Youtube daily report Oct 18 2018

- Onee-chaaaaaan!

''An awesome swimsuit has entered Gensoukyou''

''Girls(?) have been already won over...'' - My turn...huh?

- Onee-chaaaaaaaaan!

For more infomation >> [P] 1347. Laying the groundwork - Duration: 0:10.

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[P] 1346. Fashion leader - Duration: 0:10.

-Shff...-

- But I'd wanted my big sister to become the fashion leader...

''Strip'' - Hey!

- Hmmm. Well, good enough.

- No, it's NOT good!

For more infomation >> [P] 1346. Fashion leader - Duration: 0:10.

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[P] 1345. Hiding spot - Duration: 0:10.

- I...I'd better hide this away somewhere before it's too late...

But no matter where I hide this, she'll definitely drag it out...

What do I do?

Sigh... feels like it's completely futile. -Mon!!!-

For more infomation >> [P] 1345. Hiding spot - Duration: 0:10.

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[P] 1343. Spinal reflex - Duration: 0:07.

-Ssz...- - Hah!

Onee-chaaaaaan!

For more infomation >> [P] 1343. Spinal reflex - Duration: 0:07.

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[P] 1338. Shopping list - Duration: 0:12.

- Then these, please. I put these together that's still in the range of common sense.

-Mon!-

''Diet Supplements''

''SK II''

''Deep Ocean Water''

''Zexy''

[Shrach Shrach]

For more infomation >> [P] 1338. Shopping list - Duration: 0:12.

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[P] 1341. Something forgotten - Duration: 0:10.

- Wow!

Hmm...? Feels like something's missing...?

Oh well, if I can't remember, it's generally something not that important, right?!

Thank you!

For more infomation >> [P] 1341. Something forgotten - Duration: 0:10.

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[P] 1337. Handyman of Gensoukyou - Duration: 0:12.

- Times like this... ...You need Gap Trading Corporation (Limited)!

- Oh, thank you.

- Doesn't matter if it's cosmetics, groceries, or even magazines, we shall deliver to you from the outside world!

'' Yu ''

- By the way, can you guys deliver a wonderful gentlema-...

- Well then, sales manager! I'll leave the rest to you!!!

For more infomation >> [P] 1337. Handyman of Gensoukyou - Duration: 0:12.

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[P] 1340. Let it be - Duration: 0:07.

''Zexy''

-Shwff...-

For more infomation >> [P] 1340. Let it be - Duration: 0:07.

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[P] 1342. An awesome swimsuit has entered Gensoukyou - Duration: 0:10.

''Girl is having afternoon tea...''

- Onee-chaaaaaa~

''An awesome swimsuit has entered Gensoukyou''

''5-3 Satori''

- Onee-chaaan! Hurry up and take off your clothes

- Wait a sec! Stop it... Koishi!!!

For more infomation >> [P] 1342. An awesome swimsuit has entered Gensoukyou - Duration: 0:10.

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[P] 1344. In a dream of the unconscious - Duration: 0:09.

[Yrrnk]

For more infomation >> [P] 1344. In a dream of the unconscious - Duration: 0:09.

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[P] 1339. Three bows and arrows - Duration: 0:08.

''Deep Ocean Water Mu''

[Ghrhrhr...] ''Deep Ocean Water Mu 2.0L x 1-''

[Tsaaaaa...]

-Mon!!!- ''Deep Ocean Water Mu 2.0L x 12 Bottles''

For more infomation >> [P] 1339. Three bows and arrows - Duration: 0:08.

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[P] 1336. The melancholy of deep-sea fish celestial maiden - Duration: 0:08.

''Hakata salt''

[Glug Glug Glug]

- Horrible!!

One more cup!!!

For more infomation >> [P] 1336. The melancholy of deep-sea fish celestial maiden - Duration: 0:08.

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8 Awesome types of 3 note Chord Voicings and How to use them - Duration: 18:41.

(jazz guitar music)

- Hi everybody, my name is Jens Larsen.

You are probably used to thinking about jazz chords

as chords with a lot of notes,

a lot of alterations and extensions,

it's complicated and it's big and difficult to play.

But actually most of the time when

I'm comping or playing chord melody,

then I'm relying on chords that have only three notes.

I think it's amazing how rich sounding,

and how many extensions and how much you

can actually get out of just using three notes

and most of those chords are actually pretty easy to play.

In this video I'm going to go over eight types

of three note jazz chords that you can check out.

That's gonna range from shell-voicings

to upper-structure triads, quartal harmony, sus chords,

and a few different sort of interval structures

of cluster-like interval structures

that you can also check out and

incorporate for some really great sounds.

The way I'm going to demonstrate the

different jazz chords in this video

is to not have one example that's

one chorus of comping on the song Solar,

you probably already know that.

Then I'm gonna go over this example

and for each of the different voicing types that I'm using

you have like a way that I'm using it

I'm also just gonna talk a little bit

about what they are and how you can practice them

and explore them a bit further.

(jazz guitar music)

If you want to learn more about jazz guitar,

improve the way that you solo,

check out some interesting chord voicings

or arpeggios then subscribe to my channel.

If you want to make sure not to miss anything

then click the little bell notification

icon next to the subscribe button.

The first chord that I'm playing is a basic shell-voicing.

So the first chord is a C minor major and

I'm just playing a C minor major shell-voicing like this.

And it's a one, three, seven shell-voicing.

There's another type of shell voicing

that I'll return to later.

And also later in the video I'm gonna show

you how you can take these shells-voicings

and then turn them into some sort of cluster-like

constructions that really work well for

adding a lot of color to your comping.

But this is just the basic shell-voicing.

I'm using it in a higher register.

In this case,

I can get away with it because it's a minor major chord,

so just having the C, the B, and the E flat is

already giving a lot of color to the chord.

It is a sort of very strong sound anyway.

But otherwise you can also use it as upper-structures.

Of course, the way that you're probably used to

shell-voicings would be sort of in the lower range.

So something like (strums chords) the Freddie Green.

Or they work really well for playing

like a samba.

So those are the places where we first

get used to the shell-voicings.

They're really useful for that.

But you can also start working with them.

So in this case, just as the basic shell-voicing,

but also as upper-structures,

as you'll see a few times later in the example.

The way you want to practice is,

actually the way you want to practice any chord voicing

is that you want to sort of understand the context

that it's in and then just see whatever you can sort

of construct by moving it through the scale.

So in this case it's C minor major.

The scale you would expect here is a C melodic minor scale.

If you move shell-voicings on

these three strings through the C melodic minor scale,

then you get these voicings.

(jazz guitar music)

The next chord that I'm using is also a shell-voicing.

But here we have an example of using

a shell-voicing as an upper-structure,

because I'm using a B7 shell-voicing.

But I'm actually using it over my C chord.

Because if you do it like that then it's a C minor.

So we have the E flat with a major seven and the six,

if you want to call it a 13 or a six.

In this case it doesn't matter too much because

this is anyway a tonic chord.

So we have this B7.

And if you look at the example

that I just played, the exercise,

just taking the shell-voicings through the scale,

you'll notice that on the B we don't actually have.

We have this voicing, so we have a minor,

or a half diminished voicing,

because that's the diatonic construction here,

but we also have the E flat so we can actually make a B7.

And having this B7 in there for the C minor,

is a really nice sound because

it has really a lot of the chords with both

the major seven and the sixth and the third in there.

The next two bars is our cadence to F major.

The first part of it is a G minor chord with this voicing.

So that's also a shell-voicing,

so this is just another example

of how we can use shell-voicing

as an upper-structure on a chord.

In this case it's actually incomplete

in the sense that I have a G minor seven with a nine,

but I'm not playing the seven.

That's something you kinda have to hear in the context.

From there, I move to a more complete voicing,

which is this voicing for the G minor seven.

This is just basic B flat major triad.

This is something that's extremely powerful.

The triads are enormously powerful in terms of

just using them for different voicings.

You can get away with really vague things

just using triads because they sound so strong

and they're such a big part of our harmony

that we can use them and we can leave out all sorts

of stuff and still get it to sound right.

So you definitely want to check out

upper-structure triads for that.

In this case it's really simple.

I'm using, if you look at a G minor seven,

then that will be G, B flat D, F,

and I'm just leaving out the G

and then I have the B flat major triad.

It really makes sense to just get used

to just using this basic version of the triads.

And then from there, as you'll see later in the video,

you can really do a lot by making it sus chords

or by treating them in the same way

that you would add extensions or colors

to drop two voicings and get some really

interesting cluster-like chords also.

So here, with that one,

I'm moving to a C7 flat nine.

and here I'm using a B flat diminished triad

so we have another triad structure

and I'm also resolving to a triad

because on the F major seven I'm using an A minor triad,

which is just an F major seven without the root.

And of course if you want to check this out,

the first place you probably want to do that

is just to take, if we have the B flat major triad here,

to take those kinda triads through the scale,

and then really think the root

of the chord that you want to play.

So that means that this is D minor seven,

E half diminished, F major seven,

G minor seven, A minor seven, B flat major seven,

C7, and D minor seven.

(jazz guitar music)

Another thing that's really useful about using the triads

as seventh chord voicings is that

if you have one triad that works,

then immediately you can also start

making inversions work for you.

So just to demonstrate that.

So if we have the C7,

I'm using a B flat diminished triad here.

And then if I invert that, I also have this.

So that's also C7 flat nine,

and of course this is also a C7 flat nine.

That means that just by realizing this

I already have three different voicings that I can use

and turn into sort of two, five ideas

like this.

The second bar of F major seven is using quartal harmony.

And here I'm just using, first this voicing,

which is sort of like an Fsus2.

And then this which is an F6/9,

and then I can just move up to this

F minor seven, which is essentially

an F minor seven with an 11.

And the quartal harmony is of course just what we,

I guess at least to me is something

that we connect with modal harmony.

Kinda entered jazz when modal jazz became a thing,

and that's also what we're using it for.

Very often you'll find that when

you're playing quartal voicings.

So a quartal voicing can be all sorts of chords.

So it's kind of difficult to say this

is an F chord or this is a D minor chord

or it's a B flat chord, it can be all sorts of things.

And very often when you're using them you're also using

then you can move around step wise in the scale.

So definitely also a voicing that you want

to check out just through the scale.

If I play these voicings through

an F major scale then I get this.

(jazz guitar music)

The way you want to practice using the quartal harmony

I think is also really working on using

this stepwise motion through changes

and see what you can sort of get to work.

Don't be afraid to play incomplete voicings

in some places because the sum of all the notes

that you're playing will still get

sort of a very complete picture across.

So that'll work most of the time.

So if I just play using more

quartal harmony on this part of the song.

So first the F major,

and then moving up to F minor,

and then moving up to be B flat seven altered,

and then I could resolve that to these.

That's all using quartal harmony.

It's fairly easy to work with

If you know your quartal harmony,

that's usually sort of a voicing

you can move to that's really close.

Of course in the main example I'm not continuing

with quartal harmony the way that

I just did in this short interlude.

So I'm moving from this F minor seven voicing

down to this F minor seven with a nine.

And this voicing, you can look at that as being of course,

the rootless version of this F minor seven with a nine.

Another way to think about it is also

that it's a shell-voicing.

Because this is a shell-voicing

that is little bit less common.

You can look at as being an A flat

one, five, seven, shell-voicing.

So we have A flat as root,

E flat that's the fifth, and G that's seventh.

Thinking of it like that

then we have a voicing that doesn't work

too well as an independent voicing.

We're used to shell-voicings being stuff

that will really spell out the basic harmony.

