[videotape deck ejecting, being loaded, humming]
[static]
[speaking indistinctly]
[onlooker breathing heavily]
- [laughs]
- HEY! [speaking Spanish]
- SHH! SHH! NO, NO. JUST BE QUIET.
SHIT.
SHIT. SHIT. SHIT.
- HEY! HEY!
GET THE FUCK BACK HERE!
HEY, GIVE ME THAT FUCKING CAMERA!
[indistinct shouts]
- YEAH, SO YOU'RE WATCHING THAT FOOTAGE I SENT?
- YEAH, I'M LOOKING, SON, AND YOU--
- SO AS YOU PROBABLY GUESSED, YOUR WIFE HIRED ME TO GET THAT.
THE PROBLEM IS IF I SHOW IT TO HER, SHE STOPS PAYING ME.
SO I WAS THINKING YOU MIGHT WANT TO MAKE A COUNTER-OFFER THERE.
OH, AND WHATEVER NUMBER YOU COME UP WITH,
YOU CAN PUT 300 BUCKS ON TOP FOR THE DENT YOU PUT IN MY CAR.
WELL, YOU SCRATCHED THE PAINT ANYWAY.
YOU KNOW WHAT, IF I DON'T HEAR FROM YOU BY TOMORROW,
YOUR WIFE GETS THAT FILE. GOOD-BYE.
[phone beeps off] - SO WHAT'S THE DEAL NOW?
- AH, PROBABLY NOTHING. JUST THIS WOMAN THINKS
HER SON IS MISSING.
HE HASN'T BEEN TO CLASS IN A WEEK.
HE WON'T ANSWER HER CALLS.
HE'S PROBABLY PASSED OUT IN A PILE OF BEER CANS.
IN WHICH CASE WE'RE GONNA TAKE THE KID ON A ROAD TRIP
AND RACK UP SOME EXPENSES, 'CAUSE WE'RE GETTING
1,000 BUCKS A DAY ON THIS ONE.
TURN LEFT UP HERE.
- YOUR BUTTON CAM'S WORKING?
- YEAH, IT'S WORKING.
- THIS IS IT?
- YEAH.
- IT DOESN'T LOOK LIKE ANYONE'S HOME.
SHE COULDN'T GIVE YOU A KEY?
- SHE DOESN'T HAVE ONE. SHE SAID THE LOCK
ON THE BACK WINDOW'S BUSTED,
SO MAYBE WE CAN GET IN THAT WAY.
- AND THE COPS HAVEN'T BEEN HERE?
- NO, THE COPS DON'T GIVE A SHIT ABOUT SOME COLLEGE KID
WHO'S MISSING FOR A COUPLE DAYS.
[dog barking in distance]
HERE.
[sharp bang inside] - IS THERE SOMEONE IN THERE?
- HERE. COME ON, GIVE ME THE CAM.
THERE'S NOTHING THERE.
- IT SURE AS FUCK SOUNDED LIKE THERE'S SOMETHING THERE.
- IT'S AN OLD HOUSE.
BESIDES, IF THERE IS SOMEBODY IN THERE,
I'M GONNA WANT TO TALK TO 'EM.
HERE.
YOU ALL RIGHT?
- JUST GREAT. OW.
- YOU OKAY?
[static white noise]
- HUH.
- UM... - WHAT?
- YOU KNOW WHAT? STAY IN HERE, OKAY?
I'M GONNA GO CHECK THE REST OF THIS APARTMENT
AND MAKE SURE NO ONE ELSE IS IN HERE, OKAY?
YOU GOT YOUR GUN? - YEAH.
- ALL RIGHT, GOOD. JUST--JUST, UM,
PULL ANYTHING RELEVANT ONTO THAT DRIVE. OKAY?
AND RECORD EVERYTHING.
THAT WAS PART OF THE DEAL. SHE LIKES ME TO DO THAT.
- WELL, YOU TOOK MY CAMERA.
- OH. THEN...
ALL RIGHT, SO I'LL BE RIGHT BACK.
JUST, UM-- JUST, I DON'T KNOW,
SEE WHAT'S ON THAT COMPUTER, OKAY?
IF IT'S ENCRYPTED, WE CAN TAKE IT HOME.
IF NOT, JUST PULL WHAT YOU CAN.
- GOT IT.
- SHOW HER TITS! [woman cries out]
[door creaks]
- [sighs] I FOUND A NEW ONE.
IT'S THIRD OR FOURTH GENERATION FROM THE QUALITY.
I GOT IT FROM SOME GUY DOWN IN LITTLE ARMENIA
WITH A PAWN SHOP.
HE IS DEFINITELY NOT THE TYPE OF GUY YOU USUALLY SEE
ON HERE TRADING WITH US, BUT I THINK HE'S SOMEBODY
WHO'S WORTH CHECKING IN ON AGAIN.
- OKAY. THAT'S FUCKING WEIRD.
- MOST OF HIS COLLECTION, I WOULD SAY,
WAS SNUFF AND CP, BUT HE HAD AT LEAST ONE
THAT WAS THE REAL THING.
I DON'T EVEN THINK HE KNEW WHAT IT WAS.
ANYWAY-- [video paused]
[floor creaks]
[floor creaks]
[static, electronic beeps]
[electronic noise, distorted voices]
- A LITTLE BIT OF REDNESS, SOME IRRITATION,
BUT IT LOOKS OKAY. HOW'S IT WORKING?
- IT'S GOOD. YEAH, I CAN SEE,
BUT WHAT ABOUT MY OTHER EYE?
- FOLLOW. - OKAY.
- YOU CAN'T SEE ANYTHING OUT OF YOUR BIOLOGICAL EYE?
- NO.
- OKAY. HOW ABOUT NOW?
- YEAH. I MEAN, IT'S A LITTLE BETTER.
IT'S JUST KIND OF BLURRY AND SHADOWY.
- YEAH. ALL RIGHT.
