Youtube daily report Mar 9 2018

Rise of the Planet of the Apes is a recent Hollywood movie that depicts a fictitious

world ruled by advanced apes.

Through cutting-edge computer graphics, producers have created apes that possess many humanlike

qualities.

One of the techniques they've used to make the apes more humanlike is quite simple.

One of the distinctive features of human eyes is our white sclera.

Apes, however, do not have whites in their eyes—their sclera is brown or black.

This might sound like a subtle difference, but if an artist depicts an ape with a white

sclera, they look much more human.

Indeed, this technique has been used for years to indoctrinate the public with alleged evolutionary

ancestors.

Soft tissues, like eyeballs, don't fossilize.

So when an artist draws an alleged ape-man ancestor with whites in its eyes—that's

purely based on speculation!

National Geographic magazine has been using this trick for years.

Who knows how many people have been fooled by it?

To find out more from Creation Ministries International visit our website creation.com

For more infomation >> The whites of their eyes - How Hollywood makes apes look human - Duration: 1:01.

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New Evidence That Aliens are coming in Roblox Jailbreak!! (Roblox) - Duration: 5:25.

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3º Tempo 23/03/2014 - Santos 2 X 1 Palmeiras - Duration: 26:05.

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The Rock saves John Cena and gets attacked by CM Punk at 1000th Episode of RAW - Duration: 3:06.

Like Share And Subscribe

Like Share And Subscribe

Thanks For Watching

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Busselskabet Aarhus Sporveje har styr på vedligeholdelsen takket være NAV app´en fra Logos Consult - Duration: 1:55.

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Bas Princen ⎸ PICS PILLS #21 - Duration: 2:42.

Hi everyone, I would like to talk to you about Bas Princen.

He is an architecture photographer fascinated by the material.

His work is full of monoliths that are given to be seen as huge sculptures.

Through these images, he pursues a search for simple volumes to suprematism.

The shape of the monolith evokes many things in the imagination.

It is a recurring form in history from the Egyptian pyramids to the 2001 monolith of the Space Odyssey,

through the Kaaba in Islam, the cubic construction towards which all the Muslims of the world turn to pray.

The idea of a monumental mass standing upright, struggling against its own weight, is quite fascinating.

Monumentality is more appealing to our emotions than truly to our understanding.

We can only feel small in the face of an object with huge dimensions.

I remembered this sentence of Rudy Ricciotti, an architect whom I adore, he said:

"Unlike other buildings, we are all equal in the face of monumental architecture."

"Whether you're a two-meters-ten footballer or a five-year-old, you all feel the same way."

Thus, in the human tradition, monoliths are often given spiritual power.

For Bas Princen, his photos constitute a search for this fundamental and absolute feeling.

But it also questions the status of the base on which these masses are placed.

When he frames, he tries to purify the context as much as possible.

It gives us to see these huge masses isolated from other objects nearby.

In this way, the photographer wants to show us how these constructions are erected despite the landscape on which they rest.

Some of these images even evoke dystopias, with the promise of a life in complete autarky.

It's the fantasy of having everything you need inside the building, and all the rest is outside.

Traditionally in sculpture, the base contrasts with the work it supports by its appearance.

A finely carved sculpture is contrasted with a rough base.

We find this hierarchy in Bas Princen, but he can play on other distinctions.

for example, it puts in opposition vegetated soils or left undeveloped with human constructions.

He then opposes the natural to the artificial.

Bas Princen also pursues the theme of matter in his work through photographs of destruction.

It is a search for the complexity of the mass through the exploration of the tectonic layers.

There is a kind of aesthetic of destruction, it is a return to the earth.

It is then only mass for the mass, matter is abolished of any function.

Thank you for watching the episode, see you soon!

For more infomation >> Bas Princen ⎸ PICS PILLS #21 - Duration: 2:42.

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LEGO® Ninjago® High Spee...

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Toyota ProAce 1.6 D 85KW - Duration: 0:42.

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Mazda CX-5 2.2d SkyActiv-D Automaat 175PK GT-M 4WD Navi/LED/Schfdak/BOMVOL!! - Duration: 1:01.

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Jaguar XE 2.0 D PURE AUTOMAAT LEDER/NAVI - Duration: 1:01.

