Monday, July 30, 2018

Youtube daily report Jul 30 2018

Azealia Banks Goes In On DC Young Fly For Dissing Her On "Wild'n Out"

Azealia Banks isn't one to take insults lightly.

The young rapper revealed two weeks ago that she was pushed to the point of tears on Nick Cannon's Wild'n Out.

Soon after, she and Cannon exchanged a few words via social media, with the latter writing that Banks was,"creating storms without an umbrella." After their brief online feud, it seemed like the dispute was going to pass on.

That is, until DC Young Fly admitted on his comedy series The 85 South Show that it was him who made Banks cry.

"She had braces on her teeth but she didn't have the wire on the braces, so I said, 'You need to fire your dentist with his stupid ass 'cause he took the wire and told you to keep the metal,'" explained the comedian.

"She only had them on the bottom so I'm like what happened to the top motherfucker? That was it, and she just started crying.".

Now, Banks is clapping back at DC with a few jokes of her own.

"No nigger, the reason I cried is because I wanted to call all of you dirty Atlanta dl HPV infested maggots stuck below the Mason Dixon Line with no access to health care," wrote Banks on Instagram.

"I was going to call you ALL, specifically the type of men black women hate.

Specifically the type of black men society hates.

Which is why DC is forced to breed with bulbous fat white women who have low self-esteem, collect government aid and are just happy to have a man around.

I'm 100% sure that DC has a cluster of warts that look like a vine of grapes growing out of his ass.".

For more infomation >> Azealia Banks Goes In On DC Young Fly For Dissing Her On "Wild'n Out" - Duration: 3:45.

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How I Make Money Online

For more infomation >> How I Make Money Online

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터키는 최신 S-400 Triumph 러시아어를 사기 위해 준비합니다. | 한국의 군사력 - Duration: 6:09.

For more infomation >> 터키는 최신 S-400 Triumph 러시아어를 사기 위해 준비합니다. | 한국의 군사력 - Duration: 6:09.

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Fiat Punto 1.2 60 S BIEDEN BIEDEN - Duration: 1:03.

For more infomation >> Fiat Punto 1.2 60 S BIEDEN BIEDEN - Duration: 1:03.

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当年的"京城四少"怎么样了?汪小菲和大S频上热搜 - Duration: 14:09.

For more infomation >> 当年的"京城四少"怎么样了?汪小菲和大S频上热搜 - Duration: 14:09.

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Nissan Micra 1.2 DIG-S CONNECT EDITION N-TEC NED.AUTO, 1STE EIGENAAR, NAVIGATIE, CRUISE CONTROL, CLI - Duration: 1:08.

For more infomation >> Nissan Micra 1.2 DIG-S CONNECT EDITION N-TEC NED.AUTO, 1STE EIGENAAR, NAVIGATIE, CRUISE CONTROL, CLI - Duration: 1:08.

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Suzuki Splash 1.2 EXCLUSIVE NED.AUTO, STOELVERWARMING, AIRCO, ELEKT. R+S, LM-VELGEN, NAP - Duration: 1:08.

For more infomation >> Suzuki Splash 1.2 EXCLUSIVE NED.AUTO, STOELVERWARMING, AIRCO, ELEKT. R+S, LM-VELGEN, NAP - Duration: 1:08.

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MINI 2.0 192PK COOPER S | JCW uitgevoerd | Head-up disp. | Navi | Leder - Duration: 1:08.

For more infomation >> MINI 2.0 192PK COOPER S | JCW uitgevoerd | Head-up disp. | Navi | Leder - Duration: 1:08.

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Audi A7 Sportback 2.0 TFSI quattro 252pk S tronic S Line Edition - Duration: 0:55.

For more infomation >> Audi A7 Sportback 2.0 TFSI quattro 252pk S tronic S Line Edition - Duration: 0:55.

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This Idyllic Wyoming Guest House Was Built to Look Like a Rustic Converted Barn - Duration: 1:39.

This Idyllic Wyoming Guest House Was Built to Look Like a Rustic Converted Barn

It's surprisingly modern on the inside.

Being asked if you were raised in a barn may be an age-old insult, but we are betting anyone

would be proud to call this one home.

Or at least, home away from home.

The homeowners wanted to add a guest house-slash-gym to their Wilson, Wyoming, property, according

to a Big Life Magazine feature of the finished product.

Their love of barns inspired the structure, and they hired architects John Carney and

Matt Bowers of Carney Logan Burke—the same firm behind the Laurance S. Rockefeller Preserve

building and the expansion and renovation at Jackson Hole Airport—to bring it to life.

The beautiful barn began with a classic shape, which Carney and Bowers modernized with a

gridded glass wall on the second floor (what would have traditionally been a hay loft).

Inside, the windows offer scenic views of the Teton Range mountains while drenching

the gorgeous wood floors and exposed ceilings in light.

For such a rustic building and setting, the interior, designed by WRJ Design Associates,

is surprisingly modern.

A bedroom, bathroom, and kitchen provides a place for guests to stay, while an open

workout space serves a more practical purpose year-round.

Downstairs, the first-floor garage houses the owner's vintage vehicles.

There are even pretty little flower beds outside.

Can this guest house get any cuter?

We'd love to spend the night here!

For more infomation >> This Idyllic Wyoming Guest House Was Built to Look Like a Rustic Converted Barn - Duration: 1:39.

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ASMR- SLEEP SOUNDS [FOR MEN] TAPPING|SCRATCHING|DUTCH WHISPER| - Duration: 21:15.

hi and welcome to this video

today I have different objects,

where I am going to make sounds with,

to relax you.

this is a special edtion video,

the objects are more focused on men,

as...

this hammer,

with a wooden handle.

the head of the hammer

ok

most men

like a drink

this is a gin bottle

the brand name is Copper Head

its a black matte bottle

with really pretty

copper text

and a cork

one of the ingredients is black tea,

the bottom

they also love to drink

out of something nice

this is a whisky glass

made out of crystal

with notches,

here i have

a really nice parfume

the brand name is Rituals

it smells like

sultry

manly

and rich

a wooden cap

the brand is engraved on the cap

i have somethng here

some of you will know what this is

when you see the imprint

its a little box

that we have bought in Jamaica

and with it you can make something that is popular in the Netherlands

but we purchased it

because they also love it in jamaica

and we thought it would be a nice souvenir

the bottom

I will show you the inside

it looks like this

you put the two separate pieces together

the last item

is this mug

For more infomation >> ASMR- SLEEP SOUNDS [FOR MEN] TAPPING|SCRATCHING|DUTCH WHISPER| - Duration: 21:15.

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Illustrator Tutorial: Travel Flat Illustration Design Process - Duration: 5:17.

Hey what is up guys, my name is Cosmin and in today's video I'll show you how

to create this flat illustration inside the illustrator CC in just a few steps!

How can you get to this result? Well I start with a simple sketch where

I wanted to have someone with their hands up in a large coat and that

evolved into this concept, you can then place the sketch image inside Illustrator,

make sure to lock that layer up start tracing the basic shapes using

the Pen tool. Once you start tracing, I'd suggest lowering the opacity of those

shapes so you can still see the initial sketch.

Using the pathfinder toolbar you can select two shapes and intersect them to

make sure that the one on top is bounded by the initial shape and doesn't just

float around, to still keep the one below I'll make a quick copy and paste it in

front before intersecting them.

Even though it's a flat illustration, right now the legs feel a bit too

symmetrical so I prefer trying to create a sense of motion and maybe have the

girl jump and for that I'll need to add a second leg.

The biggest takeaway is don't commit to your initial sketch, it's good to try and

add new elements if you think you will improve the composition.

The color-scheme I'm using was created on color.adobe.com - I suggest checking it

out since it's very easy to take existing ones and adjust them to fit with your needs.

I'll try to add more details on the shirt, you can create the same effect

with the Pen tool but I'll do it using the Knife tool and just do a wavy pattern.

Make sure to duplicate the shape first and then start adding those waves, now

I'm thinking about adding a bit of details on the coat as well, but I know

that's a slippery slope since it's very easy to go crazy on it and focus on each

particular element and never finish the illustration, I'll select a couple

of them and add the white field to keep the number of colors used to a minimum.

Since the initial concept was to have a girl that loves traveling I'll add a

couple of icons that are in the same theme, I'll start with a map and

eventually add a compass, a camera and a phone. They don't need to be detailed

as long as you keep the same color scheme, they should fit right in. If you

need any help designing these kind of icons I suggest checking out some

inspiration online, as there are a lot of free icons out there.

This is the final result, don't forget to hit the like button if you've enjoyed

the process and subscribe for more videos. Hopefully you learned something

new today and that will help you create your flat illustration, if you like this

one you can download it for free, the link is in the description below.

