Dear God
Lead me in the right way
Hey my bag !!
Hey !
Hey
Hello ?
Ya tell me dude
A meeting in your room ?
I'll be there in half an hour
Hey !
You saw the internal marks ?
Yeah Yeah
He flunked me
Why ?
I ogled at a girl
He reduced my marks
They flunk you for ogling ?
Yeah it was his daughter
Your fate
Very humid right ?
Idiots cut the power too
We'll just go sit outside
Alright let's go
Murthy isn't here it seems
He would've gone out somewhere
Take that chair
Hey nerdy !
It's CSK match tonight
CSK vs RCB
A monumental pressure waiting for us
Dude it's all fixed
Who cares ?
But dude
You'll see our thala finishing the match with a six
Guaranteed goosebumps on seeing it dude
It's just out of the world
Yeah. Keeping those aside
The match is at 8
What are we gonna do till then ?
Killing time is piece of cake dude
Let's get some sleep
Let's take Shiva's car for a spin
Dinner !
Then it's match time !
Simple
Welcome back office guy
I'm dead scared since stealing this bag
So what's the matter ?
Patience Patience
Where's Satish ?
On the way
Hello there pure soul
You able to control ?
Almost
It's very hard
And scary at the same time
So is my case
I went to pray for this disease to be gone
Alas I stole a bag even at the temple
And so is my case
We have to make this right
So myself and Satish have decided something
We'll proceed if you're okay with it too
What have you decided ?
It's gonna be bitter to hear
But there's no other go
Our lives are gonna get worse if we're on the current path
One time
One last time
We'll pull out a big one
After that let's not meet ourselves anymore
Are you okay ?
Hey !
What's wrong ?
Are you okay ?
It's for our own good
Yes man
We're definitely gonna ruin our lives if we continue this
We don't even know each other
We're not bound by this disease
It is trust that we have in each other that binds us
You're right
One last time
I'm gonna cut you into pieces
You don't have the courtesy to pay back your loans
I'm not even sure what you eat everyday
Hey Babloo
Yes boss
Call the man and tell him we need the money by 7
Else we'll kill him
Delightfully
I've killed 7 people before
You should get some other job
Who's that ?
Last year, the man who was jailed for murder
Kannayiram
It's his brother Singaram
Which Kannayiram ?
The one from which you stole the reputation for the murder
The same Kannayiram
Oh is it ?
Does he know ?
No
Keep it that way
RIght Right
Come here you
Greetings boss
What do you want ?
I wanna learn the business from you boss
Learn the business ??
Yeah boss
Does it look like I'm running a business school ?
I pity your brother
He's inside for the murder I committed
Please show some grace boss
Go away ! Find some other work to do
This job requires stamina
Boss ! It's not stamina
It's guts
Then what requires stamina boss ?
Boss !!
Huh ?
It's the madam dean
Madam dean ? okok attend it
Hello ?
Tell me madam
Just tell me who it is, it'll be done
Alright
What's the matter ?
Boss
A kidnap job
She'll send the party's photo
Right
Hey Singaram
Join us
You need to be sharp minded
Okay boss ! Just see what I'm gonna do
Can I help you ?
I'm Nithin
Mr. Ravi told me to meet you regarding my research
Ya Mr. Nithin. He told me
Please come in
Coffee ?
No thanks ma'am
If you don't mind, I'd like to get started right away
The reason I asked you to meet me personally is
If you had presented this through the university
They would've rejected it because of it's hazardous nature
That's why
I understand ma'am
I already sent you the video overview of my research
Actually I didn't have time to see
We can watch it now
Nature is beautiful, wonderful
And at the same time, mysterious with a big M
When humans started asking questions to nature
That's when we started to evolve technically
The best question asked my mankind
Why did the apple fall on Newton's head ?
Why not the moon ?
The technological world we call it as of today, started back then
However
Till today, there is a question not even the best of philosophers and scientists could answer
What is TIME ?
I'm Nithin Venkatesh
And my research is all about how to control time
First of all, let's not confuse time travel with time control
Time travel as shown in a lot of movies
It's just not possible
But time control ? Yes with this research, it is
Time control is closely related to Block Universe Theory
The statement of the Block Universe Theory is
In a person's life
Or in the life of a planet
Or in the life of a universe
All the events are prewritten
A human can sense what is happening around him through his conciousness
Technically speaking
Through his neuron movement
The same provides the foundation for this research
We are able to sense the present because our neurons move at a designated velocity
If we are able to increase that velocity of neuron movement
Our feral senses will increase
And we will be able to see the future
In short, we will be able to see the future from the present
So how is it possible to accelerate the neurons ?
