Thursday, September 28, 2017

Youtube daily report Sep 28 2017

(Jazz guitar music)

- Hi everybody, my name is Jens Larsen.

In this video, I'm going to take the Hirajoshi scale,

which is a Japanese pentatonic scale,

and I'm gonna show you how that works extremely well

for making some licks with a Dorian or a Lydian type sound.

I'm also gonna show you how, if you take any scale,

but in this case just the pentatonic scale,

how I go about looking for melodic ideas

and finding arpeggios and patterns within the scale

that you can use when you are making lines

and when you're getting used to it.

If you want to learn more about jazz guitar,

about improvising over chord changes,

interesting scales and arpeggios,

then subscribe to my channel.

If you want to make sure not to miss anything,

then click the little bell icon notification

next to the subscribe button.

The hirajoshi scale is a pentatonic scale.

And of course, Hirajoshi is--

I hope I'm not completely slaughtering the name,

is a Japanese word, so it's a Japanese pentatonic scale.

If you check this out on Wikipedia and a few other places,

you'll see they don't really agree on where the root is.

The way I'm going to think about the scale in this video,

because I don't really care too much

about what the root of the scale is

because I'm putting it on top of other chords,

is that if it's in the key of E,

or we think of E as the root here,

then we have this scale.

So E...

F#...

G...

B...

C...

And E.

So...

You can look at this as being sort of a pentatonic scale,

if you build a pentatonic scale from the sixth degree

of a major scale, then this is actually what you get.

Because you would use one,

Two, three, five, and six.

Similar if you play one from C major,

it would be one,

two...

Three, five, six.

So that's kinda one way of looking at it.

It's easy to relate to it if we think about it like that

because it's close to how we normally work

with pentatonic scales.

There are going to be a few things

that I'm going to work with.

This is going to be a little bit guitar-oriented

in terms of some of the patterns that I'm using,

and some of the approaches to finding material.

But for the rest, this whole video will actually work

just as well for any other instrument.

It's not really about that,

but I'm going to use a few guitar tricks, so to speak.

The way we play pentatonic scales most of the time

on guitar is two notes per string.

So of course you know...

(musical scale)

This A minor pentatonic scale.

If we take this scale and make it

into a two note per string structure,

then that could be something like that.

(pentatonic scale)

And of course you can do this in five positions

because it's a pentatonic scale.

The reason why I'm doing this,

this might seem less than obvious in the beginning,

but there are just a lot of things

that are really nice to do

with two note per string patterns.

And we already know them because we already checked

out most of the pentatonic scales.

So we might as well try and use them

on other structures that are similar to the normal

minor pentatonic scale that we all know and love so much.

Another way of playing this pentatonic scale

that's really useful is to think of it

as being sort of a small cell

that you can move around in octaves.

And probably anybody who's checked out any kind

of heavy-metal tutorials online will recognize this shape.

(plays Hirajoshi scale)

To start exploring the scale and figuring out

what kind of chords we can use it on,

let's just look at the notes

and see if we can come up with something.

So if we have E...

F#...

G...

B...

C...

And of course it repeats,

so E, F#, G, B, C, E.

Then we have two octaves of the scale.

And a few things that sort of jumps out at me,

is if we take the notes...

C...E...and G...

Then we have a C-major triad.

So that's in there.

And we can also take E, G, and B.

Okay, that's here.

Okay, so E, G, and B, that's an E-minor triad.

Another structure that's in there is...

B...E...and F#.

So that's a Bsus4...

And also one that's a little bit less common

would be F#...B, and C.

Which is like an F, dim, sus sharp four triad.

So if we look at those triads,

we can also see that we have actually a complete...

C-Major seven arpeggio in here.

And actually the scale is Cmaj7,

with an added #11.

So that's kinda given us the Lydian vibe.

And this also was telling us we can use this very well

to get sort of a Dorian sound.

Sort of like a Cmaj7(#11).

Like this one.

Over on A, so it would be...

This type of sound.

(Am13 Dorian chord)

Which is probably where I would suggest using this.

The reason I don't use it on E

is we don't actually have a seventh degree.

So we only have the C but we're kind of missing something

that would be a D, or a D#

to get something that we can really use on an E minor.

In my opinion, anyway.

The next thing we can do, is to take some structure

and then try to move that through the scale

just to get a better overview of what's in there.

And see if we can find some arpeggios

or chords that we can use.