Until next time, take care guys, bye!

For more infomation >> Illustrator Tutorial: Travel Flat Illustration Design Process - Duration: 5:17.

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Skoda Yeti - Duration: 0:42.

For more infomation >> Skoda Yeti - Duration: 0:42.

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Audi A3 1.6 TDI 110 PK S-Tronic Sportback Attraction (BNS) - Duration: 1:05.

For more infomation >> Audi A3 1.6 TDI 110 PK S-Tronic Sportback Attraction (BNS) - Duration: 1:05.

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Audi A3 1.6 TDI 110 PK S-Tronic Sportback Attraction (BNS) - Duration: 1:05.

For more infomation >> Audi A3 1.6 TDI 110 PK S-Tronic Sportback Attraction (BNS) - Duration: 1:05.

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Mercedes-Benz GLE-Klasse GLE 350 d Coupé 4-Matic AMG Line Automaat . - Duration: 1:07.

For more infomation >> Mercedes-Benz GLE-Klasse GLE 350 d Coupé 4-Matic AMG Line Automaat . - Duration: 1:07.

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3D Hand Pose Estimation Using Convolutional Neural Networks - Duration: 39:22.

>> Does anyone want to have a try?

>> [inaudible]

>> Yeah.

>> Is there any tracking in this or is it just?

>> No. Just the discriminitive parts, it's frame based.

>> It sounds good.

>> I use a balt light, 25-33 per second.

Yeah. I think we can.

>> I'd like to introduce you.

>> Yeah.

>> Yes. So, hello. We're very pleased to have Chie here

who's studying for PhD at Imperial with TK Kim,

and was previously at Tingwa and Beijing,

and as you can see she is an expert on

hand tracking and has also been very involved in

the hand bench-marking projects

at recent CVPRs and ECCVs and so on.

So, sorry ICCV,

and she's going to tell us about hands. Welcome.

>> Thank you.

Yeah. Okay. I'm very

glad to have this opportunity to present my PhD work

about 3D Hand Pose Estimation

using Convolutional Neural Network.

So, recently 3D Hand Pose Estimation

has gained a lot of

interests with the commercial depths a camera.

We can see many companies has

incorporate or are planning to

incorporate hand interaction into their products.

3D Hand Pose Estimation can be formulated as configuring

the pose space given the depth image.

The pose space can be represented by

3D joint locations all angles between the pose.

So, assume we have a data set that

consists of pairs of images,

input images and its label for this image.

What we can do if we want

to make a prediction for a new unseen image,

like we want to estimate

the joint locations for new images.

Yes. We can simply learn

a mapping function f from x to y.

The full list function we can

choose CNN or random forest,

or other supervised learning method

but we will have this question.

Will this method function learn a good mapping?

If not what are the challenges?

So, these are the challenges.

First, little hands can appear in

any viewpoints many complex articulations,

also in some viewpoints it exists self-occlusions,

and many self similar parts

is also like we have different shape.

Finally, acquiring labeled dataset itself is a problem.

So, they are typically

three approaches to solve this problem.

The first one is the learning-based method.

It is what we had discussed,

learn a mapping from x to y.

It is efficient and the layers no need to do tracking,

and there's no need to do initialization.

Is like what little demo I showed just now,

but you need to still learn the function.

The second method is the generative method.

We assume we have a hand model,

and it will search it pose parameter space to

find a configuration best

aligned hand model Chula input image.

So, this method if we use

a very good hand mesh models for example,

it can achieve very accurate results,

but as the hand is in a very high dimensional space.

It is very hard to converge without good initialization.

So, the third method

is a hybrid method combine about two.

The discrimitive method can provide an initialization for

the generative method like Sharps and the Taylor's et al,

and also the prediction of

the learning-based method can act two eyes a

patch of the energy for the generative method.

So, my PhD work tackles

these challenges learning-based method.

The first we're going to deal

with the viewpoints articulation,

and self-similar parts and final work focus on occlusion.

At the same time we collect a lot of dataset by

a design and automatic labeling system.

So, my first work is motivated by two observations.

The first one is, we have many hand pose images.

Actually they are different just

because the viewpoint changes.

The second observation is

although the images demonstrate compressed articulations.

Many images show self similar parts like the square part.

So, we can use part based method to help

our linear model to generalize unseen images.

However, due to many self-similar parts,

the model trained with the parts-based method can

hardly discriminate different parts.

So, I can challenge you to

identify which parts it belong, is a quite hard.

But if we move our attention like estimate hand pose

by following the hand structure.

If we know, let's say the middle finger,

and if we follow the hand structure,

we can identify which parts they belong.

So, for each part,

we can learn offsets from

the center to the following joined locations.

As well we can find some similar parts like,

similar parts in our datasets,

we can estimate the parts following new unseen images.

Then where we can concatenate only the patches,

we can get it a whole pose.

Also as we estimate

the hand in a sequential way by following this hierarchy,

we are able to reduce the viewpoints at the same time.

We assume the palm is rigid and we can

calculate the global rotation

by estimating the palm joints.

So, by lists estimated joint locations,

we can align all viewpoints to one direction.

So, this reduce viewpoint variation.

So, we are not the first one to

use hierarchy or hand structure.

These two work decompose,

pose the joint locations by following the hierarchy.

The difference of our work

from these work is that we borrow in

a spatial attention image recognition to transform

the input and outputs at

the same time to reduce

the input and output space variation.

3D model with local part viewpoints,

the variation of the input space is reduced.

You can see the whole images,

it demonstrates many variations but if all hand pose,

the variation is smoother.

So, if we, or at the same time we

organize the parts by following

the hand structure we avoid

relative [inaudible] to discriminating the different hand part,

and also make use of

these self-similar parts because the self-similar parts.

We just want to know the offsets

as long as we find some similar parts in dataset,

we can make estimation for the new purchase.

So, also for output space it is largely reduced.

For example, if the back finger

pose a space for middle finger tip.

If we use a product-based method and the learner offsets,

less finger becomes the brown one and if we

further reduce or align the viewpoint into one direction,

the space for the fingertip is confine by the red arch.

So, to attend on

the least local patches along the hierarchy,

we apply a spatial transformation to

the input image and other output joint locations.

The perimeter of the transformation

is acquired by estimation results

from the previous layers.

For example, if we want to estimate the yellow joint,

we focus on part

centered on a estimated red joint locations.

The t adds ty in

the transformation is the location for other joints,

and the theta is the rotation for the whole poles,

and b specifies the crop to size of the patch.

So, the spatial attention module is

actually between two successive layer in our hierarchy.

It is trying to form the other puts

and the rejoined locations

to patch and align it.

So, if we put all the hierarchy layers together,

we can get whole pose.

However, if one like in this slide,

if one of the estimator is wrong,

the following estimation will be wrong.

So, listed hierarchy layer

exist the error accumulation in our method.

We propose two solutions,

the first one is, we use

a cascaded stage to define the estimation.

The second one is, we use some criterion to

evaluate the estimation and remove some bad hypothesis.

So, for our second method,

we extend the latency of energy of

a town's low work which we

mentioned by introducing low palm structure

and the bone length.

I will generate multiple samples

around the lower estimation of let's say layer 1.

And they use the PSO to search

the minimal of low energy we use.

So, the whole pipeline consists of four layers.

In each layer it consists of cascaded stages and

partial PSO to estimate

the joint locations in this layer.

A spatial attention module is added between two

successive CNN to focus on

a local patch and align input and output.

So, we can see after refinement,

the error accumulation is largely reduced.

So, to show the efficacy of

each components we use in our pipeline,

we provide multiple baselines.

Like for the first one is

a holistic CNN regressing 21 joints together.

Then the second one, we have separate

CNN to estimate low global rotation.

The length rotates all images to one direction,

and they estimates to the 21 joints.

For the baseline, we first estimate all CNNs together

and they apply less spatial attention

on some local patches to refine estimation.

The fourth and the five is

our proposed methods without the refinements and

the error accumulation and the one way of refinement.

>> So, between [inaudible] sizes and the CNNs and the baselines?

>> In our model, we have multiple CNNs,

so we settle aside our baseline CNN, the memory size.

They store the memory size same with all proposed method.

So in size or

the capacity of receiver is roughly the same.

So, we can show each component we add

improve the performance on the data set.

And here, we show the view point of distribution by using

the estimated rotations from the palm joint,

so it's in different the cascaded stages.

So, the blue line is original distribution,

and after the refinements,

the rotation variation become largely reduced.

So, then we compared our method to

many [inaudible] work and HSO is the town's work,

it's quite similar to our method.

This work can be treated as exstention objects work,

but we can see, a liste set and then our data sets,

we improve it by a large margin.