And because we don't have a third here,

we don't really get to spell out

the basic harmony that much.

So it doesn't work as well for that,

but it's a great structure if

you want to use it as an upper-structure.

You're gonna see it being used a lot

If you start checking it out like that.

The way to practice this I think,

is to take it through the scale,

but then think about the root that you're not playing.

So that means that you would play this,

and think F, even though there's no F in there.

Or if you're starting down here, think C minor,

even though you're not playing that note.

The next voicing on the B flat seven is this voicing.

That's another one, five, seven shell-voicing.

You can do with that as being an

A flat half diminished one, five, seven.

So we have the A flat, there's no third.

Then we have the flat five, that's a D,

and then we have the flat seven, that's a G flat.

That's really spelling out like

a B flat seven with a flat 13.

From there, it moves onto another shell-voicing.

This is just a standard one, three, seven shell-voicing,

which is this one.

Now this is really coming out of the (mumbles) sums.

This is a B minor major shell-voicing,

but in this case I'm using it as a B flat seven

with a flat nine and I'm really using sort of

this interval

to get the sound across,

and I think that interval is that strong that I can do that,

even though that means that I have to leave

out the seventh from the chord.

(jazz guitar music)

The E flat major seven voicing

that I'm resolving to now is this voicing.

That may seem a little bit like a mysterious voicing

in an E flat context because actually it's a Gsus4 triad.

You can hear that as this.

Of course it's a sus4 triad,

and in an E flat the context would be a minor context,

but it is a Gsus4.

The sus triads are actually sort of a little bit overlooked,

but they are really great for just

adding some interesting color to

the chords that you're playing.

One way of looking at it is actually that normally

you would have this type of E flat major seven

and that will be this G minor triad,

and then I'm changing it into this Gsus4

and that's giving me a 13, a seventh, and a third.

If we take this voicing,

and then take that through the E flat major scale

thinking of it as being in this case,

see if I can play this,

an E flat major seventh with a 13,

then we get these voicings.

(jazz guitar music)

As you can hear, we get some pretty interesting voicings

out of just moving the sus4 triads through the scale.

And I think especially this one,

which is a D diminished sus4

that you can use as a B flat seven with a 13,

is a nice sort of voicing to explore.

You could use this as a B flat seven 13.

You can use it as a D half diminished,

as a G7sus4 flat 9.

You can also use it as D half diminished voicing,

or an F minor sixth voicing.

The reason that I can keep on publishing videos every week

is that I have a community of people over on

Patrion that are supporting the channel.

I'm very grateful for that and I don't think it would be

possible for me to make all these

videos on such a specific topic as

jazz guitar if it wasn't for them.

If you want to help me keep making videos,

then check out my Patrion page,

and if you join us over there I can also give

you something in return for your support.

The next bar is a two, five, one

in the key of D flat major,

and the two chords that I'm playing here is this voicing.

The way to understand this voicing

is probably to look at it as being derived from a triad.

I'm using it as an E flat minor voicing

and it's an E flat minor seven with a nine,

I'm using it as, but it doesn't actually have the seven.

That will be the D flat here.

The way to understand how it was constructed

is really just to look at it as coming out of this triad.

So we have an E flat minor triad here.

Then instead of playing the root in the E flat,

I'm playing the ninth and then I have this voicing.

This way of thinking is also how you would

think about adding extensions to a drop two voicing.

So you will take an A minor voicing like this.

Then if you want to have a nine in there,

you find the root, and then you put a nine instead.

That way of thinking can really build

some interesting voicings out of the triads,

as I already mentioned.

If you take these voicings through the D flat major scale,

then you get this.

(jazz guitar music)

In this exercise, I'm using the add nine

to describe the chord voicings.

That means that sometimes you get an F flat nine

and some of the chords may have a little bit

peculiar names and you can't

immediately see what's going on.

Of course, it makes sense that if I look at this voicing.

If I add an E flat in the bass of that,

I think that's pretty clear that

that's an E flat minor add nine voicing.

That works really well and you can

take that through the scale,

but there are gonna be places where, for instance,

the F minor add flat nine is a bit peculiar.

That doesn't mean that you can't use this voicing

because, of course, it's also like an upper-structure

of an A flat seven voicing,

but you do need to just check out what you can use

and what it reminds you of and how you might put it to use.

The second part of that bar is this

A flat seven flat nine voicing.

I'm again using a shell-voicing.

I'm using an A minor major shell-voicing to play that chord

to get me that flat nine, the third, and then the root.

I'm resolving it to a D flat major seven

voicing that's this voicing.

This voicing, I think it's a really beautiful voicing

because it has these close intervals on top

and still just some nice colors on it.

It has the major seven, the major third and the ninth.

So it's really just a major seven with a nine.

One way to look at how this could be constructed

is to think of it as being sort of

derived from a B flat minor triad.

So again this is triad derived

and we have this B flat minor triad.

Then for the third,

I'm gonna exchange this for the fourth,

and the root of the B flat

I'm gonna exchange for the ninth, which is a C,

and then I have this voicing.

Which makes for a beautiful B flat major seven voicing.

If you play that through the scale, it sounds like this.

(jazz guitar music)

The next voicing is a really beautiful

D flat major seven voicing, which again is with a ninth.

So we have this voicing that's root,

nine and then the major seven.

So we don't have a third in this voicing,

but in the context that's not so necessary I think.

As you can tell, this voicing is making life difficult

for my notation software because I can't actually notate

this in the chord diagrams in guitar pro.

So if you want to have that changed

then you have to send guitar pro,

or whatever that software firm is called, an email.

You can probably find them on Twitter.

So that's the voicing.

The way to look at this voicing is that it's

derived from a one, three, seven shell-voicing.

So of course it's a D flat major seven

and it's very similar to this

D flat major seven shell-voicing,

and then I just took the third

and replaced it with the nine.

(jazz guitar music)

From here, I move on to this D half diminished,

which is just basic F minor triad.

And then the same type of voicing that

I used for D flat I'm now using from B,

so I have B, D flat, and B flat.

That works really as a great G7 altered voicing

where we have sort of the major third,

the flat five, and the sharp nine.

If you want to check out some more different types

of chord voicings that you can use,

not only limited to the three note chord voicings,

then check out this video where I'm going over sort

of the nine most common types of chord voicings that

you're gonna come across in jazz.

If this is the first time you see one of my videos

and you want to learn more about jazz guitar,

then subscribe to my channel.

For more infomation >> 8 Awesome types of 3 note Chord Voicings and How to use them - Duration: 18:41.

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[ENGsub BTS] "WonDeuk's Birthday" 100 Days My Prince Behind the Scene 백일의 낭군님 - Duration: 1:58.

***Trans Cr: Thank you namjihyun_at for the subs

For more infomation >> [ENGsub BTS] "WonDeuk's Birthday" 100 Days My Prince Behind the Scene 백일의 낭군님 - Duration: 1:58.

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Los últimos acontecimientos en la Gala 4 de 'OT 2018' - Duration: 3:38.

For more infomation >> Los últimos acontecimientos en la Gala 4 de 'OT 2018' - Duration: 3:38.

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Elaborare informazioni senza sprechi - Spunti di efficienza - Duration: 2:23.

For more infomation >> Elaborare informazioni senza sprechi - Spunti di efficienza - Duration: 2:23.

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Mold Issues at area school John S Clark in Pottsville - Duration: 0:27.

For more infomation >> Mold Issues at area school John S Clark in Pottsville - Duration: 0:27.

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Audi A4 Avant 2.0 TFSI ULTRA SPORT PRO LINE S Geen import dealer onderhouden/ volle auto!/ S-Line bi - Duration: 1:14.

For more infomation >> Audi A4 Avant 2.0 TFSI ULTRA SPORT PRO LINE S Geen import dealer onderhouden/ volle auto!/ S-Line bi - Duration: 1:14.

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Taclé par Valérie Bénaïm, Gilles Verdez s'emporte et pète les plombs en direct dans TPMP - Duration: 9:08.

For more infomation >> Taclé par Valérie Bénaïm, Gilles Verdez s'emporte et pète les plombs en direct dans TPMP - Duration: 9:08.

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On pète du Cargo et on s'en met pleins les fouilles ! (NO MAN'S SKY NEXT GAMEPLAY FR #7) - Duration: 28:45.

For more infomation >> On pète du Cargo et on s'en met pleins les fouilles ! (NO MAN'S SKY NEXT GAMEPLAY FR #7) - Duration: 28:45.

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Je sais pas si t'as vu... Le retour de Neymar au Barça - Duration: 1:31.

For more infomation >> Je sais pas si t'as vu... Le retour de Neymar au Barça - Duration: 1:31.

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広島菊池「兄ちゃんも打ったんで弟も」日本Ｓ王手弾? - Duration: 1:38.

For more infomation >> 広島菊池「兄ちゃんも打ったんで弟も」日本Ｓ王手弾? - Duration: 1:38.

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Cemeteries - Duration: 2:02.

I'm Jane Saxby, the City of Winnipeg's Cemeteries Branch administrator.

The City of Winnipeg's Cemeteries Branch maintains and operates three cemeteries and provides dignified interment services for everyone.

Each cemetery is located in a park-like setting and offers traditional in-ground interments and choices for cremation interments.

The cremation gardens are sanctuaries of peace with flora providing colour and perfumes.

Brookside, the largest of the three cemeteries, opened in 1878 and is the final resting place

of many politicians, statesmen, noted athletes, and decorated war heroes.

Within Brookside is one of the largest and the most significantly designed Military Fields of Honour to be found in Canada.

More than 10,000 upright Military monuments commemorate the Veterans, Service Men, Service Women, and War Heroes interred here.

Transcona Cemetery, on the east side of the city, is the community's cemetery.

It offers all forms of interment and a Field of Honour where Veterans of WWI and WWII, and Service Men and Women are interred.

St Vital Cemetery, in the south of the City, offers lush green grass and large trees.

Flat markers identify each interment site providing visitors with views of the whole area.

Each of the City of Winnipeg cemeteries has a separate Perpetual Care Fund established to assure the perpetual maintenance of the cemetery grounds.

Knowledgeable Customer Service Advisors are available to assist with pre-planning or immediate-need interment arrangements.

They can also assist you with memorial selection and design.

For more information, visit winnipeg.ca/cemeteries or call 204-986-4348.

For more infomation >> Cemeteries - Duration: 2:02.

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TPMP affiche par erreur le numéro de téléphone d'Omar Sy à l'antenne, les internautes s'en amusent - Duration: 5:27.

For more infomation >> TPMP affiche par erreur le numéro de téléphone d'Omar Sy à l'antenne, les internautes s'en amusent - Duration: 5:27.

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Sidewalk Repairs - Duration: 0:53.

For more infomation >> Sidewalk Repairs - Duration: 0:53.

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Caravan of Hondurans and Donald Trump - Duration: 1:06.

US President Donald Trump on Tuesday warned Honduras against the

arrival in the United States of a "caravan" of migrants, threatening to cut aid

to the Central American state if he did not intervene. "The United States has warned the

President of Honduras that if the large caravan of people heading to the United States is not stopped

and returned to Honduras, no more aid and no more funding will be granted to

Honduras. immediate effect! ", launched Mr. Trump in a tweet.

The authorities in Guatemala, a country between Honduras and Mexico, announced that they would ban

the entry of some 2,000 Hondurans who left San Pedro Sula, 180 km

north of the capital Tegucigalpa, on Saturday. United States.

For more infomation >> Caravan of Hondurans and Donald Trump - Duration: 1:06.