And I'm just gonna start with really just looking

at what notes are in there and making sort of

an observation, what is possible to make.

And the voicing that I have here

is a Gmaj7 shell voicing.

Which is contained in the scale

because we have G, B, and F# in the scale.

And if I move that through the scale,

so the idea here is...

This scale is kind of easy to think of on one string

because we have sort of one cluster of notes

which is E, F#, and G.

And then we have B and C.

And then that repeats.

So those patterns really help us

when we need to move something along the neck.

It's like a chord shape, like this, through the scale.

And that's really what I'm going

to be doing in this next example.

So we start with the Gmaj7 shell voicing.

And I'm not going to do it in detail for all the voicings,

but just to show you the idea,

so G...the next note up from G would be a B.

From this B here, the next note is C.

From the F#, the next note is a G.

And then we have this one.

If I do that again, then B moves up to C.

C moves up to E.

And G moves up to B.

And you have a C major shell voicing.

And we can just repeat that, and we get this voicing.

And this voicing.

So all in all...

It's a really interesting sounding voicing.

And they will all work really well

for some sort of A minor Dorian or C Lydian sound.

And of course we can also use them as arpeggios, so...

(jazz guitar arpeggios)

If we start building chords the same way

as we can with a normal pentatonic scale,

then really what we do is just sort of split

the pentatonic scale into a first and second row of notes.

And just put three of those together.

And if we do that with this fingering,

so we have of course...

(pentatonic guitar picking)

this fingering for this scale.

Then we get these voicings.

(strums jazz chord)

And here we have this one, which is sort of like a D7(13)

without a D, or an Am6,

or some sort of C, Cmaj7(#11) without a third.

So that's useful for the kind of sound that we're going for.

The next one, this one,

is the same as this...

If we play it an octave higher.

That's a C major triad and the first inversion.

Then we get this from F#,

which is in fact our B.

So B...sus4 triad.

Then we have...

This, which is like a C Lydian triad inversion.

And then we get the final one,

which is an E minor triad.

So if we take these triads and move them along the neck

in the middle strings, that would be this.

(plays chord voicings)

As I mentioned, there are some things

that are really easy to play if we think

in terms of the two notes per string patterns.

And then some stuff will just sort of fall naturally

within the scale and give us

some great material to work with.

And an example of that could be this pattern,

that's a five note grouping start on this G.

So...

(plays pentatonic pattern)

A similar idea could be a pattern like this.

(plays scale pattern)

And of course, this scale is laid out

quite differently on the fret board,

with the two notes per string type pattern.

And it's more difficult to play than a normal

minor pentatonic scale.

But still, I think this works really well,

and it's a nice way to just come up with some ideas.

And you can use some of the same patterns

that you would normally use in a pentatonic scale.

So in that way it's easy to just use some material,

and get some easy, accessible, melodic ideas from that way.

(plays Dorian Jazz Lick)

The first example starts off with this arpeggio,

which is of course...

The D7(13) chord voicing without the root.

And this an arpeggio I use a lot.

I find it extremely useful, both for the Dorian

and the Lydian sounds.

And actually also just to mixolydian or even,

diminished type of dominant sound.

And here I'm starting with leading notes,

so I'm sliding into the C.

And then I'm using the pattern that I talked about

in the previous example, so that's...

This pattern.

And then from the next string set as well.

And then down to an E.

Skipping down to C.

And ending on the F#, which in this case

is like the 13 on the A-minor.

And of course, I think all these lines,

you can use them on the A minor and also

on the C Lydian sound.

So really, whether it's Dorian or Lydian,

doesn't really matter too much.

And this line would work just as well

if you played it over...

C seventh flat five or #11.

The second example, I'm also playing an A minor chord,

so over this A minor 13.

But again, you can use it on the C as well.

I'm starting with basically the scale minus one note.

So it's the scale minus the C,

and that gives me this E minor at nine arpeggio.

So...

(plays arpeggio)

And I'm playing two octaves left,

down to the E again.

Then we get a C shell voicing.

And then an F#.

And then just down the scale,

to end on the ninth of the A minor.

(jazzy guitar)

The third example has a background

of a Cmaj7(#11),

of a b5 chord just to really demonstrate

the Lydian idea works quite well.

And the first part of it is an E minor triad,

so this is E minor first inversion triad,

with a leading note.

So...

And then the next part is a Bsus4 triad.

So E minor first.

Bsus4.

Then a Cmaj7 arpeggio.