This is the Neuron Control Ring
In other words, NC Ring
It is profiled with the state-of-the-art nano technology
This ring is simply a device
Which activates when 17 psi of pressure is given to it
In other words, when a person wears it
Once the ring is active, it will close the neuro electric circuit
Generally the whole human body operates on electrical pulses
This ring creates its own electrical pulse
And resonates with the frequency of neurons
So the neuron velocity is increased and the one wearing it can see the future
Normal neuron velocity ranges from 0.5 to 120 m/s
With the ring I invented
It'll be accelerated to one thirds of the velocity of light
So what is the magnitude of future one can see with the ring
From my calculations, it is evident that the person wearing this ring
Will be able to see the future of
And he can return to the present just by his conscience
Deep study is being made on what could be the possible side effects of accelerating the neurons
And so far its very very minimal
So if this research is out
It will be a great opportunity to mankind to further the understanding about time
Good
Everything is fine
But can you make me understand in simple way ?
Let's just assume that we're watching a movie in a video player
We can fast forward the video
Or in slow motion
But we can't change the scene
Why ?
Fate is already written ma'am
In your research you told we can sense the future alone
Why can't we sense the past ?
Second law of thermodynamics ma'am
All spontaneous reactions are unidirectional
Time is a spontaneous entity
Why did you bring your research to India ?
You could've done it in CERN
It is shown that only constructive research is done there
But every research there is of destructive nature
So at this time if I submit my research there
It'll end up in wrong hands
You're right
Even here it is very hard to carry out this kind of research
There is a chance that people might also protest if you do it here
It is very hard even to do it here
Wait there little one
I told you it's not possible officially
I never told you it's not possible at all
Meaning ?
Let's come to the point
Hand over this research to me
I'll be the principal investigator
You take care of everything from the back
I'll take care of the other formalities
This way you can do your research
And I can also get a name
Else this kind of research won't come out at all
Take care my son
Take care
Queen Elizabeth's crown's replica is in Chennai Museum
We'll loot it
Both English and Tamil cops would smack us
What about stealing a walkie talkie from military base ?
You wanna get shot ?
Yeah let's not do it
How about AR Rahman's Oscar award ?
Hey !
A bank ?
A bank in our area
How about BDFC bank ?
Brother
You're planning to rob BDFC bank ?
Nothing as such
Hello brother
I just wanted to help you
I'm the Assistant Manager of BDFC bank
Bro ! Who's that dean you were talking about ?
She is a big shot in the research field
She has got strong political connections
So we do her works with perfection
So we get rewarded big for this job ?
Singaram !
Reward isn't the deal here
We do her works so she will remember us
She'll help us when we're in trouble
I'm not gonna lock the car again
What a great match yesterday !
I told you they'll sweat us
Whatever man!
I could listen to my own heartbeat!
Agreed!
Shiva called me yesterday
What did he say?
He will take two more weeks to return
Is it?
Yeah
The best thing he has ever done, is to have bought this car
This luxury will last only for two weeks
What will happen when he is back
Oh man!
Its so boring dude
Agreed
Lets make a prank call then
How? Everyone knows our number
I have got a new sim
Ok, lets do it
Who is the scape goat?
Professor Gopal
Hello
Hello
Now answer one of my question
A house
Full of shelf
Shelf full of milk
Why?
Ask me Why
Because
Its a Milk-house
It' so cool dude
The professor never asked who you were
Doesn't matter who we call, it's what we do that defines us
It's good. Let me give it a try
Who's the next scapegoat ?
Just dial a random number dude
Just a sec
Come in sir
May I know your names ?
Nothing to worry about
I'm John
I'm Murthy
This is Satish
Hey ! What the hell are you doing there ?
And this is Sanjay
Listen carefully
Let's not pull out this job in the night like in the movies
All banks are on strike tomorrow
Zero risk
We hit it tomorrow
There are only two securities in BDFC bank
One works in shift and the other is a drunkard
It's not a big deal cheating these two
There is one critical point we have to consider
There is a CCTV in the entrance
And at the street end
We gotta handle it carefully
Rest is easy
We need two keys to open the vault
One is manual and the other is electronic
I'm the holder of electronic key
I'll make arrangements for the manual key
May I ask you something sir ?
Why are you helping us ?
There's a corrupt business man - Sudeep Malakar
I vouched not to sanction his loan offer
He paid back nothing
Now they're blaming me
Now it's revenge time for me
So why are you guys stealing ?
Sir ! We're not thieves
Oh really ? Then why are you planning to rob a bank ?
We're Kleptomaniacs sir
It's a disorder that makes you steal
I've never heard of it
Okay coming back to this
We'll sketch a plan and move in at 12.30
See if we have procured these
Bag ?
Car keys?
Gloves ?
Torch light
Okay
Seems everything is going according to the plan
Brief me the plan once again
Satish and Sanjay will call the security and tell him there's a problem with the ATM in the next street
In that gap, we'll enter the bank
These two will use the keys you gave us
We've changed the number plate of the car
We won't get caught by the cameras
Good !
Your total plan has been recorded
The Police are waiting downstairs
So the neuron velocity is increased
And the one wearing it can see the future
May I know you names ?
Nothing to worry about
I'm John
STOP !!
He'll turn us in
Hey you !!
What's wrong brother ? I'm here to help
Leave at once
Just get out of here
What have you done ?
