Hey Everybody, it's Cinnamon
Cooney, your Art Sherpa and I'm so excited.
This is a very special
week this week is Art week and
it's shark week so in
celebration of shark week,
which I'm a huge fan,
I'm totally into it.
I'm doing a shark themed
painting every day.
Today is painting one.
This is 'Sharky Night'.
This gorgeous painting is a
Vincent Van Gogh inspired
version of a curious
Great White having a midnight
splashy splashy swim.
These are very curious
creatures and I wanted to
celebrate that about them.
So I created this piece as a
tribute to them.
I hope you love painting and I
must show you every single step
of the process. You can create
this fantastic painting
at home but that's not even on
because also if you want you
can follow me on Twitter and
live tweet with me during
the Shark Week show.
If you want to know anything
about anything I'm talking
about in the show. Definitely
check the description below.
That's where all the details
are links information
everything that you can do this
whole week is packed.
With Shark Art.
So get your brushes get
your paints and come 'Mako'
some art with me. Let's go.
Let's look at laying in our
canvas if we're not going to be
using the traceable.
I have a horizon line.
It's about five inches up from
the bottom.
Just make sure that you give
yourself a horizon line that's
level.
I'm in a lightly sketched that
in rain
and I'm going to. Put my shark
nose he's going to be down in
the water and coming up and
he's about for me three fingers
over.
So how I do him is I give him a
little point.
And the curve his little lines
down.
His nose comes at a point arcs
out curves back
and then comes in.
This is like that smile curve
and then the opposite direction
curve to this nice
fin that we have here.
I'm going to give him this
really cool vortex mouth.
So I'm going to want to make
sure that I do a nice little
opening where that vortex mouth
is going to be there
and I'm going to give him some
gums to put those teeth in.
And I like to tell myself where
that vortex is going to be
right here but that I'm going
to put an eye in the other
lines you're going to want to
think about is about a hands
with up from the right hand
side. I'm going to make this
mountain line that curves
in and wanted to go straight
curves up and down
then wanders up hills or very
very meandery.
It can also help me even though
I'm laying in the stuff all in
solid colors to give
yourself an idea of where your
moon is going to be so you're
happy with that placement.
I might come over and put one
star in two stars in
three stars and four stars in
and a little guiding line.
This is going to be like some
maybe painting white over it.
Of the first swirl.
For the wind and the second
swirl for my Sharky night.
Once those are in
then I can block in
what's called the under
painting.
This is sort of like building
the puzzle real fast for you to
layer all your paint on and
it's going to be a lot of fun.
I'm going to get
this number 10
black pearl bright
I'm going to dip this in the
water.
And I'm going to paint in
my starry night sky
which is going to be my fellow
blue and my dogs and purple.
This is going to make NCM
swirling that around here.
I mean my first dark
color on my sky.
I went the first color to be
real deep
right. So I've done that once
I've got my brush loaded I'm
going to come over here.
I'm going to just paint in
along this mountain edge right
here.
Doesn't have to be perfect
paint around my moon.
This is just about the
canvas being this
dark blue as a base.
Lots has to happen.
Right.
When this pain is on.
Lots and lots
lots and lots
of paint around my
little swirls here.
And one of my tricks is going
to be leave a little bit of
it not covered by my balloon so
I know where it is.
So don't be coming back with a
white color
and you can see I'm making
this. Who got some paint on my
thumb.
Wide between the
nose and hair.
All the rest of this is
going to be blue.
This dark dark blue nose they
got a little water swirling
around.
I'm showing you guys this just
to help make sure that you're
getting that great canvas
coverage where the canvas is
completely covered.
Now just leave that to me is
a little white spot
wherever I think I'm going to
put stars in there.
That's hard.
Then you just paint them back
in in just a second.
It's all good.
Right now we just want to get
this first coat this first
layer of our Sharky night in.
This is definitely inspired.
A little bit by
Vincent Van Gogh and his very
famous painting starry night.
It's really fun to visit ideas
like that and it's
fun to put
some of the things that we're
excited about in that I really
was excited about putting the
shark in here.
You can see I'm not being that.
Stressed about
this Amite painful swirl but
see how I know where my
squirrels are now.
It's going to be really easy to
put them back in.