And then I'm repeating the first phrase again.

So there's an E minor first inversion triad

with a leading note.

But I'm playing it from this F#, so...

(jazz guitar lick)

This example is also really emphasizing the Lydian sound

you can use this scale for.

I'm starting with a pattern that's coming

out of this fingering, so...

But I'm playing it descending

so I'm starting on the G, so...

And then just using this octave.

From this B, I'm just using an E minor triad,

and then up to F#.

And here I'm using the F# to just lead

into a Gmaj7 shell voicing.

Followed by a Cmaj7 shell voicing.

And then down the E minor triad,

and then ending on the #11.

(Strums Lydian Chord)

As you can tell, I'm not really that concerned

with which note is the root note in the scale,

and what kind of tonality it implies.

Because the way I use pentatonic scales when I'm playing,

well at least when I'm improvising like this,

is really just a set of notes that have a certain sound.

So they are certain extensions on top of another chord,

and they have certain intervals,

and contain in that way a sound that I can put

on top of another chord.

So I'm really not concerned with

what the root of the scale is,

because I'm anyway mostly using this on two chords,

one of which, the root is not really

even contained in the scale.

And I think that's the most normal way

to really work with pentatonic scales in jazz in general.

If you have an idea for a pentatonic scale

that I should try and go over and work through

like I'm working through this one,

then leave a comment.

And of course, also, if you have an idea

for some sort of arpeggio or structure

that I forgot to talk about,

then you can also leave a comment on that

because the more complete we have in terms of--

the more material we have on the scale, the better.

And it can sometimes be difficult

to just spot all the chords that are in there, of course.

If you wanna learn more about jazz guitar,

and this is the first time you see one of my lessons,

then subscribe to my channel.

I publish a new lesson every Thursday,

and I've been doing this for quite some time.

So there's already really a lot of material

available on my channel.

I'm really grateful for the support

that I get from my patrons.

It's because of the support that I get

through my Patreon page that I can keep

on making all these videos.

And if you want to help me keep making videos,

then check out my Patreon page.

If you support me over there,

then I can also give you something in return.

That's about it for this week.

Thank you for watching,

and until next week.

For more infomation >> The Pentatonic Scale for Dorian and Lydian You Forgot to Check out - Duration: 14:55.

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Special Things!! + Announcements :) - Duration: 19:14.

Hey Guys! This is EmilyPlays back with another video. So first of all i just wanna say that in this video there will be a lot of things and im serious that there will be a lot.

After we hit 100 subscribers!! Omigosh! So that celebration type of video will be coming after this one so stay tuned for that!!

For more infomation >> Special Things!! + Announcements :) - Duration: 19:14.

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Father Figures Trailer

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SCUF Impact Review – Double the Power, Double the Fun - Duration: 4:40.

This is Mack, for Pixel Enemy, here with a review of the SCUF Impact PlayStation 4 controller.

SCUF has continued to push the envelope when it comes to custom PS4 pads.

This year's evolution takes the form of the company's flagship "SCUF Impact",

a controller that has gone through a cosmetic redesign to allow for more features to be

added.

Prior to the Impact, SCUF's PS4 range only allowed for two paddles on the rear.

With the Impact's additional space however, four paddles can fit comfortably.

This means even more functions can be mapped to the back of the pad, making it easy to

jump, crouch, stab, reload, change weapons, and more -- all without having to take your

thumbs off the analog sticks.

Paddles have always been the main attraction when it comes to SCUF, as they give a proven

advantage in shooters.

I'm showing Call of Duty: Black Ops 3 here, in which you have to control the exo-suit

movement while trying to aim and shoot.

This is similar to the gameplay found in the newly-released Destiny 2, which sees players

double and triple jumping around, all the while trying to aim accurately.

However, even in boots-on-ground games, the paddles have their uses.

Jumping around corners while turning to aim is still useful, and it's always nice to

have a quick melee or drop shot at the ready.

SCUF is number one when it comes to the controllers eSports players use.

And though I'm no competitive gamer, I still like to have every advantage I can get.

Over the years, SCUF controllers have granted me thousands of kills and saved me from thousands

of deaths.

When I started playing with the SCUF Impact, I only really used two of the four paddles

-- X to jump and O to melee -- since that was what I was used to.

However, after using the Electro Magnetic Remapping tool that allows you to swap the

paddles' functions, I found that the additional third and fourth paddles came in handy, as

you can assign not only X, O, Triangle, and Square to them, but also Left, Right, Up,

Down on the D-Pad, and L3 and R3.

