Tuesday, July 3, 2018

Youtube daily report Jul 3 2018

Research has shown that serious games can increase student engagement and motivation.

But designing digital learning games can be a lengthy and challenging experience because

it involves diverse perspectives from team members with different professional backgrounds.

The Art of Serious Game Design methodology provides a common framework and guided brainstorming

for multidisciplinary teams involved in the pre-production phase of game development.

Ideation cards, in combination with a methodology circle, are used in a hands-on workshop

to enhance team communication and the ideas exchange.

The methodology circle is divided into four quadrants, each quadrant representing

a core element of serious game design: Storytelling, Gameplay, User Experience, and Learning.

The first stage of the workshop is called Brainstorming Part 1.

In this stage, instructional designers and subject matter experts read questions from

the card deck with solid borders and record the team's answers on sticky notes.

The notes are then placed on the appropriate quadrant of the methodology circle.

The second stage is Brainstorming Part 2.

For this stage, game designers and developers join the team of instructional designers and

subject matter experts.

Now, the full team answers questions from the card deck with striped borders, records answers

on sticky notes, and places them on the methodology circle.

Some of the questions are repeated to allow opportunities to iterate design steps and

refine initial thoughts.

In the third stage, the team designs a paper prototype of their game, incorporating insights

from the first two stages.

The Art of Serious Game Design methodology helps multidisciplinary design teams be

more creative, efficient, and effective when designing serious games.

This project was supported and funded by eCampusOntario and is licensed under a Creative Commons Attribution-ShareAlike

4.0 International license.

For more infomation >> The Art of Serious Game Design - Duration: 2:23.

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Loredana Lecciso e l'ipotesi del matrimonio con Al Bano | K.N.B.T - Duration: 3:08.

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[Türkçe Altyazılı]idol room 5.bölüm PENTAGON ve IDLE 6.part - Duration: 6:01.

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Richard Swift, The Shins and Arcs Musician, Dies at 41 - Duration: 3:12.

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Kristin Cavallari's Husband Jay Cutler Insists He Picks Out '98 Percent' of Her Outfits - Duration: 3:30.

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Twitter CEO 'does not seem to give a f--k' about verifying white supremacists - Duration: 1:05.

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Seat Ateca 1.4 EcoTSI 150pk Xcellence DSG | Pan-dak | - Duration: 1:07.

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Seat Altea 1.2 TSI 105pk Style Dynamic | Trekhaak | 17inch | - Duration: 1:11.

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Guy Pearce Says Kevin Spacey Was 'Handsy' on 'L.A. Confidential' Set - Duration: 2:51.

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Smog killer - Duration: 3:17.

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Mila Kunis Explains Why She's Not on Social Media: 'It Took an Ugly Turn' - Duration: 2:28.

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Audi A7 Sportback New 55 TDI quattro MHEV 286pk tiptronic - Duration: 1:07.

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U&D, Giorgio Manetti ironizza sulla sua situazione sentimentale. Il web non apprezza | Wind Zuiden - Duration: 3:50.

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Alberto Mezzetti e Barbara D'Urso potrebbero frequentarsi: ecco la prova sui social | Wind Zuiden - Duration: 2:57.

For more infomation >> Alberto Mezzetti e Barbara D'Urso potrebbero frequentarsi: ecco la prova sui social | Wind Zuiden - Duration: 2:57.

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"Cosa? Quanti anni ha la Panicucci?". Signori, 'così' Federica è incredibile | Wind Zuiden - Duration: 3:05.

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Mara Venier a pronta a sfidare Barbara D'Urso! | Wind Zuiden - Duration: 3:22.

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Did Eiza Gonzalez Post a Nude Video of Boyfriend Josh Duhamel? - Duration: 2:57.

For more infomation >> Did Eiza Gonzalez Post a Nude Video of Boyfriend Josh Duhamel? - Duration: 2:57.

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TERE JAYSA YAAR KAHAN+LYRIC - Duration: 3:12.

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현대차, 6월 내수 5만9494대 판매..SUV '싼타페' 판매 견인 - Duration: 3:47.

For more infomation >> 현대차, 6월 내수 5만9494대 판매..SUV '싼타페' 판매 견인 - Duration: 3:47.

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How I Make Money Online

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School H - Verlaten middelbare school. - Duration: 22:24.

This high school has been abandoned since the year 2000,

there are several project developers who have already submitted plans to do something with this site,

but the municipal authorities have always given negative advice, due to too busy building.

The situation has become a bit stuck and the current buildings are now being taken up by mother nature.

We arrived at 'School H'.

An old school, which I do not have much information about yet,

because we thought that it would not work.

There has also been a fire here.

We are only in the first building, there are of course several.

This looks like a house.

This is a nursery, view that wallpaper!

And this was a bathroom.

This is wallpaper for a child's room.

Maybe this is the home of the director?

That's possible, but I think we should be in those other buildings.

The gym.

Do you think?

Or a refectory?

This is a space separator.

Here also fire damage.

It looks like a big screen has hung here.

Here a number of things have already fallen from the ceiling.

What would this have been?

It has clearly been a glass ceiling here.

I like that, those coat hooks.

That's the 'church', I mean the basement.

I was thinking of 'dungeon'.

There is some water in the basement.

And that is deeply precise.

That is a full floor down.

And that will have been busy for a while.

That does not happen in 1 day.

The boiler room.

A kitchen!

Another door and toilets.

Can you continue, or has it been done there?

There is a secret room, which turns wall when you press a button.

Give some light!

That is deep.

Make sure you do not sink through the floor, because then we have to swim.

Come back!

I'm just saying, make sure you do not fall through the floor.

Take a look at that floor!

Below that you can see the water.

Just film!

You're right there in the water.

I already felt the floor moving with it.

The ground floor is therefore not a concrete floor.

Is that everywhere?

no, this feels more like concrete.

I no longer feel at ease here.

Here we walk on stone, you can see it here.

We could go a bit further there.

What do we do now?

Could it be that this was the playground?

Then a small playground.

What would have been there?

We will be able to take a look later.

Do you think that also belongs to the school?

I would like to see a classroom.

Over there!

You see that, you see the sign hanging.

I think we will not get in without going through a broken window.

There will be a door open somewhere.

This is the school building

With extra floors.

Wonderful, and watch that hall!

what a frightening pace.

The teacher was sitting on a raised floor.

That used to be the case in my school.

I think that is the case in most schools.

The teacher always had to feel a bit bigger than the rest.

For information, we are in Flanders.

There are many things that we have not seen yet.

