Saturday, September 2, 2017

Youtube daily report Sep 2 2017

Brock Osweiler released by the Browns

Go head Kizer

Boi

Welcome to another exciting episode of the Skill I'm your host King Coopa J

and today we're going to be talking about Brock Osweiler being released

by the Cleveland Browns

Brock Osweiler was due to make 16 million dollars

that's more than Matt Ryan

Arron Rodgers

Eli Manning

and Phillip Rivers

ugh boi getting that check

and he an't playing

DeShone Kizer was named starter after the third preseason game

My man scored 23 points in almost two halves of football

after that it was pretty much over for Brock

Osweiler did not play in the last two preseason games

the browns tried to trade Osweiler

they tried to trade him

unfortunately nobody wanted to accept the offer from the Browns not even the Rams

check this out even if a team accepted the trade

they would only have to play the minimum because the Cleveland Browns are taking the bulk end

of Brock's salary

if they don't even want to play the minimum for this guy

what does that tell you

he probably won't get a job this year

better luck next year buddy

this is not bad for Cleveland either

because they only want Houston Texans 2018 second round pick

so they took Brock they brung him in to training camp

they were like lets give the kid a shot

and they thought he was gonna end up being the starter

but unfortunately just like he did in Houston just like you know he was showing in Denver

he can't play

so here we are

let him go

Cody Kessler and Kevin Hogan

are assumed to play backup

to DeShone Kizer

with that being said do you think Brock Osweiler will find a job

this year do you think somebody will take a chance on old Brock

or do you think he'll be sitting at home

throwing one back

watching to Super Bowl

let me know what you think in the comments section

and if you new to this channel make sure you hit that like button and subscribe

and if you're not here to debate you're here to hate peace

For more infomation >> BROCK OSWEILER RELEASED BY BROWNS - Duration: 2:14.

-------------------------------------------

Un compleanno importante alla RSA Santa Marta | K.N.B.T - Duration: 4:02.

For more infomation >> Un compleanno importante alla RSA Santa Marta | K.N.B.T - Duration: 4:02.

-------------------------------------------

Mazda CX-5 2.0 Skyactiv-G 165 TS+ 6MT 2WD (Navi) - Duration: 1:03.

For more infomation >> Mazda CX-5 2.0 Skyactiv-G 165 TS+ 6MT 2WD (Navi) - Duration: 1:03.

-------------------------------------------

Flavio Briatore e Roberto Cavalli si provocano sui social: "Il tuo locale è vuoto" | M.C.G.S - Duration: 3:05.

For more infomation >> Flavio Briatore e Roberto Cavalli si provocano sui social: "Il tuo locale è vuoto" | M.C.G.S - Duration: 3:05.

-------------------------------------------

Hoe een voorremcilinder vervangen op een VOLKSWAGEN T5 HANDLEIDING | AUTODOC - Duration: 7:23.

Use a simple screwdriver to take brake caliper spring out

Use an open-end wrench №14

Use an end bit №7

Use a special break wrench № 11

For more infomation >> Hoe een voorremcilinder vervangen op een VOLKSWAGEN T5 HANDLEIDING | AUTODOC - Duration: 7:23.

-------------------------------------------

Lý do khiên da chảy xệ, nhăn nheo dù chưa đến tuổi 30 chị em cần phải biết - Duration: 3:31.

For more infomation >> Lý do khiên da chảy xệ, nhăn nheo dù chưa đến tuổi 30 chị em cần phải biết - Duration: 3:31.

-------------------------------------------

Peugeot 208 1.6 VTI 120 PK 5-DEURS VEEL OPTIES - Duration: 0:47.

For more infomation >> Peugeot 208 1.6 VTI 120 PK 5-DEURS VEEL OPTIES - Duration: 0:47.

-------------------------------------------

Interview: Dean Jeffries, Hollywood legend - Duration: 14:38.

Interview: Dean Jeffries, Hollywood legend

We've just learned that Dean Jeffries has passed away at the age of 80.

Jeffries, a famous custom car builder and painter, was behind countless futuristic creations such as the Manta Ray and the trolley in "Who Framed Roger Rabbit?" Below is an interview he gave Motor Trend Classic in 2006, which originally appeared in Issue 2 of the magazine.

Our friends at Hot Rod also have additional photos of Jeffries and the Manta Ray.

Jeffries' son Kevin has released a statement, noting that Dean " is now reunited with the love of his life, his beloved Row, who preceded him in death by 4 years.

" While a private family burial will be held, a celebration of Jeffries' life is "on the drawing board" for late May — head to DeanJeffries. com for more details.

Like most anything connected with Tinseltown, Dean Jeffries Automotive Styling is not what it first seems.

From the outside, the two-story workshop behind a sturdy fence is just another industrial box on this narrow strip of Cahuenga Boulevard, a blur to the thousands of L.A. motorists who hurtle past each day on the nearby Hollywood Freeway.

