Monday, May 8, 2017

Youtube daily report May 8 2017

Greg: Today we are making the packaging for a

fidget spinner that my buddy Tom and I

are making. When I told my friend Joe

from the YouTube Channel "Answers with Joe" that I

was making a fidget spinner he told me

that he was making a video on how fidget

spinners can maybe make you smarter.

Joe: Unless you've been living under a rock

lately you've seen one of these they're

called fidget spinners... It also just

happens to coincide with some research

that suggests that fidgeting could make

you smarter. Greg: so I sent him one of our

prototypes to use as a prop and he

promptly decided to give it away... Joe: If you

want to win this spinner yes this spinner

right here, that I'm holding in my hand...

stick around to the end of the video I'll

show you how you can win it (along) with a nice

little note from me. Greg: I have links to both

Joe's video on whether or not fidget

spinners make you smarter and Tom's

video on the machining of the spinner

that we're designing packaging for today

listed in the description below. As Joe

so eloquently put it; we are doing a

three-way collaboration. Put your best

jokes in the comments below. Now let's

get to the design

One of my main goals when designing

anything is to separate my work from

everyone else's. It's easy and tempting

to take a design and copy it and put

your logo on it but you have to ask

yourself - what does that look like from

the user perspective? How does that in

any way make what you did more appealing

to the user? When I looked at what other

companies were doing to package their

spinners I saw a bunch of commodity

off-the-shelf solutions. Companies are

using cheap cardboard boxes, tins and

foam to package spinners that are

selling for a couple hundred bucks. The

design of the packaging is all the same

and with the exception of a logo being

screened onto them... BORING!

We're holding tolerances that no one

else is holding and using details that

are quite frankly more difficult for

fabrication but ultimately result in a

better product...

I wanted the package design to reflect

that level of sophistication. I wanted it

to be something owners could put on

their shelves and it would stand out

against the white noise that is the norm.

For inspiration we looked at old Starrett

tool boxes that Tom had laying around.

We asked ourselves could we do something

that would stand the test of time like

they did.

Even when using a CNC for production

breaking down rough stock into

machinable parts always requires an

amount of traditional woodworking.

Since we plan on making and selling

about 2 million of these I do need to

rely on my CNC for the main production.

the cam for this is fairly

straightforward.

The initial clearing is done with a 2d

adaptive clearing pass and a

quarter-inch

straight end mill. You'll see as the

toolpath gets down to more complex

levels the adaptive strategy starts to

change from an all-out clearing to much

more defined areas. This is also the

first time I used my router deflector

shield. It did an incredible job of

keeping the dust from flying all over

the place. I will have a video on it very

soon.

For the larger diameter details, I was

able to use the quarter inch bit for the

finishing pass. Typically I leave all

adaptive paths about .004" shy of the

final dimensions. Now we switch over to

an eighth inch straight end mill and

make a pass around the perimeter edges.

We also polish off any details that were

too small for the quarter inch tool.

The final operation on the box bottoms

is a .010" chamfer along the edges just

to clean up all the fuzzies. The next

shot you're going to see is what the

test pieces look like without this

cleanup.

The layout of the box allows the spinner

to have the buttons installed or on

display. If you have both the brass and

the aluminum buttons the extra set will

fit in the box.

One of the toughest tasks was making the

boxes right-sized so the spinners just

slip out. i messed with adding and

subtracting a .001"

around the perimeter. Just the right fit

is about .001" oversize. .002" was

too sloppy and on size was just too

tight.

After the main box was fleshed out I

started working on the lid. It's maple

and Tom and I decided to call our

venture "Guru Machine Werks". I think it

has a cool ring to it

and it accurately describes Tom status

as a master level tool and die maker.

I'm cutting counter bores for the

fasteners that will go in the lid. These

need to be dead straight and on center

or the gaps around the fasteners will be

uneven.

Of course I chose to eyeball this. The

boxes in the video are shown with a

magnet in one corner and a pin in the

other and they open by twisting. Feedback

from folks who tried to open them is

that these are way too confusing so the

production boxes will have magnets at

both corners and the tops will just lift

off.

I wanted the spinners and buttons to be

on display so the second a new owner

opens the box for the first time.

They are presented more like jewels and less like

a car part.

Check out the video of Tom machining

this spinner. I love love love to watch

the process of machining and Tom is a

true master.

Also check out Joe's video for a chance

to win one of our prototypes. He also has

a contest going to guess how long our

spinner will spin. The links are below.

If you are interested in buying a

spinner we have a pre-sale going right

now. The pre-sale is going to be $100 for

the spinners and I'm going to have a

discount code for anybody who watches

this video in the next week to get

another 15% off of that. After our 2-week

presale the spinners will be a hundred

and twenty dollars. You can get both

aluminum and brass buttons for the

spinners and we'll have extra bearings

available as well. If you want to win one

of our prototype spinners be sure and

check out Joe's video. The actual

production models are going to be

slightly different than this. We got some

feedback that this one looked a little

too similar to another production model

and I really don't want that so they're

going to be slightly different. I'll put

a rendering right here. A huge thank you

to both Joe and Tom for participating in

this three-way collaboration. We'll check

you guys later.

Feel free to click or tap on the images

to check out some of my past builds. If

you like my videos click on the Greg's

Garage logo and all my future videos

will show up in your YouTube feed.

For more infomation >> Package Design For a Spinner Project - Duration: 9:43.

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Tips For Doing The Teardrop Skinner Blend Properly - Duration: 11:45.

Hi guys, it's Cindy Lietz, your Polymer Clay

Tutor. In today's Studio Tip, I'm going to

show you how to master the blend. Now if

you're just getting into polymer clay

and you're starting to advance, one of

the skills that you may want to add to

your skill set is a gradient blend. Now

I've got examples of what gradient

blends are. In the claying world, we call

this a Skinner Blend because Judith

Skinner was the first one to come up

with this kind of technique. I now do a

much simpler blend called the Teardrop

Blend which I'm going to show you today,

but we use these kind of gradient blends

to show shading and lots of interest in

our clay work. I've got a few examples of

some canes where the teardrop blends

were used in them, here's a peacock cane,

a crocus bead cane, a tulip cane, and a

hyacinth cane. And you can see that the

colors are shifting from one to another,

and it makes for some really cool

techniques. Now a lot of people say, well

what do you do with a skinner blend. Well

you make canes or you make different

kinds of projects, and all of these, I

went to the my drawer just found some

ones that I've had Skinner blends or

teardrop blends in them. So there's lots

of really cool things that you can do

with a gradient blend like this. But

there are some tricks that you can do,

people mess them up on a regular basis,

and I'm going to show you how to fix

that or how to work with it. The blend

that we're going to do today is one

similar to this one here, this is done

using Souffle Clay and I'm just going to

use a tiny amount of three different

coloured clays. I'm going to use Souffle Turnip,

this is Canary, and this one is a Cherry Pie.

I recommend it when you're just

learning how to make a Teardrop Blend or

whatever blend you want to call it,

that you start with small amounts. Doing

large ones and then messing them up just

means that you end up with a lot of

muddy colors. So I always just do small

ones, why not? And then once you get good

at it, then you can start using a larger amounts of clay.

So I'm just going to take my

Canary Clay here and roll it into a ball,

and turn it into a teardrop shape just

by rubbing my two palms together.

Then I'm going to take the Cherry Pie, do the

same thing, and we're going to put these

together in a unique way.

Now you can use...

you'll need some sort of rolling

apparatus to make a Skinner Blend, you

can use an acrylic roller, I have a

video on how to make a teardrop blend

with an acrylic roller, so if you want to

use a roller then you'll want to check

that out, or you can use a pasta machine,

I've got lots of videos on those as well.

But today I'm going to use the Mammoth

Machine because it's in a... it's bigger

and it's got a... you'll be able to see

better if I do use this machine. Besides,

it's my favorite. But a lot of you won't

have this machine but it makes no

difference how or what you put together,

or what rolling machine you use. OK so

I'm going to take these and I'm going to

put... I'm going to put the Turnip one this

way, the Cherry Pie this way, and the

Canary this way. So I'm just going to

flatten them out a little bit and

basically they are three little pointy

triangles next to each other.

And then I'm going to run these through the pasta

machine so I'm going to do it at a

relatively thick setting so that there's

enough room for this to go through. And

I'm going to run it through the machine with...

See how I've got my colors

side-by-side, I'm not going to run it this way,

I'm going to run it this way. OK?

So that my tri... I've got flat parts of

the triangles at the top and it... well you

can see that you've got it alternating this way.

Make sure that that you're

rolling it that way. If you do it the

other way, the colors will mess up so I'm

just going to run it through the pasta

machine here and what I end up is this long snake

of the three colors now this is where a

lot of people mess up.

What I want you to do is to remember to stay in your lane

so keep the colors so that they stay in

their lane when you fold it in half

you're going to need to fold it in half.

If you... if you were to fold it this way,

those colors wouldn't be in their lane,

would they? They would be in each other's

lane but if you go this way, they're in

their lane they're lined up, and they're

going properly in. So I'm going to make

sure to put a little fold at the bottom

and always put the fold into the Machine

first so you're not trapping a lot of air.

Now, what's happened here is these

guys kind of went off to the side,

there's no problem just fold it just

keep it in its lane keep the color in

its way and fold it there it really

doesn't matter, people get too concerned

and too fussed about it, just fold it in half.

It might be easier for you to see it this way. so you're

going to fold it in half, keeping your

colors in their lane, and you can control

them. You can shove them in it, really

doesn't matter that much, you can even

fold it one more time if you're careful

not to trap in any air.

Then you can just run it through the pasta machine over and over,

keeping those colors in their lane.

Now what happens as you get going is if

you have... if your colors are staying too

stripy, so I'm going to do several times

here more, I'll try to go fast so you can

start seeing what's happening.

The colors that are crossing over each other, they

will start squishing together and blending

If your color way is... Here it might be

easier for you to see from the side...

If it's too stripey, then what you're going

to do is you can adjust it a little.

When you fold it in half,

instead of going perfectly in the lane,

you can veer off just a little bit and

doesn't matter whether you go this way

or this way but just veer off just

a little bit so that you're wandering in

your lane a little, and then the colors

will blend better in those areas. Then

you can straighten the back out, so I'm

going to just keep going here. Now what

will happen is if I don't control the width here,

it's just going to get wider

and wider because there's no

restrictions on the side ,

and it's just going to get wider and wider and

eventually what's going to happen is

is that you have this long wide piece

that's starting to get tricky to fold.