Normally all urbex locations in this region are well closed

The sign still hangs here.

Too bad about the graffiti.

I think this is a nice classroom.

I do not know why,

but a school that goes into decline is always something more beautiful than an ordinary house.

Are we going upstairs?

Ok, that's good.

The further we go, the colder it gets here.

Here it is really cold.

Is there a basement here?

Is it also full of water?

Exactly the same.

So the cellar will not go.

Not here, no.

This floor is made of concrete, then I feel a bit safer.

Is there no large room here?

I think it's a nice school.

Another classroom.

And a big one.

This piece has been added afterwards,

look here, plasterboard!

That used to be the refectory.

But because of the shortage of schools for young children.....

This is a chemistry room.

I do not know, there is only one extraction.

It is also just a school and not a university.

It could well be that this was a chemistry or practice room.

That could be possible.

If this was a primary school, then perhaps this was for the cooking classes.

The ceiling is still in order.

Yes, the ceiling is still usable.

We break everything down, just let the ceiling hang.

That is safe!

Do you hope that?

You will suddenly be 2 floors lower in the water.

Nobody has been here for a long time, it is full of cobwebs here.

Then you go first.

What a big school!

Probably many students have been here.

What is that?

What have you found?

Another big room.

This is also a classroom, where the teacher stood up.

The blackboard is also on the ground there.

What is behind it?

Are they just cabinets?

Is there a door there?

That's such a closet that they have turned around,

with a small room behind it.

Useful used, but not complete.

This is a big school, because I no longer know where we are.

And where is the street, according to you?

That's where the street is.

And we came out of that house.

Tommy knows the way, we follow Tommy.

this reminds me of....

.... what is the name of that other school?

the 'Green School'

and why?

Because there is already a bit of 'green' in the 'school' here.

It starts here already.

Then this becomes 'Green School 2'.

As I said, we are still in Flanders.

And not in Liege, Charleroi or any other place where they do not attract these things.

We are here in a relatively nice neighborhood, I really do not understand this.

Spider!

Not anymore.

Still, I felt it.

She's hanging on my arm.

The spider web, not the spider. Otherwise I would have jumped through the window.

Everything seems very similar.

A familiar staircase!

the main entrance.

This is nice!

The ivy is already above the window here.

Here I will take a few nice pictures later.

It has even become dark here.

Here the plants come in.

The roof is on fire!

I hope not.

It is so hot here.

Baking!

The roof of the school.

So warm, there you can walk on the roof.

There is not much to see here.

We have seen the school inside,

But we are also curious about what can be seen in that tower.

Entrance, only seen in the operation at home!

There is no entrance here.

and we have just come here.

Maybe you can only go through the basement in that tower?

Behind it!

Here is the entrance.

Here is the tower!

And that seems to be well stuck.

Tower becomes nothing,

I am going to see if there is no door at the back.

And does not work via the roof?

Why is that tower better closed than all other places here?

Perhaps it is used as a transmission tower for the mobile phone.

I do not think so.

Too bad we did not get in the tower,

I think we have seen everything in the meantime.

It still amazes me,

there is a very busy Flemish city.

I continue to be amazed that this is possible here in Flanders.

'Green School' is also possible and that is also in Flanders.

Schools always have something special.

We move on to the next location and we want you in the next movie.

For more infomation >> School H - Verlaten middelbare school. - Duration: 22:24.

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Man Utd transfer news: Chelsea willing to let Willian join... on one condition - Duration: 1:54.

 The Chelsea winger is a long-term target for the Red Devils. United boss Jose Mourinho tried to sign the Brazil international last summer, however, a deal wasn't struck despite talks taking place

 Barcelona have joined the race for Willian, 29, with the Spanish giants tabling a £50m bid for the forward

 However, Chelsea snubbed Barca's offer, telling the Spanish giants to come back with an increased bid

 And according to the Daily Telegraph, Chelsea would rather sell Willian to Barca over United - unless Mourinho is willing to include Anthony Martial in a deal

 They say Chelsea are big admirers of Martial, who is expected to leave Old Trafford this summer

 The 22-year-old Frenchman is keen to quit United after struggling to get regular game time under Mourinho last season

 Chelsea are readying a summer shake-up, with former Napoli boss Maurizio Sarri expected to replace Antonio Conte at Stamford Bridge in the coming days

 Express Sport understands Sarri has a £140m transfer wish list for when he takes over at Chelsea this summer

 Sarri wants Napoli right-back Elseid Hysaj and forward Dries Mertens, Inter Milan's Uruguayan midfielder Matias Vecino and Nice midfielder Jean Seri

For more infomation >> Man Utd transfer news: Chelsea willing to let Willian join... on one condition - Duration: 1:54.

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TERE JAYSA YAAR KAHAN+LYRIC - Duration: 3:12.

For more infomation >> TERE JAYSA YAAR KAHAN+LYRIC - Duration: 3:12.

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Wet on Wet Oil Painting Reviews - Duration: 14:30.

Today we're doing something very special we're doing some user-submitted oil

paintings that I'm going to review to help people on their painting adventure

and we're getting started right now

hey it's me it's wild coming at you from my creative control playlist where I

bring you the best tips and tricks but today we're doing something very unique

I asked if people wanted me to actually review their paintings on a video I'm

Dyslexic so it's hard for me to critique people's paintings on Twitter Instagram

and reddit but I love to do so but it's challenging for me so I asked a few

people if they would feel comfortable submitting their art and having me

review it so this is gonna be a good way for me to critique give you a feedback

hopefully direction some of these will be opinions and options that you can do

but hopefully it helps all of you watching and all of you that's submitted

on your painting adventure so let's go over the computer and let's get started

our first submission is from a reddit user by the name of the 392 n X and you

know what overall this is very good composition a lot of the basics have

been nailed but I can see there are a couple issues and even some options I

can give that'll make huge improvements on your painting let's start at the top

of the painting if we focus in just on the blue sky itself you can see that the

cross strokes have left a little bit of patchy marks now it's nice to have depth

within your sky by having dark and light spots mixed in between but this actually