If cars were celebrities, though, the place would rate a star on the nearby Hollywood Walk of Fame. Here, from the early 1960s through the 1980s, Dean Jeffries designed and built some of the most famous vehicles in TV and movie history.

Among them: the bubble-topped Mantaray from the 1963 Frankie & Annette jiggle-fest "Bikini Beach," the Green Hornet's Black Beauty, the Monkeemobile, the colossal Landmaster from 1977's "Damnation Alley," the moon buggy that James Bond steals in "Diamonds Are Forever," the trolley from "Who Framed Roger Rabbit?" In addition, Jeffries has worked as a pinstriper, created scores of street rods and custom one-offs, and even performed a number of memorable movie stunts.

Despite his star-studded resume, the now-retired Jeffries is as unassuming as the garage he continues to tinker in, a man who prefers to let his meticulously crafted, artfully fashioned vehicles speak for themselves.

It's a character trait that's worked against Jeffries for much of his career, allowing him to be overshadowed by his flamboyant, self-promoting North Hollywood rival, customizer George Barris — the mere mention of whom immediately sets Jeffries on edge….

Motor Trend Classic: How did you get started in the car-customizing business?. Jeffries: When I was growing up in Lynwood [in South-Central Los Angeles], my dad was a mechanic.

Mostly motors and stuff, which I didn't like at all — too greasy! But next door was this guy who did bodywork, and that's where I always hung out. MTC: So you learned the craft by watching?.

I wasn't into custom cars at first, but at 17, I had to do the military thing [the outbreak of the Korean War] and got shipped off to Germany.

There I saw all these guys painting motorcycles, and that's where I got into pinstriping.

When I got back, I was running around with Von Dutch — me and him were what you call "having a drink guys." We'd do freelance pinstriping on our own, then get together and hang out.

I also worked during the day at a machine shop doing grinding. But pinstriping really took off then — I was painting little pictures and medallions on cars.

My first job was pinstriping a boat. I didn't have no shop back then. You were lucky if you got $5 for a whole car. If you got $25 in your pocket in a day you were King Kong.

I thought it was great. MTC: So you didn't have any formal training? It was all natural talent?.

Jeffries: It had to be. I never went to art school — lucky if I went to school at all. I just learned by watching others, and I'd just sit there for hours and hours and try to do stuff.

MTC: How did you progress from pinstriping to customizing?. Jeffries: First I got into painting. This shop asked me to paint three Porsches for them. I really didn't know how, but I did it anyway, and they turned out really nice.

So I thought, "I'll start painting cars, too." About this time I bought a real cheapie Porsche Carrera, but I couldn't stand the look of it so I redid the whole front end in metal and welded it back together — there was no such thing as Bondo back then.

And I painted it real bitchin'. That car got lots of recognition. MTC: You were also painting race cars at that time, right?.

Troy Ruttman [1952 Indy 500 winner] lived across the street, and I bummed around with him a bit, learning about race cars. I liked it, liked the people.

Then I ended up tying up with Mobil. They would paint anybody's race car for free at Indy.

So I did A.J. Foyt's car, and Parnelli's, and Jim Rathmann's…everybody wanted me 'cause I was doing things a little different than plain old paint jobs.

One year in the early 1960s, I did 21 of the 33 cars in the race. I was doing pretty good!. MTC: Is that when you got involved with Carroll Shelby's Cobra project?.

Jeffries: Yeah, about then. Shelby brought the first Cobra back from Europe, and it was crude. And it ran like hell. The body was a mess — all-aluminum, but it wasn't quality.

Because I'd been trying my hand at aluminum work, I redid that first Cobra for Shelby — painted it, too. Shelby couldn't even afford to pay me; he hadn't gone to Ford yet.

So we loaded that Cobra on a crappy old trailer and off he goes to Ford — says, "I'll pay you when this thing clicks." Well, he goes and he gets tied up with Ford — booms out, 90 miles an hour! But he only had one car! So he comes back, and now he's gotta show everybody that he's got all these cars.

So I'm painting that damn car over and over…they show it one day, then at night I paint it again, and the next day he shows it somewhere else. It was like he had five cars, but there was only one!.

MTC: What prompted you to build your first fully customized car, the Mantaray?.

Jeffries: A famous customizer back then, Bill Cushenberry, had won the Oakland Roadster Show, and I said to myself, "If I want to be a customizer guy like him or Barris, I gotta learn and do that kinda stuff — make something quite unique and different, a winner." I was lucky, because my ex-father-in-law had two prewar Grand Prix Maseratis rotting away in his backyard, with weeds growing through 'em and everything.

I asked if I could have one, and he said, "Sure.

Nobody wants 'em." Can you imagine what they'd be worth today! Anyway, I tore it all down to the chassis, and I started forming a shape out of little quarter-inch rods — I didn't know how to beat metal around wood back then.

I curved every piece just by looking at it and referring to a drawing I'd made.