This ability to tweak the SCUF Impact after purchase, keeping it useful and futureproof,

is a trait that's also found in other aspects of the pad.

Though I've never had problems myself, I have read a bunch of horror stories about

SCUF paddles breaking, or analog sticks wearing out.

Happily, the SCUF Impact embraces modularity, with the paddles, analog sticks, trigger covers,

and D-pad control disk all fully removable and replaceable.

This adds a little peace of mind on top of the usual SCUF 90-day warranty period for

controllers, and 12-month warranty for broken paddles.

I feel it's important to mention warranty when it comes to items like these, as it is

a premium controller that rocks a pretty premium price tag.

In the US, you'll be looking at a starting price of $139.95 (without shipping costs included).

So, again, it's good that the SCUF Impact has gone modular with a lot of its features,

as that should provide a nice boost to the lifespan of what is an expensive product.

Another feature unique to the SCUF Impact is the "Cable Retention System", which

when combined with SCUF's own braided USB cable, is pretty damn tough to pull out.

This keeps things secure, and unlike standard micro USB, is less likely to wear out and

stop working or snap, even.

SCUF Gaming is also using the new DualShock 4 controllers for their pads, so yes, that

USB connection is low latency, and there's a lightbar on the front as well.

Also worthy of mention is the trigger system, which allows you to tweak the initial activation

and reset time.

An internal part that you tune by inserting a wire and turning adjusts the time that games

take to recognize your input, and the external trigger stops prevent the trigger from descending

too far.

These work together primarily to make for a quicker semi-automatic fire rate.

So, if you're forced to switch to your pistol, you can surprise the enemy by firing it extremely

quickly!

Though I've had a couple of issues with the trigger stops falling out with previous

controllers, and needing to put clicked back in, the ones on this pad seem solid.

Overall, I think the SCUF Impact is a fantastic controller.

It's awesome to see SCUF take a bold risk and combine DualShock 4 functionality with

the ergonomics of an Xbox One pad.

The only nitpick I have here, once you've swallowed the price -- which is basically

just SCUF charging the most for the best product -- is the little headphone cut-out.

I get why it's there, but it'd be nice to have a little insertable cover for when

it's not in use.

This would smoothen out the look and keep it totally pristine.

If you're wanting to take your console game to the next level, the SCUF Impact is my number

one choice.

Of course, it also works with PC!

With the modularity considered, I think the price is now worth it.

However, if it's still hard to justify the purchase, do check out the "Send in Service"

which allows you to send SCUF your own pad and have them pimp it out at a reduced price.

I'll leave the links to SCUF Gaming, their Online Controller Builder, and the Send in

Service down below in the description.

That's the SCUF Impact reviewed.

What do you make of the controller?

Let us know in the comments below.

If you enjoyed this video, hit the Like button, and be sure to subscribe if you haven't

already.

This has been Mack, for Pixel Enemy, goodbye.

For more infomation >> SCUF Impact Review – Double the Power, Double the Fun - Duration: 4:40.

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THIS WAS IAA FRANKFURT 2017 - Duration: 8:28.

Hey, I'm Thomas aka Tommiworks

and today I'm at the IAA in Frankfurt

the biggest car show in Europe

where the plums are scarce, the financial situation of some brands still visible

and where the beer is German, let's check it out

55k?

59k.

For this price you have a GTD

and a secondhand miata

Felix, what's going on?

here they train Volvo employees

dreamjobs are created here

get in, Felix!

no, I'm not allowed

that's one for your channel

*Thomas pisses himself with excitement

you're gonna get in, right?

ye, ofc, duh

*do you even need to ask?*

*it's a miata*

it's worth the wait

*Thomas gives up*

It's good lighting, huh?

it's magnificent

at the bottom there's an STI logo, just incase you didn't see yet

I think it's an STI

what do you think, Laurent?

here, too

I'm not fully convinced yet

you can't be serious

ooh, a lot of them here

on the steering wheel, in the middle, the stick

the logo is a road with 2 lanes

the "Wey"

it's "Way" but written with a "E"

and it's a road with 2 lanes

what engine is in this car?

those exhausts

pop the hood

the price isn't listed

it's not for "ale"

this isn't helping

*Vandenborre tries closing the hood*

*Vandenborre tries again*

*third time's the charm*

it's "der neue Lexus"

"der" what?