He's gonna backstab us
How do you know that ?
You gave a car number in the morning during prank call
Who's was that ?
No idea dude
I guess I might've seen it somewhere
Where to ?
Let's go for snooker and have a drink
You made your decision
What was that sound ?
Where?
Was it from the trunk?
Trunk?
WHO IS THIS?
HOW DO I KNOW?
Sir, Who are you?
How did you end up here?
Then you aren't the guys who kidnapped me?
First of all who are you? what happened ?
What happened?
Take care my son
Take care
Hello
Its me
Tell me madam
I want you to carry off someone
Just tell me who it is, it'll be done
I'll send you the photo
Alright madam
Why did I even come to India ?
Indians get no respect abroad
Their research gets plagiarised here
That dean seriously is a low-life scum
Yeah Yeah
The research papers and the prototype are safe with me now
Dear God
Lead me in the right way
Hey ! My Bag !!
Hey !
Hey
Someone stole my bag
I've seen this chap somewhere
Same guy !
You saw someone running with a bag ?
Hello ?
Madam dean ! It's been done
Good
You'll get a phone call
Informing you about a car number and an address
Dump him in that car and be gone
Yeah madam ! We'll take care of it
What's going on ?
He fainted bro
It's connecting !
Continue Continue
Hello ?
Is this Dean's person ?
What ?
Dude ! This guy is replying to me
Yeah ! I'm the guy
Package is ready ! Where do I ship it to ?
Shipping huh ?
Just give the car number and location man
Car number and address ??
Okay note it down
Ya tell me
TN22
TN22
DL
DL
1878
1878
Hello ?
Ran out of charge boss !
What's wrong ? He hung up
Its our Dean's work
She expects perfection
Alright do you remember the car number ?
TN22 DL1878 boss
Okay let's calm down
Let's just inform our Mani in the RTO
We'll extract the address
Boss.. I think that's the car
Our RTO guy was right
This is it boys
Singaram !
Bring the package !!
Good night bro
You gave a car number in the morning during prank call
Who's was that?
No idea dude
I guess I might have seen it somewhere
WHO IS THIS ?
HOW DO I KNOW ?
This is what happened
Ok, See you, Thanks
Dude
He might have escaped from some Mental Hospital I guess
I feel he smart and cute too
You just stay away from me
What do I do now? My research is gone
May I help you ?
For more infomation >> VEGETARIAN VAMPIRES | THE MOVIE | WEEKEND PRODUCTIONS - Duration: 26:55.-------------------------------------------
Apfel im Schlafrock - Duration: 2:48.
For more infomation >> Apfel im Schlafrock - Duration: 2:48. -------------------------------------------
What's The Deal With Housewives? | Strong Opinions Loosely Held | Refinery29 - Duration: 8:38.
There's this thing that's been weighing on me, and I'm embarrassed to admit that I'm
embarrassed by it but I've always felt really guilty about how
much I enjoy watching reality TV shows about wives.
I mean there's just so many.
There's
It's true we really are in the Golden Age of TV.
But while I kept seeing more and more shows about wives, I also kept reading more and
more articles about how women are actually putting off becoming wives.
In 2009 the percentage of women marrying in America dropped below 50% for the first time ever.
And yet there are so many books and TV shows about wives.
My favorite franchise is The Real Housewives, but it's hard to find a woman on that show
who's actually a wife.
No shade, I'm just pointing it out.
How many of these housewives are actually married?
And does it even matter?
I reached out to a Real Housewives expert and Andy Cohen's chief of staff Daryn Karp to find out.
You are the Housewife expert.
Do you know how many housewives are actually wives?
I'm going to test you to see if you know the answer.
This feels like an SAT for Bravo.
I feel like I can pass this.
It is.
Well If you don't pass you lose your job.
Okay.
Bethenny Frankel.
Not married.
Great.
Yes.
One for One.
Shereé.
She is not married.
Correct.
Not married.
Ramona Singer.
Not married.
Correct.
Not married, divorced.
Correct, Cynthia Bailey.
Cynthia Bailey is not married.
Correct.
Phaedra Parks.
Phaedra Parks is not married.
Correct.
Teresa Giudice.
A good pronunciation of the last name.
I'm a fan.
She is married.
She is married.
She is married.
That is correct and that was kind of a trick one, cause jail.
I know, cause I thought about, and I was like did she divorce him?
But no, no.
She's good.
They're strong.
Jersey strong.
Luann de Lesseps.
My little countess is not married anymore.
Dorinda.
Where's Dorinda?
She's not married.
Vicki Gunvalson.
Vicki Gunvalson is not married.
Adrienne Maloof.
Oh my god, is Adrienne Maloof married?
She's divorced.
She's not married.
You're correct!
Yes!
NeNe Leeks.
NeNe Leakes is married to Greg Leakes, she's married.
Yolanda Hadid.
Yolanda Hadid.
Yes.
Was Foster is not married.
Correct.
Yes.
That was so good you got all of them right!
I'm impressed with myself.