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Diablo 1: Hellfire - COOP (+ Vyktory) Playthrough |25| a Bit of Luck {EN} - Duration: 33:35.

V: So today's plan is to grind on previous floors and then visit the Hive? T: The expansion dungeon, yes.

T: I hope those four floors will go faster this time.

V: Also they should be much easier this time. T: You just jinxed it. And you are WRONG. :D

V: That last session was really bad. I lost a ring due to a bug, and thus the game reverted me like two levels, practically.

V: That really pissed me off. T: And I have a super sword. SUPER SWORD!

V: That was the sword I left you, correct? Thanks for the reminder. T: The one that gives me +7 to all attributes? Yeah. Excellent.

V: I only have a crappy axe. T: What? V: Because I no longer have the requirements for the staff I had. T: Oh.

V: Wait, where are we going? T: Oh, we didn't end up in the caves, did we? Well... V: We have to go to the Crypt. T: No, not to the Crypt, to the Catacombs!

T: The Crypt is said to be of the same difficulty as Hell, so going there wouldn't be a good idea right now. V: Let's die.

T: Setting something to the right mouse button would be helpful, right?

V: Are the locations in Diablo 1 automatically generated? T: Yep, they are.

T: I also think that the terrain is more randomly generated then in Diablo 2.

V: I have a scroll of Stone Curse. T: Don't sell that, that is actually useful.

T: I thought that those were some stronger variants, but they are not. Fortunately.

T: I have two axes. *comparing axes with his*

V: Cannot use it, 50 strength. I have only 43 and that is with +8 bonus!

V: You check the shrine, I'm going to return to the town to heal up and get mana.

T: This is a singleplayer only shrine, what we see only because we have used an unofficial patch.

T: It closes and restocks every chest on the floor it is located on.

T: So we shall return to it after we open all the chests on this floor.

T: I wonder if it restocks only chests. What about library shelves and such?

T: There is only one way forward. V: I just got stuck.

T: I don't like that archer. At all.

T: Did you notice that we are encountering different kinds of enemies now, on the second way through? V: Yeah.

T: It won't really help us if every chest is going to be empty.

T: Here are the stairs to the next .... floor? Wait? Oh, wrong, that leads up, the stairs to the next floor are next to them.

T: Three exits from here. Up, down, and town.

T: Who wants to get hit in the face by me? Come closer.

V: The missing regeneration really sucks I think. T: Yop.

V: That ring is mine. T: You are going to lose it again. V: Thanks. I hope it adds like +10 to magic!

T: You go deal with him.

T: It would be great to have the Identify spell.

*the voicechat died*

V: I can (hear) you

T: Let me check the volumes. Now, try saying something. V: Can we hear other? T: Now we can.

T: The volumes change after some time, I have no idea why.

T: I need for someone to get rid of that arsehole in the lower left corner.

T: Come over here, you arsehole! Nope, he won't.

T: What the hell has happend here in this room? V: *silence*

V: *still not talking*

V: It's really sucky if you want to talk but you cannot.

T: Wait a moment, I will clear them. V: I'll take the money then, thanks. T: I have no idea why the money dropped BEHIND me.

V: I like this. I'll go after you and just collect stuff.

V: I got hit by a trap. You're making me unlucky! T: :D

T: MINE is the ring!

V: Do you have some free inventory space? T: Nope, only a single square.

T: I have to close the inventory before someone kills me.

V: What is a yellow potion? T: Rejuvenation. V: Full? T: Depends, can be both partial and full. I had one in the previous session.

V: Wait, can't you cast Town Portal? T: Actually, yeah, I can, and I do have the mana for it.

T: YES. I'm not going to tell you what the ring is, because that would piss you off. :D V: TELL ME!

V: I got two rings, both add to hit. I now have a 120% chance to hit.

T: That is all nice and dandy, but I have a ring that adds +8 to magic. :D V: No comment on that.

T: We can switch if you want.

T: Hey, now I got an unlucky number! :(

V: Now I only have to wait ONE level to be able to use a good weapon.

T: It cost me 100 to identify an item that I have then sold for 140.

T: Oh, I almost forgot to fix my stuff.

T: Repair costs are going to be at least 600. 500 of which is just for the sword repair.

V: It's a full rejuvenation potion, by the way.

T: Oh, I do not have a magical large shield, only a common one.

T: I want that Topaz Shield, but I'm missing 1.5k gold.

T: I'm trying to buy something for 3k, and it looks like ... yep, I'm missing 30 gold pieces. -_-

T: Can I sell the oil? Yeah ... for 25. ARGH.

T: Still missing 5 gold pieces. FIVE. To buy a 3k item. xD

T: Everything is 25 now. Go to hell, infravision scroll!

V: I'm waiting down at the floor we were at. T: Oh wait, I could have sold my old one!

V: I'm back in the town, so don't close that portal. T: Bye, closing it! V: Don't do that.

V: It is interesting to note that Diablo 1 doesn't detect mouse scrolling. Did it even exist back then? Oh, there is quite a lot of them there.

V: I need you to get them for me to use my spells. T: I can clear them. Don't waste your mana.

T: A ring of fire spell. That could be interesting.

*finding out who's next to get a spell*

T: I'm praying for it to be useful, since you do have your lightning bolts, I do not have an effective offensive spell.

T: I just got hit by a trap. Did I ever get hit by a trap? I don't remember ever getting hit by a trap.

T: You can retreat upwards, if you need to. V: Nah, I'm fine.

T: It would be hilarious if I were to hit a barrel, which would explore and take that sliver of health you had a moment ago. V: I would be pretty pissed. And I would probably lose BOTH of these rings!

V: Those fleeing enemies really are pissing me off!

*after Vyktory spends a lot of time trying to catch up to that enemy* T: :D :D :D V: No comment.

T: THEY ARE GOING TO NIBBLE ME TO DEATH! :D :D

V: There was a lot of them. T: They have completely surrounded me and then they have nibbled on me.

*reading scroll names aloud*

T: I do have that spell.

T: The Hive should be around the same difficulty as the Caves, which we didn't go through yet.

V: Are we going to use the shrine now? T: Mayhaps.

V: But are we finished exploring? T: Nope, there is one last room we haven't explored yet.

T: There is a big chest here. Great.

T: And it actually dropped a few items.

T: I have several oils. Do you want some oil? V: Depends.

T: Another shrine that I will have to check for.

V: Fleeing arseholes. T: Those flee in the second game as well. Do you remember them from D2? V: I do.

T: You are standing in the doorway. V: I know, but since they attack at range you can't hit them, because they do not go inside the doorway themselves.

T: They are of the teleporting kind. Due to bad synchronization.

T: We are constantly annoyed by the sync issues, but the betaversion of Diablo 1 was actually TURN-BASED.

T: It must have been a hell lot easier to synchronize a turn-based game, compared to this.

V: That money cannot be grabbed until the shrine is used. T: You are... actually right!

V: That is quite bad. T: What is your vitality?

V: 46. T: Without enchantments? V: 46.

T: I have 37. I'm taking it, it gives +2 to vitality.

V: But I'm going to take the money, so step aside. T: NOPE. :D :D V: :D :D

V: .... kill you. T: You cannot.

T: Without the patch though, you could have easily killed me. Since spells do friendly fire. You could have been like "Oh, I'm sorry, I did that by a mistake."

T: Let's activate that little shrine over there.

V: It really works. But they are empty! :D

T: I just got three items from one chests. OH GODDAMNIT. I could've stolen that from under your nose, but I was one inventory square tetris away.

T: You were lucky this time. V: I do have plenty of inventory space left.

T: I'm full. V: Keep opening the chests, I will keep taking stuff.

T: We should've gotten to the town before using that restocking shrine. I would (maybe) have a better hat.

T: I'm off to the town, you loot those chests. V: Will try.

T: I have way too many scrolls. And I need money. V: Yeah.

T: It's weird to have a spell that when translated literally means Hell, in a game where Hell is a location. V: Yeah.

V: Corpses everywhere.

T: My stave isn't recharged.

T: Selling four of my five oils.

T: Wait, one of them actually is an oil of accuracy. I've screwed up a bit here.

T: +4 to accuracy for today's session. Fine.

T: Got three gold for a cap.

V: Every gold piece counts.

T: I haven't used a single potion yet, and I got two more in fact.

V: Where have you created the portal? T: I didn't. V: You went by foot? T: Yop.

V: A switch then? T: Did you finish going through?

V: I should have explored everything.

T: I'm going to just stand here and end the episode here. Bye!

For more infomation >> Diablo 1: Hellfire - COOP (+ Vyktory) Playthrough |25| a Bit of Luck {EN} - Duration: 33:35.

-------------------------------------------

Jennie BLACKPINK As If It's Your Last | SpeedSims #7 - Duration: 3:21.

BLACKPINK

BLACKPINK

BLACKPINK BLACKPINK

BLACKPINK

BLACK BLACK BLACK BLACKPINK

BLACKPINK

BLACKPINK

BLACKPINK

BLACKPINK IN YOUR AREA

BLACK

Who are you to make me keep thinking of you?

My pride is bruised, I'm burning up

My face is hot, my heart keeps racing

I can't control my body, I'm getting dizzy

You're like a fistful of sand

It's like I can hold you but I can't

You're not easy, that's why I want you more

I can't control my heart, it's ridiculous

Can you feel my breath

Wanting you right now

Even when I'm looking at you, I'm missing you

I'm so bad at this, won't you set me free

Baby, hold me

As if I'm your last love

Uh Imma fall in love baby

You gon finna catch me

Uh give you all of this baby

Call me pretty and nasty

Cause we gonna get it my love you can bet it on black we gon double the stack on them whoa!

I be the Bonnie and you be my Clyde

We ride or die Xs and Os

One two three It's a new beginning

'cause I won't ever look back

If I throw myself at you

Please catch me

Because the world can't bring us down

till I explode Stop thinking, what's so hard about this?

Kiss me like it's a lie As if I'm your last love

Time is ticking I'm getting impatient

Only you are my world missing you

I'm so bad at this, won't you set me free

Baby, hold me

As if I'm your last love

BLACKPINK IN YOR AREA

For more infomation >> Jennie BLACKPINK As If It's Your Last | SpeedSims #7 - Duration: 3:21.

-------------------------------------------

ZAYN - Fingers ( 8D AUDIO ) - Duration: 2:51.

Fucked and I want ya

Type I said left I didn't mean what I was saying

Take it I try to keep the stray

Different and replace feelings that you feel

For more infomation >> ZAYN - Fingers ( 8D AUDIO ) - Duration: 2:51.

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BERNARD LAPORTE : L'AVENIR DU RUGBY, C'EST QUATRE REMPLACEMENTS - Duration: 10:29.

For more infomation >> BERNARD LAPORTE : L'AVENIR DU RUGBY, C'EST QUATRE REMPLACEMENTS - Duration: 10:29.

-------------------------------------------

Xuất hiện người thân cụ Lưu và món quà bất ngờ đến với 2 người hàng xóm - Duration: 33:39.

For more infomation >> Xuất hiện người thân cụ Lưu và món quà bất ngờ đến với 2 người hàng xóm - Duration: 33:39.

-------------------------------------------

La Minute du Coach:Vous êtes toujours en train de dire à l'autre comment se comporter avec vous - Duration: 4:34.

For more infomation >> La Minute du Coach:Vous êtes toujours en train de dire à l'autre comment se comporter avec vous - Duration: 4:34.

-------------------------------------------

＜セCSファイナルステージ：広島4－1巨人＞ 広島菊池「兄ちゃんも打ったんで弟も」日本Ｓ王手弾! - Duration: 1:37.

