[♪]
MAN: Listen, let me be wrong for once.
Write a new head.
Hey, boy.
Yes, sir?
Did you find Tracy yet?
No, sir. He's still out.
When you find Mr. Tracy, would you ask him if he'd condescend
to undertake a reportorial chore for me this afternoon?
If you don't mind.
Oh, no, sir. I don't mind.
Don't stand there like an imbecile. Round him up.
Yes, sir.
They're here, Mr. Bostwick.
Who's here? The students.
What are they doing here?
Mr. Bostwick, don't you remember?
It was a promotion tie-up to increase circulation.
And what did I promise them?
Well, they were to work for you, three days as real reporters.
And the one who submits the best story
during that time was to receive $50.
A-a-and the gold medal.
Oh, I'm might have guessed it.
I don't know why I let you talk me into these things.
Last week you had the place filled
with a lot of champion potato pickers.
And now the place is gonna be overcrowded
with a lot of crazy cubs. I won't see 'em.
Mr. Bostwick, they're right beside you.
Oh, Mr. Bostwick, these are the young people
you've been so anxious to meet.
Miss Nancy Drew,
from the Brinwood School for Young Ladies.
I'm very pleased-- How are you?
--to meet you.
Miss Phyllis Kimble of-- How do you do?
Hi, hi, hi.
Oh, Mr. Bostwick,
are we really going to have real assignments
just like real reporters?
I know all about fashions. I'm dying to find out.
Can I cover a scandal?
Girls, boys.
Mr. Bostwick, won't you say a few words to the contestants?
Yeah. Very few.
Why anyone is simple-minded not to wanna work on a newspaper,
I've never been able to find out.
Why, Mr. Bostwick, journalism is
a very noble and glorious career.
With all the adventure and romance and everything,
I should think you'd just love it.
I do love it. I love every minute of it.
I love my employees too. Here, take one.
All right. I won't look.
MAN: Hello?
[PHONE RINGS]
What'd you get?
I've gotta write a story about a squirrel on the park.
Where does the mayor live? Why?
I gotta find out how many babies he kissed last week.
A human-interest story about a goldfish?
"Ladies' Amateur Poetry Club, Cozy Nook Tea Room, 1 p.m."
All right, now, come on. Get going.
All right, children. Come on, come on.
And if it isn't news, you needn't bother coming back.
Clever idea, isn't it?
We'll go into that later.
Mr. Bostwick, I don't believe you'd take us seriously.
My dear Miss Whoosis, in regard to your supposition,
I see you're not without perspicacity.
I still haven't been able to find Mr. Tracy.
Every time I depend upon a reporter, I'm double-crossed.
Oh, all right, leave the memo on his desk.
Tell him to hurry over to the courthouse, right away.
They're holding an inquest on that Lambert woman.
BOY: Yes, sir. BOSTWICK: Yes, sir?
Imbecile school children.
Are you satisfied with your assignment, Miss Drew?
Oh, I think it'll do, for a start.
Uh-huh.
MAN: Dr. Carey, please.
MAN 2: Raise your right hand. Do you swear...
Excuse me.
...the testimony you are about to give
will be nothing but the truth? CAREY: I do.
Dr. Carey, as autopsy surgeon,
you examined the body of Kate Lambert?
I did.
And what did you find?
That Miss Lambert's death was not caused by heart failure,
as Dr. Hibbard certified.
Her death was caused by a poison, sodium ferranide.
What is sodium ferranide?
It's a chemical used in photography.
Is such a chemical easily obtained?
Oh, no. Only on special order from the manufacturer.
It's a new agent not yet on the open market.
In fact, only those who are well advanced
in photography know anything about it.
MAN: Miles Lambert.
Mr. Lambert, you were the first to suspect
your aunt had not met a natural death?
I was.
What aroused your suspicions?
Well, for years, Dr. Hibbard had assured me
that my aunt's heart condition was nothing to worry about.
And when she died so suddenly,
I was, naturally, very shocked and surprised.
But even so, I didn't suspect anything
until I happened to run across a scientific magazine
in my aunt's library.
There was an article in that magazine,
which had a great deal of significance to me
in view of the circumstances.
The article was about sodium ferranide,
and the portions of it dealing
with the chemical's poisonous properties
had been carefully marked in pencil.
To whom does this magazine belong?
It's addressed to Eula Denning.
Did you mark this article, Miss Denning?
Well, I--
I must have. Why?
I keep a file of all chemicals I work with.
Especially poisonous ones and their antidotes.
Then you are interested in photography?
Yes.
How familiar are you with sodium ferranide?
Well, I-- I know something about it.
Miss Denning, what was your relationship to Kate Lambert?
My mother was her companion for many years.
After Mother died, Miss Lambert took care of me.
Isn't it true that under the terms of Miss Lambert's will,
you were the sole beneficiary?
Yes, but-- Oh.
But I didn't kill her.
Why, Kate Lambert was the best friend I ever had.
She put me through school, treated me as her own child.
And yet you coerced her into making a will
leaving all her property to you.
No. A will that was made
less than a week before her death.
No. I didn't do it.
Someone must have taken the poison from the darkroom.
Mr. Garrett, if you had the chemical tin,
that would prove I was innocent. How?
Well, the murderer's fingerprints would be on it.
GARRETT: Not if they'd been removed.
EULA: But they couldn't be removed.
If anyone touched that chemical,
the ferranide would etch the prints into the metal.
A search has been made for the poison container, Miss Denning.
It's missing.
But it must be in the house somewhere.
You were the only person connected
with the Lambert household
with a knowledge of sodium ferranide.
You were the only one who had access to Miss Lambert's room
the night she died.
And you were the only one who had motive to commit murder.
I didn't kill her, I tell you.
I didn't. I didn't kill her, I tell you!
That's all.
What's the verdict?
The Denning girl's being held for trial. Murder.
What's up, baby?
Something we didn't figure on.
I gotta get out to the Lambert joint and find a tin can.
Hey! Look out.
WOMAN: Oh, my heavens.
Come back here!
Oh!
MAN: He's gone away. He drove away.
Knocked the bumper off.