And while I've got this collar
on my brush
and I've made sure all my
canvas white
is painted out I
ain't working it
I'm going to get a little white
here and make
it quite light.
Others come up here with this
like color
on the edge of this brush.
This bright and
just swirl it ain't
going to be changing this a
lot.
As my pink comes but I've got
to put these first colors in
and this is a great way to get
that first layer of paint.
On the canvas you can see I'm
on the edge shuras sorrel
around and go back
and I come up
see you're going to get some
Meiko some aren't with me.
Oh that's happening
all week.
Brigadoon park Shirke puns
and all kinds of things I'm
excited to see you guys on
Twitter.
Be sure and come to the Twitter
via Twitter.
Be sure to follow me on Twitter
which is at our sherpa.
I'll be tweeting during this
show.
You can check the description
to get to the Web site where we
have the links and times and
all that information.
About what we're doing we're
just celebrating all things
shark week this week.
Now just to show that we're
they are going to come back
with my brush and a little
weight to the corner.
We'll come back and say Star
was here Star
was right there.
The real star here.
And another one right there.
And so there my stars are that
are in my brush.
Get all the pigment out.
And I'm going to come put some
purple.
Now this one I'm in. Take a
little of this crewneck or
don't and
my dog's name purple.
I'm a mix them together.
I'm going to paint in this
hill.
Area go.
Sound this is going to be real
fun this nice coastline hill.
We're going to have
to go
pain in the hill.
This is putting a puzzle piece
of our painting and rain.
Don't be real stressed about
this right now you're just
building the foundation
of the painting.
Lots of layers to come
here just wanting
to get these all
worked out
together
that's pretty nice.
My next color
doesn't have any purple in it
some more rinse my brush out
again.
And I'm worried that a lot of
pigment on it so I'm going to
switch brushes.
So either it's a great time to
get clean water or to switch
brushes just to make sure that
the pigment or the color that
you had from previous isn't
contaminated the next mix that
you're trying to do.
So I'm going to grab.
Let's see here.
I'm going to get a bike.
Oh here we go.
No I want another number 10 I
think.
I'll take it down smaller.
I'm going to get in number
eight.
Great. Sometimes I like to
reduce the size of my brush
to make it easier to work
around the angles and corners
that I have gotten the water
there and.
Shrug off the extra.
I'm trying to avoid the purple
I have right here because I
want this great Marine color.
You know.
I'm going to paint all of this
in with this bright green color
I'm a paint around my fabulous
Sharky night shark.
Now in my mind he was a
great white
he's having a little.
He's being very playful
like to say that
all of our sharks this week are
going to be very playful sharks
even though they may be showing
us their toothy smiles
and they may be doing Sharky
things.
They're being very playful.
So very happy shark and he's
just feeling splashy.
I'm sure you can relate to
that.
We all feel splashy from time
to time
and I'm just painting this all
in with this very deep blue.
This sort of marine color.
That is the fellow green and
the fellow blue.
I'm going to
avoid some of his mouth
and I'm going to
put a wave up here maybe that
comes across him.
I'll be defining that more
later. But all the rest
is going to be I'm using
the edge of my brush to paint
around him painting
on the flat to get that nice
edge there.
Pink salin.
Now a tip which will
help you be more successful and
happy with your painting is
where you have big areas of
water. Make sure you have
horizontal brush strokes.
I have to obviously curve a
stroke sometimes to get around
a curved object but I'll
immediately try to
level out the overall
impression of my paint
Whenever I'm working with
water.
At first even if I start
building it up in a
minute especially in a very.
Creative piece like this where
we're doing all these sort of
expressive strokes
just
painting all this space in
fall that way.
And there's going to be more
waves there's going to be more
stuff I'm just making sure that
I've got the basis of the
colors that I want
where I want them.
I want them
to feel like all that white
canvas is covered.
Well second rinse out my brush
really really well.
Now I'm going to get
my just my Kornicker
don't
maybe add just a smidge of the
yellow to it to warm it
up like you do.
It's still going to be very
pink very red.
And make sure that I paint
inside the mouth.
It's bright color.
OK. Like if a little
blue picks up and
makes kind of a purple in the
mouth. Don't be worried about
that we've got a lot of layers
in the mouth.
