An Giang info: Youtube daily report Mar 31 2018

Hello and welcome back to Switch and Lever!

I'm sure I am not alone in having some precious objects around me which I wish I had more

of.

If only there was a way to copy physical objects in a similar way to sticking it into a copy

machine and hitting print.

Surprisingly, it may not be terribly much more complicated than that.

In this video we will go through the steps involved with scanning a physical object all

the way through holding the copy of it in our hands.

So come on, let's get going!

Comparing copying something flat, like a photo, through a regular copy machine and copying

a physical object is fairly similar.

You first have to scan the object you wish to copy, and secondly you need to print it

out.

First step is scanning.

Various technologies to do 3D scanning have been around for quite some time, but unfortunately

most technologies for highly accurate 3d scanning are very expensive, and require highly specialized

tools.

I have used a couple of these methods in the past when scanning my own head, something

which I used to CNC mill my own coin in a previous video on this channel, as well as

done other fun stuff with.

Fortunately for us there have been great advances made in methods which require no specialized

equipment beyond a decent camera.

In this video I will focus on copying two objects, one small, a ring, and one larger,

a mannequin head, each with their own challenges.

The first, and coincidentally free method, as long as you have a camera, is photogrammetry.

Photogrammetry is the technology of constructing 3D geometry from photographs.

We'll use software to analyze photos of our object to be copied, and the software will

measure and match photos with each other until it hopefully understands how the 3D geometry

of our object fits together.

I say hopefully, because it is dependant on having good photos of your object, from every

conceivable angle.

You really want to make sure you're capturing every little nook and cranny, especially so

if your object is intricate.

A rule of thumb is to try to photograph every point of the object from at least three different

angles, to give the software a good chance of triangulating different points on your

object and successfully constructing 3D geometry.

Photogrammetry works great on slightly bigger objects, like this mannequin head, but can

be used on a much larger scale as well.

When you're taking your photos there are some important things to consider though.

Some tips while taking photos of your object Work in good even lighting

Shoot with small aperture (for crisper photos) Make sure your photos are in focus

Avoid reflective objects (as reflections will vary depending on your angle)

Avoid shadowing your object (as that can cause issues with matching photos together)

Once we have our photos, what do we actually do with them?

I mentioned software just a short while ago, and there are a few really good photogrammetry

packages out there.

The most popular one is probably Agisoft PhotoScan, and if you're curious about it they do offer

a 30 day trial, but after that will charge quite an exorbitant amount of money for continued

use.

Autodesk also offers a software called Recap which also has a free trial, and uses cloud

based analysis, but after the trial comes with a monthly subscription cost.

I started the process of scanning with Autodesk ReCap, but soon moved over to a more recent

addition to the photogrammetry scene called 3DF Zephyr.

Luckily enough they offer a completely free version of their software, and it is truly

amazing!

The free version does have some limitations, like the amount of photos per project is limited

to 50, but for most simpler objects that's going to be more than enough.

If you're interested in diving deeper into different photogrammetry software look at

the Wikipedia article linked in the description, as the selection of software is vast.

The mannequin head that I scanned took quite a few tries to get right, for many reasons.

It's actually easier for the software to scan something that's not completely smooth, something

with more defining features, than what this head was.

The more detail or texture there is the more unique points the software will find.

The plastic of the head was also a bit too reflective to get a good result.

I tried different ways of rectifying that, such as painting the head with a matte primer

and adding sticky dots to give more defining features.

Even though the results were better it still had a lot of issues.

I tried rotating the head on a lazy suzan instead of moving the camera, and tried to

mask the background completely away.

Even though my results left something to be desired, masking is a method which is proven

to work.

Check out Niels Provos' recent video on copying an antique axe head where he successfully

uses this method.

The full video is linked in the description.

Another method to use is to set up an array of cameras around the object, and trigger

them all at once.

This is especially useful with objects which won't stand perfectly still, but on the downside

requires a lot of cameras.

This is being used right now in 3D photobooths, to which you can go, get scanned and have

a miniature copy of yourself made.

Continuing with the head, I even ended up drawing small dots all over, and when that

failed tried connecting them with lines, to create enough points for matching.

Even though quality mostly continued to improve they still were spectacular failures.

In some ways the failures are more interesting than the final result, and you could definitely

use these failed scans for artistic purposes if you were so inclined.

