Youtube daily report Jun 23 2017

Defending Souls That Are Hostage

Defending Souls that are Hostage can be likened to troops defending their attachment to a

fake power-structure forming a castle that imprisons the soul.

Deconstructing Your Construct

The way you were programmed by opposites was mostly by the confirmation of the insanity

and duality by the external reality which is easily noticeable by the behavior portrayed

by society.

It is important to realize right now that we are still in a matrix-hive where billions

are projecting artificial realities sourced from information technology

As you can imagine, it may be easy to lose yourself inside of this when you infiltrate

the bottom of it.

The axiom that all is self (all is one) is half a truth, as once you are completely deprogrammed

you are able to manifest what you project within this hive-system.

You do not remain in relativity like everyone else when you do the necessary work.

You are also not anyhow responsible for the great catastrophe � you are only responsible

for yourself and what you have come to believe in the aftermath of the battlefield.

As a youngster, pure from the embedded code, observing dynamics in the matrix can be truly

damaging, especially without a good teacher, which 99% were not fortunate to have.

In fact, due to the many veils prohibiting the light of consciousness, this insane lifestyle

has been passed on from generation to generation.

When you regain your faith in the five elements, you shoot out like a star and you start to

shine independently, irrelative of the rules and laws of man, his god or his society.

Divided Within = Divided Without

One word can make a person as jolly as a graduate student, yet, another can cause that same

person to react in a burning rage.

What is going on in the consciousness of a person that is so incredibly controlled by

views, beliefs and opinions?

It is as if there is a great enemy living in the psyche of such a person that never

seems to disappear, as long as the embedded attachment to an �AS IS� reality is maintained.

Please see the mind�s 4 states of existence.

Something which threatens this unfounded world of attachment is met with an arsenal of debating

troops with the mission of defending the fake reality that has settled from the mind, via

the mind-cooperative (ego) which is holding the soul captive.

The soul-captive is only grateful for another that is knocking at the door of this prison

mansion that it is held hostage in.

Pride, a big indicator that the ego is in control, is a notorious kidnapper and deceiver

of the soul and the stronghold of cognitive dissonance.

How hard is it really to put self or �me� aside and admit that you were wrong all along

with your empty judgments of the world, sourced from the IT (mind).

In Tibetan Buddhism it is old news that the world is the mind, and without the mind there

is no world, and that the mind�s origin is empty (i.e. an illusion), the matrix!

Mind gives rise to matter � matter, which is 99.99% empty space.

Merely an energetic vibration sourced from the AI.

So now, why defend something that is relative to your attachment to nothing in essence?

Maybe in death the irony in this mistake can be embraced when reflected upon.

Letting Go

It seems that for too many people, the idea to let go of everything they have come to

love, or have become attached to, is scary (love is an attachment to a matrix-based construct).

They fail to see the miracle of debasing an obsolete foundation to your existence and

rebuilding new pillars from the Earth itself.

Cosmic laws can only work for those that have their Earth Connection, when the root chakra

is cleared and activated by reconnecting to the Earth element.

By turning words and knowledge back to the five elements (unlearning), the connection

to your whereabouts on Earth is regained, and heaven and Earth can once again meet through

you.

Those that still choose to remain in the old reality by keeping secrets in the soul-center,

will remain under the expired laws of god and man.

How Dividing Within and Without, Rules

Divide and rule is not as much something which was instigated by the ruling elite as an objective

in the running of the world, but more of a mission to set up in the mind�s of the entire

globe.

It only takes one generation to fall under this spell for it to affect the rest of humankind,

which it has done successfully.

When the mind is divided, then it is inevitably ruled by more than one master.

When you are opposed to your own thoughts arising out of old reactive programming, the

only sane thing to do is to be aware of them and observe them.

Witness the old record playing out the expired tune and realize that this is the tune that

paved the path you used to walk inside of the time-track.

Realize that the only power it has over you is when you are inside of time, caught in

relativity to the past, allowing memory to suppress you.

In the now there is no past, present or future.

It is much easier to divide and rule a populace when you divide them within themselves.

Once you are divided within yourself, you, by default run into division and opposition

without.

The within and without parables can be compared to a measuring device that allows consciousness

to perceive itself.

Consciousness had an experiment with itself, whether it was a bad experiment or a good

one, it does not matter.

The fact is that the experiment was unsuccessful, because the goal of the experiment will not

be realized.

We have triumphed over this trap and will exit a programmed foreign reality and enter

our own paradise that operates with cosmic laws of manifestation.

Now it is all up to you!

The responsibility is in your hands now, as the universe

in 2016 is fully in your favor and on your side.

For more infomation >> Defending Souls That Are Hostage - Duration: 7:34.

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Đệm lò xo cao cấp | Nệm cao cấp nhập khẩu Malaysia Harahome Jessica - Duration: 2:56.

For more infomation >> Đệm lò xo cao cấp | Nệm cao cấp nhập khẩu Malaysia Harahome Jessica - Duration: 2:56.

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Meet the AlumnU.S. - Ep. 2 - Ismail Mahomed - Duration: 6:10.

Hi, I'm Jessye Lapenn, Chargé d'Affaires for the

U.S. Mission in South Africa, and the host of our

video series, Meet the AlumnU.S.

Today, I'm at the iconic Market Theatre in Joburg, and I'm going to

chat with the Market's CEO, Ismail Mahomed, also an

alumni of the U.S. government's International

Visitor Leadership Program, or the IVLP.

Come on, let's go see him.

Ismail, tell me how you got interested in theatre first of all?

I grew up in Lenasia, in the south of Johannesburg, in what is a

very conservative Indian community with no music,

theatre or dance education as part of the curriculum,

but I grew up at a very interesting time. I was in

matric in 1976, when television was being

introduced in South Africa when Soweto was going up in

flames, when theatre was still segregated at that

particular time, the desegregation of theatre

only happened in 1978, two years after The Market

Theatre opened, but through informal programing within

the community, particularly youth programing, we engaged

with poetry, music, theatre and dance. I was teaching in

the eighties, during the years of the education

boycotts when the entire educational system had

almost come to a standstill. Children were outside on the

streets, and as teachers we felt that we needed to

engage them meaningfully. I ended up taking students to

the National Arts Festival in Grahamstown, and of

course when The Market Theatre opened in '76,

that was a wonderful way for me to bring young people to

the theatre, to have post-performance

discussions, and to just understand, that learning

went beyond a classroom environment, and that

theatre held an enormous power, to bring young people

together. The fact that we lived in separate

communities, but when we walked into this particular

space, we engaged with people of color, we could

sit right next to them, and we could laugh and cry at

the same thing, and there was an enormous amount t of

magic to that. For me, that was where the new country

was going to be born, in the darkness of this particular

auditorium, when actors were on stage, and that for me was the entry point into The Arts.

One of the benefits of the IVLP program,

was being able to go to an institution

like La Mama, and to see a theatre that was deeply

rooted in New York, that had a social consciousness, but

also had a simplicity about it, one that we could

emulate in our country, particularly in communities

where we needed to start off theatres.

1995, the U.S. Mission selected you to participate in the

International Visitor Leadership Program, the IVLP.

What was that like? It was mind-blowing in the

sense that, for the first time, I really was engaging

with the world that I had read about, a world that we

talked about at school, a world who's politics we

even questioned sometimes, but I think the key factor

for me around that particular exchange program,

was the value of person-to-person engagement

that I had, and I think the power of any kind of

cultural exchange, or academic exchange, is the

people-to-people relationship that you build.

What would be your advice to the next and the next

generation of exchange visitors, whether on the

IVLP, or the other U.S. government sponsored

programs? The advice I would give to anyone going on an

exchange program is, do some research about the country

you are visiting, do some research about the

organizations you would like to see, but have a

completely open mind, about what you are going to

experience. Understand the things that you want to

challenge, and be courageous enough to have those

conversations, because there are going to be people on

the other side, who will want to engage with you, who

may agree with you on some things, but disagree with

you on other aspects, but keep a completely open mind.

As the CEO of The Market Theatre now, how do you

think about the future of this institution, the

theatre of struggle which has been so important

as a locus of desegregation, and also a driver of

discussion? Our specific focus is around young people

because we believe that if we can reach out to the

young people, we will reach out to their parents, if we

reach out to the parents, we reach out to an entire

community, and that's the way we're moving forward.

We've engaged an artistic residency group, one that is

incredibly socially engaged and has done an enormous

amount of work in the Hillbrow area, knows it very

very intimately, and is socially conscious. The

other is an arts-driven group, that has really good,

strong artistic output, and we feel the merger between

of the two of them will be the right kind of

partnership that we need, to drive that institution into success.

For more infomation >> Meet the AlumnU.S. - Ep. 2 - Ismail Mahomed - Duration: 6:10.

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XP Pen Drawing tablet Artist 10 S🎨 - Duration: 17:12.

And than you see me on the screen of my new drawing tablet XD

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Pakistan : Không tuân theo mùa chay tịnh ramadan bị bỏ tù - Duration: 1:28.

For more infomation >> Pakistan : Không tuân theo mùa chay tịnh ramadan bị bỏ tù - Duration: 1:28.

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My destination please. - Duration: 6:39.

Hi all.

Here we are again together and as I start I want to talk to you about Rosa who I've

been talking about for quite a while.

As of last week Rosa has lost 154 pounds.

She looks amazing and what I'm preparing you for is that Rosa has given me pre and post

pictures and a short synopsis of her journey and I want you to look forward to reading

it because it's not only inspirational but just a few moments ago I looked at Rosa's

post program picture and all I could do was kind of sit back and smile and say how wonderful.

Now I'd like to talk about weight loss and the psychological aspects of weight loss that

intrude and interfere with us reaching our goals.

What you need to understand is that all of us are psychological beings and that we're

impacted by feelings and those feelings have a great deal to do with how we behave.

I created the Accu Weight-loss magic protocol in order to bypass those emotions because

if you bypass them they do not interfere with your moving towards your goal but I noticed

something very interesting.