WELL, BECAUSE YOUR PROSTHESIS IS ATTACHED DIRECTLY
TO YOUR VISUAL CORTEX,
YOU REAL EYE'S ESSENTIALLY BATTLING WITH YOUR CAMERA EYE
TO GIVE YOU INPUT RIGHT NOW.
SO WHEN YOUR BRAIN GETS USED TO HAVING THAT CHIP IN THERE,
YOU SHOULD START TO SEE MORE AND MORE
OUT OF YOUR UNINJURED EYE AGAIN.
UNTIL THEN, YOU MIGHT SEE SOME GLITCHES.
- WHAT DO YOU MEAN BY GLITCHES?
- WELL, THIS IS JUST BEING TESTED NOW.
EYE INJURIES LIKE YOURS ARE QUITE RARE.
SO THAT'S WHY WE'VE INSTALLED A RECORDING CHIP
INTO THE EYE ITSELF SO WE CAN TEST THE DATA IT'S RECEIVING.
- RIGHT. YEAH, ABOUT THAT.
- YES? - OH, MY GOD.
SO IF I WANT PRIVATE TIME, WHAT DO I DO?
HOW DO I TURN THIS OFF? - WELL, YOU CAN'T.
BUT THAT'S JUST FOR THIS TRIAL PERIOD.
YOU CAN'T EXPECT THE KPG CORPORATION TO JUST
GIVE YOU THIS IMPLANT AND NOT EXPECT TO TEST ITS DATA.
- OF COURSE NOT.
SO YOU GUYS ARE GONNA SIT AROUND AND WATCH ME TAKE SHITS?
- I'D SAY THAT'S A FAIR COMPROMISE, MR. MIDDLETON.
YOU CAN READ A NEWSPAPER DURING, OR SOMETHING.
- MM-HMM.
- SO MAKE AN APPOINTMENT FOR NEXT WEEK.
WE'LL SEE HOW IT'S WORKING.
CALL ME IF YOU HAVE ANY CONCERNS.
- ALL RIGHT. THANK YOU.
[voice drones over p.a.]
WHAT THE HELL?
[pop music playing on car radio]
♪ ♪
ALL RIGHT, MAN. - ALL RIGHT.
YOU SURE YOU GONNA BE OKAY, BUD?
- YEAH, DUDE, I'M GOOD. I'M GOOD.
- GIVE ME A SHOUT IF YOU NEED ANYTHING.
- SEE YA.
[sighs]
[techno music plays in videogame]
♪ ♪
[teakettle whistling]
[game pauses]
[sighs]
[whistle fades]
[humming]
WHAT THE FUCK?
WHERE'D I PUT THAT CONTROLLER? [crash]
ALL RIGHTY, THEN.
WHAT THE--
OKAY.
WHAT THE FUCK? HELLO?
HELLO? OH, COME ON.
WHAT THE FUCK IS THIS SHIT?
OH, SHIT.
JESUS! FUCK!
[panting] OH, SHIT.
- YEAH. YEAH, I CAN TELL THE DIFFERENCE
BETWEEN A BURST OF LIGHT AND A FUCKING BLOODY PERSON, OKAY?
I DON'T KNOW, YOU TELL ME. YOU'RE THE DOCTOR.
LOOK, I'M COMING IN THERE TOMORROW, AND YOU'RE GONNA FIX
THIS FUCKING THING, AND THAT'S THAT, OKAY?
FINE. ALL RIGHT, THANK YOU.
[sighs heavily]
[scrape, brief clatter]
HELLO?
IS SOMEBODY DOWN THERE?
SERIOUSLY, DON'T FUCK WITH ME.
[whispers] OH, GOD DAMN IT.
HELLO? [floor creaking]
SHIT!
[panting]
OH, FUCK. [heavy bang]
WHAT THE FUCK?
[heavy bang on door]
[whimpers]
HELLO? [heavy bang]
SHIT! UH, OKAY!
I'M GOOD. THANK YOU, YOU CAN GO.
[bang] OH, SHIT!
OH, FUCK! [panicked breathing]
OH, MY GOD.
[whispers] GOD DAMN IT.
[relieved sighs]
[doorbell chimes distortedly]
OH, SHIT.
[sighs]
OH, SHIT. [grunts]
- HEY, ARE YOU IN THERE?
LOOK, I CAN SEE YOU THROUGH THE PEEPHOLE.
- WEREN'T YOU AT THE DOCTOR'S OFFICE YESTERDAY?
- YEAH.
- OKAY, SO WHAT'S THE DEAL? ARE YOU FOLLOWING ME?
- I'M NOT FOLLOWING YOU. LOOK, JUST OPEN THE DOOR.
- ALL RIGHT, LISTEN, I DON'T MEAN TO BE RUDE,
BUT IT'S KIND OF WEIRD, YOU KNOW?
- LOOK, ARE YOU SEEING WEIRD STUFF?
LIKE PEOPLE WHO LOOK DEAD?
YOU SHOULD REALLY OPEN THE DOOR.
- [sighs]
- THANK YOU. I'M CLARISSA.
- YEAH, COME ON IN.
- NICE PLACE, MAN. - THANKS.
- DO YOU HAVE ANY BEER?
- I DO. YES.
- WHAT ABOUT PAINKILLERS? DID THE DOCTOR GIVE YOU ANY?
- NO, I'M NOT ACTUALLY IN ANY PAIN.
- I'LL JUST TAKE A BEER THEN.
- LOOK, CLARISSA, I'M ACTUALLY ON MY WAY OUT OF HERE.
- DUDE, YOU'RE NOT GONNA GET ANYWHERE
IF YOU DON'T HEAR WHAT I HAVE TO SAY.
JUST GIVE ME A BEER, GET ONE FOR YOURSELF.
YOU'RE GONNA NEED IT.
- RIGHT.
- THANKS. - SURE.
- I WAS BORN DEAF.