[CROWD CHATTERING]
What's all this about a tin can?
There's fingerprints on it.
If the cops find it first, we're gonna be in a jam.
A jam? How?
Never mind how.
If Eula Denning isn't set up,
she'll get all that old lady's dough.
Oh, I see.
And if she is sent up,
the money goes to Miles Lambert.
Not bad.
How much do you get?
Oh, Lambert'll take care of me.
Looks like I'll have to start being nice to Mr. Lambert.
Don't you be nice to nobody but me, lamby pie.
[TIRES SQUEALING]
[♪]
Be careful, baby.
Officer, did a man come in here?
The DA's closed up this joint, miss.
No one can get in here without a court order.
I'm here to see to that.
Oh, well, the man bumped into my fender and ran away and--
Oh, a hit-and-runner, eh?
Yes, and he must be around here some place.
It's the only place he could've gone.
Well, in that case, miss,
you and I'll just take a look around.
Oh, maybe you'd better go on that side of the house,
and I'll go on this one, so he can't escape.
Good idea. And if you spot him, yell.
I'll come a-runnin'.
[♪]
Hey, what are you doing there?
Why...I'm here to read the gas meter.
That's the man, officer.
He's the one that smashed my fender.
Oh, a run-and-hitter, eh? Yes.
I won't prefer charges if you pay to have it fixed.
Well?
Will this square it?
It'll only cost me three and a half
to have my fender fixed and about 50 cents
for the gasoline I wasted coming out here,
so here's a dollar back.
All right, get along, will you?
Thanks a lot, officer.
He had an awful lot of money for a gas-meter reader.
Maybe I'm in the wrong branch of the service.
Did he say he was from the gas company?
Yeah.
Gee, that's kind of funny.
I got it, Mr. Bostwick. All about the Lambert inquest.
I was a little delayed on account
of a man ran into my fender,
and I ha-- So it was you, huh?
You switched those assignment slips, didn't you?
Well, I thought reporters always did things like that.
At least, they do in the movies.
And besides, it says right in my textbook on journalism that
a newspaperman or woman must stop at nothing to get news.
And if she intends to impress the editor, she must be willing
to do much more than what the assignment calls for.
So there.
A thing like this would happen to me.
I have it. Every word. Oh, it's sensational.
I'll bet you 23.80 you never thought I could do it.
Miss Drew, the story of the Lambert inquest
was on the street a half hour ago.
But-- But that's impossible. I had it right here in--
We were lucky enough to get it from the DA's office.
Oh, dear.
And I was so sure I had a scoop,
and you'd have to stop the presses.
Stop the presses? Or something.
My dear little girly,
will you please take pity on a poor tired old man?
If another thing like this happens to me today,
I'll lose my mind.
Good morning, Dad. Good morning, pet.
Well, how's the star reporter this morning?
Don't mention it.
You watch.
I'll show that Mr. Bostitch or whatever his name is.
I'll get a story yet.
That's the spirit.
Good morning, Miss Nancy.
Good morning, Effie.
Oh, doesn't that look good? Effie, you're an artist.
Boy, oh, boy. What cuisine?
Oh, shucks, Miss Nancy. That is just plain old cereal.
[CHUCKLES]
Dad, I have a favor I wanna ask of you.
Go right ahead, darling.
I'm in a very receptive mood this morning. Go right ahead.
Well, Eula Denning needs a good lawyer,
and I want you to defend her.
No, I wouldn't want that case, Nancy.
I've been reading about it, I'm afraid the girl is guilty.
There's not one bit of extenuating evidence.
Just the same, I bet she didn't do it.
What makes you think that?
I don't know. I guess maybe
it's just my woman's intuition.
But she doesn't look like the type who'd poison anybody.
Can't go by type, Nancy. One of the most charming woman
in history was a murderess.
She committed her crimes for far less than the Lambert estate.
That's where the man with the funny ear came in.
Funny ear?
What are you talking about?
This man sat next to me during the inquest.
And afterwards, got in a car with a woman
and ran into my fender.
Nancy, I'm gonna take that car away from you
if you start having accidents.
But it wasn't my fault. I wasn't even in the car.
That's why I followed him.
I made him pay for that fender too.
Guess what, Dad. He went right out
to that Lambert estate and tried to get in.
Probably another reporter. Oh, I don't think so.
He didn't look smart enough, and he acted awfully suspicious.
Well, I wouldn't concern myself about it too much.
Oh, no. You want it?
Certainly. I'm saving it for last.
Oh.
Goodbye, darling. Bye-bye, Dad.
[♪]
Ted.
Oh, Ted.
Where are you, Ted?
In the garage.
What do you want?
Come here, will you? It's something very important.
Oh, I'm busy.
[WHISTLING EXPLOSIONS]
[SCREAMS]
[LAUGHS]
Well, where are you?
Ha, ha, ha.
Here.
What's matter? What are you hiding for?
Somebody tried to blow up my car.
Aw, stop it, will you?
It's nothing to get excited over.
"Nothing to get excited over."
How can you say a thing like that?
Why, I-- I might have been blown to bits
right before my very eyes.
It's just a gag. Ooh.
A whistle bomb.
[BOTH CHUCKLE]
You mean, it's just a practical joke?
Sure.
It blows off when you press the starter.
And boy did you go into a tailspin.
Ted Nickerson I'll bet you put that thing there.
Oh, don't be an infant.
I got better things to do.
Well, fine thing.
It's practically a menace to civilization.
Anyone who'd do a trick like that ought--
Pipe down. Pipe down.
[GASPS]
We didn't do anything! Really, we didn't.
[KIDS SHOUTING]
Let me go.
I'm gonna tell Ma on you!
Look, they got a load of 'em.
They're not mine, they're Killer's.
Killer Parkins, you'll grow up to be a fiend.
But it was Mary's idea. It certainly was.
Mary Nickerson, you ought to be ashamed of--
Ted, aren't you going to speak to your sister?
That gangster? She's out of my control.
Aw, you're just jealous
'cause you didn't think of it first.
Give me those.
Hey, those belong to my big brother!
They don't now.