For more infomation >> ＜セCSファイナルステージ：広島4－1巨人＞ 広島菊池「兄ちゃんも打ったんで弟も」日本Ｓ王手弾! - Duration: 1:37.

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Opel Corsa 1.2 Twinport S&S 85pk 5d BlitZ - Duration: 0:53.

For more infomation >> Opel Corsa 1.2 Twinport S&S 85pk 5d BlitZ - Duration: 0:53.

-------------------------------------------

Esprits criminels leader en hausse devant "Nina", "La carte aux trésors" revient en légère baisse - Duration: 10:08.

For more infomation >> Esprits criminels leader en hausse devant "Nina", "La carte aux trésors" revient en légère baisse - Duration: 10:08.

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EL MONSTRUO DE LA SEÑORA MO - Cuentos infantiles - CUENTACUENTOS Beatriz Montero - Duration: 6:18.

Storytelling

One day someone knocked on the door.

Mr. Mo was working in the garden,

so Mrs. Mo went to see who could be.

... And a MONSTER came running.

He was looking for something to MASK, BITE AND CRUVE.

Which is what monsters usually do.

Well, not even a hello?

said Mrs. Mo.

But how rude, hey, you, monster!

Mrs. Mo soon found the monster chewing a brush.

Oh, how rich, how rich, a brush,

Excuse me, said Mrs. Mo.

How will we do now to paint?

Hey, explain to me, let's see, how are we doing to do...

The monster thought and thought,

but he only knew what he knew.

So he roared:

BECAUSE I MASK, I BITE AND I CRUVE.

And he left running.

After Mrs. Mo found the monster

chewing a ball of string.

Uy how rich, a ball, a ball

Hey, monster, excuse me,

And now can you tell me how are we going to do now to tie things?

The monster thought and thought,

he only knew what he knew.

So he roared:

BECAUSE I MASK, I BITE AND I CRUVE.

And he left running.

A little later Mrs. Mo

She found the monster biting a spoon.

A spoon, spoon, spoon

Now look, now I know what you can do,

said Mrs. Mo.

But let's try something different.

No no no,

no, no, no.

And the monster ran away.

That Mrs. Mo can not tell me, a monster

what I can do,

hey, monsters are monsters,

And I do ...

I MASK, I BITE AND I CRUVE.

Yum, yum, yum, yum

When the monster was finished,

He wondered what else he could do.

And I thought ... and thought ...

... and thought a little more ...

But he only knew what he knew.

Then he had an idea.

He went to where Mrs. Mo was and said:

Hey, hey, uh, sorry, what are you doing?

Well, I paint letters, said Mrs. Mo

Do you want me to show you how it is done?

Hummm

That is something I can never do, really.

And what is that you do? monster.

I'm binding things, do not you see?

said Mrs. Mo.

It's easy, try it.

Ummmm

That is another thing that I can never do.

Oya, sorry, and now what are you doing? "

the monster asked.

I'm stirring the cake mix, as you can see,

said Mrs. Mo.

That is something that ...

... without a doubt I can also do it.

And together they began to mix the ingredients from the cake.

Mrs. Mo on the one hand, and the monster for other

When everything was ready,

Mrs. Mo and the monster screamed ...

SURPRISE!

SURPRISE!

Happy birthday, Mr. Mo!

Happy birthday, Mr. Mo!

Thank you very much, said Mrs. Mo to the monster.

Without your help, I could not have done it.

At that precise moment someone called the door.

Mrs. Mo and the monster went to see who it could be...

Well let's see who can be, because I have no idea

Well, me neither

And in that moment

... and two children came running.

They were looking for something to HIT, THROW AND BREAK.

What children usually do

Hey, it's that they do not even say HELLO,

Hey, kids, kids,

How rude.

The monster of Mrs. Mo, by Paul Beavis.

Editorial Tramuntana.

If you liked this video click on me like,

finger up, subscribe,

Share it and leave me a comment.

See you in other videos of my channel.

Every Thursday new stories.

Do not miss them.

See you later.

For more infomation >> EL MONSTRUO DE LA SEÑORA MO - Cuentos infantiles - CUENTACUENTOS Beatriz Montero - Duration: 6:18.

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Brigitte Macron humiliée : le GROS coup de gueule d'une célèbre actrice française ! - Duration: 1:33.

For more infomation >> Brigitte Macron humiliée : le GROS coup de gueule d'une célèbre actrice française ! - Duration: 1:33.

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L'olio d'oliva al limone elimina mal di testa, costipazione e artrite - Duration: 2:43.

For more infomation >> L'olio d'oliva al limone elimina mal di testa, costipazione e artrite - Duration: 2:43.

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Voici comment maigrir d'après les nutritionnistes - Duration: 5:44.

For more infomation >> Voici comment maigrir d'après les nutritionnistes - Duration: 5:44.

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TPMP affiche par erreur le numéro de téléphone d'Omar Sy à l'antenne, les internautes s'en amusent - Duration: 5:27.

For more infomation >> TPMP affiche par erreur le numéro de téléphone d'Omar Sy à l'antenne, les internautes s'en amusent - Duration: 5:27.

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Kia cee'd 1.6 GDI BUSINESS PACK 5D, Navigatie, 17" velgen, Trekhaak afneembaar * - Duration: 1:09.

For more infomation >> Kia cee'd 1.6 GDI BUSINESS PACK 5D, Navigatie, 17" velgen, Trekhaak afneembaar * - Duration: 1:09.

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BMW X5 3.0D XDRIVE HIGH EXECUTIVE Leder+sportstoelen,Panoramadak,20"lmv,Gr.navi,Elek.trekhaak, - Duration: 1:14.

For more infomation >> BMW X5 3.0D XDRIVE HIGH EXECUTIVE Leder+sportstoelen,Panoramadak,20"lmv,Gr.navi,Elek.trekhaak, - Duration: 1:14.

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Tobacco Companies Spending MILLIONS To Defeat Healthcare Expansion In Midterms - Duration: 3:57.

Well it's been quite some time since big tobacco companies became, really, politically active.

They've always given money to politicians.

But basically since their reputation died in the early 2000s, should have died a lot

earlier than that, but ever since then they've kind of been really quiet about their political

spending, and haven't been as big as some of the other heavy hitters.

Well now, in this year's midterms, big tobacco has re-emerged and they are spending millions

of dollars to prevent the expansion of healthcare coverage in states across the US.

Right now most of their efforts are actually focused on the state of Montana.

Because there is a ballot initiative this year in Montana that would increase the taxes

on cigarettes by $2 per pack.

They would also impose a tax on e-cigarettes.

And all of that money raised in those taxes would go to expand Medicaid in the state,

as they state opted to expand it under the Affordable Care Act, Obama Care.

And they need a way to fund it better.

Right now, almost 100,000 citizens in the state of Montana are getting that Medicaid

expansion that may not survive if they do not get these additional tax revenue to pay

for it.

Big tobacco companies, including Altria, which is Phillip Morris, basically, they've spent

$12 million.

And they've given it to this group, Montanans Against Tax Hikes.

Because they don't want to pay more taxes.

Even thought in reality, what's gong to happen is you put more people on the Medicaid expansion,

most of that money gets reimbursed by the federal government.

So you actually end up saving money here.

However, if those people were to go to just regular Medicaid, the amount that the federal

government reimburses the state for that is much lower than they do under the Medicaid

expansion.

So the state loses money.

So raising these taxes on this products that are literally designed to kill people, would

actually give more people healthcare coverage, it would save the state money.

Everybody wins except for the tobacco companies.

And that's why they're pouring millions of dollars into this one initiative, just to

defeat it.

Because this is a test.

We've seen this.

It happens all the time.

Wisconsin with their tax on the teachers.

They actually succeeded and then we saw it start popping up in other states.

Florida, kind of pioneered the voter purges.

They got away it, and now it's everywhere.

Montana, kind of going the other way and doing a good thing.

Raising taxes on a substance that is designed to kill its user over time.

And using that to pay for healthcare expansion.

If it works in Montana it's going to spread to other states.

And that's why big tobacco is so scared right now, because they have to defeat that initiative

and send a message to other states, that if you try to do this we're going to come and

defeat it there, too.

But ultimately the decision is up to the citizens of Montana.

And hopefully they can se through the lies and propaganda coming out of the tobacco industry.

Because this is an industry that really pioneered deceptive ads, deceptive marketing, and propaganda.

Hopefully the citizens of Montana know better than that.

And hopefully they understand that this groups, Montanans Against Tax Hikes is really at this

point, do to the massive amount of funding they've gotten from big tobacco, is just another

tobacco front group trying to protect the profits of these deadly corporations.

For more infomation >> Tobacco Companies Spending MILLIONS To Defeat Healthcare Expansion In Midterms - Duration: 3:57.

-------------------------------------------

What happens at a Ph.D. recruitment/interview weekend? - Duration: 4:43.

Hi, I'm Ryan. I'm a fourth year grad student, and I study information theory

and network theory in the context of evolutionary biology. Hi! I'm Jennifer.

I'm also a fourth year grad, and I use computer models to study how climate

change affects crop growth and yield. This video explains some things you might

expect from a grad school recruitment, which is a little bit different from a

job interview. One on one interviews with professors are only part of the visit,

and a recruitment weekend typically includes social events, like tours of the

campus and city neighborhoods. Grad school interviews are often more

informal and conversational than job interviews. Business or casual attire is

usually appropriate, and you'll do a lot of walking so be sure to wear

comfortable shoes. You definitely don't need to wear your nicest suit. You should

also expect your flight and accommodations to be paid for. Some

departments reimburse your costs afterwards, but if you can't afford this,

you shouldn't feel bad about asking the department to pay upfront. Most

departments will be happy to work with you and make these arrangements. Let's

first talk about the interviews with professors. These interviews are a great

opportunity for both of you and the professor to gauge the fit of the

department and the lab for your interests. You'll learn more about

research being done in the department, and faculty members can also learn more

about the work you're interested in exploring. You'll typically meet people

who work in fields related to the areas of interest you indicate in your

application, but you'll also meet some faculty members that work on very

different topics. So faculty interviews are generally conversational and

informal. While this may vary from person-to-person, most faculty won't ask

you technical questions, test your domain knowledge, or even quiz you on their

papers! The important thing is to demonstrate your interest and ability to

engage with research topics, and most faculty are eager to tell you more about

their work and learn more about your interests. The professor will likely ask

you what you're interested in studying, why you're interested in grad school, and

or why you're interested in that particular university. It's also common

to ask you about projects you've worked on in the past, such as undergrad

research, coursework, or past jobs. This is a way for faculty to learn more about

the kinds of projects you enjoy and how your experiences have gone in the past.

Remember, this is also a chance for you to interview us. Before you arrive,

write a list of questions to ask your potential advisor and other grad

students. You should come prepared with your own questions that are important to

you, such as: "How do students receive funding?"

"How much teaching are grads in the lab supposed to do?" "Is there additional

departmental funding for travel, research equipment, fieldwork, etc., and what are the

requirements to qualify?" You might also want to know how often an advisor holds

group or one-on-one meetings with their students, how many publications students

are expected to publish during their Ph.D, and how students from the lab are doing

now. These aren't things that you'll find in your information packet, and the only

way to know is to ask. Since you'll be working with your Ph.D lab for several

years, it's also important to get a good idea of the lab culture. You might want

to ask professors about their mentoring style. Other questions might depend on

your specific interests; for example, does the lab interact with other labs that work

in related fields? Be sure to bring a notebook and record impressions after

each meeting. If you do ask lots of questions, you'll gather tons of

information that you might forget, especially if you visit multiple schools.