So, the next work is about data sets.

So, the [inaudible] method can

help a generalization when there is no enough data.

There are still in many cases we can not

even find the similar parts in a data set.

So, we want to collect a larger data set.

Sure, we can try to using

size and images to get larger data sets,

like MSRC's synthetic data sets.

But let's insert the images up

here quite different from the real images,

and it is also not easy to design very natural poses.

So, before BigHand,

the largest area data set is HaandNet,

but only the label six joints.

So, these two factors motivate us to design

automatic labeling system with

forehand pose as a notation.

So here, I will not go into the details,

but show the space coverage of the data set.

The BigHand data set, this one is

the viewpoint, and [inaudible] articulation.

We can see the BigHand demonstrate

a broader and more even coverage.

Then compare the white wave as

a wearer and align your data set.

So, using this data set,

we hold a lot of 2017 hand challenges

and the top three achieved error about 10 millimeters.

And the demo I showed just now is about similar,

our top three is about a 13 for unseen object.

So, we have already

got an error as low as 10 millimeters,

so if you have

the least functions out all based

on the discriminitive method.

So, we have this question,

does learning a mapping function

solve all the challenges we mentioned at the start?

When we collected a data set,

we concede on the design method.

We concede on the viewpoints articulations.

But we're having to consider the occlusions.

So, can the mapping

function work well under severe occlusions?

So, in this work,

I want to model hand pose and occlusion.

So, before we start, let's

figure out a little problem first.

So, when we collect the datasets for the big hands,

we have leaves of observations.

For many images with occlusion,

we have multiple one to choose for occluded one.

You can see when the camera is over there,

and then we can get some many at articulations.

So, the blue skeleton are

ground truths for visible joints and the red,

and the yellow is a full occluded one.

So, our problem becomes

even when using a learning-based method,

our problem is, so we're making one image

to multiple joints allocations.

So what will happen if we use

a CNN trained with a mean squared error?

So, we first look at an example image with occlusion.

The red skeleton is

a prediction of a CNN trained with a mean-squared error.

For visible joints, the estimation is more or less good,

but for occluded joints,

the prediction is not close to any ground truth.

So, to further clarify our problem,

we assume our datasets to train

the CNN contains two exactly the same images of a,

and the ground truth is yellow in d. After convergence,

let's say we are given estimation of the red part,

is the average of these two labels.

So apparently, the average is

our loss estimation for articulated object.

So, what should we do?

For the visible joints,

we have only one,

for occluded one, we have multiple locations.

So, we can think of a model,

these two cases by different model or different loss.

So, we propose to solve

this problem by a two-level hierarchy.

The top hierarchy is we have plenary variable

to represent a joint either visible or not.

If it is visible, we have

a unimodal distribution to model this one,

and for occluded one,

we have a unimodal distribution.

Then, by depending on the visibility in the top level,

we can switch between these two cases.

So, the binary variable

representing whether a joint is visible or not,

follows a Bernoulli distribution.

So, when a joint is visible,

it is actually deterministic,

but if we're considering in a level noise,

we can seal up the joint if it's

drawn from a single Gaussian distribution,

so we model it by a single Gaussian distribution.

When the V is zero,

the joint is occluded.

So, we use Multi Gaussian with j component

to model this mathematical model labels.

So, with all the components defined,

the distribution of the joint locations Y depends on

the visibility is this.

Under the joint distribution of Y,

and the low visibility is like this.

So, the two-level hierarchy is a

shown in the conditional distribution.

First a sample V is drawn

from the Bernoulli distribution,

and then depending on V,

the joint location Y is

joint from the union Gaussian distribution

or Multi Gaussian distribution.

Last, so our proposed method can switch these two cases,

and they provide for

these description of a hand opposes under an occlusion.

So, now we have defined our model,

and the next problem is,

how do we set the parameters?

Note the hierarchy mixture density is,

and also the joint distribution

are conditioned on input image X.

So, we can see these parameters

are actually dependent on,

or they can be represented by a function.

As the joint distribution is differentiable,

so we choose a CNN to learn these parameters.

So, given a dataset of image and

this possible joint locations and visibility,

the likelihood of the whole data set is

the product of all the individual joints

and for all images.

Here, we assume all the joints

are independent of each other.

So, our goal is to learn

a neural network that

your parameters maximize the likelihood.

We use a negative logarithm likelihood

at a loss function.

So, this loss function consists of three terms.

The first term is about visibility,

and the second term is for visible joins,

and the last one is for a multi,

for joints and the occlusion.

So, during testing where image X is fed into the network,

the prediction for one joint

is diverted to different branches depending

on the prediction of the visibility

w. If w is larger than 0.5,

the prediction on sampling for the visible joints

is first branch the Single Gaussian.

Otherwise, is in second branch.

But the problem is that when

a prediction for the visibility is wrong,

the sample or a prediction for the joints

will be wrong because we go into the long branches.

So, to help all these bounds problem,

instead of using the binary visibility label v

to compute a likelihood

or a loss of function during training.

We use samples drawn from the estimated distribution.

So, when a number of samples for

the visibility is larger enough,

and the average of these samples become w,

so we replace v by w during training.

The least, we call it a softer

version of our proposed method.

So, to demonstrate superiority of our work,

we construct two variations.

The first one is a is a method like a model,

all the joint locations by a single Gaussian.

The second way is model

all the joints by Multi-Gaussian distribution.

So, in this figure,

we draw 100 samples for

each finger tip from distribution of all these methods.

So, for the visible joints, this line,

the SGN and the HMDN actually are produced compared

to samples around the ground of truths.

Well, for an MDN,

we can see it's actually have

a broader range compared to these ones.

For the occluded joints,

where a sample is produced by SGN,

the samples produced by SGN is quite in a broader range,

and these overlaps with other joints.

The samples produced by HMD,

our proposed method, this scatters

in movement range of the joints.

So, we can see the HMD and combine

the advantage of SGN, an MDN,

and is able to produce

compared to samples for the visible joints

and an interpretable samples for joints and occlusion.

So, to further demonstrate

the distribution predicted by our method,

we represent the distribution by the spheres.

The spheres lays the components of Multi-Gaussian,

and the center is the mean,

and the radius is the standard deviation,

and the transparency is in proportion to

the mixture of different components.

So, we can see HMDN actually

combine the superiority of SGN and MDN.

So, to compare these variations,

we draw one sample and the

Joe compile the sample to the post label.

The average error for

the visible joints and

the occluding joints are listed here.

We can see, for different number of Gaussian components,

each MDN consistently improved from the SGN or MDN.

All motivation is actually modeling

the distribution and occlusion.

We list these two distributions

by getting samples from the predicted distribution.

We compare a set of ground truth labels and then the sets

of samples with Joe and then

calculated layer minimum distance

and see how well they align each other.

If the layer are quite aligned,

the distance should have been closer.

So, we can see the methods we propose

improved a lot from SGN, fully occluded one.

So, then compared to MDN,

it should achieve a similar accuracy.

Yeah. So, previously, we propose

to mitigate to let you post the bells during testing.

So, by sampling from

the visibility distribution at the training.

So, in this table, we show

the soft version considering

to better results, layer harder version.

The way we compare it with prior work,

we choose our datasets that contains

a considerable number of occluded joints,

both in testing and training.

We compared three methods,

the first figure shows our comparison with these method.

Using the comma, used measurement may

take low proportion of joints under certain threshold.

The first one is ICVL's work

and then the second one is Tom's work.

We compare them in the last two figures by sampling,

because these two methods can

provide multiple other posts.

The the ICVL's work is because we jittery

[inaudible] estimation can be treated as a Unit Gaussian model.

In Tom's work, they have a GMM fit into the leaf nodes,

so it can be treated as Multi Gaussian distribution.

So when we compare these two methods,

we draw multiple samples and choose

the closest distance to

the ground truth among the samples.

So we can our methods actually can

achieve lower accuracy when we

draw more samples and the variance of

our method is smoother than these two methods.

So here is all my work. Thank you.

>> Thank you very much. Time for questions.

>> Yeah. So in one of the tables you show that

your hierarchical HMDN method actually so

that was also in visible joints not

only on the occluded joints.

Any intuition like that might be the case. So, yeah.

>> So, you mean-.

>> You also have improvement

in visible joints not only in occluded.

>> Yeah, yeah, yeah, yeah, yeah.

For the visible joints, actually

you mean why it should improve on the visible joints.

Yeah, it actually should have because also in reference,

in Bishop's like on 1995 paper,

they also showed when we model

the multimodal problems using like the distribution.

It helped the learning for the single model occasions.

So I think this is because during learning,

where we have error from these two parts,

from the multi-model part,

is learned easily, is converted easily.

So it helped the network to

allocate its capacity in visible or single Gaussian.

