. Well, a connector for the power supply.

There are two headphone jacks in front;

this is very convenient when you are playing with a teacher.

For more infomation >> Новое цифровое пианино Yamaha P-125 (новинка 2018) - Duration: 11:48.

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J.-P. Pieper: Die aktuellen Herausforderungen im Schadenmanagement - Duration: 0:47.

For more infomation >> J.-P. Pieper: Die aktuellen Herausforderungen im Schadenmanagement - Duration: 0:47.

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BoBoiBoy Galaxy - Promo Episod 21 (KHAMIS, 31 MEI) - Duration: 1:02.

I've been researching on how to unlock Light element.

There might be one Power Sphera that'll be able to help you with that

DataBot!

Where's the last place DataBot has been seen?

Planet Junkberg was the last place DataBot has been located.

20 Years ago..

So huge!

For more infomation >> BoBoiBoy Galaxy - Promo Episod 21 (KHAMIS, 31 MEI) - Duration: 1:02.

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マクラーレンが新オプション「トラックパック（352万円）」「デザイン・エディション（131万～）」追加 - Duration: 5:21.

For more infomation >> マクラーレンが新オプション「トラックパック（352万円）」「デザイン・エディション（131万～）」追加 - Duration: 5:21.

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これマジか…ホンダ・現行「シビック・タイプR」をピックアップトラックに改造した猛者が登場 - Duration: 2:53.

For more infomation >> これマジか…ホンダ・現行「シビック・タイプR」をピックアップトラックに改造した猛者が登場 - Duration: 2:53.

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Mẹo tiết kiệm dung lượng bộ nhớ trên iPhone/iPad - Duration: 3:45.

For more infomation >> Mẹo tiết kiệm dung lượng bộ nhớ trên iPhone/iPad - Duration: 3:45.

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MINI 2.0 COOPER S CHILI SERIOUS BUSINESS - Duration: 1:14.

For more infomation >> MINI 2.0 COOPER S CHILI SERIOUS BUSINESS - Duration: 1:14.

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[A day before us 2] EP.09 Before I Get Drunk _ ENG/JP - Duration: 2:35.

For more infomation >> [A day before us 2] EP.09 Before I Get Drunk _ ENG/JP - Duration: 2:35.

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L'avocat de Laeticia Hallyday balance sur Laura Smet « C'est une affaire d'argent » - Duration: 1:37.

For more infomation >> L'avocat de Laeticia Hallyday balance sur Laura Smet « C'est une affaire d'argent » - Duration: 1:37.

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MINI Cooper S 1.6 COOPER S CHILI - Duration: 1:13.

For more infomation >> MINI Cooper S 1.6 COOPER S CHILI - Duration: 1:13.

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Fiat Idea 1.4-16V ACTIVE (96pk) C.V. Afstand/ Elek. ramen/ Elek. spiegels/ Radio-CD/ City*Pack/ DB S - Duration: 1:06.

For more infomation >> Fiat Idea 1.4-16V ACTIVE (96pk) C.V. Afstand/ Elek. ramen/ Elek. spiegels/ Radio-CD/ City*Pack/ DB S - Duration: 1:06.

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Seminar: C5 til NAV Konvertering - Intro - Duration: 2:29.

For more infomation >> Seminar: C5 til NAV Konvertering - Intro - Duration: 2:29.

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FANZINE VOL.1 - BANDE ORGANISÉE - Duration: 10:09.

I was the hairstylist and artistic director for the project.

And me, I was brought on to this project by Yoann who asked me to be the photographer for his series.

I actually had the chance that Karim gave us the possibility to express ourselves differently

via various media.

Karim proposed to me to work on this collaboration, but I did not know with whom,

it was not necessarily with me !

He told me about it before the holidays and during the summer

I made sketches asking myself what I could bring from a design perspective

that could be confronted with the work of an aesthetic image by someone else.

I obviously explained the whole project,

the idea of collaborating with professions either distant or close, even the same.

Karim contacted me, we know each other for a long time now. I'm a graphic designer, artistic director.

He told me about this project.

And my collaboration with him was to shape the end result of the different collaborations

that had been made by the different artists, artists' friends and so on.

I had an outside point of view on this project to edit the images, put them in sequence and find a shape to it all.

The idea was born from the person who served as a model for this shoot.

We wanted to play with the expression of the body.