Now, go on. Get out of here.
Before I lose control of myself. Go on. Get out of here!
You-- You thugs.
I'm in my own backyard and don't you dare come in!
Eeh!
[IMITATING DONALD DUCK]
Nice going, Nancy.
The very idea.
Just a nice quiet morning at the Drews.
Well, so long, I'll be seeing you.
Where you going?
Now, where do you think I'd be going
with this tennis racket, to shovel coal?
I'll tell you where he's going...
for 10 cents.
I wouldn't pay you a penny, I'm not that interested.
Then what are you asking for?
You get in the house.
I'll tell you anyway.
He's got a date with a beautiful girl.
Oh, are you going to play tennis again
with that--? That woman?
What do you mean, "woman"?
She's only two years older than you are.
Well, if you'd rather play tennis, why, all right.
But I was sort of depending on you to help me.
Oh, of course, my getting the best story
for the paper isn't really so important.
But you know how it is.
The honor and everything would be nice.
Oh, gosh, Nancy. Oh, it's all right.
Go right ahead. Don't mind me. I just--
Oh, by the way, I have something for you.
Oh, you have? Well, what is it?
Oh, it's nothing really.
Just a little birthday present.
I spent the 4 bucks I had to fix the fender.
Well, uh, gee, Nancy, thanks.
But my birthday isn't for two months yet.
Is that so? Uh-huh.
Oh, well, now that you've seen it,
you might as well keep it.
Well, gee, thanks. I-- I don't--
Oh, gosh.
Thanks.
You're welcome.
Wait a minute, Nancy.
Look, I-I might postpone my tennis date,
if you really need me.
Oh, don't bother. Don't bother.
I was just going down to the jail
to interview Eula Denning, and, uh,
I wanted you to take your camera along.
So far she hasn't allowed anyone to take her picture.
Then how do you expect me to get one?
Oh, oh, I'd think of a way.
Then you don't really need me?
Well, reporters always take staff photographers
when they're-- When they're on important assignments,
and besides, Dad doesn't like the idea
of my going into the jail alone.
I'll go with ya!
A jail is no place for children, Mary Nickerson.
Oh, let her go. Maybe they'll lock her up.
I should say not. Now, go on, change your clothes
and wear your new hat.
All right.
I'll get your camera for you, Ted.
Hurry now. I want to make the noon edition.
And besides, maybe you'll have time to fix my fender.
[SIGHS]
Duped again.
No cameras.
Well, you see, I--
Give the lady your camera, Ted.
Huh?
Oh, okay.
All right. Over there.
Well, that's that.
Shoulda known you couldn't get a camera in this place.
I did.
What was in the case?
I took out the camera and put in a block of wood.
I figured on something like this.
Now, look, you don't expect me to take a picture
in here after what she said?
Of course, silly.
And if they catch us, we'll stay here.
Oh, stop your worrying.
Put your hat on.
Inside? Of course.
You never saw a real newspaperman
without his hat on, did you?
Ah, they even eat in them.
Aw, no, no.
Not like that. It looks awful.
For gosh sakes, what are you doing?
You just gave it to me.
I know. No, no, now let me fix it.
Ugh.
Fix it is right.
Oh, you ruined it.
There. Now you look like a real reporter
and not a store window dummy.
Yes?
Miss Denning, I'm Nancy Drew of the Tribune,
and this is Mr. Nickerson, my photographer.
Oh, a reporter. Ma'am.
You seem so young.
Uh, I guess I better explain.
We're not real reporters.
I just wanna win a prize in journalism,
and that's why I wanted an interview.
What did you say your name was?
Nancy Drew.
Are you related to Carson Drew, the attorney?
He's her father.
Oh, I... I see.
Miss Denning, do you know a man with a funny ear?
It's all sorta folded up like.
No, I don't.
Why do you ask?
Well, there was one at the inquest,
and I was wondering if he was a friend of yours.
I don't know who it could be.
Miss Denning, I don't think you did anything.
Uh, that is, I mean,
I think you're innocent.
If it's all right with you,
I'm gonna ask my father to come and see you.
Oh, if he only would.
You see, there's...
Well, there's so much evidence against me.
Why, it-- It's even worse now than it was yesterday.
Did they find something else?
Police checked with the manufacturers and learned
the only sale of sodium ferranide
made in this part of the country was to me.
Uh-oh. Gee.
Well, if you only had that tin can,
the one the poison came in--
You know, you told about at the inquest yesterday.
It's disappeared.
Someone probably stole it.
I saw it just the other day
when I was cleaning out the darkroom.
I can't understand why they didn't find it.
It wa--
What's the matter?
The tin was empty,
but I didn't throw it away.
I wanted to save it
because the manufacturer's address was on it.
Gee. Think hard.
Maybe you can remember what you did with it.
I put some empty bottles and things
in the basement in an old cupboard.
That container must've been with them.
Maybe it's still there. Yeah.
You just leave it to me, and please don't tell anyone.
Oh, I almost forgot.
Miss Denning, may we take a picture of you?
I don't mind.
Hurry up, Ted.
[SIGHS]
Thanks a lot, Miss Denning,
and-- And we'll let you know what happens.
A little bit to your right.
Look sad, now. Hold it.
[FLASH BANGS]
Here, what's the big idea? What's going on out here?
We're taking the quaddle form to porknip with the pornflarble.
Am-skray. Is the gentleman with the prisoner?
Ted, I think we better be leaving.
Well, what if you can get in? It's still illegal.
Not for a reporter. Reporters have the right to do things
ordinary people shouldn't.
Ah, phooey.
Now, go ahead, and do just exactly as I told you.
TED: Okay.
But if anything happens, don't blame me.
[SIGHS]
Hello.
Well?
Y-you don't wanna subscribe to any magazines, do you?
No.
I didn't think you did.
Are you watching this place?
Yep.
Well, I-I guess you get kinda lonesome around here
all by yourself, huh?
Sometimes.
I-I'm not very busy right now.
If you like, I could play
a little game of rummy or something.
Say, that's an idea, son. Draw up a chair.
Swell.
Um, look, do you mind if I sit over there?