I, too, am impressed.
I'm sensing a theme with the housewives that most of them aren't married, and I never put
two and two together.
So why do you think that is?
Divorce is just as common as marriage.
And I think that's why people love it, because Bravo is taking this stereotype of what it
means to be a housewife, and spinning it to be completely something different.
Yeah.
And that's great we're changing the narrative of what it means to be a businesswoman, but
also maybe like a stay at home mom who's kicking ass.
When you watch Housewives you see how independent they are.
And we're like reestablishing that for women.
We're reinvigorating that term, and like empowering it for us.
The overall divorce rate for the Real Housewives series is 35%.
The Real Housewives of D.C. have a 100% divorce rate.
Followed by The Real Housewives of Atlanta with a 60% divorce rate.
If women aren't rushing to become wives, and even the women on wife related shows aren't
wives, then why are we obsessed with wives?
I asked Wife Inc. author Dr. Suzanne Leonard about this.
She literally wrote an entire book about it.
Why are there so many shows devoted to wives, yet women aren't actually becoming wives?
Marriage numbers are actually declining.
People are getting married in fewer numbers, and yet there's this explosion of programs,
of television shows, of books, of movies and it's all about wives.
Yeah.
The only way that popular culture has to understand a woman's life is by calling her a wife.
So what you find in a lot of these stories are actually stories about women.
Many of them aren't even wives.
Some of the stories aren't even about marriage.
Any story that we want to tell about women's lives, in some strange way we have to tell
it as a story about a wife.
Even if it's a story about something completely different.
Why do you think we need men to negotiate our identities?
I love that question.
Yes.
Part of the reason is because historically women have always needed to negotiate their relationships.
Part of that was part of socio-economic, men were the means by which women could get money,
have access to property.
So this is historic on some level.
If you tell a story as a wife, I think in some ways it's a lot less threatening, because
it suggests that a woman's entire identity is defined in relation to, presumably, a man.
What's so depressing is that we're just so happy that they're telling women's stories at all.
Not to be Debbie Downer here, but we also are continuing to tell the stories of privilege,
rich, mostly white women's lives.
And so yes it is a way to tell women's stories, but it's also a way to really only tell certain
women's stories, and that's really troubling.
What role does race play in this conversation?
Particularly for women of color, there has been a longstanding conversation about the
fact that there weren't viable men to marry.
And there's been a lot of rhetoric about this kind of scarcity, right, in these communities.
This scarcity though didn't really appear on popular culture's radar until it started
to affect white women.
Then you started getting a lot of discussion about, "Oh my goodness it's the end of men."
But really what was the subtext of that conversation is that there weren't enough economically
viable men left for white women to marry.
And so white women kind of became the face of all of this insecurity.
F**king white women.
Always.
That is so true.
There problems are the only ones that matter, you know.
But I think it's really important that we recognize the economics that are at play here too.
Many of the representations of marriage that we see, if we think about it, are really representations
of wealthy people's marriages.
Marriage is increasingly becoming a luxury item.
Well-educated middle and upper class women are still getting married in pretty stable numbers.
People of lesser financial means are not.
There's really good research that shows that one of the best things a woman can do for
her financial future is to get married and stay married.
Right.
But she has to marry somebody who is kind of a viable economic partner.
A lot of people don't feel financially secure enough to get married.
But watching, you know, The Bachelor on television, right,
here is a situation, a completely fantastical situation, where all you get to concentrate
on is the emotions.
Are we outsourcing our feelings and our emotions about romance and partnership to pop culture?
I love that idea and I think we are outsourcing our emotions to pop culture.
People don't necessarily have the emotional bandwidth in their lives, right?
To feel in those ways and develop those relationships and nurture those relationships.
So you get to watch them, live vicariously through them,
without having direct access to it.
Right.
So I hope you're not going to tell me that I shouldn't be watching The Real Housewives,
or I should feel guilty for watching The Real Housewives, because it's essentially how I'm
outsourcing my emotional relationships.
That, and wine.
Women are always getting criticized for the things they like to watch.
So, no I don't have any guilt about watching wives shows, because I don't think women should
be made to feel bad for the things that they watch and get pleasure out of.
And that's really important to me.
This idea that we're outsourcing our emotions and relationships to popular culture really struck a chord.
I mean when do I watch The Real Housewives, when I've come home from work and I'm totally
exhausted, and just need to chill.
I'm literally living vicariously through these women, because I don't have the emotional
bandwidth to go out, or answer a text.
Let's pick it up there next week.
Wasn't that deep?
Aren't you proud?
That's time.
Do you remember how Hillary Clinton's Twitter bio started with the word wife up until a
few months ago when she changed it, only after Internet outrage?
You need to leave.
She's too threatening without it.
Oh dear God.
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Price Drop Custom Built Tiny House For Sale New $60k Old $115k - Duration: 3:48.
Price Drop Custom Built Tiny House For Sale New $60k Old $115k
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素芝士蘑菇意粉 Creamy mushroom pasta | 高比 Gobby Hong - Duration: 7:12.
