I am RIWON
Do you know where we go?
We are going to go to animals playground
We arrived at animals playground
What is this anmimal?
This is amazing
This is pig
Fox!!!
she is sleepy
-------------------------------------------
Itaca - La casa (6) da Ulisse di Joyce (con sottotitoli) - Duration: 14:55.
For more infomation >> Itaca - La casa (6) da Ulisse di Joyce (con sottotitoli) - Duration: 14:55. -------------------------------------------
Itaca - La casa (7) da Ulisse di Joyce (con sottotitoli) - Duration: 15:17.
For more infomation >> Itaca - La casa (7) da Ulisse di Joyce (con sottotitoli) - Duration: 15:17. -------------------------------------------
NBA Star Ben Simmons On Navigating the Court and His Finances | Kneading Dough S. 1, E. 6 - Duration: 7:29.
[Jay-Z's "Dead Presidents III"]
♪ ♪
- ♪ High school graduates ♪
♪ Straight to the league ♪
♪ I ain't waitin' for my knee to blow ♪
♪ Yesterday I was needin' this dough ♪
♪ Get it? I was kneadin' this dough ♪
♪ ♪
- Ben, what's up, brother? - What's going on?
- Good to see you, man. - Yes, sir.
- Well, I'll start with asking you, like, obviously,
you're an Australian guy playing here in America.
What was it like growing up in Australia?
Like, give us a little bit of, like,
what was it like growing up for you in your house
with your family, your siblings,
what was it like?
- Well, I am the youngest of six.
Big family.
And we moved around a lot.
So, my dad played professionally,
so he, you know, if he played in Newcastle,
which was about a two-hour flight from Melbourne,
then... we'd travel and move there.
So I moved around a lot when I was younger.
- Got it, and how did that come about?
How did moving to America come about?
- So, Mom didn't want me to go.
And then I had my sister Emily out here,
who kind of pushed it,
so I told her, "I want to go."
And we made it happen.
So I ended up going to Montverde Academy.
- Yep, and why did you want to come to America?
- So, I went to a few camps before I came out,
and nobody knew me.
But by the time I got back to Australia,
everybody, you know, was talking about me
from videos and, you know, Twitter, social media.
So once that started to happen, I just felt comfortable
and I felt like I needed to be over here
to develop my game.
- To develop-- and did you feel like
you wanted that competition that was here?
- Definitely. - You wanted the stage?
- So, I'd look at the high school rankings
that have, you know, top 100, top 50,
and my name would never be there
because I wasn't playing in the States.
- 'Cause you were in Australia. - Right, yeah.
So once I came over, I was like,
"I'm gonna be number one."
- Your senior year at high school,
you started to document your senior year, correct?
- Yeah. - And was that your idea?
Where did that thinking come from?
- So that came from my sister,
and then we sat down and talked about it,
and it was a green light.
So from, say, halfway through my senior year,
that's when we really started filming.
- Yep, and you filmed the whole...
- All the way till the Draft.
- All the way up into the Draft.
And when I look at that, I think about it
like it's either two ways you were thinking.
Either that was a business decision,
like, "I want to make this 'cause I know it'll sell
and we can..." - Right.
- It became a Showtime doc.
Or there's something you wanted to show,
like, "I want to take people on this journey.
I want to show something." Which one was it?
- It was more about showing people
the lifestyle that student athletes live,
and it's not how they think it is and how it should be.
- Yep. - So it was more about
just exposing that.
- So, obviously, after Montverde,
you went to LSU.
You were out, open about being one-and-done, like,
"I'm here for one year..." - Right.
- "And I'm out." So is there even a point
to go to college for that seven, six or seven months?
- I mean, if we didn't,
a lot of people would be losing money.
- Yep. - So, I think
that's the main reason. Obviously, NCAA,
if they didn't have the stars coming through,
then people wouldn't be watching.
- If I was as talented as you,
would I see a point in that six or seven months
of being there?
- In the--I think, no.
I think I would have learned a lot more
being around professional athletes.
Looking at it now, I don't even really know what I learnt
financially or...
just being a person at LSU.
- Yep. - I think I've learned
a lot more with this whole year
being in Philly and being a pro
than I did at LSU.
- So, when you arrived at LSU,
did they have your jerseys, like, in the bookstore?
- Jersey everywhere. They had...billboards.
Before I got there, they had a...
It's like a saying that said, "25 is coming."
So they couldn't put your name there,
but they can put your number.
- Really? - And everybody knew
I was number 25, so...
- Was the billboard, like, on campus?
- All around Louisiana.
- Oh, the whole state, everywhere?