looks like you didn't apply enough liquid white and had a harder time

pulling it down remember when you used liquid white you want to use a nice thin

coat and then pull your pigment down towards the center of the horizon and

don't be afraid to blend it all out with a nice two inch brush if we look at the

clouds your clouds have very good tops they have fluffy crowns that have great

direction that are moving in the wind however the bottoms kind of don't exist

we need to add more bottom heavy mist at the bottom there so that way it looks

like the clouds are kind of free-floating

at the moment your clouds kind of look like worms kind of scrolling around in

the middle of the air but this is easily fixable by taking your fan brush and

just adding another row right below it and kind of

Lattin it out a little bit and then taking a 2 inch brush and blending that

down and out and giving it a little bit of a lift now when this user submitted

this piece of artwork to me they let me know that they are left-handed which

shows that they're gonna have a harder time adding highlight sides to the right

side because it's against the way that their elbow arm and hand naturally flows

so for one big advice I'd give to you is flip the way that you do your painting

put your highlights on the left-hand side since you're left-handed that'll

get you in a better flow in groove and then put your shadows on the right side

as you can see if your mountains if you're gonna have an extremely hard time

doing the opposite yeah you can do it but it's kind of an advanced technique

so put your highlights on the left shadows on the right and that'll help

out a lot since we're on the subject of mountains the first set of mountains on

the back right don't look that great they don't have any jagged edges and

they actually curve in the wrong direction they go down out and then down

when you should start at the top they should kind of swoop down like a u and

feel free to add a few jagged points in there your mountains a little too smooth

it almost looks like a dome but the second row of mountains looks a lot

better if we can just get that paint to break a little bit as you come across

smoothly which again can probably be fixed by flipping the highlights side

you'll naturally get a lot of breaks I've done two videos prior that I will

put up in the top of the cart feel free to reference and look at those ones

about how to improve actual mountain shapes and the second one is how to get

paint to break on a mountain I recommend checking out both of those your

mid-ground for your tree line looks great the only thing I would say is

adding a little bit of a mist line between the mountains that meet the tree

line and a little bit of mist between the trees that meets the shore line

there you can always pull that pink down and brush it across with the 2-inch

brush but you have beautiful water lines in the back there so Bravo on that as we

move even further closer as we get towards our foreground your bushes have

awesome highlights they look a a bit thin like you put a little much

too much paint thinner on there but it's hard for me to tell I would recommend a

50 to 50 ratio of pigment some magic white will help you create beautiful

shapes as you apply it same thing could be said for the pine trees on the left

and right try making your trees a little narrow when you start out as a painter

you kind of make your trees really really fat and it's hard because you

don't understand how tree shapes should follow so I'd recommend keeping it a

little more thin this way you'll have better control as you put highlights

across it because they won't be as big as splats going on there but all in all

your trees look fabulous it's hard to give advice on what to do for a cabin

because basically the only way to improve cabins is practice practice

practice and eventually they will come together so we're gonna skip over that

but you have generally a good structure here for a weather torn cabin but the

problem I have an issue with is the land that it kind of sits on it's it's a

mishmash of different colors and paints and I understand what you're going for

but it looks like you were confused if you wanted it to be solid land mossy

grass a mixture of hard rocks and everything the problem is is it creates

this straight line that's on the side of the cabin that goes down land doesn't

grow any perfect line so you shouldn't make it in a perfect line I think if you

made different layers in different planes it would add a lot of depth to

this cabin and the road itself for one last note and this is more of an opinion

to base upon how you like your paintings I notice your water isn't that smooth

which can mean one of two things your canvas material probably doesn't have

the best gesso application on it so your liquid white or magic white is getting

soaked in there and like a sponge and so when you put a layer on top of it it

creates very hard to do blending situations which can be solved by

putting another layer of gesso down if that's not the problem you didn't use

enough magic white just add a little bit more magic white and that will blend

down perfectly creating smooth looking water and beautiful mirror like

reflections I just want to say thank you for

submitting this piece and let's go on to our next one our next painting is

submitted from a fellow twitch watcher and also an Instagram user that posts

his awesome work all the time his name is commander Z and he did a very

ambitious strong almighty mountain painting with some valleys river and an

almighty waterfall let's take a look at the top and work our way down and see

where improvements can be made it looks like at the top you use a

mixture of black and blue which is a great type of sky to start with because

it will naturally create darker corners and a darker top and go down into a very

light gradient creating a beautiful horizon line as it mixes with that magic

light the problem is is that either looks like you didn't blend it well

enough or there's not enough magic white down as we can see on the right hand

side it gets a little blotchy and patchy a little bit there so I'm gonna assume

not enough magic white get that rolling on there with a nice thin coat and pull

it down naturally like we said in our first painting and you will see a

beautiful sky with a lot of depth in there one big problem I see with your

mountains is they are kind of all the same height and I notice this a lot with

people that start out painting and beginning try making your mounds at

different height if you're gonna do three put it all three at differently

natural Heights and this will create a pleasing composition for your painting

the second biggest problem I noticed is you have some of your highlights on the

right but the mount on the left has highlights on the opposite side which

would not happen because when the Sun comes down it's only illuminating one

side you have to pick where your son is approaching from on your landscape and

stick with it unless you're going for a sci-fi look then it's okay the other

issue I have with the mountains is it's tough when you're gonna use a shading

color you kind of get distracted with what you should be doing it should be in

the same tone of your Mountain mixture that you put on your base but it has to

have enough separation obviously your highlights have to be the brightest

point but your shadow sign should actually be a mid-tone while your

Mountain mixture color should be a dark base tone this way it gives it

natural-looking 3d appearance as it pops off so I would

pick a shade in tone and saturation color that's a little more in line for a

natural shading look for this mountain since we mentioned the word composition

let's talk about it really quick it's very hard to compose a well-balanced

picture when you split it in half and you're doing so by adding a river an

island and a waterfall right down the very middle of your painting your

balance is gonna be thrown off by a lot of different elements what I recommend

is using a rule of thirds if you had your River approach from the left or the

right of your canvas and then approach the waterfall which would be on the left

or the right you would have a much more balanced composition of a painting which

in turn creates better aesthetics for the people looking at it and it's gonna

add actually a lot more depth and allow you to put more planes in there and

structure your landscape much better not to say you can't split your landscape

you can it's your painting it's your world this is just an opinion and you'll

notice if you try applying the rule of thirds you'll see how much more

structure your painting has and how much more balanced it is as well if we move

into the hills in the back here I have a hard time knowing if they're rolling

hills Moss grass or tree lines you're trying to make but I'm gonna go with

rolling hills for the most part the issue is it's all flat there's no layers

separating each other and to create layers that separate each other you

either have to have darker Plains between the two or mist separating the

two also as things move closer the tones the values and the saturation should get