*Felix thinks hard*

*Felix starts thinking so hard he nearly has a brain aneurysm*

"Der neue Lexus"

Laurent, that wheel is turning

Incredible

that wheel is turning

*TECHNOLOGY IS AMAZING*

touch it

that was it for today, I hope you enjoyed this video

are you interested in more of these videos? make sure to check out my channel

and don't forget to like the Automotive Management page on Facebook

Ciaokes byekes, and untill the next one

For more infomation >> THIS WAS IAA FRANKFURT 2017 - Duration: 8:28.

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ASMR Sanftes Kissenspiel ♡ Pillow Play in the Rain - Tapping & Fluffing for Sleep (deutsch, german) - Duration: 36:06.

Hey!

welome to the land of pillows

I'm so happy to see you

this is my sleeping pillow

and the others... I just have vor fun

but first of all

thiiiiis wonderful cuddly sleeping pillow

it is filled with downs

it is raining a little bit, I don't know if you can hear it

there

do you hear it?

I will tap the big one again later

but know this pillow

there is a little bit of dust

can you see it, there are marks

fuzzzz

I'll remove them

I like the pattern a lot

this batik pattern

and it has

pompoms

and the pompoms are so soft

very soft

and i think the pillow is made of linen ....or...cotton

at any case super soft

this is the backside

the front side

now we are around once

around again:

one

two

three

four

fivesix

okay change pillow

this one is for decoration only

silver

and it is breathing if you press it

I don't know if you can hear it... i will press it and leave it and then

it is breathing

again

the material is artificial leather

with metallic coating

one

two

three

four

five

six

twelve

ok the next pillow

the one side is embroidered with sequins

double black and green

and the other side is black

and super fluffy

it feels so soft

ok it is time for the melon pillow

the melon pillow

for the little sleep between

super cosy

one

two

three

four

five

six

seven

eight, nine, ten

eleven

twelve

13,14,15,16,17,18,19,20

20 melon seeds

ok, now again, the big cuddly one

it was so good. this pillow.

it is simply good. this pillow.

I am glad to have such a good pillow

such a good pillow

yes

ok, cuddlepillow

For more infomation >> ASMR Sanftes Kissenspiel ♡ Pillow Play in the Rain - Tapping & Fluffing for Sleep (deutsch, german) - Duration: 36:06.

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Final Fight vs Drones & Vanko | Iron Man 2 (2010) | Movie Clip - Duration: 4:27.

- See that? - Yeah, yeah, nice.

Rhodey...

Get down!

Wow. I think you should lead with that next time.

Yeah, sorry boss, I can only use it once. It's a one-off.

Heads up, you got one more drone incoming. This one looks different.

Repulsor signature is significantly higher.

Good to be back.

This ain't gonna be good.

I got something special for this guy. I'm gonna bust his bunker with the ex-wife.

The what?

- Hammer tech? - Yeah.

We got this.

Rhodes! I got an idea.

You wanna be a hero?

- What? - I can really use a sidekick.

- Put your hand up. - This is your idea?

- Yup. - I'm ready, I'm ready, go go go.

Hit him!

You lose.

All these drones are rigged to blow We gotta get out of here man.

Pepper?

For more infomation >> Final Fight vs Drones & Vanko | Iron Man 2 (2010) | Movie Clip - Duration: 4:27.

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Subscribe for more Videos..!!

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Welcome to bbkidtv channel, I am creat this channel for kids

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La mère d'un djihadiste français condamnée à deux ans de prison pour "financement du terrorisme" - Duration: 3:50.

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Gaullisme, conservatisme ou patriotisme ? Ce que veulent vraiment les adhérents LR - Duration: 4:21.

For more infomation >> Gaullisme, conservatisme ou patriotisme ? Ce que veulent vraiment les adhérents LR - Duration: 4:21.

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EDEN - start//end (Lyrics / Lyric Video) - Duration: 5:35.

It's all wrong

There's no hope

Let's go home

What are we doing

cos I feel like I need to crash...

You're dead wrong

And it's not right

But I think it's time to go

And it breaks my heart you know

but it seems like they're all gone

Been looking for the the stars

since I was like 5 years old

And I been looking at the sky

But it keeps raining on me

like someone was looking down

Been looking at the sky

to show me where where I went wrong

Cos I been looking at the sky

Real friends, dead home town...