- Yeah. - Wow.
And it was kind of portrayed as, like,
"he's gonna be the savior of LSU, he's coming."
At what point did it start to bother you?
- I think when they started asking more of me,
more photo shoots and...
just meeting with them, with certain things
I have to do during the day.
Like, I'd have class
and then go lift, go practice,
and then, "Oh, Ben, you gotta stay here and do media
and the photo shoot."
So I'd be kind of annoyed,
like, "What am I getting out of this?"
- So, when you saw the billboards,
how did that make you feel about
the business of college sports?
Like, what did you feel like the business of this is about?
- It's a dirty business. - Yep.
- You just have to--I mean, you have to put up with it.
But at the same time, it just taught me a lot.
You know, I have an image and people, and just use that.
But now I have the opportunity to control that
and what I do and who I work with,
so...I mean, it helped me.
At the same time, it was very--
I felt it was really sneaky, kind of.
- Do you think eventually that's something
you wanna take on and talk about?
Like, how we do we fix this in America, this AAU, college--
- I think I want to do it while I'm playing.
- Do you? - I don't think I want to
leave it, you know, until I'm done.
I think I want to do it while I'm playing,
and in some way help.
Even with the documentary, I felt like
that was the start of it.
- At what point for you did it hit you,
like, financially,
life has changed for me?
- With taxes.
- With-- [laughs]
- For sure, for sure.
- At what point did that hit you, like,
"I'm gonna get a million dollars, but I owe--"
- Right, they say a million, you get 500,000.
- Yeah. - It's like, what?
And you gotta pay fees and things like that, so...
- Yeah. - Everyone has to pay taxes.
- But was there a moment for you, like,
when your name got called
that you went like, "I've finally, like--
I'm making a lot of money to play basketball"?
- I don't think it was just one point.
There was a lot of different situations,
from the Nike deal
to going through it with my financial advisor
and just looking at the numbers.
I think that's when I was kind of like,
"Wow, this is a lot of money."
- What was the thing you bought that you regret the most?
- [laughs] There's a few things.
- Like what? - I had two Savannah cats.
[both laugh]
- Yeah, by the way, I was-- I mean...
- I had to get rid of them, though.
They were crazy.
- Are they expensive, those things?
- So, I had one that was around 4,000.
And then I got a male
who was a second generation.
He was... no, he was third generation.
He was 6,000.
The grandparent of that is a serval,
which is a cat-- I think it's, like, this big.
- Yeah. - And it's an actual wild cat.
- And they mix it with domestic cats?
- Yeah. - Got it.
- Pretty sure. - Yeah, I seen you with that
on social media, I'm like,
I don't know if this is an Australian thing...
- Yeah, no, it was a bad purchase.
- But like, I was like, is this guy running a zoo?
- [laughs] - You know, 'cause for us
in America, our exposure to Australia is like,
Outback and, may he rest in peace, the Crocodile Hunter.
So I'm like, well, maybe this is how Australians live.
- No, no, no.
No, it's definitely not how we live.
- What made you get those cats? - I love animals.
- You love all animals? - Yeah.
- Got it. And is there one decision
business-wise for you at a young age
that stuck out to you that was like,
"That was the best business decision I made"?
- Probably firing my...
my last advisor-- financial advisor.
- Your first advisor? - Yeah.
- Wasn't the person you wanted around?
- No, and that was when I was like,
I really need to get this together
before, you know, it gets worse.
- For young people, that's a hard thing to do.
- Oh, yeah. - And is it your goal
to grow the sport of basketball in Australia as you play?
- Definitely. I think there's a lot of kids--
very talented kids back home--
and they understand the game and play the right way.
Once they get over to the States
and play against American kids or whoever it is,
that, you know, there'll be
a lot more Australian players in the league.
- Ben, appreciate it, man.
- Thank you. Thanks for having me.
- Enjoy your trip to Australia. Thanks for coming on the show.
- Appreciate it.
♪ ♪
-------------------------------------------
Audi A4 Avant Sport Pro Line S 1.4TFSI/150pk Panodak, Navi, Virtual cp, 18"lm, Led - Duration: 1:01.
For more infomation >> Audi A4 Avant Sport Pro Line S 1.4TFSI/150pk Panodak, Navi, Virtual cp, 18"lm, Led - Duration: 1:01. -------------------------------------------
MINI 1.6 Cooper S - Duration: 0:59.
For more infomation >> MINI 1.6 Cooper S - Duration: 0:59. -------------------------------------------
Italian Hamburg♪ ~Chopped Steak with Cheese and Tomato Sauce~ - Duration: 6:35.