A character who is revealed by both day and night, who in the end shaves their head at the end of the day.

He also has a very androgynous physique that can be feminized and masculinized.

We were able to play on the three representations : man, woman and androgynous.

It is really asking the question about this character,

through all the emotions that he will transmit to the people who will read this story.

Our idea was born by both Alex and me.

We are both in a process of construction, of creation.

We help each other in our research.

He is quite minimal, me more art naïve.

So it is quite complimentary.

He talked to me about an overhead projector.

I found some gelatin color filters, we took inks, I cut the gelatin into shapes,

and after that I had the idea of building rather imperfect faces.

We created 4 double pages,

4 images in which we saw, we studied, we wanted to explore

the interaction between two furniture objects that I drew

and a graphic design by Karim.

It is a research on forms of prints that I created with different markers, poscas, brushes etc.

It was a way of imagining how in one image

these objects could be appropriated by a mirror effect of the creative world and of the other person

with whom I worked with.

For me, it's firstly a project of images

and to see how these collaborations by different people could be compared to the other projects.

It was to find formal or semantic links between two projects that had nothing to do with the other

but at the same time could create connections between them.

And create a new way of reading these images.

I worked by instinct as I do when I do make up,

and we took inspiration from all our books.

I love Pollock, De Kooning and that gave us the idea of doing things that are flawed.

When you put together the gelatins with the inks, it's a bit magical,

you do not know what you're going to have.

Since I was a little girl, I saw shapes everywhere and by doing this at random, I saw a face that I rebuilt.

Beyond the hair, it's more the emotions that we wanted to show.

And that's why I called Dorothee because she inspires me a lot and is always spot-on.

I really enjoyed working with Yoann, with Simon who is a friend, and creating this universe between us.

There is the basic idea but there is also what we lived through on this shoot,

very intimate, and is reflected in the photos.

We went further than we thought.

It brought me to rediscover a freedom as a photographer,

to be in a studio with professionals and this freedom there, it felt good.

It was to see how we could improve gradually the expression of this chameleon-like object that appropriates the images of others.

Confronting my work to Karim's one made me change my simple opinion from the beginning.

And then, with the work of Boon who made the 3D renderings, we refined, improved.

The result was not necessarily what we initially expected, but it improved by changing.

And it was a nice surprise.

Alex and I are in constant collaboration.

Alex, with my children as well, is my first source of inspiration - just when we speak - we are always in searching...

We are constantly nourishing each other, together.

It was pretty obvious that we did this together.

It could have pleased me but it was necessary that it was also liked by Federico

and it was a way to go even further and further until we were both satisfied.

There were always surprises, but positive surprises.

It's the sharing of our personal creative universes

in confrontation and in combination with the vision of someone else.

And it is these exchanges that allowed us to create something new, common.

We've rediscovered the series after a year,

interpreted by the people who made the graphics of the magazine,

what images they saw next to the other.

I found that very interesting.

And it works really well, it's still artistic without being boring.

When the work is personal it's you who does it, so it's pretty egocentric.

But the way that they put together the different artists and to see the result,

it's mostly what affected me;

how the different projects are assembled together.

I find that the final version is interesting because the works resonate though they were not created together.

They were created independently, nobody consulted each other.

I do not think anyone one person could have created and produced these kind of images and this kind of result.

This is a world.

And when we mix it or compare it to, for example, Yoann's work it makes us enter another universe,

I feel like going beyond the borders, to go into the dream, the unconscious,

I feel the strength, while there a sense of naiveté ...

I think it gives resonance between the works that is interesting and something a little new,

a little surprising in any case very far from what I see daily in beauty magazines

and that's what we were looking for.

From an abstract idea we managed to create something very concrete.

And I think interesting enough for readers to dive in and that it will build on other topics.

I have the feeling that these different results of creation feed, nourish themselves.

And it is beautiful seen as a whole.

I find that the interaction is in fact powerful.

For more infomation >> FANZINE VOL.1 - BANDE ORGANISÉE - Duration: 10:09.

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Eddy Mitchell : pourquoi il ne se rendra jamais sur la tombe de Johnny Hallyday à Saint - Duration: 3:14.

For more infomation >> Eddy Mitchell : pourquoi il ne se rendra jamais sur la tombe de Johnny Hallyday à Saint - Duration: 3:14.