darker as it comes closer as well for a beginning trick that I like to do I

actually like to cheat you should have your back layer be light then your next

year layer be a little darker then your next layer be a little light and your

next layer be a little darker this will create contrast even though it's not

proper it still helps you learn the mechanics of building layers on layers

and also your river is the same width that is in the Far point as it is as it

gets closer to us try making that a little smaller and you will see the

depth this painting increased tenfold the

trees that are laying in the foreground almost seemed like fence posts I have a

video that I think will really help you out watch part 1 in part 2 of how to

create happy little trees and learn the structure of tapping them in down in out

it takes a really long time and I think trees are one of the hardest things to

do and I would recommend grouping them together because it would hide a lot

more mistakes when you spread them out how you have three and three you make

them look like posts and your eyes are very well centered towards looking at

those because people like to look at things that are grouped in threes it's

the way the brain works so I would cluster them closer together because if

you make a mistake you can hide it with a tree in front or

behind it but the way you have them spaced out it's again not that well

balanced but you're doing really well since I've seen a couple of your

paintings on Instagram before you're getting a lot more of the mechanics and

basics down I would recommend do one painting that has almost nothing but

trees in them or get a spare piece of canvas paper and just literally practice

twenty-five to fifty trees and by the time you get to that 26 or fifty first

tree you will be a master and you'll feel a lot more confident it one thing I

do really appreciate you doing this is a really cool painting I love the

mountains flowing down into the river the Rolling Hills I love the island in

the middle that's really cool and I love the waterfall waterfalls are fun they

can be experimental because you can make my Trotter II you can make them shiny

and miR they can have beautiful Sheen's over all your compositions great I would

just take a few of those structures about balance the mountains and the

highlights the sky and the trees and you will have a beautiful painting so I

actually have two more painting reviews that I need to do that I thought I could

fit into this video but I didn't realize how in-depth I was getting but I

actually like that because I feel like I'm hitting home with a lot of good

valid points that's gonna help a lot of these people grow so I'm gonna split

this up into two parts so for these two people I'm gonna split you guys into the

next video so stay tuned and hopefully you guys are really enjoying this

because I'm gonna give you more great advice I just want to say thank you for

all the people that were kind enough to

submit and if you guys like this type of video and you want to submit your

artwork perhaps we do this maybe once a month if you do like it leave a comment

below so I know maybe we'll start a hashtag for Twitter and Instagram

something like wild wet reviews if you want to submit your artwork tag it that

so that way I can look at it I'll grab it and I'll do my best to make a video

to help you out on your painting adventure hey if you guys want to follow

and help me out with this channel make sure to subscribe and tick that bell you

can also follow me on Twitter and Instagram and if you want to see me

paint I paint all the time on twitch.tv slash while for games and thank you so

much for watching this video I will see you all next time coming up in my

creative control video coming up real soon take care peace

For more infomation >> Wet on Wet Oil Painting Reviews - Duration: 14:30.

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Who was Hubert Cecil Booth? Inventor of the first powered vacuum cleaner Hubert Cecil Booth - Duration: 2:25.

Who was Hubert Cecil Booth?

Inventor of the first powered vacuum cleaners.

Today the Search Engine Google celebrate Hubert Cecil Booth's 147th Birthday in some countries.

Hubert Cecil Booth was an English engineer known for inventing one of the first powered

vacuum cleaners.

He also designed Ferris wheels, suspension bridges and factories.

Later he became Chairman and Managing Director of the British Vacuum Cleaner and Engineering

Co.

He was born on July 4th 1871.

He finished the Diploma of Associateship (ACGI), coming next in the building office.

He turned into an understudy of the Institution of Civil Engineers.

Stall was conceived in Gloucester, England, 1871.

He was instructed at Gloucester College and Gloucester County School under dean Reverend

H. Lloyed Brereton.

In 1889 he entered the Central Technical College, City and Guild, London in the wake of passing

the selection test.

He finished a three-year course in structural designing and mechanical building under Professor

William Cawthorne Unwin FRS.

In December 1892 he participated in the illustration office of Messrs Maudslay Sons and Field,

Lambeth, London under Mr Charles Sells, as a structural designer.

In this limit he planned scaffolds and substantial ferris wheels for entertainment meccas in

London, Blackpool, Paris, and Vienna.

He likewise chipped away at the outline of motors for Royal Navy war vessels.

Booth wedded one of the little girls of Francis Tring Pearce, executive of the Priday, Metford

and Company Limited.

He was a companion of Hugh Pembroke Vowles.

Booth passed on 14 January 1955 in Croydon, England.

For more infomation >> Who was Hubert Cecil Booth? Inventor of the first powered vacuum cleaner Hubert Cecil Booth - Duration: 2:25.

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Its Your Move Joshua Burger CORRECTED Final H264 MP4 2Mbps - Duration: 16:00.

Joshua Burger

(theme music)

Welcome to It's Your Move.

This is a project

of the Westchester Independent Living Center.

We are an information and referral center

for folks with disabilities

located right here in White Plains

at 10 County Center Road.

Recent statistics approximate that 1 in 68 Americans

are on the autism spectrum.

Autism looks different for every person

and affects everyone differently,

which is why it's called a spectrum.

There are strengths and unique abilities

associated with autism,

and, due to growing awareness,

many adults have learned the signs

and felt there may be a connection

between their feelings and behaviors

and the symptoms of autism.

Joshua Burger is my guest tonight.

And he is going to tell us about a support group

that WILC, our organization,

offers for people with autism.

The focus of this group series,

Positively Speaking,

is to gain a sense of belonging

in a supportive community where effective communication

and listening skills are used and developed.

-Welcome, Joshua. -Thank you so much

-for having me, Lisa. -Absolutely.

So, Joshua, your title at WILC

is Independent Living Advocate and Mental Health Specialist.

Um, just tell us a little bit about yourself, um,

you know, your advocacy involvement and, uh,

and how you got involved in autism advocacy specifically.

(Joshua) So, I--actually I had-- my, uh, previous experience

working with people with autism

started off at the Center for Career Freedom.

(Lisa) Mm-hm, and that's in White Plains, right?

Correct, where I was, um,

originally I started off as a student,

I wanted to brush up on my, um, office skills.

And then I became one of the instructors

where I was working one-on-one with, um,

people with physical and also mental disabilities.

And, um, and there I was able to experience, uh,

working with many different personalities,

many different disabilities,

so that gave me the experience

of working with people with autism.

But, um, once I, um, received this new opportunity

to work at the Westchester Independent Living Center, uh,

I was discussing with my supervisor how there was a need

in the community for--for a support group

for people with autism,

so we felt this would be a great idea

-to start something. -Absolutely, yeah.