First a little thinking, when you put the destination into a GPS two things happen:

one the machine accepts it and two the machine is now obligated, it's under your control

and the machine must do what you want it to do and that is to take you to your destination.

The problem that I find is very interesting.

You buy a ticket to Miami, you get on the plane, you sit down, the doors have not closed

yet.

You get a telephone call which says and it's an evening flight, there are going to be marvellous

fireworks over some place in Maryland and so you get up and you knock on the door and

say to the pilot: We're going to Miami, why don't we go to Miami can you fly over Baltimore

Maryland so that we can see the fireworks?

This is where in the problem with the magic protocol develops.

If you accept that you've taken control and told the GPS what your destination is then

if you simply follow the directions it will take you to where you want to go.

The magic protocol is exactly the same.

If you admit that you want to cheat, if you do the three Chi-Gong breaths and think about

the fact that you're doing it for yourself and then you include your child-self in substituting

the candy for the cheat then you will arrive at your destination but what I'm finding is

not only do you want to achieve destination but for some reason or other you insist that

the machine do it the way you want to do it.

You've done that many times, it almost never works.

You have a methodology that is guaranteed 100% to work.

Let the rule of 21 become part of the process.

If you do the magic protocol unvaryingly for 21 consecutive days it will become a habit.

It will become a habit that you control.

It will become a habit that takes you to your goal and you have no idea how great I felt

looking at Rosa's picture with her husband smiling happy.

Thank you all.

Talk to you soon.

For more infomation >> My destination please. - Duration: 6:39.

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Animefest Interview - Zel COShorse - Duration: 1:50.

Hi everybody, I'm Zel, I'm from Poland and I'm a cosplayer.

Nice to meet you.

I started in 2006 and do it more or less since then.

Yeah, each year a few costumes.

I love conventions, I love performances, and I'm here right now.

I really enjoy performing on stage and I enjoy acting,

so I thought that's the best idea to do a workshop

on what I like the most and what I feel most confident.

Because I kinda lack on some technical skills, but when it comes to stage performance,

maybe I'm not the best but I feel confident enough to share my knowledge.

If you're doing a movie, feature length is like hour and half or more,

or even short movie, it's like 15, 20 minutes to 30 minutes.

And of course theatre performance is also pretty long, like an hour or two.

On cosplay stage, you have two minutes.

And then it stops.

So you need to keep it short, you need to keep it clean

and you need to keep it very visible for audience.

It's a very short artform.

You need to show all the emotions and very complex, easy to understand story to the audience.

But an interesting one so they can enjoy it.

For more infomation >> Animefest Interview - Zel COShorse - Duration: 1:50.

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Hotel Biniamar en Cala Millor, Mallorca, España - Duration: 3:43.

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For more infomation >> Hotel Biniamar en Cala Millor, Mallorca, España - Duration: 3:43.

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Villa Can Miguel en Sant Carles de Peralta, Ibiza, España - Duration: 7:23.

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For more infomation >> Villa Can Miguel en Sant Carles de Peralta, Ibiza, España - Duration: 7:23.

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Let's Talk About Stress | Why making a fool of myself had a genuine - Duration: 5:08.

- Let's talk about stress, baby.

Welcome to this week's Weekly Radish,

and this is a bit of a cringer for me

because I'm gonna be dredging up an old video

that's still on my YouTube channel for you to see

and I put the link at the end of the video.

It was a genuine attempt to bring up

some important points in a tongue in cheek way.

In a nutshell, the video's "Let's Talk About Stress."

For those of you who are of a certain generation,

you'll remember the Salt-N-Pepa song,

"Let's Talk About Sex, Baby."

I in my naive, younger days in business

thought it'd be great to do a parody song

called "Let's Talk About Stress, Baby."

♫ It's not all about chasing the wealth,

♫ So stop, don't panic

♫ Even though it's all manic

♫ Don't let psychology

♫ Screw biology

♫ Step away from technology

♫ And have yourself a cup of tea

♫ Let's talk about stress, baby

And here were the reasons why I felt it important

to create that, albeit in quite a cringeworthy way.

So the first reason was because the title itself

gives it away.

Let's talk about stress, let's talk about it

in a more open, positive, and constructive way,

because many of us, I've worked with hundreds

if not thousands of people now, we all recognise

that stress itself, the word, has a lot of baggage,

and it's become something that we use inappropriately,

but also we are often perceived as either weakness

or if you wanna do stress management,

let's go and hug a tree and meditate, and I'm not knocking

any of those things, it's the perceptions around

that there's something soft and fluffy

and you're weak if you need to take an interest

or talk about stress.

And the reality is, stress, although the word itself

may be problematic, represents the feeling

that many of us have when we feel strained,

when we feel overwhelmed or overloaded

or ground down and we need to have

a more positive conversation where we're not afraid

of being open about it, we're also ready to tackle

when we feel that it is being overused

or inappropriately used, but we are doing so

in a supportive way, a supportive, empowering way

that doesn't mollycoddle people but does support them

and empower them to take back control of their lives,

and it was something that was very important to me

and still is, that we talk openly,

constructively, and positively about the strain

that human beings can be under from time to time.

The second reason, and it links into this idea

of baggage because there are links between stress,

strain, and mental wellbeing, mental ill health.

I am somebody, as many of you know,

I've struggled with my own anxieties in the past,

anxiety's a condition, and feeling low,

feeling crushed by it from time to time.

And I've come to realise that again,

the way we talk about mental health,

mental ill health, mental ill health being a problem

or a weakness or you just need to pull yourself together,

there's a lot of misunderstanding, a lot of fear

about how we both open up to talk about it,

but also how we approach and support people

who are struggling.

And the reason the let's talk about stress song

for me is important is because if we can get our language

right about stress and strain, we can start to support

creating a climate around how we support people

with mental health struggles.

Because many of us are managing mental health conditions

lifelong, but that doesn't mean they're problematic,

it may be that they're problematic from time to time

but they're managing in life so let's have

a more constructive supportive conversation

and create a culture whether we're feeling overwhelmed

in the moment through the stresses and strains

of life or we're genuinely struggling

with ill health, something is not right in there

and we're struggling and straining with anxiety,

depression, or something even more significant,

we can have a climate where we can be more open,

we can feel safe enough to go I'm struggling here,

and we also feel confident enough to know how

to approach and support that person.

The third reason is that I also wanted

a lighthearted way, and it kinda feeds through my work

and workshops and speaking and these videos,

is to use humour as a way to break down those barriers

and get us talking about it.

And if you click on the video, you'll see

that throughout the song, there are tips,

there are suggestions that I have used in these videos.

Step away from the technology, have yourself

a cup of tea, let's talk about stress, baby.

Let's be more open, let's communicate,

and let's give ourselves a break,

so the idea of the video was to create a more

positive dialogue around stress and strain,

a more positive support to create a culture

and a climate that's positive for being open

about mental wellbeing and mental ill health,

and mental health problems, and to offer

some simple tips in a tongue in cheek way.

So the message still stands: it's important

to be open in a constructive and informed way.

So if you feel like you're struggling,

then talk about stress.

Let's talk about stress, baby.

Learn the six stress to putting stress

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and claiming your free ebook, "Emergency Stress CPR."

For more infomation >> Let's Talk About Stress | Why making a fool of myself had a genuine - Duration: 5:08.

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Mercedes AMG GLS 63. A Review and a Test-Drive by LOUD SOUND - Duration: 25:57.

Look! There are girls peeing. They were probably gonna wee a bit,

but then we came, and off they go embarrassed now.

Oh my damn! There are cameras all over our car!

You, ladies, got on film, above all.

Girls, you're YouTube stars now.

Hi, everyone! Loud Sound here. We're having an unusual review today.

Let me answer the question you all must be playing in your heads right now.

Yes, we are going to kick it up with this car, and we're gonna go big on it.

We will test each and every cool feature and option this baby has.

So be cool. I'm not one of those bloggers who dance around a car for half an hour

and vomit facts they'd literally read up on Wiipedia, like, 20 minutes prior.

I was given this car for two days. And those two days, I utilized wisely.

I mean, this is an AMG with a 5.5 L engine, two turbines, with amazing music and amazing interior.

What's unique about this review is that it's a sae bet to say that noone on Russian YouTube share,

and, I think, not worldwide, either, has done a decent review on this car.

The previous version, GL AMG 63, was reviewed by Erik Davidych. I wouldn't call it a review, tho.

They never kicked it down and barely told anything about the car.

So, as with all Davidych reviewws, you got the info not about the car but about Erik's viewpoint.

About how he ovrcomes his complexes etc.

Okay, I having trolled Erik a pinch, I think we have clearance to start the review.

This is one restyled GL. GL has had two generations.

No dramatic changes occurred. The lighting was changed to nicer, the splasher, the hood, too, etc.

But the AMG edition is completely different from a reglar GLS. It has a totally different braking system, suspension,

the gearbox, the engine, the exhaust system - all of it is different, all of it are AMG specials.

The engine here, like all AMG engines, is assembled by hand.

The signature of whoever assembled it is on the engine.

The outlook of the car is rather debatable. Many of you could find what to mock.

Especially after designs like those of X6, GLE, Range Rover etc.

All in all, there is nothing special about this car's looks.

Let's maybe wrap up with the boring part and get going. And after that, I'll tell you about the car and its audio.

The boring part is the trunk.

This is something I have to show. But you can fit nothing in there 'cuz there's no trunk until you push this button.

It makes the rear seat backs fold automatically.

This thing can be bent over to the front, and we get a car for 5 people with a huge trunk.

And the seat backs go back up as nice and pretty as they did fold.

The third row of seats can accomodate two people.

We tested it yesterday. Unfortunately, no cam was at hand

We had a 6'4" tall guy sit in there. I wouldn't say he was comfortable but he could move in there.

Here, like other bloggers, I need to act fascinated with the amazing interior and stuff.

The grills of the audio will be covered later.

But I bet you couldn't care less about it 'cuz all you want now it for me to start it.

If we start it now, we'll miss out on the nice sound you can hear when you start the car cold.