Then I took the framework down to California Metal Shaping, and for $800 — which wasn't bad back then — they shaped the aluminum body pieces in about a week.

Of course, when I brought all the pieces back to the shop I had to adjust 'em and trim 'em to make it all work. But there isn't a shred of fiberglass on that car.

I made the plastic bubble roof by myself. MTC: You got a lot of attention for the Mantaray.

Jeffries: You bet I did! I won the Oakland Roadster Show, which included a free trip to Europe. And I got on the cover of Hot Rod.

That was the tops. And what happened to my business after that you can't believe. I was a lucky guy. MTC: And then the Mantaray got you into the movies?.

Steve Allen saw my car somewhere and had me bring it onto his show. So this movie producer sees me on TV, and he calls me up and says he wants my Mantaray for his new movie.

That was "Bikini Beach." Well, first of all, Frankie Avalon couldn't drive a stick-shift — he could barely drive an automatic. So I ended up driving the car on camera, doubling up for Frankie Avalon's Potato Bug part.

I didn't get a lot of money off that movie, but it did get me into the business — I met a lot of directors, producers, stunt guys.

So I started making cars, model airplanes, boats, trucks, whatever the movies needed. I enjoyed the heck out of it.

MTC: There seems to be some confusion. Was it you or George Barris who designed and built the TV car for the Monkees, the Monkeemobile?.

Jeffries: That's one of many bad spots in regards to that man. He sure does take credit, but he had nothing to do with it. I made the car. Every bit of it.

He also says he made the Green Hornet's car, still does to this day. He puts his name on a lot of things he had nothing at all to do with. MTC: How is that possible?.

Jeffries: My contract stated that when filming was done, I had first right of refusal to buy the cars back. So after the shows were over, the producers offered me the Monkeemobile and the Green Hornet for $1000 each.

I said, "Heck, I could build new ones cheaper" — this was back in the 1960s, remember. So I turned them down.

And George ended up with both cars. Then the company that made a Monkeemobile model ended up saying that legally George now has the rights to the car.

I said, "Yes, the rights to own the car. But not the right to say he built it." But they went ahead and put his name on it anyway.

I don't go any further on the why and how in this situation. But it's not over, that's for sure. That's all I can say. [For the record, Jeffries built two copies each of the Monkeemobile and the Black Beauty.

The #1 Monkeemobile is now in private hands on the East Coast. Barris owns Monkeemobile #2 and recently had a promotional third car built by renowned customizer Dick Dean (who assisted Jeffries on the originals).

Barris eventually sold his Black Beauty; one is privately owned, and the other is in the collection of the Petersen Automotive Museum in Los Angeles.]. MTC: How about the original Batmobile? Who built that?.

Jeffries: At first, I had the contract. I started with a 1959 Cadillac, made the back fins bigger, put on a completely new front end.

Then the producers came to me and said they needed the car done in a week and a half. Well, I said I couldn't do it, not even if I put 10 guys on the job day and night.

So they ended up giving the project to Barris.

For more infomation >> Interview: Dean Jeffries, Hollywood legend - Duration: 14:38.

-------------------------------------------

Mercedes-Benz 190E 2.3-16 vs. BMW M3 - Duration: 19:07.

Mercedes-Benz 190E 2.3-16 vs. BMW M3

Dense morning air caresses their exquisitely crafted bodies with passing clouds of condensation, a temporary fog on paintwork as reflective as an undisturbed pond. Rear spoilers stand proudly above angular trunklids, poised and ready to deflect the fiercest of autobahn winds.

Glistening in the sunlight are the three-pointed star and the roundel, badges belonging to two of the most respected names in the automotive business.

Finally, someone starts their engines and they sound like a pair of clapped-out Yugos on a used-car lot. The cacophony is the sound of forged pistons and solid valve lifters. These are not normal cars. This is important stuff.

The Mercedes-Benz W201-chassis four-door sedan, commonly known as the 190E, was a very big deal because of its very tiny size. Yes, "tiny." Were the 190E on sale today, it would be the smallest four-door sedan you could buy in America.

In the late 1970s, the idea of a subcompact German luxury car was unheard of, but American CAFE standards were looming.

As a stopgap, Mercedes stuffed diesel engines into its fleet of large cars, but the company knew it needed smaller, more fuel-efficient cars to meet our requirements. Thus, the "Baby Benz" was conceived.

The 190E had to be indistinguishable from any other Mercedes from its driver's seat — that's right, the car the size of a pea would have to feel like the princess' full-size coach.

To achieve that stunt, the precious W201 would be overengineered to the point of ridiculousness.

(Its development is rumored to have cost nearly $4 billion in today's dollars.) And while we're on the subject of ridiculous, to make sure the world took the little Merc seriously, the W201 would be designed not just to enter the World Rally Championship, but to win.

Cosworth was retained to design the 16-valve cylinder head, and Walter Röhrl was signed to do the driving. Mercedes developed and patented an exotic five-link rear suspension that was to provide the best wheel control of any road-car suspension ever produced.