Hello Everyone~
-------------------------------------------
TV-Loa kéo bass 4 tấc "CXF 315" công suất lớn.Giá 3680k -Alo 0979.735.437 [LoaKeoTamViet.com] - Duration: 6:15.
For more infomation >> TV-Loa kéo bass 4 tấc "CXF 315" công suất lớn.Giá 3680k -Alo 0979.735.437 [LoaKeoTamViet.com] - Duration: 6:15. -------------------------------------------
РАСКРУТИ Ютуб канал без ОШИБОК, БЕСПЛАТНО, с НУЛЯ и ЗАРАБОТАЙ НА Youtube | ЗАРАБОТАТЬ В ИНТЕРНЕТЕ - Duration: 9:15.
For more infomation >> РАСКРУТИ Ютуб канал без ОШИБОК, БЕСПЛАТНО, с НУЛЯ и ЗАРАБОТАЙ НА Youtube | ЗАРАБОТАТЬ В ИНТЕРНЕТЕ - Duration: 9:15. -------------------------------------------
Beauty Pageant Children: Where Are They Now
For more infomation >> Beauty Pageant Children: Where Are They Now-------------------------------------------
HAKEMLERİN YAPTIĞI EN KOMİK HATALAR ! - Duration: 4:12.
For more infomation >> HAKEMLERİN YAPTIĞI EN KOMİK HATALAR ! - Duration: 4:12. -------------------------------------------
How to produce a BMW i8 Coupe and i8 Roadster? |Bright Side Car| - Duration: 6:14.
Pls Subscribe Bright Side Car to get more videos!
Pls Subscribe Bright Side Car to get more videos!
Pls Subscribe Bright Side Car to get more videos!
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UNIMAGINABLE, I HAVE TO APPLY THIS BETWEEN MY LEGS, LOOK AT THE RESULTS! - Duration: 6:37.
UNIMAGINABLE, I HAVE TO APPLY THIS BETWEEN MY LEGS, LOOK AT THE RESULTS!
INGREDIENT
2 SPOONS OF BICARBONATE OF SODA A SPOON OF LEMON JUICE
ALOE VERA GEL SPOON
APPLY LONG FROTHLY LET ASK 1O MINUTES
THEN APPLY THE ALOE VERA GEL, REMOVE CA DAILY DURING AT LEAST
10 DAYS, AND THAT CA CAN REMAIN LIKE THAT, EXFOLIATE THE SKIN PERMANENTLY
. Sodium bicarbonate is one of the products
the most versatile you can have at home, it serves as well for cleanliness
of the fireplace, only to remove stains or to finish with dandruff.
Its uses in cosmetics are varied, and one of the most interesting is its ability
to lighten the areas of the skin that have tend to become darker, as is
the case of armpits.
You want to finish forever with them spots of this area? Discover how
use baking soda to whiten armpits effectively.
It might also interest you: How thinning underarm skin
Steps to follow: 1
Although it does not seem, the armpits are one of the areas of our body having skin
the most sensitive, which explains why which sloppy epilation will eventually produce
irritation and discomfort on this area.
One of the most used options to eliminate the hairs of this area is the use
of a razor, this which in the long run produces the appearance of a
unsightly shadow on the area that often does not go away even when we are
perfectly shaved.
2 This situation can make us feel embarrassed
to use clothes that expose the zone, because at a glance it may seem that
we are not properly shaved.
However, there is a simple home solution, it's about using baking soda to lighten
armpits and get that their appearance be improved.
This ingredient, associated with another all as powerful as lemon, will help you
to get the best results.
3 Use baking soda to lighten
underarm is a very simple operation and effective.
To start you need:
2 teaspoons of sodium bicarbonate The juice of half a lemon
Mix the two ingredients until you form a thick paste.
Clean your armpits well with water and soap to remove any residue from
deodorant or products, dry and apply the dough uniformly on both armpits.
Leave on for 10 minutes then remove with warm water and a mild soap, it
is recommended to repeat this operation every day for at least 2 weeks
or until the skin has cleared.
4 It is also recommended to exfoliate the area
armpits once or twice a week to eliminate the dead cells that accumulate
on the area and improve the color and appearance.
It is important to perform this operation preferably with a facial scrub,
because because of its fine grain, it will be much softer with your skin and will erase it without
irritating.
5 In addition, consider some recommendations
to prevent your armpits from becoming dark and to maintain a color
appropriate:
Avoid using the razor for hair removal underarms, this habit produces a
dark spot on the area.
The best is the waxing hot because at the same time, it will allow you
to eliminate dead cells from this area.
We also do not recommend the use depilatory creams, which can stain
this delicate area.
Wash your armpits daily with a product moisturizing because this area also requires
care.
Exfoliate your armpits at least once week with a scrub for face, you
see how their appearance and texture will improve.
Avoid the continued use of deodorant or antiperspirant, it is recommended,
preferably at home, to leave your underarm breathe without using these products.