[CHUCKLING] I'm kinda superstitious.
Oh, sure, sure.
We oughta have something to shoot at, son.
Say, a penny a point?
A penny a--?
Yeah, that'll be fine.
I'll keep score. For you.
♪ Dah, dah
♪ Hurry, Nancy
♪ Hurry, opcay's getting My oughday, ha! ♪
Don't do that.
It puts me off of my game.
Oh, I-I-I'm s-sorry.
[♪]
[JAR CLATTERS]
What was that noise?
Uh, w-what noise?
I'd better investigate.
Well, y-you were just hearing things.
Maybe so.
Oh!
Ted! Uh...
Your mother wants you to come home right away.
Oh, hello. Glad to see you again.
Well, I guess I'll have to be going.
How do we stand?
I'll figure it up.
[ENGINE REVVING]
You got me in a fine mess.
I lost my whole week's allowance to that rummy shark.
Well, it was worth it. I found the tin can.
Yeah? Uh-huh.
And-- And, Ted, that man with the funny ear was there.
He chased me out of the basement.
Gosh, Nancy,
we took an awful chance.
M-maybe we shouldn't have done it.
We better get this tin down to the police station
and see if Captain Tweedy can find any fingerprints on it.
Suffering cats. Look at the time.
My tennis date was at 3.
But this is much more important than tennis.
If I pass her up this time, she'll never play with me.
Don't you wanna go to the station?
You don't need me. You can tell me about it later. Goodbye!
Well!
[♪] Help! Help!
Stop that woman! She's a thief!
Look out!
She's a thief! Stop her!
Thief! Stop her!
Stop her! She's a thief!
Oh!
Captain Tweedy, of all people,
it would have to be you.
[GROANS]
Well, what are you staring at? Come on, get away. Break it up.
Hi, Dad.
Hello, pet.
Gee, I'm glad you're home.
You are? Uh-huh.
What are you doing up so late?
You get back to sleep.
Good night.
Oh, but, Dad. I can't go to sleep.
What's the matter?
Nothing.
No?
Come on in, tell me all about it.
Now...
Dad, you've always taught me
to do right, haven't you?
I've tried to, Nancy.
Hm. Dad,
if I believed in something I knew was right,
I should always live up to it.
More than that. Don't back down an inch.
Supposing you made a promise that you knew was right,
I'll bet you you'd keep it. Certainly.
A person who fails to live up to his promise is a weakling.
And you'd never want me to break a promise, would you?
Of course not, Nancy.
If you make a promise in good faith,
I'd expect you to live up to it,
no matter what it cost you.
And-- And you'd help me live up to it?
Certainly. What kind of a father do you think I am?
Well, then, you're going to defend Eula Denning
because I promised her you would.
What?!
You just said you'd help me keep a promise.
Nancy, you tricked me into this.
You're always doing that to me.
Now, I won't have--
Well, all right.
If you can give me any reason to believe
that Eula Denning is innocent,
I'll take her case.
Oh, Dad.
I knew you would.
Ted and I went out to that Lambert house this afternoon.
I sneaked in and found that tin of sodium ferranide,
the one Miss Denning claims could've had fingerprints on it.
You two went out there alone? Uh-huh.
And I know it was important evidence
because that man with the funny ear
chased me out of the basement.
And, Dad, that's not the worst of it.
When I was taking that tin down to the police,
a woman stole it from me.
So that proves other people are mixed up in it.
You should've gone to the police in the first place.
Oh, I know it. Everything's gone wrong.
I've failed all around.
Maybe I'm just not intelligent.
That's right.
Dad!
Oh, I mean, darling, everybody makes mistakes.
Don't you see, Dad?
If Miss Denning's convicted, it'll be my fault
because I was foolish and lost the only evidence
that could maybe save her.
I'm responsible.
Well, don't worry, Nancy.
I'll see Eula Denning first thing in the morning.
Oh, Dad.
Honestly, I feel 10 years younger.
Don't be too enthusiastic.
So far, there isn't a stick of evidence
we could take into court.
There will be if you can get hold
of that man with the funny ear.
Think you'd know him again if you saw him?
With that ear? I'll say.
It looked like one of Effie's popovers.
A cauliflower ear, huh? What?
[MUMBLING] A cauliflower ear.
What did you say?
I can't understand you, Nancy.
Well, how can you expect to?
Splashing around like a-- A seal after a fish.
That's no way to talk to your father.
Oh, Dad, they're stockings.
Oh, why don't you take them out of here?
Here. Here's a towel.
Oh, dear. Now I'll have to start all over again.
I said that that man's ear
looked like one of Effie's popovers.
And I said it was probably a cauliflower ear. Oh.
That might indicate that he was a boxer or a wrestler.
Really?
But what connection such a man could have with this case
is more than I can see.
Dad, I felt all along that that man with a funny ear was a clue.
I think you oughta do something about him.
I'm gonna do something about a girl with a funny face.
Come, baby, you're going to bed. Oh, Dad, put me down.
I'm no baby.
You'll always be your daddy's baby.
I won't be anybody's baby.
♪ Everybody loves a baby
♪ That's why I'm In love with you ♪
♪ Pretty baby Oh, Dad.
♪ Pretty baby
Dad, don't be so silly.
Oh! Ooh! Oh, ho, ho, ho!
♪ Good night, baby
♪ I'm going to leave you now ♪
Oh, Dad, we've gotta talk this thing over.
♪ In the morning, the morning
♪ The bright and early morning
♪ The morning
♪ Ha, cha, cha, cha Ha, cha, cha ♪
[DOOR CLOSES]
[FOOTSTEPS APPROACHING]
Hello.
I'm Nancy Drew.
Charmed, I'm sure.
Draw up a chair.
No, thank you. I've been standing all day.
Do you keep pictures of prize fighters
and people like that?
You should meet some of my wife's folks.
But you came to the right place, sister.
I know 'em all personally.
What's your guy look like?
Oh, oh, you'll know him in a minute.
He has a cauliflower ear.
[SIGHS]
Here.
If you recognize him, let me know.
[HORN HONKING]
[HORN HONKS]
NANCY: Ted! Oh, Ted.