So, to avoid that from happening, what you're

going to want to do is to fold it in half

and take it to a surface and just

kind of start pressing the edges in

and control that, push it in so it's a lot

skinnier and clay, you know, that's a

really cool thing about clay is that you

can force it to do what you want it to do.

Also see this little bump that's

sticking out, that's because there's more

clay in that area, it's a little thicker.

So if I press down here make it a little

bit thinner, right where that bump is,

and I just fold it in a bit, what will happen

is, is that'll start straightening itself

out so I've made it a little bit shorter.

Now, instead of letting it just spread

out, I'm going to put my fingers on

either side. Now people make guides and

all kinds of stuff to control the width

but your fingers is just as easy.

So now, see what's happening is it's starting to

square off a bit here and you just keep

going and see how these colors are

starting to blend nicely from one to the... to the next.

And it's starting to get

flatter across the top, you can also

manipulate that a little bit by pulling

up on the edges, it makes for a nicer

blend if these are matching relatively

well at the top.

But it's still not that critical until

you get to the end see how pretty that's

getting? And you just keep going.

Now if I had folded it the wrong way, I just would

have one messy color, probably a muddy

color because I would have had the

purple and the yellow in there so it

would have had all the primaries and it

would have been a messy color like that.

So see how easy that is it's not hard,

you can force it to do what you want it to do.

Another thing you should watch out

for is bubbles. Now I've been pretty good

with not trapping air in there but if

you see any bubbles, what you want to do

is just sort of tug the clay lengthwise

like down the strips and it will release the air out.

I always like to pull this

way rather than sideways so that I'm not

making my blend too wide.

Now, we're getting pretty close here, the... I don't...

I think this hasn't blended nicely enough

yet and I think it's kind of too sharp

so what I would do is just do another

one of those slight tilts to the side so

that it would blend a little more yellow

into the red and a little bit more red

into the yellow

so that line is a little less blurry, I mean a little more blurred

and a little less straight across.

So, as you can see, we did this in real time

we've got a really lovely blend and you

can use these blends for lots and lots

of cool projects, and canes, and all kinds of neat things.

So I hope that answered a

lot of your questions. If you are messing

up your cane, you're probably... or your

blends, you're probably folding them the

wrong way, and you're not keeping those

colors in their lane. Alright, so if

this was helpful for you, do let us know

if you like this video, and if you've got

techniques that you don't quite

understand, you've got products you would

like me to test,

books you'd like me to review, anything

to do with polymer clay that you need

answers for, make sure to leave

suggestions in the comment section below.

And subscribe to our channel, if you're

watching this on YouTube, make sure to

subscribe and when you click that

subscribe button, a little bell will come

up, click that as well so that you'll get

the notifications and you won't miss all

the new stuff. Alright, so we'll see you

next time and bye for now.

For more infomation >> Tips For Doing The Teardrop Skinner Blend Properly - Duration: 11:45.

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Photoshop Tutorial: How to Create the Look of a Wood Brand - Duration: 6:50.

Hi. This is Marty from Blue Lightning TV.

A few years ago, I did a tutorial showing how to create the look of a wood brand.

I've updated it making it more streamlined and easier.

I provided this wood texture that you can download, so you can follow along.

Its link is in my video's description or project files below.

Open a black and white image.

If you'd like to add text to it, open your Type Tool, pick a font, adjust its size

and make sure the color is black.

Type out your text.

To reposition it, open your Move Tool and move it.

Press Ctrl or Cmd + E to merge the layers.

For my example, I'll just use this design without text.

To place it onto the wood texture, press Ctrl or Cmd + A to select it and Ctrl or Cmd + C to copy it.

Click the tab of the wood texture.

Press Ctrl or Cmd + V to paste your image onto the wood.

To resize it, open your Transform Tool by pressing Ctrl or Cmd + T.

Go to a corner and when you see a diagonal, double-arrow, press Alt or Option + Shift as you drag it in or out.

Then, press Enter or Return.

Make a copy of the layer by pressing Ctrl or Cmd + J.

Hide the copy and make the original layer active.

Open the Channels panel.

If you don't see it, go to Window and Channels.

Click the circular icon at the bottom to make a selection of the black shapes.

Open back your Layers panel and press the "Delete" key on your keyboard to delete the white background.

Make the top layer visible and active.

Invert the selection by pressing Ctrl or Cmd + Shift + I.

Go to Select, Modify and Expand.

Expand it 1 pixel and click OK or press Enter or Return.

We'll fill the selection with black, but first, if your foreground and background colors aren't

black and white respectively, press "D" on your keyboard.

Since black is your foreground color, press Alt or Option + Delete.

To deselect it, press Ctrl or Cmd + D. Invert the layer by pressing Ctrl or Cmd + I.

Go to Filter, Stylize and Wind.

The Method is "Wind".

For now, it doesn't matter which direction is ticked.

Click OK or press Enter or Return.

We'll repeat the filter twice by pressing Ctrl or Cmd + F, twice.

Go back to Filter, Stylize and Wind.

This time, tick the other Direction and click OK or press Enter or Return.

As, before, press Ctrl or Cmd + F twice.

Invert the layer and go to Filter, Blur and Gaussian Blur.

Blur it 1 pixel.

Open your Levels window by pressing Ctrl or Cmd + L and make the Output black level: 72.

Hide "Layer 1" and change the active layer's Blend Mode to "Color Burn".

Reduce its opacity to 60%.

Ctrl-click or Cmd-click the thumbnail of "Layer 1" to make a selection of your design.

Click the New Layer icon to make a new layer.

Go to Select, Modify and Feather.

Feather the selection 2 pixels.

Fill it with black and deselect it.

Reduce the Fill to 40%.

Doing this reduces the opacity of the layer, but it'll retain the full visibility of the

layer style effects that we're going to add to it.

Double-click an empty area of the active layer to open the Layer Style window.

Click "Bevel & Emboss".

The Style is "Outer Bevel", the Technique is "Smooth", the Depth is 50%,

the Direction is Up, the Size is 20 pixels and the Soften is 0.

Uncheck "Global Light".

The Angle is 130 degrees, the Altitude is 48 degrees and the Gloss Contour is Linear.

The Highlight Mode and the color don't matter because the opacity is 0%.

The Shadow Mode is Linear Burn, the color is black and the opacity is 22%.

Click "Inner Shadow".

The Blend Mode is Linear Burn, the color is black and the opacity is 10%.

Uncheck Global Light.

The Angle is 147 degrees, the Distance is 5 pixels, the Choke is 0% and the Size is 50 pixels.

Then, click OK.

This is Marty from Blue Lightning TV.

Thanks for watching!

For more infomation >> Photoshop Tutorial: How to Create the Look of a Wood Brand - Duration: 6:50.

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At the Lamb's High Feast We Sing | LSB 633 - Duration: 6:10.

At the Lamb's high feast we sing Praise to our victorious King,

Who has washed us in the tide Flowing from His piercèd side. Alleluia!

Praise we Him, whose love divine Gives His sacred blood for wine,

Gives His body for the feast— Christ the victim, Christ the priest. Alleluia!

Where the paschal blood is poured, Death's dread angel sheathes the sword,

Israel's hosts triumphant go Through the wave that drowns the foe. Alleluia!

Praise we Christ, whose blood was shed, Paschal victim, paschal bread;

With sincerity and love Eat we manna from above. Alleluia!

Mighty Victim from the sky, Hell's fierce pow'rs beneath You lie;

You have conquered in the fight, You have brought us life and light. Alleluia!

Now no more can death appall, Now no more the grave enthrall;

You have opened paradise, And Your saints in You shall rise. Alleluia!

Easter triumph, Easter joy! This alone can sin destroy;

From sin's pow'r, Lord, set us free, Newborn souls in You to be. Alleluia!

Father, who the crown shall give, Savior, by whose death we live,

Spirit, guide through all our days: Three in One, Your name we praise. Alleluia!

For more infomation >> At the Lamb's High Feast We Sing | LSB 633 - Duration: 6:10.

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Perdre des ami(e)s avec Anthony Daumont - Duration: 3:50.

For more infomation >> Perdre des ami(e)s avec Anthony Daumont - Duration: 3:50.

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The Battle of Carrhae (53 B.C.E.) - Duration: 19:54.

Three basic facts defined Marcus Licinius Crassus life.

First, he was rich.

A billionaire, by our standards.

Second, he used that wealth to support great politicians.

I've talked before about how he was secretly funneling money to Clodius behind the scenes,

but before that he did the same thing with Caesar, and other populists before him.

Third, Crassus's entire career was marked by his rivalry with Pompey.

It started decades earlier, when Pompey took credit for a war that Crassus had won, and

over the years the grievances piled up.

And yet, time and time again, circumstance forced the two men to work together.

That brings us to their second consulship together, in 55 B.C.E.

Late in the year, Crassus was getting ready to leave Rome and head to Syria, for his 5-year

term as governor.

It was an open secret that once Crassus got to Syria, he intended to go to war against

the Parthians.

On the day of his departure, a crowd confronted him, lead by a Tribune of the Plebs.

The Tribune tried to use his Veto to stop Crassus from leaving the city, but another

Tribune stepped forward and Veto'd his Veto.

The crowd blocked his way, and accused him of going to war for his own personal greed.

They refused to let Crassus pass until Pompey showed up and calmed everyone down.

I'm sure Crassus found it super annoying that it was Pompey who had to rescue him.

One more grievance!

Add it to the list!

Crassus arrived in Syria early, and started to get everything ready for his unprovoked

war against the Parthian Empire.

In the spring, Crassus took command of his legions, and marched east.

His son Publius had come from Gaul with some Gallic cavalry, and was now serving as Crassus's

cavalry commander.

The army reached the Euphrates river, which marked the boarder between Roman Syria and

Parthian Mesopotamia.

He crossed the river, and just like that, Crassus had started a war with the Parthians.

Many of the nearby settlements had sizable Greek populations, and were reasonably friendly

towards Rome.

As Crassus approached with his army, many of them felt comfortable surrendering to the

Romans without a fight.

But it wasn't always so easy.

One city named Zenodotium sent a friendly message to Crassus asking for a Roman garrison.

Crassus sent 100 men, basically a Roman Century, to occupy the city.

When the Romans arrived, the locals ambushed them, and had them arrested.