Oh, no, no, no, single model part.

So if we treat only these cases

by using a single model or using mean

squared error is actually adds

burden or maybe misleads

the network to converge to a bad minima.

>> That is something that you trying to

extending that is because of the occlusion,

the suggestion with two hands and

[inaudible] first and yeah, you haven't tried that.

Now, you have to work on that suggestion?

>> Yeah, I think it is also

for- I haven't tried to lead two hands,

but like one part is the difficulties,

the detection part; how to discriminate these two parts.

But once if we have

got the information like the crop one,

I think it will work.

But I'm not sure because it is quite complicated and is

just a single part especially where

you have some occlusions.

I think a tailor is like,

the listen to work,

they have to deal with these slightly interactions

but also two-hand.

But for this work itself

is two-hand if there is no interaction.

>> How the training data was labeled?

I mean for an acute joint,

did you supply multiple labels

or use like one per example?

>>Yeah, actually because in a training,

we didn't do any like a menu,

like a supply because if we look at the post part,

start form the label parts.

If we look at the list label,

it actually has a corresponding input image,

maybe connecting it, each label

has corresponding input images.

Therefore, we have different labels.

So during training, we didn't group any ones,

we are just like fit them into the training.

We don't like to provide,

because it actually exists in

the dataset but for testing.

>> Yeah, that type of dataset was collected from that.

>> Yeah, yeah, so in the collection,

when actually I perform these as many as possible.

>> Right. Yeah.

>> Yeah. So for testing,

we need to group some post together,

similar like in a sequence,

to make them like if they are very

close to each other for the visible joints,

which means these are multiple ground truth.

Yeah, yeah thank you.

>> How was it's annotated?

So, 2.2 million depth images are recorded,

I'm just not familiar how was the ground truth attached?

>> The ground truth is like we have

a checker stat system,

like each joint is attached with

a sensor and we have six sensors.

>> Okay.

>> Yeah, once they attached to

the list and other one is fingertip,

because the sensor provided

both locations and the rotations.

Local word rotations. So if we assume the palm is rigid,

we actually can calculate other joins,

better location, and the rotations.

>> Right. So in terms of data recorded that it's actually

the same as having that that you compare before.

>> Yeah, yeah, yeah.

>> It's just that then you fit

a hand model to the six recording sensors.

>> Yeah, yeah. Then with

some inverse kinematic like

if we get this joint location,

this joint location, we have rotation.

We actually can calculate these parts.

>> So how worried you about

your ground truth not modeling

individual fractions base and

this might look very similar in your sensor data?

>> For the sensor data,

because when you do this,

rotation actually change because

it also record the rotation.

The sensor is a very sensible,

it can give you different rotations

and then you can calculate the other joints.

>> I'm not familiar how does the center interfere with

the depth data at all?

>> We have the wires but the problem is that,

yeah the thing is that the wire is

quite thin and the sensor itself is thin.

In a depth camera,

in the depth image,

you can hardly see these wires,

but in RGB, you will not use this data.

>> In RGB, you would easily see them.

>> Yeah, yeah, yeah. So my current work

is about transforming the depths to

the RGB will generate something

like some game or something. Yeah.

>> Thank you very much.

>> Thank you very much.

For more infomation >> 3D Hand Pose Estimation Using Convolutional Neural Networks - Duration: 39:22.

-------------------------------------------

Times Method Actors Took Things Way Too Far - Duration: 9:14.

Whenever an actor decides to use "the method" approach to a role, it usually ends up making

headlines.

The process of an actor really getting their head inside a character has made for some

jaw-dropping performances, and some shocking behind-the-scenes tales.

Here are just a few times method actors have taken things too far for a part.

Adrien Brody

In 2002, Adrien Brody scored the role of a lifetime when director Roman Polanski picked

him to star as Polish-Jewish musician and composer Władysław Szpilman in The Pianist.

The actor immediately buried himself in Szpilman's World War II memoirs in order to better understand

the role.

After being forced into the Warsaw Ghetto and separated from his family, Szpilman eluded

Nazi forces and survived the Holocaust by hiding in the ruins of Warsaw.

To prepare for the part, the six-foot-one Brody spent six weeks on an intense diet to

get down to a mere 130 pounds before filming began.

For the better part of a year, Brody essentially "dropped out" of modern society.

He moved to Europe, sold his car, and disconnected his cellphone.

"Because the character loses so much, I wanted to kind of have a glimpse of what that loss

would feel like."

After filming wrapped, it took over half a year for Brody to recover.

He later admitted:

"There were times when I was concerned that I might not be able to get out of it sane,

because I didn't realize how far it had taken me."

In the end, his dedication to the role paid off in a big way, not only did The Pianist

earn widespread acclaim and accolades, but Brody won the Academy Award for Best Actor,

making him the youngest winner ever in that category.

Jim Carrey

In 1999, Jim Carrey took a deep dive into method acting when he played comedian Andy

Kaufman in Man on the Moon.

While a handful of stories from the set made it into the news over the years, a 2017 Netflix

documentary revealed many more jaw-dropping moments from the film's production.

In Jim & Andy: The Great Beyond, it becomes clear that Carrey's dedication to the role

went way beyond spitting in the face of professional wrestler Jerry Lawler.

During the shoot, Carrey didn't just play Kaufman, he channeled him, to the point that

he would refer to "Jim Carrey" as a completely different person.

"Jim had trouble later on and...and it kind of threw him for a loop and he got angry."

As Andy, Carrey also had emotional reunions with members of Kaufman's family, including

an hour-long conversation with his daughter, who never got a chance to meet her father

before he passed away from lung cancer in 1984.

"So that day she came into Andy's trailer and talked to her father."

As Kaufman's vulgar alter ego Tony Clifton, Carrey went on drunken tirades, crashed a

convertible, and stormed into Steven Spielberg's office to chat with him about Jaws.

"I have this uh gentleman in the lobby that is looking for Steven Spielberg."

"I would like to see the real shark.

This shark is a phony shark."

Even though Carrey won praise for his performance, the role clearly took a toll on him, and he

later claimed that he could barely remember who he was after filming.

"But wasn't it funny?

Yes, it was funny, Andy.

It was."

Nicolas Cage

He might be better known today for his goofy action movies and eccentric spending habits,

but Nicolas Cage is also dedicated to method acting.

His approach to acting has yielded mixed results over the years; he earned acclaim for films

like Adaptation and Leaving Las Vegas, and derision for movies like The Wicker Man.

"Aahhh my eyes!

My eyes!

Aaahhh!"

One of his best method roles dates back to the early days of his acting career, when

he was cast in the 1984 war drama Birdy.

In the film, Cage plays a disfigured Vietnam veteran who visits a friend from the war in

a psychiatric hospital.

To prepare for the part, the then 19-year-old Cage had his wisdom teeth extracted without

anesthesia.

He also spent weeks with his face bandaged day and night, so he could experience the

physical pain and discomfort his character was going through.

His impressive dedication to the part shows, and Cage's work in Birdy remains one of his

best early performances.

Christian Bale

While method acting began as a way to harness personal experiences and emotions as a way

to play a part more convincingly, in recent years it's become almost synonymous with drastic

physical transformations.

In one prominent example, Christian Bale made headlines and jeopardized his health when

he lost a jaw-dropping 63 pounds to play the insomnia-plagued Trevor Reznik in 2004's The

Machinist.

For weeks before filming began, Bale survived on just an apple and a can of tuna fish a

day.

According to his Machinist costar Michael Ironside, the drastic diet wasn't even necessary.

The screenwriter for the movie had put some example weights into the script based on his

own height.

When the much-taller Bale saw the figures, he decided to go for those weights instead

of something more realistic for his bigger frame.

After filming wrapped, Bale bulked up again, gaining 109 pounds in just six months for

his next role in Batman Begins.

He's gone on to use drastic weight changes in preparation for other parts, too; more

recently, Bale shaved his head and packed on the pounds to play former U.S. vice president

Dick Cheney in the 2018 biopic Backseat.

Martin Sheen

After director Francis Ford Coppola fired Harvey Keitel from 1979's Apocalypse Now two

weeks into production, he picked Martin Sheen to take Keitel's place as Captain Benjamin

L. Willard.

Sheen's approach was to use experiences from his own life to bring himself closer to his

character.

Sheen certainly brought his own demons with him to the set.

His personal struggle with alcoholism played a key role in the film's famous opening scene.

The actor was completely drunk that day, and Coppola captured the unscripted mirror-smashing,

weeping, and blood-smearing that followed.

When production moved to the jungle, Sheen told his friends that he wasn't sure he'd

make it out of the shoot alive, and he almost didn't.