Put some broccoli.
Garnish with fried egg.
Italian Hamburg♪ ~Chopped Steak with Cheese and Tomato Sauce~
This time, I am going to make Chopped Steak with Cheese and Tomato Sauce.
We call it "Italian Hamburg" in Japan.
As it was tasty when I ate it at a certain restaurant.
So, I try to recreate it in my own way.Please try it yourself.
Prepare ingredients.
Chop the onion.
Remove the core from 1 clove of garlic.
Then, mince it.
Remove hard fiber and skin from whole tomato.
Lightly crush the tomatoes.
Make tomato sauce.
Place 1 tbsp of olive oil on unheated pan.
Put minced garlic and turn on the burner.
Once the garlic has turned golden and fragrant, add whole tomato.
100 ml of chicken broth(or water).
1 tbsp of ketchup.
1 tsp of Worcester sauce.
1 pinch of salt.
1 bay leaf.
1 red chili pepper.
Simmer on medium low heat until sauce is reduced by half.
10 g of butter.
Once the butter has melted, stir-fry the minced onion.
Keep the heat on high.
Occasionally stir the sauce.
Put some water just before scorching.
Stir-fry for about 5~6 minutes and it's done.
Spread the cooked onion out in a shallow tray.
Let it cool completely.
Remove the bay leaf and red chili pepper.
Sprinkle some pepper.
Tomato sauce is done.
Delicious.
Wash some broccoli.
Cut some potato into thick wedges.
Make meat mixture.
Make meat mixture.
1 piece of ice.
Knead well until the mixture becomes sticky.
Like this.
Some nutmeg.
Some pepper.
Put cold onion.
An egg.
Mix well.
Wrap with plastic wrap.
Let sit in the refrigerator for 30 minutes.
After 30 minutes.
Coat your hands with some olive oil.
Divide the mixture into two.
Throw meat mixture hand to hand to thoroughly remove air.
Hollow the center of the shaped meat mixture.
Make Thick-cut French fries.
Cooking.
Cook on low heat for 2 minutes.
Put some salt into 100 ml of boiling water.
Put broccolis and cook it for 30 seconds.
Transfer into a sieve.
Check the color of the bottom.
Turn it over if the bottom turn brown.
Put a lid and cook on low heat.
Cook for 8 minutes.
Heat a pan lightly.
Put room temperature egg.
Put a lid and cook on low heat.
Heat the iron plate.
Remove the lid before the egg yolk turns white.
Cook it until your favorite hardness.
Pierce with a bamboo skewer to check if clear meat juice comes out, it is OK.
Put a lot of tomato sauce.
Put a lot of cheese.
Grill it in a preheated broiler.
Take it out when the cheese has melted.
Thick French fries.
Broccoli.
Garnish with fried egg.
It's ready to eat♪
Cheers!
French fry goes well with cheese and tomato sauce.
Enjoy!
Let's cut!
Check it out!
Very juicy and delicious.
Enjoy with egg yolk.
Please Subscibe Soon!
Cheese Recipes.↖ ↗Recreate dish series.
-------------------------------------------
14 étapes pour trouver sa mission de vie. - Duration: 9:23.
For more infomation >> 14 étapes pour trouver sa mission de vie. - Duration: 9:23. -------------------------------------------
Comment utiliser le vinaigre de cidre comme remède - Duration: 4:40.
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10 puissants cristaux qui vous rendront plus heureux et en meilleure santé - Duration: 9:06.
For more infomation >> 10 puissants cristaux qui vous rendront plus heureux et en meilleure santé - Duration: 9:06. -------------------------------------------
Which Olympic events will the Habs break curfew to watch? - Duration: 1:47.
I'll probably end up watching...
Skiing.
I love watching 'em go down the hill fast, it's...
It's... frightening, so it's... kinda... keeps you on the edge of your seat.
Back in Belarus where my grandparents...
Where my grandparents live...
They have the... the ski jumping trampoline.
And... I was standing there and I couldn't believe my eyes that like...
It's so high, and they come off so fast, and...
End up landing, on two wooden things, or plastic things, so...
I'm definitely curious to watch how it is... how it is watching that.
Maybe like snowboarding, I like that.
Finland is pretty good at that, so...
That should be interesting.
The luge.
You know, it's always exciting, fast...
A lot of things happen, so...
Probably that.
Probably like X-Games stuff, so...
Like snowboarding, and...
Doing the tricks on the skis.
I like watching that. I like...
When I went to the Olympics I saw Shaun White, so...