And we're gonna talk about your series

in a few moments,

which is really gaining

some good momentum, right?

-Yes. -But first let--

I mentioned autism spectrum

at the outset of the show,

and a lot of people are confused about that.

There's a wide range of abilities, as I mentioned.

Just tell us a little bit about, um,

about the spectrum and how it affects people differently.

Um, for instance, maybe some folks may be non-verbal

and others could be extremely, you know,

high functioning, if that's a good word to use.

(Joshua) Right, so, every-- every case is different,

every--everyone is, you know,

has their own challenges.

Um, so it--it could be, um,

with social cues, um,

interacting with other people.

And, uh, it could be other things as well,

which could limit their ability to function in society,

and, um, whether it's finding a job

or maintaining work and finding, um,

something that is, um, meaningful in their lives.

So, that's why we wanted to start this group, um,

for people to build a network and a community

where people can express themselves

and also learn skills and techniques, uh,

that can help them in their future.

(Lisa) Right, so that's--so that is the need then, right,

so that's the need you're talking about

for this type of support group.

And I think you mentioned, uh,

a safe place where people can go and share.

(Joshua) Right, yeah, it's about feeling comfortable,

a non--judgment-free zone where, um,

where they can express themselves.

And--and in the group,

I mean, we do have a code of conduct, um,

which is, you know, to be polite

and respect all others.

Um, but all opinions are welcome

as long as they abide by the code of conduct.

-Right. -So, um,

it really gives everyone a chance

to really, um, speak of what's going on in their lives

and--and we all look at it together

and--and come up with suggestions.

(Lisa) Sure, so what type of topics so far have you--

so the group started, I think, in February was it?

-January. -January, okay, all right.

(Joshua) So, um, we have, uh,

the topics have a common theme that--

focus on the self

to work towards achieving greater independence.

-Mm-hm. -Um, so, some of the topics

that we have discussed thus far

have been recognizing our achievements,

setting goals for the new year,

which was our January topic.

Uh, then we also recognize our emotions

and interpretations, um,

communication, listening skills,

as well as, uh, confronting our fears

are some of the topics that we've discussed thus far.

(Lisa) Right, and, uh, how many folks--

I mean, you just started,

so you--you have a--

like a regular core of folks that come and--

and they keep coming back or they're--

they find that this is a support--

a safe place to really share,

a safe forum for them.

(Joshua) Absolutely, we, um, we do have a lot of, um,

participants who, uh,

who have--who continue coming to the group.

-Mm-hm. -Um, and--but every, um,

every month we do see new faces, which is great.

Um, it's a small community and we're looking to expand.

Um, but, I mean, just the fact that we're helping, uh,

one person makes a big difference.

And--and they can then, you know,

learn to help other people

who may be having similar experiences.

(Lisa) Yeah, and you find that's-- that's, um,

that's a--I guess that's a really important

-peer support, correct? -Absolutely.

Yeah, absolutely.

Um, and so some of the topics, as you mentioned,

so are these topics, um, I know you've done some research,

but these are issues that folks bring to the table

or when they come to the group

in terms of upcoming topics for the show.

Um, I know you mentioned a couple

that we discussed already, but, um,

so that's pretty much how you arrive at the subject matter.

(Joshua) Yeah, so, we'll, um, based upon what the need is,

what's being discussed in the group,

will give me an idea of where we want to take the topic,

where we want--where we want to go for the next month.

Uh, also, um, with the amount of research that I've been doing

and the self-help books that I read,

those also add on to the topics for--

for different activities that we use

-during the group as well. -Right.

I know you mentioned that bullying

is kind of a-- really an outs--

one of the more challenging issues

that folks with autism face.

Tell us a bit about that.

(Joshua) So you'll see that a lot with adolescents.

-Mm-hm. -Uh, bullying is a major issue,

it comes from a lack of awareness and understanding.

Um, some of the things that we work towards achieving

is being able to communicate, uh,

knowing that what the bully is saying

-isn't the complete truth. -Mm-hm.

(Joshua) Um, not taking it as personally and also, um,

learning how to effectively communicate,

whether it's sticking up for themselves

or telling someone else who they can trust,

like an adult.

Um, but, I mean, it's really the bully

that's projecting their emotions onto the other person

because they feel insecure about themselves.

(Lisa) Yeah, absolutely, but for the person on the receiving end,

very hard, really, to deflect that

and to feel good about yourself,

especially--I-- I guess if you, you know,

if your entire life,

by the time you reach adulthood,

you've experienced, you know,

significant instances of bullying

throughout your life, throughout your school life.

And, um, so when they come to your group, um, you know,

they've had significant experience with this.

And I'm sure it impacts your self-esteem, um,

and feelings of-- probably exacerbating

feelings of powerlessness, I would think.

(Joshua) Yeah, it's a-- it's a very sensitive topic,

but there are things that can--

that we work on, um, together

that can improve those feelings that, um,

maybe, um, that that person, uh,

who was bullied could be holding onto.

So it's about releasing those emotions and feelings

that they're--that they've been holding onto all these years

and kind of like just setting, um,

setting a new stage for, um,

the rest of their lives and moving forward from that.

(Lisa) So do you feel it's helpful just in and of itself

telling one of your attendees who has experienced bullying

that it's not you, as you just said,

that it's the projected feelings of the other person,

that alone, I would think,

is fairly--is fairly helpful,

just knowing where it comes from,

-it's not them. -Yeah, absolutely.

I mean, it's, um, like I said,

it's--it's the other person

who may be going through something themselves

and they don't know how to express their own feelings

so they take it out on someone else.

So that's where, um,

it's--it's good to not identify

with what someone else may be telling you

because it's really important to know your own truth

and what that means to you,

so, that's where, you know,

we--we want to, uh,

take responsibility for our life, uh,

because we are responsible for, uh,

some of those emotions that we may be holding onto,

and there are, uh, different coping mechanisms

that can help release those emotions.

(Lisa) Sure, um, what is the, um,

is the group open to anyone

or are there specific, you know,

functioning requirements, um,

in order to-- to join your group?

(Joshua) So the group is open to anyone.

Uh, I do get asked a lot

what the functioning capacity is of the group,

and, uh, that's always a difficult question to answer

because it's more of a range.

-Yeah. -But I--I always say

anyone is welcome.

If they feel comfortable bringing a parent

or a guardian or chaperone,

they're more than welcome to do so.

And I always like to say, you know,

the best thing to do is to try it out

and see if you like it.

Uh, you've got nothing to lose by doing that.

(Lisa) Do you have family members that come?