DO NOT FORGET TO SUBSCRIBE, LIKE AND COMMENT
-------------------------------------------
[Special Ep. Part 1] K-Pop Songwriter Andreas Oberg Interview - Duration: 8:15.
Umu: Hello, thank you so much for agreeing to be featured on my channel, please introduce yourself.
U: And like, talk about how long you've been writing songs, and what instruments you play.
My name is Andres Oberg. I'm a Swedish songwriter, producer, and guitar player.
A: I started out as a musician, playing a lot of jazz and blues and fusion; and then over time I became more of a songwriter and producer.
A: And I found the K-Pop market and also the J-Pop market; I've been doing a lot of songs for Japan and Korea during the last couple of years.
A: I find it very inspiring to work with all these artists and try out all these different genres.
Umu: Fantastic. And so now we'll start off with the questions that I'm sure a lot of people are wondering.
U: First, do you think it's more important to make a number-one hit, or write a song that you are personally most proud of?
A: When I started within the jazz world, It was all about just creating, you know, interesting music that I really love myself,
A: And I wanted selected group of people to really like it, of course.
A: I didn't want it to be too commercial, or have any of that kind of pop music impact.
A: But then over time, I kind of realized I wanted to create music for the masses, but do something with quality too, you know?
A: Like you can bring in cool chords to something musically that also has the quality of pop, with catchy hooks and simple melodies as well too.
A: So I would say these days I want to, you know, make big hits but also do stuff that has musical value and quality.
Umu: Fantastic.
U: And then when writing a song for a company and an A&R (Artists and Repertoire) comes in and says, "Oh change this up, we don't want this."
U: Do you ever feel that they ruin a song?
A: Yeah, that has happened. But it's all about personal taste.
A: And most of the time I think they know what they're doing, and there are some cases where songs actually turned out amazing from their feedback.
A: There was one A&R at SM who actually came in when we wrote Red Velvet's song called Sunny Afternoon.
A: And she wasn't happy with the chorus, and we kind of liked the chorus.
A: But she said "No, I want something different", then she had some ideas, and then we started writing a different chorus.
A: And in retrospect - I mean that chorus was - the second chorus we created - was so much better than the first one so.
A: It's always good when the A&R's know what they want.
A: Especially in Asia, they're musically trained, some have perfect pitch, they know about music, and they know what they want too, which is great.
Umu: Awesome.
U: And what is your favorite K-Pop song that you didn't take part in writing?
A: Well, there are a few - you know, there are a lot of great songs,
A: But there are a few, you know, when I heard them I thought, "Okay ow, this is - I wish I was part of this".
A: One is actually Spellbound with TVXQ. Very cool song.
A: And another one, a little bit maybe more unexpected one, it's a song my my friends Caesar & Loui wrote.
A: A song with TTS called Stay.
A: It has a very cool the key change for the chorus, very unexpected.
A: I was like, "Wow I wish I would have thought of that."
Umu: And what's your favorite genre to compose it?
A: I like a lot of the funky, jazzy R&B.
A: Stuff where you can go a little bit crazy on on the chords.
U: Yes, that's my favorite, too.
U: And what K-Pop artists have you been able to work with in person?
A: I've been writing with BoA.
A: The SM camps with Amber from f(x) and Siwon from Super Junior.
A: Eric Nam.
A: Henry, former member of Super Junior.
A: It's always great to write with these artists and especially the ones that are active writers, and they have a lot of ideas and they have a vision for what they wanna do.
Umu: Awesome. And then what is your favorite section of a song to write, like is it the chorus? A: Yeahhhh.
A: When you get the chorus right it's always a great feeling, but personally I like pre-choruses.
A: Because that's where you can go even more slick on the chords, and and do some really - (U: Weird) A: Unexpected stuff actually.
A: So I love the pre-choruses too.
Umu: Fantastic.
U: I can tell.
Umu: What was the most difficult K-Pop song to write?
U: Like whether it was difficult to communicate with the other composers, or you just couldn't come up with any ideas.
A: We did a song on on the Lee Dongwoo album.
A: The original title was Broken Wall.
A: And I think Once There Was A Love is the title. (U: Yeah.)
A: It took a long time to write. We were trying different chords, going back and forth. It was a ballad, so.
A: And one of the writers, a Korean writer who didn't speak much English, we tried to communicate.
A: It took a long time, but it's a song I'm very very proud of, the outcome of that song.
A: It's not a typical K-Pop song, more like a jazz ballad., but it's a song I'm very proud of.
Umu: Do you see improvisation ever playing a bigger role in pop music?
A: Hopefully, you know?
A: A great thing is when you find that balance between improvised elements, and then more like structured, thought-out ideas.
A: For instance in the verse, it can be more like R&B urban, it can be more of an improvised flow.
A: And then the hook could be a little bit more structured for people to be able to grasp it and sing along with it.
Umu: Right. And when writing a song do you ever think of a group's international audience, instead of just writing for like maybe Korean ears?
A: Well, yes, since the lyrics for the demos are made in English.