Later, the entire Century was executed.

When Crassus discovered what happened, he showed up with his entire army.

He stormed the city, and sold the its inhabitants into slavery.

For the rest of the summer, he marched all over Mesopotamia, capturing settlements, and

installing Roman garrisons.

At the end of the season, he turned his army around and marched back to Syria.

His campaign was a success.

He left 8,000 Roman soldiers behind, scattered throughout Mesopotamia in small garrisons,

guarding his new conquests.

But one thing should have been bothering him.

So far, the Parthians had not responded.

That winter, the King of Armenia, who was an ally to Rome, came to see Crassus.

The King asked Crassus to consider invading through Armenia, rather than through Mesopotamia.

He said that going through the mountains would give the Roman infantry a huge advantage against

the Parthian cavalry.

If he agreed, the King promised to provide Crassus with an additional 30,000 infantry

and 16,000 cavalry, which would basically double the size of his army.

This isn't explicitly said in our sources, but I'm sure that in return, the Armenian

King wanted a slice of Crassus's conquests.

Crassus thought about it, but in the end he refused.

His objective was to annex Mesopotamia, and so far, that was going pretty well.

Our ancient sources all think that this was a stupid decision, and I can't say I disagree.

46,000 Armenians is a lot of Armenians.

Nevertheless, the Armenian King returned home, and the next year, Crassus crossed the Euphrates

again with 43,000 men.

So far Crassus had made an effort to stay close to the Euphrates river, but one day,

Crassus's scouts came across the signs of an army, marching away from the river, into

the desert.

This must be the Parthian response.

Some of Crassus's subordinates advised him to pull back into one of his garrisoned towns

and gather some intelligence on this mystery army, but Crassus wasn't interested in that.

He ordered the Romans to march off into the desert, in pursuit of the enemy army.

Crassus advanced at a breakneck pace.

He forced his men to eat on the march, and only let them stop for a few moments at any

water sources.

Crassus's subordinates continued to urge him to turn around, or at least stop at a water

source for a couple of days, but he ignored their advice.

After a time, some of Crassus's scouts returned.

They reported that the a huge Parthian army was very close, and that they were all on

horseback.

Crassus ordered his men to deploy in a long, thin line.

This was a pretty standard tactic.

Since the mounted Parthians would have mobility on their side, the Romans had to protect themselves

against being flanked.

Elongating the Roman line would force the Parthians to do the same, which would limit

the size of any Parthian flanking maneuver.

This is ancient warfare 101.

But Crassus wasn't sure of himself.

The fact that the Parthian army was all cavalry was throwing him for a loop.

He changed his mind.

As his men were mid-deployment, he ordered them to come back.

Instead, he had them deploy in a hollow square.

This would allow the Romans to fight on all sides, removing any danger of being flanked,

or even surrounded.

On paper this isn't necessarily the worst idea in the world, but it's definitely unorthodox.

It's one of those "it's so crazy it just might work" ideas.

Crassus's subordinates tried to talk him out of it, but his mind was made up.

The Roman square advanced as one, until they caught sight of the Parthian army.

It turns out that the Roman scouts exaggerated a bit.

The Parthian army wasn't that huge.

In fact it was considerably smaller than the Roman one.

There were only 10,000 Parthians facing off against 43,000 Romans.

Most of the Parthian army was horse archers, with some armoured heavy cavalry mixed in.

The Romans were already in their little square, so the Parthian cavalry was unopposed as they

immediately surrounded them.

When they were in position, they began to be rain arrows down on the Romans from all

sides.

Crassus responded by sending skirmishers forward to drive the horse archers away, but the Parthian

arrows forced the skirmishers to retreat.

The Parthians continued to pound the Roman square with missiles.

Now it's not quite as bad as it sounds.

The Romans knew this was coming.

They were shoulder to shoulder, and everybody was protected by their giant shields.

Most ancient archers could burn through their supply of arrows in like 10 or 15 minutes,

so the Romans just had to sit there and wait for this to happen.

Then, they could close in with the enemy, and fight on their terms.

So they waited.

And waited.

And waited.

The arrows did not stop.

It turns out that the Parthians had brought a lot of arrows.

Like, a lot.

Apparently they had a small army of camels with them, each weighed down with thousands

of arrows.

Their only job was to run back and forth resupplying the horse archers.

They had basically had an infinite supply.

This possibility never occurred to the Romans.

Their shields still protected them from the worst of it, but a small percentage of the

arrows inevitably slipped through the cracks.

Another small percentage would hit a shield at exactly the right angle and go straight

through the wood.

Not very many Romans were being killed, but an alarming number were taking arrows to the

arms or feet.

In desperation, Crassus ordered the entire square forward.

Maybe if they could get close enough, the Parthians would have to stop shooting and

pull back.

It didn't work.

The arrows continued to fall.

This was getting bad.

Something needed to change.

So Crassus ordered his son, Publius, to take the cavalry and a legion and break through

the encircling Parthians.

Publius gathered the men, and charged.

And it worked.

The Parthian horse archers turned and ran.

Publius pursued.

But it didn't take long for Publius to make an unfortunate discovery.

While retreating, the Parthian archers could turn a full 180 degrees on their horses and

continue to shoot their arrows.

This is called the Parthian Shot, and it was a devastating tactic, especially in scenarios

like this.

But Publius and his cavalry ignored the arrows and kept up the momentum, chasing the Parthians

until the rest of the battle vanished in the distance.

Then, the retreating Parthians were joined by another group, doubling their size.

The Parthians swung around, and attacked.

It was all a set-up!

Publius realized his mistake too late.

His small force was immediately surrounded, and the arrows began coming down faster than

ever.

The infantry was totally pinned down.

Publius rallied the cavalry, and charged.

The Parthian heavy cavalry responded, and intercepted them.

The Parthians were armoured, and the Romans were not.

Publius's cavalry did their best, but it wasn't enough.

Publius was badly wounded, and the cavalry retreated.

They endured the Parthian arrows for a while longer, but eventually the arrows stopped,

and the Parthian cavalry charged.

Publius's men were in no condition to put up a fight.

5,300 Romans were left dead on the field, and another 500 surrendered to the Parthians.

Publius ordered one of his men to kill him, so that he wouldn't be taken alive.

Crassus didn't know that any of this was happening.

All he knew was that Publius had broken through, and that the Parthians had diverted some of

their strength to deal with him.

Then, a messenger arrived.

He told Crassus that Publius was being overrun by the Parthians.

For a time, Crassus was unable to make a decision.

Finally, he ordered the entire square forward.

They would march to Publius's aid.

Crassus had no idea that his son was already dead.

As the Romans were getting ready to march, a Parthian horseman came forward.

He started riding back and forth in front of the Roman line.

He was carrying something.

A spear.

On the end of the spear, there was a severed head.

It was Publius.

The Romans had endured a lot, but this was a terrifying sight.

They began to lose their nerve.

A groups of Romans broke from the army and tried to fight through the encircling Parthians

on their own, but the Parthian heavy cavalry intercepted them and cut them down.

Then, the Parthians continued pounding the Romans with arrows.

Finally, the sun started to set.

The Parthians pulled back.

They had rules against fighting at night, and besides, the Romans were on foot.

They weren't going far.

The Romans threw together a haphazard camp, and collected their wounded.

There were a lot of them.

Crassus was inconsolable.

He spent hours huddled on the ground, unable to move, mourning his son.

He didn't have the heart to face his men.

Two of Crassus's legates came forward and told the army that they were taking command,

and that they had the full support of the rank-and-file Centurions.

I guess if you want to be technical you could call this a mutiny, although Crassus didn't

seem to care.

The Legates decided that the Romans would march straight through the night.

The nearest town was Carrhae, which had walls and a Roman garrison.

If they could reach Carrhae, they would be safe.

They didn't bother taking down their camp, they just left it behind, along with anybody

that wasn't strong enough to walk.

Crassus tagged along, but didn't try to reassert his command.

Nobody could see a thing in the darkness.

It was a mess.

People kept on imagining that the Parthians were attacking, and sounding the alarm.

Of the people that could walk, a tonne were wounded, and after a while, they had a hard

time keeping up.

A whole bunch of wounded Romans were just abandoned on the march.

It was bad.

But by sunrise the next day, most of the exhausted survivors made it to Carrhae.

The Parthians descended on the abandoned Roman camp.

There were still a bunch of wounded there, and the Parthians killed them.

Then the Parthians fanned out all over the desert, looking for Roman stragglers, and

there were a lot of them.

Some had been abandoned on the march, and some had simply got lost in the dark.

The Parthians found one group of 2,000 that was walking in the wrong direction.

They captured as many as they could.

The Parthian general figured out that Crassus and the rest of the army were in Carrhae,

and went to negotiate.

He told them that it would be in everyone's best interest if the Romans just left Mesopotamia.

But, just to be sure, he wanted a formal peace treaty, and he wanted Crassus to sign it.

Crassus didn't want anything to do with this.

He was a broken man.

But the Roman army was either near or past mutiny, depending on your definition, and

they just wanted to go home.

They forced Crassus to go with the Parthians.

A small group of Romans went with him.

What happened next was...very strange.

The Parthian general made an over the top display about how it was so undignified for

a Roman general to be walking on foot.

He ordered a horse brought in.

The horse arrived, and it was wearing a very expensive golden bridle.

Like, obnoxiously expensive.

This was meant to somehow humiliate Crassus for his wealth.

The Parthian general told Crassus to get up on the horse.

Crassus tried to politely decline, but the Parthian general insisted.

Crassus was like, "okay..."

When he mounted the horse, and the Parthian holding its reins started running back and

forth erratically, smacking the animal and making it go nuts.

Crassus was hanging on for dear life.

The Romans stepped in.

This was weird, and an undignified, and it had to stop.

As they approached, somebody drew a sword.

There was a brief struggle, and second later, Romans and Parthians were lying dead on the

ground.

Crassus had been thrown from the horse.

Another Parthian came forward, and drew his sword.

He cut off Crassus's hand, and then his head.

Later, according to one account, the Parthians mocked Crassus's wealth one more time, by

melting down some gold, and pouring it down the throat of the severed head.

The Parthian general turned around and rode back east with his Roman prisoners.

He picked one Roman, and told him that from now on, he would answer to the name of Crassus.

He dressed his fake Crassus as a woman, and hired a bunch of prostitutes to follow him

around.