What did end up working was spattering the whole head with both white and black spray

paint, to give a random painted texture over the head.

The results also started getting a lot better once I switched over to using 3DF Zephyr.

It's not immediately visible right here, but up close the detail is quite a lot higher

with 3DF Zephyr compared to Autodesk ReCap.

The mesh is more than ten times more dense.

The results after this process was simply better than I expected going into this!

3DF Zephyr has a fairly easy learning curve.

You drop your photos into the software, and let it match the photos to each other and

calculate what is called a sparse point cloud, which is basically matched points between

the photos.

From this sparse point cloud it will further calculate a dense point cloud, and finally

from this point cloud will create a 3D mesh with your geometry, even with textures if

you so desire.

Prepare to let your computer do quite a lot of heavy lifting, so go and make a coffee

and read a good book while it's computing all the 3D data.

I'm not going into all the little details of how to use the program, but a healthy dose

of experimenting ought to set you on the right path.

If everything went well your geometry should be pretty close to your object.

It's quite likely that the result has some issues though, like holes in the geometry,

or things being completely distorted, sometimes with hilarious results.

For some things, like smaller holes, 3DF Zephyr has tools to fix, for others there's no choice

but going back and taking better photos or spending a lot of time in a 3D modeling software.

In fact, when you're starting out you're probably going to find yourself going back and redoing

the photography several times until you get a result you're happy with and start developing

a method you know works for you and with your equipment.

This is of course not the only thing you can scan using this method, any object that's

roughly the size of a fist and bigger ought to work great, provided you can get around

the object and take photos from multiple angles.

This method has been used extensively to capture architectural features, like this entryway

to where I used to work.

Or this stone step, with every little detail caught.

You don't even need an amazing camera to capture decent results, like this rock nearby where

I used to live, which was put together from just ten photos taken with an iPhone, in just

a few seconds.

Or this face which came from a facade in Stockholm's old city was also captured with an iPhone

camera.

If you have access to a remote controlled helicopter you could even do video shoots

of your house from different angles and use the same software to piece it together into

a model of your house.

This house model came from a website called Sketchfab which has a lot of 3d photogrammetry

models available for download from their users.

I highly recommend to check it out, just follow the link in the description of this video.

Once you start seeing the world with 3D scanning eyes you start to realize that the sky is

the limit, and almost anything can be 3D scanned, whether it should be 3D scanned or not.

And with that, I bring you, bread!

Why would you scan bread?

Why wouldn't you scan bread?

The whole reason I actually started this project was because I wanted to copy a very special

object, a plastic ring I've had since I was a kid.

I think I got this (and a few like it) from a chewing gum machine well over 25 years ago.

I loved this ring, but it's made of plastic and my fingers just aren't the size they were

when I was a kid.

To make a long story short, I wanted to copy this, so I once again could wear my childhood

ring.

I tried, repeatedly, to use photogrammetry to get this ring scanned.

The reflective surface obviously wouldn't work, but neither did painting it with a gray

primer, and neither did giving it a little structure.

It was time to turn to another method.

Another very popular method of scanning is structured light scanning, where you usually

pass a laser line over an object and use a camera to interpret how that line bends over

the object.

There are more budget variants to use this, even some homebrew hacks where you can build

your own scanner.

At my previous place of employment I was lucky enough to find an old NextEngine 3D scanner

hidden away in a dusty corner and managed to get it up and running again.

This has a few years on it, and newer ones produce a bit better results, mainly due to

better cameras, but this was sufficient for what I needed.

It constructs a point cloud, similarly to what 3DF Zephyr does from photos.

The strength is that you can easily scan once, reposition the item being scanned and scan

again, to get all angles of your item.

Then you can merge all of these in the software.

Bear in mind that this method still has the same limitations as before when it comes to

reflective surfaces, so priming or dusting the object with talcum powder may be a good

idea.

NextEngine's 3D scanner is just one such scanner on the market, and it does cost a pretty penny.

However, if you need really high quality meshes using structured light scanning technology

may be the only way to go.

There's a good comparison of different methods on the NextEngine website, which shows what

you can expect from each method.

Unfortunately though they don't really compare it to better photogrammetry methods, like

Agisoft Photoscan, or 3DF Zephyr.

Also, the open source community is working on exciting things in this field, like the

FreeLSS platform, which is essentially an open source, 3D printed, laser line scanner,

based on Raspberry Pi.