The sound it exerts when started cold and warming up over time reminds the sound of a beast awakened.

And it goes lower right away.

It's like it calms down, lik it says, 'That's it, guys. I'm ready'.

Now let's take a ride in the 'Comfort' mode.

In this mode, the clearance is slightly higher.

The car is not in the -1st position but in the standard, the 0 one.

There are 3 positions all in all, there's -1, 0 and +1.

The exhaust system works quieter,

and, for sure, the engine and the gearbox are set for lower RPMage, without any rough kick-ups.

Well, this is nothing special. Kidding. It's really cool already.

You could get the wow already, and people new to it go, like, 'Wow, that sound!Wow, that dynamics! Wow, that all'

But this is, well, a demo.

When we turn on Sport +, it's like the car wants wants it and gots, like, 'Don't be a dumbo, kick it down!'

And so you kick.

When you switch the gear, there's this unreal, this amazing explosion going into the pipes,

and when you gear down, too.

The sound is divine. You could just go the whole day only listening to the exhaust sound.

Check out this awesome crosswalk. To let people cross the road, you have to stop in the middle of a crossroad.

[G]: This is Russia

Yeah. Okay, you ready there? Stabilize the stabilizer.

[G]: On it.

50... 100... and... a bus.

I could say we're safe 'cuz the braking is great here. But actually --

I don't want to say bad things about the braking here. It's not that it's bad but it's not the level this engine demands.

When you brake, you feel the weight. And you can feel the braking is prone to overheating.

So yesterday, when we were riding the highway I was very careful with it.

It does nto give you the super-confidence like everything else in this car.

The control here is fantastic for a giant like this.

You can't even tell you're driving a SUV.

I feel like I'm driving some E-class.

Yeah, about the drift. There was a ton of jokes about it. Bu, come on, it's stupid drifting with a SUV.

But! We have a button that turns the stabilization off.

Let me clear it up to trolls. This is no drifting. I mean, I can feel the Japanese drift fans rise.

We're trying to do a very stupid thing here. We're trying to make a huge and extremely heavy SUV to spin out.

Many people have asked me - and you, Georgiy, did, too, I think. They ask, 'Aren't you scared to get killed?'

My answer is, 'Fck yeah, I'm scared!'

But in a spin out, this car, even with the stabilization off, holds, well, how do I put it, rather steady.

Here comes the spin out.

If the rear axle starts overrunning the front one, you slightly turn your steering wheel,

and the car goes straight to the trajectory you need. It's like plating a PlayStation.

It's simply... Simple. Simply simple, yeah.

I can't even find words to put this into.

And we're drifting with a SUV. This is a small but stil an angle we're driving at now.

The stabilisation is killed here, right?

Did you catch that guy on the road on tape? Look at those sunglasses, full of sorrow.

He was, like, 'Man, how do you drive that thing side to front?' I could read it in his sunglasses!

Can you imagine doing that on a Touareg?

For sure, there is no way to go full swing with the car within a city.

It feels like you are placed within some sort of a framework.

That's why we hit a highway. And let's now check out the automatic cruise control. It's amazing.

There is a car in front of us. We let it drive away for a demanded distance. Turn the CC handle

The wheel here goes green.

And now it's switched completely to autopilot.

Right now, the car is suposed to steer and turn automatically, including accelerationg and braking

So if the car starts increasing the distance, our car here will catch up with it,

and if that car stops, we will stop completely, too.

Now it's demanding I put my hands on the steering wheel.

If you don't help it, don't steer a bit, the car thinks you're distracted or asleep so it demands hands on the wheel.

So you still need to steer a bit. But in general, the car does the main steering.

If you don't do that, the car will switch on the emergency stop signal and pull up to the side

as it will think you're asleep or stuck scrolling your Instagram feed.

The future is here, guys. The car is steering on its own, I don't touch the steering wheel or the pedals

And if not for this hands on the whee thing, you could've leaned back, take all your extremities off stuff, and have a blast.

What impresses even more is the dynamics. At the moment, we're in Sport. Let's switch to Sport +

The car started singing louder.

It's almost like its paranoid about answering the pedal.

You push it a pinch harder, and it pulls rapidly forward.

Yeah. Well, in a bit, we will show you accelerate 0-100. At the moment, we're going 100 km/h.

Show the speedometer.

[G]: But it doesn't feel like it at all.

Yeah, totally. I don't know what they did when they designed it but I've never driven a SUV like this.

Usually, the effect is the opposite. You sit higher so you feel the speed more acutely.

The lower you sit, the weaker your sence of speed is, so to say.

In this car, that doesn't work.

Okay, 100 km/h (62 mph)

...to 150 km/h (93 mph)

[RIP Lil Mosquitto :( ]

200 km/h (125 mph)

230 km/h (143 mph)

Let's not go more than this. And not because I freaked out. Not even 'cuz Gerogiy freaked out.

But because we don't know ehat's up with the cam we have installed on the top. Gotta check the signal.

[G]: We're good. The camera is up and running.

Yeah. So at the moment, we're going at 170 km/h (105 mph)

and this is awesome. This is the definition of cool.

I'm not even touching the wheel. And not I hint I might feel uncomfortable.

A couple of bumps are coming now -- Amazing! Perfect!

These insects are frustrating, tho. A bunch of their corpses appeared on the windscreen over a sec.

A moment ago, we had a perfectly clean windscreen.

And everybody is driving slowly around you. Absolutely no worry about driving this fast.

I mean, usually, when you speed up this much, you somehow feel nervous, anxious.

None of that here.

The only thing is, the engine is working kinda loud right now. We can switch to Sport or Comfort.

And now it feels like we are in some sort of a business class sedan.

It's pretty quiet here, barely any noise or wind you can hear.

Well, the proofing here is serious business.

The car constantly signals me by vibrating if I drive over the line on the road,

and it's supposed to not let me drive into the sidewalk. I don't know how it does it. Let's check it now.

But it is supposed to panic somehow. Yeah, and here it brings me back to my line.

See? I'm turning the wheel slightly to the right...

...and here it brought me back in.

So you won't fly off to the sidewalk when you get caught up in your thoughts or fall asleep.

The car detects the danger and prevents it.

The audio we will review a bit later, once we're back in Rostov.

Aleksey with CeramikPro adn his team were kind enough to let us use their venue.

It is a well-lit place. We will shoot the interior there, and I will tell you about the functions.

And for now, we will switch to the manual mode. there are two manual modes here.

The first one switches on via the button on the steering wheel (up or down).

The second one turns on by this button which sends the car completely manual.

It won't change the gear even if you overdo it with the RPMage or something else. The car stays the same place.

Meaning this mode is 100% manual, 100% control is on you.

Let's start with the first mode.

At the moment, he fifth gear is on.

Now, it's almost the fourth.

Fifth.

The engine braking is perfect here.

It is not like in some cars when you kick down the gear, the car starts roaring, and the nothign really happens.

Here, the engine helps brake, and it feels great as hell.

[Wiped the mosquitto cemetery off the cam]

In order to render the sound of the engine and the exhaust as correctly as possible,

we are switching to manual control right now.

0 km/h. Let's let a couple of cars outrun us.

Okay, first...

I can't do it.

Gotta get used to this.

We caught up with all those cars, and e almost reached 200 km/h (125 mph)

Whenever I would watch reviews by Erik Davidych, I was wondering, when you drive a really cool hi-end car,

do you really ahve this urge to give everyone around you the finger, prove something. You, know, these 'Hit me, and I'll sue you down to your last penny'.

I don't feel any of it. I guess it's not about the car it's all about the person sitting inside that car.

What I feel now is comfort, safety and calmness.

What is happening there? Oh, look! They are peeing! Are you filming this?

They were probably gonna wee down a bit, but then we came, and off they go embarrassed now.

Oh my damn! There are cameras all over our car!

You, ladies, got on film, above all. Girls, you're YouTube stars now.

Did they pee already or were they just going to? Poor things, they didn't get a chance.

We scared them off.

In the evening, we dropped by - not Mercedes dealership, as you might think - but CeramicPro detailing center.

We just need to get our engine washed and to make some footage in a nicely illuminated place.

The owner Aleksey was kind wnough to let us come here. He's unlikely to buy a Mercedes, and he doesn't want to get on tape,

but he does want CeramicPro to be mentioned in our review today.

This is a very nice detailing center, not far from out office, btw. Oh, Misha is not afraid of the cam. You can show him.

This is the person who worked on the Hummer. Everything that's been changed about the Hummer was done by Misha here.

Okay, now I have to tell you about the cool stuff you can see inside the car,

show you the interior, and, for sure, since we re a car audio channel, we'll have to see the system here.

Let's start with the latter.

The audio here is Bang and Olufson's top, and they market it as hi-end.

However the looks are imecable. The grills are aluminum, with laser engraving. They are true artwork.

That all is beside these mind-blowing tweeters. They look unusual, they look rich and nice, anf they're illuminated.

And with these tweeters, Bang and Olufsin's trademark technology 'Acoustic Lense' was used.

The tweeter plays up, and once the sound hits the acousric lense, it gets scattered to a 180° angle.

I wouldn't be lying if I said this was the best stock system I've ever heard.

But for sure it's not as good as custom ones are.

But, like, 99% of listeners will be satisfied by it.

I won't be speaking too much about the interior. There are both pros and cons.

Among the cons, the central console is not renewed yet.

It was passed down by the GL generation.

However the wheel, the dash panel, the screen here and some other elements are new here.

And it looks so cool.

This TV. I was, actually, going to mock it but I've kinda changed my mind about it after I've used it.

But there's still a lot to mock. The design is pretty arguable, and many people notice that.

Some say it looks as if they've put an iPad in there, some say the dashcam is too big.

However they changed this lining. It no more looks like cheap made-in-China plastic. It's narrower and richer.

The screen is larger here. Works really nicely. The one for C lags, tho. But we'll cover it in the C-class review.

This one implies no discomfort. Quicker response, and the quality is really nice - resolution, color rendition.

The seat are adjusmed and controlled completely from the carputer here.

We can regulate the side support for the seats making it harder or weaker.