He then grabbed more Romans, and dressed them as lictors, or bodyguards, and had them follow

this fake Crassus as well.

He gave these fake lictors fake fasces, which normally represented the power of the Roman

state.

Affixed to the top of the fasces were the severed heads of other Roman captives.

The Parthian general took this horiffic procession on tour through Parthian territory.

He called it Crassus's Triumph.

In the end, a Parthian army of 10,000 defeated a Roman army of 43,000.

20,000 Romans were killed and another 10,000 were captured.

The legions' eagle standards were also taken, which was an extra level of humiliation.

At the time it was one of the worst defeats in Roman history.

Back in Rome, Crassus's death came as a shock.

Politically, it changed everything.

The Reform faction lost its most prominent financial supporter.

Pompey was now the richest man in Rome, and within a year, he would be distancing himself

from Caesar and aligning with the Conservatives.

Roman politics would never be

the same.

For more infomation >> The Battle of Carrhae (53 B.C.E.) - Duration: 19:54.

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Vol au vent farci Ψ§Ψ¨Ω‡Ψ±ΩŠ ΨΆΩŠΩˆΩΩƒ Ψ¨Ω‡Ψ°Ω‡ Ψ§Ω„Ω…Ω…Ω„Ψ­Ω‡ Ψ§Ω„Ψ±Ψ§Ψ¦ΨΉΩ‡ في Ψ§Ω„Ω…Ψ°Ψ§Ω‚ ΩˆΨ§Ω„Ω…Ω†ΨΈΨ± - Duration: 3:01.

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For more infomation >> Dag 36: STEK Monteur – In sneltreinvaart - Duration: 2:51.

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Photoshop Tutorial: How to Create the Look of a Wood Brand - Duration: 6:50.

Hi. This is Marty from Blue Lightning TV.

A few years ago, I did a tutorial showing how to create the look of a wood brand.

I've updated it making it more streamlined and easier.

I provided this wood texture that you can download, so you can follow along.

Its link is in my video's description or project files below.

Open a black and white image.

If you'd like to add text to it, open your Type Tool, pick a font, adjust its size

and make sure the color is black.

Type out your text.

To reposition it, open your Move Tool and move it.

Press Ctrl or Cmd + E to merge the layers.

For my example, I'll just use this design without text.

To place it onto the wood texture, press Ctrl or Cmd + A to select it and Ctrl or Cmd + C to copy it.

Click the tab of the wood texture.

Press Ctrl or Cmd + V to paste your image onto the wood.

To resize it, open your Transform Tool by pressing Ctrl or Cmd + T.

Go to a corner and when you see a diagonal, double-arrow, press Alt or Option + Shift as you drag it in or out.

Then, press Enter or Return.

Make a copy of the layer by pressing Ctrl or Cmd + J.

Hide the copy and make the original layer active.

Open the Channels panel.

If you don't see it, go to Window and Channels.

Click the circular icon at the bottom to make a selection of the black shapes.

Open back your Layers panel and press the "Delete" key on your keyboard to delete the white background.

Make the top layer visible and active.

Invert the selection by pressing Ctrl or Cmd + Shift + I.

Go to Select, Modify and Expand.

Expand it 1 pixel and click OK or press Enter or Return.

We'll fill the selection with black, but first, if your foreground and background colors aren't

black and white respectively, press "D" on your keyboard.

Since black is your foreground color, press Alt or Option + Delete.

To deselect it, press Ctrl or Cmd + D. Invert the layer by pressing Ctrl or Cmd + I.

Go to Filter, Stylize and Wind.

The Method is "Wind".

For now, it doesn't matter which direction is ticked.

Click OK or press Enter or Return.

We'll repeat the filter twice by pressing Ctrl or Cmd + F, twice.

Go back to Filter, Stylize and Wind.

This time, tick the other Direction and click OK or press Enter or Return.

As, before, press Ctrl or Cmd + F twice.

Invert the layer and go to Filter, Blur and Gaussian Blur.

Blur it 1 pixel.

Open your Levels window by pressing Ctrl or Cmd + L and make the Output black level: 72.

Hide "Layer 1" and change the active layer's Blend Mode to "Color Burn".

Reduce its opacity to 60%.

Ctrl-click or Cmd-click the thumbnail of "Layer 1" to make a selection of your design.

Click the New Layer icon to make a new layer.

Go to Select, Modify and Feather.

Feather the selection 2 pixels.

Fill it with black and deselect it.

Reduce the Fill to 40%.

Doing this reduces the opacity of the layer, but it'll retain the full visibility of the

layer style effects that we're going to add to it.

Double-click an empty area of the active layer to open the Layer Style window.

Click "Bevel & Emboss".

The Style is "Outer Bevel", the Technique is "Smooth", the Depth is 50%,

the Direction is Up, the Size is 20 pixels and the Soften is 0.

Uncheck "Global Light".

The Angle is 130 degrees, the Altitude is 48 degrees and the Gloss Contour is Linear.

The Highlight Mode and the color don't matter because the opacity is 0%.

The Shadow Mode is Linear Burn, the color is black and the opacity is 22%.

Click "Inner Shadow".

The Blend Mode is Linear Burn, the color is black and the opacity is 10%.

Uncheck Global Light.

The Angle is 147 degrees, the Distance is 5 pixels, the Choke is 0% and the Size is 50 pixels.

Then, click OK.

This is Marty from Blue Lightning TV.

Thanks for watching!

For more infomation >> Photoshop Tutorial: How to Create the Look of a Wood Brand - Duration: 6:50.

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For more infomation >> Die rechtsextreme Hochburg Roppenheim | Zur Sache Baden-WΓΌrttemberg! - Duration: 5:02.

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Sadluci - Yallah ( Best Arabic Trap Dj Umut ) 2017 HD - Duration: 1:39.

For more infomation >> Sadluci - Yallah ( Best Arabic Trap Dj Umut ) 2017 HD - Duration: 1:39.

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For more infomation >> L'histoire d'Uber - Success-story - Duration: 1:58.

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Trump Healthcare, A Tax Cut In Disguise | MSNBC - Duration: 6:33.

TO LOOK OVER THERE. >> KELLY O'DONNELL REPORTING

FROM NEW JERSEY. THANK YOU VERY MUCH.

>>> I WANT TO BRING IN CONGRESSWOMAN DEBBIE DINGLE,

DEMOCRAT OF MICHIGAN. I HOPE YOU WERE ABLE TO HEAR

YOUR COLLEAGUE RAUL LABRADOR IN HIS TOWN HALL SAYING THAT,

QUOTE, NOBODY DIES BECAUSE THEY DON'T HAVE ACCESS TO HEALTH

CARE. IS THIS MORE ABOUT SEMANTICS AT

THIS POINT? THE WORD ACCESS TO HEALTH CARE

AS OPPOSED TO THE PHRASE AFFORDABLE HEALTH CARE?

>> YOU KNOW, QUITE FRANKLY, I DON'T THINK ANY OF THIS

SEMANTICS. PEOPLE ARE AFRAID OF WHAT WILL

HAPPEN. IT IS A VERY BAD BILL THAT

PEOPLE WHO NEED HEALTH CARE THE POST ARE WORRIED ABOUT WHAT WILL

HAPPEN TO THEIR COSTS. IN SOME WAYS YOU TALK ABOUT

SEMANTICS AND I SAY ALL OF US HAVE ACCESS TO BE ABLE TO BUY,

BUT HOW MANY OF US CAN AFFORD IT?

>> CORRECT. >> AND WHAT HAPPENED IN THE

HOUSE THIS WEEK IS GOING TO INCREASE COSTS MOST DRAMATICALLY

FOR THOSE WHO NEED IT THE MOST, THE SICK AND THE VULNERABLE.

I PERSONALLY DON'T BELIEVE A SENIOR IS A PERSON IN THEIR 50s,

BUT WHEN YOU GET INTO THE 50s THEY'LL PAY FIVE TIMES MORE.

THEY'RE SCARED. WHAT'S GOING TO HAPPEN TO THEM?

>> WE DIVE DEEPER INTO THIS IS THAT IT REALLY REVEALS A BIG TAX

CUT FOR THE WEALTHY AND IS THAT THE INTENDED GOAL OF THIS

BECAUSE IT'S REALLY NOT MUCH OF REPEAL, REPLACE OR EVEN A REFORM

OF OBAMACARE. IT'S NOW TRUMPCARE WHICH IS A

BIG TAX CUT. >> IT'S A TRILLION DOLLAR TAX

CUT TO ALL OF HIS FRIENDS IN THE CABINET AND THE WEALTHIEST IN

OUR COMMUNITIES AND WE'VE EVEN GOT REPUBLICAN GOVERNORS.

I'M SITTING HERE IN MICHIGAN. OUR REPUBLICAN GOVERNOR HAS SAID

THAT THIS IS A BAD PLAN. HEALTHY MICHIGAN REDUCE THE

UNINSURED IN MICHIGAN BY 50%. THE GOVERNOR IS WORRIED ABOUT

WHAT'S GOING TO HAPPEN TO THOSE PEOPLE AND THAT'S HAPPENING IN

STATES ACROSS THE COUNTRY. WE'VE GOT TO MAKE SURE THAT

IF -- I'M SORRY, I BELIEVE THAT IF YOU LIVE IN THIS COUNTRY YOU

DO HAVE A RIGHT TO QUALITY, AFFORDABLE HEALTH CARE AND HE

CAN SAY NOBODY DIES, AND I HAVE MET PERSON AFTER PERSON WHO

DOESN'T GO THEY'RE SICK UNTIL THEY'RE ABOUT TO DIE WHEN THEY

END UP IN THE EMERGENCY ROOM AND QUITE FRANKLY, SOME OF THEM DO.

>> CONGRESSWOMAN, THE VOTE WAS SO CLOSE WITHIN ONLY A FEW

POINTS TO GIVE HOUSE GOP MEMBERS THIS WIN.

COULD DEMOCRATS HAVE DONE SOMETHING DIFFERENTLY?

>> I DON'T KNOW WHAT THAT MEANS BECAUSE PEOPLE WEREN'T TALKING

TO EACH OTHER WHICH IS ONE OF THE PROBLEMS.

REPUBLICANS WANTED TO GET THIS BILL THROUGH.

I'VE SAID FROM THE BEGINNING AFFORDABLE CARE IS NOT PERFECT.