Dream clouds, ghost ground

I'm just trying to find the real now

And head now

And head out or maybe just the two of us

That shit just to try and find a way get my head down

And now all I really want is to scream

And now all I really want is to scream

And now all I really want is to scream

And now all I really want is to scream

Oh no

But no one told you That this gon hurt

And oh all we've got is to try to get it right

Be someone

that we stay up all night to be someone

And I could be the reason

Cos I can't be the one to shrug it off

just to try and get it right

And I've got way too many questions

It's all wrong

There's no hope

Let's go home

What are we doing

cos I feel like I need to crash...

You're dead wrong

And it's not right

and I need you to talk me down...

My new draw

forgetting timing

Get fucked up

I stressed time

I've moved on

been disconnected

It's played out

But it keeps raining on me

like someone was looking down

Been looking at the sky

to show me where where I went wrong

Cos I been looking at the sky

It's all wrong

There's no hope

Let's go home

What are we doing

cos I feel like I need to crash...

You're dead wrong

And it's not right

and I need you to talk me down...

My new draw

forgetting timing

Get fucked up

I stressed time

I've moved on

been disconnected

It's played out

I've missed times

Learning through future solecism

Can we build our past right?

Am I living bridges

Is this burning right?

How could you do nothing

you can't take back that you said nothing

To say it's too late

It's too late

Yeah you know you can't go back

You're running out of time

Try to forget it but it won't stop killing you

You try to kill it but it won't stop bleeding

For more infomation >> EDEN - start//end (Lyrics / Lyric Video) - Duration: 5:35.

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Giant ATX 1 (GE) 2018 - Duration: 3:11.

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How to Solve the 3x3 Rubik's Cube: Beginner's Roux Method (Easy Tutorial) - Duration: 41:00.

Hello everyone and welcome to this video where we learn how to solve the Rubik's intuitively

using an interesting method.

My name is CriticalCubing and I have been solving the Rubik's cube for over 2 years

now and I can solve one in about 8-9 seconds on average.

The method that we are going to learn is called the Roux method which is an highly intuitive

method and can give you fast times as well.

The current fastest user of this method is Kian Mansour and he can solve a Rubik's cube

in 6 seconds on average.

This video tutorial is going to start from the very basics and explain my way through

how the Rubik's cube works, basics steps of the method so and so forth.

After watching this video, you will be able to solve the Rubik's cube entirely by yourself

without any external help, and you will also be able to teach others how to solve the Rubik's

cube as well.

Before we jump right in and start learning about the method, here are the basics of the

Rubik's cube.

You don't have to memorize them, just watch it once so you understand how the Rubik's

cube works.

Rubik's cube is a 3x3 puzzle which has 6 sides each with its own colored sticker.

The colors on the cube are white, yellow, green, blue, red and orange.

You can think of the Rubik's cube as a 3 story building.

Since this is a 3x3 puzzle, it has 3 layers and you can think of the layers as the floor

on the building.

We have first layer which is the first floor of the building.

We have second layer, which is the second floor of the building.

And finally we have the 3rd layer which is the 3rd floor of the building.

There are 3 main components of the Rubik's cube.

We have the center, edge and corner.

Centers are the middle pieces which hold the cube together.

Centers are only of one color and we have 6 centers of 6 different colors which are

white, yellow, green, blue, red and orange and these centers are on 6 sides of the cube.

The color on the center will be the color of that side, so if you have orange center,

then the whole color of that side will be orange.

If you have yellow center, then the whole color of that side will be yellow etc.

Centers are also stationary so you cannot move the centers individually.

Lets do a quick test.

I move my cube around randomly and no matter how much I move it around, the white center

always stays on the top and the green center always stays in my front.

Centers do not move as they are stationary.

However, you can get the center from one poisition to another by moving the entire layer together.

I can make my green center face on the top by moving the entire middle layer.

Next, I can make my yellow center face on top by moving the entire layer, however I

cannot move the centers individually as they are stationary.

THe entire layer has to move, for moving the center.

This brings us to layers.

The Rubik's cube is a 3x3 puzzle which gives us 6 turnable layers.

These layers move around the respective centers and here is how we name the layers.

The layer which is on the right side of the cube is called R layer, or right layer.

The layer which is on the left side of the cube is the L layer, or the left layer.

Similarly, we have U layer and D layer, the Upper layer which faces on the top, and the

Down layer that faces on the bottom.

Lastly, we have F layer and B layer.