We just want a certain feeling.
And now I'm going to get a
little white on
my brush
here like I have.
Come on said Cher
just paint the gums in a little
bit.
Get on the edge there.
So those are sort of painted
in.
Now we're in my brush.
Now. I like to do.
I've got my little black. I
don't want too much black on my
brush but
I've got to get his base isn't
so good and a little blue.
I don't want him to be
just pure black
and I'm going to leave his
quarry.
So there's two tones to him
when they come up on the edge
of my brush.
And I'm like her in his outline
first.
First this outer edge
is make sure I've get nice
coverage
and a nice Sharky line that I'm
happy with.
The
go.
All the canvas cover in
a car on the wave here.
Lots to say about him in a
minute.
You know I've got to get the
basis of him in and get some
more of this blue in in
black.
Now I'm going to show where
he's got this lighter color and
so when they come up here strt
about the midpoint
make sort of an ellipse around.
His mouth and then down here
leaving some area for the Gray
and I will paint in when
I put his eye back in a little
bit later.
If you're worried about you
know keeping it in you can
leave that painting the
paint around it.
OK.
Just real easy for me to put it
back in.
Painting all in the nose here.
Now I've got to paint some
white to this for the
gray.
The nice gray.
This is much lighter.
I can adjust a lot of this
so what are the reasons I'm not
tense at this stage
is if like way here paint it
out a little black it's real
easy for me to put it back in.
During our second layer I'm
just trying to block in where
objects are.
On this painting.
All I'm doing blocking it in
like it's coming across
using my brush to block it in.
And if I want to make the mouth
bigger or change the line of
the grade that's easy for me
to do later.
So I don't have to be that
stressed about that.
Noreen's this out
and I think the last thing that
I want to paint in all my
painting I'm going to get
a small brush in
this case I'll get a number 6
VERRET. This is a Brislin I'm
going to get this wet.
And I'm going to
add a little of the connector
down to my elbow
to to make it a little more
orange.
My come here to my moon
and just put that first layer
in
where I have this just like a
little C
or my add this
yellow to where I have my
stars put in.
So now I have that rinsing out
my brush.
This is a great time
to get fresh
water.
So all your colors stay really
vibrant to the painting
process.
So you and me let's go get
fresh water and meet you back
at the easel right now.
It's a good time to rinse out
your brushes too.
So now it's time to twinkle
up our stars and put in all
that kind of really great
starry night essence that I
think makes us painting a lot
of fun.
Let's get to the next part.
Over here. I have smaller brushes
for acrylic painting I'm going
to be using small braids.
I'm going to be working mostly
in number two braids.
This is number two black pearl
I'm going to get this slightly
damp
and I'm going to come and get
some lighter color and take
just the fellow blue
and a little white
and see how this makes a nice
lighter color.
And I'm going to start
twinkling up my sky.
So pick a star.
And I like to make these little
dashes
around my star
These little dashes
just little dashes.
Now when I get to
a good like like the halfway
point here I'm going to start
wanting to make my circles
around this star.
So that they can bump into each
other.
I like to weave them together a
little bit like a basket you
may have a very neat
starry night style.
You know there really isn't a
right or wrong way to do this.
So don't be critical yourself.
I'm going to leave a little
space here.
For around Maiwand
as I'm coming around
I'll come into this little
crease right here.
You can come right into
the one that you're going to
have CME calling that write in
those dashes and then my car
around.
All right.
Yes pulling this around.
Now I've got this nice shape so
you can decide how you want to
fill in
between your stars
how that sky fills.
And that's how I get that done.
Let's take some of this around
here bring some
of this down even between these
two
around this star
coming under here.
And see how this is just done.
Chest filling those spots and
I'm just dashing
around the star
just my blue and my white
coming around my man
spraying those dashes
everywhere
that they should go.
Along the hilltop
is nice.
Once I have this fellow that
I'm going to get a little of my
purple and even a little my
Kronecker don't mix
them together and add a smidge
of white to it.
Come up under the wind.
I think some of this color
can come a couple of places
around.
I'll put this around my stars.
All around my own
asked
layering up
the star energy.
Right
inside out.
Now let's get some
blue into our White.
We want it to be quite late.