A: We always try to have like catchphrases and lyrical content that could also work in the West.
Umu:: When writing a melody for a specific group, do you assign vocal parts based on their "jobs" AKA main vocal or lead vocal?
U: Or do you study their voices and give high notes to someone and fast notes to others? A: Yeah, it depends on I mean -
A: Some groups I worked a lot with, like for instance Shinee, so I know the different sounds, you know, of the different voices.
A: Some groups I might not know exactly all the members and how they sound, but I try to listen and see if something stands out.
A: You know, if there's one singer that has a really like, high-pitched voice or something, that you can like use and take advantage of when you when you write melodies.
Umu: Right, and are there any artists that you would like to work with in the future that you haven't worked with yet?
A: Yeah, of course. There are quite a few, especially solo artists.
A: More that - I've worked with a lot of the idol groups, but it would be interesting to work with some of the solo artists in Korea.
A: There are a lot of great ones, like IU and Heize.
A: They're doing their own stuff composing and working with a group of people, I think their friends and co-writers.
A: But it would be fun to try doing something for those artists as well, and not just to those - the bigger idol groups.
Umu: And do you ever draw from your classical music theory knowledge when writing pop music, or do you more draw from your jazz theory knwoledge?
A: More from the jazz theory knowledge, and I try to not overthink too much, you know?
A: And go follow my ears and what I'm hearing.
A: But it's great to have the theory and know it as a tool.
A: So I can actually, you know, know why something doesn't really work, and vocal arrangement for instance.
A: And I also, since I know the theory, I have a lot of colors available, a lot of sounds that I can use for the different extensions from each chord.
Umu: What are your favorite songs that you've composed?
A: There are many, it's so hard for me to choose.
A: But like One of These Nights with Red Velvet, I really like that song. I'm proud of it.
A: Did this song for SHINee called Romance that I really like myself too.
A: Like it has kind of a Stevie Wonder- Ferrell kind of vibe.
A: Did another one for them in Japan called Wishful Thinking, that's another song I'm very proud of.
A: There are so many it's hard to choose, but those were just a few.
Umu: What artists or group do you like writing most for?
A: I would say SHINee because I've done so many songs for them.
A: I've done 13 songs for the band both in Korea and Japan, you know, combined.
A: And then I've done two for Taemin, and then one for Onew together with Lee Jin Ah.
A: So 16 in total, so I think I have a history with that group and I met them a few times.
A: I like how they sound, I like their use of the vocal arrangements and their voices, and how they bring my ideas to life.
Umu: Fantastic.
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[Special Ep. Part 1] K-Pop Songwriter Andreas Oberg Interview - Duration: 8:15.Umu: Hello, thank you so much for agreeing to be featured on my channel, please introduce yourself.
U: And like, talk about how long you've been writing songs, and what instruments you play.
My name is Andres Oberg. I'm a Swedish songwriter, producer, and guitar player.
A: I started out as a musician, playing a lot of jazz and blues and fusion; and then over time I became more of a songwriter and producer.
A: And I found the K-Pop market and also the J-Pop market; I've been doing a lot of songs for Japan and Korea during the last couple of years.
A: I find it very inspiring to work with all these artists and try out all these different genres.
Umu: Fantastic. And so now we'll start off with the questions that I'm sure a lot of people are wondering.
U: First, do you think it's more important to make a number-one hit, or write a song that you are personally most proud of?
A: When I started within the jazz world, It was all about just creating, you know, interesting music that I really love myself,
A: And I wanted selected group of people to really like it, of course.
A: I didn't want it to be too commercial, or have any of that kind of pop music impact.
A: But then over time, I kind of realized I wanted to create music for the masses, but do something with quality too, you know?
A: Like you can bring in cool chords to something musically that also has the quality of pop, with catchy hooks and simple melodies as well too.
A: So I would say these days I want to, you know, make big hits but also do stuff that has musical value and quality.
Umu: Fantastic.
U: And then when writing a song for a company and an A&R (Artists and Repertoire) comes in and says, "Oh change this up, we don't want this."
U: Do you ever feel that they ruin a song?
A: Yeah, that has happened. But it's all about personal taste.
A: And most of the time I think they know what they're doing, and there are some cases where songs actually turned out amazing from their feedback.
A: There was one A&R at SM who actually came in when we wrote Red Velvet's song called Sunny Afternoon.
A: And she wasn't happy with the chorus, and we kind of liked the chorus.
A: But she said "No, I want something different", then she had some ideas, and then we started writing a different chorus.
A: And in retrospect - I mean that chorus was - the second chorus we created - was so much better than the first one so.
A: It's always good when the A&R's know what they want.
A: Especially in Asia, they're musically trained, some have perfect pitch, they know about music, and they know what they want too, which is great.
Umu: Awesome.
U: And what is your favorite K-Pop song that you didn't take part in writing?
A: Well, there are a few - you know, there are a lot of great songs,
A: But there are a few, you know, when I heard them I thought, "Okay ow, this is - I wish I was part of this".