And just when it all started looking promising, Audi ruined the day by inventing an all-wheel-drive system called Quattro.

It was suddenly game over for two-wheel-drive cars in rallying, and Mercedes' management board was so aggravated that it instituted a company-wide ban on all motorsport participation.

Mercedes engineers didn't listen. They quietly continued development of a racing 190E — this time for the new German touring car racing series, DTM.

They would distract the board by disguising the race car as a factory-tuned W201 for the street, and to prove its mettle, Mercedes took it to the Nardo test facility in August 1983.

It shattered three world and nine international speed records, averaging 15406 mph over 50,000 km (31,069 miles). The production version, called 190E 2.3-16, made its debut the following month at the Frankfurt auto show.

By the time it hit public roads in 1984, its first year of production was sold out — a fitting debut for a subcompact sedan that could outperform the legendary 300SL Gullwing.

It cost thousands more than a base S-Class, but the 16-valve 190E could handily outrun the topline, V-8-powered 500SEL on the autobahn, despite having less than half the displacement.

The Cosworth-headed screamer extracted a manic 182 hp from the short-stroke, 7100-rpm four, and an aggressive body kit cut the regular 190E's aerodynamic lift by almost half.

The 16V had a manual gearbox with a racing-style dogleg first gear and Recaro bucket seats front and rear.

Numerous handling and braking modifications included self-leveling air shocks in back, and the results were the highest cornering grip ever seen in a Mercedes and braking distances among the shortest ever measured by contemporary car magazines.

By the end of 1985, 5000 Cozzie-Benzes had been built, enough to satisfy FIA Group A homologation rules. With the motorsport ban still in place, however, Mercedes couldn't officially take the baby Benz racing.

Instead, its engineers provided under-the-table assistance to independent DTM teams (including AMG), hoping the management board wasn't paying too close attention. Oh, but every engineer in Munich was watching.

Of all the big horsepower, world-dominating grenades Mercedes had thrown over its fence (the 300SEL 6.3 and the 450SEL 6.9, to name two), the 190E 2.3-16 was the one that landed in BMW's backyard. And BMW's response was absolutely breathtaking.

In contrast to the W201 Mercedes, the E30-chassis BMW 3 Series was, in and of itself, nothing special.

When it arrived in 1982, BMW had been gradually perfecting the compact sport-sedan recipe for decades, and the E30 was "just" another descendant of the 2002.

It wasn't until years later, when the 325i introduced a glorious new 2.5-liter straight-six, that we seemed to realize the E30 was, in fact, the second coming of the sport sedan.

A scant year later, the 325i was completely overshadowed by Bavaria's answer to that 16-valve Mercedes — a shotgun blast to the face called the M3. M stood for Motorsport, and back then BMW actually meant it.

The E30 M3 existed solely to satisfy homologation rules, and its goal was simple: Beat that blasted Benz on the track. On the street, the engineering target was to be 0.2 second faster to 100 km/h than the Mercedes.

The M3's engine block was an evolution of BMW's Formula 1 piece that once made over 1000 hp. The cylinder head came from the M1 supercar, but with two cylinders lopped off.

Just like the Mercedes, the powerplant was a big 2.3-liter four, but it produced even more power.

The S14, as it was called, breathed through four individual throttles and produced 197 hp in Europe, 192 here — more horsepower per liter than any other normally aspirated piston engine of the day, Ferraris included.

Better yet, the S14 was wrapped in a body that received far more involved upgrades than the Mercedes got.

The first thing everyone notices on the M3, of course, are the flared fenders, created to allow wider rubber to be used in the DTM cars. The last thing anyone notices is the coolest part: the trunklid.

The Mercedes 190E — especially the 2.3-16 — had a big aerodynamic advantage over the 3 Series.

To help reduce drag, BMW needed to mimic the W201's wedge shape, so it installed a plastic composite trunklid that sat 1.6 inches higher than usual.

Then, it welded covers on the C-pillars and roof to trim out the rear glass, which was installed at a significantly more sloped angle than in the upright regular 3 Series.

(Go ahead, look closely at the trunk and the cap on the roof.

And then wonder how you never noticed them before.) The tweaks reduced the M3's coefficient of drag from 0.39 to 0.33 — just a tick behind the Benz's 0.32 — and helped the M3 tie the European-spec 190E's blazing 143-mph autobahn performance.

Like the Mercedes, every part of the BMW was gone over in the interest of extra track speed. Each car received quicker steering gear; lower, stiffer suspension; bigger brakes; and a limited-slip differential.

But BMW had no internal motorsport ban to contend with, and with the Merc already on the market, BMW knew exactly what it would take to beat it on street and on track. And did just that.

The BMW dominated, but the Touring Car racing was close enough to convince management that the 2.3-16 actually had a chance at winning. Mercedes dumped the motorsport ban, established factory-backed DTM teams, and developed a larger, 2.5-liter engine.