WHEN I WAS 16, MY PARENTS PUT ME UP
FOR A NEW COCHLEAR IMPLANT.
IT WORKED, OBVIOUSLY.
BUT I BEGAN TO BE ABLE TO PICK UP
CERTAIN FREQUENCIES IN MY ENVIRONMENTS.
WHAT HAPPENED TO YOUR EYE ANYWAY?
- I WAS IN A, UM-- IN A CAR ACCIDENT.
- SO WHO'S THE LITTLE GIRL?
- WHAT LITTLE GIRL?
- THERE'S A LITTLE GIRL HERE.
I HEARD HER CRYING WHEN I CAME IN.
BUT YOU KNOW...
I DON'T HEAR HER NOW.
SOME PEOPLE NEVER HEAR THEM OR SEE THEM.
MAYBE ONCE IN THEIR ENTIRE LIVES,
IF THEY'RE OPEN TO IT.
SO WHEN YOU CAN SENSE THEM, THEY KNOW.
THEY CAN TELL.
THAT'S WHY I WANTED TO FIND YOU. TO WARN YOU.
- WARN ME ABOUT WHAT?
- YEAH.
THE MORE YOU INTERACT WITH THEM,
THE MORE THEY CAN TOUCH YOU,
HURT YOU, STUFF.
- WELL, TOMORROW I'M GONNA GET THIS FUCKIN' THING
TAKEN OUT OF MY HEAD, AND THAT'LL BE THAT, RIGHT?
- DON'T BE SO SURE.
HAVE YOU EVER DONE ANYTHING BAD TO ANYBODY?
LOOK, IF YOU GET THE IMPLANT TAKEN OUT,
THEY'RE STILL GONNA BE THERE.
YOU'RE JUST NOT GONNA BE ABLE TO SEE THEM.
I DON'T KNOW, MAYBE THAT'S BETTER.
- WELL, I GUESS. OH, SHIT!
UM, I DON'T WANT TO ALARM YOU RIGHT NOW,
BUT THERE'S A FUCKING CREEPY DUDE STANDING RIGHT BEHIND YOU.
- I KNOW. I CAN HEAR HIM.
- DO YOU KNOW HIM OR SOMETHING? - HE WAS MY UNCLE.
- OH, OF COURSE, RIGHT. I MEAN--
WELL, I DIDN'T MEAN TO CALL HIM CREEPY, BUT I MEAN--
- HE WASN'T A NICE PERSON.
- OKAY... [techno dance music plays]
- LISTEN, I KNOW HOW TO MAKE HIM GO AWAY.
JUST FOCUS ON ME. - OKAY.
OH!
OH, SHIT.
- NO, DON'T LOOK AT HIM, LOOK AT ME.
♪ ♪
- OH, SHIT.
ALL RIGHT, YOU SCIENTIST ASSHOLES,
I WANT A COPY OF THAT FOOTAGE.
LIKE, I WANT YOU TO PUT IT ON A DISC OR SOMETHING,
BUT DON'T WATCH IT.
JUST GET IT TO ME, OKAY?
ALL RIGHT.
OH, FUCK.
OH, GOD DAMN IT.
CLARISSA... IS THAT YOU?
HEY.
OH, SHIT!
HEY.
OH, GOD.
OH, SHIT.
- [screaming]
- WHAT THE FUCK?
[Clarissa screaming, struggling]
- [gasping]
- CLARISSA, GIVE ME YOUR HAND!
FUCK.
I GOT YOU. I GOT YOU.
[muted scream underwater]
[gasping for air, groaning]
[deep, distorted moan from pool]
[distorted voices, moans]
OH, FUCK!
[cries out]
[panting]
OH...OH...OH...OH...
ALL RIGHT.
YOU'RE COMING OUT OF HERE, YOU FUCKER.
EWW...OH, I CAN'T LOOK AT THIS SHIT.
OH, GOD. [panting]
OKAY.
[pained grunts]
[gasps]
[crash]
OH, SHIT! [screams]
- LARRY. LARRY!
- HEY, KEEP YOUR VOICE DOWN. WHAT?
WHAT'S WRONG? - NOTHING.
I JUST WATCHED SOMETHING REALLY WEIRD.
IT COULDN'T HAVE BEEN REAL, SO--
- OKAY. IS THERE ANYTHING ON THAT COMPUTER?
- I'M CLONING HIS HARD DRIVE NOW.
IT SHOULDN'T TAKE TOO LONG.
HERE, LOOK AT THIS.
- TAPE IS THE FINAL LINK FOR ME.
I KNOW A LOT OF YOU HAVE POSTED THAT IT ONLY AFFECTS YOU
IF YOU PLAY IT IN A CORRECT SEQUENCE.
BUT I'VE BEEN EXPERIMENTING ON--
[volume off] - IS THIS THE KID?
- YEAH, THAT'S HIM.
I FOUND SOME NOTEBOOKS IN HIS ROOM.
KIND OF LIKE JOURNALS. MOSTLY JUST NONSENSE, THOUGH.
I'M GOING THROUGH THEM RIGHT NOW.
WHY DON'T YOU, LIKE, KEEP LOOKING AT THESE TAPES?
KID'S A COLLECTOR. I DON'T KNOW. WHO KNOWS?
MAYBE THERE'S SOMETHING RELEVANT ON THEM.
- OH. UM... OKAY.
- WE'RE ALL JUST ELECTROMAGNETIC ENERGY,
THEN THESE ANALOG TAPES CAPTURING IMAGES
OF THE SUPERNATURAL,
THEY CAN AFFECT OUR CEREBRAL CORTEX.
THEY--THEY-- [video stopped, static droning]
[cell phone chiming]
- HEY, BABE.
- DON'T "HEY, BABE" ME, MIKE SULLIVAN.
WE'RE SUPPOSED TO BE HAVING BREAKFAST.
- YEAH, BUT IT'S A BEAUTIFUL DAY.
I JUST WANT TO TAKE THE BIKE OUT FOR A SPIN.