Have--have family members come so far?

-Yes. -Oh, you have? Okay.

(Josh) Yeah, we've had a few parents, chaperones.

And, um, sometimes they even participate,

so it's--it's all-- it's very inclusive,

-which I like about it. -Sure.

Interesting because, you know,

we are Westchester Independent Living Center,

and so one of the--the--the, uh, thra--

the mission statements of our center,

of all independent living centers,

is to try to provide support and information

to folks with disabilities to help them to become

as independent as they can be.

And, um, over the course of time since I've worked at WILC,

um, you know, it can be challenging

for some folks with disabilities

when they have a lot of family or parental--

I'm not gonna say interference, um, involvement,

because I think sometimes there tends to be

an overprotection, um, on the part of, uh,

you know, a parent feeling

toward their child with a disability.

I'm not sure if it's more profound in the--

in the--in the autistic community

than it might be somewhere else

because of the--some of the unique challenges,

and does that interfere or could that interfere

with your support-- with your support group.

And having parents attend or guardians attend

rather than having the individual themselves

advocate for themself or participate.

(Joshua) I think, um, it starts off where they--

they need to be in their comfort zone.

-Yeah. -So if that means them, uh,

if that means them, uh,

taking the chance to--

or taking the opportunity to--

to leave their home to, you know,

to do something in the community, uh,

if they're with their parent, um,

or guardian or chaperone,

then I would--I would still recommend it.

-Yeah. -Um, eventually,

what I would like to see

is them sort of become more independent from that

and kind of break off and become their own person.

(Lisa) Right, definitely.

I know in our-- in the disability community,

there's also, you know, um,

this, uh, you know,

the Christopher Reeve Foundation

has a very robust campaign, um, for the cure.

And people with disabilities, you know,

most of us feel that we're--

this is who we are, it's a culture,

we don't need to be cured to be accepted.

I'm not sure if that's something that--

in the autism community that is, uh,

you know, an issue as well.

'Cause I know there's a lot of--

a lot of different types of, um,

treatment options, um,

but then folks with unique abilities,

that's just pretty much who they are, right?

I mean, this is your identity.

-Right. -You don't have to really

be cured or treated, so to speak,

to--to be a part or a member of the community.

(Joshua) Absolutely.

And I really think, um,

I mean, there are some things

that we don't have control over.

It could be the weather, it could be traffic,

it could be having a disability.

But there are things that we can control,

which would be our response to that, uh,

which could affect, um, our outcome.

So, um, so it's--

based upon how you're looking at it,

uh, will determine, um,

a more positive outcome or--or a negative outcome,

but, uh, our group focuses on the positive outcomes

and learning how to take initiative

and claim responsibility for the life that we're living.

(Lisa) And claim your own identity, who you are.

-Yeah. -Um, so, Joshua,

if you could just give us some, um,

we have just a few minutes left here.

Um, if you can just share some resources with us.

(Joshua) Absolutely, so, uh, we have the, um,

a few participants from our group

who have joined or signed up

with the Tommie Cares Foundation.

Uh, they're a social media platform that, um,

for people with disabilities, um,

where--that allows them to interact with each other

and engage and, uh,

be a part of different online social groups.

-Mm-hm. -Uh, now what they're looking

to do is expand and--and actually, um,

start having local community meet ups.

-Oh, that's great. -Um, which would be

a safe and monitored place where they can get together

and build a network and lasting relationships.

(Lisa) And we'll--I know you have a website here,

but we'll run that at the end of the show for folks.

And Autism Speaks, I know that's a national organization,

I think, that's a really good resource?

(Joshua) Absolutely, as well as

the Office for People with Developmental Disabilities.

Uh, they provide different services and supports.

-OPWDD in Albany. -Yes.

(Lisa) Right, exactly.

And also--so--and--

so, your show or your, um, your workshop, um, um,

-is monthly. -Monthly support group, yep.

Support group, workshop, support group.

And every--if you could just tell us when it--

-when it, uh-- -So it's the fourth Wednesday

of every month from 3:00 to 4:15.

(Lisa) And if someone wants to join,

how would they get in touch with you?

So, uh, you can contact me

either by phone or email.

My phone number at, uh,

the Westchester Independent Living Center

is 914-682-3926,

my extension is 2115.

Or you can email me at jburger,

that's B-U-R-G-E-R like a hamburger,

at WILC, W-I-L-C, dot org.

(Lisa) Great, thanks so much, Josh.

It was a pleasure having you on.

(Joshua) Thank you so much for having me.

Absolutely.

And thanks for joining.

We'll see you next time.

For more infomation >> Its Your Move Joshua Burger CORRECTED Final H264 MP4 2Mbps - Duration: 16:00.

-------------------------------------------

Meditazione: Musica Zen Rilassante E Suoni Della Natura Per Meditare - Duration: 1:06:01.

Meditation: Relaxing Zen Music And Sounds Of Nature To Meditate

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(ENG/VIET) 161206 BTS j-hope Twitter Video - Duration: 0:05.

Grandpas and grandmas! Let's dance!!!

Ororothee~~

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Get up

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Baaghi 2018 The Real Fight | Full Hindi South Action Dubbed Movies - Duration: 2:27:23.

Statuatory Warning

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Mafumafu - Terror(ism)【Neru】VOSTFR - Duration: 3:57.

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Twitter CEO 'does not seem to give a f--k' about verifying white supremacists - Duration: 1:05.

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My New Porsche GT3 - Supercar or Not?! - Duration: 7:30.

This is Watch Your Style.

Right now I'm on the way to finally go pick up my new car.

After a lot of patience and waiting for the right one drop at the right price, the moment

has come.

So, pretty exciting.

Can't wait!

[music]

After a week, I finally get to see the car outside, a whole week at just looking at the

car inside of a warehouse like right next to a bunch of like other cars.

This is actually the first time I see the car in the sun.

Ahhh damn!

I can't tell you how hard it was to find a white GT3, low miles, the gloss black wheel

was actually just like an added kick because I didn't even need to have that, but when

I saw it I was like, damn, this [bleep] looks [bleep] amazing.

It looks even better.

[opening door]

I actually I bought a car that this is the first time I sit in it.

Oh yeah!

[music]

Real good!

AP 44 rose gold.

[drives away]

So you know, so finally I get the car.

I just never really been the type to let dreams go to waste.

You can't get desperate and you can't force things, but if you do the right planning and

wait then your patience...what's meant to be will happen and the right one will fall

for you.

Part of the reason that I chose the GT3 was because of value retention.