Start putting in her blistery
blustery wind blowing
following the curve of our.
Wonderful wind blow here and
make sure that you're just
doing little dashes.
You can be very neat with these
you can be very expressive and
loose with these that can be
long they can be short.
However you want them to be
just blusterer them around
plastering them around
it can blow up into the sky a
little bit.
To blend these two areas
together if
you like them to
like to take this very very
late Coler
and a little bit of it.
Around the sky
if you're purple is still wet
they'll blend together.
So it might be a good idea to
give my painting a dry so I can
get my bright blues popping.
OK. Let's keep painting and
that's just something that
might happen sometimes you want
the color to mix on the canvas.
Sometimes you don't.
If it starts happening you like
you don't want it just draw the
painting.
It's real easy to at least
in the world of art
have a lot of control over what
happens in our creative space.
So if you're seeing
something you don't like
you can usually just change
directions.
As you want to
so don't take this too far out
into the dark sky just want
this sort of like implied
radiating light.
These are the stars of
vibrating
in the sky.
Above our little Shirky Shirke
who's having a beautiful night
swim and how much it hurts.
But is it be to
be his shirt at night.
I mean you can you may or
may not want to share water
with a shark at night.
I don't know.
But for the shark it's got to
be pretty nice isn't it.
Cool and calm and quiet
probably pretty.
And creature.
All right.
You know who knows how fast
swimming but tonight
if you follow me on Twitter
which is our sherpa
we're going to see Michael
Phelps
swim with the sharks.
That will be interesting.
Or so you have.
I don't know if they're going
to actually make him swim the
shark. I'm kind of curious.
I am reserving my expectations
you know. But if you'd like to
do that with me watch with me.
Definitely definitely follow me
on Twitter and glancing at my
brush.
Now I'm going to put one last
little blustery coat on my
blowing wind of just pure
white.
I know it can seem that there's
a lot going on
in the skies
and there is there actually
kind of a lot of fun to do.
I really have enjoyed this
since I did my finger
sunflowers so
long ago in YouTube some sort
of happy to be back
here.
Painting something a little
Vango ish.
You know of course you could
skip our friend if you wanted
to. I don't know why you want
to put you might.
And it's you're painting
everything here.
Belongs to you.
I'm just guy knew through
art.
I really like that.
Now I'm going to add the light
in my stars to my sky
home and get a little of my
yellow and my
white together
I'm going to make sure my star
center is pretty nice.
I'm going to add just a few
bits.
A banding yellow out.
I can tell you right now it can
get fine when I go into my man.
Sure this is kind a nice second
color on it.
It can get fine
to add pale pink or orange
or different colors all around.
I've seen a lot of really cool
stuff
you do
what feels good
to you.
You can put some pink in the
sky.
You can pink in the sky and put
some orange and the sky will
however your stars twinkle at
night
is perfectly
awesomely
acceptable
you twinkle how you want to
twinkle.
Twinkle twinkle
all have a good time painting.
So take a minute and look at
your sky and be like you know
do you feel really good about
how it is.
If you do which I do
you can move on to the
mountain.
Which is going to be really fun
to put in.
So what I really loved about
this is I went into my purple
and my cousin Akra down here
and I made a very kind
of like much more magenta
color and I got a little white
into it so I could really see
it
then I come along the top of
the mountain.
On the edge of my brush.
And right here at the middle
point I'm going to wander a
hill down
top of the mountain.
Maybe there's another little
bit there.
So I'm creating this contrast
and I can come in I'm going
to just pull down
these are like the strokes in
the sky but there are looser
and just
pulling that down
and you get a little more and
magenta on my Bresch
can pull that down.
Just at the top here
and then I can come back if I
want to with some
just purple and a little white
the white helps the purple show
up otherwise purple this purple
can feel almost like a black
to the high so
it can help
out a little white to it so you
can see that it's
purple
and you can even use it like a
black and then it will just
reflect a little bit purple
every once while which
some people really really like
and set out
really really really well.
And then I'm going to play
what is like my interpretation
of the moonlight reflecting on
the Hill.
So what I did is I took a
little my Kronecker down and a
little of my yellow
and I made this sort of peach
color and I added some white
to it
which I thought was pretty
nice.
And I came across the top here
and just added
a couple little brush strokes.