A: One is actually Spellbound with TVXQ. Very cool song.
A: And another one, a little bit maybe more unexpected one, it's a song my my friends Caesar & Loui wrote.
A: A song with TTS called Stay.
A: It has a very cool the key change for the chorus, very unexpected.
A: I was like, "Wow I wish I would have thought of that."
Umu: And what's your favorite genre to compose it?
A: I like a lot of the funky, jazzy R&B.
A: Stuff where you can go a little bit crazy on on the chords.
U: Yes, that's my favorite, too.
U: And what K-Pop artists have you been able to work with in person?
A: I've been writing with BoA.
A: The SM camps with Amber from f(x) and Siwon from Super Junior.
A: Eric Nam.
A: Henry, former member of Super Junior.
A: It's always great to write with these artists and especially the ones that are active writers, and they have a lot of ideas and they have a vision for what they wanna do.
Umu: Awesome. And then what is your favorite section of a song to write, like is it the chorus? A: Yeahhhh.
A: When you get the chorus right it's always a great feeling, but personally I like pre-choruses.
A: Because that's where you can go even more slick on the chords, and and do some really - (U: Weird) A: Unexpected stuff actually.
A: So I love the pre-choruses too.
Umu: Fantastic.
U: I can tell.
Umu: What was the most difficult K-Pop song to write?
U: Like whether it was difficult to communicate with the other composers, or you just couldn't come up with any ideas.
A: We did a song on on the Lee Dongwoo album.
A: The original title was Broken Wall.
A: And I think Once There Was A Love is the title. (U: Yeah.)
A: It took a long time to write. We were trying different chords, going back and forth. It was a ballad, so.
A: And one of the writers, a Korean writer who didn't speak much English, we tried to communicate.
A: It took a long time, but it's a song I'm very very proud of, the outcome of that song.
A: It's not a typical K-Pop song, more like a jazz ballad., but it's a song I'm very proud of.
Umu: Do you see improvisation ever playing a bigger role in pop music?
A: Hopefully, you know?
A: A great thing is when you find that balance between improvised elements, and then more like structured, thought-out ideas.
A: For instance in the verse, it can be more like R&B urban, it can be more of an improvised flow.
A: And then the hook could be a little bit more structured for people to be able to grasp it and sing along with it.
Umu: Right. And when writing a song do you ever think of a group's international audience, instead of just writing for like maybe Korean ears?
A: Well, yes, since the lyrics for the demos are made in English.
A: We always try to have like catchphrases and lyrical content that could also work in the West.
Umu:: When writing a melody for a specific group, do you assign vocal parts based on their "jobs" AKA main vocal or lead vocal?
U: Or do you study their voices and give high notes to someone and fast notes to others? A: Yeah, it depends on I mean -
A: Some groups I worked a lot with, like for instance Shinee, so I know the different sounds, you know, of the different voices.
A: Some groups I might not know exactly all the members and how they sound, but I try to listen and see if something stands out.
A: You know, if there's one singer that has a really like, high-pitched voice or something, that you can like use and take advantage of when you when you write melodies.
Umu: Right, and are there any artists that you would like to work with in the future that you haven't worked with yet?
A: Yeah, of course. There are quite a few, especially solo artists.
A: More that - I've worked with a lot of the idol groups, but it would be interesting to work with some of the solo artists in Korea.
A: There are a lot of great ones, like IU and Heize.
A: They're doing their own stuff composing and working with a group of people, I think their friends and co-writers.
A: But it would be fun to try doing something for those artists as well, and not just to those - the bigger idol groups.
Umu: And do you ever draw from your classical music theory knowledge when writing pop music, or do you more draw from your jazz theory knwoledge?
A: More from the jazz theory knowledge, and I try to not overthink too much, you know?
A: And go follow my ears and what I'm hearing.
A: But it's great to have the theory and know it as a tool.
A: So I can actually, you know, know why something doesn't really work, and vocal arrangement for instance.
A: And I also, since I know the theory, I have a lot of colors available, a lot of sounds that I can use for the different extensions from each chord.
Umu: What are your favorite songs that you've composed?
A: There are many, it's so hard for me to choose.
A: But like One of These Nights with Red Velvet, I really like that song. I'm proud of it.
A: Did this song for SHINee called Romance that I really like myself too.
A: Like it has kind of a Stevie Wonder- Ferrell kind of vibe.
A: Did another one for them in Japan called Wishful Thinking, that's another song I'm very proud of.
A: There are so many it's hard to choose, but those were just a few.
Umu: What artists or group do you like writing most for?
A: I would say SHINee because I've done so many songs for them.
A: I've done 13 songs for the band both in Korea and Japan, you know, combined.
A: And then I've done two for Taemin, and then one for Onew together with Lee Jin Ah.
A: So 16 in total, so I think I have a history with that group and I met them a few times.
A: I like how they sound, I like their use of the vocal arrangements and their voices, and how they bring my ideas to life.
Umu: Fantastic.
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