But the interview weekend isn't just about meeting professors. You also meet

many of the current grad students and other people in the lab. At many schools,

a current grad might show you around the school or walk with you to your

interviews. Definitely take this chance to ask current grad students about the

department, labs, and what it's like to live in that city. You might receive a

different perspective on the culture and style of the labs or the region. Grad

students are the best resource for honest, non sugar-coated appraisals of

the department and labs. There are usually planned social activities after

the interviews as well, such as a dinner, poster session, or tours of the city and

surrounding areas. All your interactions are important, so it's good to stay

professional; but this is a great time to relax a little and enjoy some fun

activities. The interview weekend is long and can be stressful, so try to stay

energized and take time to eat, drink water, and relax whenever possible. After

the interview weekend, it's good to send thank-you emails to faculty, grads and

others that you met. Stay in touch with faculty and grads in labs you are

interested in. Many are more than happy to answer your questions as you're

deciding between offers. Even if you don't end up joining the lab, you might

collaborate in the future or see each other at conferences and academic events.

Finally, remember to be yourself, ask questions, take notes,

and have fun! Good luck!

For more infomation >> What happens at a Ph.D. recruitment/interview weekend? - Duration: 4:43.

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Alizée trompée et escroquée : la chanteuse fait une terrible révélation... - Duration: 1:35.

For more infomation >> Alizée trompée et escroquée : la chanteuse fait une terrible révélation... - Duration: 1:35.

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Assemblymember Carrillo Measure Enhances Vehicle Emission Testing - Duration: 1:32.

I'm here to present AB 2381a bill that help the California air resources board 8 are a

RB in the fight against vehicle technology designed to evade California's clean air laws

new motor vehicles are subject to emission test by the air be to verify compliance with

California mission laws however device physics devices exist that can enable a vehicle to

full emission testing in a prominent example it was discovered that Volkswagen had installed

the so called defeat devices than many of their cars these devices were discovered in

part due to real world testing data that help detect these devices which were previously

undiscovered bowl in laboratory settings California has made great strides in cleaning up the

air and fighting against pollutants but VW's deceptions was particularly damaging because

many parts of the state still experience some of the worst air quality in the nation and

these devices allow the emissions of toxic pollutants which intensifies this problem

AB 2381 would partner with a RB with academic institutions associated with laboratories

and experts in order to enhance our motor vehicle emissions testing program and discover

these defeat devices AB 2381 would also get there be the ability to secure additional

funding to perform independent testing in order to stay at the forefront of protecting

California's air from those who would violate our laws pollute our environment and harm

our resident.

For more infomation >> Assemblymember Carrillo Measure Enhances Vehicle Emission Testing - Duration: 1:32.

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It is the Christian's Job - Duration: 1:56.

You know, not too long ago, I was expecting an overnight delivery and the day it arrived

I happened to be near the front door of our office. And I told the delivery man that the package was for me and I

quickly signed for it. And then I opened it immediately as he was making notes on his little handheld device.

The contents contained the good news that I was expecting, so I said to the delivery man,

"Wow, this is good news! Thanks for bringing it." And I expected him to say, "You're welcome,"

but, instead, he said, "Sir, don't thank me. I'm not responsible for the contents - just

responsible for the delivery." Well, as I was walking back to my office,

I thought about what he said. And I realized that is true for believers as well.

We have a command from our Lord to share the gospel with people who aren't believers.

But sometimes we fail to do so because of the response we might receive. Maybe someone will accuse us of being

judgmental. Or, perhaps they will begin lecturing us

on why the Bible isn't true or how everyone is going to heaven. And, because of that

possible response, some Christians try to change the truth of the gospel

into an acceptable message - one that doesn't mention our sin or our need for a Savior.

And it certainly doesn't include the consequences of eternal punishment if one rejects Christ.

But our Lord never told us to try and make the message

acceptable. He simply told us to share it. In other words, we aren't responsible for the contents of the gospel -

just the delivery. Take a moment to think about it and I'll see you tomorrow.

For more infomation >> It is the Christian's Job - Duration: 1:56.

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[Meme] 6 x 3 (GachaVerse) - Duration: 1:21.

What's the problem?

Math problems.

Oh, I can help you! Lemme see!

Alright...

Umm... Here's an easy one!

What's six times three?

Six times three?

I don't know...

SIX TIMES THREE?

I DON'T--

SIX TIMES THREE?

I LEGIT DON'T KNOW!

SIX THREE!

I DON'T KNOW! WHAT IS IT?

WHAT IS IT?

Get your brother. (He says "mom", but I did brother)

Why?

OLIVER!

What's the problem?

Homework!

What's six times three?

I don't know!

Six times three?!

I don't know!

What's six plus six?

Oh, twelve!

Now add six!

I DON'T KNOW! WHAT IS IT?

WHAT IS IT?

Get your math teacher.

Who?

RYO!

BOOM!

WHAT?

Homework.

I taught you this! What's six times three?

I don't know!

Look, if Johnny has six times three amounts of this soup, how much this soup would he have?

How much?

How much?

Oliver is Ink's stepbrother and Ryo is Oliver's friend

Oh, and Troy is Ink's best friend. Yeah, they live in the same house.

Thanks for watching! :D

For more infomation >> [Meme] 6 x 3 (GachaVerse) - Duration: 1:21.

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Ending Alzheimer's & Dementia, with Ken Dychtwald, Ph.D. | EDB 145 - Duration: 26:05.

Hi, I'm Dr. Hackie Reitman. Welcome to another episode of Exploring Different Brains. Today

we have returning one of my heroes. Ken Dychtwald, Age Wave. He's got it all about how we age.

We're positive and we're moving forward. Ken, welcome.

Great to be with you.

The problem I ran into recently. I was giving a plenary talk at Washington DC at the the

first ever Down Syndrome Summit and there was a reason it was the first ever. It was

because their life expectancy was twenties; now it's 60. So now there's dementia and everything

else. So my friend Seth Keller who's really a hero of mine. He's co-chair of the National

Task Force on dementia and Alzheimer's and I went to his workshop there, and I said , "You

know, Seth, I'm 68. My dad died of Alzheimer's and Parkinson's and I had 26 pro heavyweight

fights and I played rugby for 11 years, so I'm the poster boy to be at risk for dementia,

and what do you do?" and he said, "Really, we're not doing a whole lot different than

we did when Alzheimer's was discovered in some ways, you know," so I was going to

write a book. I was going to write a book on like I wrote the Aspertools on Asperger's/autism

neurodiversity, because by the time I finish the book I know it was all the same stuff

so I started to write a book on Almost Alzheimer's and Dementia. Like I an went for an evaluation.

I got an MRI that was normal.

It was normal?

It was normal, surprisingly.

No, that's great.

And then the 5-minute neuropsych test was okay so I didn't do the big one, but there's

not a lot of hard, hard science tools that really work, which is what I'm into. Other

than socialism things that make good sense, things that are being thrown away the most

important. Strong social relationships. The other things, it somewhat makes sense, what

with the exercise, the training plan, style, diet, you know one of the things I have a

big problem with getting rid of is stress, which is big, big, big, and mindfulness in

all of that. But in the aging population, and you're one of the world's authorities,

where does this enter into the calculus?

41:30

It's a great question, Hackie, so let me try to explain this in a way that's that's digestible

because it's a little confusing. Up until about 20 years ago, we didn't know much of

anything about the aging brain or even the brain. I remember people we referred to as

being senile. It was just sort of a grab bag phrase, I mean, old people are senile, and

we thought all old people get senile; that's just what happens with age. Even though the

word Alzheimer's been around longer than that, it's really only been about the last 10 years

that we are starting to kind of map out how the aging brain works. And I would have to

tell you. In a moment I'll explain in more detail, but in the last six years I've been

interacting with some of the world's great neuroscientists and I hear them explain healthy

aging brain, the unhealthy aging brain, and they all, they're not even in agreement, so

it's still kind of a fuzzy, funky zone. But here's generally the idea. That I went to

hear, about two months ago, a speech by George Schultz in San Francisco. He's 97 years old.

He was the secretary of everything under like every president, going back to George Washington,

I think. He was clear as a bell. It was unbelievable. He remembered every meeting, every situation,

with Nixon, Reagan, tear down that wall, Watergate, he just, it was unbelievable. I felt like

I was in a science fiction novel and I'm seeing a centenarian with a healthy brain. One of

the things that people started realizing about 10-15 years ago is that there is a healthy

brain and then there's a brain with disease. They're not the same. We can try to imagine

a future where we live 80, 90, 100 years with healthy brains, healthy minds. There's some

with the belief that there are, there's cognitive impairment as we grow older. Let's think of

that as sort of the big pool. Cognitive impairment may be you don't remember things quite as

well, your moods may roll around in the wrong direction, you don't sleep as well, tired

at night, you can't quite sleep, so there is this fuzzy zone, and we all struggle with

cognitive impairment as we get older. I've heard some people say it's because of the

loss of neurons as we age. I've heard other people say it's because we don't exercise

and breathe enough and eat healthy diets, that I've heard a pretty good argument in

the last few years that a lot of that cognitive impairment could be averted. Within cognitive

impairment there's what's called dementia. Turns out that mentions a bunch of different

kinds of things. Robin Williams had what's called Louie Body dementia. It's a certain

kind of dementia linked up with Parkinson's and depression. Then there's percussive dementia,

guys in the military that are hearing those bombs go off and it's rattling their brains

in their head. That's a percussive dementia. Then what do we do about that? We're not sure.

By the way, there's a lot of money being spent in the military to try to figure out the brain.

Then there is what's called vascular dementia. So we got arterial flow into the brain. You're

a doc; I may get this wrong, but if those arteries get clogged just like in your heart

or anywhere else, blood's not going to get into your brain. And therefore, we know a

lot about how to have a healthier vascular system. It's about keeping the proper body

weight, eating a low-fat diet, getting sufficient good 30 minutes a day of vigorous exercise,

keeping yourself flexible, proper stress management, and sleep, and by doing those kinds of things,

you can probably prevent the vascular dementias. I've also seen, emerging out of Silicon Valley,

lots of software companies coming forward saying that these are apps. Whether it's Lumosity

and there's others, that by utilizing them you can actually trigger the brain to be more

vibrant, more capable, just like exercising a muscle. So then we've got the long-lived

person and we've got some cognitive change. I also want to point out that there are some

people who are now suggesting that the mind gets better with age. What's called the happiness

curve. The people at Stanford have come out with a lot of studies last year saying the

actually the happiest people in America right now are between 65 and 80. The people come

to terms with their life, they're more accepting, they're less anxious, less fear of missing

out, that the mind actually becomes more cognitively complex. You know, when you and I were 15,

if we'd be having a discussion about this, it would be a pretty simple-minded exercise.

Now we're sort of grown-ups, you and I could probably go into some interesting territory

because our minds. We have seen and done and felt a lot in our lives, so some people are

arguing that the mind, the older mind, not the diseased older mind, but the older mind

is quite a miracle. It's quite a wonderful thing to behold. Then, within these dementias

you got Alzheimer's. People say it maybe 50 or 60% all the dementias. At least what I've

seen is that while I'd like to say that "Oh you can beat Alzheimer's by doing crossword

puzzles or by having a, you know, a complex carbohydrate, lots of grain in your diet."