Sheen actually suffered a heart attack and crawled for a quarter mile to a road, where

he was found and airlifted to a hospital.

He was back on the set just six weeks later.

In this case, at least, it wasn't just one actor who was uncontrollable on set.

From the tropical diseases that ravaged the crew to actual cadavers showing up on the

set, the entire shoot was chaotic.

If anything, it would have been weird if Martin Sheen hadn't acted weird.

Matt Damon

He may be famous today for movies like Good Will Hunting and the Jason Bourne franchise,

but in the early 1990s, Matt Damon was just another unknown actor.

All that changed when he was cast in the 1996 war drama Courage Under Fire.

To prepare for the role of an ex-medic with a drug addiction, Damon dropped down to a

mere 139 pounds by running 13 miles a day and subsisting on a diet made almost entirely

of chicken breast.

The drastic weight loss took an enormous toll on his body, after filming wrapped, he had

to take special medication for a year and a half just to repair the damage done to his

adrenal gland.

Daniel Day-Lewis

For much of his career, three-time Oscar winner Daniel Day-Lewis has been notorious for his

intense approach to method acting.

The actor's behavior on and off the set is the stuff of legend.

In preparation for his role as John Proctor in The Crucible, Day-Lewis went back to basics,

literally.

He lived for months on the set of the 17th-century village with no electricity or running water,

built his character's home by hand with only tools from that era, and even gave up his

beloved motorcycle in favor of a horse.

Ashton Kutcher

After Apple CEO Steve Jobs passed away in 2011, the race was on in Hollywood to develop

a feature film based on the mogul's remarkable life.

For the 2013 independent film Jobs, director Joshua Michael Stern picked Ashton Kutcher

to portray the complex computer pioneer, and the actor spent three months preparing for

the role, watching hundreds of hours of archival footage to understand Jobs' accent, posture,

and facial expressions.

He didn't stop there, Kutcher also tried adopting a fruit-only diet, similar to the one Jobs

adopted as part of an alternative medicine regimen to treat his cancer.

For Kutcher, the drastic diet caused its own health issues, two days before filming began,

he ended up in the hospital with pancreas problems.

Kutcher explained: "I was like doubled over in pain.

My pancreas levels were completely out of whack.

It was really terrifying."

In the end, Kutcher's dedication paid off, while Jobs received mixed reviews and was

criticized for its historical inaccuracies, Kutcher's performance earned praise.

"What are you...you gonna fire me?"

"No!

I already fired you!"

"Why are you still here?"

For more infomation >> Times Method Actors Took Things Way Too Far - Duration: 9:14.

-------------------------------------------

Will Video Games Eventually Replace Your Therapist? - Duration: 4:59.

[♪ INTRO ]

You might have heard that video games are bad for you.

They'll rot your brain, or make you violent, or antisocial, or something.

And parents often fret about what their child or teen's gaming hours are doing to their brains.

But what if we're thinking about video games all wrong?

Well, that's what some psychologists think.

Counterintuitive as it might seem, they're studying how we can use video games to improve

mental health, especially in kids and teens.

Studies estimate that only about a third of American teenagers with mental health disorders

actually receive treatment.

That may be because their parents are worried about the cost of therapy – which isn't

always covered by insurance – or because the kids are worried about the social stigma

that comes with "seeing a shrink".

So some psychologists think there's another way to help them out—give them video games.

Already, they're a nearly ubiquitous feature of the American childhood—surveys estimate

that over 90% of kids between the ages of 2 and 17 in the US play video games.

So they're socially acceptable, and relatively inexpensive.

Plus, since kids can play in their own homes, they can maintain their privacy.

And video games are fun.

You might not think it's important that therapy be fun, but enjoyment of an activity

does increase your motivation to keep doing it.

And all that means there's huge potential for certain video games to help mental health—but

only if they actually work.

And they just might.

Though the evidence is very preliminary, several trials have shown promise in using specially

designed video games to treat mild to moderate mental illness.

Many of these therapeutic games are based on already existing treatments like cognitive

behavioral therapy – a type of good ole talk therapy which aims to help people identify

and alter problematic thoughts or behaviors.

For example, researchers in New Zealand created a game called SPARX for treating depression.

Through playing, kids ultimately learn strategies for relaxation, social interaction, and dealing

with difficult emotions and situations much like they would in therapy.

But that's all disguised as an interactive fantasy video game.

When the game's designers compared it with regular counseling in a trial of nearly 200

kids, both groups showed about equal improvement, indicating that SPARX might be just as effective

as therapy.

And similar results were found by researchers working with a game called MindLight.

In MindLight, children navigate through a scary mansion, learning techniques to control

their anxiety along the way.

And in a preliminary trial of 174 kids with anxiety, six weekly sessions of gameplay worked

about as well as eight weekly sessions of cognitive behavioral therapy.

Similar trials have been conducted on games designed for adults with equally positive

results.

Though such findings still need to be replicated by other researchers – ones who weren't

involved in making the games – before these games could become widely-accepted therapies,

the results are encouraging.

Scientists are now designing games to try and treat everything from addiction to eating

disorders to ADHD.

There are even some in the works to help manage psychosis.

Other researchers are hoping to create social support networks in virtual reality, or integrate

video games into therapeutic programs.

And they might not have to create all these games from scratch.

Researchers have found playing certain simple distracting games like Peggle and Bejeweled

can improve mood, so they could help manage stress or even depression.

And the right game could maybe even help treat illnesses like PTSD.

In one 2010 study, researchers had 60 healthy participants watch a traumatic film and then

play Tetris, a word game, or no game at all.

In the following week, subjects had fewer flashbacks concerning the film if they had

played Tetris compared to the other two groups.

The researchers think that may be because visual games like Tetris somehow interfere

with the storage of the traumatic images as long-lasting memories.

Though, this has yet to be confirmed with people who've experienced actual traumatic

events.

And the word game actually made flashbacks worse in one experiment— so the choice of

game seems to be really important.

None of these studies invalidate the research that has found some games, especially violent

ones, can possibly increase stress and aggression in some people.

So if doctors are looking into using video games therapeutically, they'll need to be

careful about which they use and how they use them.

Not to mention though, they'll have to consider the effects of different games might have

on different types of people, because even games designed to be therapeutic probably

won't work the same for everyone.

But, the results coming from these preliminary studies using video games in a more clinical

way are exciting, especially to psychologists working with younger patients.

And that's because mental health disorders seem to be a growing problem among children

and teens in America, with rates of things like depressive episodes and anxiety jumping

20 to 30 percent in recent decades.

While traditional therapies can be highly effective, they often don't reach the kids

who need them the most.

So even though there's a lot of work to be done, there's hope that video games will

one day make therapy more widely accessible, leading to happier healthier kids.

And in the meantime, maybe you can tell the haters that rag on you for your gaming to

chill out a bit.

Thanks for watching this episode of SciShow Psych!

If you liked learning about how video games might be used for good, you might like our

episode on whether violent video games actually make you more aggressive.

[♪ OUTRO ]

For more infomation >> Will Video Games Eventually Replace Your Therapist? - Duration: 4:59.

-------------------------------------------

Ocean - Martin Garrix ft Khalid (Piano Cover) - Duration: 3:35.

tell me why you're crying for I wipe your tears over if your soul is aching

up I can't thank you for sure if a car in a way I will carry you

you don't matter baby but I want to fund but my head goes in different directions

you know my heart's never and my dark times you don't have to

question if I'm 100 with you you could put on between Oliver it will keep us

apart you could build a wall I would burn it

up just to get to her if I could in a way

Amy will may go a you could put an ocean between I love it will keep us apart

it will keep us apart

it will keep us apart shadows play on idle heads I lose myself if I do but I

found my way to move every side how crushed might injure you if we're caught

in a pain I will carry you

you don't matter babe we are you're still the one I choose but my help

actions you know my arts never

after question if I'm 100 with you you could put an ocean between Allah it will

keep us apart you could build a wall I would burn it

up just to get to heart if according away

well baby will make away you'll be put an ocean between Allah

it won't keep us apart

will give us apart

it won't keep us apart you could put an ocean between I love love it won't keep

us apart you can build a wall I would burn it up just to get to her if a card

it'll be baby will make away you could put an ocean between I love love love it

won't keep us apart

For more infomation >> Ocean - Martin Garrix ft Khalid (Piano Cover) - Duration: 3:35.

-------------------------------------------

At-Home Hockey Conditioning Workout [For Small Spaces] 🏒 - Duration: 3:18.

- What's up, hockey players?

Kevin here from HockeyTraining.com,

and in this video, I'm gonna take you through

a body weight hockey conditioning workout

that you can do at home with limited space

and no equipment.

Before we get into the workout,

we're gonna run through a quick warmup.