F layer is the front layer and then B layer is the Back layer.

Layers are also sometimes called face.

Instead of saying F layer, you call it F face and similarly B layer becomes B face and so

on.

Next we look at edges.

Edges are pieces which have 2 sticker on them and these edges go between centers.

Edges are unique and you will only have one edge of one kind.

You will not have 2 white and green edges and you will only have 1 white and green edge.

Edges also go between adjacent centers so you won't have edges with opposite center

colors.

For example, opposite of white is yellow, so you will never have white and yellow edge

since edges go inbetween adjacent centers and not opposite centers and you cannot place

a edge betwee white and yellow center.

White and green edge will always go inbetween white center and green center.

There are total of 12 edges on the Rubik's cube.

Now we come to corners.

Corners have 3 stickers on them and go inbetween 3 centers.

White green and red corner will go inbetween the white center, green center and red center.

Similarly, white green and orange center will go inbetween white center, green center and

orange center.

There are total of 8 corners and all of the corners are unique so you won't have two of

the same kind.

Corners also won't have white/yellow sticker on them since white and yellow center are

on opposite sides and there is no corner that go inbetween them.

Notation.

THe moves done on a cube can be denoted as follows.

There are 2 kind of moves.

Normal moves and Prime moves.

In normal moves, you move the layer clockwise, 90 degrees.

So if I can do a R move, then that means you move the R layer 90 degree clockwise.

Primer moves are opposite of normal moves and you move the layer counter clockwise or

anti clockwise.

Prime moves have an apostophe at the end.

So R' move will be be moving the R layer, 90 degrees anti clockwise and R' is denoted

as R with an apostophe.

The other move that we have are Twice moves which are denoted with 2 at the end and that

is basically moving the layer 180 degrees.

So R2 will be moving the R layer clockwise 180 degrees and R2' is the same as R2 move.

Similarly, we use this notation with the other layers as well.

U move.

U' Move.

U2 Move.

L Move.

L' Move, L2 move.

D move.

D' Move, D2 Move.

F Move F' Move F2 Move.

B Move.

B' Move B2 move.

Those are the moves that you can do on the Rubik's cube and the notation for it.

Whew that is a lot of information.

But fret not, you don't have to memorize it.

Just loosly understand it and that's all.

If you have doubts, you can refer this introduction video once more and without further ado, lets

get started with

the solving.

For more infomation >> How to Solve the 3x3 Rubik's Cube: Beginner's Roux Method (Easy Tutorial) - Duration: 41:00.

-------------------------------------------

League of Hembad 🔥 1|9 [English CC][funny af, I swear lul] League of Legends Montage - Duration: 4:28.

Oh shit dude

lol ok, I thought u d get more kills

THE THING GOES SKRAAAAA xD

PAP PAP CLA CLA CLA

SKIDDIKAPAAP

AND THE BR BR BRR BOOOOM lolololol

SKYYYYYYAAA DU DU KU DU DOOM poom

POOM POOM (This is pure gold :D)

We have 3 open inhibs

sry for the bad animation D:::

YOOOOOO

Noooo

I reduced her health to 10%(90%dmg~~~)

Who

Soraka lul

ups

How much damage is that xDD

1000 DMG with the ult lel

Your ult gave me 988 dmg

omg dude

Ok that was hard dmg

This was rlly hard dmg dude :D

What was that

your ult

I know I saw it

OMG I'm comming

BAROONN

Look at my mooovves oh fuc

noo

omg why were these jerks they so slow

Watch out

How did u survive

omg Sebastian omg

Feels bad man ~Pepe the god damn frog

For more infomation >> League of Hembad 🔥 1|9 [English CC][funny af, I swear lul] League of Legends Montage - Duration: 4:28.

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World War 2? - My Ringtone - Duration: 2:12.

Some say if you don't try then you won't know How to get by now you said it wouldn't hurt, oh no!

If I knew then what I should have known now

Up and down jump off the deep end Work this out I should have left with you

With you

No way out I met your best friend She went down and I should have made my move

With you

I'd Love to! (Change the World?)

Epic Beat Drop

Epic Beat Drop

Epic Beat Drop

Ep

Ic

Drop

Ep

Ic

Epic Beat Drop

Epic Beat Drop

But I don't know what to do

Holler Holler

Epic Beat Drop

Epic Beat Drop

Epic Beat Drop

Ep

Ic

Bass

Ep

Ic

Oh My God There's

too much lyrics

So I'll leave it up to you

The atomic bomb

World War 2?