I don't think so. Here's the way I think about it, Hack. When I was 30, I collaborated on

a book with Jonas Salk, my second book. And one night over dinner, I didn't know him well

and he was a titan of a guy because of having had his soft vaccine breakthrough in 1953,

he explained to me that in the 1940s, before we were born, poliomyelitis was rampant. People

didn't quite understand how it worked and so there was a feeling that you caught it

from people. You, if you touched strangers, don't ever touch a stranger, Don't swim in

a public swimming pool during the summer because you'll catch polio. If somebody's sweating,

don't let the sweat land on you. Nobody knew what was going on, and there was the belief

that in the future, we're going to need millions of iron lungs. The polio, you can't stop it,

so we just have to put people in iron lungs, and maybe some of your listeners don't know

what that is. It's like a coffin that you laid in and it breathed, you know, and you

laid there and you had a mirror and that's how you live the rest of your life. Salk said

to me, "You know, Ken, I had a totally different point of view. My point of view was we got

to stop this thing. We got this disease. We got to turn it off," and luckily he and

then Sabin had their other breakthroughs in the early fifties, and you don't see polio

so much anymore. Alzheimer's, I think Alzheimer's got to be beaten in the lab. I think Alzheimer's

gonna have to be beaten by science. My mom got eaten up and taken down by Alzheimer's.

I knew President Reagan. Guy surely had an interesting life. He surely had access to

good medical care, and he got eaten up by Alzheimer's. Margaret Thatcher got eaten up

by Alzheimer's, you know. Who's the guy was on the Carol Burnett Show? Tim, whatever,

it's just announced last week he's got Alzheimer's. Truth of it is that over the age of 85, 1

in 3 people have Alzheimer's. Over the age of 90, it's 1 in 2. You're going to have to

filter this product. This is a s***** disease. This is a s***** disease. This disease could

be the sinkhole into which this century falls, because we're getting better and better and

better at keeping people alive longer and longer and longer, but unless we can wipe

this disease out, we're heading for a zombie zone. So there are many of us in the field

who are saying, "You know, this is not about 'we need to be more kind and careful for caregivers.'

We need to be, because being a loving caregiver is a saintly task and role. We need to beef

up our scientific creativity and imagination to turn this disease off. If we could do that,

if we could somehow create a world without Alzheimer's, we'll be having another discussion

when we're a hundred years old, and it'll be an interesting discussion and we're going

to remember everything we're talking about today, and we're going to be talking about

great grandkids and the contributions we've made to the world. I did a piece for the Harvard

Business Review about a decade ago, and I'm not that good a writer but I got lucky and

they accepted it, and I won the McKenzie prize that year and they called me up, they said

it was the best article of the year, but you've tied for first place. I was like, "That's

ok; who did I tie with?" and they said, "96 year-old Peter Drucker, who is the founder

of modern management science." So Mr. Drucker and I had to go to the banquet together. And

I'm thinking to myself, "Nan, this guy is 96. He's done more since he was 65 than rest

of us will do in a lifetime." We can imagine the world without Alzheimer's; we're going

to see, first of all, intact families, because caregiving can bust up a family and damage

relationships. We're going to see people with more financial well-being, because dementia

and diseases of the aging brain could unravel a family's life savings. We're going to see

the ability to have the dream of history: 5, 6, 7 generations alive at the same time,

all interacting, all contributing, all making sense of what the future could be. So that

is a big job there, so that is, first of all, back to your core question, we got to get

a little better understanding how the brain works as we age, because even among the best

of the best, it's not terribly sharp right now, but as I'm learning, there's different

conditions and each one may be responsive to different kind of either treatment or prevention

or therapy. What my wife and I, her mom also was taken down by Alzheimer's, our point of

view is while we're hoping and trying to activate a cure, we try to be really careful in what

we eat. We try to keep our exercise level strong. We try to keep our, in other words,

we try to do the three or four or five right things that everybody tells you will help

avert these kinds of brain changes in aging.

Ken Dycchtwald, tell us about your latest projects and projects coming up and what's

going on now, because you got so many books and documentaries and awards. Tell us about

your latest projects.

Well, I'd say there's a few things going on. One that you might find interesting and get

maybe your listeners and audience would would find interesting is that I'm like a, I'm a

sort of a little bit of a renegade guy. I've never been a good bureaucrat. I've never sort

of swum up the center of the highway. I've always done things a little bit my own way,

and I was getting really, really, really frustrated with the slow pace of science, you know, particularly

regarding Alzheimer's, which I think is the looming challenge of this century. Not because

a few people are going to have. It's because kind of like everybody's going to have it.

I would also tell you that in California where I live, all these billionaire characters,

they're all trying to figure out a way to live forever, but they all know that you might

be able to slow down your aging rate or you might be able to, you know, fix your kidneys

or something, but I'll tell you what. If you aren't able to beat Alzheimer's disease, that's

not the future you want. So I heard about about the sinkhole the X Prize. It was started

over a decade ago by a physician named Peter Diamandis. Peter is in his 50s, undergraduate

and graduate degrees in astrophysics and molecular biology at MIT, while getting his MD at Harvard.

He's one of those guys. Peter and Elon Musk and Craig Venter and Dean Kaman, there is

like this crew of these characters. So I heard that I was going to be speaking at a conference,

actually in Miami, and Peter Diamandis was going to be the speaker after me. So I kind

of cleverly, or whatever, I said to the conference planner, "There's about a thousand people

in the audience. I feel, look, I'd like to go before Diamandis. I'd like to have to insist

that Diamandis be in the room during my session, and then I like to have he and I on the stage

for an hour afterward, no extra charge." "Why?" "Because Peter believes that

the grand challenges of the world can be solved by going outside the box. He first tried that

out having been a young man interested in space. He was taken by the Lindbergh flight

and he realized that Lindbergh did that flight as part of a competition, and there was a

award, and by flying that distance, he won an award, and then all of a sudden space travel,

I mean air travel, just took off." So Peter said, "You know, I'd like to create a competition

to see who can create a vehicle that will go 100 kilometers into space, manned vehicle,

back to the Earth, and a week later do it again, no injuries." And he boldly announce

to the world that he was going to pay the winner who could do that 10 million dollars.

He didn't have 10 million dollars. All of a sudden all over the world, people like to

have what's called gamification. People like to play, so people were coming up with helium

balloons and helicopters and rocket ships and airplanes and he went to, you know, people

like Branson, you know, Richard Branson, and he said, "How'd you like to fund this? I

could use the 10 million dollars." He said, "No, man. What if somebody goes up there

and blows up or gets killed. Terrible. Turns out he already did get 10 million dollars

from the Ansari family, a family of Iranians, Americans, who were very successful in tech,

and a guy named Burt Routan created this plane-type vehicle, went up, came down, and did it, and

the next day Richard Branson bought his company and now it's Space X has come from that, and

space travel. I mean all of commercialization of space is, Elon Musk businesses all grew

out of that. And so since then, Peter has been creating grand challenges for all sorts

of things. He did one, he put a grand challenge out that Wendy Schmidt funded. She's the wife

of the founder of Google. And the idea was who could clean up oil sludge out of the ocean.

And Peter's belief was that he should go to see the usual experts, and they're so used

to thinking about things the same way, they may not see some other angle. The guy that

took a second place for that award were two guys that ran a tattoo parlor in Las Vegas,

and they had never actually been to the ocean, but they used to be cement mixers, so that

had a feeling for how to work with sludge. And that's what's happening with all of these

X Prizes. High school kids compete, and mad scientists in India compete, and crazy professors

in China jump in. And so I, back, here we are six years ago. I'm on the stage, a thousand

people, Diamandis is in the audience, and I said at one point, "Hey, this Age Wave

thing that's coming is really great and then the possibilities are just like a dream. However,

I don't know where you are in this audience,Peter Diamandis, but if you're so smart, why don't

you create an X Prize to wipe Alzheimer's out?" I didn't know that his father also

was being taken down by Alzheimer's. Well, the room got very quiet. Like, imagine yourself

at a fight, you know, all sudden, it's like wait a minute, did that guy on the stage just

call out the next speaker? I just did. Diamandis came up and did his speech and he couldn't,

there was an elephant in the room. He said "Alright, so okay I've been challenged here.

Dychtwald, come on up here let's figure this out, and so live on stage, we figured out

how we're going to create an X Price to end Alzheimer's disease, and so for the last 6

years with a group of some of the world's greatest scientists and hackers and gamers

and dataminers. So we're not just looking for neuroscientists. We are about to, we raised

25 million dollars. We are about to launch early next year for the world a crowdsourced

solution to being able to target Alzheimer's before there are symptoms so it can be turned

off. We may fail, but we're going to give it our best shot so I'm pretty proud of working

on that when there's no money involved for me. I've been partially funding it and it's

pretty exciting, you know? I'll tell you this one thing probably what inspired it. A few

years ago my wife and I got caught in Sweden. Sweden's great, but if we got caught on a

rainy day in Sweden and we were walking around umbrellas and we wandered into the Nobel Museum.

I didn't even know it was there. And you know there's the usual pictures of Nobel Prize

winners but they had a little screening room and we went in and there was a documentary

being screened on a big TV monitor. It was sort of an interview with a Nobel Prize winner

and how he had his breakthrough. And it wasn't a straight line, he went to graduate school,

he knew what he was going to do this. It was his wife kicked him in the head and then he

met another person, and they had an argument and his nose ran and that was what led to

his breakthrough. When it was over my wife and I said, "Wow, that was wild." We got

to leave and another one came on. We spent the whole day watching how these breakthroughs

had happened and they almost always come from serendipity and crossover and you know, an

orthopedic guy looking at the brain, and you know, interventional cardiology did not come

from a cardiologist, came from a physicist, you know. Things happen, so what we're going

to try to do is unleash this kind of creativity and imagination to try to solve the, use our

best minds to try to save our minds.

Ken Dychtwald, how can people find out more about you?

Our company's website is www.agewave.com. That's a portal that can take them to all

the different things we do and that we're involved with.

What have we not spoken about that you'd like to talk about? Would you like to talk about

some of your books, documentaries, projects?

I don't need to promote books. I got something I'd like to talk about for a few minutes.

So we haven't seen each other since we were 15. You've looked at my life, I've looked

at your life. What scares you about getting older? And I'll tell you what scares me.

I would be so happy at this age of 68 if didn't feel I was getting closer to death, and otherwise

I feel really great. I feel stressed out because I want to make sure everything's in order

for when I do go. For you daughter, your loved ones, you know. Make sure everything is good,

but I feel that I'm not performing up to my potential to get good stuff done. That's how

I feel.

Do you feel like a senior citizen?

No.

Do you feel old?

No.

Let me take a shot at the same question. I don't ever want to be a senior citizen and

I have a lot of respect for senior citizens, but to me that's like I have this thing in

my head. That's what my grandma was. I wouldn't mind being thought of as an elder. I like

that. I am okay with that word. I also feel a certain amount of anxiety and pressure.

Am I doing it right? Am I living up to my potential? And it's eerie, because I thought

when I reach this age, I'd be ready to take the cruise and kick back, but while I want

to have more time to play, I really do find that I feel more driven in some ways than

I ever have before. What frightens me, I'm frightened by suffering. I watched my mom

transition from being a beautiful woman and a dancer to wheelchair and diapers and my

dad lost his vision and sort of lost his mind a little bit at the end. The suffering of

aging used to be, as you know, people got sick, they died or you died in childbirth,

or you got shot, you were dead. Now we've got this, I've seen enough people who are

going through these horrific years, decades of suffering. That frightens me. Both for

me and for my family, and I kind of like you know this this idea of living a full, loving,

productive life and then lights out is more appealing to me then being in some kind of

an institution for years.