WE NEED TO WORK TO FIX PIECES OF IT AND WHY NOT CREATE A PUBLIC

OPTION IN MANY OF THE STATES AND WE NEED TO DO SOMETHING ABOUT

PRESCRIPTION DRUGS AND REPUBLICANS AREN'T INTERESTED IN

FIXING THIS BILL AND THEY'RE INTERESTED IN THE TRILLION

DOLLAR TAX CUT YOU TALKED ABOUT AND MANY, IF I'M NOT SAYING ALL,

THERE WERE SOME REPUBLICANS THAT VOTED AGAINST THE BILL AND THE

REPUBLICANS THAT WERE UNCOMFORTABLE ABOUT THEIR VOTE.

THEIR ARMS AND LEGS WERE REALLY BROKEN ON THIS VOTE.

>> WHAT ABOUT THE TUESDAY MORNING PEOPLE AND THE FREEDOM

CAUCUS FOLKS OF THE GOP? WE KNOW THAT THIS HAS BEEN TRIED

BEFORE. PAUL RYAN WASN'T EVEN ABLE TO

BRING IT TO THE FLOOR FOR A VOTE.

IT WAS CANCELED AND WHAT WAS THE OUTREACH TO THOSE CONCERNED

CONGRESS PEOPLE OF THE REPUBLICAN PARTY TO TALK ABOUT

THIS AND MAYBE NOT BE AT THIS POSITION WHERE WE ARE NOW?

>> I WASN'T IN THOSE MEETINGS. I DON'T WANT TO SPECULATE ABOUT

MEETINGS THAT I WASN'T IN. FREEDOM CAUCUS CLEARLY HAD VERY

DIFFERENT ISSUES WHILE I WAS GRATEFUL THAT THEY KEPT THE VOTE

FROM HAPPENING A MONTH AGO I'M NOT GOING TO AGREE WITH THEM AND

WE HAVE A PHILOSOPHICAL DIFFERENCE.

I KNOW THAT MANY REPUBLICANS THAT ARE PAT OF THE TUESDAY

GROUP ARE DEEPLY BOTHERED BY WHAT THIS BILL WOULD DO AND ARE

PRAYING THAT THE SENATE IS GOING TO FIX IT IN SOME WAY OR THAT

THE BILL THAT PASSED IN THE HOUSE WOULD NEVER BE SEEN.

YOU KNOW WHAT MAKES MEED SADDEST ABOUT THAT?

THIS ISN'T A GAME OF WORDS BETWEEN TWO POLITICAL PARTIES.

I WAS AT TWO HEALTH CARE EVENTS YESTERDAY.

A BREAST CANCER SUMMIT AT THE UNIVERSITY OF MICHIGAN AND THE

HEART WALK, THERE ARE REAL PEOPLE THAT ARE SCARED TO DEATH

ABOUT WHAT THIS MEANS FOR THEM. >> IT REALLY IS WHEN WE THINK

ABOUT THE DRILLING DOWN CHOICES BEING USED BY REPUBLICANS IN

THEIR HOUN HALLS WHEN THEY TALK ABOUT THIS AND IF THEY'RE

DESCRIBING THIS TO FOOL PEOPLE INTO THINKING THAT THEY WILL

HAVE INSURANCE BECAUSE THEY HAVE ACCESS TO IT IS WRONG, AND SO IT

REALLY IS A GAME OF BEING, YOU KNOW, CAUTIOUS ABOUT THE WORD

CHOICES AND BEING HONEST WHILE WE TALK ABOUT THIS, AND IF WE DO

THAT THE SENATE HAS THE BIG OPTION RIGHT NOW AND MOST OF THE

COLLEAGUES ON THE SENATE SIDE HAVE SAID THEY'RE GOING TO GO

BACK TO THE MAJORITY AND THERE ARE 13 MEN ON THE SENATE SIDE

REVIEWING THIS. WHAT'S YOUR REACTION TO THAT AND

WHY ISN'T THERE A WOMAN INVOLVED OVER ON THE SENATE SIDE AT ALL?

>> LOOK, IT DEEPLY DISTURBED ME. I WATCHED IN SHOCK THE PICTURE

IN THE ROSE GARDEN AFTER WHAT HAPPENED IN THE HOUSE.

I REALLY WANTED TO CRY, AND WHEN I SAY IT'S NOT A GAME AND

THEY'RE TREATING IT LIKE A GAME AND FOR THE PEOPLE I REPRESENT

AND FOR THE PEOPLE ACROSS THE COUNTRY IT'S NOT A GAME.

YOU SEE THE PICTURE IN THE ROSE GARDEN YOU REALIZE WHO IT IS

THAT IS CELEBRATING THIS AND THEN HEAR THAT IT'S THE 13 WHITE

BOYS, SORRY TO SAY IT THAT WAY, THAT ARE GOING TO BE DOING THIS

IN THE SENATE. I AM VERY CONCERNED.

WE LOST THE ESSENTIAL SERVICES PACKAGE IN THE HOUSE SO THAT

PREGNANCY IS NOT -- DELIVERING A BABY, HAVING MATERNAL BEN IF IS

IS NO LONGER AN ESSENTIAL BENEFIT.

MENTAL HEALTH, SUBSTANCE ABUSE. THESE ARE REAL ISSUES IN

EVERYDAY LIVES AND THESE GUYS DON'T LIVE THESE KINDS OF ISSUES

EVERY DAY. ONE OF THE REASONS THAT I FEEL

LIKE I'M ABLE AND WE NEED TO HAVE MORE WOMEN.

WE'RE THE CAREGIVERS AND WE ARE THE ONES DEALING WITH THESE

ISSUES EVERY DAY IN REAL LIFE. DIDN'T ASK FOR IT, BUT IT'S OUR

REALITY AND WE'RE MEETING PEOPLE, WE'RE TALKING TO PEOPLE,

WE UNDERSTAND AND WE NEED PEOPLE IN A ROOM THAT UNDERSTAND WHAT

IT REALLY MEANS TO EVERYDAY PEOPLE.

>> CONGRESSWOMAN DEBBIE DINGELL OF

For more infomation >> Trump Healthcare, A Tax Cut In Disguise | MSNBC - Duration: 6:33.

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πŸ‘Ά Comment faire de jolies chaussures pour bΓ©bΓ©? (Mary Jane Shoes) - Duration: 5:14.

For more infomation >> πŸ‘Ά Comment faire de jolies chaussures pour bΓ©bΓ©? (Mary Jane Shoes) - Duration: 5:14.

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Alien Covenant Movie Review - Duration: 8:47.

Hey everyone, hope all is well.

I am still buzzing right now, because only a few days ago I was at the world premiere

of Alien: Covenant, the latest sci-fi horror instalment from Ridley Scott.

There in Leicester Square London, I got to share the red carpet - or should I say green

carpet - with the likes of Michael Fassbender, Katherine Waterston, Danny McBride and of

course my lovely friends.

There were so many people and yet somehow I managed to get better seats than I normally

would at my local cinema: Dead centre.

It was such an incredible experience, which followed an excellent Alien Day, 1 week earlier

where I got to drink Alien themed cocktails, get a Weyland Industries temporary tattoo,

meet one of the on-set Xenomorph artists, check out props from Alien: Covenant, which even included

wearing the actual spacesuit. So freaking cool!

And I have to say, peering into one of those eggs was no easy task.

20th Century fox then brought us to their London HQ to meet face-huggers, and watch

Prometheus and the Director's Cut of Alien on the big screen.

And so a huge thanks to everyone at 20th Century Fox and Substance Global

who made this all possible. It was fantastic.

It's been quite a while since I last gave a movie review but after all of that, how

could I not feel compelled to make one about Alien: Covenant.

It takes place in the Alien universe, as a sequel to the 2012 movie Prometheus.

If you haven't seen Prometheus yet, then I do recommend checking it out first

before watching this review.

So, Alien: Covenant tells the story of a colony ship - named Covenant - in which the crew

members discover a planet that appears to be an uncharted paradise.

Upon their visit though, they soon become exposed to hostile alien life-forms which

turn their initial plans of starting a new home into a brutal fight for survival.

When I think about the elements that exist in the movies I love most, Alien: Covenant

has all of them: Atmosphere, commentary on the human condition, and connection.

So firstly, atmosphere: As you might expect from Ridley Scott, it is beautifully directed,

capturing perfectly the vastness of space, the mystery of exploring new planets and the

dread that comes from realising the frailty of human life.

Secondly, commentary on the human condition: As was the case with Prometheus,

it looks at the notion of creator vs creation.

It also poses questions about what is is to be human vs machine.

And thirdly, connection: The fantastic cast and script provides the audience with characters

that they can really care about.

So their laughter is our laughter, their fear is our fear, and their desire for resolve,

is our desire too.

Now if you enjoyed the movie Prometheus like I did, then you will more than likely enjoy

Alien: Covenant as it continues the story whilst also introducing us to a new one.

However, if you didn't enjoy Prometheus, because you were expecting something

closer to the classic Alien movies or didn't like there being so many questions with hardly

any answers... (two things that personally didn't bother me about the movie by the way.)

Or like me, found the characters difficult to care about and were baffled by some of

the questionable decisions that were made on what was clearly a dangerous mission,

Alien: Covenant is the fix you are after.

It felt like an excellent hybrid of Prometheus and Alien.

It has the thought provoking storytelling of the former, and the prevalent sense of

dread and urgency of the latter.

Alien: Covenant answered many questions, but left many for us to wonder about too.

The characters were more engaging and believable, as were their actions... for the most part.

And the script was much tighter with a constant sense of progression.

The film was just over 2 hours long, but with the great pacing in storytelling and so many

great scenes, it certainly didn't feel like 2 hours.

There are so many aspects to Alien: Covenant I could talk about,

but here are just a few that stood out.

Firstly, Michael Fassbender playing two roles in one movie was fascinating.

He portrayed two quite different Synthetics: David and Walter.

Without giving too much away, there is a scene where one is demonstrating something to the

other, and seeing two Michael Fassbenders right up close to each other having dialogue,

with the camera not moving across, but around them; That was very impressive.

Ridley Scott has a reputation for building big sets to help immerse not only the audience

but the cast too during filming, and Alien Covenant was no exception.

It looked great.

However I was surprised by the amount of CGI used in places.

Now i'm not one of these people that if something looks like CGI, goes

"Oh look, CGI! That sucks".

There were many times in the movie it looked amazing.