All the material you need is open source, so if you want to experiment with it yourself,

do check it out!

You can actually do proper laser 3D scanning as well, using LIDAR sensors and essentially

measuring the time for the laser to bounce from the emitter and back to your sensor.

It's generally not something that's commonly used for the kind of scanning that we're doing

in this video, but is common when measuring elevation and creating topographical maps.

If you want to experiment at least with the source material from such scans a lot of the

earth is available for download in various Digital Elevation Map formats.

With them you can create 3D topographic maps, to use for visualization or similar things

which we will do later in this video.

Back to the ring, and as you can see the result of the scan was still not perfect, but compared

what I got from doing photogrammetry it was like night and day.

The result from the scanner may seem quite rough, but aside from the holes where the

scanner couldn't reach, it is a pretty accurate representation of the original ring, as the

plastic itself isn't all that high definition and has plenty of small bumps and mold lines.

So, there is still plenty of work to be done.

which is mostly true regardless of 3d scanning method.

The more care you take in the scanning the less issues you have to fix afterwards.

Either way there may be noise in the scan, disjointed parts, holes or other geometries

which need to be fixed.

As you can see the skull ring still has some major issues, but most is there.

Using a software package like Zbrush or Sculptris, which allows you to sculpt 3D geometry rather

than use traditional 3d modeling tools you can fix these geometries and smooth the surfaces.

I cleaned up the ring, smoothed some areas and increased the definition in others, until

the ring looked the way I wanted to.

Sure, it was not an exact representation of the plastic ring I wore as a child, but it

definitely shares provenance.

Right now, regardless of which method you used, still all we have is some 3D geometry

in the computer, but I think you can easily figure out how to get it back into the physical

world.

That's right, through the wonders of 3D printing!

First of all let's tackle the head.

Once I had cleaned it up after the scanning I simply pushed it out in ABS plastic on a

Flashforge Dreamer 3D printer, and indeed it came out pretty nice.

Just copying something may be fun, but you could also do more interesting things with

it.

I did some modeling and reprinted the head, making a snazzy USB flash drive from it.

Stupidly I didn't take into account how thin my computer is, but eh such is life.

If you don't have access to a 3D printer yourself there are services, such as Shapeways, which

happily will print your models for you in a variety of materials.

I've used Shapeways plenty of times in the past, so it's no surprise I'm a fan, but I

have no affiliation with them and my endorsement is entirely from my own experience.

In a previous video, making a branding iron, I demoed how you can 3d print steel with Shapeways,

but since we're making a ring something a bit more sparkly is definitely more aprorpriate.

This time around we're printing in silver.

Well, that's kind of a misuse of the term.

Shapeways will actually print it in wax, and then use the wax to cast a silver piece for

you.

The process may not be the cheapest, but it's an entirely custom part, and for that it's

not terribly expensive.

Try going to a jeweler and getting a custom piece like this made and see what it will

cost.

Quite frankly, I couldn't be happier.

The ring fits and feels amazing, and while it arrived to my doorstep highly polished

and reflective given a couple of months of use it's tarnished beautifully, and got an

amazing depth to it.

I know wearing a skull ring may be seen as tacky by some, but hey, live and let live

huh?

Of course, you can choose to print things out in other metals, or plastics, even colored

or transparent plastic if that catches your fancy more.

Remember the scanned bread from before?

Yep, you could even have a piece of 3d printed bread, though I wouldn't recommend eating

it, even though it is gluten free.

I will actually be giving away this 3d print to one lucky instagram follower, so be sure

to head on over to the Switch & Lever instagram account for more information and rules for

the giveaway.

Come on, you know you want this absolutely unique piece of Switch & Lever memorabilia!

That's really all there is to it, if you have a camera you can start experimenting with

photogrammetry today already.

Download 3DF Zephyr, photograph your favourite thing, sleeping person, an unsuspecting pet,

your house, or whatever else floats your boat, and print and scatter copies of the weirdest

things imaginable all around.

Thank you so much for watching, I really hope you enjoyed this much longer than usual video,

and maybe also learned a thing or two.

Even so, there are plenty of other videos on this channel, why don't you give one or

thirty eight of them a look?

Remember to head on over to instagram and enter the raffle for the 3d printed bread.

You could be the lucky winner!

Until next time!