Each company eventually developed evolution versions of its street cars, sold to the public so the same improvements could be made to the racing machines. It was too little, too late.

The M3 was the ultimate victor, with 48 DTM victories to the Mercedes' 42. But there was no one else close behind.

The two cars we've gathered represent the first punch (the original, European-spec 2.3-16) and BMW's final K.O. hit before leaving the brawl (the 2.5-liter M3 Sport Evolution).

Comparing them directly is nonsense: The razor-edge Sport Evo makes the regular roadgoing 2.3-16 feel like an overpowered living room. Then again, it does the same to the regular E30 M3.

The M3 has earned every bit of the respect it receives. It's one of the greatest driver's cars, period.

The E30 might not have broken new engineering ground, but it showed the world how a sport sedan should drive, especially in M3 guise.

Turn the steering wheel, and the front wheels turn in precisely the direction and amount you request. Each 1 percent of the throttle pedal's travel commands exactly 1 percent of the engine's available torque output.

The harder you press the brake pedal, the stronger the deceleration.

With a perfectly precise shifter, it's impossible to miss a gear (especially on the U.S.-spec M3, which gave up the dogleg shift pattern), and it's as unlikely your shifts will be unsmooth, thanks to an engagement point that's perfectly defined and consistent within the clutch pedal's throw.

These seem the simplest, most obvious things, and yet almost no car before or since has gotten them so right. This isn't a car that some team of nerds benchmarked to hit singular engineering targets in a vacuum.

This car was honed to perfection on a track by real drivers. When you push an M3 to its limits, it remains predictable and composed.

It communicates everything it's planning on doing before it does it, through its magnificent steering, the sounds it makes, and the comfortable, supportive seats. It's your best friend, and it wants you to be happy.

The Mercedes is no such thing and wants nothing of the sort. Compared with the M3, it feels nonlinear and slightly removed.

It also feels far bigger than it is — no surprise given the mandate that it feel like an S-Class from behind the huge steering wheel.

The feedback from the recirculating ball steering is a small engineering miracle, but its on-center play could bring an M3 driver to tears. The spring-loaded shifter is light, but neither particularly precise nor overtly sporty.

The gas pedal does nearly nothing for the first third of the travel, and then far more than you thought you asked for.

But as the revs rise, the intake barks out a demonic wail so rich, you can't believe it's coming from only 2.3 liters. It's wildly unexpected, because in normal driving, the engine has a turbine-like smoothness that belies its four-cylinder layout.

Without balance shafts or active engine mounts, the Mercedes-Cosworth M102 four is smoother than many modern six-cylinders, and it produces less vibration at redline than the M3 does switched off, to indulge in some hyperbole. The ride is supple.

The Benz wafts down the road with the authority of a 4800-pound limo, not a 2800-pound subcompact.

In corners, it leans over like a sailboat in a storm, but when you finally approach this boat's limits, you'll realize it's cutting an arc just as tight as an M3's.

At racetrack speeds, the Mercedes is just as neutral as the M3 — right until that mega-expensive five-link rear suspension gives up and sends the 2.3-16 exploding into asphalt orbit.

If the two cars are near-equals in capability, the differences lie in their attitude. The Mercedes 2.3-16, like all 190Es, is a phenomenal over-the-road car from a time when Mercedes-Benz automobiles truly were engineered like no others.

The W201 advanced the art of the automobile, and the existence of the 2.3-16 started one of the world's most fascinating racetrack rivalries by creating the need for an M3.

The M3 is special not just because of the E30 it's based on, but because of the lengths its engineers went to take it from fundamental greatness to unrivaled brilliance.

There is no winner here, because neither of these cars would exist without the other. These are the two cars that started the Great German Horsepower War, a battle still being fought three decades later.

Today's 414-hp BMW M3 and the 451-hp Mercedes C63 AMG, along with all their ludicrously powerful and capable friends from Audi, Lexus, and every other wannabe sport-sedan maker, owe their existence to these two cars.

But they have nothing in common with the originals. The 190E 2.3-16 and the M3 weren't conceived to dance through showroom doors — they were engineered to duel to the death on the racetrack.

They were aberrations in the product lines, not carefully planned topline models, and they made no sense to "regular" BMW and Mercedes customers. But those who get it really get it.

If the clatter at idle makes you want to get in one of these cars and put your foot to the floor, you get it. If not, go back and read this history lesson again.

And pay attention this time — this is important stuff.

For more infomation >> Mercedes-Benz 190E 2.3-16 vs. BMW M3 - Duration: 19:07.

-------------------------------------------

Spider-Man's Costume

For more infomation >> Spider-Man's Costume

-------------------------------------------

CHAUVET DJ Hurricane 1000 Fog Machine - Duration: 0:33.

Click the link at the bottom for a discounted price on this Today!

For more infomation >> CHAUVET DJ Hurricane 1000 Fog Machine - Duration: 0:33.