- I WANTED YOU TO TAKE ME FOR A SPIN.
YOU KNOW, YOU RIDE THAT BIKE MORE THAN YOU RIDE ME.
- YEAH, BUT YOU KNOW THE BIKE IS JUST A PHYSICAL THING, BABE.
- [chuckles] MM-HMM.
NOW, TELL ME YOU LOVE ME.
- I LOVE YOU.
- OKAY, GOOD ENOUGH. BE SAFE, BABE.
- ALL RIGHT, BYE.
[muffled techno-rock music plays in headphones]
♪ ♪
[techo-rock music plays]
♪ ♪
- HELP ME! PLEASE!
- ARE YOU OKAY? - MY BOYFRIEND!
YOU HAVE TO HELP MY BOYFRIEND!
AAH! - I'M GETTING HELP.
- NO, PLEASE! HELP DAN!
- OH, GOD! - [retching]
- HEY, HEY, HEY, HEY, HEY, STAY WITH ME.
- [retching] - SHIT! FUCK!
GOD.
[faint whoosh in distance]
- [continues retching]
- WHO'S THERE?
THE POLICE ARE RIGHT BEHIND ME, SO YOU BETTER RUN.
I GOT A BIG FUCKING STICK!
[growling, moaning]
WHAT THE FUCK?
HEY, HEY, COME ON, WE GOT TO GO!
- [growls] - WHOA! AAH!
- [biting, chomping] - AAH! GET OFF!
- [garbled speech, groans]
- DIE, YOU FUCKING BITCH! YOU FUCKING BITCH!
[guttural growls]
[growling, grunting]
[panting, grunting]
HELP. HELP!
[grunting]
UNH! [coughing, retching]
[gasping, grunting]
[breathing weakening]
- HONEY, YOU SURE YOU KNOW WHERE YOU'RE GOING?
THIS DOES NOT LOOK LIKE A TRAIL.
- OF COURSE I KNOW WHERE I'M GOING.
TRUST ME. - HOW CAN YOU TELL?
- WELL, IT USED TO BE A TRAIL. - THERE'S NO TRAIL HERE.
- THIS DOESN'T LOOK FAMILIAR TO YOU AT ALL?
- NO, NOT WHATSOEVER.
I MEAN IT'S PRETTY, I'LL GIVE YOU THAT MUCH.
- HOLY SHIT.
- OH, MY GOD.
IS HE...
- I THINK SO.
- IT LOOKS LIKE HE'S BEEN BIT BY SOMETHING.
WILL YOU CHECK HIS PULSE, JUST TO BE SURE?
- NOTHING.
- MY GOD, I MEAN, WHAT COULD HAVE DONE THIS?
- I DON'T KNOW. I DON'T KNOW.
AN ANIMAL? - YES, HELLO.
WE FOUND SOMEONE. HE'S, LIKE, COVERED IN BLOOD,
AND THERE'S NO PULSE.
WE'RE ON THE BIKE TRAILS AND--
I MEAN, IT LOOKS LIKE HE'S BEEN BIT BY SOMETHING.
IT'S A BITE, RIGHT? - THAT WOULD BE MY GUESS.
- WHAT STATE PARK IS THIS? I DON'T REMEMBER.
- THIS IS GOLD STONE STATE PARK.
- YEAH, WE'RE AT GOLD STONE STATE PARK.
BUT I'M NOT SURE, EXACTLY, WHERE WE ARE HERE.
- IT'S THE--THE TRAIL OFF OF HIGHWAY ONE.
- YEAH, ON THE TRAILS OFF OF HIGHWAY ONE.
OKAY. - THEY'RE SENDING SOMEBODY?
- THEY'RE GONNA SEND-- CONNECT US WITH A PARK RANGER.
- OKAY. HOLY SHIT.
- GOD. - [moaning]
- WAIT A MINUTE. - HONEY, WHAT ARE YOU DOING?
- I THINK I HEARD A NOISE. - WHAT KIND OF NOISE?
- I DON'T KNOW. IT'S LIKE HE SAID SOMETHING.
HEY...HEY. HEY!
- HEY! - HEY! HEY! NO!
GET OFF ME! GET OFF ME, MAN!
[crunching, tearing of flesh]
[screaming]
- GET OFF OF HIM! STOP IT! STOP!
GET OFF HIM! AAH!
NO! GET OFF!
NO! STOP IT! GET OFF!
[crunch] AAH! OH, MY GOD!
- [slobbering, grunting]
[flesh tearing]
[spits, gags]
- [moaning, whimpering]
[munching, flesh tearing]
[gnawing wallet]
[spits]
- [groans]
- [groans]
[distant cheering, laughter]
[cheers and applause]
- HAPPY BIRTHDAY!
- HAPPY BIRTHDAY, BIANCA.
ALL RIGHT, HONEY.
- AAH! [all scream]
- GO! GO!
- HEY!
[flesh searing] - AAH!
[vicious growl]
- GET IN THE CAR. GET IN THE CAR. LET'S GO.
HURRY, HURRY, HURRY. FASTER, FASTER.
HURRY UP. HURRY UP. HURRY, HURRY, HURRY.
GET IN. GET IN! GET IN! - [loudly groans]
[children screaming]
- COME ON, MAN. [mutters] YEAH!
- AAH! NO! NO! [screaming]
- OH, SHIT!
[engine stalls]
- [calm moaning]
[shotgun pumps]
[gunshots]
[engine sputters, turns over]
[woman sobbing]
[teddy bear moans]
- [gagging]
- [girl over cell phone] HI. HI.
HI! HELLO?
MIKE? MIKE, MIKE, MIKE.
ARE YOU OKAY?
YOU BUTT-DIALED ME, GOOFBALL.
OH, WELL, I LOVE YOU, BABY.
CAN'T WAIT FOR YOU TO GET HOME. BYE.
- [whimpering]
[gunshot]
- HEY, HOW'S IT GOING IN HERE?