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【東方萃夢想】 Watashitachi no Shinjitsu -The Battlefield Flower- 「暁Records」【Vietsub／Engsub】 - Duration: 4:49.

私達の真実 (The Battlefield Flower) English translated by Foreground Noises

One day, unreal bullshit started spreading around

People are being manipulated; Wishes aren't overflowing, it's just desires

Darkness that slips into tales went to far

The world that has been standing still now moves, gathering everyone

Creating "desires" "wishes" and a dwelling Soul Power

As I struggle while I keep seeking for something I don't know

The Eyes from the hades gazes down at me

Our Bright truth lightens up a reality, our voyage to the future

Once we'll end this fight, we'll see The Battlefield Flower

We're being ruined, but what we still believe in is…

The wheel of the world everyone knows, the Place where I lost my right arm…

I'll carry on my back their wishes by myself

I'm not holding back anymore now; I'll wish, I'll reach it, the Truth held by that hand

As I keep running, I'm being chased by someone

Soon, I'll make the Outside World come out

Our truth is Cruel, that's something we'll end up learning anyway The hope is faintly withering

Again, for countless times, I'm calling for it:

I want to know what's "real", even little by little

I'm asking this to myself: why am I always fighting?

The wheel of this world is gradually becoming crooked; What will you take with your hands? A wish, its Soul Power within

As I struggle while I keep seeking for something I don't know

The Eyes from the hades gazes down at me

Our Bright truth lightens up a reality, our voyage to the future

Once we'll end this fight, we'll see The Battlefield Flower

For more infomation >> 【東方萃夢想】 Watashitachi no Shinjitsu -The Battlefield Flower- 「暁Records」【Vietsub／Engsub】 - Duration: 4:49.

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✅ L'avocat de Laeticia Hallyday balance sur Laura Smet « C'est une affaire d'argent » - Duration: 2:13.

Si Maître Emmanuel Ravanas, l'avocat de Laura Smet, s'est livré sur BFM TV, où il a balancé sur Laeticia Hallyday, qui est supposée avoir refusé une médiation, l'avocat de cette dernière, Me Ardavan Amir-Aslani est quant à lui l'invité de LCI

Et il balance à son tour. Pour l'homme de loi, ces gesticulations de la partie adverses, à savoir celles de Laura Smet et David Hallyday, sont clairement une affaire d'argent

Il assure ensuite que la médiation n'a pas été refusée, contrairement à ce qui a été affirmé

Me Ardavan Amir-Aslani estime néanmoins que celle-ci doit se faire sur de bonnes bases

«Nous n'avons pas aujourd'hui refusé une médiation définitivement. Comme je l'ai toujours dit, Laeticia ne rejettera pas une main tendue, encore faudrait-il qu'il y en ait une », a-il déclaré

« L'intention de négocier de la partie adverse était un pur artifice de communication sans aucune proposition concrète, ce que nous déplorons »

«Notre objectif n'est pas d'encombrer les tribunaux pendant des années », a-t-il poursuivi

« Encore faut-il savoir ce que la partie adverse veut ». «Ils veulent obtenir que Laeticia donne ce que l'artiste ne voulait pas donner

L'album n'est plus une question à l'ordre du jour. C'est très clairement une affaire d'argent

Qu'ils le disent ouvertement, comme ça, la France le saura ».

For more infomation >> ✅ L'avocat de Laeticia Hallyday balance sur Laura Smet « C'est une affaire d'argent » - Duration: 2:13.

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✅ Laurent Maistret blessé dans Fort Boyard : Une photo de son gros bobo dévoilée ! - Duration: 1:36.

Fort Boyard n'est pas une aventure de tout repos, Laurent Maistret peut en témoigner

Jeudi 24 mai 2018, le gagnant de Danse avec les stars 7 (TF1) est parti en direction du célèbre fort afin de récolter de l'argent pour une association

Et on peut dire qu'il s'est donné à fond ! En Insta Story, Laurent Maistret a partagé quelques moments de son aventure

Et il a dévoilé avoir été blessé en cours de route. "Quand on fait Fort Boyard, ce n'est pas sans risque

Tu reviens rarement en entier", a-t-il écrit en commentaire d'une vidéo montrant l'une de ses mains sérieusement amochée

Rien de grave, on vous rassure. Le beau métisse a ensuite fièrement posé avec Passe-Partout afin d'avoir un souvenir plus joyeux de son passage dans l'émission

For more infomation >> ✅ Laurent Maistret blessé dans Fort Boyard : Une photo de son gros bobo dévoilée ! - Duration: 1:36.