We've got four exercises

that we're gonna run through in a circuit.

First up is prisoner squats.

Perform 10 reps

to start off the warm up.

Next, we go on to six mountain climbers per leg

or 12 total.

Then we're getting up for cossack squats.

We've got six per legs or 12 total here as well.

The last exercise of the warm up is push-ups.

Perform 10 push-ups before resting 30-45 seconds

and run in through the warm up circuit one more time.

Now it's time to get into conditioning workout.

We're gonna run through three super sets

and then finish off with a 60-second finisher exercise.

The first exercise is gonna be plyo push-ups.

We're gonna be doing five push-ups

exploding up and clapping at the top of each.

Once finished the push-ups, we'll rest 10 seconds

before moving on to the second exercise of the super set.

Next up is vertical jumps.

We're gonna do five vertical jumps,

jumping as high as you can without pausing between jumps.

Once finished, rest 45 seconds

and then repeat the super set for a total of four rounds.

The second super set starts off

with Bulgarian split squat jumps.

Find something just under knee height for this

and perform three jumps per leg.

When finished, rest 10 seconds

before moving on to the next exercise of the super set.

Get down to the ground for eight

close grip push-ups for speed.

Focus on being explosive but make sure

you go through the full range of motion.

When finished the eight reps,

rest 45 seconds and then repeat

the super set for four rounds as well.

The first exercise of our last super set

is alternating split squat jumps.

We're doing three jumps per leg here

or six total of jumps.

Rest 10 seconds before moving into the next exercise.

The second half of the super set is going to be

a 60-second plank.

Focus on contracting the core

and keeping your body in a straight line

without having your butt too far in the air

or having your hips sagging down.

Once 60 seconds is up, rest 45 seconds

and repeat the super set for a total of four rounds.

To finish off this workout,

we're gonna run through 60 seconds of military burpees.

Run through as many burpees as you can

in the 60 seconds, keeping track in your head

so you can challenge yourself to beat your score next time

you do this workout.

Congrats, you've just run through

a grueling hockey conditioning workout

with no equipment needed.

If you enjoyed this video, please do us a big favor.

Hit that thumbs up button

and subscribe to our channel

if you're not already subscribed.

And if you want a full hockey training program

with more workouts like this,

make sure you head over to hockeytraining.com.

Train hard, guys.

For more infomation >> At-Home Hockey Conditioning Workout [For Small Spaces] 🏒 - Duration: 3:18.

-------------------------------------------

You Left Me -TheDarkUnicorn - Duration: 4:14.

For more infomation >> You Left Me -TheDarkUnicorn - Duration: 4:14.

-------------------------------------------

The Flash 5x01 "Nora's Death" Trailer (2018) | 4K Ultra-HD | Fan-Made - Duration: 1:16.

It wasn't just me who took it down.

Another Speedster.

People call me XS.

It's a nickname you gave me when I was a kid.

See you around.

Lightning.

For more infomation >> The Flash 5x01 "Nora's Death" Trailer (2018) | 4K Ultra-HD | Fan-Made - Duration: 1:16.

-------------------------------------------

This Idyllic Wyoming Guest House Was Built to Look Like a Rustic Converted Barn - Duration: 1:39.

This Idyllic Wyoming Guest House Was Built to Look Like a Rustic Converted Barn

It's surprisingly modern on the inside.

Being asked if you were raised in a barn may be an age-old insult, but we are betting anyone

would be proud to call this one home.

Or at least, home away from home.

The homeowners wanted to add a guest house-slash-gym to their Wilson, Wyoming, property, according

to a Big Life Magazine feature of the finished product.

Their love of barns inspired the structure, and they hired architects John Carney and

Matt Bowers of Carney Logan Burke—the same firm behind the Laurance S. Rockefeller Preserve

building and the expansion and renovation at Jackson Hole Airport—to bring it to life.

The beautiful barn began with a classic shape, which Carney and Bowers modernized with a

gridded glass wall on the second floor (what would have traditionally been a hay loft).

Inside, the windows offer scenic views of the Teton Range mountains while drenching

the gorgeous wood floors and exposed ceilings in light.

For such a rustic building and setting, the interior, designed by WRJ Design Associates,

is surprisingly modern.

A bedroom, bathroom, and kitchen provides a place for guests to stay, while an open

workout space serves a more practical purpose year-round.

Downstairs, the first-floor garage houses the owner's vintage vehicles.

There are even pretty little flower beds outside.

Can this guest house get any cuter?

We'd love to spend the night here!

For more infomation >> This Idyllic Wyoming Guest House Was Built to Look Like a Rustic Converted Barn - Duration: 1:39.

-------------------------------------------

Laurent Ruquier évoque un choc entre Christine et Sandrine: "Nous ne méritons pas cet excès". - Duration: 1:54.

For more infomation >> Laurent Ruquier évoque un choc entre Christine et Sandrine: "Nous ne méritons pas cet excès". - Duration: 1:54.

-------------------------------------------

Meghan Markle dad interview: How Kate will help Duchess of Sussex solve family feud - Duration: 2:35.

 The Duchess of Sussex became a member of the Royal Family this year after marrying Prince Harry in May

 Her father Thomas was due to walk her down the aisle. However, just before the wedding he hit the headlines for staging paparazzi pictures

 Thomas told the Mail on Sunday he has not spoken to his daughter for more than 10 weeks

 He added that speaking publicly and "saying a few critical words about the Royal Family changing Meghan" has now created a deep rift

 Meghan is said to have found an ally in her sister-in-law, the Duchess of Cambridge, according to Vanity Fair

 How will Kate help Meghan? Rumours have circulated in the media that Kate feels threatened by the new, glamorous Duchess

 However, palace sources say the couple are getting along well. They reportedly share a mutual love of dogs, chocolate, tennis, the English Countryside and fashion

 Kate and Meghan recently attended Wimbledon together, which hinted at a blossoming friendship

 One royal source told Vanity Fair: "Kate's made a real effort to be kind to Meghan and to include her

 "They're quite different characters but they get along well." Kate is also said to often invite Meghan over to the Cambridge family's apartment at Kensington Palace for tea

 The source added: "They speak on the phone and Kate makes a point of inviting Meghan over

 "I'd say they try to see each other once a week, sometimes with Harry, sometimes Meghan goes on her own

 "Kate's really busy juggling three kids; she has a lot on her plate and she has her own friendship group, but she has made an effort with Meghan

 "She's been very sympathetic to what's been going on with Meghan and her dad."

For more infomation >> Meghan Markle dad interview: How Kate will help Duchess of Sussex solve family feud - Duration: 2:35.

-------------------------------------------

ASMR- SLEEP SOUNDS [FOR MEN] TAPPING|SCRATCHING|DUTCH WHISPER| - Duration: 21:15.

hi and welcome to this video

today I have different objects,

where I am going to make sounds with,

to relax you.

this is a special edtion video,

the objects are more focused on men,

as...

this hammer,

with a wooden handle.

the head of the hammer

ok

most men

like a drink

this is a gin bottle

the brand name is Copper Head

its a black matte bottle

with really pretty

copper text

and a cork

one of the ingredients is black tea,

the bottom

they also love to drink

out of something nice

this is a whisky glass

made out of crystal

with notches,

here i have

a really nice parfume

the brand name is Rituals

it smells like

sultry

manly

and rich

a wooden cap

the brand is engraved on the cap

i have somethng here

some of you will know what this is

when you see the imprint

its a little box

that we have bought in Jamaica

and with it you can make something that is popular in the Netherlands

but we purchased it

because they also love it in jamaica

and we thought it would be a nice souvenir

the bottom

I will show you the inside

it looks like this

you put the two separate pieces together

the last item

is this mug

For more infomation >> ASMR- SLEEP SOUNDS [FOR MEN] TAPPING|SCRATCHING|DUTCH WHISPER| - Duration: 21:15.