HEY.
- [gasps]
SORRY. I MUST'VE FALLEN ASLEEP.
OH, MY GOD.
- YOUR NOSE IS BLEEDING. DON'T TILT YOUR HEAD BACK.
IT'LL JUST GO DOWN YOUR THROAT.
THIS ONE OF YOUR MIGRAINES? - MM...
MM-HMM. - ARE YOUR PILLS IN YOUR PURSE?
- YEAH.
- THEY'RE NOT IN HERE.
COULD YOU HAVE LEFT THEM AT YOUR APARTMENT?
- MAYBE. I DON'T KNOW. I--
- ALL RIGHT, SO WHAT DO YOU WANT ME TO DO?
WE PASSED A DRUGSTORE ON THE WAY HERE.
I COULD GO BACK, GET YOU SOME ASPIRIN OR SOMETHING.
- YEAH. I DON'T FEEL LIKE MOVING.
- ALL RIGHT, WELL, I FEEL KIND OF WEIRD LEAVING YOU--
- JUST GO.
- OKAY. I'LL BE RIGHT BACK.
[static droning]
- MALIK, I'M GETTING AUDIO, BUT NO VISUAL.
CHECK THE CONNECTION. - WAIT, WAIT, WAIT.
OKAY, HOW 'BOUT NOW?
- THAT'S-- OKAY, WE'RE GOOD.
- WE'RE GOOD? - WE'RE GOOD.
- ALL RIGHT. LET ME SEE.
- ALL RIGHT, PERFECT. NOW SWITCH TO LENA-CAM.
- ALL RIGHT.
- DO YOU SEE ME, GENTS?
- CRYSTAL CLEAR. ADAM?
CAN YOU TELL?
- NO. FROM HERE, NOT A THING.
BUT IF I ZOOM IN...
- THE TOP BUTTON, ADAM. WELL?
- LET'S JUST SAY YOU REALLY HAVE TO BE LOOKING FOR IT.
[speaking Indonesian]
[continuous electronic tone]
[children singing in Indonesian]
♪ ♪
- YO, ADAM.
WOULD YOU PASS ME THE SPY CAM? - WHERE?
- IN MY BAG. IN THE FRONT.
- SURE. - THANKS, MAN.
[camera beeps]
- HERE, HEADS UP.
- YOU'RE A FUCKING DICK, YOU KNOW THAT?
- OKAY, GUYS?
[speaking Indonesian]
- HI, LYDIA. OH...
- YEAH, ALL RIGHT.
- OH, WAIT. WAIT, WAIT, WAIT, WAIT.
WAIT.
HEY, LENA, YOU WANT TO UPSIZE THAT THING?
- NO, THIS IS CREEPY, MAN. I DON'T WANT TO WEAR THIS.
- HEY, JONI, THIS BELONGS TO YOU, MAN.
- JONI, ADAM, COME HERE.
- COMING, COMING, COMING.
- [speaking Indonesian]
[both speaking Indonesian]
- JONI, NOT TOO BRIGHT.
ADAM.
[children singing in background]
[children singing]
- HEY, WE'RE NOT THE ONLY ONE FILMING, GUYS.
- YEAH.
- [speaking Indonesian]
- [speaking Indonesian]
- OKAY.
DUDE, CAN YOU SPEED THINGS UP?
- DON'T FORGET HIS. GO. - COOL.
- [whispering] DUDE, THERE'S BLOOD ON THE MIC.
[both speaking Indonesian]
- [retches]
- [whispers] YOU OKAY?
- LENA, YOU OKAY?
- JUST START WITHOUT ME.
- YOU SURE? - YEAH.
- YEAH, UM...
- HEY, YOU KNOW WHAT? SORRY.
YOU WANT ME TO GO CHECK ON LENA?
JUST TO MAKE SURE SHE'S FINE.
- [clears throat]
- HEY, LENA. YOU OKAY?
LENA, WHAT'S WRONG?
YO. HEY, LENA. WHAT HAPPENED?
- UM...MALIK?
[speaking Indonesian]
- SERIOUSLY? - MY BAD.
I THOUGHT I CHARGED IT YESTERDAY.
- MAN... ALL RIGHT, I GOT THIS.
[speaking Indonesian]
BATTERIES, BATTERIES.
[indistinct chatter on video feed]
- [muffled] IT'S BEEN OVER A DAY, ADAM.
[indistinct chatter]
LISTEN, I NEED TO KNOW WHETHER
IT'S GOING TO BE ME OR YOU TELLING MALIK.
WE OWE IT TO HIM.
- ARE YOU EVEN SURE IT'S MINE?
- MALIK AND I HAVEN'T-- - HAVEN'T WHAT?
- IT'S BEEN A WHILE.
- FUCK! HE'S MY FUCKING--
HE'S MY FUCKING BEST FRIEND.
- AND HE'S MY FIANCE.
ADAM, I AM PREGNANT...
AND YOU'RE THE FATHER.
- JUST COVER YOUR FUCKING CAMERA.
- [crying]
DO YOU THINK I WANTED THIS TO HAPPEN?
- HEY, HEY, COME ON, COME ON. LISTEN.
WE CAN GO SEE SOMEONE, FIX THIS, NO ONE'S HURT.
- WHAT THE FUCK? - WHAT? WHAT?
- FUCK YOU! I DON'T NEED YOU.
I'LL TELL MALIK MYSELF.
AND WHETHER OR NOT I KEEP THIS, AND WHETHER OR NOT HE WALKS,
I STILL DON'T FUCKING NEED YOU!
- WHAT?
- YOU HEARD ME.
- FINE. DECISION MADE.
FUCK ME, FUCK YOU, FUCK HIM.
GOD DAMN IT.
- [gasps, cries]
[Lena crying]
[clock bells chiming]
[both speaking Indonesian]
[sudden clatter]
[door squeaks]
[electricity crackles]
[monitor beeping slowly]
- OH, SHIT! JESUS!