What do you want?
Well, don't make me yell.
Come here!
Excuse me a second, Helen.
Okay.
How did you find me here?
MARY: Hello, Ted. [IMITATING DONALD DUCK]
Oh, I get it.
Where would one expect to find you these days?
BOTH: ♪ Ted's got a girlfriend Ted's got a girlfriend ♪
Quiet, small fry. She's not so pretty.
I'll bet Ted thinks so.
Look, what's on your mind?
Look at this clipping I found.
Hey, let me see.
TED: Soxie Anthens. Who's that?
NANCY: The man I saw at the Lambert place.
He used to be a boxer, and right now
he's at Maxie's gymnasium on 1st Street.
How do you know? BOTH: Yeah, how do you know?
Well, I just asked myself where I'd go
if I were a prize fighter
and decided it would be to a gymnasium.
So I called up all the places in town
and pretended I was Mr. Anthens' girlfriend.
And pretty soon I found out he was at Maxie's.
Then I hung up.
Yeah.
Well, it was nice of you to tell me about it.
I-- I gotta get back.
Bye, big shot. Goodbye, Ted.
Certainly, I don't wanna keep you.
I just thought I'd let you know where I'll be in case Dad asks.
You're not going down to that gym alone?
Of course I am.
Something has to be done about Soxie right away.
He's important evidence.
So you came over here to tell me about it,
so I'll get in a jam with your father for letting you go there.
I did no such thing. You're not responsible for me.
We'll go with you, Nancy.
We love fights, don't we, Killer?
I hope to kiss a polecat.
You two will not go.
Why not? Why?
Never mind.
Darn it. Now you got me worried. Maybe I better go along.
Oh, I don't think you oughta. It's a pretty tough place.
I can take care of myself and you too.
Well, if you insist.
Here.
What's this? Your costume.
You'll pose as another boxer by the name of One-Round Loogan,
gain Soxie's confidence, and who knows?
Maybe he'll incriminate himself.
Say, you had this all figured out, didn't you?
Why, Ted Nickerson, I did not.
[JAZZ PLAYING OVER RADIO]
Ten cents.
[MAN SPEAKING INDISTINCTLY]
MAN 2: And then the old lady walked in, see?
[BOTH LAUGHING]
This is an awful joint.
Ted, there he is.
Ted, I'm positive that woman that stole
the tin can from me yesterday is Soxie's girlfriend.
Now, all you have to do is get him to tell you her name
and where she lives.
Maybe you'd like to know if she's got any bridgework.
How will that help?
Don't you remember Captain Tweedy always said,
"Cherchez la femme." Find the woman.
The only smart thing he ever did say.
Yeah, and he stole that.
But it's true. You can always get information from women.
They just love to talk.
Yeah, I've noticed that.
Go ahead, now. I'll wait out here for you.
Gosh, he...
He doesn't look very friendly, does he?
Remember, you're One-Round Loogan.
Wait a minute. What's the name?
One-Round Loogan.
All right, champ, but don't get sore.
Everything's all right.
Hiya, champ.
I ain't no champ.
Well, you sure train like one.
I'm kinda new around this burg,
but I've been puttin' the boys on the canvas up in Frisco.
Yeah?
That'll be enough of that.
Say, didn't I see you
with a nice-lookin' dame the other night?
What's your name?
Uh, One-Round Loogan. I'll bet that babe--
One-Round Loogan. Never heard of you.
Well, uh, I ain't very well-known around here yet.
How 'bout sparrin' a few rounds? That'll get you some attention.
Oh,
I-I ain't gonna do any training today.
If you're a fighter, you're in training all the time.
Wuh-- Well, I-I didn't bring my clothes.
That's all right. I'll get you some.
Hey, Jake.
Yeah.
Dig the kid up a pair of trunks.
He's gonna show me how they do things out in Frisco.
Oh, sure. Well, come on.
But I'd r-really rather not.
[PULSE DIALING OVER SPEAKER]
I want some gum, please.
[PHONE RINGING]
Maxie's Gym.
Uh, this is Soxie Anthens' girlfriend speaking.
Will you have him call me back as soon as he can?
Wait a minute. He's right here.
Hello?
Hey, Soxie.
Your gal friend wants you to call her right away.
Okay.
[PULSE DIALING OVER SPEAKER]
Come on, in here.
No, no, not there.
Come on, through here.
Hey.
Get in there, will ya?
In ya go.
All right, Soxie.
Warm up a little bit.
A little.
That's it.
Ah, ah.
No dames.
Oh, b-but I've gotta go in there.
I'm-- I'm his manager.
His manager?
What--?
Ted, what are you doing?
Aw, gee, Nancy, I-I'm in an awful mess.
I learned something that might be an important clue.
Come on. I wanna go.
So do I, but I can't.
I gotta fight him.
Fight him?
Oh, Ted, you mustn't.
Bu-- I'll get mobbed or somethin' if I don't.
Oh, dear.
Oh, look. Maybe he's out of condition.
Yeah, like an ox.
Okay, One-Round, let's go. Ready, Jake?
All set.
Well, goodbye, Nancy.
Now, folks, we're gonna have a little excitement.
Three-round boxing exhibition
between Soxie Anthens of Chicago, who we all know...
and One-Round Loogan, the Frisco Flash.
[APPLAUSE]
All right, boys, go to your corners and come out fighting.
Why, One-Round, your glove is untied.
Here, let me fix it for you.
Huh?
Nancy, you're a genius.
Now if I can only tag him.
[WHISTLE BLOWS]
MAN: Come on, Soxie. Come on!
[NANCY YELPS]
Come again, Ted. I mean, Loogan.
[CROWD SHOUTING, CHEERING]
MAN: Come on, Soxie!
[CROWD CLAMORING]
Tag him on the whiskers, Soxie.
Ah, the kid ain't got no whiskers yet.
He has too.
[LAUGHS]
Whoa! Oh!
Wow! Chalk one up.
[CROWD CHATTERING, LAUGHING]
Well, chase him for a change.
How much time left?
Come on, Ted. Don't be so nice to him!