The Porsche GT3 holds more value than the Carrera or the Carrera S or the Turbo.

So I try to buy everything like if it was almost like a watch.

I always think about the resale and stuff like that.

And instead of getting a Carrera S and putting wheels on it and dropping it, the GT3 already

comes with all of that.

Pretty much I bought this car because of the engine and the transmission.

I mean, I would have taken the most basic one possible, but I really bought just because

of the PDK Sport Transmission and the tricked out 3.8 that revs 9000 rpms.

Am I gonna track this car?

No.

Do really care that it rides a little bit rough?

No.

I'm actually encouraged that it's a little bit loud.

I didn't want a touring car.

I wanted something that was kind of aggressive and special, so finally.

I mean, honestly I'm trying to contain the excitement here and just record this video

like I've been driving this for three years, but I really just can't wait to sit down and

start pushing every single little button it has and trying to figure out the do's and

the don'ts, but nevertheless I'm very satisfied with the whole deal with the guys at the Garage.

Eddie and Eddie Junior at the Garage Miami really took care of me and walked me through

the whole process and the right car...it was the right car for me at the end.

It had the right options, the right price and it just talks to me, kind of like the

watches sometimes.

Watches don't really...but this one kind of did.

It all just happened very natural and everything fell into place.

The car overall rides a little rough, but hey then again, any car that looks bad-ass

and has like low pros is gonna ride pretty rough, you know?

So as far as the performance goes, I mean it gets down!

I'm not really into racing.

I'm not gonna be racing people, but I will be having some fun with this car.

It's got all these little buttons, which I can't wait to play with, starting with the

the exhaust one.

[exhaust getting louder]

The second I hit those buttons, the car already kind of transforms and we're gonna get a little

bit on it right now as you can see.

[acceleration sound]

You know, that's about all I need.

I don't need to get that crazy with it.

But yeah man.

Let's turn this thing off because it just gets crazy.

I didn't realize that.

It completely transforms.

Right now, I have it like at granpa status without it.

When you hit those three buttons, it just complete changes.

Another main reason why I bought the Porsche GT3 is that, it's kind of like the cheapest

supercar that you can daily drive, whereas like everything else you can't daily drive

and also puts you in this higher price bracket.

I did a lot of research and study on them and I just can't see a car that gets more

performance, more looks, more driveability and more value retention than the GT3.

At a price range from $115k to $135k, I just can't see...even a little more, from $115k

to $145k, I just can't see a car that gives you more than this.

And Porsches are hard man.

You could ride these things, they take the abuse.

They're German engineered, the fit is perfect, everything about it is flawless victory and

overall, I'm super excited.

You'll be seeing it more and more throughout this video series.

Every now and then you'll see this car.

Currently, what I also have is a 67 Chevelle SS muscle car.

I'm into the classics.

When it comes to the European, the fast cars, I've always been a fan of Porsche.

Ferrari, yeah who doesn't like Ferrari, but I've always been more of a Porsche guy.

Quite frankly so.

Glad you got to see this all happen.

Though it just so happens that I have today an AP 44 rose gold to pick up this car today

and it's funny because it kind of goes good here.

We got the black and rose, black and rose.

You know that emblem is almost like a rose.

Kind of fits perfect.

I feel like an AP is actually the right watch for a Porsche.

I always try to like pair watches with like a car brand, and I feel like AP goes perfect

with Porsche.

Good watch man.

I kind of wish I had the Carbon right now.

I think my Carbon is the correct watch for this car, but overall it's just been an amazing

experience.

[engine noise]

So if you liked this video, please like and share.

Also, remember to subscribe to our channel.

My name is Eric.

Watch Your Style!

For more infomation >> My New Porsche GT3 - Supercar or Not?! - Duration: 7:30.

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Kindle Publishing - Strategy of Mass Destruction - Duration: 4:44.

Kindle publishing strategy of mass destruction we are going to talk about

it come on hey guys it's K Ninja and before we get into it if you're at

all into self-publishing make sure you kick that subscribe button and punch the

little Bell so you get notifications because self-publishing is all this

channel talks about and today we're going to get into its strategy of mass

destruction what does it feel like if you could just push a button and destroy

the entire publishing industry well I can't even describe the feeling the

feeling is totally unreal but I'll tell you it feels great it's like a surge of

endorphins when you know that you can just push a button and make things

happen now I've been doing this strategy for some time now and I was thinking

what do I do with it do I just keep doing it should I tell people about it

is anyone really deserving enough to know about a strategy like this like it

has the power to change lives now all of that said it's not going to work for

everyone not everyone can do this strategy you've gotta meet certain

requirements or you could even think about implementing this strategy and the

implementation is difficult it's not easy to get this strategy on right it

takes a lot of upfront work and I'm talking like hardcore work now how long

it takes really depends on the level at which you're able to work and how

quickly you can work and for different people it's going to be different for

some people it might take a week to implement this strategy for others it

could take a month and for some it might take a few months or even a year to get

it on but once you've got it on oh boy it's like lookout publishing industry

because once you've got it on it's like you're a fully-charged Bionic Commando

with a very large storeroom of Energon cubes

by which to power your weapons but then I thought how many people are really

deserving of this strategy I mean why should I tell anyone about it I mean do

you just hand over the keys to the bomb to just anyone what kind of madman would

just hand over the keys to the atomic bomb to anyone so it's a secret that has

to be carefully guarded carefully protected by legal agreements now I

could sell the secret for money I mean let's face it money isn't more the

vanity to share any kind of secret I guess it's a matter of how much money

but yeah I could sell it for money I could put it in a course I can see it

now in the meantime I'm gonna implement it myself while I think about what to do

with this strategy it's unreal it's unreal like you'll wonder if it could

even be legal but it's actually 100 percent legit that's the scary part

about it it's insane it's insane it really is and a normal publisher upon

knowing this information would be crazy to tell anyone they'd have to be a fool

to tell anyone I mean the fate of the entire publishing industry kind of hangs

in the balance but I am a bit crazy perhaps I could even be considered to be

a fool by some nonetheless call me what you will it doesn't change the power of

this strategy it just knocks everything else out of the water even if you try to

compete with it by review swapping even if you try to review swap your way

against it it just wouldn't work it is truly the Holy Grail strategy for

publishing in this day and age at this time now you want a next caliber to get

you ahead and publishing well this is that Excalibur there are requirements

though it's not for everyone I'm gonna think about the way I positioned this

one when I reveal it but it's common it is coming maybe even in the next video

it just makes me love being a Kindle publisher

and if you want to know a little bit more about being a kindle publisher then

click the little card right there yeah come on click it be sure to subscribe

now and hit the little bet so you get notifications see you in the next one

K Ninja out

For more infomation >> Kindle Publishing - Strategy of Mass Destruction - Duration: 4:44.