- [screaming] - WHAT THE FUCK?
- [screaming]
- FUCK IT! [instruments crash]
[panicked breathing]
- WHAT THE FUCK?
SIR, WHAT THE FUCK? SIR--
WAIT, WAIT, WAIT, HOLD ON, HOLD ON.
HOLD ON, MAN. OH, NO. WHAT?
[both grunt]
- [moans]
[humming]
♪ ♪
[p.a. feedback]
- HEY! STOP! STOP!
[equipment clatters]
- OH, FUCK. FUCK!
all: AMEN.
[indistinct shouts]
- NO, NO, NO, NO!
HEY! [gunshot]
FUCK!
- [cries out in Indonesian]
- [pained groans, coughs]
HOLY SHIT!
[indistinct shouts, strained grunts]
- [speaking Indonesian]
[man screams, gunshot]
- OH, FUCK! - HELP ME!
[gunshot] - SHIT!
[gunshot]
[both speaking Indonesian]
- ADAM, RUN. GO FIND HER!
GO!
- I'M SORRY, MAN.
[gunshot]
- WHOA. WHAT--
THE FUCK.
OH, SHIT.
[Lena screams]
[screaming]
[Father singing in Indonesian]
♪ ♪
- FUCK!
[both speaking Indonesian]
- [continues singing]
♪ ♪
[pipe clangs on floor]
[Lena crying out]
[Lena screams]
[explosion]
[wheezing, gasping]
- OH, FUCK!
[panicked breathing]
- LENA! - ADAM!
- [screams]
- FUCK YOU, BITCH!
[women muttering]
[pipe hitting bone, flesh]
[women wailing loudly]
FUCK.
[Lena crying hysterically]
LENA, CALM DOWN. I'M HERE, I'M HERE.
COME ON. - AAH! AAH!
GET IT THE FUCK OUT OF ME!
GET IT...OUT OF ME! AAH!
[Lena cries out] - OH...
- [screaming]
- OH, SHIT.
- [screaming]
[gurgling, growling]
- WHAT THE...
[roars]
[air raid siren blaring in distance]
JONI! - [growls]
- OH, FUCK! - [snarling]
- NO! JONI!
[all singing in Indonesian]
♪ ♪
OH, JESUS!
- [hisses]
- GET THE FUCK-- GO!
OH, FUCK!
OH!
[both moaning]
[demon growls]
[pistol dry-firing]
[all roaring, growling]
OH, SHIT!
- [roaring]
[demon's roar echoing]
[air raid siren blaring]
- FUCK.
OH, FUCK.
COME ON! GOD, HELP ME! COME ON!
OH, SHIT!
[demon roaring] OH, FUCK!
FUCK! FUCK!
[demon roaring]
FUCK!
[demon roaring]
[running footsteps approaching]
[demon grunts]
[coughs]
[violent rumble]
[rumble]
[rumble]
- [pained groan] FUCK.
[rumble] OH, FUCK. OH, FUCK.
[violent rumbling continues]
COME ON, COME ON, COME ON, COME ON, COME ON.
[demon growls]
- PAPA.
- [laughing, crying]
[static, white noise droning]
- HEY, BABY, SO I GOT YOU BOTH ASPIRIN AND IBUPROFEN,
BECAUSE I FIGURED--
OH, NO.
HELP!
SOMEBODY HELP ME!
WHY DID YOU DO THIS?
- COME TASTE THE FLESH
OF OUR SLAUGHTERED BEAST, EARTH CREATURE.
- YEAH, SO WE CAN EAT YOUR BODY AND COLLECT YOUR SKIN SUIT.
- AHA! YOU FELL FOR OUR TRAP, EARTH FOOL.
- NOW YOU WILL BE OUR DELICIOUS MURDER.
- QUICK, PUT HIM IN MY DIGESTIVE CONTAINER
SO I CAN FEED OFF OF HIS LIFE JUICE.
WHAT THE FUCK?
- PUT THAT DOG DOWN, RATTLEBOX.
- YOU KEEP FEEDING HIM RAW HOT DOGS, HE'S GONNA GET SICK.
I DON'T WANT TO BE THE ONE PULLING TAPEWORMS
OUR OF OUR DOG'S BEHIND.
OH, TANK. - ASS WORMS.
- ARE YOU GUYS FILMING THIS? - AFFIRMATIVE.
- GOOD. THEN WE GOT IT ON TAPE YOU GOT YOUR CHORES.
- WHAT ABOUT JENN? - NO.
SHE'S GOT AN EXAM TO STUDY FOR,
AND I WANT YOU TWO TO LEAVE HER ALONE.
- YOU KNOW IN 20 MINUTES, ZACK'S GONNA ROLL UP IN HERE, RIGHT?
- GUYS, LOOK AFTER TANK.
OKAY?
- YOUR MOTHER LOVES YOU.
- GOOD JOB, TANK.
GOOD BUDDY.
[heavy metal music plays on radio]
♪ ♪
[tires screech]
- RIGHT ON TIME. - WHERE'S JENN?
- SHE'S IN HER ROOM STUDYING. - WHAT? I CAN'T HEAR YOU.
- SHE'S IN HER FUCKING ROOM.
- I CAN'T FUCKIN' HEAR OVER THIS RADIO.
[radio shuts off] - WHAT THE HELL?
- YOU SAY SHE WAS IN HER ROOM? - YEAH.
- OH, PERFECT.
WHAT THE FUCK, GARY?
- WHAT THE HELL TOOK YOU GUYS SO LONG?
- WE FUCKIN' LOST OUR BASEBALL GAME.
- 'CAUSE YOU GUYS SUCK. - YOU SUCK.
SO WHAT'S UP FOR TODAY?
all: OH, YEAH.
- WE GOT SOME SHIT PLANNED.
MY SISTER AND ALL HER FRIENDS ARE OUT BACK. LET'S GO.