However, there were occasions where I did find it slightly jarring, but I think that

may be because it also relates to another slight issue I had.

And that was visibility of the threats.

When we look back at the classic Alien movie, it proves that what you don't see is often

more powerful than what you do, because your mind fills in the blanks.

Furthermore, we are used to seeing creatures in the Alien universe navigating through tight

dark environments, playing on that sense of claustrophobia.

Now I get Alien: Covenant is its own movie, but it's difficult not to draw comparisons,

and I just felt there were occasions where we saw too much and less could have been more.

Something else I can never make up my mind about are the amazing marketing campaigns

these movies have.

I was so hyped to see Prometheus because of all of their trailers and promos, but come

screening day and I found myself wishing that I had stayed away from it all so that I could

have approached the film with no expectations.

And yet, Alien: Covenant presented the same dilemma.

I watched all the trailers, all the promos and at the screening I thought: I wish I had

stayed away from it all.

Will I ever learn?

It caused many of the films moments of danger to feel more obvious and punctuated, helping

me prepare for what was or at least what I thought was going to happen.

However I will say that the two awesome prologues released: 'Last Supper' and 'The Crossing'

contained footage that did not appear in the movie, like many people feared.

Finally I will say that this movie felt like a great middle piece to the story arch we

know Ridley Scott is working on.

It sets us up well for a sequel, taking us one step closer to slotting right in the back

of the original Alien movie.

And although there were a lot of great answers given to us directly in the film, it strangely

made me miss even more the abundance of mystery that engrossed the world of Prometheus.

And in a way, made me question whether I really want to know who the Space Jockey was in the

original Alien movie, which we all know was the key inspiration for Ridley Scott making

these new prequels.

So to summarise - in a way that is simplistic and somewhat silly - my feelings of Alien:

Covenant went like this: It started with 'wooooaaaaahhhh' to 'mm, okay' to 'wooooooaaaaahhhh'

to 'mm, okay' and finally it went to, 'nice!' *laughter* I don't know if that made sense to anyone.

Alien Covenant is such an awesome movie, and actually strengthened my belief that the Prometheus/Covenant

story arch is a future classic in the making.

It makes me like Prometheus even more, and it makes me excited for what comes next.

So if you like sci fi, horror, action, the Alien universe, then you don't want to miss

out seeing Alien: Covenant on the big screen.

Thank you for watching.

Please click the like button and leave your thoughts in the comment section of this video.

Are you a fan of the Alien franchise?

What did you make of Prometheus?

And what are your thoughts on Alien Covenant and the things that i've said about it, whether

you are yet to see the movie, or have finally had the chance too?

I post new videos every week on a wide variety of topics on both Facebook and YouTube.

If you'd like to find out more information or support the work I do, please visit Patreon.com/MylesDyer.

Take care, and adios 'til next time!

For more infomation >> Alien Covenant Movie Review - Duration: 8:47.

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Vol au vent farci Ψ§Ψ¨Ω‡Ψ±ΩŠ ΨΆΩŠΩˆΩΩƒ Ψ¨Ω‡Ψ°Ω‡ Ψ§Ω„Ω…Ω…Ω„Ψ­Ω‡ Ψ§Ω„Ψ±Ψ§Ψ¦ΨΉΩ‡ في Ψ§Ω„Ω…Ψ°Ψ§Ω‚ ΩˆΨ§Ω„Ω…Ω†ΨΈΨ± - Duration: 3:01.

For more infomation >> Vol au vent farci Ψ§Ψ¨Ω‡Ψ±ΩŠ ΨΆΩŠΩˆΩΩƒ Ψ¨Ω‡Ψ°Ω‡ Ψ§Ω„Ω…Ω…Ω„Ψ­Ω‡ Ψ§Ω„Ψ±Ψ§Ψ¦ΨΉΩ‡ في Ψ§Ω„Ω…Ψ°Ψ§Ω‚ ΩˆΨ§Ω„Ω…Ω†ΨΈΨ± - Duration: 3:01.

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How Our Gut Bacteria Can Use Eggs to Accelerate Cancer - Duration: 6:01.

For more infomation >> How Our Gut Bacteria Can Use Eggs to Accelerate Cancer - Duration: 6:01.

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''Facts About Me'' - Kendim hakkimda bahsediyorum! - Duration: 2:29.

Hello friends, welcome to my Q&A video! Hope u like it <3

Beyza, wait for me! Hallo gurl, gurrrrl BEYZA where are u GURL!

In my spare time i'm playing some guitar and i'm also going to theater.

My favorite colour is red, if ur asking why? It's because of it is a symbol for L O V E <3

BEYZAAA!!!!

I'm FLYINNNG, i'ts enough, i'm FLYING!

I'm not smoking or drinking alcohol, it's not that thing i like to do ..

Should we do sport?

Beyza come and rock me!!

Make it slow i'm flying ..

HEY! :D

What are u doing Beyza?

Beyza?

I'm 17 years old and i'm turning into my 18th the 7th of July

HEY! :D

We are 4 siblings and one of them is her the one in the video today.

I love animals! <3

Say hey!

Yes, i'm living in Denmark.

For more infomation >> ''Facts About Me'' - Kendim hakkimda bahsediyorum! - Duration: 2:29.

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Alimentation et fΓ©minisme - Γ‰lise Desaulniers et Carol J. Adams - Duration: 1:29:50.

For more infomation >> Alimentation et fΓ©minisme - Γ‰lise Desaulniers et Carol J. Adams - Duration: 1:29:50.

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Sol en bΓ©ton cirΓ©/ Waxed concrete floor - Duration: 3:26.

For more infomation >> Sol en bΓ©ton cirΓ©/ Waxed concrete floor - Duration: 3:26.

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Spies & the Americano: The Endnotes - Duration: 2:30.

Welcome to a new Endless Knot series: the Endnotes!

You see, when I do research for my videos, I always end up with intriguing bits of material

that doesn't fit into the story I'm telling, or that I cut to stop the videos from getting

too long.

Up until now I've put some of those bits into the blog posts I write to accompany each

video, and other bits sometimes get mentioned in our podcast episodes that discuss the videos.

But now I've decided to start putting some of the most interesting tidbits into what

I'm calling "the Endnotes"—short videos that I hope will enrich the original piece.

So, here's the first one!

In my video on The History of the Americano — and if you haven't seen that yet, click

on the card — I talked about the origins of the drink, but I didn't discuss its appearance

in writing—specifically, spy fiction!

The cocktail first appears in print in the 1928 book Ashenden: Or the British Agent written

by Somerset Maugham: "He sat in the cool and drank an americano."

Cocktails often have a connection with secret agents (think James Bond's vodka martini,

shaken not stirred), and this novel fits into that mould.

It's the story of the adventures of a playwright-turned-spy named Ashenden set during WWI.

Apparently it's based on Maugham's own experiences as a member of British Intelligence

during the war, just as Ian Fleming drew on his WWII experiences for James Bond.

Speaking of James Bond, the very first drink he orders in the very first James Bond novel,

Casino Royale, is the Americano, so it definitely has a strong spy pedigree.

In other Bond stories we find the famous super spy drinking a Negroni, so 007's drink tastes

certainly extended beyond his now-trademark martinis.

So let me know in the comments what you think of this new series — and don't worry,

I won't be changing anything about how often I put out the main videos, these will only

be an addition.

I'd particularly like to know if you think we should go back and do some Endnotes for

our earlier videos, where there's material, or just make them for the new ones.

And as always, you can hear even more etymology and history, as well as interviews with a

wide range of fascinating people, on the Endless Knot Podcast, available on all the major podcast

platforms as well as our other YouTube channel.

Thanks for watching!

For more infomation >> Spies & the Americano: The Endnotes - Duration: 2:30.

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Urban Legends: Directions (Episode 9) - Duration: 3:08.

DIRECTIONS

The guy who was Tarzan's cousin's older brother,

and who hadn't seen ZsozsΓ³ for seventy-thousand years,

he picked me up once when I was hitchhiking.

He was ZsozsΓ³'s second cousin,

and although they hadn't seen each other for seventy-thousand years

he invited him to his wedding…,

so he had to go.

So a family I'd never met

took me to a wedding at the end of the world.

We just kept driving and driving,

left and right, and when we'd gone so far

it was getting suspicious we stopped to ask

if we were headed in the right direction.

Good afternoon, excuse me,

which way is Keszi?

We are on our way to a wedding,

and we're already late.

Ah, I know, don't worry!

You can see on this old map

that I am IstvΓ‘n BΓ‘thory.

A jack of all trades, but I've retired.

This woman is my wife.

She used to be taller,

but then she was hit by osteoporosis.

But when it rains,

you can take shelter under her.

But we're having a drought,

and in a drought,

crying babies like yours are a blessing,

because we can use them to water the garden.

And this is Fleece, our deer.

Very wild!

We found her by the side of the road.

I figured we'd eat her.

We put her in the car,

but by the time we got back, she was better.

She must have gotten a good sleep, I thought.

And

who could eat a healthy, sleeping animal?

The children named her Fleece,

because of her coat.

What were you asking about?

Oh yes, Keszi!

Well, there are two parallel streets,

and parallels intersect at infinity,

you know, and continue in an X.

Oh, answer it,

don't bother with me!

The roads are nice around here,

and the landscape is beautiful.

Oh, and there's a painter who lives here too!

Deer used to have fangs, you know!

Before her, we had a goose, nice and fat.

It was ferocious too!

And as big as a motorbike,

and sounded like an engine,

pram pram pram pram pru pru pr.

But it made off to Scandinavia with a hamster.

We saw them on TV, right mama!?

I'm sorry, we're in a hurry!

Oh, go this way,

I'll show you on the map,

500 meters in this direction, as the bird flies.

Towards Mordor.

But I could show you a shorter route!

For more infomation >> Urban Legends: Directions (Episode 9) - Duration: 3:08.

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μ½”λ ˆμΌ μ„œμšΈμ—­ν–‰ KTX μ˜λ“±ν¬μ—­ 톡과 - Duration: 0:53.

For more infomation >> μ½”λ ˆμΌ μ„œμšΈμ—­ν–‰ KTX μ˜λ“±ν¬μ—­ 톡과 - Duration: 0:53.

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Perdre des ami(e)s avec Anthony Daumont - Duration: 3:50.

For more infomation >> Perdre des ami(e)s avec Anthony Daumont - Duration: 3:50.