That stuff's kind of cool, like the half-pipe and... and the jumps.
I watch 'em all.
As long as there's a Canadian athlete in it...
You know, I remember waking up and...
At 3:00 a.m., and watching events growing up.
I've always enjoyed the Olympics.
I've always enjoyed watching Canadian athletes compete.
A lot of people that you just don't get to see.
I love seeing them compete on the highest stage, and...
and especially when you can see 'em get a medal, and...
You know, it's... It's pretty rewarding to be Canadian.
-------------------------------------------
What is Theater? Crash Course Theater #1 - Duration: 14:07.
Hey there!
I'm Mike Rugnetta and THIS is the first episode of Crash Course Theater.
Welcome!
In the episodes to come we'll have it all: tragedy, comedy, history, pastoral, pastoral-comical,
historical-pastoral, tragical-historical, tragical-comical-historical-pastoral-expealidocious.
Yup, this series could go on forever.
And let me introduce you to Dionysus, Greek god of the theater.
[[[Maybe Dionysus belches from offstage.]]]
And wine.
They can't all be charming, genius birdmen, I guess.
In this series we'll explore the history of theater and how we can understand and analyze
it.
We'll take a look at significant plays and performances along the way, but in this episode
we're going to define theater and look at some theories about how it got started.
So, Prologue over!
Act 1, Scene 1, BEGIN!
INTRO First!
Let's define "theater, the building": a theater is a place in which a play is performed.
If you trace the word back to its Greek origins and it literally means "the seeing place."
It can be big or small, indoors or outdoors, purpose-built or just borrowed.
Sometimes plays are performed in spaces that aren't really theaters at all—in a park
or a parking lot, on a sidewalk, or in a private home.
Theater also refers to the performance of plays and to the body of literature and other
documentation that has accompanied it.
Some plays, known as closet dramas, aren't even written to be performed.
And that's theater, too.
So are improvised plays that don't have a script and plays that have a script, but
don't use words, like some of Samuel Beckett's shorts.
A familiar definition is that theater requires at least one actor and at least one audience
member and that definitely covers a lot of stuff.
But - what's an actor?
What's an audience member?
While most plays use human actors, there are plays performed by robots and laptops with
voice synthesizers.
There are plays performed by animals and by puppets, though usually there's a human
helping out with those.
I hope.
Sooooo … Is everything theater?
If you want a really expansive definition, the composer John Cage said that "theater
takes place all the time, wherever one is; an art simply facilitates persuading one this
is the case."
So…is this theater?
Well, not for you.
You're watching a video recorded earlier.
But here.
In this room.
I'm performing, right?
And there's an audience if you include Stan and Zulaiha watching me.
Am I doing theater?
Want to hear my "To be or not to be," guys?
Yorick?
Aw.
They say no every time!
A plague on both your houses.
What is and isn't theater is the kind of question that can make your head spin.
We'll come back to it a couple of times, especially when we talk about political theater
and protest theater and immersive theater, but for now we'll use a more narrow definition:
theater is a deliberate performance created by live actors and intended for a live audience,
typically making use of scripted language.
We may meet some exceptions along the way—lookin' at you, robo-actors—but this'll work for
now.
And, before we get too far, let's confront the perennial controversy: should you spell
theatre re or er?
And the short answer is, both of them are fine!
RE is more common outside of the US but for some folks, this spelling acts as a shibboleth.
You may have heard someone say "a theater is a building; but the theatre is an art!"
or "theater is a destination, but theatre is a journey".
Here at Crash Course, we don't mind either... but have chosen to stick with er for consistency.
There's no origin story for theater that everyone agrees on, but there are some theories
we can explore.
In the West, at least, up until the sixth or seventh century BCE we didn't have theater
as we know it today, but we did have religious ritual, which can get pretty theatrical.
Rituals are often ways of mediating between the human and the supernatural.
They can serve to enact or re-enact significant events in the human or supernatural world—births,
marriages, deaths, harvests.
In ritual, according to the mythology scholar Mircea Eliade, "The time of the event that
the ritual commemorates or reenacts is made present."
So ritual represents, literally re-presents—old stories or ideas and makes them happen now,
which is a lot like what theater does.
This doesn't mean that ritual is identical with theater.
Ritual is sacred, and theater is usually secular (though not always, as we'll see!).
Theater and ritual can draw on similar mythological sources, but ritual typically treats those
sources as fact and theater as fiction.
In ritual the audience often participates; in theatre, they usually sit politely.
Unless there's audience participation, which is universally adored.
In the late nineteenth century, a group of classical scholars decided to search for the
origins of theater.