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jamun ke fayde in urdu hindi 2018 | health tips in urdu | جامن کے آپ کی صحت کے لئے زبر دست فائدے - Duration: 4:33.

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[ENG SUB] Mo Dao Zu Shi Audio Drama Short - "Ants" - Duration: 2:30.

Passerby student: "Hey, look. Why is Wei Wuxian kneeling on the stone path?"

Other passerby student: "You don't know? He fought with Jin ZiXuan, now the teacher made him kneel as punishment."

Passerby student: "Oh, so that's how it is."

Passerby student: "Hey, look, his head is lowered and his shoulders are shaking... He's not crying, is he?"

Other passerby student: "There's no way! Brother Wei's face is thick as a great wall, is he the type to shed tears over something like this?"

Passerby student: "You can't say that for certain. Being punished by the teacher here where a lot of people pass by... is really quite embarrassing!"

Both passerby students: ! "Second young master Lan."

Lan WangJi: "Mm."

Passerby student: "Hey, hey, what is Lan Wangji heading over there for? He's not looking to cause trouble for Wei WuXian, is he?"

Other passerby student: "That's probably it. He always loves to nitpick at Wei WuXian... Don't mind them, let's leave!"

Passerby student: "Yeah, let's leave."

(quiet sounds from Wei WuXian)

Lan WangJi: "Wei Ying."

Lan WangJi: "...Are you alright?"

Wei WuXian: Lan Zhan?

Lan WangJi: "Bearing punishment in front of others can be difficult to endure."

Lan WangJi: "But in the end, it is because you paid no mind to the rules and insisted on breaking them."

Lan WangJi: "You-- ...What's wrong?"

Lan WangJi: "You don't have to be like that."

Lan WangJi: "I... could help mediate between you and Uncle."

(Wei WuXian finally can't hold it in anymore, starts laughing out loud)

Wei WuXian: "Sure! Then many thanks to you!"

Lan WangJi: "You--!"

Wei WuXian: "What about me? You yourself offered to intercede on my behalf. Don't go back on your word~"

Lan WangJi: "You... just now you were..."

Wei WuXian: "I was doing what just now? Lan Zhan, it can't be that you thought I was crying?"

Wei WuXian: "Ha, there's no way that could happen!"

Wei WuXian: "I was digging an ant nest! Come look, it's a super large nest! Do you want to dig it together--"

Lan WangJi: "Get out!!"

(Lan WangJi storms off) Wei WuXian: "Hey--ahahahahahaha!"

For more infomation >> [ENG SUB] Mo Dao Zu Shi Audio Drama Short - "Ants" - Duration: 2:30.

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Tess Daly is effortlessly chic in pastel pink suit at Wimbledon - Duration: 4:47.

Tess Daly is effortlessly chic in pastel pink suit at Wimbledon

She is best known for hosting beloved BBC series Strictly Come Dancing, but rose to fame in her youth as a model.

And Tess Daly certainly proved her fashionable flair on Tuesday, as she led the glamorous arrivals at the second day of Wimbledon.

The presenter, 49, was effortlessly chic in a pastel pink suit and heels, as she and her husband Vernon Kay headed to watch a number of exciting singles' games at the famous All England Lawn Tennis and Croquet Club.

The television presenter was the picture of sophistication in the suit, which involved a sleek pink blazer and matching cigarette trousers.

Teamed with a silk mauve camisole, the trousers cinched in at Tess' famously slim waist, before skimming her long legs all the way to their tailored hem.

Keeping co-ordinated from head to toe, the blonde tied her look together with pale pink suede court shoes, and carried her essentials in a leather bag of the same hue, casually slung over one shoulder.

She styled her hair into loose, tousled waves and accessorised with dark Aviator sunglasses, to draw attention to her glowing complexion - accentuated by a bronze make-up look and candy pink lip.

First posing alone for cameras, Tess later joined her husband Vernon, 44 - clad in a smart blue tweed suit and retro shades, complete with teal rims.

The couple were joined at the second day of play by Joely Richardson and Carlo Nero, as well as Charles Dance and Floella Benjamin.

Tess stole the show with her radiant appearance at the tournament - which comes after she slammed ageism and sexism in the television industry, as a successful presenter in her 40s.

Hoping the attitudes towards older women will progress for the sake of her two daughters, she told Health and Fitness magazine: 'Why are we labelled? We shouldn't be.

'As soon as you hit 40, you have to defend your right to be that 'great age', and still working in the media. But why should I defend my great age?.

'You only notice [the age question] when you keep being asked about it. It just seems sexist and limiting. I hope it changes for our daughters.'.

Tess went on to admit she had always cared about her looks due to her career as a model, which had a huge focus on your size and beauty.

The former model explained: 'All my adult life, I've worked in media that demand you maintain your shape.

For example, when you're in the fashion industry, if you don't fit the sample sizes, you're not going to get booked for jobs. So I've always looked after myself to a degree.'.

Tess shares daughters Phoebe, 13, and Amber, nine, with husband Vernon, who she married in Horwich, near Bolton, back in 2003.

The famous Wimbledon tennis tournament kicked off on Monday, and was attended by Natalie Dormer, Ellie Goulding, Scarlett Moffatt, Emma Willis and Sir Cliff Richard.

They were joined by thousands of regular fans who queued for as long as 65 hours outside the grounds to ensure they could see the first day's action - although they missed out on watching Andy Murray, who pulled out of the tournament on Sunday.

Tuesday sees the continuation of the Gentleman and Ladies' Singles Rounds, with the likes of Rafael Nadal, Novak Djokovic, Maria Sharapova and Brit Johanna Konta all taking to the court.

For more infomation >> Tess Daly is effortlessly chic in pastel pink suit at Wimbledon - Duration: 4:47.

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5 modi per espellere l'accumulo di muco e catarro in modo naturale - Duration: 3:05.

For more infomation >> 5 modi per espellere l'accumulo di muco e catarro in modo naturale - Duration: 3:05.

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Gli antibiotici naturali più potenti e come usarli - Duration: 3:30.

For more infomation >> Gli antibiotici naturali più potenti e come usarli - Duration: 3:30.

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How To Fill MPPEB Vyapam Online Form 2018 | Assistant Auditor | Junior Auditor | Various Post - Duration: 11:01.

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