For more infomation >> How to Copy (almost) Any Object - Duration: 18:38.

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Δομές Δεδομένων - Περιγραφή Heap-Sort Αλγόριθμου Π2017149 - Duration: 1:00.

In the heap-sort algorithm below I will see how we sort random numbers from the in_put file in the correct order.

Selects the 2nd element from the table and controls each item based on this.

If it is larger than the element in the previous one position checked, leaves it in place.

If, it is smaller than the previous one,

moves them larger items until it finds the smallest element where it comes in in the appropriate position.

This process is repeated with all the table numbers.

In the end we can see amounts of steps needed to complete it classification.

The program at the end of the executable creates an out_put file in the folder that was in in_put

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2 voix - Canon à l'unisson - Duration: 7:44.

Hello everybody!

Today, we are going to improvise a canon in unison.

The antecedent of this canon - which means the first voice -

will be improvised by Lise,

whereas the consequent will be sung by Marie.

Our improvisers of the day have chosen

for their canon the lyrics of the song

"L'amour de moy si est enclose".

How to improvise a canon in unison?

Let us point out first that it is easier to achieve

if the consequent (the one that repeats)

sings one beat after the antecedent (the one that improvises).

In our examples we will give each beat

the value of a semibreve,

as is indicated, at the time of the Renaissance, by the C-barré sign.

Thus in a single-beat canon in unison,

if the antecedent starts for instance on an A,

the consequent will start on the same A, on the following beat.

Hence we can imagine which note

the antecedent will sing on the second beat.

This note will have to be consonant with the A.

For instance the antecedent can stay on the same note,

which will create a unison with the consequent.

But he/she can also rise by a third,

which will produce an interval of third.

Or else he/she can rise by a fifth to produce a fifth,

or a minor sixth, or an octave.

But he/she can also go down.

For instance by a third,

But also by a fifth, or else an octave.

Please note that the descending melodic sixth

is not in use at the Renaissance.

This diagram sums up the melodic intervals

that the improvising antecedent can make from one beat to the next.

Let us examine the intervals used by Lise

in her canon on "L'amour de moy":

a unison,

a descending fifth,

a unison again,

a rising third,

another rising third,

a falling third,

a unison,

a falling third,

then the cadence, which we shall examine later.

Let us now listen to the outcome when this melody

is repeated as a canon in unison.

As you have heard,

it will be appreciated if you can ornament your canon.

To this effect, the improviser, from one beat to the next,

can resort to simple ornamental phrases,

usually formed with conjunct degrees.

For instance, the melodic unison can be ornamented with embroideries,

from above

or below.

The third can of course be filled up with a passing note...

either quick

or slower.

Lastly, we must remember to liven up the unisons

with various rhythms:

For example by repeating a note

Or by holding it to make a long note

Or else by starting on the up-beat.

Let us consider a few examples of ornamentation

in an excerpt from our song in canon:

Finally, a word about cadences.

To end a musical sentence, the antecedent

can merely hold a long note

and wait for the consequent to join him/her naturally

in a unison, through the interplay of the canon.

Then the two partners can also agree

to put the canon briefly on standby

to reach a cadence

that strings together minor third - unison.

To do so, they have to follow a prearranged procedure,

such as:

the improvising antecedent, using a three-note cadence formula,

introduces a syncopation by repeating the first note.

By a sign of the hand, he warns the consequent

of the start of the syncopation.

The latter then sings, on the middle beat of the syncopation,

the second above the antecedent.

From then on, the consequent only has to achieve

a so-called "tenor" cadence by moving down one degree.

Let us see an extract of our canon,

and examine the cadences.

And now it's your turn!

For more infomation >> 2 voix - Canon à l'unisson - Duration: 7:44.

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DEEP STATE – SHADOW GOVERNMENT REVEALED SENIOR EXECUTIVE SERVICE - Duration: 16:20.

Beloved Yeshua Jesus Gives Wonderful Advice on

Good Friday to Support Good Relationships

All Kinds

by Therese Zumi Sumner

Caveat: As this is channelled information reader discretion is advised:

I was actually looking to see if I could find some information from Jesus/Yeshua where He

speaks about the time of His life and crucifiction (do not trust any information that makes claim

that the crucifiction of Jesus did not take place) but while looking

I just discovered this really good advice about relationships that Yeshua provided in

2014 on An Hour with An Angel.