- LET'S MAKE IT RAIN!
- YOUR SISTER'S FRIEND HOT? - YES.
[laughter]
- HEY, WHO WANTS SOME OF DADDY'S BEER?
[cheers, shouts]
- YOUR SISTER'S GONNA BE SO PISSED.
- YEAH, SHE'S PROBABLY GONNA SHIT OUT HER VAG.
- GROSS.
- HEY, RANDY, ARE YOU READY TO GET YOUR SISTER WET?
- FUCK OFF, DUDE. DON'T FILM MY DICK.
- READY, AIM, FIRE!
- OH, MY GOD! [screaming and laughing]
OH, MY GOD! - YEAH!
- GET DRENCHED! - OH! SERIOUSLY!
GET OUT OF HERE! GO, YOU FUCKING TWERPS!
- FUCKERS!
I'M GONNA BREAK YOUR BACKS, YOU LITTLE SHITS!
- TAKE MY HOT LOVE, LOVERBOY.
- OH, FUCK! FUCK!
- SON OF A BITCHES! STOP!
[laughter]
FUCK YOU! AAH! - HILARIOUS!
- SEE YOU TOMORROW. - GET THE FUCK BACK HERE!
GET ME OUT OF THIS FUCKING CAGE!
- SEE YOU LATER, BIATCH.
- WHOA! COME BACK HERE, YOU BITCH!
[door creaks softly]
- [whispering] HOLY SHIT, YOUR SISTER'S HOT.
- FUCK OFF, SO IS YOUR MOM.
DANNY, WHAT ARE YOU DOING?
- ARE THEY ACTUALLY DOING IT?
THEY ARE, I BET YOU.
HOLY CRAP, THEY ARE DOING IT.
LET'S RUIN THEIR FUCKIN' PARTY.
- ALL RIGHT, HIT IT.
[upbeat techno music plays]
[whooping, overlapping yelling] - YEAH!
- YEAH! [screaming]
[indistinct shouting]
- GET OUT, RANDY!
boys: BABIES MAKING BABIES! BABIES MAKING BABIES!
- OH, FUCK! GET OUT, RANDY! GET OUT!
boys: BABIES MAKING BABIES! - GARY!
[rumbling, audio distorts]
- WHOA. - THAT IS IT!
I'M GONNA FUCKING RIP YOUR DICKS OFF!
- TURN OFF THE LIGHT! [overlapping shouting]
- GO, GO, GO! - GET BACK HERE!
[boys laughing]
- OH, MY GOD, THAT WAS SO LAME.
- TURN OFF THE LIGHT, TURN OFF THE LIGHT.
- I TASTED YOUR PISS,
NOW I'M GONNA TASTE YOUR FUCKING BLOOD!
- DO YOU GUYS SEE THAT?
- WHAT THE FUCK IS THAT?
- I DON'T KNOW. IT KINDA LOOKS LIKE A GRAVITY--
- GIVE ME THAT FUCKING CAMERA!
- LET HIM THE FUCK GO, YOU PIECE OF SHIT!
- ARE YOU FUCKING KIDDING ME, RANDY?
YOU WANT TO FIGHT RIGHT NOW? - FUCK OFF, RANDY!
WHY ARE YOU SUCH AN ASSHOLE? I DIDN'T HAVE A SHIRT ON!
- CALM DOWN, IT'S NOT EVEN A BIG DEAL.
- ARE YOU SERIOUS?
- YOU WERE SUPPOSED TO BE STUDYING, NOT SLAM HOGGING.
- OH, SHUT IT, GARY, AND IF I CAN'T FUCKING ERASE THIS FILM,
I'M GONNA FUCKING SMASH THIS CAMERA.
- YOU'RE BUNCH OF FUCKING FAGGOTS.
YOU CAN SUCK MY DICK.
- I DON'T WANT TO!
- PUT IT DOWN. PUT IT BACK.
- THIS IS IT. I FUCKING GOT YOU NOW,
YOU PIECE OF SHIT. [moaning on TV]
WHAT THE FUCK? - WHAT IS IT?
WHAT'S HE DOING? - OH, FUCK!
HE'S FUCKING SPANKIN' IT. - HE'S WHAT?
- HE'S STRETCHING HIS DICK. - OH, MY GOD.
- HE'S JERKING OFF. - OH, GOD.
- THIS IS IT. - THAT'S DISGUSTING.
- NO, THIS IS IT, JENN. THIS IS IT.
THIS IS HOW WE GET THAT FUCKER BACK.
- STAY STILL, TANK. IS THIS HOW THEY DO IT?
- YEAH, YEAH, I THINK-- I THINK IT'S GOOD.
JUST, WE GOT TO GET IN THERE
BEFORE HE LUBES UP THAT SLEEPING BAG.
- SO DISGUSTING.
- COME ON, IT'S GOOD. LET'S JUST DO THIS.
COME ON. - OKAY.
HELP ME GET HIM DOWN.
GO SEE RANDY.
[moaning on TV continues]
- TANK, GO, GET OUT OF HERE.
OH, FUCK! TANK, COME BACK!
[laughter]
- WELL, IF IT ISN'T RANDY HANDY THE FUCKING HAND JOB.
- CAUGHT YOU STICKY-HANDED, YOU LITTLE COME-DICK.
- "COME-DICK." - JENN, YOU'LL RUIN MY LIFE.
PLEASE GIVE ME THE CAMERA. - YEAH, RIGHT.
I'M PUTTING THIS ALL OVER THE INTERNET.
- WHAT'S GOING ON IN HERE? - OH, NOTHING.
WE JUST CAUGHT YOUR FRIEND MILKING HIS DICK IN HERE.
- YOU WERE COMING WHILE WE WERE SLEEPING?
- FUCK YOU AND FUCK YOU! [gigantic blast]
- HOLY SHIT. - WHAT WAS THAT?
- WHAT'S GOING ON?