Attaboy, Ted. Come on, hit him again.
Hit him again. Come on.
Come on, Loogan! Come on, hit him.
Do something, hit him, hit him!
Attaboy, Ted. Now you got him!
Ted!
[CROWD LAUGHING]
Ted?
Ted.
Oh, Ted, speak to me. [MOANS]
Speak to me.
Ted, what happened?
That's what I was just about to ask you.
Try 3-5-2-4-4-9.
[SIGHS]
Gee, I wonder what they're doin'.
I don't know, Killer.
Maybe they're both insane.
[GRUFF VOICE] Hello.
This is Soxie Anthens.
Is me girlfriend there?
[NORMAL VOICE] No soap.
Dear. There's only one more we can call,
and that just has do be it.
If ya got the rest of 'em right.
Oh, I'm sure I have.
Yeah. Oh-oh-oh! Ooh.
Oh, look at me. I'm ruined.
I won't even dare show up for my tennis lessons now.
Tennis lessons?
Ted, is that girl you've been playing with
a tennis teacher?
Sure. It's Helen Winfield, the champ.
Those lessons cost me one-fifty a copy.
Tennis teacher. Oh, that's wonderful.
I-I mean, I'm sorry about your lessons, but--
Hey, what's the matter with you?
N-Nothing. Nothing.
Now try that other number: 3-5-2-4-4-0.
Maybe you ought to be psychoanalyzed.
Oh, I'm going home and gettin' me a cookie.
Get me one too.
I'm gonna stay here
and find out what it's all about.
Okay, pal.
[PHONE RINGS]
Room clerk, Beldenburg Hotel.
[GRUFF VOICE] This is Mr. Soxie Anthens.
I-- I'm calling my girlfriend.
Well, she isn't here just now, Mr. Anthens.
[NORMAL VOICE] It's the place. How will I get her name?
Be strategic. Yeah, yeah--
[GRUFF VOICE] Uh, do you know where Miss...
[SPEAKING INDISTINCTLY] ...went?
No, I don't, but...
I'll see if she left a message in your box.
[NORMAL VOICE] Soxie lives there too.
Really?
No, there's no message, Mr. Anthens.
Shall I tell her you called?
Just a moment.
Oh, Joe,
did Miss Lucas take your cab?
Yeah. Why?
Her name's Lucas. Yeah.
She went to the Mandarin Cafe, Mr. Anthens.
[NORMAL VOICE] Well, thank you ver--
[GRUFF VOICE] Uh, thank you very much.
[EXHALES] Mandarin Cafe.
Have you any money?
Well, not to brag about.
Neither have I. Don't eat too much.
Oh, boy!
A Chinese place!
Mary Nickerson.
We just love Chinese places, don't we, Killer?
For gosh sakes,
where did you hoodlums come from?
Thought you'd get away from us, didn't ya?
Nyah.
You're goin' home.
We are not.
We might get lost. We're going with you.
Over my dead body. Mine too.
Well,
I guess I'll just have to call up
Nancy's father then.
Oh, all right, all right.
I suppose we'll have to do it.
But on one condition,
when the waiter takes your order,
you say, "I'm not hungry."
But I am!
How about you, Killer?
I'm starved.
We haven't enough money.
Are you going to cooperate with us or not?
How about it, Killer?
Sure, we'll play ball.
Okay, let's go.
Wait a minute.
Let's just try this once.
Now, I'm the waiter.
What'll you have, pests?
BOTH: Chop suey.
No, no. No, no.
Look, we're broke. We can't buy you any food.
Would you settle for a glass of milk?
Well, we might go that far.
Okay, it's a deal.
Ted, why do you have to have a sister?
Ask Ma.
[PLAYING SERENE MUSIC]
[CROWD CHATTERING]
Oh, I-- I'm afraid this is a little too close
to the orchestra.
This will be fine! Thank you very much.
Ted, did you see?
She's right in the next booth
with Miles Lambert.
She is?
Un-huh,
and something's funny.
I'm positive that's Soxie's girl,
and yet she's stepping out with Mr. Lambert.
Do you suppose Soxie knows Lambert?
He might.
Let me out.
What for? Never mind.
Never mind that.
Come on.
[PHONE RINGS]
Maxie's Gym.
Soxie!
Hello.
Mr. Anthens? This is a friend.
Would you be interested in knowing
that Miss Lucas is dining with Miles Lambert
at the Mandarin Cafe?
Who's talking?!
[LAUGHING] Oh!
[BLOWING]
Who'd you call?
I phoned Soxie about Lambert and Miss Lucas.
And was he mad!
Sufferin' cats.
We may learn something important.
'Cause when he gets here, something's sure to happen.
Yeah.
Probably a tong war.
What you order, please?
Oh, uh--
I'll have some egg foo yung.
And you? Uh--
Just tea.
And you too, please?
Glass of milk.
And chop suey.
WAITER: Yes, yes.
Ted, look.
[BOTH LAUGHING]
Soxie! You cheap little--
Take it easy, Soxie. Sit down.
You been planning to run out on me ever since you found out
Lambert was movin' in on that old lady's dough.
Shut up, Soxie.
As for you, wise guy,
if you want this dame, she's yours.
But the minute you and her try a break,
you're gonna get a surprise.
I still got the tin can, with fingerprints on it.
I know what to do with it.
Why, you--
Soxie, Soxie, don't!
WAITER: Hey, what's the matter?
Hey, what you do?
What you do, what's the matter?
I go call the police!
No, no. Don't do that.
[WAITER SPEAKING IN CHINESE]
We don't want any publicity.
Come on, dolly.
[CROWD CHATTERING]
Get the check. I gotta call Dad.
Sure.
[INTERCOM BUZZES] Yes?
WOMAN: Your daughter's on the phone, Mr. Drew.
Thank you.
Hello, Nancy.
Dad, what happens to the Lambert estate
if Eula Denning is convicted?
It goes to Miss Lambert's nearest relative,
Miles Lambert. Why do you ask?
Oh, I was just wondering.
Thanks, Dad.
[LAUGHS]
Come on, Ted, hurry up.
Give me some dough. I'm short.