To get directly to that message and skip the introduction to the show where Suzanne and

Linda chat (well worth a read

listen too) you need to watch out for this

picture / depiction

Yeshua

For more infomation >> DEEP STATE – SHADOW GOVERNMENT REVEALED SENIOR EXECUTIVE SERVICE - Duration: 16:20.

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I hear you grow back body parts now, Wade.

When I'm finished...

parts will have to grow back you.

Good one.

Yep, that was a good one.

Let's dance.

And by dance, I mean...

let's try to kill each other.

(GRUNTING) (METAL CLANKING)

(GASPING)

(GRUNTING)

(GROANS)

(COLOSSUS GROANING)

(CHOKING)

Fine. Fists.

Oh, sounds like your last Saturday night.

(GRUNTING)

(GROANING)

(GRUNTING)

(VANESSA GROANS)

Asshole!

(FRANCIS GRUNTS)

(GROANS)

For more infomation >> Deadpool vs Ajax (Francis) Fight Scene | Deadpool (2016) Movie CLIP HD (+Subtitles) - Duration: 2:58.

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Bollywood Full Movies – Udanchoo – ऊडनछू – New Hindi Dubbed Movies – Johnny Walker -Kids Comedy Film - Duration: 57:18.

We want Pappu. We want Jumman.

Pappu and Jumman were two midgets.

But the midgets were really smart.

They would showcase their tricks in a circus.

They were well known showmen.

Pappu and Jumman would get along with the cycle riding Mary and Bulbul.

They would show their tricks together.

They were thick friends.

The bodybuilder was huge. This thing would bother him.

He was secretly jealous of the pair of Pappu and Jumman.

There were unique tricks being showed at the circus.

Lots of tricks and magic were on show.

But the kids had only one demand which was dearest to them.

Pappu. Jumman.

Jumman. Pappu.

Pappu. Jumman.

"So what if we are small in size?"

"We are high spirited."

"We are very brave. We have hearts full of love. "

"With hearts of love. High spirited. Courageous."

"Our hands are small. But we are capable of all the tricks."

"We make the best dance to our tunes."

"We keep smiling all the time."

"We laugh and sing songs."

"We entertain the kids. When the kids call us."

Pappu. Jumman.

Pappu. Jumman. Jumman. Pappu.

"We are our own bosses. We do as we please."

"We spin. We groove. And take the world by storm."

"We sing the songs of courage. We sing the songs of hope."

"We entertain the kids. When the kids call us."

Pappu. Jumman.

Pappu. Jumman. Jumman. Pappu.

Go, Jumman. You go get the food.

I won't go to that cook anymore.

No. He harasses so much.

We'll either go together or we'll go hungry.

Give one whole flatbread at least.

What nonsense.

You're this small. But you eat like an elephant. Get lost.

Don't you have any humanity at all?

Doesn't he look like a human to you?

You give the bodybuilder so much food.

Look, don't do anything untoward.

You guys always talk of escaping from the circus.

Yes. Do not run away.

We'll together fight this battle right here.

Pappu. Jumman.

Hope you remember what your job is for tonight.

You fools. You fool around all day.

Get lost. You can't message my legs for a couple of minutes.

Complaint. Complaint. Complaint.

And the demand for a pay hike.

Don't you know anything else apart from this?

No one would've given you any job.

I hired you. Aren't you grateful for it?

Out. And get back to work.

Pappu. Jumman.

The bodybuilder beat you up today again.

Yes, uncle.

There is no point in complaining to anyone.

I've been watching this for the last 30 years.

We midgets have no family in this world.

Firstly we get a job only at a circus.

And even here no one considers us humans.

Why are you ruining your lives here?

I suggest that you run away from here.

Go work at Babban's tea shop.

Then gradually start your own business.

The world will not respect you till you stand on your feet.

Jumman. Jumman, get up. Get up.

Get up fast. Get up.

It's time for the show. - Really?

Yes. Hurry up. I've packed all the things. - You have.

Absolutely.

"So what if we are small in size?"

"We are high spirited."

"The world has broken our hearts. We are heart broken."

"So what if we are small in size?"

"We are high spirited."

"The world has broken our hearts. We are heart broken."

"We are not kids among kids."

"We are not adults among adults."

"No one knows the pain of our hearts."

"The world is impervious to it."