They took an anthropological approach and saw theater as a direct evolution of religious
ritual.
This theory really got going with James Frazer, whom we also discuss in the Crash Course Mythology
episode on Theories of Myth.
In The Golden Bough, written between 1896 and 1915, Frazer and his contemporaries, the
Cambridge Ritualists (btw, this is obvs the name of my new band) tried to take a "scientific
approach" to the question of theater's origins.
He looked around at so-called "primitive" societies in Africa and Asia, societies he
didn't really "know much about," and decided that theater had emerged as a sophisticated
refining of ritual.
According to Frazer, here's how it goes: You start out worshipping some kind of god
or practice, and that worship gets distilled into rituals to attract the attention of that
god or guarantee good fortune.
Once your primitive society really gets going, those rituals generate myths and those myths
get transmuted ... into theater.
Eventually you get jazz hands and sequins.
As the media theorist Marshall McLuhan puts it, in this view, "Art became a sort of
civilized substitute for magical games and rituals….
Art like game became a mimetic echo of and a relief from the old magic of total involvement."
For an example of the (sometimes questionable) evidence that the Cambridge Ritualists drew
on to support their idea that ritual evolved into theater, let's look at the Greek historian
Herodotus, writing in the 5th century BCE, describing a ceremony he witnessed in Egypt.
Take the stage, Thoughtbubble: Thought Bubble
This ceremony occurs at sunset in a temple.
Some priests attend to a statue of Ares, but most of the people involved are doing something
very different: "The majority of them hold clubs made of
wood and stand at the temple's entrance while others make vows, more than a thousand men,
all holding clubs...
And those few left behind with the statue pull a four-wheeled wagon carrying the shrine
and the statue which is in the shrine, and the others standing at the front gates do
not let them enter."
If things seem tense to you…
very perceptive!
Probably the clubs that tipped you off, right?
Herodotus says "Those who vowed to defend the god strike those resisting [...] As I
understand, many even die from their wounds..."
The ritual continues all through the night.
And, as you might if you were Herodotus, he asks some locals why the poundings?
They tell him: "There lived in this temple Ares' mother, and Ares who was raised elsewhere
came -- after having become a man -- wishing to lay with his mother, and the servants of
his mother, for not having seen him before, did not look the other way when he entered,
rather they fended him off, and he fetching men from another city handled the servants
roughly and went inside to his mother.
For this reason this fight in behalf of Ares at the festival has become a tradition, they
say."
Thanks Thoughtbubble.
So - the Ritualists look to stories like this to illustrate their idea that worship becomes
ritual.
Ritual becomes myth.
Myth becomes performance.
Someone writes a few songs to go along with the skull-splitting, someone else turns the
battle into a dance, let it all simmer for a millennia or two, and voila "West Side
Story"!
This ritualism theory is useful in some ways and as we'll see in the next episode, it
fits very nicely with Greek drama, mostly because the whole theory was pretty much based
on Greek drama.
That's a welcome fix to how previous generations of scholars viewed Greek drama—as something
very pure and stately, not as something that might have evolved from passion and magic–but
this theory causes problems when you try to apply the history of Greek Drama to OTHER
dramatic traditions.
Turns out, Frazer and his colleagues didn't actually know all that much about the so-called
"primitive" societies whose theater they wanted to study; the rich and sophisticated
cultures the Ritualists encountered throughout Africa and Asia were lost on the Cambridge
types ... because Euro-centrism.
So they did a lot of pretty non-scientific guessing, working backward from what they
knew about classical theater and hypothesizing about what kind of rituals may have produced
it.
Frazer also operates with the underlying belief that all societies basically evolve in the
same way and that even though, in his view, so-called primitive societies are inherently
inferior, given enough time and care they'll get more and more sophisticated until they
too can produce "Cats."
Okay, Frazer didn't talk a lot about Broadway musicals, but maybe you're starting to understand
a couple of the major problems with this theory and the assumption that all societies are
on a trajectory toward Western civilization, which in this view is getting better and better
all the time.
(This view, by the way, is known as "positivism").
Another theory that gets going after Frazer is the idea that people create myths out of
a desire to explain and rationalize the world around them.
In ritualism, myths and theater emerge as a response to pre-existing rituals.
But in this other theory, known as functionalism, myths serve an etiological function, a way
of explaining how and why things came to be the way they are.
According to one of the leading functionalist theorists, Bronislaw Malinowski, myth "is
a statement of primeval reality which lives in the institutions and pursuits of a community.
It justifies by precedent the existing order."
Unlike the ritualists, the functionalists didn't assume that all societies operate
and evolve in the same way or will create the same kinds of myths.