Snee
of the moonlight
reflecting on this
hill in the same sort
of little Bingo stroke just
pulling that down just at the
top.
Just something nice.
Now.
The back.
The water.
So we're going to push that
water far away but we're going
to keep that bingo stroke going
it's going to be a lot of fun
going be really easy.
Hopefully you're breathing in
your breathing deep.
You're in the deep you're
going. Done.
Done.
Almost done with a painting
done.
I know it's just the whole
thing. I'm doing it.
I know I'm doing it.
All right so might take a
little blue and a little my
green
and I'm going to
have even in this case just a
little bit of purple to it.
Them over here.
This is my dark ocean color.
It's going to be the first
color I'm putting down.
I'm going to go cross my
horizon line
and I'm going to make dashes.
Of this dark dark color
to just past
his fin here.
OK.
Just dashing that
with my small brush
whole thing
don't try to paint the whole
thing out.
This is just like the sky
we are going to have waves in
front of it but this is what
we're going to weave them into.
Well Green
little blue
little purple cushion that's
got back and you may need to
level this like mine got a
little unlove all
and just make sure that's nice
and all
and pulling in
now I'm ok
if my dash is kind of going to
my shirks space a little bit.
And that's because I'm going to
be painting a second coat on
him making him Q
and shiny and happy
and swimmy
all those things that's what
he's going to be right
now while this is so wet and
I don't mind that this is still
what I'm going to get my blue
and my green together.
It's my favorite and my fellow
Green and I'm going to add a
little white to it.
I get this nice
deep aquatic color.
There you go.
And I'm going to come back here
and I'm going to add these
dashes.
And with my dark dashes.
I'm working to just dashing
out here in the background.
Dash dash dash dash dash
just doing these little dabs
the Monet's with me if you've
done ative and go pieces with
me are very familiar with this.
Super fun.
Relaxing thing to do.
I mean to reload my brush
that's why I rinsed out.
It wasn't actually a change
color it's because the brush
was feeling heavy and
that's the thing I'll do my
Brushville is heavy is
pushing this out there so I'm
weaving those two colors
together.
Now I can do a really fun
thing.
Get my brush really well and
I can get just a little yellow
on here without my orange
just a little yellow
maybe a little
white and I'm
going to come here in the
water.
I'm going to add some dabs of
the moonlight reflection.
It's back here. That sparkling
it's going to be peeking out
from the waves right.
The little bits of that water
here in there.
See.
Right
now I'm really low
in blue and it's
good to make sure that you
don't have too much pain out
but you want enough to do the
task at hand.
So I'm going to put a little
more of my blue over here
and get my blue
and my green
Riego
my green.
That's my fellow turquoise.
And then I come here in my
little shark land and I'm going
to start kind of adding
a little curve
to my woven stroke.
I little curve
seen a slight curve to it.
It's just a little more
energetic
in the water
Chisolm more energetic and
I'm going to come in and get
some purple on here
add some more really deep
even minor on this fan
Kerr can see it's curved
so it's just creating a little
bit of energy.
It's going to be right here.
So.
Let's match that right up here.
Do the same thing.
Lo Green
Well blue
a little more energetic.
Coming up through here
a little more energetic
just a little bit more
energetic.
Get your deep color
and that dark Cherney
mysterious water
to the space
rinsing out one last little
reflection right here and
then we're going to get indoor
Shirke.
So I'm going to see if I can
find any good white paint that
I haven't gotten all crazy
messy.
I'm going to come in and just a
little bit of an
even brighter moon reflection
dancing in the water up this
way.
Beautiful.
All right.
Now is another good time to
freshen up your water change
that water out rinse any
brushes out if you're going to
be using one or two brushes
if you don't have like a lot of
brushes to go to.
I'm going to meet you Rebecca
easel so we're ready
to get started again and I just
want to remind you remember
we're going to have a new
Shirke painting every day this
week. Everydays you've got to
keep coming back. Some of them
are going to be short. Some of
them are going to be more
involved every kind of shark
you going to really love it.
Let's finish up our shark while
we're thinking about all the
other cool shark stuff we could
be doing this week.