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Of Monsters and Mushrooms, Ch 2 | Funny Post Apocalyptic Short Story Audiobook | by Lesley Herron - Duration: 24:20.

Tall Tale TV.

Sci-Fi and Fantasy Audiobook podcast.

Of Monster and Mushrooms Chapter 2, Amanita

By Lesley Herron

Attila tried to rub the tired from his eyes, one hand digging into flesh the other against

leather.

He had caught sight of his reflection in one of the many specimen jars, and was surprised

to barely recognize his own face.

His normally clean shaven baby face, as Brig called it, was rough with stubble.

Dark circles had taken up residence under his only visible eye.

He wiggled his eyebrows seductively at himself, the almost manly appearance ruined only by

scrap of paper wedged in his hair.

He fished it out and flicked it back to the ground with a flourish.

Attila flopped back on the floor dramatically, sprawling out against the stone tiles.

The doctor had left him two days ago on a supply run.

And even though there was a twinge of panic inside him every time his mind wandered to

Brig, or to what Errik's prolonged absence would mean for Brig, he couldn't help but

wallow in the feeling of utter boredom.

He had gone through every readable book the doctor owned, 873 volumes in all.

Most of them had been boring medical journals.

He had enjoyed the one from the 17th century.

Doctors wearing masks, and cloaks, the infant age of technology.

. . germs.

It had been a very good read the first three times, but now.

Now he was bored.

He let out a loud and over exaggerated sigh, and his arms flopped around beside him in

a halfhearted tantrum.

Papers rustled around him like a snow globe.

Something caught his eye amidst the flurry.

He sat up, and squinted carefully at the farthest bookcase.

He thought he had seen something move.

He stared at the jars, scrutinizing them for a brief minute.

He was certain of it this time.

The creature in the smallest jar on the top shelf had moved.

He got to his feet and moved to a container no larger than a pickle jar, the creature

inside was some form of mutated bird-mouse.

It had the body and tail of a mouse and the hind legs, feathers, and head of a bird.

He removed the jar to get a better look at the creature he suspected of foul play.

Heh.

Fowl.

Play.

Heh heh.

If the creature hadn't been covered by debilitating amounts of mushrooms and spores growing off

it, Attila would have assumed the doctor had sewn the two creatures together.

But the creature had failed to move.

At all.

Attila gave it one last scrutinizing look and set the stubborn thing back on the shelf.

Interest peaked in one of the other jars, Attila leaned against one of the shelves to

get a closer look.

The entire bookcase began to teeter, unsteadily, backwards.

Oh no, oh no no no no no.

Attila panicked, and grabbed the shelf to steady it.

The bookcase ceased it's rocking.

And in the sigh of relief that escaped his lips, the entire book case collapsed around

Attila.

Jars smashed to the floor, some shattering and covering him in a thick slimy layer of

preservatives.

Some bounced off the ground, and rolled in odd directions.

One jar smashed into Attila's foot, leaving him wincing in pain.

"What.

The.

Hell?," came Errik's voice from the doorway.

He had dropped the contents of his arms in disbelief.

Several rolling jars made their escape through the open door behind him.

Attila turned around, holding the only piece of the book case that hadn't been destroyed.

The shelf was proof of his guilt for the crime of the destruction of countless hours of cultivation

and research.

He quickly dropped it behind his back as he made his way towards Errik.

"It's ok!

I didn't get hurt.

You should really invest in better furniture though, that thing almost killed me."

Errik stared at Attila, waiting for an actual explanation on why he had so thoroughly destroyed

his home and life's work.

It wasn't just the bookcase, either.

Errik had never been a particularly neat person, but the level of destruction caused by one

man was unbelievable.

Book were strewn across the floor, some lay open face up, others had been wedged back

into random places with what looked like silverware protruding from their pages as bookmarks.

He was certain his rare edition of 'Spores and Fungi of the Mediterranean' was being

used to prop up the wobbly leg of his desk.

"Where have you been?

It's been days!," Attila cried.

"It was only two days...?"

"Like I said, days!"

Attila paused to scratch at his stubble thoughtfully.

"I got bored.," he confessed.

"I can see that..."

"Ah, well.

I fixed a couple of things up for you.

Your radio wasn't picking up any frequencies, so I tuned that all up.

You can get all the way out Three Hub!"

"Radio?

I don't own a . . ." Errik looked over in the direction that Attila was pointing to,

and was surprised to see his, usually small, analog clock hooked up to what looked like

his microwave and a fan.

He dragged a hand down across his face, trying to contain his outrage.

Working technology, out where he lived, wasn't easy to keep in that state.

The dry desert air, heat, and dust usually destroyed his tech in months.

But this man had dismantled every piece of tech he owned in a matter of days.

Errik was sure he couldn't pass his current state of 'flabbergast' if he tried.

"Why did you, uh, fix it?"

"No need to thank me.

I build stuff when I'm bored.

Or nervous, hungry, happy, horny.

Occasionally when I'm sleeping.

One time, I even built a miniature atom smasher while taking a bath.

You know what?

I think I might be have one of them, what do you call 'em, conditions?"

Attila retrieved a book on psychology from the wash basin and began flicking through

pages.

"Also, I changed the light bulb in your lamp.

Reading in the dark is bad for your eyes, you know."

Errik blinked slowly a for a few seconds, bracing himself for what he was about to see.

He turned to see his desk, usually clean and organized, was almost buried underneath a

very clearly overpowered searchlight.

Is...is that my toilet seat?

The polished coating of the desk top was starting to smoke under the lamps magnified beam.

Errik placed his fingers against his lips, whether to keep his silence or to keep him

from throwing up he had yet to decide.

Attila gave up his search and tossed the book back in the sink.

"Oh, and here.

I optimized your toothbrush."

He snatched something from the back of the sink that was far too large to be a toothbrush.

"My what?," he squeaked, his voice a little higher to match his rising disbelief.

Attila handed him a contraption that looked as if it might be used to blast a new tunnel

in a mine shaft.

His toothbrush had been strapped to two D batteries, with duct tape.

Wires crisscrossed the length of the brush, connecting to a motion activated apparatus

on the bristles.

Two large buttons loomed on either side of the left battery, one red and one green.

"I've increased its cleaning output by 637%!

Plaque doesn't stand a friggin' chance against this baby," Attila said, his voice haughty

with delight, "Just be careful because tooth enamel doesn't do much better."

There were two things that Errik was absolutely certain of at this moment.

One, was that this had to be a bad dream.

Attila was worse than the worst roommate he ever had.

And two, that there wasn't enough money or alcohol left in the world to get him to use

that thing in his mouth.

"I, uh.

I don't know what to say."

What could he say?

Thanks for destroying ten years of research, ruining my only functioning clock, and rendering

my toothbrush into an overpowered marital aid?

Out of morbid curiosity Errik attempted to turn on his toothbrush.

"Oh, hang on!

Don't touch the red button!"

Attila shouted at him suddenly, snatching the toothbrush back, "I haven't worked out

all the kinks."

He was wrong, Errik thought.

He could reach a new level of flabbergast.

He watched as Attila pulled a small screw driver from an inside pocket of his poncho

and set to work adjusting wires and jabbing around the clunky gears and moving parts of

the toothbrush.

Certain the thing would explode before too long, Errik spoke up.

"Well, I've gotten the things we will likely need for our journey.

Everything is ready to go, so whenever you are.

. ." "Great!," Attila replied happily.

He put his screw driver and the atomic toothbrush back in his poncho.

He tossed his hat on his head and strode, jovially towards the door.

"Hang on.

You can't go outside without a breather, remember?"

"A what?"

"A mask?"

Perhaps he could use that toothbrush to scrub this from his brain.

"Oh.

Well I don't have one.

But I'm sure I could build one.

It'll only take me a moment!"

Errik watched in fear as Attila began scanning the rest of the room for something else to

destroy.

Attila had begun to reach for the tablet on the desk, when Errik grabbed him.

"I'm sure I have a spare in my supply closet.

Just.

Just don't touch anything until I've checked.

Alright?"

Attila made a face, but complied in silence.

Errik entered a small closest an kicked open the trunk that sat at the bottom.

He knelt down and began to search through the inner contents.

He pulled out several moth eaten traveling cloaks and scarves, a shriveled and mutated

radish, a can of potatoes, until he finally managed to unearth an old gas mask.

It was a green leather, with two large breathing filters around the nose.

He slammed the lid closed and the shock caused a shelf above him to collapse, showering him

with old traveling gear.

Maybe Attila was right, he should invest in better furniture.

"UUAAAAHHGG!"

Errik jumped to his feet, flailing beneath the death grip of old coats and over-sized

hats.

He spun to see what had happened to Attila.

"Wha-!?" Attila was sprinting towards him at full speed,

vaulting over chairs and tables.

One hand grabbed Errik by the shirt collar, wrenching him away from the closet.

The other hand dived into his poncho and emerged holding a small, silver cylinder with a pin

near the top.

Errik's face drained as Attila pulled the pin with his teeth.

Oh crap.

Without even looking, Attila tossed what appeared to be a flash bang over his shoulder in the

direction of the closet.

He upturned a desk and threw Errik behind it, shielding him with his own body.

The entire room was engulfed in a blinding flash of light.

The sound that accompanied it was thunderous, and then a sharp, piercing ringing.

And then silence.

Errik waited a few moments before he dared to open his eyes.

He groaned, and wished he hadn't.

The flash bang had successfully demolished a massive chunk of the eastern wall of his

home.

The wooden beams of the ceiling lay in a mangled heap of broken stone and brick.

Papers were slowly ruffling to the ground, and another bookcase of specimen jars had

been destroyed.

The only things left were shards of glass still seesawing in a puddle of preservative

fluid.

The worst of it, was what had been on the other side of the wall when it went.

Errik could just make out the sad looking antennae, of his car, poking out from beneath

the rubble.

There was a small plume of smoke issuing, unmistakably, from where the engine was.

Errik could feel a tremor under his right eye as he slowly turned to face Attila.

What kind of moron would create a flash bang with more destructive force than a rocket

launcher?

"Did I get it?"

Attila, who had been 'tarred and feathered' from the preservative fluids and papers, was

trying to catch his breath as if he had just run a mile.

He met Errik's gaze with a small triumphant gleam in his eyes.

"Get.

What?," Errik replied between grit teeth.

"The monster in that closet!

It was coming right for you."

Attila responded, gesturing to the closet that was still very clearly standing.