Malinowski didn't really discuss theater, but some of his followers did, and they locked
on to the idea that many early Greek dramas have their origins in myth and some of those
myths are etiological.
The "Oresteia," explains the legal system, "Prometheus Bound," explains that liver
is tasty.
JK.
It explains how we get fire... and technology.
So, if myths explain the world, and theatre is based in myth, we can think about theater
as a way of explaining the world to ourselves.
But such a view has some drawbacks.
Take one of the very earliest recorded plays, Aeschylus's "The Persians.
That was based in contemporaneous historical events, not in myth.
Besides the ritualists and the functionalists, there are a few other theories, too.
One is that theater derives at least in part from the clown figure – who is sort of the
secular equivalent of the shaman in early societies.
Their job was to make fun of the headman and other establishment figures and practices.
We can maybe see this influence in satyr plays, which we'll visit in the next episode.
And it's linked, at least a little, to the idea that theater may originate from games
and the playful instincts of humankind, a phenomenon called the ludic impulse.
Another related theory, which really gets going with Aristotle, is that human beings
have a "mimetic impulse": humans have an in-built desire to imitate, to act, to
pretend--and that's how we learn.
According to Aristotle, this desire eventually gets refined and codified into theater.
To sum up: Ritual, myth, clowning, playing games, playing pretend.
Somehow out of all of this or maybe out of none of it we get "Hamilton."
And now let's turn to our last question for today: Why should we care?
In other words, why does theater matter?
Well, that's a question we'll be coming back to throughout the series as we see how
and why people make theatre, and the impact it has throughout history.
But let me leave you with one idea borrowed from Percy from Percy Bysshe Shelley: "The
highest moral purpose aimed at in the highest species of the drama, is the teaching the
human heart, through its sympathies and antipathies, the knowledge of itself."
Thanks for watching and ... curtain!
-------------------------------------------
Suzuki Swift 1.3 Comfort 5-Drs/Airco/NAP - Duration: 1:01.
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La pleine lune du 2 janvier 2018 en Cancer ~ Les nouveaux commencements - Duration: 6:13.
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Il existe 7 niveaux de conscience - Duration: 8:09.
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8 signes qui montrent que vous avez trouvé votre flamme jumelle - Duration: 3:48.
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23 citations profondes de Carl Gustav Jung qui vous aideront à mieux vous comprendre. - Duration: 8:14.
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Le Siwak a de nombreux bienfaits pour la santé bucco-dentaire - Duration: 9:50.
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On dit que la pierre précieuse que vous choisissez révèle votre destin - Duration: 6:25.
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Depuis que j'ai découvert cette astuce, je n'ai plus de mouches à la maison ! - Duration: 6:41.
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McLaren Glitch! | Roblox Jailbreak - Duration: 2:05.
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How to Draw and Color Ice Cream for Kids | Learn Colors with Coloring Book - Duration: 5:00.
GREEN
GREEN
BLUE
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RED
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SARA CARTER FBI Informant on Uranium One Breaks His Silence in E - Duration: 5:56.
SARA CARTER: FBI Informant on Uranium One Breaks His Silence in Explosive Testimony
to Congressional Committees
William D. Campbell, the FBI informant on the Uranium One scandal broke his silence
Wednesday in an explosive testimony.
Campbell gave over 4 hours of testimony and answered every question from three Congressional
committees; the Senate Judiciary, House Oversight and House Intelligence committees, according
to attorney Victoria Toensing.
In the testimony, obtained by investigative reporter Sara Carter, Campbell reveals for
several years he had a relationship with the CIA which then evolved into working as an
FBI informant due to close connections he developed with Kazakhstan and Russia in their
nuclear energy industries.
Investigate reporter Sara Carter reported:
He [Campbell] gave explosive testimony on his years as an undercover informant providing
information to the FBI on Russian criminal networks operating in the United States.
He also contends in his testimony, and written briefs, to the FBI that Russia attempted to
hide its ongoing aid to help sustain Iran�s nuclear industry, at the time the Obama administration
approved the sale of 20 percent of U.S. uranium mining rights to Russia.
Senior members of the FBI, Department of Treasury, Department of Energy and Department of Justice
were also briefed on Campbell�s information and were apprised of the various facets pertaining
to Russia�s acquisition of the Canadian company.
In fact, Campbell had been told by his FBI handlers that his work had made it at least
twice into President Obama�s classified presidential daily briefings.
�The Russians expressed a sense of urgency to secure new U.S. uranium business because
they knew that the two-decades-old �Megatons to Megawatts� program would cease in 2013,�
Campbell said.