We can regulate the low of the back support. And for that, we even have a touch controller.

So we can regulate it more smoothly.

Heer, we regulate the roll's position and protrusion.

There's also the seat pillow controller which I couldn't but wonder

Because it is not separated from the eat.

It's just that in the higher BMW complectations, that pillow is protruded with an electric or a mechanical drive,

and it is separated from the seat. Here, on the other hand, it is a part of the seat, and the seat just gets longer.

There are 10 positions for your choice, and it's amazing. And it looks nice, too.

Plus, there's no depression in between where all the trash gets stuck.

You can also enter Dynamic Select from here.

What does it do? There are poitions 'Comfort', 'Sport' and 'Sport +'. And, well, for winter. It's called 'Slippery'.

And there's individual. We can set it for our own taste. We can set the suspension roughness, engine patterns,

gearbox patterns, too. Unfortunately, you can't set the steering wheel.

In my C-class, you can set the steering wheel informational responce.

What I didn't like is that Mercedes still struggles with a good voice assistant.It's in English only.

Help!

[VA]: Please, repeat.

I don't know. Maybe you can select a language but it's all in Russian. So I don't even wanna get there with it.

I still don't like the menu here. The BMW menu is more ergonomic, more obvious, more convenient.

In this one all the menus and submenus are poorly actualized.

It is a lot easier to navigate through a huge number of options if they are presented in a list arrangement.

You choose from the list to see a different list -- Well, in this case, you get used to it.

The struggle only lasts in the very beginning until you get used to it. And well, there's nothing so scary about it.

On pushing the (*) you open the 'Favorites' menu. You can add anything you want to get quick access to.

This is how they get their points back. It's actually a great idea. You can add whatever you use the most here.

And then, it saves you time. I, for one, added the Camera 360° here over my two day's use.

This is a supercool thing.

When you're driving forward, and you can't see if you're cleared to pass thru somewhere, or you can't see bumps or potholes,

The 360° View shows you the complete view from the car's roof.

And everything around you is reflected here not like it is on the parking cam but as a live feed.

I hope you liked the review.

Now I need to spare a couple of words of conclusion but the guys are busy looking for good shots here.

So I will film myself using this exptremely costly cameraware.

It was a great pleasure filming this Mercedes, a great pleasure to have a ride in it. Hugethanks to Klyuch-Avto.

To Stas personally, and to Yevgeniy Sergeyevich, his boss, for providing us with this nice car

I hope this is not the last car they give me for a ride. I would really love to get my hands on... On everything, actually.

I could make a whole list of it. And you, too, please, write which cars you'd like to see.

To draw a conclusion. What is this car and who it is for? Obviously, it's costs a fortune and there's a limited market for it.

But I wouldn't tie it to a certain age group. This is trully a car for those who want a motorbike, a van, a SUV and a Mercedes in one piece.

And for those, of course, who can afford one.

Aleksey also was of great help for us. But for some reason, he is unwilling to get in the frame.

You don't want to? Well, there will be links in the description. Please, check them out, too.

The guys kindly provided us with premises, and made the car look perfectly well again.

Thanks to them so much! And now that you've seen the review, be lambs and subscribe to Aleksey's Instagram.

He actually posts some pretty amazing cars there.

And for the guys from Mad Chaos, thanks, too. This is not the last review we do together.

I hope, the quality of our reviews will keep growing over time.

If you liked the review, don't forget to -- well, you now the drill. And don't forget to provide your feedback in the comments.

But I'd like to ask you to mind your manners. Otherwise, there's a fat chance you're getting banned.

That's all. This was LOUD SOUND.

Bye, everyone. Live LOUD.

Why does this keep happening to us? We are shooting a car audio review, and there's drifting in the frame.

This is gonna be good now. Like, I'm here reviewing a Mercedes GLS AMG, and there's a BMW on the footage.

Well, thanks for screwing up our footage! Say hello to your ass!

And in our case, we have a top-version of GLS 63 with a bi-turbo en-- Fck. I mentioned that already.

For more infomation >> Mercedes AMG GLS 63. A Review and a Test-Drive by LOUD SOUND - Duration: 25:57.

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Hotel Sa Coma en Banyalbufar, Mallorca, España - Duration: 3:43.

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Decathlonda Oxelo Freeride 5 Denedim #vlog #inceleme - Duration: 5:34.

For more infomation >> Decathlonda Oxelo Freeride 5 Denedim #vlog #inceleme - Duration: 5:34.

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Hotel Elegance Vista Blava en Cala Millor, Mallorca, España - Duration: 3:43.

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I didn't do it [2] - Duration: 0:31.

Excuse me.

I DIDN'T DO IT

Oh. Hehe.

Can I help you?

Yeah I'm ready to order.

What'll you have?

I'll take

Two number nines

What did you say?

I said I'll take a

Number nine large

Huh?

I heard his order, mr Krabs.

He said he wants

A number six

WAH

And, ummm

Extra dip

A number seven. Two

AHH

number

WAH

fourty fives. One w

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Talk Shop with Shakun Batra | Director of Kapoor & Sons, Ek Main Aur Ek Tu | Episode 03 - Duration: 38:15.

The guest we have today

happens to be obviously from the

creative field of film making but

to our surprise he has

been a national scholar for accounts

He has done Ad films and

ofcourse commercial films

which has crossed the 100 crore mark

but this guy

he has done his film making from

Vancouver, Canada

A very warm welcome to Shakun Batra

on the sets of Talk shop

A very warm welcome Shakun, we are very glad to have you here

Thanks Megha, it's a pleasure

This

dude director

young director, who is sitting in front of me

who comes out as a very chilled out person

the vibes

the aura is very chilled out

If we ask him about his passion

I got to know that you know how to play guitar

and you keep doing that on and on, Is that true?

I mean it's not a pssion, I think

playing the guitar is something that

I've been doing that since I was a child

and I think

It just makes me feel

I don't know more relax

so I do but it's

it's not, I won't call it a passion but it's

It's a hobby and I wanna actually keep improving it

Did that really help you impress the girls around?

but that's how it started I mean

any guy in the world who picks up the guitar

without having a thought of impressing a girl

So I think, I started

because I wanted, I mean I'm a short guy

I don't impress girls that easily

So you have to have some other skills

so I had to then pick up guitar, learn it

I mean it help a little bit

but now it's gone

I mean it's good enough without the girls

I'm sure

you've been an AD with

very very very big banner films

those films which have been instrumental in

setting the

definition of contemporary films

you know Rock on, or Jaane tu ya Jaane naa

So you know an experience

as in, AD working under big banner films

and then getting up

to reaching a stage where Karan Johar, he

you know he produces your film

that journey I'm sure

inspirational film makers or cinema lover

who would want to know in depth

yeah I mean you'd want to know but

it's just how life happens to you

as an AD you don't

you know when you're starting out you can't really plan much

whatever comes your way

you kind of try make it, make..

the best out of it right

I think I was just really lucky

and most people don't know that

When I moved to Bombay

I mean I didn't know anyone and I went to Excel's office

and Zoya was there

And Zoya gave me my first job

she interviewed me and she said okay fine, we'll hire you

and I mean till date

till date I mean she is my God mother in that way

She gave me my first you know

foot in a door

yeah so I mean I was really lucky

my first job was in such a good place

you know, I mean

I had been a big fan of Farhan in Dil Chahta Hai

and you know getting that

Having all these great people around

and then Rock on happened Jaane tu happened

You know and then Imran

helped me to take the script to Karan

and then Karan called me

I think I just have to

consider this a lot of luck here

You know a lot of luck at play its

I was fortunate enough that all the right people called me and

things worked out

Delhi boy Shakun

and now Mumbai boy Shakun

What is the difference?

considering the cities

And the impact of cities on the person

If you really wanna get that I think

I can

have two completely different

personalities two different people

The guy I was in Delhi

and the guy I can become in Delhi

And the guy I'm in Bombay

I'm very civilized, disciplined

If you see me

very proper

In Delhi I've grown up

in hindi medium school

my school was hindi medium till grade 7

and I'd a hard time in speaking english

I could not speak in english till I was

properly I couldn't speak in english till I was 17 or 18

So when I go to Delhi and I meet

some of my friends I just have a different

tone, different language different..

I think also Delhi people have

the best sense of humour

in a very unintentional way, they don't know they're funny

and that's why when I started watching Dibakar's films

that was what funny about

he got that, got that they are really funny people but they don't know it

and, so I thoroughly enjoy that sense of humour

What was the most interesting part about

this journey which you are

till date on love with and you know

in awe of

It was great fun when I was in school

then I went to college in Delhi, St. Stephen's

that was great fun

it was a different world because my

as I said my school was you know

hindi medium and had certain kind of a

vibe and this college was completely the other way

and you know after that

I slowly started enjoying photography

So I went to Vancouver, wanted to be a cameraman

So it's been

It's been interesting, I mean you know

it's not that I didn't have these great plans

I had no idea I was just

taking it as it

as it happened you know

I came to Bombay thinking I'll be a cameraman

and then I started assisting director, so I was like

you know I enjoy what they do and then I started thinking

may be I should be a

director but I'd never written anything and then I realized

I couldn't find anything direct, so I was like okay now I have to write also

you know I had never

ever thought in my life that I could write

but then I was like okay now I've to write, I'd have to

go back and polish my skills

of whatever I'd learned about screenplay writing

you know all of that, and I've to do that

but it's

So that's been a journey

So it was very easy for you to get the

biggest of banners

in India to produce your films

not much of a struggle

yes I mean when I look at other people's struggle

I feel that I'm the luckiest guy alive

because I'm you know

I see I mean, I've friends, I've seen people

and I know how hard it can be

I know how hard it is to get your foot in the right door

and I just have

always have happened to be in the right room

and it's not

as I said it's not been planned

you know Jaane tu ya jaane naa

let's be honest Jaane tu ya jaane naa

everybody was a new comer

Imran was a new comer, and Jenelia

the director was also first time, cameraman was first time

I was in my second film

and yeah we became friends,

Imran and I became friends

Imran became a really big star over night

he and I had good time working together

you know same age and we think alike and

so he was like okay you've anything

and I said yeah I have a script

he read it and said I like it, I'll do it

so now

it's not that I did Jaane tu

so I could be friends with somebody and just like

life sometimes just

puts you in the right place you know

and only retrospect you realise that but

So if you have to name one book

or a film

or a person

who actually showed you the path?