"We laugh and make everyone laugh."

"But we secretly cry."

"No one in the world loves us."

"See you, kids."

"Bye, bye, kids."

Where did those two go? - They ran away.

Manager. Manager.

Pappu and Jumman have run away.

Pappu. - Jumman.

Pappu. - Jumman. - Stop. Mary!

Pappu. - Jumman.

Mary. Stop.

Get them. Get them. Pappu and Jumman.

Pappu and Jumman.

Hello. Police station.

Is this the inspector?

Good morning, sir.

This is the manager of the Oriental Circus speaking.

Two of the midgets working here have made off with the circus's bike...

...and lots of other things.

Please send some officer for inquiry.

Jumman and Pappu had bought that bike with their own money.

Exactly.

Where all can they go?

That I can't say.

Yes. There is this midget called Bubban..

..who runs a tea and cigarette shop.

He would often come to meet our midgets.

They might have gone there.

Thank you, sir.

Whom are you sending? Sub inspector Ghorpade.

The phone's ringing away. No one's picking it up.

Hello. Hello.

Yes. Yes. He is there.

I'll call him. I'll call him right away, sir.

Listen. How long are you going to sleep?

Listen. Get up. Your boss has called. Your boss has called up.

My boss. - Yes.

Sub inspector Ghorpade here, sir.

Yes, sir.

I'll be there right away.

Where are you going? Wear your clothes at least.

Hey...Listen....Oh my God.

He left without wearing clothes.

Wait. Wear your clothes at least.

Are you listening? Stop. Someone stop him.

Catch him. Hold him.

Don't let him go.

Listen. Wait. Wait.

My tea shop is barely running.

What job can I give you? Tell me.

Uncle, we'll sing and dance before your shop.

People will gather. And then your shop will take off.

Where does Bubban live? - Don't know.

No. You are already absconders.

I'm afraid that police might be after you.

No, no. There is no vacancy here.

Bubban, the police is looking for you.

Police. - Police.

Police.

Do you know where Bubban lives?

At the shop in front of you.

Come on. Play.

Uncle. We'll change clothes and hide here. You go out.

Okay. I'll see what the matter is.

Hello, sir. - Hello.

Are you Bubban? - Yes.

Would you like some tea?

I haven't come to have your tea. I have come to search.

There is nothing worth searching in my house.

Except my kids and wife. Come search.

Come on.

Come, sir. Come.

Who are they?

My wife and kids.

Who? - Wife and kids.

Wife and kids? - Yes.

There is nothing over there.

There is nothing over there. - Come on.

Listen. Two midgets Pappu and Jumman have escaped from the circus.

I'm looking for them. If you see them inform me immediately.

Or you'll also get in trouble.

Come on, make some tea.

Hey...

The coast is clear. Let's get out of here.

Hey...

There he goes. There he goes. Bye-bye.

Come. Let's go have some street food.

But we don't have money.

Come on. Let's sing and dance and gather some money first.

Come on. - Come on.

"When will you come, the girl of my dreams?"

"The pleasant season has come calling."

"When will you come?"

"Life is passing by."

"When will you come?"

"Come. Come, will you?"

"Come to me."

"When will you come, the girl of my dreams?"

"The pleasant season has come calling."

"When will you come?"

"Life is passing by."

"When will you come?"

"Come. Come, will you?"

"When will you come, the girl of my dreams?"

"The pleasant season has come calling."

"When will you come?"

"Life is passing by."

"When will you come?"

"Come. Come, will you?"

"Come to me."

"Come. Come to me."

Not that. Not that. Press this one.

It is moving.

Start. Start the boat. Come on. Fast.

Follow that boat in front.

Come on. Hurry up.

This direction.

Gosh. He is chasing in a big boat.

Hurry. Move it.

Don't look back. Pilot the boat. Fast.

Faster. Faster.

Faster.

Don't look back. Faster. Faster. You'll get us killed today, Jumman. Hurry.

Go. Go. He is on our tail. Go.

Hurry. Faster. Faster.

Turn. Turn.

Go faster.

We are supposed to follow it. No the other way around.

If the small boat can take on the big boat..

..then can't the big boat take on the small one.

Turn. Turn. Fast. Turn back please.

Follow it. - He is on our tail again.

They're novices. Stop. I hope they don't crash into us.

Stop.