Pretty good stuff...

?

Death and color

(Self Explanatory)

For more infomation >> World War 2? - My Ringtone - Duration: 2:12.

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Best in Class CoreSite Data ...

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FS17-Timelapse-Goldcrest Valley 29-Más cerdos!! - Duration: 17:00.

Episode 29 More pigs !!

Good morning to all. Today we will start the day doing work for our neighbor in the field.

We will harvest, fertilize, plow, cultivate, and plant the field for Mrs. White.

In this way, we will gain some extra money and we will reduce the sale price of the field.

Take a seat and enjoy while I take care of Mrs. White's field.

Work done. Tomorrow we will apply more fertilizer and collect the potatoes

Now we are going to prepare our fields for the next harvest.

In this rotation we will grow barley in the fields of group 1, corn in those of group 2 and rapeseed in field 23.

We will also buy more pigs and sell some of our grain reserves.

Keep enjoying while we work :-)

All fields sown and fertilized.

As usual, I will have dinner and rest. Good night and see you tomorrow.

For more infomation >> FS17-Timelapse-Goldcrest Valley 29-Más cerdos!! - Duration: 17:00.

-------------------------------------------

How to Make Bread in a Crock Pot | Easy Crockpot Bread Recipe Demonstration - Duration: 5:44.

How to Make Bread in a Crock Pot Easy Crockpot Bread Recipe Demonstration

Hello and welcome back to In the Kitchen with Matt, I am your host Matt Taylor, today I

got an excited little episode for you, I am going to show you how to bake bread in a crock

pot, what?

Yes a crockpot.

Let's get started.

All right first we need our bread dough, I have a couple of loaves here ready to go,

here is a short little video on how to make the bread dough.

All right I let these rise a second time, and now they are ready to be baked.

This one I am going to bake in the oven traditionally for 25 to 30 minutes, at 350 degrees F. And

this one we are going to bake in a crockpot, and then we are going to compare the two.

So what you do is you get yourself a large Crock Pot, and if you don't have a large crockpot,

what you can do is, put parchment paper in there, and then just put your dough right

in there, so it will resemble, it will resemble one of the round loaves, as opposed to the

sandwich loaf.

All right then we just put our dough right in there like that, ready to go, then we turn

it on high, we put the top on and then we let it bake for 2.5 to 3 hours.

Until it is nice and golden brown on top, all right time is up, let's go ahead and take

a look, ha ha, look at that.

Bread cooked in the crock pot.

All right now with oven mitts I am going to go ahead and come in here, grab my bread,

all right I am going to go ahead and take this loaf out of the bread pan here.

All right and then I am going to point out some differences right away, so the side there

got more crispy or more hard on the sides, this is the one that was in the crockpot,

this is the one that was baked normally in the oven, a little bit browner on the edges

here, nice little crust, a little bit softer, pretty cool, now look at the tops, as you

might expect this one looks like a normal loaf of bread, this one got these little ridges,

what you might expect from the steam inside of the crock pot cooking the top.

Now let's cut into them and see what we can see.

First let's start with our normal loaf, take my bread knife here and I am just going to

cut the end, look at the inside, it looks really good, it looks like you know how bread

should look.

Give this a little taste, mmm, now let's take our crockpot bread, same ingredients and everything,

same dough, cut off the end here, a little crispier on the edges, and a little bit different

texture on the inside, a little bit more brown, here is the difference, I probably could have

cooked this a little bit less time, that's pretty cool thought the difference.

Let's give it a taste, taste really good the outside crust is nice and hard the inside

is really soft, really cool.

All right our crock pot bread is done, it turned out amazing, now there are some differences

as I showed you, between this loaf and the loaf that was baked traditionally, in the

oven, the crockpot loaf has more crispy or crunchy edges around it, and it turned out

the color was just a bit different then the other one, but it still tastes really good,

so there you go, if you don't have an oven, or your oven is not working, make your bread

in a crockpot.

It is really easy to do, if I can do it you can do it.

I am Matt Taylor, this has been another episode of In the Kitchen with Matt, thank you for

joining me, as always if you have any questions or comments, put them down below and I will

get back to you as soon as I can, thumbs up down in the corner, push it, don't forget

to subscribe to my channel, and check out my other videos, take care.

Time for me to finish eating this slice, oh yeah, mmm, mmm, mmm.

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