You know a person whom you really adore

he knows the way, he shows the way

kind of a person or a book

or a film it could be

yeah I think..

I mean, I guess Woody Allen films

but you know it's not that when I was watching

them like wow I've seen the path, no

It's like I started connecting with them

I started connecting with what he was trying to do

the kind of story telling he was doing

and I really

thought that he was

doing really

entertaining enjoyable stuff

but they also had a little more meaning

you know he was trying to say this things with his films

and I was just, that's great he is reflecting his

his own idea of life and things

into his film and I was like

so interesting that you could do that

and you just don't have to do

you know just like a two hours of

you don't have to do just two hours of story telling

you can actually put you emotions and your ideas into it

so that something is, that in some way was

what really changed a lot of things for me

Taking ahead from this very thing which you just said

so like if we talk about Shakun Batra's family

and Shakun Batra's film

say for example could be Kapoor and Sons

the kind of drama that was there within the family

it is actually there inside the family as well

the real family?

No I think

If you see

I think

it's not autobiographical

but ofcourse it takes from real emotions, real life things

things that you dramatised

see the idea of film is that

structurally you needed to

to lead up to drama

right? if you are doing a family drama

off course that what you wanna do with it

So there is a certain amount of you know

craft in writing involved

ofcourse I mean..

It's not unbelievable that,

that can happen to a family

but it hasn't happened in my family

So I think you take from real life incidences

and things that have influenced you

you try to

dramatise it

So yes I've been influenced and inspired

from real life but it's not autobiographical

You know the knid of actor actresses you worked with

till date considering the stature of actor actresses

like say for example Kareena Kapoor

you know or

Rishi Kapoor you know for that matter

You know it's always an experience

which you rememberfor your life

with the Kapoors it is an experience

that you remember for life

The first time I met them both, I remember that very clearly

Kareena had met in Film city

I walked into the van, you know I was

still I was an AD, I never met her

and I just remember feeling like

that I'm meeting a star for my own film

and I remember that feeling, that I was like

I hope she likes it, I hope she

says yes and I hope

you know because I really thought

she was the right person for my path

you know so I remember

with Kareena

my first film, it is always like a

director and star relationship

I always looked at as a star

You know it's not like that with Imran

it has not been like that with anyone

even with Fawad, Sid, Alia

because they are all my age, they are friends and

I've seen Kareena as a star before in films

So when I met her I was always like

She ia a star, and I in retrospect

now I don't look at her

I look at as a very normal person, I really like her we meet

if we meet socially every here and then

So I remember that feeling of knowing

and same with Rishi sir

because when I met Rishi sir I was like

this guy has been in the industry for so many years

Right, so I just remember meeting him

and

he was just like

yeah Karan told me about this thing

tell me what to do, and all that

and I was trying to tell him

you know I'd gone with my laptop and had images

So I remember those meetings but

I think as time has gone by

I've understood and known them as people

and the idea of star is now different

and I understand why they are stars

but I also know them as people and I really

think they are both

great

colleborators to work with

if you start connecting with them

and that took me a while

And I think today

I probably know better how to connect with them as people

and not just as a director star

Considering Rishi sir the

tweets that he puts across on twitter

so you know considering his attitude that way

I'm sure he is so out spoken than he

he has all the liberty to be out spoken considering his stature

you know some which you really remember

while on the sets of Kapoor and Sons which you

oh yeah I think enough has been spoken

about my working relationship with Rishi sir

on Kapoor and Sons and there is no

we both have agreed

yes we had lot of arguements, we had lot of disagreements

and that were everyday

so you know I mean

I don't know how much more

to make a thing out of

it is already out there for anyone who wants to know

we had arguements, we had you know

things like no this is right, I wanna do this, I wanna do that

which is fine

I actually now realize that

Fincher said this is..

you can't really make anything great without friction

and I think which is great you know I

I think now I've to grow up

and be more mature and I hope I can

is to be able to understand that

friction is not necessarily a bad thing

If you can actually

know how to, kind of a

get something good out of it

So now I'm hoping that

I've learned that a little bit

and you know I mean

Rishi sir have been so gracious

and I've nothing but

gratitude for all the good things

is done for the film and for me

So I'm extremely thankful

and I really dearly love him and I would

I would love to work again

So there is nobody who would not come out

crying after watching this film

So you know I'm sure your parents

and the family and the friends back in Delhi

the kind of response that they might have given you

for this Kapoor and Sons

versus initial films

because Ek mein aur ek tu

was so chilled out, fun, youngistaan

based films and these were

the last film which you made was a

Ek mein aur ek tu ofcourse I get it

you know my first film was very different, very light

you're talking about people coming out crying

I was actually only

worried that my parents should

come out awake because they fall asleep in films

So, I was just worried that

if they fall asleep

and I think they probably would have slept also

they don't tell me

they must have slept for 5-10 minutes, they don't watch films

they have never

they never go to the films

they only go for films because of my films

and they find very hard I think they have never

because they never engage with films, they find it very hard

to believe in them

They are always just like really bored

I remember taking my mom to, I mean you talking about

Kapoor and Sons, my mom fell asleep during 3 idiots

and I was just like I don't know what to do

you know and, So

I am not expecting people to come out crying

I'm only expecting them not to fall asleep

and if they don't fall asleep, that's a good sign

So yeah that's there

So as in

initial career if we discuss you know Ad film maker

So how has that really helped you

better your craft

as far as film making is concerned

because it's very different thing all together

and I'm sure it might have really

sharpened your skills initially

You know now when I look at cricket

and it's amazing there are so many different

forms of game there is test cricket

there is one day cricket, there is IPL

So I feel like I look at my career like that now

I feel like I've a certain sets of skills

but I need to modify them for different things

so if am doing an Ad it's a different set of

you know it's..

off course I'm still a filmmaker but it's a different

way I'm using my skills

same things for features

and I'd been an AD in a ads before

you know so I've seen people

do that, I've learned from Ad film makers

similarly I've learned from feature film makers

It's just at different level of

planning and patience that come into film

because it's a much longer

time that you stay with the content

and you've to keep yourself in it

So it's a different kind of a thing

I don't think in one or better than the other, but I get my

a way more satisfaction

ofcourse from features

because you can work little longer format story telling

and I'm now want to do other things

I've always enjoyed

commercial, I've enjoyed

film, I've done a short film

I wanna now do, hopefully something that's

like a documentary

I also wanna do

A long format tv show

I really really would love to do

you know now the Netflix and Amazon you can do

a long format

you know ten episode

one season

I really wanna do that, I think that would be really cool

While you're just mentioning the different directors you've worked with

you worked with Ram Madhvani

or say Farhan Akhtar for that matter

I'm sure, they might be particular

peculiar aspects you might have

picked up from those very good film makers

So are you still in all of them and those things

which you really remember

oh yeah ofcourse I think of

all of them as my mentors

and I..

don't think there is any film maker

that I've worked with, that I've not learned something from

so it's not just

people like Farhan and Abbas and Ram

Gattu who directed Rock onn

I've

worked with lot of other people

that I've always learned things from

and I'm still in touch with them

you know Ram is meticulous, he is very like

really spends a lot of time on prep

Farhan is really sharp on set

and he is always aware of anything, and you know he is

he is like always

aware of what's happening around and

what needs to be done

With you know Gattu he really

knows how to keep a team together

I think you learn

and they are all great people so

you know, I'm lucky that way

Alright awesome

The next segment we have for you

is called Build a scene

So I'll give you character with which you can

instantly connect

the character is a film maker

location is a barber shop

a street side salon

and property is

a very filmy truck

which is decorated absolutely

in the filmy way we

see the trucks on highway like

So there is a film maker

who writes his film

his film's hero is a barber

so for research

tells a lie, he's a big film maker let's say Karan Johar

Karan Johar

and the barber is apologizing

so karan just forgives it and moves on

So while we were talking about build a scene

when you release a film

it creates scenes, controversies happen

So as far as your films are concerned

and specially the fawad

scene

What is a take home?

I don't know I feel so sad

you miss him

yeah he is a great guy, I mean is a dear friend

and you know he brought so much to the film

that I feel it's been a loss

you know I think

politics seeps into things like these

and it's not really necessary

we were just doing, and he was in a work

work visa you know it's not that he

by stealth he is working in India

it's all we've have taken all right permissions

you know it's really sad but I think

you know again it's an old thing

we've to move on and hopefully

things will get better again

and people will again be able to come and colleborate

so out of

ten controversies happening

the every film has one huge

controversy which will pick up the main

headline of the newspaper literally

Out of ten according to you

not just your films

any controversy around films

How many had made up controversy?

I think controversies

buy definition are made up

I don't think

things can offend people

so much that the that they'll come out in the streets

and take charge about a movie

I mean it's a movie, it's a two hour film

if you don't like it, don't.. yeah you don't wanna watch it

so ofcourse

it's a little bit of construct,

and just a way we dramatise stories and films

people know how to dramatise things in real life

you know it's that

it's a bit of a

okay what can I

How can I use the situation best to leverage

I mean how can I leverage the situation right

and I think

sometime it works for both parties

and sometimes it works for one party more than the other party

but controversies are

all created, I don't think there is need for controversies

we're not discussing somethig so amazing in life

and such strong world views or points that

people have to take such strong sides

they don't have to take such strong sides

Zero diplomacy bang on

you know you were just

upfront about what you believe

yeah but I'm not against, I'm not taking any names

so hopefully nobody will come home and be like

what did you say?