All right. So I've got my
palate I kind of freshened up
some of my pain so that I had
enough and I'm going to go back
still working my number to brie
and get away and bring off all
extra water and I'm going to go
back into my blue and
black mixture great.
Which was my not just black.
It was kind of like a bluish
gray right.
Mixing that up
and I'm going to come here and
make sure.
That he's all painted how I
want him to say I'm going to
come along outside edge
with his dark line.
I lost a little of his dark
line
and just make sure that I have
him edged out how I want him to
be.
I have to be perfect but I want
him to have a nice look and
when I'm happy with that and I
make sure of a nice amount of
blue in my mix and I get some
white
and this is going to make a
blue gray
I come here and his nose
maybe it's going to go around a
little bit and I'm going to
just follow the curve of him.
He just curving him
around.
Now down here I know he's going
to have his little Ibori
so I can just very carefully
put that back.
You still have yours.
That's good.
I just want to make sure that I
put this gray a little bit
around his eye.
Just dashing this down.
This dark gray color
just believing this in
it's kind of a lot of
personality.
He's got a lot of character and
I want to make sure that that
shows you know
he's not he's
very adventurous.
You know he swims the seas
he's curious
again it may not be fun to have
a curious shirt discover you
but maybe it would be
maybe you're somebody who
studies sharks who are super
excited when they come visit
you.
I could have been.
I'm going to a little purple to
my black.
You might be noticing I'm not
leaving my black just black.
That's a little trick that I've
got. You can use black.
I think there's anything wrong
with black. It's fun.
Change it up a bit
I'm going to.
Just turn around his little
mouth here kind
of weave in some of these black
dashes that show his
dark Shirky skin
maybe I mean a paint inside his
eye with a darker color.
Just pulling that along has
scan.
Little purple little black
make sure his fan is nice and
he's a very important figure
in our painting.
So I want him to
look as interesting as possible
re
stashing that in
being going you little shirt up
and you've got
that
one nice touch.
Before I let them drive for the
white highlight is I think it's
nice to take a bluer
version of this where it's
really blue and just a little
black.
So you like this
and add a very light
highlighter that
even later
just along the top.
Like he's catching a little
moonlight
maybe even a little at the
now.
Along the top of the fence
and we'll add some white in
just a second.
But right now I've got to let
this rest
rinse this out.
Let's work in our nice
kind of Shirky skin hair so I'm
going to take a little of my
yellow interestingly enough.
And again you can kind of catch
a little tricks here.
Adding it to my block
and then I'm going to add
some white to it.
Let's come along here.
Just make sure we're
looking healthy when I look.
We're going to
we're just dashing that.
It's not a perfect
painting or anything we're just
coming on in that second town.
Long hair
takes some of that into his
darker
skin color.
And he's
one set out.
And then it's nice to come with
an even
lighter color over the top I
think.
And then focus that
hair
some down here.
So this is more gray right
now.
The pink.
So start with a little
of your quintic or don't and
some of your weight
I'm going to make sure of a
nice
These are the gum's and I want
to make sure that my gums are
nice.
Coming around
they're going to stand out
from this really interesting
mouth that we designed for him
OK.
And I got to make sure I've
enough to touch some really fun
too because a shirt without
his teeth is actually very sad
Shirke neither Tepes
very important.
So here in Santa
he can get some
white with a little of the pink
canary and you
can even put some of the purple
in there.
Slightly different color just
want to really stand out from
what's underneath it.
Going to just dash this right
here.
So he's tied into his little
world.
Inside out.
And then we're going to blend
our dark shadow color in
which is the queen Acra don't
down and the purple
because he's got a slight
shadow right under his lap.
His gumline
now I think it can be
interesting
to come right here and I still
have my little dog and I'm
going to just
Paignton his little.
Hungry belly vortex.
He's out there. Taste in the.
Sproull or in the world.
So it's fun to sort of blend
those out and as I'm blending
in we get more and more
magenta.
Pointing that out.
Pointing out the vortex
blending it out.
Too much for plunge rinse out
wipe off my brush get
some warm magenta.
Just painting in the vortex.
Leaning to his hungry hungry
belly
you will come along his gums
and make that kind of neat and
tidy so his
teeth really pop out against
it.
And we get a little yellow in
there.
I mentioned to
let's start
can a little white
well yellow little white.