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✅ Podvod na diváky? Soutěžící ze Zlaté mládeže mluví o manipulaci televize! - Duration: 1:55.

Jde o jednadvacetiletého MikeaJePana, kluka, který má mnoho příznivců kvůli svým velmi kontroverzním videím s městskými strážníky, ale zároveň i hodně odpůrců

Ti si myslí, že je nafoukaný a neskutečně drzý floutek, který by měl dostat přes prsty

Druhou skupinu jistě musel potěšit první díl reality show, v níž byl Mike prezentovaný jako netáhlo první kategorie

Zatímco jiní třídili odpad, on se na práci zvysoka vykašlal. Jako by jeho manažerské ručičky nesnesly trochu práce rukama

Bylo to ale skutečně tak? Mike tvrdí, že ani náhodou a de facto tvůrce Zlaté mládeže obviňuje ze záměrné manipulace s natočeným materiálem

„Televize to divně sestříhala. Úplně tam vynechali to, že předtím, než jsme šli do třídírny odpadů na noční směnu, jsme přes den pracovali jako popeláři

Pak jsme nějakou dobu spali, v třídírně jsme pak dělali dvanáct hodin v kuse. Štáb točil až poslední tři hodiny, kdy už jsem byl vyřízenej," vysvětlil eXtra

cz Mike. Buď jak buď, jeho fandy to nějak netrápí a naopak pro své neobdivovatele bude týpek arménského původu živící se pojištěním proti pokutám dál nemakačenko a budižkničemu

For more infomation >> ✅ Podvod na diváky? Soutěžící ze Zlaté mládeže mluví o manipulaci televize! - Duration: 1:55.

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Koh-Lanta – Denis Brogniart "attristé" par les tensions : "Je regrette..." - Duration: 4:16.

For more infomation >> Koh-Lanta – Denis Brogniart "attristé" par les tensions : "Je regrette..." - Duration: 4:16.

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Ještě než Terezu H. (22) na pákistánském letišti zadrželi s devíti kilogramy heroinu, měla nejslavně - Duration: 2:45.

Pašeračce Tereze H. se dostaly do rukou výroky její někdejší nejlepší kamarádky Simony H

a je v pořádném šoku. Pro dívku, se kterou se měla prodávat v nevěstinci ve Švýcarsku, má ostrý vzkaz

Tereza je přesvědčená, že v base skončila kvůli Simoně, která se navíc přiživuje na jejím neštěstí, protože chce být slavná

O Simoně napsala Tereza v dopise pro deník Blesk. „Když vás někdo dostane do kriminálu – je to zmije

Když vás někdo dostane do kriminálu a potom staví svou ‚kariéru' na vašem neštěstí – je to PODLÁ ZMIJE

Ale když vás dostane do kriminálu tzv. nejlepší kamarádka, staví svou kariéru na vašem neštěstí, tvrdí, že ona sama je nevinná, a všude kolem lže, jak když tiskne, tak to zamrzí, HODNĚ!!!" nešetřila drsnými slovy

„Ptali se mě: Proč se s ní bavíš? Vždyť je úplně blbá, akorát si s ní děláš ostudu! Já jim odpovídala, že ji mám ráda takovou, jaká je, COŽ BYLA CHYBA

Teď vidím, že inteligenčně je na tom opravdu lépe i houpací kůň, a už ji nechci NIKDY vidět!!!" dodala Tereza pro Blesk

Proces s Terezou se vleče už několik měsíců a konec je zatím stále v nedohlednu

Méně než deset let ale rozhodně nevyfasuje.

For more infomation >> Ještě než Terezu H. (22) na pákistánském letišti zadrželi s devíti kilogramy heroinu, měla nejslavně - Duration: 2:45.

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Selon le New Yorker, Harvey Weinstein avait "une armée d'espions" - DN - Duration: 1:53.

For more infomation >> Selon le New Yorker, Harvey Weinstein avait "une armée d'espions" - DN - Duration: 1:53.

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8 aliments qui libèrent la peau des impuretés - Duration: 8:55.