And so what you have done is you are creating positive tools. You're walking the walk. You're

much more than talking the talk, and for you to do everything you've done and continue

to do it in such a positive, energetic way. Notice that I've corrected my behavior.

Not youthful. I'm okay with youthful. Young is different, but youthful is okay, but I

wanted to tap you on that one. But energetic is good.

Positive, energetic, wonderful. Thank you so much for being with us today. It's been

an honor and a pleasure.

I want to tell you my friend that it's an honor just to be here in the space with you

and and have this kind of discussion. No s***, I mean it's just great

to be with you.

For more infomation >> Ending Alzheimer's & Dementia, with Ken Dychtwald, Ph.D. | EDB 145 - Duration: 26:05.

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Gülay Cesaretin Var Mı Aşka ÆSON Trap Remix - Duration: 3:29.

For more infomation >> Gülay Cesaretin Var Mı Aşka ÆSON Trap Remix - Duration: 3:29.

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How to Treat Adult Acne by Adjusting Your Diet - Duration: 2:05.

how to treat adult acne by adjusting your diet step 1

eat fewer carbohydrates and refined sugars sugar and starchy foods caused a

spike of insulin in the body resulting in a rise of male hormones that may

cause acne to reduce your risk of acne replaced these refined Cubs with

healthier choices like whole grains fruits and vegetables dot cut down on

foods like white bread pasta white potatoes white rice sugary breakfast

cereal corn cake cookies step 2 avoid foods with high salt and iodine if you

are prone to breakouts iodine is an element that can build up in your body

over time and cause acne particularly in people who are prone to blemishes

already iodine is mainly found in salty foods but also in shellfish and green

vegetables like kelp and spinach reduce your consumption of these foods to help

treat your adult acne read products labels while grocery shopping to avoid

prepared foods with heavy sodium content even consume no more than 1500

milligrams of sodium a day step 3 cut back on dairy to reduce your risk for

dolt acne dairy products like milk cheese and yogurt can sometimes cause

acne by affecting hormone levels in the body causing oil production to increase

reduce your consumption of dairy to see if you notice any change in your

complexion dog kept nutrients like calcium and vitamin D from other sources

such as kale almonds salmon and calcium fortified orange juice thanks for

watching if you like this video then give it a thumbs up and don't forget to

subscribe our Channel

For more infomation >> How to Treat Adult Acne by Adjusting Your Diet - Duration: 2:05.

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Caravan of Hondurans and Donald Trump - Duration: 1:06.

US President Donald Trump on Tuesday warned Honduras against the

arrival in the United States of a "caravan" of migrants, threatening to cut aid

to the Central American state if he did not intervene. "The United States has warned the

President of Honduras that if the large caravan of people heading to the United States is not stopped

and returned to Honduras, no more aid and no more funding will be granted to

Honduras. immediate effect! ", launched Mr. Trump in a tweet.

The authorities in Guatemala, a country between Honduras and Mexico, announced that they would ban

the entry of some 2,000 Hondurans who left San Pedro Sula, 180 km

north of the capital Tegucigalpa, on Saturday. United States.

For more infomation >> Caravan of Hondurans and Donald Trump - Duration: 1:06.

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Nightcore - Colder (Lyrics) - Duration: 2:31.

outsideOUTSIDE - Colder // lyrics on the screen

For more infomation >> Nightcore - Colder (Lyrics) - Duration: 2:31.

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Cemeteries - Duration: 2:02.

I'm Jane Saxby, the City of Winnipeg's Cemeteries Branch administrator.

The City of Winnipeg's Cemeteries Branch maintains and operates three cemeteries and provides dignified interment services for everyone.

Each cemetery is located in a park-like setting and offers traditional in-ground interments and choices for cremation interments.

The cremation gardens are sanctuaries of peace with flora providing colour and perfumes.

Brookside, the largest of the three cemeteries, opened in 1878 and is the final resting place

of many politicians, statesmen, noted athletes, and decorated war heroes.

Within Brookside is one of the largest and the most significantly designed Military Fields of Honour to be found in Canada.

More than 10,000 upright Military monuments commemorate the Veterans, Service Men, Service Women, and War Heroes interred here.

Transcona Cemetery, on the east side of the city, is the community's cemetery.

It offers all forms of interment and a Field of Honour where Veterans of WWI and WWII, and Service Men and Women are interred.

St Vital Cemetery, in the south of the City, offers lush green grass and large trees.

Flat markers identify each interment site providing visitors with views of the whole area.

Each of the City of Winnipeg cemeteries has a separate Perpetual Care Fund established to assure the perpetual maintenance of the cemetery grounds.

Knowledgeable Customer Service Advisors are available to assist with pre-planning or immediate-need interment arrangements.

They can also assist you with memorial selection and design.

For more information, visit winnipeg.ca/cemeteries or call 204-986-4348.

For more infomation >> Cemeteries - Duration: 2:02.

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BÖ & Andrea - Yalel (Wollef Remake) - Duration: 3:27.

For more infomation >> BÖ & Andrea - Yalel (Wollef Remake) - Duration: 3:27.

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MOBILE LEGENDS BOOT CAMP VOLUME 12 : LESLEY - TIPS, ITEMS, SPELL, EMBLEMS, TRICKS, AND GUIDE - Duration: 11:06.

Waddup, humans?

Kurumi here!

And welcome to the Mobile Legends Boot Camp!

In this video, we are going to talk about the marksman, Lesley.

Lesley has a good set of mobility, buff, crowd control, and burst skills.

Our Sniper, Lesley, is a marksman hero.

I consider Lesley as a burst assassin-marksman, since her skills makes her deal burst damage.

Not only that, she is really mobile and could push away enemies because of her skills.

The unique thing about Lesley is, she uses energy instead of mana when using skills.

Now, let me share some tips and tricks on how to use Lesley based on my experience.

I will also teach you some combos and techniques on the latter part of this boot camp.

But before that, let me explain her skills one by one for further understanding.

Lesley's passive, Lethal Shot,

grants Lesley boosted critical hits and critical chance on her next basic attack.

Her passive is activated when she doesn't receive any damage for a short period of time.

Using any skill will also activate the effect of her passive skill.

Not only that, her passive also converts fixed physical penetration points into critical rate.

Unfortunately, physical penetration percentage is not affected with this.

Each of her basic attack grants her 5 energy.

Lesley's first skill, Master of Camouflage,

makes her mobile and boost her next basic attack.

Lesley enters the Camouflage state for a few seconds.

While on this state, her movement speed is increased,

and granted an additional physical attack.

Dealing or receiving damage while on this state will cancel the camouflage state.

The good thing about this skill is, she can't be targetted with single-target skills.

But, she can still be hit by area-of-effect skills.

In this state, she's not completely invisible, but is only distorted.

Her second skill, Tactical Grenade, lets her throw a tactical grenade forward.

This grenade explodes in a fan-shaped area in front of her.

This deals damage and knocks back the enemies hit.

This also makes Lesley jump backwards.

Using this skill will cancel Ultimate Snipe, her ultimate, and release its Fatal bullets.

Lesley's ultimate skill, Ultimate Snipe, detects all enemies around her within a certain radius.

She then locks onto an enemy hero and fires 4 deadly bullets.

These bullets deal certain physical damage,

plus a percentage of the target's missing health points as physical damage.

Given that, the bullets fired can be blocked by other enemy heroes.

Each bullet that hits a target will restore a certain amount of energy to Lesley.

There are so many items that you can buy for Lesley.

You can focus on offensive items since Lesley is a marksman.

For me, I choose to buy items that grants critical chance,

critical damage, and physical attack.

In my opinion, you can consider buying Swift Boots for Lesley.

Swift Boots grants her additional attack speed and movement speed.

Having additional attack speed will make Lesley attack more.

This will let you deal lots of attacks, specially during team fights.

Buying attack items such as Berserker's Fury can boost your damage effectively.

This item gives you additional physical attack and critical chance.

Its unique passive grants you additional critical damage on your critical hits.

Also, dealing critical hits will increase your physical attack by a certain amount,

for a short period of time.

This is a great combo with your passive,

since you are almost sure to deal critical hits when your passive is active.

Buying attack items such as Endless Battle can boost your damage effectively.

This item gives you additional physical attack, health,

mana regen, lifesteal, movement speed, and cooldown reduction.

Its unique passive grants you additional true damage on your next basic attack after using a skill.

Triggering the passive of this skill also grants you additional movement speed.

Given that her first skill has low cooldown, this item is the best pick for Lesley.

You might want to consider Blade of Despair.

This item grants additional physical attack and movement speed.

Its unique passive will give you additional physical attack when the target's health

is below a certain percentage.

This is a great combo with your passive skill since you can deal more damage with this,

along with your critical hits.

The movement speed bonus can also help you chase enemies or escape death.

You might also want to consider Windtalker.

This item grants you additional attack speed, movement speed, and critical chance.

Its unique passive deals magic damage to 3 enemies upon dealing basic attacks.

This unique passive has a cool down which depends on your critical chance.

This will help you deal critical chance on every basic attack you deal.

You might also want to consider Demon Hunter Sword.

This item gives you additional physical attack and attack speed.

Its unique passive deals a percentage of target's current HP, as additional physical damage.

This can give you more attack speed to deal more basic attack.

The item build for Lesley really depends on the enemy's line up.

So make sure to read each item's description so you can adapt in-game.

One of the best spells to be used on Lesley is Flicker.

You can use it to escape danger, even death.

Being a marksman, survival and distance from the enemies is crucial.

So use flicker yourself out of danger to last long in team fights.

In my opinion, the best emblem set to be used is the Custom Assassin Emblem set.

Custom Assassin Emblem could provide extra stats according to your needs as a marksman.

Set Bravery to max level because it can give you extra physical attack.

Higher physical attack will give you more powerful damage,

specially when you are hitting critical hits with your first skill.

Setting Invasion to max level will provide additional physical penetration to your physical damage.

Higher physical penetration deals more physical damage to enemies.

That means, your critical rate will be higher because of your passive skill.

Get Bounty Hunter to gain extra gold upon killing an enemy.

Lesley can basically kill easily with her skills

once she gets Berserker's Fury and Endless Battle.

With Bounty Hunter, she can easily gain additional gold to buy Blade of Despair.

For me, it's the best thing to get since Lesley can kill enemies easily which will make her richer.

Set first skill to max level first.

Prioritizing this makes the Base damage higher and the cool down faster.

That means, you can deal more damage because you can cast more skills.

Prioritize second skill less since her first skill is what you need for damage dealing.

Always upgrade her ultimate skill when available for upgrading.

Since Lesley is a marksman, you don't have to be inside the team fight.

You have to be OUTSIDE or AT THE BACK of the team fight.

With your burst damage boosted by your first skill,

you are the best asset in team fights.

So you have to survive longer than anyone.

In terms of team fights, I usually follow a combo for Lesley.

I start with rushing to the team fight with my first skill.

The movement speed boost lets me aid my team fights faster.

Also, it ensures that my first hit will almost be a critical hit and with boosted damage.

I just do basic attacks.

I use my 1st skill again when it's cool down has been reset.

I save my 2nd skill and use it in times of need.

At this scenario, I used my 2nd skill to push Aldous away.

Unfortunately, I missed.

Given that, my passive skill is at work now since I used a skill.

In another scenario, I started to hit with basic attack to abuse

the passive's boost damage.

Then I use my first skill to be granted again with damage boost.

This also makes the passive skill's cool down reset and ready to be used again.

I save my 2nd skill and use it in times of need.

Now, I use my 2nd skill to push Johnson away.