They're going to crash into us. Stop. Stop.

Great. Wow. Wow.

We've lost him.

Let's go towards the Gateway of India.

Come on. Come on.

Let's go to the Gateway of India.

Now they can't follow us.

Come on. Come on. - We've left them far behind.

Now let's go to Bubban's place.

You go back to the circus.

The police is after you.

You'll get me also in trouble.

Come on. Go. - Okay, uncle. We'll go.

Yes. Mary and Bulbul were here. Call them up.

Let us change first.

Yes. Let's go.

And then let's call them from Juhu.

Come on.

Hello. - Hello, Mary. How are you doing?

Look, do you know the police is looking for you?

Our uncle inspector Ghorpade is a really nice man.

Don't worry about him. We'll handle him.

Bulbul and uncle is of the opinion that you should come back to the circus.

That would be in your interest.

The manager too is really repentant.

And he is ready to withdraw the case.

We miss you a lot.

The circus seems lifeless without you.

And even kids don't come to watch the circus.

Even we miss you two a lot.

But till we find a good job and are independent..

..we'll not come back to the circus.

Is Bulbul around? Give her the phone.

Yes. Here.

Hello, Bulbul. How are you doing?

Here. Talk to Jumman.

Hello, Bulbul. How are you doing?

Hello, Jumman. How are you?

We are worried sick for you guys.

And when are you going to return to the circus?

You have no option but to return. What are you going to do?

We'll sing and dance on the streets. We'll earn lots of money.

And then we'll come to meet you. Give our regards to uncle.

Okay. Bye.

Bye-bye.

Here. Eat.

Hold the kid for a while. Here. Hold him.

Let me eat.

We have lost him. - Run. Run.

Come on. Let's buy some balloons.

Here's the money.

Wow.

Bye-bye. Goodbye.

We're off. Bye-bye, uncle. Bye-bye.

Bye-bye.

Darn it. Oh no.

Bye-bye, uncle. Bye-bye.

Bye-bye.

Inspector Ghorpade speaking.

Yes, inspector...Oh...

Fire brigade...

Hello. Fire brigade, this is inspector Ghorpade speaking.

Hello. I'm calling from Poonam Mills. Worli...

Oh God. Run.

Come.

Come on. Fast.

This way. This way. Come on.

Elevator. - The elevator.

Down. Down.

Fast. Fast. - Fast.

Two midgets whom I was looking for are stuck up there.

Up there. - There?

This way. This way.

Run. Run. Run.

Fast. Fast.

Up there. There.

Go. Go. Fast.

Go. Start it fast. Come on. - Stop. Stop. Stop.

Stop. They're running away our van.

The van has taken off on its own.

The van is gone.

The van is gone. Stop. Stop.

The two midgets escaped causing accidents at Worli seaface..

..and damaging the fire van.

Okay. I'll be there right away.

Where did the two midgets go?

There. To the scout building.

There?

Hold on. I'm opening.

What is it? - Sir has sent oranges.

Okay. Come in.

Keep them over there.

That's it. Keep them over there. It's okay.

It's okay. It's okay.

Two baskets.

Lallu, you stand here.

Your father has sent oranges.

He has become really nice off late. Wow.

Ghost. Ghost. Ghost.

Lallu, run. Run. Ghost.

Ghost. Help. Help.

Jumman, untie me. - Yes. Hold on. Hold on.

Help. Mohan. Sohan.

Mohan, there is a ghost. Help.

Someone. Help me. Where have all the kids gone? Come fast.

Mummy, where is the ghost?

Look in that room. There.

This is Pappu. - Hello.

Jumman. - Hello.

Mummy, these are our very own Pappu and Jumman.

The circus guys. - Which circus are they from?

Hello.

Byculla police station.

Have you managed to trace those two midgets?

Lallu's dad, what's wrong with you?

Friends, you know that every magician has a magic wand.

Yes. So here's that wand.

This is the Bengal magic. Not the sleight of hand.

Abracadabra.

Hocus pocus.

So here's the second magic trick.

Water of magic. Magic of water.

I have a magazine in my hand. Water drinking magazine.

Abracadabra.

Folks, all of you must love sweets, isn't it?

Sweets made of semolina, made of chickpea flour.

But sweets made of silver.

But no matter what the sweets are made of.

The taste of sweets made of silver is something else.

The one who eats it repents and even the one who doesn't it repents.