For more infomation >> 8 aliments qui libèrent la peau des impuretés - Duration: 8:55.

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她經歷兩段不幸的婚姻，走不出突喪父之痛，家中自殺令人惋惜！ - Duration: 3:38.

For more infomation >> 她經歷兩段不幸的婚姻，走不出突喪父之痛，家中自殺令人惋惜！ - Duration: 3:38.

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6月5日（火）20:30よりAbemaTVにて、ももいろクローバーZと私立恵比寿中学が出演する特別番組「緊急生特番！ももクロvsエビ中生バトル第2弾！」が生配信される。 - Duration: 1:25.

6月5日（火）20:30よりAbemaTVにて、ももいろクローバーZと私立恵比中学が出演する特別番組「緊急生特番！ももクロvsエビ中生バトル第2弾！」が生配される

この番組は7月28日に埼玉・メットライフドームにて、スターダストプロモーションの性アイドル部門・STARDUST PLANET所属グループが一同に会するライブイント「夏S」が開催されることを記念したもの

5月1日に配信された第1弾では、ももクロとエビ中が綱引きや卓球などでバトルを繰りげ、綱引き対決ではエビ中が勝利を収めた。今回の配信でも2組は対決を行う予定で、今に結成10周年を迎えたももクロは「どんな勝負であっても10周年を迎えた私たちの前敵はない！先輩として圧勝したいと思ってますので、皆さん応援してくださいねー！れから毎日綱引きの練習してるよ」とコメントしている

番組では「夏S」に関する情報も発表されるとのこと。なお見逃した番組をタイムシフト聴できる「Abemaビデオ」では生配信後に、ももクロの高城れにが番組で気になったンバーを呼び出す企画「高城れに愛の説教部屋」が公開される

関連する特集記事ももいろクローバーZ 10周年記念特集第2回PR

For more infomation >> 6月5日（火）20:30よりAbemaTVにて、ももいろクローバーZと私立恵比寿中学が出演する特別番組「緊急生特番！ももクロvsエビ中生バトル第2弾！」が生配信される。 - Duration: 1:25.

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Harvey Weinstein a été demandé par le fabricant 10 millions de dollars - NT - Duration: 3:20.

For more infomation >> Harvey Weinstein a été demandé par le fabricant 10 millions de dollars - NT - Duration: 3:20.

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Benjamin Brafman, l'avocat-vedette qui défendra Harvey Weinstein - DN - Duration: 6:41.

For more infomation >> Benjamin Brafman, l'avocat-vedette qui défendra Harvey Weinstein - DN - Duration: 6:41.

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Master Python with Udemy

For more infomation >> Master Python with Udemy

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L'OURS BENJAMIN - La lettre d'Edgar - Duration: 22:31.

For more infomation >> L'OURS BENJAMIN - La lettre d'Edgar - Duration: 22:31.

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L'avocat de Laeticia Hallyday balance sur Laura Smet « C'est une affaire d'argent » - Duration: 1:37.

For more infomation >> L'avocat de Laeticia Hallyday balance sur Laura Smet « C'est une affaire d'argent » - Duration: 1:37.

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Craftsman Mari knows all there is to know about movement technology in Efteling – Efteling Fans - Duration: 17:17.

This is Mari.

He is 71 years old and a true Efteling Fan!

Mari has worked for Efteling for 40 years and is still involved.

Mari is also known as the Puppet Doctor.

Efteling is his life's work, that's what makes a true fan!

Mari, tell us about all the things you've made.

This is Efteling Fans.

I'm playing with Meccano.

I used to play with it a lot when I was a child.

I loved engineering.

That's also the reason I later went to work at Efteling as a technician.

Even there, we used boxes of Meccano to, for instance, find out what type of movement a...

puppet's arm had to make.

We always made it in miniature first and later on a larger scale.

That's how the puppets were made.

My successors still use boxes of Meccano to put small things together to see...

if it's right.

If children are interested in engineering, I'll get the boxes of Meccano down from the attic.

When we were children, we loved going to Efteling.

But you couldn't really call us fans.

We went there to play.

Almost everyone in Kaatsheuvel had a family season ticket, including us.

That meant that once a week, the contribution for the family season ticket was picked up.

There was a Fairytale Forest, but that didn't move as much as it does now.

The gnomes never moved.