It's all I have.
Sixty-five cent more, please.
Look, mister, that's all we got.
Maybe you'll trust us, huh?
Oh, sure, sure.
You nice people, I trust you.
Thank you very much! Come on, Ted, we've gotta hurry.
Sixty-five cent.
But you just said you trust us.
You see, mister, we gotta go home
and get the money from our folks.
But-- But we'll come back.
Sixty-five cent.
Now, look what you got us into.
We don't know nothing about it.
Do we, Killer?
No, they invited us.
Look, mister, we haven't got 65 cents.
Got check, no 65 cent?
Yeah, that's right. No.
[SPEAKING IN CHINESE]
[CONVERSING IN CHINESE]
You wash dish all the day! Maybe two, three day.
Oh!
Hey, hey, where you go? Kitchen that way.
Kitchen that way.
Now, look. You go into kitchen.
I don't wanna wash dishes.
I-- I'm awful tired, but I can supervise.
You're gonna wash dishes, both of you,
and it'll serve you right too.
Hey, mister. Maybe she could entertain.
Entertain?
Yeah, she's a famous singer.
I thought you was my pal.
What are you trying to do?
You must be winging.
Honest, sir,
she's sung all over the world.
All right, you sing nice American song.
No good, wash dishes.
Come on, quick.
Ooh. What'll I sing?
Anything.
"Little Bo Peep."
Oh, oh, dear.
We'll be in for life after this.
Say, mister,
can't you help her out?
[BAND PLAYING UPBEAT MUSIC]
♪ Little Bo Peep
♪ Has lost her sheep
♪ But she knows just
♪ Where to find them
♪ For they all stand
♪ Around the band
♪ Waggin' their tails ♪
♪ Behind them
♪ Hi diddle diddle The cat has a fiddle ♪
♪ The cow is beginning To croon ♪
♪ Oh, little dog laughs
♪ And laughs and laughs
♪ Because they're never In tune ♪
♪ Mary had a little lamb
♪ Little lamb, little lamb
♪ Mary had a little lamb
♪ He said I'll see you later ♪
[OFF-KEY] ♪ He went off To hear them jam ♪
♪ Hear them jam Hear them-- ♪
♪ Mary had a little lamb
♪ Now he's an alligator ♪
♪ Oats, peas, beans And barley grow ♪
♪ Can you or I or anyone know
♪ How oats, peas, beans And barley grow? ♪
♪ Grab yourself A partner ♪
♪ Open the ring And choose one in ♪
♪ While we all gaily Laugh and sing ♪
♪ Twinkle, twinkle Little star ♪
♪ How I wonder What you are ♪
♪ Up above the world So high ♪
♪ Like a diamond In the sky ♪
[AS DONALD DUCK] ♪ Twinkle, twinkle Little star-- ♪
♪ Twinkle, twinkle Little star ♪
I can't do it...
[QUACKING INDISTINCTLY]
Aw, phooey!
♪ Rock-a-bye baby
♪ In the treetop
♪ When the wind blows
♪ The cradle will rock
♪ When the bow breaks
♪ The cradle will fall
♪ And down will come baby
♪ Cradle and all
♪ Rock it, my baby
[COINS CLATTERING]
♪ We all love music
♪ So go to town
♪ And rock it, my baby
♪ Rock my baby
♪ Rock it, my baby
[SCATTING]
♪ Rock it on down
[APPLAUSE]
Ah, Miss Drew.
Now we are all present.
Now, here's the $50 and the medal.
And now, if Mr. Bostwick has chosen
the best news story
submitted by our charming--
You can give the prize to this one.
About the humane worker who invented a nutcracker
for toothless squirrels.
That's me.
I won, I won!
It is with great ple--
Unless Miss Drew has a better story.
Oh, I have a story, Mr. Bostwick,
but it's very confidential.
You see, my father--
Well, what is it?
Shh.
The fact is, Mr. Bostwick,
some strange man called my father
and said he had the missing tin
of sodium ferranide with fingerprints on it
that would prove Eula Denning is innocent
and would show up the real murderer
of Kate Lambert.
Is this true?
Why, Mr. Bostwick,
you know my father's reputation, and--
I wouldn't tell a lie.
Go on. Go on.
Furthermore,
the man is bringing the tin
to my father's office this evening.
Terrific.
Hey, Charlie.
Stop the presses-- You're wonderful, Miss Drew.
Hold page one for replate.
Hottest story yet. Hey, rewrite!
Don't stand there like a half-wit,
give her the money, she won.
ALL: Congratulations. And now, Miss Drew,
I take great pleasure in presenting you the check
and the medal.
Oh, well, uh--
Give the check to the others, and I'll just take the medal.
Come on, Ted. We're in a hurry.
[♪]
Remarkable.
Remarkable! Isn't it a whopper?
Well, Soxie Anthens gonna spill the beans, eh?
Well, well.
You don't understand, Sergeant Entwhistle,
that story isn't true.
Must be true. It's printed in the paper.
Nancy just made it up.
What they print it for if it isn't true?
That's the trouble with newspapers these days.
Well, it wasn't their fault.
I made the editor think the story was on the level.
Why?
Oh, dear.
Sergeant Entwhistle, are you sure
Captain Tweedy won't be back?
Sure, I'm sure!
He's in Chicago on a radio interview
on how to avoid crime.
He's done it, all right.
Just the same, I'll bet he'd understand. Yeah.
What's Captain Tweedy got that I haven't got?
BOTH [IN UNISON]: Well, for one thing--
Look, sergeant,
I put that story in the paper
so the police could trap
the real murderer, Kate Lambert.
Well, that's different. How?
Don't you see?
That paper'll be on the street any minute.
If Lambert is really the murderer,
he'll go to Soxie's room after that tin can
the minute he reads the story.
He'll think Soxie's going to double-cross him.
Miss Drew, I'm sort of influenced to think
you've got something.
Of course I have.
Now, all you have to do is be at Soxie's place
when Lambert arrives and arrest them both with the evidence.
Where does this guy, Soxie, live?
Room 815, Beldenburg Hotel.
We'll go along and help you identify them.