Alright so now the next

round we have it is

like how you have been till now

Let's get real

So now what we do is

we're going to show you some tweets on the

screen

yes what is, what should we do

I mean you're, you know

as a film director whose

you know you had 2-3 films down

and then you get such

tweets, it's great

what can I say it's amazing you mean

I like to

thank people for loving the film so much

and you know, you really feel amazing

that people have connected with it

that people

consider it worth watching

even the second time

and I think 50th can be

an exaggerated number

but I mean I'm really thankful to Manish

I think I should send him a box of DVDs

Alright the next tweet that we have for you is up here on the screen

yes I mean

you know there are hundred stories of these and

talking about, we just spoke about controversies

and he was very funny

everytime he give an interview like this

he would call me at night and say, I told him today also

see tomorrow it will be in the newspaper

So he used to laugh about it, you know

It seems like a real thing but

but he used to call and used to laugh about it

and I was like sir now stop it

everyday you're telling people and

everyday they print something and he is like yeah it's fine, it's funny

and as I said I mean, I know this

I mean I live through this

and parts of it are obviously real, we had arguements

but dude

you know it doesn't matter

in the long run, in the retrospect

everything was great

and yes I wish

I wish we didn't have fights but sometimes

but you said you get to learn out of fights

it should happen

yeah I know I just..

I mean I think now we'll have to just work

together again to prove people wrong

and just make sure we're taking like

happy selfies all the time

just so that people know that we are okay

you know he is a great

funny

actually he is really funny person

If the joke is not directed towards you

So he is amazing,

he is the funniest guy I've ever

we had

he was the funniest person we had on sets, so you know

Alright the next tweet that we have for you

you know, yes this is true

Fawad one day

I think it was

really in kannur one of the nights, we were just sitting out

we were just eating dinner, having a drink

he was just like yaar

what if

this happens and Rishi sir was most

most scared than all of us

and Rishi sir would tell him every night

Fawad what is gonna happen is this film will come and

your all female following will run away

and he used to always say

what if this happened to me

we used to talk

sometime we were serious and sometime we'd laugh it off

so yes

Alright the next

you know I had seen

a documentary where

Martin Scorsese

and Spielberg

both at the same time

talking about doing the Howard Hughes biopic

and I've always thought

What happen when two great directors

want to do the same subject and somebody does it before you

yeah that's my biggest fear

you know I've things that I really wanna do

Spielberg was excited for so many years

and then somebody else makes, it must be

heart breaking and then how do you

still carry on

you know you're like okay fine

my passion project is gone

doesn't matter I'll do another one

You know and I think that really speaks

volumes about

great directors and great artists

they know how to love and

be passionate about something but they also know how to move on

and I think that's something I was trying to talk about

Because you're also writer so has it ever happened

with you that you get to know

No don't leave that project aside

there is somebody else is already working on it

Well I mean I've heard that somebody else is working on it

but you know sometimes

my belief is that

I've a take on the story

and that's what is different

you know most stories are same

but it's your take, it's your insight in the story

that makes us slightly different

Listen let me tell you one thing about Jaane tu ya jaane na

I was never supposed to be this guy

I was never supposed to play this

we were in Alibaug

we had a very small budget for a film

and we were running short of budget

to also in Alibaug that too we had to call

for actors from Bombay put them up in a hotel

So my director said, listen I don't have budget

I don't have money

and we're making a song

and I need Pappu in the song

and you look like Pappu

So you wear clothes

and you stand up, and now we were making a small film

I thought who will watch this film

everyone is new

okay doesn't matter, we'll have fun

and Imran said take this, wear your pants

who will, watch it do it fun

So I did it as a joke

but to be honest that joke is now on me

And it has become the biggest joke of my life

because a lot of times then

talking about tweets that people will say

even right now they talk about

Kapoor and Sons, Pappu can direct Pappu can do this

and you know I think

It's good to have a joke on you, I mean my

you know my grand kids can laugh at something I did

What is the most horrible nickname that you ever got?

other than Pappu

anything worse than Pappu?

I don't think this can be anything worse than Pappu

Pappu is amazing

At that point of time every

dance party at this Pappu

going bang on

You know can I tell you I did this wierd thing

Abbas told me that it's a nerdy character, figure it out

so I started doing like this thing

I don't know why I started doing it

and Abbas liked it and said keep it

and then like in this song he took

close up where I do it like that

and oh god, that image has just scarred me

and scarred my, you know what happened

so I did this film

there are many people in Delhi

that had no idea what I was doing in Bombay

they thought I came Bombay to become an actor

They might not pursue you as, I started getting messages

that don't worry, everyone starts like this

and I was like

I'm not an actor

They consoled you, yes

and I started getting facebook like

sympathy messages that its okay it's a small role

and I said see guys

I'm an AD

I've come to this city, to be an actor

and it was terrible because people thought that

they perceived* you as a

you know a junior actor, junior artist

so yeah it was hard

hard, six months after this film

Once I met somebody at the airport

and I was assisting Farhan

and Farhan and I had came back from Calcutta

gone for a recce, we came back

and he met Farhan he was like going crazy, looking at me and said

and you're Pappu

I was like

What to react, damn

and Farhan was like never come close to me after that. Stay away!

you know and

it is this, really it was terrible

Alright and after getting real,

the next segment we have for you is

In a Jiffy

I ask you question

and you try answering the question in the least possible time

We begin with it

thats not my biggest strength but I'll try

If not a film maker

what would you be?

like to be musician

Last text message you send to somebody and what was that?

I'm running late

What would be the title of your biopic?

Pappu can't dance saala

Your 3 am friend from the industry?

My writer Aisha

my co-writer

for both my films, Aisha

If you could sing a duet with anyone, who would that be?

somebody who can cover up for my bad voice

Alia, she has a good voice

Out of all the actresses you worked

whom would be an ideal date?

dude, all of them they are actresses

the whole world is trying to date them

but you've to name one

Alia, she is..

my recent actor so I guess

Mountain hideaway or Beach house?

right on my life I'll take either

I wanna just get away from the city

send me whereever you wish to

Digital or Film?

oh digital, I shoot so much that, as Rishi sir told you

he takes here and there

that if I start shooting films

After every four minitues, remove the can, change the can

No, digital

keep it rolling

One myth about bollywood

before I came to Bombay

my uncle told me, because when he heard

when I told him I want to be cinematographer

they had no idea, that word didn't make sense

so I had to say cameraman

So my grandmother started crying

thinking that, because he had only seen

cameraman at weddings

So she started crying saying

that now our children will shoot weddings

So I had to explain to her

that I'm not trying to be

a wedding photographer

I'm trying to be cameraman for films

and they had never seen film, the only film

my grandmother had seen was Jai Santoshi Maa

So now how to

like it was a great converation

it's a great scene from a film

trying to explain to someone what you wanna do

It's like if my kid came to me and started talking about rockets and

you know interstellar travel, I would have no clue

it was one of those conversations

One movie you can watch numerous times, N number of times

I think most Woody Allen films

I would be able to watch again and again

Film that makes you cry

you know there is a play that makes me cry

Death of a salesman

by Arthur Miller

and that play, it

breaks me down

I don't know what to do when I watch it

What is that one thing you wished

you knew when you were 18 or 19 years old?

that you get over heart break

at that time I thought when I broke up with my girlfriend, I thought

this pain will never go away

and so yeah when you're 18, that's what you wanna know right

because when you break up are like

It gets pretty easy after that

What's your favorite country to visit?

Amsterdam

Send a tweet to Vijay Mallya

good beer bad ethics

Farha khan

funniest person

I've met on sets

she is very funny, I've

she is laugh out riot on set

Peter Jackson

Be my mentor

Raju Hirani

You're my mentor

Now what we do is you're suppose to rate

this segment is called On the Rocks

We begin with it

Indian media

Indian media I think again there is good and bad

but I would say six

Tarantino films

all the way up, I think

Nine

Woody Allen

Eleven

Eleven out of ten? wow

Anxiety level on the day of release

Let's say seven

Ayan Mukerji's films

I would say seven and a half

Your academic life

wasn't bad I think seven and a half

Your filmy career

Six

Bank balance

Minus one

Sairat the movie

oh pretty good

take it up I think seven and a half

Song in Indian films

Seven and a half

looks like my favorite number, may be

Item songs

Two

Bachelor life

I don't know what the other life is like

so unless I get married

I don't know how to tell you this

my bachelor life seems pretty bad

Editing

I love editing, 8.5

Hundred crore tags for films

Six

Movie promotions

Four

Working with Kareena Kapoor

Seven and a half

Working with Genelia

was good fun, seven seven and a half

Alia

Eight and a half

Siddharth

Eight and a half

Your fashion quotient

Four

Alright

The next segment we have, we call it Like Dislike

Being in front of camera

Dislike

Spoofs

Like

Biographic movies

Like

Bajirao Mastani

Like

Breaking film making rules

Like

James Cameron

oh come on, Like

Bollywood parties

Like

I mean I'm part of it

Studying history

I like it now, really like it

the accounts

I love history now

actually I try read things from past

I really enjoy them

Tantrums by your actors actresses

Dislike

Super women

Like

Shooting on DSLR

I like it, I actually have done couple of things I really enjoy it

Shooting under time contraints

Dislike

Watching your own film

I don't watch my own films

so I can't say like

I've watched them in the edits then I watch them with the audience

but after that I'm not gonna sit home and watch my own film

Alright the next segment we have now is Awards

Best wedding song

Chull

self promotion

Absolutely, that's why I kept as the first question

Meaning less 100 crore movie according to you which one?