Talking about
curr this vortex being very
soft very gentle.
Creating value.
Making nice rounded.
Rounded.
That see it's starting to show
up.
This is about just painting
soft rounded strokes.
Marian come back with a little
orange
a little more magenta after
this dries a bit.
But now he should be dry enough
for us to come back with a
little bit of white just
right on our brush.
Come right up to his now.
And make the high reflection
just right here.
And down a little bit
maybe another little a little
fin coming back over his eye.
We'll do the last finishing
touches we put in the teeth.
These are what he has to have
painted in so
we can put it in his water.
All right.
This is a good time to dry your
canvas.
OK.
Let's do a couple of things
first.
Now our canvas is dry.
Let's put out. I'm going to put
out the soft body paint.
You can use your regular white
paint you can use crappin.
I just really like to use this
especially when I'm doing
detail work and I'm going
to load this up on this brush.
This is a number zero black
pearl round. But basically what
this is is a small detail
and we'll do a couple of
things.
I mean the current is I
want to make a nice little
outline
d like and really see a lie.
And then I'm going to come in
and give them to be Toops
I like to start slightly if
this is the center of his nose
slightly off center.
And remember sharks have rows
of teeth.
So the thing that I like to do
is kind of have some teeth that
are smaller and maybe farther
back and then some that are far
forward.
And I even have some shark
teeth on my desk here.
Right here.
So you can see
what those shapes are like.
Little.
Added touch that I have for
you.
Put some nice curb to curb
the teeth.
Maybe a little hidden too.
This is the fun part.
His two feet toothy smile
you're most happy.
I'm like making them smaller as
they're coming around.
Just two feet two feet smile
maybe you didn't know he was
smiling at you but he was.
This isn't a painting not
nature.
Don't pet shirks in nature
don't eat paint. Don't pet
sharks. Let's it's your job to
pet your shark.
And I don't know anything about
that. You're in charge
there regular people it's not
your job.
This works
is way out on your paddle
board and be like unhinges me
this shark and give him a pet
while the animals want to be
left alone.
Are. Her.
Harry going to give him a nice
respectful row of teeth.
Having a good time.
Giving him that.
While those are drawing
this out we can come in and out
a little fire to his vortex.
So now for Tex I'm
going to switch it to clean
your water for this last leg of
the painting we're nearly done.
I'm a little my Conacher don't.
And some of my red
mean little my cognac are down
and some of my yellow scattered
yellow come
here and I'm going to just add
this great
little fire.
Coming on here
we have as much as I wanted to.
So I just want to make sure
that that's right they're sort
of reflective of the universe
right.
His whole mouth and I feel
good about that.
It's a touch. I want it
now that everything's dry.
I can start putting in the last
layer which is the splashy
splashy cool waves and surf
and they're totally a lot of
fun. Let me show I'm going to
do that.
I have taken some shots and I
have sharpened it and
I'm going to come here.
Above his fan right.
These are all going to be above
his fan.
I'm going to curl up.
Some waves.
And I'm going to finish that
little line in waves over here.
And then when
we look at my reference I'm
going to come here I'm going
do a similar thing.
I'm going to curl up
some waves here.
So this is a little splash
here.
And then it goes down and up
and out.
So we have these two layers
of waves that we get to paint
in and these are Supraphon
These are super easy and we get
to do with the bigger brush.
So I've got this number six.
Ruby satin and
the nice braid I'm going to get
this wet hair and then when I
come to my bigger upfront waves
I'm in the mix my green and my
blue and make my fellow
turquoise again.
And I'm going to start
painting and
my dashes coming up these waves
I'm so glad that I have.
The dark green underpinning
that's going to help this water
get darker and darker and
darker.
This is what I'm doing I'm just
painting in this darker part
and then I'll switch to my
number two
in just a second
and use a number for it.
That would also be OK.
Just painting this in
a little more blue.
If you need a little white
get it
straight here see at the top
painting of that
painting this right here.
And then I'm going to start
doing the big strokes.
Big Ocean strokes look at these
sort of back and forth
a little more green it's
pain up here.
Getting my paint
and just painting
this way the little bit of
white is giving me some
coverage.
And I can come back with some
darker colors.
No problem.
Just getting that first layer
and let's come in the back
here.