-------------------------------------------

[Mirror] Decrypting the Alt Right How to Recognize a F@scist |ContraPoints - Duration: 23:34.

For more infomation >> [Mirror] Decrypting the Alt Right How to Recognize a F@scist |ContraPoints - Duration: 23:34.

-------------------------------------------

I OPEN MY SECONDARY CHANNEL ! J'OUVRE MA CHAÎNE SECONDAIRE ! - Duration: 1:48.

Good

It's been a long time since I wanted to do this

I don't know ... 3/4 months

I finally open my secondary channel!

So, on this second channel

You will see 100% just dance

Because I'm really a fan of this license

So, on this second channel

You will have just-dance gameplays

Exclusive gamescom, E3

More of the exclu, more of the gameplays where you will see my score

it will be a complete secondary chain

So there will be less than just dance on this channel

So I will prefer more games on the main channel

But there is always just dance on this channel

especially where I will be seen dancing in green background at this time even with excluded

Staying subscribed to this channel there will always be jd

But a little less, there will be more videos on the other chain

Subscribe, so the link will be at the end

You will have a clickable link at the top right

Thank you, I give you appointments on this secondary channel

And again on this main chain

There will still be a lot of content

On this friends it was GLS, take care of you and especially good game, go tchao

For more infomation >> I OPEN MY SECONDARY CHANNEL ! J'OUVRE MA CHAÎNE SECONDAIRE ! - Duration: 1:48.

-------------------------------------------

BROCK OSWEILER RELEASED BY BROWNS - Duration: 2:14.

Brock Osweiler released by the Browns

Go head Kizer

Boi

Welcome to another exciting episode of the Skill I'm your host King Coopa J

and today we're going to be talking about Brock Osweiler being released

by the Cleveland Browns

Brock Osweiler was due to make 16 million dollars

that's more than Matt Ryan

Arron Rodgers

Eli Manning

and Phillip Rivers

ugh boi getting that check

and he an't playing

DeShone Kizer was named starter after the third preseason game

My man scored 23 points in almost two halves of football

after that it was pretty much over for Brock

Osweiler did not play in the last two preseason games

the browns tried to trade Osweiler

they tried to trade him

unfortunately nobody wanted to accept the offer from the Browns not even the Rams

check this out even if a team accepted the trade

they would only have to play the minimum because the Cleveland Browns are taking the bulk end

of Brock's salary

if they don't even want to play the minimum for this guy

what does that tell you

he probably won't get a job this year

better luck next year buddy

this is not bad for Cleveland either

because they only want Houston Texans 2018 second round pick

so they took Brock they brung him in to training camp

they were like lets give the kid a shot

and they thought he was gonna end up being the starter

but unfortunately just like he did in Houston just like you know he was showing in Denver

he can't play

so here we are

let him go

Cody Kessler and Kevin Hogan

are assumed to play backup

to DeShone Kizer

with that being said do you think Brock Osweiler will find a job

this year do you think somebody will take a chance on old Brock

or do you think he'll be sitting at home

throwing one back

watching to Super Bowl

let me know what you think in the comments section

and if you new to this channel make sure you hit that like button and subscribe

and if you're not here to debate you're here to hate peace

For more infomation >> BROCK OSWEILER RELEASED BY BROWNS - Duration: 2:14.

-------------------------------------------

[Mirror] Decrypting the Alt Right How to Recognize a F@scist |ContraPoints - Duration: 23:34.

For more infomation >> [Mirror] Decrypting the Alt Right How to Recognize a F@scist |ContraPoints - Duration: 23:34.

-------------------------------------------

[SUB/SPA] Live V + JK - Duration: 14:52.

For more infomation >> [SUB/SPA] Live V + JK - Duration: 14:52.

-------------------------------------------

Mercedes-Benz CLK-Klasse 200 K. Avantgarde - Duration: 0:58.

For more infomation >> Mercedes-Benz CLK-Klasse 200 K. Avantgarde - Duration: 0:58.

-------------------------------------------

[FREE] 21 Savage Type Beat 2017 - "$50k Promises" | Free Type Beat | Rap/Trap Instrumental 2017 - Duration: 3:55.

Please Remember

To

Like Comment And Subscribe

For more infomation >> [FREE] 21 Savage Type Beat 2017 - "$50k Promises" | Free Type Beat | Rap/Trap Instrumental 2017 - Duration: 3:55.

-------------------------------------------

Mercedes-Benz C-Klasse 180 K Bns Cl. Avan. - Duration: 1:00.

For more infomation >> Mercedes-Benz C-Klasse 180 K Bns Cl. Avan. - Duration: 1:00.

-------------------------------------------

RUSS - Before They Were Famous - RAPPER BIOGRAPHY - Duration: 6:43.