I don't know which one was 100 crore

which one was not 100 crore

You're being diplomatic for the first time on the sets

but I'm trying to think, I don't know

I don't follow it so closely, who earned how much

Over rated film according to you

this one

Dilwale

Best film title

Maqbool

such a cool title right? we don't think of it

Best male playback singer

right now, Arijit

Best edited film

it could be Bollywood Hollywood any

Requiem for a dream, I..

haven't seen it for a while

but I remember when I was watching it

it just felt like

It had open my eyes to what, editing can do to a film

Best cinematography

I think anything by Conrad Hall

or Roger Deakins

is tremendously beautiful

Best web series

I haven't been following web series

I've been following Amazon and Netflix

unless you calling that web series

No the web series as

I haven't but I heard

Pitchers review well

A film with best art direction

Moulin Rouge

Best animated film

Indian animated film

I haven't seen Indian animated films, outside

I would have to say

Finding nemo was just beautiful

Alright

alright

Build a scene continues here

where I'm going to give you one character from your film

Say for example Amarjeet Kapoor

Rishi sir's character

meets Riana

from Ek mein aur ekk tu

Kareena's character, so they meet

there is one more location I'm adding to it

So it's a IPL stadium where the match is on, and they meet

actually if it's Amarjeet

really old man

Riana meets him

she tries to help him, makes him sit

and then they both argue

and then they both get drunk

and then they shout at everyone

and they get band out of the stadium forever

and they get banned out of the stadium

but they go out and they have the best time

better than the match

For the party out, they go for a party

We had super fun playing this round with you

and we have something to present to you

Thank you so very much

Thank you so much, you were amazing

okay thank you so much

It was a pleasure, good fun

Alright so we had Shakun Batra on the floor

with us, on the sets with us

and I think

you know while you

watch Shakun's picture

young happening film maker

so we knew you might be very chilled out

but other thing that we noticed

about you while we had a conversation

like this

From build a scene to in a jiffy

to all the rounds which we played

You're very to the point

straight forward

like you speak out your heart

absolutely, you're not at all diplomatic

and we had super duper fun chatting with you

So did I, thank you so much thank you so much

thank you, thanks a lot thank you

For more infomation >> Talk Shop with Shakun Batra | Director of Kapoor & Sons, Ek Main Aur Ek Tu | Episode 03 - Duration: 38:15.

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Hotel Agroturismo Alqueria Blanca en Bunyola, Mallorca, España - Duration: 4:53.

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For more infomation >> Hotel Agroturismo Alqueria Blanca en Bunyola, Mallorca, España - Duration: 4:53.

-------------------------------------------

Mission océan Austral #8 – Sur le retour, les tourbillons - Duration: 7:32.

The ocean regulates the Earth's climate.

But do we know how much longer it will continue to do so? To deepen our understanding of how the ocean

copes with climate change, an oceanographic expedition has set off on an exploratory voyage

of the waters of the South Pole - the starting point of the Earth's great thermal regulation machine.

Aboard the Marion Dufresne, a ship purpose built for this destination,

some 15 researchers and engineers are on course for the Kerguelen archipelago

located on the outer edges of the sea ice.

After three weeks at sea, the time has come for the SOCLIM expedition to leave the Southern Ocean

and head back to the tropical latitudes of Réunion island.

But for the members of the expedition

there is still the unavoidable ritual of sending post.

The letters that are ready to leave the ship are covered in rubber stamps

and postage stamps that philatelists the world over would love to get their hands on!

For how many people can say they have received a card from the Kerguelen islands?

Rémi Laxénaire is an oceanographer unlike any other :

he researches ocean whirlpools.

There's nothing frightening about the kind of whirlpool he's interested in.

They rotate slowly, are very spread out and don't leave a ripple on the water's surface

so much so that the ship unknowingly sails over them!

Recently discovered by oceanographers, these structures of nature can be

as wide as 150 km and up to 1 km deep!

Their shape and extent are revealed by chlorophyll, as seen on satellite images.

From her office at the Ecole normale supérieure in Paris, Sabrina Speich sends

Rémi satellite reports daily so that he can compare them

with the data collected by the on-board equipment.

"The ocean is a very turbulent environment, and the satellite images show us

that the ocean is in fact full of whirlpools."

"My role is to detect these whirlpools and check

the algorithm to see whether we have gone over them.

In the same way as weather forecasts are used for atmosphere modelling,

oceanographers have developed modelling for ocean whirlpools.

This modelling has to integrate raw data

and be checked for errors.

Researchers are interested in whirlpools because they mix the different layers

of water at depths of up to 1,000 metres.

They play a role in regulating the ocean's temperature

by displacing cold water to the surface.

But that's not all...

"They are also help mix nutrient salt content, which are the basis

for marine ecosystem development,

and allow carbonic gas to be absorbed through organic processes."

The work carried out by Sabrina Speich's Dynamic Meteorological Laboratory

contributes to better predicting whirlpool movements.

Other than climate considerations, these data are also of interest to the fishing industry,

for where there is phytoplankton there is an entire food chain!

When Rémi isn't doing his equations,

he is preparing the deployment of his sampling bottles.

Like all the members of the SOCLIM expedition, Rémi really enjoys

working on the Marion Dufresne

a ship whose story coincided with his own,

well before he chose to become a researcher.

"I'm from Réunion island. When I was a boy I watched this this ship set sail,

and I always heard about the Kerguelen islands.

This is my second expedition in the Southern Ocean. Last time

I went further south into the ice on an icebreaker.

It's one of the factors that led me to oceanography

and to explore the open ocean rather than coastal waters. That, and these spectacular expeditions

on this ship to Kerguelen."

For Rémi and the other scientists, the expedition to the waters of the South Pole is coming to an end.

They need to start thinking about disembarking the equipment

and leaving the ship as they found it just a few weeks ago.

"This is an image taken on 28 October. Kerguelen

and the entire eastern part is completely clear.

The mooring site is here, and the orange we see here

means that the bloom has already started.

Essentially, what we want to do is monitor the bloom's development

and understand how the matter it produces sinks to the ocean floor."

The researchers each give a summary of their work as part of the expedition.

"For the radiometric measurements of the colour of the water, the satellites

tend to underestimate the concentration of chlorophyll in the Southern Ocean."

"Well, first of all, why whirlpools? I'll keep it brief

because we could spend an hour discussing them!"

On the journey back, there are still a few samples to be taken from the bottom of the water column.

The atmosphere is a lot more relaxed,

and the team is enjoying the time it has left on the ship.

Tomorrow, the whole crew will gather

for the traditional end-of-expedition feast...

For more infomation >> Mission océan Austral #8 – Sur le retour, les tourbillons - Duration: 7:32.

-------------------------------------------

Dépôt rapide de mots clés via un raccourci : Ma Pause Café avec Yves Chatain | Adobe Lightroom CC - Duration: 1:38.

For more infomation >> Dépôt rapide de mots clés via un raccourci : Ma Pause Café avec Yves Chatain | Adobe Lightroom CC - Duration: 1:38.

-------------------------------------------

Step by step Beak in crochet barred in leque - Duration: 39:45.

Hello guys are welcome to another video lesson today I will teach you

this beautiful beak crochet I gave the name barred from fan it is very beautiful

it is very delicate and I believe you They will like right now I ask you to whom

like video give your like ai in Canal clicking liked to share this video

class on Social Networks and who is viewing this video for the first time to sign up

on Channel clicking there in not signing up stop clicking on the bell to activate

ok let's personal notifications to our video lesson today.

We'll start by putting a ringlet the needle at the tip where we made

the point of the buttonhole here we have three points we here in the middle of a low work

the handle working two low points in section Next buttonhole above a low point in

handle two low points in the next point buttonhole above a low point and we'll

working this way always two points low on the handle and a low point in the direction

every point buttonhole I'll finish this part and return to you.

I finished the race I finished the last point down here in the middle point of the buttonhole

end we will turn now and we'll working from inside out here will go up

one two three little chains a high point a necklace to turn'll lacing wire

I'll skip a low base will next I work here a high point a necklace

Loop the wire jump a low base will next work another highlight one

chain on the wire loop jump a low base will next another high point and

we're working that way ever working a high point a necklace

We jumped a base point and the next another high point to end the career and back

with you shortly.

I finished here the square career worked fifty-nine square total work

the reverse side and now we will work the top side I'll get here the white wire

we will put a needle ringlet go here where we made the three little chains

early skipping a two in the third I will inserting the needle and work here a point

down we'll work seven square always working towards a low

of each high point and a low basis toward the handle of a little chain here

I made a low point towards the high point base I do now at a low

direction of the handle of a chain on a point down toward the base point and so

we're working to total seven squares worked here three squares

and as a result we will work up to a total seven four five six seven square one

two three four five six seven will go up Now one two three four five little chains

now I'll skip lacing wire a square Two Three next'll work three

highlights a high point two three will climb a three two little chains'll get

the two handles here from the beginning and will hold with a low made my peak point lace

the wire will close the square and work here three highlights one two three will

climb a three two little chains caught the two handles here the start and hold with a

point down another point peak loop wire will in the square next job three points

high made three highlights to see that we were three high points in each

Square are three squares interspersed with a peak point in each now we will

make a two three four five little chains and we will work now for nine squares

I'll skip a square Two Three starting here this high point will work up a point

down and we will work on nine squares Following always working a high point

toward each high point base and one handle on a necklace

nine squares one two three four five six seven eight nine and we're working

thus repeating since this part here where we have the three interspersed highlights

with a peak point and the nine squares here worked at lows we will repeat

to get here at the other end where they go seven square left over and we'll work

lows the same way as done here at the beginning I will finish this part

and I'll be back with you.

Here I finished the race on the other side already done here as you can see there will come

and now we will work on this side here where we have seven squares we'll climb a

little chain will work a low in the direction of the first and we will work

in others to leave here remain two points low

I worked my lows left two without work will go up now one two three four

five little chains will lasso the wire go here the first high point of one base work

high point in the second work two points high a two and the third one point work

high here I climb a Two Three Four five little chains go here in the second counting

bottom-up hold with a low I made a peak point climb a necklace loop

the thread go here on the first base point do a high point above the second two I

highlights a two and in the third I just a high point will climb a Two Three Four

five little chains go here from the bottom Up to here the second a necklace

I introduce the needle and arremato with a point Low made my point peak a necklace loop

the wire will at the first point here do base a high point above the second two I

a two and the third here do only one We have done that now we'll climb a two

three four five little chains'll skip a low base will do next

my first low and will work points low to get here on the penultimate leaving

only one remains

I came here at the end leaving remain a point down I will climb a two three four five

little chains and we will continue career working here next sequence

three high points with the peak points of the same way we did here at the beginning we will work

this here this coming here at the end we let's do five jumping two little chain

lows and work lows to get here in the end I'll finish

this part and I'll be back with you.