We're going to do that with our
smaller brush so we're going to
keep doing this with their
bigger brush and get some of
our purple and
some blue. We may need to put
out some more blue.
Now let's come right here
between these two waves.
Let's give the deep sea water
to this right here is the
purple and the blue.
Right between these two.
Put up some more blue.
If you need it you gotta put it
out
and put these close to each
other.
You get your flu
and you're green and you're
making your dark oceanic color.
Let's bring this up the top
here. But don't go all the way
up or just building
the water
or some nice dark water here
is these waves
crashing now.
And then maybe a little more
coming off here see curve
curve brush stroke
brushing it off building
up those layers.
Building up this layer
incur right up that way.
We want to with that dark color
in these dark oceanic colors
just strolling along the bottom
of the bottom of my canvas to
me my darkest
and we're building it up.
So once I have that base switch
back into my small brush again
work this back line let this
French line rest
so that I can come back and
froth it up.
Let's work our back line.
And our back line has a similar
thing that the blue in the
purple and maybe a little bit
of green for deep water color.
Well I can come along here
now taking all of my brush
strokes out that I put in
earlier
and right at the base of these
waves I'm just brushing up this
darker color
having some fun.
Down through here brushing it.
But here just
brush it up.
So we haven't taken on our
dashes that we put in earlier.
And when TSAs out
and I'm going to mix a little
of my green a
little my blue making my blue
turquoise
go ahead and some white to
right that coverage
up
very good article I like
come up the back of the wave
and I'm in this flick that out
and then just play in those
couple little brushstrokes
there up the back of the way.
A little green on that one.
Oh just like that out
always and a few
letter colors
three or dashes.
Up the back of the wave with
this letter color.
Sam just flicking that out
and I'm leaving the curve
looking man up.
Let's take a little of that
green with
all of that blue
that white
very color
curl that are on there and
stash that down.
Just take that great highlight
right off the edge.
Charitra
stashing that down around the
back.
Starting to see those now are.
Puts one here.
A quick look like the
chest up the front
and a little bit for us.
Here and there.
See
just working that around.
You need some more dark and I
recommend that you keep the
front of the wave.
So your blue
Harry. Go
blending in.
Cleaning up the way.
So even though that these are
very abstract and waves
are still like
darkening the foot lightening
the top like we do.
And let those rust
so we can and the very
very bright highlight colors.
That you might expect to see on
those distant waves.
And let's make these some
special waves up front.
We've got our green and blue
all come together and make our
turquoise just
a smidge of white to it so we
can see it.
We're going to just come right
up.
I'm going to flick right in
front of his face a little bit.
Just dash this down
make some little brushstrokes
here keeping
that color dark.
So
lightening it up when I get up
here.
Just now
let's do our little
dashes in the water.
And go on up
and down.
And again
just coloring it all in right.
Those nice colors and
those greens those aquatic
colors ones more greens
when working that through
this is really going to come
together.
As we add
it's pull dark purple in there
places. We're going to just
make sure that the base of this
wave is very dark grey here.
And
here and there adding
that
these should be fairly
fairly light
dry at this point.
So you get your way it doesn't
need to be perfect Whateley can
get him some balloon stuff on
it come at the top of your
wave
and he's going to flick off
a little of that color.
Just the top
when the water breaking.
Or you go.
Splashy splashy
and come here.
So a little that down the front
in some of the
hair this white water
back up here and then
splash splash here off the
front
Splash Splash Splash Splash
Splash
cause he's wearing Ray
actively swimming
very.
Just following the lines of the
water
just turn some churning water
here and as soon
as you're happy with your ocean
you can grab
your liner or your small detail
brush
drop that in her signing
paint
come
put your maker's mark on here.
You have done
Shirky night
you've done Sharky night.
You go the shark
you survive the bite of the
great white.
You have done it.
I hope today was a good day.
It's the first of a whole week
of this. I want to see you all
week so keep coming back to see
what kind of cool shark fun
we're going to do some of the
lessons to be real short.
Some of them are going to be
these gorgeous paintings you
want to hang all over your wall
and give to all your friends.
I want you guys to be good to
yourselves be good to the
oceans.
And I want to see you guys.
These are really really soon.
But by.
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