There was a rowing and canoeing lake, the big playground and, of course, the sports fields.

Where the Witte Paard restaurant is now was actually the canteen.

We always had fun playing football there.

I have to say that I wasn't that good at football.

I have more of a passion for engineering.

And to tell you the truth, I'm better at it.

I didn't used to think about working at Efteling, like Efteling Fans do now.

As a technician at vocational school, I was given the choice of starting at the Shell vocational school

or going to Efteling.

Because Shell was too far away, I went for an interview at Efteling.

I sat at the table with two superiors from the Efteling Technical Department,...

the manager and the boss.

They asked me whether I could make a squirrel move.

I said: "I can do that."

I thought they were joking, so I immediately said I could do it.

Great, they said.

And I got the job straight away.

I started on 1 January 1972, in the Gnome Village, because that's where things had to move more.

That's where I started.

I have never had such a great job.

I soon got hooked and I had a great time.

I wouldn't want to have missed it.

Hang on a sec, I've still got something from the Gnome Village.

One of my first jobs was to build a chimney on this gnome's cottage.

I had set a beautiful, sleek little chimney neatly against the cottage.

I knew Anton Pieck would be coming by with Ton van de Ven.

He said: "Lovely! Have you got a stepladder?" Yes, I had that.

"Just put that up next to it."

I thought, whatever's going to happen next?

"Have you got a hammer, too?"

Yes, got that too.

So I get the hammer and he says: "Bash the chimney a couple of times."

So I bashed the chimney a couple of times, and then some more.

"Come back down", he says.

I look up and see the chimney looking very pitiful.

Then I had to go up to him and he shook my hand and said: "Look how nice you've...

made it."

I look at Ton van de Ven again, who had a little smile on his face and they walk away sniggering.

Afterwards, when I saw Anton Pieck's drawings, I only then understood what he meant.

Of course, I worked together with Ton van de Ven a lot.

Also making the gnomes move, I did that in the workshop with used materials because...

it wasn't allowed to cost much, of course.

Once they were working, I took them home with me,

which is unheard of now, someone taking gnomes home.

I did!

I took them home, put the plug in the socket and let them run for a bit.

My wife worked at Efteling, too, and was going to dress the gnomes.

She went with Ton van de Ven to buy material in an old shop in Tilburg.

You know, that musty material on bales.

In beautiful Anton Pieck colours, the true Anton Pieck colours.

So she dressed all the gnomes, then I tested them and that's...

how they came back to the Gnome Village.

If you take a look now, you can see those clothes still look nice on all the gnomes.

I also worked on Snow White, on the Goats' house, on the dragon.

It was a great time, really great.

I wouldn't want to have missed it.

Here we are at the Spookslot Haunted House.

That was a milestone for Efteling but also for me as a person.

It was a wonderful job!

Sometimes the problem cropped up that in terms of budget, things didn't work out...

the way we wanted them to.

At one point we had a coffin that had to be made, but with nothing in it.

That would be very annoying, we said to one another.

That's not possible, it just wouldn't look right!

We'll make something in our own time. We'll work on it in the evenings in the...

workshop and try it out on Sunday because their won't be a manager around then, so it might work.

On Sunday morning my colleague, Henk Smulders, and I walked to the Spookslot Haunted House...

carrying the doll and we stumbled across our boss, Bart Jutte.

So I say: "Oh, Henk, now we'll have to think up an excuse."

Mr Jutte: "What have you got there?

I've never seen that in the plans before."

"No, but you will, we're still working on it.

You'll see for yourself that it was somewhere in the plans."

In the end, when everything was working and was programmed, Ton van de Ven said:

"Oh, I'm so happy that all those little details still got added."

Meaning those figures in the coffin too, of course.

In 1980, on Princess Juliana's birthday, a parade was held for the last time...

at Soestdijk Palace.

Efteling is quite royalist, so we took the train and the carriages to the palace and drove through the palace garden.

At one point, Princess Juliana also boarded the train, of course.

We had a wonderful day there and at the end of the day I received this nice photo...

with me in it as the conductor, next to Princess Juliana.

I could ride the train as well because besides my work as a technician, I also played...

the train driver.

It was really great!

This is Carousel square, which brings back another wonderful memory,...

Anton Pieck's 90th birthday.

We went to pick up Anton Pieck in the town where he lived with a big coach but it was a surprise for him.