-------------------------------------------

Indie Makeup Brands | Crow & Pebble | Swatches, 2 Looks, Wear Test - Duration: 23:49.

good morning today we're going to review the indie brand crow and pebble this

video might get a little long so I am of course gonna put timestamps down below

crow and pebble is the brainchild of Karen it is based in the UK and I quote

the websites here loves selling stories with makeup and curating collections of

pigments to create characters Karen does all the concept art and label art for

every collection herself she found that there were troubles to choose colors

that look great together so she constructed color sets that work

together as the pigments the company of is of course cruelty free most of the

things are vegan if it's not vegan it is labelled as such so I ordered off the

website and the first thing I get is a personalized email I think it was

personalized at least it seemed that way and from Karen thanking me for making

the order the shipping is of course interesting because this is based in the

UK within the UK there's free untracked shipping when you purchase items for

over 30 pounds which is 34 euros and 9 cents or 39 dollars 84 US dollars then if you

order what under under that amount you have in the UK it costs one pound fifty

in Europe it is three pounds or 3 euros 41 and it takes two to five days

and for the rest of the world it costs the shipping costs four pounds which is

five US dollars 31 and it takes around five to seven days to get to you this of

course is all untracked shipping if you want to get the tracked shipping it costs

you more but of course I'll link the website down below so you can look up

all of this by yourself if you want to she also included a little handwritten

note on the bill here it's just these little things that I really appreciate

it makes me feel good about buying from indie brands from small brands these are

all handmade and you can tell from the way you're receiving your packages so I

got one lipstick which is called Juliet

it is inspired by Romeo and Juliet on the website each item kind of has like

an excerpt from the stories they're inspired by my concerns about this

lipstick is that you cannot read the label on the bottom very well and it

does say the ingredients on there but I can't read them of course they are

listed on the website as well so that's not really as much of a problem this is

kind of a soft mauve pink but you will see when I try it on and I'm wearing it

right now now for pigments I got the one set which is called the wild conspiracy

eyeshadow set this was 4 pounds 85 which is 5 euros 51 or 6 US dollars 44 and

what you get is 5 samples like this I'm not entirely sure how much is in these

baggies I'll check the website again and I'll

link that down below if I find it this is um I don't like this I don't like

getting plastic baggies like this of course I understand this is a cost thing

but I would much prefer something that you can unscrew because some of the

pigments came out it wasn't anything bad you know and like crap on this company

because it's a start-up and it's small and I appreciate that but this is just

in my opinion not a very good way to give you pigments it is difficult to dip

your brush in here and coat it evenly so I just I just don't like the plastic

baggies my other concern about this set is that all of these colors are sparkles

except is this one which is a light matte shade so I find this since these

are supposed to be sets that you're supposed to use together I would prefer

to have a couple of maps in there and a dark matte in there so I can do a more

constructed eye look and then of course you can't only get samples you can get a

half size and a full size but again you can check out the website for that then

I got what is called a mystery case which was four pounds five US dollars

thirty one or four euros 55 these she just put together for me these are all

singles and you can't get in a set and just put them together for me and of

course it's a little cheaper these again our five samples actually much prefer

this color combination than to the one that was the preset so to this

mystery case you get this a little story that is typed out which is very cute and

you also the story kind of says that you have to help on a case and you get this

kind of like check with it which gives you 20% off of your next order which I

just think that's adorable and I really like that idea

okay so what we're gonna do is two eye looks which ease... each of the sample sets

I'm also gonna try on the lipstick I'm gonna do some natural light video

footage and also how they wear the lipstick and the eyeshadows so as always

a little disclaimer I have scars on my arms if that is something that triggers

you just skip this part there are time stamps down below here we have The

General unfortunately not it's not picking up very well on camera but this

is reflecting like a pink purplish color this is Wide Patrol

Devotion To Duty and again because of the plastic baggies it is very difficult to

swatch these because my whole finger is just immersed in the pigment again this

reflects kind of pink here we have The Lady Jessica and Harkonnen

so this was the mystery case now we have the wild conspiracy set this is

Sucksessor

Whisky Priest

this reflects lilac much like the shade before Fumbling Magician a blue

that also reflects bluish purple this is Brotherhood of Funny Hats this reflects

silver and here we have Intrepid Merchant and there you go

okay so I've already set my eyes with a Mac Paint Pot in Soft Ochre and I set it

with the Kat Von D lock-it powder now I'm going to take a Wide Patrol and this

MAC 217 this is the kind of greyish brown and I'm just gonna dip my brush in

there like this tap it off and put this above my crease just to contour my

crease a little bit or above my crease

I'm actually just cleaning off this brush on a tissue right here and I'm

gonna take the same brush and I'm gonna go in with Devotion to Duty and again

I'm just dipping in on the side here it's kind of difficult with these

baggies because then your brushes being coated not completely equally on the

side so I'm have a hard time with the placement but it works and I'm gonna

start this in the corner and really kind of smoke this out these pigments are

super easy to blend I'm also taking this underneath my eye here

just gonna dip in one more time and make this a little more intense and now I'm

going to take a clean blending brush this is the two-two-one luxe soft crease

from zoeva and I'm just blending out the edges here now I'm going to cut out the

crease using this two two six smudger from zoeva and the essence camouflage

full-coverage concealer in 0-5 ivory

I'm actually only gonna cut half the crease now I'm gonna take a small shader

brushes it's a two three seven detail shader from zoeva and I'm gonna take

Harkonnen I hope that's how you pronounce that it is a kind of gold

glittery shade and I'm placing that on the concealer okay I took a little too

much there so I have some fallout you just wipe that away I'm going back in with

the MAC 217 and Devotion to Duty that red shade I use before just to

make the edge here a little more smoky and not have such a harsh line and using

the same brush the Mac 217 I'm taking The Lady Jessica a darker red brown

shade trying to dip in there hold on there we go tap it off and I'm really

deepening the outer corner here I took quite a lot there so I'm just gonna make

this put this on both eyes again taking that semi clean brush I'm just blending

all of that into each other and the last color I'm taking is The General and I'm

gonna take this angled brush and this is from MAC I'm not sure about the number

but any angled brush will do and I'm just starting at the middle of my eye

here and I'm kind of drawing like a wing but it'll be a smoked out wing

so it'll be like a liner but very very soft I'm also using a little bit of this

underneath my eye here

and if you can see now my fingers are like full of pigment and that's not the

fault of these pigments that's really because of these baggies for mascara I'm

using the l'oreal voluminous extra black volume building mascara

and that's the

first eye look done now onto the lipstick i got the one in this shade Juliet it

comes in a bullet like this and it's just a normal bullet it has these little

stars imprinted on there it's very very cute let me swatch that really quick for

you there you go it's kind of like on the website it says it's your lips but

better shade and i agree with that and it smells like gummy bears so it does

have a very strong scent i like the scent of gummy bears but if that is not

something you're into then you're definitely not going to like this it

does have a very strong scent to it so i have done a lip scrub I have put some

lip balm on my lips which is now in my lips so let me just apply

this normally from directly from the bullet

so it applies kind of thick it has a thick feeling to it as well like I can

feel I have something on my lips but it's a very nice opaque color and it

doesn't feel uncomfortable I can feel something is on there but it doesn't

feel like drying or anything it feels hydrating more than it feels drying

actually I'm just gonna show you my lips a little closer there so you can see my

lines are accentuated a little bit but nothing really too crazy so I was just

taking off this eye when I realized I haven't done the footage in natural

lighting is so disregard this eye and just look at this one I'm gonna go

closer to the window and further away also the lips so this is what they look

like in natural lighting okay so I've prepped my eye in the same way again

and I'm gonna take Sucksessor which is like a whitish gray shade and I'm gonna

take this Bobbi Brown eye blender brush and I'm just gonna brush this all over

my eye now I'm gonna take a shader brush this is a 2 3 4 luxe smokey shader from

zoeva dip in there and I'm just going to intensify this highlight here

now I'm going to take a two two eight luxe crease brush from zoeva and I'm

going to take Intrepid merchant and I'm just placing those above my crease

as you can see these colors blend out really really beautifully and there's

actually minimal fallout if you tap off the brush first look how gorgeous this

color is wow that is so nice and now I'm going in with a little bit of a darker

shade this is Fumbling Magician and I'm also taking this on the blending brush

this is the two two seven luxe soft definer from zoeva and I'm placing this

directly in the crease having a few issues with like lines here so let me

just take a stiffer blending brush and blend that out there we go that's much

better today my left eye is working a lot better than my right eye now I'm

gonna take a Brotherhood of Funny hats I love that name on this 239S from MAC

it's a shader brush and I'm just tapping this all over my movable lid okay some

fallout let's get rid of that

now I love these shades but it does look like they're all just one color really I

mean they're all kind of blending into each other I do love it but I would

prefer to have a set that is a little more distinct from one another and now

I'm going to use this 230 Luxe pencil from zoeva and the color Whisky Priest

and I'm placing this underneath my eye

and again I'm using the L'oreal voluminous extra black to make my lashes

nice and black and that's our second look done from further away it looks a

little better it's not quite as intense as a smokey eye I'm really diggin these

colors I like the combination of this brown with the gray bluish colors and

even though I have blue eyes I think it is working with the blue eyes really

well are you in the sun awww okay so here we have this look in natural

lighting we go a little back wow you can see how messy my flat is in the

background so let me go this way so you can't see that yeah but here you have the