�Then Russia would no longer be guaranteed a market to sell recycled nuclear warhead
materials as peaceful reactor fuel in the United States.
I gathered evidence for the FBI by moving closer and closer to the Russians� key nuclear
industry players, including those inside the United States and high-ranking Russian officials
who would visit.�
Despite the insurmountable evidence collected by Campbell, the Obama administration�s
Committee on Foreign Investment in the United States approved Russia�s purchase of Uranium
One in the fall of 2010.
That approval by the Obama administration gave Moscow extensive rights to buy and sell
more atomic fuels.
�I was speechless and angry in October 2010 when CFIUS approved the Uranium One sale to
Rosatom.
I was deeply worried that TLI continued to transport sensitive uranium despite the fact
that it had been compromised by the bribery scheme,� stated Campbell in his testimony
to lawmakers.
�I expressed these concerns repeatedly to my FBI handlers.
The response I got was that �politics� was somehow involved.
I remember one response I got from an agent when I asked how it was possible CFIUS would
approve the Uranium One sale when the FBI could prove Rosatom was engaged in criminal
conduct.
His answer: �Ask your politics.�
Campbell also said in a statement that Putin wanted to dominate the world�s Uranium supply:
�Putin wanted Russia to dominate the world�s uranium supply, a goal of crucial interest
to the U.S. government.
At the same time, the Russian companies � Rosatom and Tenex � were engaged in racketeering,�
his testimony stated.
Also, attorney Victoria Toensing said her client William Campbell recounted NUMEROUS
times the Russians bragged the Clintons� influence would push the Uranium One deal
through:
He recounted numerous times that the Russians bragged that the Clintons� influence in
the Obama administration would insure CIFIUS approval for Uranium One.
And he was right.�
As previously reported, not only was the FBI informant working on the Russian bribery case
threatened by the Obama administration, he was blocked by the DOJ under then-AG Loretta
Lynch from testifying to Congress.
The FBI informant started providing information in 2009.
It wasn�t until the 2016 presidential election that Obama�s DOJ threatened him with prosecution.
All Russian roads lead to Hillary Clinton.
Nine shareholders in Uranium One just happened to provide more than $145 million in donations
to the Clinton Foundation in the run-up to State Department approval.
From and October report by John Solomon, we also found out that the investigation was
supervised by then-U.S. Attorney Rod Rosenstein, who is now President Trump�s Deputy Attorney
General, and then-Assistant FBI Director Andrew McCabe, who is now the deputy FBI director
under Trump.
Rod Rosenstein is now in charge of dirty cop Mueller�s witch hunt against President Trump.
Unbelievable.
Read Sara Carter�s full report here.
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(FSX SE) VRyanair PMDG 737| Shannon EINN - Stansted EGSS - Podgorica [Montenegro] | (Vatsim) - Duration: 7:35:41.
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Funny animals. Dog, Fox, Meerkat, Pig, Rabbit / kids, toy, family fun. RIWORLD - Duration: 6:11.
I am RIWON
Do you know where we go?
We are going to go to animals playground
We arrived at animals playground
What is this anmimal?
This is amazing
This is pig
Fox!!!
she is sleepy
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BREAKING! THE RESULTS ARE IN! Look What Trump Has Done To The National Debt In 1 YEAR! - Duration: 5:18.
BREAKING!
THE RESULTS ARE IN!
Look What Trump Has Done To The National Debt In 1 YEAR!
If there's one thing that Americans are sick and tired of, it's government spending
money that it doesn't have.
If we the people have to balance a checkbook and pay back what we owe, then the government
should have to as well.
If they can't keep the balance book straight, then we need to hire new people to take their
jobs who can.
This is part of what inspired electing a businessman into what is traditionally a politician's
position in Washington.
President Trump's main credential in the running for office was that he planned to
run the United States like a business, and he's been known to be very good at business.
A significant portion of his campaign promises had to do with balancing the government's
checkbook.
Since everyone on the left expected him to fail miserably, it's a sad day for most
when his successes in the economy come to light.
The biggest of which is the way he has already pain-free free steps to lower the national
debt.
The Gateway Pundit reports that the almost $20 trillion in debt that we began this administration
with has begun to fluctuate in the right direction:
"In spite of the fact that President Trump took over with nearly $20 trillion of debt
and the related interest payments on the debt, and in spite of the Federal Reserve (FED)
under Janet Yellen increasing interest rates by a full 1 percent since the 2016 election,
President Donald Trump's debt is one third and $1.2 trillion less than Obama's.