You can't come along. But I've got to go along!
I want to get an eyewitness news story
about how you handle the case.
When they read what I write, you'll probably be promoted.
Yeah? I see what you mean.
All right. You got to promise to keep out of trouble.
BOTH: Oh, sure, we promise.
This is Sergeant Entwhistle.
Send up a couple of squad cars--
Hey. Oh, no, no.
You mustn't do that.
If those men see police around,
they'll run away.
Or at least get rid of that tin.
Yes, I see what you mean.
All right, I'll go alone.
Capture them single-handed.
That'll be much better.
But if they even see you, then--
Oh, don't worry about that. They'll never know me.
I'll wear that disguise I wore in the Cullen case.
Here it is, sergeant.
Oh, thanks.
Thank you.
Oh, careful!
Grandma's medicine.
[FEMALE VOICE] Clumsy!
Good evening, young man.
Good evening, madam.
Will you register, Arthur? Huh?
Oh, sure, Grandma.
Grandmother would like
the same room she had the last time she was here.
What was it, Grandma? Let's see. Heh.
My memory ain't what it used to be.
Was it, uh...815?
Well, 815 is occupied, Mrs., uh-- Mrs. Plopper.
But I can give you the one right next to it.
Oh, that'd be wonderful.
Yes, that'll have to do.
You see, I have to be up high on the account of my asthma.
I see.
Show Mrs. Plopper to 817.
Come, children.
Why don't they make these doors bigger?
Careful, Arthur.
Yes, Grandma.
Anything else, madam?
No, thanks.
There you are.
Thank you.
[NORMAL VOICE] Get those bags open.
Didn't I tell you about my disguise?
About here, sergeant.
Okay.
Did I fool them, did I fool them.
Anything happens, I'll give you the signal.
Right.
[♪]
Let me do that, will you, Nancy?
Yeah.
This one goes in the wall.
[THUMPING]
Pull that wire through, will you, Nancy?
Here. Okay.
I don't like this business, Nancy.
It gives me the whim-whams.
I know. Me too.
All set here.
If you don't hear me, let me know.
I can hear him. Yeah?
[HAMMER TAPPING]
ENTWHISTLE [FEMALE VOICE]: Oh! Why, I-- I'm--
Oh, I'm so sorry.
Why, I-- I-I guess I must be in the-- The wrong room.
[ENTWHISTLE BABBLING OVER RADIO]
What's your name?
Why, my name is Mrs. Plopper.
I, uh-- A cop!
Help, help!
ENTWHISTLE: Help!
Get the wagon and set it off! Help--
Gosh.
Oh, do something!
Oh!
TED: Hello-- Drop that phone.
Don't-- We weren't doing anything. H-honest we weren't.
N-no, w-we were merely trying--
Shut up.
Come on get up, you.
All right, get outta here.
Come on.
Upstairs.
All right, hurry it up.
Oh!
Come on.
[GASPS]
Mister,
what are you gonna do to us?
All right, in here.
I wonder what they did to Sergeant Entwhistle.
Gosh, I don't know.
[CRACKLING]
[GASPS]
We've gotta get out.
Yeah, I know.
Ah, it's no use, Nancy.
Well, let's yell.
Yeah, together.
BOTH [IN UNISON]: Help! Help!
Somebody, help--
Gee, I hope they got machine guns in this picture.
So do I.
Say, look.
BOTH [IN UNISON]: Nancy's car.
Let's let the air out of the tires.
We ought to do somethin'.
Say, I just remembered.
Hey, those are mine!
Let's put 'em all on.
Oh, boy.
Help, somebody!
There's not a chance, Nancy. Not a chance.
With hundreds of people right under our feet,
there must be some way out.
What's that?
Oh, it's just a fuse box.
Say,
those are the fuses to the electric sign.
If we turned that off, we'd get some attention.
They wouldn't notice it for hours maybe,
and by that time it'll be too late.
Yeah. "Beldenburg."
Wait a minute.
I've got an idea.
There. That ought to create a sensation.
And this'll help.
Look.
[ALL LAUGHING]
WOMAN 1: "Bed Bug Hotel."
WOMAN 2: That's hilarious!
Get the engineer to fix it right away.
[♪]
[CROWD LAUGHING]
Somebody's coming. Huh?
Hurry up!
Let us out!
Oh, mister, downstairs, a criminal.
We gotta catch him.
Follow me!
So you were gonna double-cross me.
Get the police, quick.
All right.
Give me that.
That'll hold 'em.
Ted, hurry up.
Right.
SOXIE [OVER RADIO]: You're punchy, Lambert.
That story in the paper was a phony.
You're still hanging on to that tin can?
Sure, in case I have to prove you killed the old dame.
I don't trust you. You'll get your dough
as soon as they convict Eula Denning.
If I were gonna double-cross you,
you don't think I'd tie up the law here?
SOXIE: Where'd he come from?
LAMBERT: He was looking for that tin can.
Say, this is a frame.
[SIRENS WAILING]
[♪]
Ted, they're getting away.
ENTWHISTLE: Help, help! Oh!
[SIRENS WAILING]
Come on, let's grab this one.
[ENGINE WHISTLING]
[WHISTLING EXPLOSIONS]
They're getting away in my daughter's car!
[SIRENS WAILING]
Hey!
Wait! Mm!
Hey.
[BLOWING WHISTLE]
Hey!
After them, man!
[♪]
[SIRENS WAILING]
[EXPLOSION]
Nancy, get off that car!
Stop, you idiot! That's the car I'm chasing.
Come on, let's go.
Here, here, what's this all about?
ENTWHISTLE: That's him!
That's the man that poisoned the Lambert woman.
And here's the proof.
Hi, Dad!
Nancy, how many times have I told you not--?
Sergeant, how dare you allow my daughter--
[LAUGHS]
[ALL LAUGHING]
[LAUGHS]
MAN [OVER RADIO]: Calling Car 21,
calling Car 2-1.
Proceed to Gem Movie Theater.
Apprehend two kids, boy and girl, about 13.
Didn't like picture. Set off whistle bomb.
That is all.
[♪]
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