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[Tuto] Comment animer un personnage sur After Effect - Duration: 5:23.

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Bas Princen ⎸ PICS PILLS #21 - Duration: 2:42.

Hi everyone, I would like to talk to you about Bas Princen.

He is an architecture photographer fascinated by the material.

His work is full of monoliths that are given to be seen as huge sculptures.

Through these images, he pursues a search for simple volumes to suprematism.

The shape of the monolith evokes many things in the imagination.

It is a recurring form in history from the Egyptian pyramids to the 2001 monolith of the Space Odyssey,

through the Kaaba in Islam, the cubic construction towards which all the Muslims of the world turn to pray.

The idea of a monumental mass standing upright, struggling against its own weight, is quite fascinating.

Monumentality is more appealing to our emotions than truly to our understanding.

We can only feel small in the face of an object with huge dimensions.

I remembered this sentence of Rudy Ricciotti, an architect whom I adore, he said:

"Unlike other buildings, we are all equal in the face of monumental architecture."

"Whether you're a two-meters-ten footballer or a five-year-old, you all feel the same way."

Thus, in the human tradition, monoliths are often given spiritual power.

For Bas Princen, his photos constitute a search for this fundamental and absolute feeling.

But it also questions the status of the base on which these masses are placed.

When he frames, he tries to purify the context as much as possible.

It gives us to see these huge masses isolated from other objects nearby.

In this way, the photographer wants to show us how these constructions are erected despite the landscape on which they rest.

Some of these images even evoke dystopias, with the promise of a life in complete autarky.

It's the fantasy of having everything you need inside the building, and all the rest is outside.

Traditionally in sculpture, the base contrasts with the work it supports by its appearance.

A finely carved sculpture is contrasted with a rough base.

We find this hierarchy in Bas Princen, but he can play on other distinctions.

for example, it puts in opposition vegetated soils or left undeveloped with human constructions.

He then opposes the natural to the artificial.

Bas Princen also pursues the theme of matter in his work through photographs of destruction.

It is a search for the complexity of the mass through the exploration of the tectonic layers.

There is a kind of aesthetic of destruction, it is a return to the earth.

It is then only mass for the mass, matter is abolished of any function.

Thank you for watching the episode, see you soon!

For more infomation >> Bas Princen ⎸ PICS PILLS #21 - Duration: 2:42.

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For Sale | Panda A Panda | Cartoon Videos For Children by Kids Tv - Duration: 26:38.

Panda A Panda

Panda A Panda

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Earn $20 Watching This Video

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F-22 랩터의 믿기지 않는 기동력이 가능한 이유 | KR ARMY | - Duration: 8:09.

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50 Cent and Conor McGregor Beef Reignited - Duration: 1:54.

Conor Mcgregor and 50 cent have rekindled their beef from last august recently.

Conor took a jab at 50 on instagram and claimed the rapper had blocked him.

This prompted 50 to make the following video that many considered racist in nature which

he later deleted and conor did respond to.

"Conor Mcgregor is a talented fighter and all that.

He's talented for a white boy, but you know, Nig*** have superior genes when it comes to

that kind of sh**.

White people, in order for white people to make a champion, they had to make rocky, man.

They had to make that sh**.

Because, they can't actually do that sh**.

It's just too much work, man.

What the fu** how do they work so hard?

Heheh

Conor then quickly replied to 50 saying: Happy international Women's day everyone!

Get your tits out for the lads ladies.

We love you.

Superior genes my big ballsack mate.

I am made of granite.

You need a bra.

You jabbed up fool.

you should have stayed quiet and promoted that fight for me on the free like you did.

But you just kept going with them f*** memes.

Your 50 years old.

F*** off.

It's all love tho fifty serious, you are a mad bastard, but we still proper love a few

of your tunes over on this side of the world.

I even blasted one of them on the free, walking into madison square garden to take one of

my belts.

It was called I run New York.

I've never seen 50 lose any public battle and we've all witnessed him bury countless

celebrities without a problem.

Including his own friend Floyd.

We'll see where this road takes them.

We can all be rest assured that we will see verbal warfare, but we also could potentially

see a boxing exhibition done in some respect in the future.

Word around town is that 50 cent was a golden gloves boxer at some point in his life but

from what I've seen this is speculative.