The US Debt since President Trump was inaugurated on January 20th, 2016 through today has increased
by only $547 billion.
On inauguration day the debt was at $19.9 trillion and on February 7th, 2018 the debt
stood at $20.5 trillion.
Although a half a trillion dollars is a lot of money added to the debt, it is a fraction
of what President Obama added during the same time frame in his first year plus in office.
Where President Trump increased the Debt to date by only 2.7% , Obama increased the debt
by 16.2% or 13.5% more than President Trump.
President Obama inherited a US Debt amount of $10.6 trillion on his inauguration and
increased it by more than $1.7 trillion by the end of his first year in office.
Obama increased the US Debt amount by $1.2 trillion more than President Trump in the
same respective time in office."
The problem is far from gone, but the breaks are being put on the downward spiral.
It might not seem that encouraging that the debt hasn't gone down.
However, if you think about the fact that the country is continuously moving in one
direction or another, you can hopefully understand that the steep decline into debt is being
gradually flattened out, and will eventually take a turn back toward the positive.
Another facet of this issue is not only the debt itself but the Gross Domestic Product.
President Trump has made leaps and bounds in the correct direction on that front:
"Another impressive economic indicator for President Trump is related to the debt to
GDP ratio.
The higher a country's debt to GDP ratio, the less healthy the country's economy.
With the GDP numbers released at the end of 2017, President Trump's policies have officially
decreased the Debt to GDP ratio by 1.2% in the President's first year in office.
In contrast, President Obama increased the US Debt to GDP ratio his first year in office
by 14.5%.
Obama increased the same ratio a total of 37% over his 8 years in office.
The US GDP has increased each quarter in 2017 with the 4th Quarter GDP increasing to $19.739
trillion – the highest GDP for any country in world history.
Also, President Trump has curtailed US spending.
The result is that the US Debt to GDP ratio decreased in 2017 from 105% to 104%.
No President in more than 50 years has decreased the Debt to GDP ratio in his first year in
office by more than 1%.
The last President to do so was Nixon in 1969.
Presidents Reagan and George W. Bush decreased the Debt to GDP ratio in their first years
in office but by less than 1%.
Don't be fooled, President Trump has increased the US debt by a fraction of that of Obama
and the debt to GDP ratio is decreasing.
As a result, America is moving in the right direction for the first time in at least a
decade."
Rome wasn't built in a day, and Obama didn't dig us into this incredible financial hole
in a day either.
What we can take away from this is that the problem is being fixed faster than it was
broken, and that is what's known as progress.
The constant governmental bickering, while tiring, is at least a reminder that there
are people now able to go to bat for our economic health.
They can do that now because they have a President that will back the correct budget when it
is finally made.
What do you think about this?
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Trump Doesn't Read Daily Intel Briefing, Asks Officials To Read Him a Summary Out Loud - Duration: 2:27.
Trump Doesn't Read Daily Intel Briefing, Asks Officials To Read Him a Summary Out Loud:
Report…
President Trump is declining to read his daily brief and is instead having officials orally
brief him on certain issues, The Washington Post reported Friday.
Trump is breaking with precedent set by seven past presidents in choosing to rarely read
the President's Daily Brief (PDB), which includes what officials have deemed to be the most
important U.S. intelligence from hot spots around the globe.
Reading the report is not Trump's chosen "style of learning," one source told the
Post.
Administration officials told the Post that Trump still receives full briefings and that
different presidents get the intelligence in different ways.
Director of National Intelligence Dan Coats told the Post that "any notion that President
Trump is not fully engaged in the PDB or does not read the briefing materials is pure fiction
and is clearly not based on firsthand knowledge of the process."
He added that Trump "engages for significantly longer periods than I understand many previous
presidents have done."
However, top experts — including former CIA Director Leon Panetta — said that Trump
could be missing valuable context by not reading the full briefing, which could put himself
and the U.S. in a more vulnerable position.
"Something will be missed," Panetta told the Post.
"If for some reason his instincts on what should be done are not backed up by the intelligence
because he hasn't taken the time to read that intel, it increases the risk that he
will make a mistake."
Trump's intelligence briefings have been a point of interest since he took office.
Intelligence analysts have been recommended to keep their daily briefings with Trump short,
limiting them to three topics and keeping their findings to a single page.
The briefings have also reportedly been structured in a way that won't upset Trump, including
having information about Russia only included in the written version of the briefing.
CIA Director Mike Pompeo praised Trump last month for his understanding of the intelligence
briefings, comparing Trump's grasp of the information to 25-year intelligence professionals.
What do you think about this?
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