colors in a natural daylight okay so I've been wearing this for about two

hours now and I'm not sure if you can see but it's starting to kind of cling

to the dry patches on my lips here it still looks okay but it's not like that

great it's still holding up quite well but yeah okay guys so I've been wearing

everything for about six hours now if you can tell the lipstick there's not

much left it kind of made like a line right here I mean this is not a liquid

lipstick you know so I'm not expecting the formula to hold very long but it

does feel kind of drying for some reason which I don't understand because there's

a lot of oils in this lipstick but maybe I should have just moisturized and

scrubbed better I don't feel like this didn't last as long as other liquid

other lipsticks that are you know in a cream formula like this that are not

mattifying the eyeshadow I feel like has moved a little bit down but really as

stayed up quite well it has creased right here if you can see that but that

might be because I didn't prime very well um I mean honestly I didn't really

do anything different than usually so it should have really held up because

usually my eyeshadows do now that's my check-in I don't feel it I don't feel

like it's necessary to do more check-ins because it's already kind of looking

like this and I feel like dark eye shadow like this if it was gonna really

move a lot we would see that already and we can already see that there's a little

bit of creasing so just to recap a little bit I love the

idea behind this company I love how personal everything is I love the idea

with the stories behind it and it's all handmade cruelty-free and a lot of

things are vegan those are all great points I don't like how the shadows come

the sample shadows come in these little plastic baggies but again I understand

that that is a cost factor I just think there might be a possibly a better

solution to this so I can have something where I can dip my brush in correctly

the color schemes I like I just don't like that in the preset one in the wild

conspiracy eyeshadow shed said there were pretty much only shimmers and they

were all very similar to each other so I feel like it's difficult to construct

different kind of look eye looking eyeshadows and kind of make them very very

differentiated themselves from each other I did like the ones she personally

put together in the mystery case I think that was a lot better and you can do a

lot more looks from those colors together the pigments are quite easy to

work with they're very easy to blend out they don't have a lot of fall out when

you put them on your eye not more than a pigment would the staying power is okay I

think the colors are quite unique and though which is a huge plush plus I

think she does produce colors that are maybe not so main what do you call it

mainstream right now right now we see a lot of warm

browns and oranges and stuff like that and I feel like this is a little more

risque and a little more out there which I love I think the price is absolutely

fair the lipstick I like the smell some people might not like a smell it is a

strong scent it is a very nice color it is quite opaque it did do that little

kind of light it clung to the dry patches on my lips but that might just

be like because I have really dry lips at the moment it might work better on

other types of lips I feel like the staying power is comparable to other

lipsticks in this category not better not worse so as with any company that is

starting out and that is well of course there's room for improvement but I do

really appreciate it I love that she's taking a risk and I love that is it is

quite unique I feel like that is missing in things that are being brought out at

the moment especially when it comes to eyeshadow color concepts thanks for

watching this video I hope it was helpful to you if it was you can always

leave me a thumbs up you can subscribe right here hit that notification bell if

you want to be informed of when my videos come out which is every Monday

Tuesday Thursday and Friday and I really hope I'll see you next video bye bye

For more infomation >> Indie Makeup Brands | Crow & Pebble | Swatches, 2 Looks, Wear Test - Duration: 23:49.

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Illustrator Tutorial: Travel Flat Illustration Design Process - Duration: 5:17.

Hey what is up guys, my name is Cosmin and in today's video I'll show you how

to create this flat illustration inside the illustrator CC in just a few steps!

How can you get to this result? Well I start with a simple sketch where

I wanted to have someone with their hands up in a large coat and that

evolved into this concept, you can then place the sketch image inside Illustrator,

make sure to lock that layer up start tracing the basic shapes using

the Pen tool. Once you start tracing, I'd suggest lowering the opacity of those

shapes so you can still see the initial sketch.

Using the pathfinder toolbar you can select two shapes and intersect them to

make sure that the one on top is bounded by the initial shape and doesn't just

float around, to still keep the one below I'll make a quick copy and paste it in

front before intersecting them.

Even though it's a flat illustration, right now the legs feel a bit too

symmetrical so I prefer trying to create a sense of motion and maybe have the

girl jump and for that I'll need to add a second leg.

The biggest takeaway is don't commit to your initial sketch, it's good to try and

add new elements if you think you will improve the composition.

The color-scheme I'm using was created on color.adobe.com - I suggest checking it

out since it's very easy to take existing ones and adjust them to fit with your needs.

I'll try to add more details on the shirt, you can create the same effect

with the Pen tool but I'll do it using the Knife tool and just do a wavy pattern.

Make sure to duplicate the shape first and then start adding those waves, now

I'm thinking about adding a bit of details on the coat as well, but I know

that's a slippery slope since it's very easy to go crazy on it and focus on each

particular element and never finish the illustration, I'll select a couple

of them and add the white field to keep the number of colors used to a minimum.

Since the initial concept was to have a girl that loves traveling I'll add a

couple of icons that are in the same theme, I'll start with a map and

eventually add a compass, a camera and a phone. They don't need to be detailed

as long as you keep the same color scheme, they should fit right in. If you

need any help designing these kind of icons I suggest checking out some

inspiration online, as there are a lot of free icons out there.

This is the final result, don't forget to hit the like button if you've enjoyed

the process and subscribe for more videos. Hopefully you learned something

new today and that will help you create your flat illustration, if you like this

one you can download it for free, the link is in the description below.

Until next time, take care guys, bye!

For more infomation >> Illustrator Tutorial: Travel Flat Illustration Design Process - Duration: 5:17.

-------------------------------------------

lost | MyRodeReel2018 - Duration: 3:01.

hmm i musts investigate..

AWW

i eat you

NO! DON'T EAT ME!

oh..

i sorry

My Family and I are farmers

We came to harvest some of earth's resources

My parents told me to stay by the ship but..

.. I got distracted..

And then something bad happened

Humans showed up and they left..

.. without me..

..I got scared so I ran..

..and found a place to hide..

..here

oh, ok

hey

hey

hey

hey hey hey

hi hi hi

hey hey

hey hey hey

*Alien Dog Whistle*

hey

oh yeses

yay

Goodbye Doggie

i is a good boy

For more infomation >> lost | MyRodeReel2018 - Duration: 3:01.

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VW T6 Multivan - Duration: 1:05.

For more infomation >> VW T6 Multivan - Duration: 1:05.

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VW T6 Multivan - Duration: 0:53.

For more infomation >> VW T6 Multivan - Duration: 0:53.

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All the Love Islanders who've kissed in 2018 - including some shockers - Daily News - Duration: 3:14.

</form>  It's been one long hot summer and the final of Love Island is here at last

 Four strong couples have made it through to the end - but, aside from Jack and Dani, they've had to kiss a few frogs to find their princes and princesses

 The question is: can you remember all the people who have locked lips this series?  It can be easy to forget what happened eight weeks ago, but have no fear, we've trawled through our photo archives to find evidence of all the people who have "smooched" in the villa in 2018

 We must admit, we'd forgotten about some of them (remember when Niall and Georgia were a thing?)  Megan and Adam rack up the most kisses with four different people each - could you name them all?  In pictures: All the Love Island contestants who have kissed in 2018 series View gallery   If you think we've missed out any kisses, e-mail webcelebs@mirror

co.uk.  The Love Island final will hit our screens tonight at 9pm on ITV2.  Caroline Flack has returned to the villa - with a whole crew of dumped islanders in tow - and will be revealing tonight which of the four remaining couples will take the crown

 Dani and Jack, Paul and Laura, Megan and Wes, and Josh and Kaz will go head-to-head in a public vote to see who the nation's sweethearts really are

 In last night's show, the girls and boys got to meet each other's family and friends

 Jack Fincham's dream came true when he spoke to Dani's dad, Danny Dyer, via a webcam

 The EastEnders star dubbed his daughter's girlfriend a 'proper geezer', rating the fact he's not bothered about his abs

 But the surprise star of the episode wasn't Danny Dyer. It was Alexandra's mum!  Protecting her daughter, she turned on Dr Alex in a savage attack and was widely praised on Twitter for her sass, pointing out that he "wasn't as red as he looked on TV'

 It was a fitting end to a series which has seen couples fall out, break up and make up all over again

 Who do you think will win? Find out in tonight's live Love Island final.   The Love Island final airs tonight at 9pm on ITV2

For more infomation >> All the Love Islanders who've kissed in 2018 - including some shockers - Daily News - Duration: 3:14.

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Uomini e Donne, Sonia Lorenzini si è fidanzata: lo sfogo di Emanuele - Duration: 4:23.

For more infomation >> Uomini e Donne, Sonia Lorenzini si è fidanzata: lo sfogo di Emanuele - Duration: 4:23.

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Top 3 Best Cheapest And Lowest Price Laptop Under Rs.10000/- ! Which One is Best Laptop? - Duration: 6:41.

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