Before Russ dropped 11 mix tapes in the span of just three years, and pulled in tens of

millions of views for music videos like Losin Control, Too Many, Do It Myself, and What

They Want

Before lighting it up on sound cloud, with over half a million followers, and hitting

number four on the US rap charts with his debut studio album, There's Really A Wolf

Before he was living the life of a rap star, selling out

shows accross the US and Europe, inking a deal with Columbia, and, getting some, well,

some other perks...

Russ grew up travelling all over the country, before finally settling down in Atlanta.

From there, he'd team up with his music friends and gradually build up a powerful online following

by dropping music relentlessly, on sound cloud, youtube, and his own website.

After years of hustling, major record labels would be knocking down his door, and he would

soon be opening for the likes of Vince Stapes, Waka Flocka Flame, and Wiz Khalifa.

What's going on, guys?

Michael McCrudden here, hitting you in the face with another Before They Were Famous

video, documenting the life and career of Russ prior to fame.

I've covered other rappers who are big on soundcloud, like XXXtentacion, and Chance

the Rapper.

But you guys let me know who you want to see next!

You can do that in the comments, or hit me up on twitter or Instagram, at McCruddenM.

Russ was born Russell Vitale on September 26th, 1992 in Secaucus, New Jersey.

Russ was born with a condition called hetero chromia, meaning his eyes have different colours.

In Russ's case, both his eyes are brown, but the left one is a much darker.

Russ's mom was a college graduate, but she didn't do much with her degree.

Instead, his father supported the family, but didn't have the same educational background.

Aside from New Jersey, Russ also lived in New York, North Carolina and Kentucky, before

finding a more permanent home in Atlanta, Georgia, when he was 12 years old.

Even prior to that, Russ had shown an interest in hip hop, penning raps in his notebook from

the age of seven.

By fourteen, he was beginning to produce beats, and he recorded his first song at 18 years

old.

Music was in the genes, with Russ's grandfather actually teaching him how to play the guitar.

But he grew up listening to his parents' music, which was not exactly hip hop.

They had him listening to artists like Earth Wind and Fire, Billy Joel, The Mommas and

The Poppas, Bruce Springsteen and Luther Vandros.

In fact, he's stated his earliest memory of music was dancing to country music in North

Carolina, when he was 3 years old.

Russ's first introduction to hip hop came in the form of G Unit's artists, Eminem, Dr.

Dre, and 50 cent.

Today, he claims his biggest artistic influences include Drake, Kanye, J Cole, DMX, and Tupac.

But that's not all.

Determined to make it as a rapper and producer, Russ still a young teen when he formed a musical

collective with a bunch of his friends, including Bugus, Dartlin, Paulo, DJ Adam Golden, Macivan

Musa, and John Anthony.

The group would be known as DIEMON, which stands for Do It Everyday Music or Nothing,

and Russ would be the in house producer.

While Russ's beats did not have the typical trap style sound you'd expect from an Atlanta

based artist, from the beginning he decided to bypass the local scene and built his audience

online.

To put out his music, his crew would create a website, diemon dot com, which is still

in operation today.

A youtube channel would follow, registered on September 19th, 2011.

Their first video would be a music video for El Jefe, a song by Bugus, and produced by

Russ.

It wouldn't be long before Russ's vocals would also be featured on the channel.

The music video for Corleone would drop on May 30th, 2012.

By the time that video was put out, Russ had already dropped his first two mixtapes, Velvet

(Dec, 2011) and Apollo 13 (Jan, 2012).

And the music just kept coming.

In fact, by the time Russ got on to soundcloud in October of 2014, he had already released

11 mixtapes.

Capitalizing on his ability to rapidly create music, Russ began to pump out a song every

week.

Within a year, he had amassed well over 5,000 followers on sound cloud.

A year after that, he had amassed over 200,000.

At the time of this recording, he has well over 500 thousand.

Needless to say, the labels started calling around October of 2015.

While Russ says he really could have signed with anyone, he ultimately decided to team

up with Columbia.

With the backing of a major label, he got to work on his first studio Album, There's

Really a Wolf.

The album would be released on May 5, 2017, and rock the billboard charts, hitting number

7 on the Hot 200 and number 4 on the US Rap charts.

It would also feature four singles, two of which would be certified platinum.

Today, Russ continues to control his own sound, producing his own beats, and penning his own

lyrics.

As for the rest of the story, well, we'll have to wait and see, this is before they

were famous.

My name's Michael McCrudden, thanks for watching this video.

I got two suggestions for you down here.

Hit subscribe and remember to turn on your notifications so that when I drop a new video,

you can be on it right away.

Let me know who you want to see next, and I'll see you in another video!

For more infomation >> RUSS - Before They Were Famous - RAPPER BIOGRAPHY - Duration: 6:43.

-------------------------------------------

Taylor Swift - Look What You Made Me Do | Reaction of Turkish People | Türklerin Tepkisi ! - Duration: 4:15.

Too scary...

You scared?

No, I mean it's not cool...

The girl is in shower...

...but no water

Good, I like it...