But folks, I eat only silver sweets.

This is no magic. This is sleight of hands.

Turn a human into an animal or an animal into a human.

That's more like magic.

Yes. Why not?

Come on. Two kids come here.

Abracadabra.

Hocus pocus.

What have you done?

These two are my culprits. Turn them back into midgets.

I'm sorry. The magic has been done.

Its effect will last for an hour.

And they'll turn back to normal on their own.

If they don't turn back to normal then I'll fix you.

Looks like you've lost it.

Are these Pappu and Jumman?

There is a still a year left for your retirement.

And you've already lost it. - No, sir.

Get them out of my sight. - Yes, sir.

Yes, sir.

Tell me what the matter is when you are in your right mind.

Magician, I challenge you to bring those two midgets back here.

Abracadabra.

Thank you. Thank you.

Jumman. Jumman, get up.

Look. Look.

Shut it.

How much is the fare? - Its 6 rupees 50 paisa.

Here you go.

Come on. Come on.

Come on. Hurry.

Pappu, look at this. - There is one more.

Driver, where did those two midgets go?

There. Into the Air India building. - Inside? - Yes.

Have you seen two midgets here? - No.

Driver. Driver, Santacruz airport.

Listen. Have you seen two midgets exiting?

They are in the airport bus.

Hey...Look over there. Who are these guys?

What is this? The mascot. - Look. What's this?

They are going in.

Strange.

Thank you. - Thank you.

Thank you.

Eat.

Hello. Police headquarters?

This is sub inspector Ghorpade calling from the airport.

Look, two midgets who had escaped from the circus..

..have escaped to Delhi dressed as the Air India mascot via flight.

Just inform the Delhi police station. Yes. To arrest them.

May I have you attention please? We're about to land in Delhi.

And I request to...

I hope the police here are not looking for us.

Wait. Let's see.

Pappu, look over there. Police

Come on. Come on. This way.

Let's board the flight back to Mumbai.

Yes. Come on.

What? They disappeared from the plane.

Oh. When is the next flight to Mumbai from there?

Very well.

May I have you attention please?

Air India's flight number 108 has landed at Mumbai International Airport..

..via New York via London via Rome via Paris via Kuwait via Delhi.

Do whatever the bank says. That will be at the bank.

Pappu. Pappu, unzip me.

Pappu. - Hold on. Hold on.

Unzip me fast.

I am doing it. Hold on.

Get the luggage from the van.

Sir...

Who are you guys?

My name is Thakur Pratap Singh alias Pappu.

My name is Khan Jaman Khan alias Jumman.

Sit. Sit.

Where have you come from? - From Delhi.

Uncle, who are you?

This is the hospital for the disabled and handicapped children.

I'm the director of this place.

Dr. Prakash Chopra.

Manager, today is the second day.

No kid has come to watch the circus.

Half of the seats are unoccupied.

This is our entire story, uncle.

This is why we had to escape from the circus.

Are you guys educated?

I've studied till the tenth grade.

But I couldn't appear for the exams as I couldn't afford the fees.

My father is paralysed.

I'm the only earning member in the family.

But as I am midget when no one gave me any job, I joined the circus.

I couldn't study much at school because the other kids would tease me.

Kids are happy to see us only in circus.

And when we walk on the streets they tease us and pelt us with stones.

We are treated as animals even at the circus.

No one considers us humans.

Jumman is 18 years old.

And I'm 21.

But in the eyes of the world we are neither kids nor adults.

Neither complete animal nor complete human.

Uncle, can we get a job here?

Come. First let me show you what we do here.

Come. - Relax your legs. Good.

First the children are examined here.

Then they are sent to different wards.

This is our physiotherapy room.

Good morning, sir. - Good morning.

Hello.

Hello, Bubbly.

This kid here... This kid can't stand on his feet.

The kids don't have complete control over their body parts...

...due to polio or some brain damage.

We teach them to control their body parts through exercise and games.

So that in the future they can be as independent as they can.

Love is the greatest need of these children.

And encourage them.

Uncle, we used to think that we are most unfortunate.

But our problems are nothing compared to those of these kids.

Uncle, can we get some job here. - Why not?

You don't get jobs anywhere in society.

And we don't find people who are really interested in these kids.

We'll look after these kids.

We'll entertain them.

We'll sing and dance for them.