Then, I just continue the usual basic attack plus 1st skill.

We lost this team fight, but I was able to kill a couple of enemies still.

Lesley's first skill not just grants you mobility, but it also makes you not targettable.

Enemies can't target you with single-target skills.

But, they can still damage you with area-of-effect skills.

When you are against Helcurt, make sure to use your first skill when he uses his ultimate.

When he uses his ultimate, you always have to assume that he is after the easiest prey.

And that is you, Lesley.

So to make it harder for Helcurt to target you, use your first skill.

Lesley's ultimate skill is the best thing to have.

It's not just an offensive skill that kills escaping enemies from afar,

but it also detects enemies.

Yes, it does.

Whenever I get outside the base, I usually spam my ultimate.

This is to detect if enemies are near me, even if they are inside a bush.

Not only I can detect enemies in the bush, but I can also detect heroes like Natalia.

Natalia becomes invisible with her passive, but Lesley could easily detect her!

On this scenario, I was able to detect Natalia from the bush by using my ultimate.

Lesley is a good marksman to go against Natalia.

Why? Because you can easily detect her when you have your ultimate,

before she comes behind you.

Detecting her gives you time to rush to safety.

On another note, you also need pure luck on detecting her.

On this scenario, I was able to detect her.

But it was too late for me to do anything about it.

Lesley's first skill damage boost also works on turrets.

So make sure to use this skill on pushing to get the game to your advantage.

Additional tip.

You can use your 2nd skill to jump through walls.

Yes, you have super powers now.

Congratulations, human!

The tips I mentioned are just some of the ways you can use Lesley.

This video just guides you on how to use Lesley, the Kurumi way.

So, once again.

This is Kurumi and that's how you use Lesley.

Thanks for watching!

Do not forget to like and share this video.

Also subscribe to my channel for more contents by clicking on the subscribe button below.

For our skin giveaway events, check out the featured video on our channel for the mechanics.

See you on the next Mobile Legends Boot Camp!

Cheers!

For more infomation >> MOBILE LEGENDS BOOT CAMP VOLUME 12 : LESLEY - TIPS, ITEMS, SPELL, EMBLEMS, TRICKS, AND GUIDE - Duration: 11:06.

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What's It Like to Live With A Modded Raptor? | Justin's Built 2017 F150 Raptor Update - Duration: 10:23.

Hey, guys.

Justin with americantrucks.com here with a slightly different style of video for you

guys.

Obviously, my Raptor's in the background and it's been a little while since we've shown

you the truck since the actual build video, so figured we'd go for a spin.

So, what do you say we hop in?

Let's go.

Now, since the build video, guys, I did wanna show you I have added the ADD rock sliders

here to basically kind of complete the ADD package with the stealth fighter front and

rear.

You can actually wire up these little LEDs in here, which I haven't done yet because

I'm lazy, but there they are.

And also one other thing here, guys, I wanted to show you, here's one of those trail grapplers.

You can see it took a big old chunk out of that thing at some point off road.

It's not down to the steel there, so, I mean, it's still holding there.

Just kind of a testament to how tough these trail grapplers are from Nitto.

But anyway, let's hop in and what do you say we go for a spin?

Kind of a nice gray fall day here in the Northeast.

Boom.

There we go.

But again, this is gonna be more of a general update if you will, and talk about the truck.

It's probably been about 15,000 miles or so now since the build, I drive the balls off

of this thing, it's my daily driver.

So, I mean, I got 22,000 miles on it.

Certainly not a garage queen by any stretch of the imagination as far as a factory truck

has been rock solid.

Another big thing that I've really had nothing but good stuff to say about this thing is

the ID Motorsports tune.

Again, Matt Ottoman did a great job.

I mean, the truck is just so much more responsive on the tune.

In fact, recently, we took the truck up to Buffalo and because it's just basically all

highway miles, I figured I'd put this thing back to stock, throw 87 in it just for the

hell of it, and it's amazing the night and day difference between A, octane, but B, also

the tune and a stock calibration.

The biggest thing that is different to me is the delay in the pedal which has just gotten

awful.

It feels like an eternity with the stock calibration.

Throttle response tune is much, much better, much improved.

That's where something, even if you're not comfortable with tuning your truck for whatever

reason, something that can be addressed through like a pedal commander or a throttle max,

something like that, that's kind of takes the delay out of the drive by wire.

But yeah, so far so good there.

ID Motorsports, they did a great job.

Highly recommend tuning these trucks not just for power which as you saw from the build

which is pretty stout, but also just because the drivability, the pedal field, even the

miles per gallon got a little bit better for a while there and then you just start blaming

the things and that goes out the window.

Another big thing I'm loving on this truck are the Alcons, the brakes, $6,000 upgrade

for brakes both front and rear, and a big thing that a lot of guys called out when the

original build video aired was the claimed-stopping distance from Alcon.

And guys, what you have to remember here is that's not me making that claim, pulling that

out of my, you know what, that was Alcon's numbers and they got that figure from a guy

named Brad the Birdie, who built a really, really bad ass Raptor for seem like a couple

years back and they actually did some testing and that's where they were able to achieve

those figures of about 90 something feet, 60 to zero with the Alcon kit.

Now, granted, his truck is in stock and all that, but they didn't make that figure up.

Now, will this truck stop in that sort of distance?

Probably not.

We have seen some testing, third-party testing that has dramatically reduced stopping distance.

Basically, it was like 130 or so feet down to about 105 feet.

The point is it was a substantial difference between a stock setup, so brakes are great,

certainly saved my tail a few times.

Some of these crazy Northeast drivers up here, a very worthwhile modification.

I'd say more so than, you know, appearance parts like bumpers, you know, rock sliders,

things like that where you're spending the same amount of money at the end of the day.

And sure, visually, a set of breaks might not give you that impact as those awesome

parts from ADD might, but I would argue the functionality benefits are certainly worth

it.

Suspension, again, the sway away stuff, I've been overall very happy with the ride, I've

gotten used to the piggybacks and all that.

That's something you just kind of get accustomed to after a while.

At first, it was a little different, you know, people look at your truck like it's this brand

new, you know, very expensive truck and it's making noises like the exhaust is ready to

fall out.

But that comes with the territory with these piggybacks in the rear.

Now, full disclosure, guys, I have stayed mostly on road with this thing, which, let's

be honest, as probably most Raptor owners out there.

I have taken it off-road, I mean, come on.

But at the same time, on-road impressions with the suspension have been great.

Off-road, the few times we were off-road, the suspension soaks up everything really,

really well.

So, I'm really happy with how these shocks, and struts, and everything performed from

AFP control and sway away.

Super stoked on how these things have performed over the last 15,000 miles.

Those trail grapplers, let's talk about them a little bit.

Again, something you get kind of accustomed to is the road noise and these really aren't

that bad.

Now, sure, compared to like the KO2s or any general altering tire, you're gonna hear a

little bit more noise inherently, the voids aren't that huge where you're hearing just

that total road noise at all time.

There you go.

I mean, it's pretty quiet inside the truck.

Now, if I were to do it again, which I probably will in about another 10,000 miles when these

things will be probably shot, I might consider doing the new ridge grappler.

It's their all-terrain tire, it's gonna deliver basically a really aggressive sidewall kind

of like the trail grappler here, but it's gonna give you a little bit more mileage and

it's gonna give you a little less road noise.

So, I don't mud bog this thing every weekend, you know, the trail grappler might be too

aggressive for my general use, but it's an awesome tire.

Again, mileage has been pretty good, road noise is, you know, whatever.

So, yeah, I might mix it up next time around, but I've had no complaints about the trail

grapplers whatsoever.

And yeah, the few times we've been off-road with this thing.

One time in particular with a dude in blue, he does a lot of car reviews on YouTube.

He actually came out and drove the Raptor for his channel and we buried this thing pretty

good.

In the middle of some of these pretty deep, and big puddles, and the trail grapplers pulled

us through.

Exhaustless and it's certainly a little louder than the stock, the Corsa was, that's no surprise.

But it never, to me, has gotten old or anything like that.

And again, I home my wife and daughter around here all the time.

My wife is not the biggest car fan.

I mean, she likes it because I like it.

You know, like all wives say, but, you know, if it's super loud or super obnoxious, she

would certainly tell me and she's never mentioned anything.

So, yeah, it's very livable.

I probably wouldn't go louder than the Corsa, but I've been very happy with how it's sounded

over the year.

It sounded great and it's very, very quiet inside the truck.

And again, you guys can hear that right now.

Overall, guys, I really have been just thrilled with this truck.

I mean, every time I'm on the road in this thing, it doesn't matter what...like somebody

is giving you a thumbs up, even guys out there in lifted super duties, you know, nice trucks,

I could see them eyeing it up a little bit.

It's a bad ass truck.

It really is.

And I would say it's probably the, you know, exotic, if you will, of the pickup truck world

because of its just looks.

It stands on the road, and of course, with our modifications that we've done, it's certainly

very unique amongst the sea of F150s out there.

As far as future plans, well, definitely get some more off-road footage.

I admit, we've been slacking, we need some cool footage of this thing doing what it's

intended to do.

So, you know that's common as parts come out, maybe switch a few things around, but for

now, I'm just enjoying driving the truck.

Winter is right around the corner, which means we got some snow days coming.

Took this thing out in the snow a few times last year.

It is an absolute animal as you might imagine, hard to stop this thing in the snow.

But this thing still puts a smile on my face every day I get behind the wheel, even if

I'm stuck in traffic.

But more so, when I get to take it off-road and use it for its intended purpose.

Taken it to the beach a couple times this summer just for some...it's really not wheeling

per se.

Because I just like to take it out, see how it handles the sand and it certainly doesn't

break a sweat as you might imagine.

I've had some pretty fun cars, this might be one of my favorite cars I've ever owned

or trucks.

It will be hard to let this one go if and when that time comes.

But for now, yeah, I'm really digging my time with the 2017 Raptor here.

Now, the 2019s are coming out and they look awesome.

Now, granted, not a whole lot has changed visually, some slight tweaks.

But the big story there, of course, is no doubt the adaptive suspension from Fox which

I would love to basically retrofit on to this truck.

I doubt it's possible because knowing what we know about the MagneRide stuff, so much

of that system on the Mustang is kind of intertwined or integrated into the Mustang.

It's just really hard to rip all that stuff out and then put it on to another car.

So, who knows?

Maybe Ford Performance will make something like that possible for us Gen2 owners, you

know, the '17 and '18 guys out there, and I think they're gonna be pretty badass.

The trail control mode is very cool, jump mode obviously where it lets the shocks basically

go full sag, full droop and then go full stiff for the impact or basically the landing.

So, I like the direction Ford is going there.

Now, despite the clickbait articles, you might see the 2019 does not have a V8, so guys will

have to wait another year there at least.

Who knows, man?

At this point, I'm kind of losing faith that it will ever happen judging by the direction

of Ford, but again, the V6, the twin-turbo V6, the EcoBoost, is not a bad engine.

It doesn't sound nearly as good as the V8, but this thing has walked several Gen1 trucks

in addition to other V8 powered pickup trucks on the road.

So, say what you will about the sound, but it has no problem getting up and out of its

own way pretty quickly, especially with that ID tune and I love it, man.

It is just a really cool truck to drive.

Drop us a comment if you want more updates like this and we'll keep doing them.

But in the meantime, guys, thanks again for watching this update on the Gen2 Raptor here

which I love, and we hope you guys dig it as well.

But for now, guys, thanks for watching again and for all things F150 and Raptor, keep it

right here at americantrucks.com.