...but has too many rings

I don't like rings...

Ohh, perfect begining...

Ooh... I would become gay for her...

I don't like begining

I don't like zombie...

I hate snakes...

...they bife bro!

Iygh (be disgusted)...

There is a snake over there

It's too funny

The snake is your ex-buddy

...ex-buddy

I can't give her name...

Why does this woman always smash up cars in her videos

I mean in another video she is hitting with a stick

The car is not real

It is montage...

She crash the car...

My heart bleeds...

How could you do this...

How could you do this :D

She doesn't need to make up...

I like her anyway

I like her old styles much more than this...

She is trying to looks like Lady Gaga...

Country style was good...

I think they are robbing the bank...

Her clothes are really marginal

...that's why the video has been watched by millions.

The video is attractive...

She thinks that she rules the world...

Now I'm tweeting to Taylor

(Sister, you are so cute)...

I die for your whip...

I die for your whip...

The song rocks...

What is that bro?

Are they gays?

Are they lady boys?

...they are on

They are not men...

I am stronger than men

Yes, generally she has men problems in her videos...

The video is cool...

I don't like the men part...

It is really about slavey...

Taylor is upon all people...

I am againest slavery...

I listen her...

...but without her video clips

The melody is good...

...but I don't understand the lyrics so they are not important.

The song is really cool...

Smooth!...

90 million in 3 days!..

She deserves!..

The video is really good and attractive...

The song is also good...

First class!.. Wonderful...

The dance of men...

Iyghh...(Nauseate) :D

It is disgusting...

I don't like it but is good (??!!!)

The girl was amazing but men are disgusting...

What is that. Are they fucking gay...

She is real and she is living in the world...

She gives me hope...

I produce endorphin...

I have no words to say.

I am speechless...

The begining is really attractive especially

The song is good ...

It deserves 90 million hits!

Only the men part is not proper...

Don't forget to subscribe channel Tepkimanya...

Channel Tepkimanya...

Don't forget to subscribe channel Tepkimanya...

Channel Tepk.....

Love gay people...

I don't say anything... Anymore...

Subscribe Channel Tepkimanya...

As I said I would become gay for her :D

Subscribe Tepkimanya...

Tepkimanya...

For more infomation >> Taylor Swift - Look What You Made Me Do | Reaction of Turkish People | Türklerin Tepkisi ! - Duration: 4:15.

-------------------------------------------

Hyundai Tucson 2.0i Dynamic Sense Airco, Cruisec, - Duration: 0:45.

For more infomation >> Hyundai Tucson 2.0i Dynamic Sense Airco, Cruisec, - Duration: 0:45.

-------------------------------------------

IDOL #3 audition | "Är ni döva?! / "Are you deaf?!" - Duration: 7:31.

hi hi babababa

hi welcome to IDOL 2017

I'm Lovisa. Now finally idol #3!

It will be exciting who can be join and who can not be join in idol

OK! are you ready?! let's go!

oh it's you again

Hi

so you were in idol from 2015. yeah

then you fainted

Do you think you will be able to sing? Yeah yeah

Go!

ah......

hi

you, how old are you? I'm a little old.

ah

I just...

I'll sing "same old love"

ok I am ready

"take away your things and go"

"You can't take back what you said, I know"

"I've heard it all before, at least a million times"

"I'm not one to forget, you know"

"I don't believe, I don't believe it. You left in peace, left me in pieces. Too hard to breathe"

"I'm on my knees right now"

"I'm so sick of that same old love, that shit, it tears me up. I'm so sick of that same old love, my body's had enough

"oh"

I say..... no

No?

I say no. what no?!

you mean yes? yeah!

I heard you said "yes" not "no", right what?

hi

I'm Bomba

ah. I'm going to race

"jag är bäst = I'm best"

"fhshfalijafaadojihg" (rap)

"jag är bäst = I'm best"

(rap)

"bäst bäst bäst = best"

i say yes! I say....

...yes. Yeah!

"we ohh rock rock oh"

"Nalle = Teddy bear"

"Nalle Nalle = Teddy bear"

I SAY YES!

hi! what your name?

I'm Diana

"my love my love"

"I don't like you"

"I don't care you"

"solen skiner = the sun shines"

"oohhh yeaah"

"I hate you. I don't like you"

"himlen e blå, blå blå = the sky is blue"

"I hate you. I don't like you"

" I want you go away"

unfortunately I have to say no

you know what!

I do not want to be in idol. you will regret

I say yes

I say......

...no.

No.

OK thanks for "no"!

what?

you, you can't sing.

how dare you say that I can not sing! seriously!

Are you deaf?!

But I want be join in idol!

this is my biggest dream ever in my whole life!

give me a chance

I want be join in idol! this is my biggest dream ever in my whole life!

Congratulations on those who participated in the idol!

so end for today

But hope you liked video! Thanks for watching! Bye!

"nalle = teddy bear"

No comments:

Post a Comment