"The one with the red beak and dead eyes," Willing himself to keep his composure, Errik

took a deep breath in through his nostrils.

He exhaled slowly through tight lips before he strode over to the closet.

He reached into the darkness, without even looking, and flourished the thing he was sure

Attila had seen.

"You mean.

This?"

Attila stared at the thing Errik was holding in his hands, and suddenly felt his ears go

red.

It was was nothing more than an old plague doctor mask like he had seen in that book.

It was red, beaked, and covered in rich red fabric.

It had two large mirrored eye lenses, and was paired along a hat and cowl.

Attila gave the doctor a nervous laugh followed by a sheepish grin.

"You know what they say, better safe than sorry."

***

Errik Checked his map again.

At the rate they were going they might just make it to shelter by nightfall.

He folded the map carefully and tucked it into a pocket in this thick overcoat.

There was a 'pop' behind him and he turned to look.

Attila was stooping down to pick up yet another bug and placed it in a small jar.

He screwed the lid on, and said, "Sorry about your office."

He placed the jar in a pack overflowing with similar jars.

"I have really bad depth perception."

he pointed to his eye patch as though it explained away the entire situation.

The sun was baking them as they trudged slowly along a worn desert path.

Errik was busy trying to ignore the sudden buzzing in his brain.

And that twitch under his right eye again.

He said nothing in reply to Attila's apology, instead motioned that they should keep walking.

It was a kind gesture, trying to replace his specimen collection, but one that was accomplishing

nothing but slowing them down and amassing an impressive collection of cockroaches.

"Couldn't we just cut through the forest?," Attila asked.

He glanced over at the edge of the mushroom forest, they were now skirting around.

On one side of them, endless desert shimmered in the afternoon heat.

On the other side, forty foot tall mushrooms stood as sentries to a fungal rain forest.

The trunks were wide and thick, making it impossible to see more than two rows of trees

in.

But the beams of warm sunlight were tempting them into the shade.

Errik shook his head.

"It's not safe.

I know you want to find your friend, but we can't just go marching through there on foot.

It's not just the Unseen we have to worry about.

The forest is home to a whole host of animals that thrive among the spores.

And I'm sure plenty would love nothing more than a fresh meal."

Errik clapped a hand on Attila's shoulder.

The pat was an acceptance of his apology and perhaps one of his own.

The longer it took them to find Attila's friend, the less likely it would be that they'd find

Brig alive.

"Come on, let's keep moving.

It'll be dark soon, and I'd like to be clear of the forests' edge before then."

"Is it really that dangerous at night?," Attila asked, innocently.

He was busy trapping a handful of beetles in an empty jar and missed the blank, albeit

masked, look that his friend was giving him.

He stood and slapped a hand against the nearest trunk of a small, twenty foot mushroom.

"I mean, how scary can an animal be if it lives in a giant mushroom?"

The silence around them was rent by a loud, slow creaking noise.

Like thousand year old floor boards being trod on.

The noise was followed by long, low growl.

The tree was moving.

Or rather the thing behind it was.

A large creature, the shape and texture of a moss covered boulder slowly emerged.

It stared at the two of them with small, beady black eyes, before it spat out the chunk of

mushroom bark it had been chewing.

It let out another low growl and slowly started to advance on them.

It's head was shaped like a brick with an under bite, with large blunt teeth jutting

up from his bottom lip.

It's body resembled that of a gorilla, but like a gorilla roughly carved from stone.

Instead of fur, the creature was covered in the same red spongy moss that blanketed the

forest floor.

And nestled in the moss, in large groups, were tiny mushrooms.

Attila looked at the small, empty jar in his hand and then back at the creature lumbering

slowly towards them.

"Um, do you have a bigger jar?," Attila joked.

"What are you doing?

Get away from it!!," Errik ordered, as he himself began backpedaling.

"What are you talking about?

Didn't you see it chowing down on 'shroom bark?

It's clearly an herbivore!," Attila deduced, as he moved to close the gap between him and

the monster.

He slapped the brute on the shoulder a couple of times, as if to prove it's peacefulness.

If you ever wonder what might happen to a bee when it bothers a bear, this would make

a great analogy, Errik thought.

"Not an herbivore.

An omnivore..."

The creature gave a loud angry roar and snatched Attila up with its monstrous hand.

Fingers the size of thermos cups wrapped tightly around Attila's left leg and it wrenched him

up into the air.

It slammed him down into the ground and lifted him back up again.

It held him so their faces were level with each other before it gave another ear splitting

roar.

"Oh, right.

I see the incisors now."

The creature began to trudge deeper into the forest, dragging Attila behind him.

Attila began to frantically search through his poncho for anything.

Blasting cap?

Nope.

A spark plug?

Nu'uh.

Brig's beef jerky?

Gross.

How long has that been in there?

He pulled out a long stretch of lacy black fabric, and his cheeks flushed with color.

Crankshaft's bra?

How did that get in there?

He returned the undergarment to his poncho for safe keeping and continued to dig.

His fingers gripped around something promising.

Anti-fungal cream?

Oo.

So close!

Attila finally fished out the modified toothbrush, and a smile broke over his face.

He pushed the red button, and jammed the toothbrush between the creatures massive fingers.

The effect, while not what the invention was intended for, was immediate.

The toothbrush exploded in a fiery cloud of battery acid and reinforced bristles.

The creature roared in pain, and relinquished it's grip on Attila, but only because it was

now missing most of its fingers.

Attila scrambled to his feet, still in shock over the exploding toothbrush.

Of course!

He hadn't taken into account the conflicting polarity as it cycled through the multiple

capacitors.

Duh.

He began to make for the forests edge, his feet tripping over moss clumps and fallen

and rotten mushroom logs.

He had just made it into open air when a thunderous crack rent the air behind him.

The creature had ripped up a smaller mushroom tree and and had hurled it in his direction.

Attila ducked in time to avoid being knocked out by a the worlds largest pizza topping,

but tripped over his poncho in the process.

He sprawled, face down in the dried nettle of forest moss trying to regain the air in

his lungs.

He felt a sting in his knees, as he tried to get to his feet.

A strong grip grabbed him and yanked him upright.

The creature, still outraged at the loss of a meal, not to mention a few fingers, was

now spoiled for choices.

But perhaps it was the sight of Errik's bright red bird-beaked mask that set it off.

It bristled the moss on its back, and gave another mighty roar before snatching Errik

off his feet and slamming him into the ground.

Errik's teeth rattled.

Ah.

Territorial.

Good to know.

He was being squished beneath the creatures massive hand.

It pressed against him impossibly hard, forcing him into the earth.

Lights popped in his vision, and air was becoming a problem.

The creature gave one final angry roar, before rearing back to deliver the final blow.

The air around them exploded with an orange glow.

Fire rolled off the monster's body, and pooled on the dirt beneath it.

The last thing Errik saw was a towering wall of flame, and a creature howling in pain.

Then the darkness overtook his vision.

Attila watched as the monster tore off back into the forest, leaving a trail of cinders

in it's wake.

He looked for the source of the fire, unsure if its wielder was a friend or a foe.

Standing before the two of them was a man, or at least he thought it was a man.

He was holding what could only be described as a sixteen barreled flame thrower.

It was built like a Gatling gun and seemed twice as heavy.

It's owner held it using a harness, both hands and a very sturdy stance.

All in all, it was the most redundant, unnecessarily complex weapon Attila had ever seen.

"Friggin' hell, man, can I give it a try?!"

He was on it in a second, gushing over the multiple combustion chambers.

The flame Gatling dropped to the ground with a sizzle, the muzzle still red hot and steaming.

The man studied him, an errant flame flickered its way up his right sleeve.

"Whoa, fire!"

Attila pounced, swatting at the man's arm like, well, like his arm was on fire.

The man did his best to fight off the onslaught.

"You're.

. ." Slap.

"On.

. ." Shove.

"Fire.

. !" Kick.

Attila relented only after noticing the man's face.

He wore a mask that looked as if it had been hastily welded from scrap metal, save for

the single slit of dark red glass over his eyes.

Still, it did nothing to hide the intense glare that Attila could feel penetrating through

the metal visage.

Attila backed up hastily.

"I, uh.

. . I'll just stand over here."

Attila took another step back and trod on something soft.

Looking down to see what it had been, he knelt down next to his friend and, perhaps a little

harder then he meant to, jammed a finger into Errik's neck, looking for a pulse.

Errik awoke long enough to cry out in agony, then passed out again.

The masked man looked around at the wreckage the mushroom beast had wrought, "You two

should be more careful."

The man's voice was like mechanized gravel.

But Attila couldn't decide if that was his normal voice or a by-product of the mask.

Errik shifted slightly and groaned.

A moment of consciousness allowed him to recognize, just barely, the figure standing above him.

He gave a meek, unseen smile before adding, " Oh...hey bro..." before he passed out

again.

With an air of undeniable inconvenience, the man visibly sighed, "Dammit."

This was part two of a piece written by Lesley Herron.

It's part of a crossover fan fiction for a book series in the works by Author J.D. Wiley.

It's her subtle way to encourage him to hurry it up, dammit.

She tossed together this piece using a couple of his characters with some of her own.

She also did all the artwork for this piece!

The woman is a genius with a marker.

One of the many reasons I married her.

So if you liked this piece, keep an eye out for the next chapter coming soon!

Hey guys!

So this was a bit of a milestone for me, not only is it my first piece over twenty minutes,

it's also my first ever Monday post!

This marks the start of twice a week uploads.

Who needs sleep anyways, right?

Seriously though, I'm super excited to get this channel rolling.

If things go the way I have planned, I'll be making my way up to four episodes a week

by the end of the year.

I've got a couple major projects planned for you guys.

So whether you're watching on youtube, facebook or vidme, make sure to subscribe and follow

for a TON of awesome new stories!

I'm Chris Herron, and that's it for today's Tall Tale TV.

For more infomation >> Of Monsters and Mushrooms, Ch 2 | Funny Post Apocalyptic Short Story Audiobook | by Lesley Herron - Duration: 24:20.

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Blind Bag 🎁 Kids Toys 🎈 Shopkins πŸ˜ƒ Thomas Train πŸš‚ Num Noms πŸŽ‰ My Little Pony πŸ˜€ Fun Kids - Duration: 2:55.

Num Noms!

My Little Pony!

Shopkins Microlites

Thomas & Friends Mini

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