The bus drove to Kaatsheuvel and on the way Anton Pieck popped up with all the little scenes he had created.

All the employees had dressed up just like Anton Pieck had sketched and drawn them.

He loved it.

When we arrived here, we took a big picture of Anton Pieck's

pet project, the Carousel.

I didn't have to do any work on it, a bit of maintenance and greasing, but when you look at...

how it moves, it wasn't really necessary.

I didn't need the box of Meccano here.

We're standing in the museum.

The museum is my former workshop.

We actually developed many techniques here.

We also started with movement technology here.

In miniature with the gnomes and after that we moved to the Spookslot Haunted House.

The biggest step we have taken is the puppets in the Fata Morgana dark ride.

We even started to try to develop a marionette puppet that is controlled from above...

via bicycle cables.

In the end, it didn't work out and we quickly gave up on the idea.

Then we thought, if we have to make 150 or 140 puppets and we've got to fill them with engineering...

it will have to be something that can be built fast.

It took us more than a year to develop a puppet with a lot of movements...

in the body, more than 20 movements, while the propulsion takes place underneath.

It was a brilliant development.

You could set up a warehouse like a box of Meccano,

which you could take parts out of to put figures together, and it worked.

From that moment on, we knew the Fata Morgana dark ride would be delivered on time.

We used different kinds of technologies for the Fata Morgana dark ride.

Pneumatics, pneumatic propulsion using cylinders and air.

For instance, the blinking of the eyes, which is very fast and is quite easy to achieve.

We applied the same weights and forces and made the eyes blink with impulses.

It worked fantastically!

Hydraulic, propelled with oil cylinders.

That makes it easy to have something move but it has its disadvantages.

We also developed wooden disks.

We were even able to apply for a patent on the combination of engineering with the drive.

They called us the 'Puppet Doctors'.

Henk Smulders and Mari van Heumen had become the Puppet Doctors.

This is the marketplace and all sorts of things go on at the marketplace.

Ton's drawings were beautiful but they were drawings that look good as pictures on the wall.

They are still lifes.

Here at the marketplace you can see the fruit vendor.

He looked great in the drawing and Ton told us exactly what kind of atmosphere he wanted.

The fruit vendor had to sell his wares to a customer.

Ton talked about it

and we made sure that's how it was.

There were no sketches of the movements, we thought them up ourselves.

Ton thought it was great.

The Magicians, for instance, move most.

The rug salesman also has a few movements as he has to walk along.

Those are the puppets that needed to be able to make more movements.

Especially figures that needed to move their hips, and look around, these are the ones that...

move most.

When I look at the scene with the prisoners are sitting, we had to get the hips and buttocks...

moving.

Scenes like that take a lot of time to work out.

How do you get the hips to move in such a way that people will think: "Look at them...

labouring away, look at them push.

Not a nice place to be, a prisoner in a mill like that."

They're actually very nice scenes to create.

On Friday evenings we used to grab a beer.

We'd chat about the week ahead, about which ideas we could use.

Could we make something else great?

Could we add some pranks?

Because pranks have to be in the shows.

With another beer came even more ideas.

Ton van de Ven used to pop in because he knew we'd be there.

Even our old director used to come.

They'd join us, grab a beer and let us do the talking.

They were always fun evenings.

I still think the Fata Morgana dark ride is one of the nicest attractions I was able to work on.

I bring my grandchildren here.

Whenever I'm at Efteling, I always visit the Fata Morgana dark ride.

I've been retired for 6 years now.

I can't let go of Efteling yet and Efteling perhaps can't let go of me yet.

After my career as a technician I became manager of Integral Security, which...

covered company security, emergency response and First Aid.

I gave a lot of training for that, too.

I still train first responders every now and then.

I also became a volunteer at Villa Pardoes, the lovely holiday accommodation...

for sick children who come here with their parents for a nice week's holiday.

There are also a lot of companies, like Efteling, that support this great project.

I'm back as a technician again.

I repair the go-karts, bikes and tractors here because the children love them.

There's nothing nicer than seeing a smile on the children's faces when they go off on a tractor or go-kart.

It's fantastic, isn't it?

Really great!

Which Efteling Fan do you think deserves to be in this YouTube series?

Please let us know in the comments or send an e-mail to youtube@efteling.com.

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