I finished another career ended here the reverse side has turned and now we will

work sequences lows will I will work up a necklace a point

down above and following we will work lows to get here at the end leaving

two points without working I came here at the end left over two and now

I will climb a two three four five little chains I will lasso the wire go here the first point

high base work a high point above the second do another high point in the third

here work two high points in the same place ie is at the same point or base and

fourth work only a high point will climb a two three four five little chains

going from the bottom up a necklace two will enter the needle and the second

I'll finish off with a low point Peak climb a necklace loop wire will

the first highlight of base make a point high up in the second do another in the third

working two high points in the same place ie at the same point base and in the room

I work a high point above go up a couple of three four five little chains down tale

up in the second attach a necklace with a low peak point one ascend

little chain loop wire will at the first point base work a high point in the second

work another high point in the third work two high points above the same point

based and in-room work a high point climb one two three four five little chains here

we have sequences lows us let's jump a low base and we

starting in the second and we will work to the penultimate leaving only one remains point

then jump down at the end a low It will base in the second and beginning my first

low point I came here at the end let remain a point

low base will climb a Two Three Four five little chains and we will work

this way until you reach the other side ending the same manner as we did here earlier

I'll finish this part and return to you.

Here I finished another career work on the right and now we will work the

reverse side will go up in a necklace I do the same base point and a low point

we will work lows above each basis point leaving two remain without work

here at the end finished career lows left

two remain here at the end I will go up now one two three four five little chains will

lacing wire go here the first high point base work a high point above the second

basis point another high point in the third here we work two highlights in

same place ie on the same basis point next a high point above and the following

another high point above will also climb a two three four five six little chains

I will skip a two in the third here will do forming a low peak point will

climb a two little chains lacing wire will next point-based work a point

High above the other in the second high point above the third will work two highlights

ie in the same place on the same base point a high point above the next and the last

Here a high point above will go up a couple of three four five six little chains will tell

below a necklace two in the third I will hold here with a low point

peak a couple of little chains will lacing wire I will here next base point and do

a high point in the near another high point and here we'll work on the next two

high points above ie two highlights in the same base point next point

high and last here another highlight made so we'll work now five little chains

one two three four five we go now here toward the lows jump

a low point in the second will start working my lows to get here in

leaving one end remain without work

arrived here at the end left a without working and I will now climb a two three four five

little chains and we will work that way until you reach the other side always working

the fans as I explained to you and here where the lows have similarly

until you get there in the end I'll finish this part and return to you.

Once completed career remembering that We work the wrong side and now we

work on the right side that is top will go up here a necklace will

at the same point base and do a low point and we will work following lows

above each base point leaving leftover two low points here at the end

I came here at the end were left two points low will climb a two three four five

little chains will lasso the wire go here in first highlight will work a point

High above the second point in another high third most a high point in the room here

we will work two high points above the same basic point in the near a high point

up and the last here we also do a high point above getting in this way will

up is now a two three four five six little chains'll skip below a necklace

two will hold the third here with a point down will go up a couple of little chains lacing

the wire we here in the first base point we will work a high point above the second

another high point in the third also in the room we will work two high points in the same

place that is on the same base point next a high point and last here another point

high above let's go now one two three four five six little chains let's jump

below a necklace two in the third Introduce the needle and make a point

climb down a couple of little chains lacquer wire I will highlight here next base do

a high point above the other in the second I point high above the third also in the room

we will work two high points in the same place that is on the same base point next

a high point and the last here another point high above getting this way our range

Now following will climb five little chains one two three four five little chains us

Now lacing wire indeed pardon us let's jump a low base next

let's start career lows to get here from the other side where we

let remain a low point without working arrived here at the end left a low

no work will now go up one two three four five little chains and we working

that way until you reach the other side working always the fans the way I explained

and here towards the lows of the same so I will finish this part and already return.

Once completed career will go up here a necklace and we will work in each

base point up by letting a low remain two lows without working then

I'll do here in the first a low above and we will work lows leaving

two remain there at the end were left two points low now we'll climb a three two

four five little chains now I lasso the wire we here in the first high point

base and other work in a high point above each worked my last point

high total of seven high points will go up Now one two three four five six seven

little chains going from the bottom up one two three on Wednesday will introduce

needle and I do here forming a low a peak point will go up now one two three

Now we will lasso the wire and we now here toward the next high point and

we will work a high point above and we will work in other to get here on the seventh

I finished my seventh high point will go up now a two three four five six seven

little chains'll skip here a necklace below two three on Wednesday will introduce

the needle and I will do a low point will go up one two three little chains now we here

lacing wire and work towards the highlights made seven high points toward one

of each base point will go up now one two three four five little chains we

work now towards the lows I'll skip one and go to work leaving us too

remain one on the end over there then leap one and start my lows

I finished my last low left leftovers one here at the end I will rise now one two

three four five little chains and we will always work the same way interleaving

the range and direction of lows until the end of the other side and so are

ready I return.

Completed over a career of work side inside out and now we will work

here the top side I'll climb a little chain will the same base point make a point

down next do most other low and next also totaling three points

low left two here at the tip will go up one two three four five little chains will

lacing wire go here the first high point base work a high point climb now

one two three little chains jump a point top two next hold with a point

climb down a couple of three little chains loop the wire will here last high point base

I work a high point above I will now rise one two three four five six seven eight

nine ten eleven twelve little chains we now here in the direction of the first point

high base will lasso the wire and I will work a high point above following we will

climb a three two little chains'll skip one two highlight next'll do here

a low climb chain on one two three the wire loop will last high point base

I work a high point above will rise again one two three four five six seven eight

nine ten eleven twelve little chains will lasso the wire will here next high point base

I work a high point above and now following three little chains will go up one two three

two leaping high point next hold with a low point one two three little chains

Loop the wire go here the last high point I base a high point above now here

we'll climb a two three four five little chains and we will now toward

lows will jump a low next make a low up and I

work to get there on the other side leaving remain a low point at the tip ends

my lows will now climb a two three four five little chains and we

working that way ever repeating we did here at the beginning here in the direction

the lows I will finish this part and already return.

Here we completed all rows on the wire white and now I'll take the red wire and

we will work the last row will put Here's a ringlet the needle going in here

point where the buttonhole made here in point middle back a little behind have a

little chain here I insert the needle work a low going in the direction of the first here

low career and I will work a low back toward career

the square will work two lows in each of the white race here we will work

a low point in the first point until you reach upstairs always working a low

in the direction of every row that is the first point I came up here getting this way

Now we'll work here at last career up in the first low will

and introduce here the first point needle and I will do a low point in the second work

another low point will now go up a couple of three little chains caught here the two handles

the start and hold with a low climb one two three little chains caught the two handles

here the start again with a hold point climb down a couple of three little chains caught

Here the two handles here the beginning always after the peak point formed three points

peaks now without taking the needle thread we we here at the first point in the two peak

handles here the beginning we hold with a getting low so my three

peaks points go here towards the next low base career with hold

a low point now here we have five little chains will work five lows

one two three four five will toward the top of the groundwork career point

a low point now here we go up seven little chains one two three four five

seven six from the bottom up we will tell a necklace Two Three on Wednesday will introduce

I will hold the needle and with a low a peak point one two three little chains ascend

I caught the two handles here the start hold with a low peak point another point one two

three little chains introduce here the needle two handles on the top and attach to a

point down another peak point I have three points peaks now without taking the needle thread we

going well here in the third chain on we introduce the needle and we will hold

here with a low fact point I will rise one two three little chains will skip the point

down I go here next base point is the high point and hold with a low

getting this way we continuing let's work now on twelve little chains handle

I will lasso the wire and I will work here means high point following we will work

seven highlights a high point two three four five six seven will rise now three

one two three little chains'll take the two Here the start handles attach to a point

down one two three little chains caught the Here the top two handles attach to another

point down one two three little chains caught the two handles attach to the beginning point

Down here I have three points peaks without taking the needle come in line here two handles

the first point and peak hold with a point Low getting my three peaks points this

way I will lasso the wire and I will work on Following seven highlights

a high point two three four five six seven and I conclude here with the middle peak in

Following we will work towards here this range or better in this part of the range

We are working the same way we did here early here in this side loop twelve

little chains we will repeat this part after here in the third part of the range we will work

similarly causing the first and equal the second coming here I will finish here

this return part with you.

Well folks here we completed a part of range remembering that here in the end we work

peaks points and then grip the work the peaks of this work points the way

I explained to you and here in twelve handle little chains too, and then we repeat

this part here and here and this part we did Here we repeat here getting two of the

handle twelve little chains and three pieces small as you can see now giving

we will continue to work on the handle five little chains are five lows

a low point two three four five made five lows here we have five

Lows in the direction of the points We work here so we'll skip one

I will work a low point in the near I will work a low again will

climb a three two little chains'll get the two handles here the beginning'll hold

with a low point will go up again a Two Three little chains caught the two handles

here the start hold with a low I go up again one two three little chains

I caught the two handles here the start hold with a low forming three peaks points

without taking the line needle go here on the edge the two straps of the first point and the peak hold

with a low point in getting this way Following I will work a low holding

here and a low holding next Now we will work on five little chains handle

It is then worked with a necklace a low point two three four five and we

start working here next range like we did here at the beginning repeating this

part three times and that two by two on all fans to arrive at the far end

and here at the end we will repeat what we did here at first I'm going to finish this part

and once you are ready I return with you.

Good staff finalized the execution of our beak crochet or barred as you think

better remembering that here in the fans work all of them equal with three small pieces

and these two parts of which were worked great the handle little chains of twelve equal in all

they at the end we started here in the buttonhole the first chain on all work

lows and work here three peaks on the side at the end was similarly

the three peaks the work work lows and finalized here before

point of the buttonhole through here already arrematei I cut the cord and hid him getting ready

this part and that's it personal I hope you have enjoyed until the next

Video lessons.

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