- THERE'S SOMEONE AT YOUR DOOR.
[all gasp]
- WHERE DOES YOUR DAD KEEP HIS GUN?
- IN THE CLOSET.
- OH, MY GOD. OH, MY GOD.
- PLEASE TELL ME THIS IS YOU GUYS.
- NO, IT'S FUCKING NOT. - SHH!
- YEAH, THERE'S SOME PEOPLE IN FRONT OF OUR HOUSE.
THEY JUST CUT THE POWER.
HIGHWAY 103, 1967. OKAY, HURRY.
- STOP PLAYING AROUND!
SHOW YOUR FACES BEFORE I BLOW 'EM OFF!
[whoosh] - ZACK!
ZACK! SHIT!
GIVE ME THAT STROBE LIGHT, GARY. ZACK!
- OH, GOD. OH, GOD.
I THINK I WANT TO GO HOME. [distant thuds]
- DID YOU GUYS HEAR THAT? - YEAH, I DO.
JENN, DID YOU HEAR THAT?
- HEAR WHAT?
[all screaming, creatures roaring]
- GARY! [dog yelps]
GARY!
- [screaming]
[water sloshing] AAH! AAH!
[deep groaning]
HELP! HELP ME!
[muffled screaming]
JENN, HELP! HELP! JENN, HELP!
[muffled screaming]
HELP, JENN, HELP!
HELP! HELP!
- GARY! GARY!
[dog whimpering]
- DO YOU SEE HIM? - I CAN'T SEE ANYTHING.
COME HERE, TANK.
HEY, BOY. OH, GOOD BOY.
- RANDY, HELP ME.
- I THINK I NEED TO GO TO THE HOSPITAL.
- LISTEN, YOU'RE FINE. JUST DON'T LOOK AT IT.
- OKAY. - COME ON, TANK.
- YOU NEED TO CARRY TANK. - COME ON.
- COME ON, DOG!
- GARY!
HOLT SHIT, GARY!
HOLY SHIT! COME ON. COME ON, BUD.
RANDY, HELP ME GET HIM ON THE DOCK.
COME ON. HELP ME.
COME ON. COME ON, RANDY.
HELP HIM OUT.
YOU GOT HIM? - LIFT HIS LEGS.
- PULL! - SHIT. SHIT!
- IS HE OKAY?
- I DON'T KNOW. HE'S NOT BREATHING.
- SHIT. - SHIT.
I DON'T THINK HE'S FUCKING BREATHING.
- COME ON, GARY, WAKE UP. WHAT DO I DO?
- CPR! CPR! - HOW? HOW? HOW? HOW?
- TILT HIS HEAD BACK AND PUMP HIS CHEST.
[explosion in distance] - COME ON, BUD.
- BREATHE IN HIS MOUTH. - COME ON, BUD.
- HURRY UP!
- COME ON, GARY! - OH, SHIT!
HURRY, HURRY, HURRY! - COME ON! COME ON, BUD!
- PUT YOUR MOUTH ON HIS MOUTH. - COME ON, GARY!
[aliens roaring] JESUS CHRIST!
COME ON, GARY!
COME ON, GARY! GET UP!
GO! GO!
[aliens groaning]
RUN! GO! RUN! GO!
[aliens groaning]
[dog whimpers] - COME HERE, BOY!
TANK, HURRY! HURRY! TANK!
GO, GO, GO, GO! RIGHT BEHIND YOU.
- OKAY, TANK. COME HERE, TANK. COME HERE.
GARY, ARE YOU OKAY? ARE YOU OKAY?
TALK TO ME.
- [coughs] WHAT ARE THOSE THINGS?
- I DON'T KNOW. I DON'T KNOW.
[footsteps approach] SHH.
[dog barking] SHH!
OH, SHIT! GET DOWN.
GET DOWN. GET DOWN.
[police sirens wailing]
OH, THANK FUCK! THE COPS ARE HERE.
[all screaming]
- GO, GO! - SHIT!
[sirens wailing]
- WE'RE OVER HERE! WE'RE OVER HERE!
WE'RE OVER HERE!
[thunderous crash]
WHERE THE FUCK DID THEY GO?
WHAT DO WE DO?
- NO! WAIT! - WHAT THE FUCK?
[aliens roaring]
[dog yelping]
- TANK, TANK.
BUDDY, ARE YOU OKAY? ARE YOU OKAY?
EVERYTHING'S GONNA BE OKAY, BUDDY.
- RANDY! RANDY!
RANDY, PLEASE! GARY, STAY CLOSE TO--
[aliens roaring]
[screaming] RUN! RUN!
RUN, GARY!
COME ON, GARY. HURRY! RUN!
GET IN. GET IN. GET IN. GET IN.
[banging on door]
YOU OKAY, GARY? ARE YOU OKAY?
- I'M SCARED. - I KNOW.
IT'S GONNA BE OKAY.
AAH! GET UP THE LADDER.
HERE, I'LL GIVE YOU TANK. GET UP THE LADDER.
TAKE HIM. - COME ON, TANK.
- AAH, GARY! OH, MY GOD!
[screaming]
- JENN!
- [screaming]
[aliens growling, Jenn screaming]
[banging on door]
[aliens roaring]
- AAH! AAH! HELP! HELP!
TANK, DON'T LET GO OF ME! [screaming]
[dog whimpering]
[static white noise]
- IN OTHER WORDS, I THINK I'M READY.
I KNOW A LOT OF YOU KNOW MY MOTHER,
AND I JUST WANTED TO MAKE SURE THAT YOU GUYS KNOW
THAT SHE SUPPORTS MY DECISION.
OKAY, NOW, IT'S TIME FOR ME...
TO MAKE A TAPE FOR MYSELF.
THANKS FOR WATCHING.
- BABY?
UNH! [neck snaps]
- [shrieking]
[gurgling, snorting]
[rock music]
♪ ♪
[children singing in Indonesian]
♪ ♪
[videotape ejects]
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