- I want to welcome everyone to the DIY Entrepreneur Channel
and on this episode I'm going to be showing you
how to make at least $100 a day online
even if you have no experience or you're broke
and don't have any money in the bank account.
Don't worry, by the time this video is done
you're going to have at least two tactics
that you can go out and get started today
to start putting money in that bank account.
(object thuds) (fire wooshes)
My name is Joe Marfoglio; I've been online since 2008
and I've helped thousands of people
make money online, and quit their day job,
and some of those people have even gone on
to make millions of dollars.
So the first tactic we're going to be talking about
is affiliate marketing.
So what is affiliate marketing?
It's real simple, it is when someone puts out a product
and you run traffic to that product,
they give you a commission for selling it.
The beauty of affiliate marketing is,
you can go out and find someone
who's already created a product on,
say, working out or weight loss;
you take your skill that you know,
you create videos, you run traffic to that product,
and they give you a commission, usually it's like 50%.
I've done it; I've been doing it since,
this part of the business I've been doing since 2012.
And you know what, let's just do this.
Here we are at my computer screen
and up on my screen here I have a site called ClickBank.
Now what is ClickBank?
This is where people who have created info products
post their products, so it's a marketplace
that you can go to, and this is set up, actually, to pair
affiliates, the people that want to promote a product,
with product creators, the people who have those products.
So what you do is you just go through here.
There's thousands of niches in here, not only products.
And you find something that you're interested in.
And what happens is ClickBank gives you a link
that you can use, that's your affiliate link.
And then when you make the sale,
ClickBank automatically tracks the sale
and then ClickBank pays you.
So not only is it matching you up with product creators,
you don't even have to talk to that product creator,
and it's not like, you know, you sell the product
and you hope the guy sends you a check,
you will create the product.
No, ClickBank takes care of it all.
Now, let me show you what they call the Marketplace, right?
The Marketplace, this is where you find
all kinds of products.
The beauty of this is like, say you're in
the weight loss niche, right?
You like weight loss and they have thousands
of weight loss products.
You find the product you like,
like here's one, the 3 Week Diet.
It's saying that affiliates are making $52,000 a day;
that means they're paying out $52,000 a day
in affiliate commissions, which is huge.
Now in a second I'm going to get into
how to run traffic to these offers,
but first I want to show you everything you get.
So first of all, if you click on this right here,
it'll take you to the sales page.
Not only do you get this landing page but look at this.
They have an affiliate section.
Now what do they do in this affiliate section?
They help you promote their product;
they give you all kinds of stuff,
free giveaways, coupon codes; they show you the upsell.
They give you banners that you could use on your site,
in your promotions; they give you graphics.
They give you videos that you can use;
you can use all these videos in your promotions;
they give you email swipes.
So if you want to send out an email follow-up system,
they give you all the emails to send;
you don't even have to write it.
Press releases, content, quizzes;
they give you everything you need to promote this product.
And guess what, they've been doing this for years
so they know what works, what doesn't work;
what converts, what doesn't convert.
So if you start promoting this 3-Week Diet,
you're like way ahead of the game.
Now how do you promote it, right?
Like say okay, what do I do, like how do I promote it?
It's simple, right?
One of the easiest ways to get traffic
or to get eyes on a product is
through video and through YouTube.
I want to show you guys something.
Here's a few videos that I've made.
I made these videos years ago;
this one I made back in 2013.
If you look at this video, this was for
another weight loss product, it was called Venus Factor.
This video has 85,000 views; it's about a minute 22 seconds.
If you play this video, it's not my voice,
it's a woman's voice.
And it's basically a whiteboard animation video.
This entire video cost me about,
I don't know, maybe about 50, 60 bucks to make,
and I ranked it on YouTube,
and through this Venus Factor product,
I probably made, I don't know, $60-70,000?
Just sending traffic to this Venus Factor product,
which was a product that was similar to this 3-Week Diet.
All you have to do is find a niche, or find a topic,
or something that there's a lot of search volume in, right?
And then you match it with a product.
If you know something about the niche,
or the topic, all the better.
And then you create a video.
This video cost me, like I said, 50 bucks.
I had it done on a site called Fiverr;
I had a voiceover done.
What I like to do is when I'm looking in these niches
and I'm looking at these products,
I want to find something that is urgent,
or that people want a solution to right now.
If you suffer from anxiety and panic attack
and you're looking at how to help with panic attacks,
you're going to want a solution right now, right?
Right now.
And if you provide a compelling enough video,
and you build up trust, they're going
to take you up on that solution.
Now let's get on to tactic number two.
In all the years that I've been
training and mentoring people,
the people that have done this tactic
have had not only the most success,
they've had the fastest success.
They've ramped up to six figures a year
within a couple months doing this one thing.
Now what is this?
This is starting your own local marketing,
or digital marketing or social media marketing agency.
Now you might be thinking, whoa whoa whoa;
you know, I'm not a marketer, this seems like a lot of work.
Guys, it's not that much work at all.
And I'm going to actually show you how huge this market is
and how easy it is for you to get into it.
So let's go over to my computer screen right now.
So this one is going out, finding
local businesses in your area,
and helping them with their SEO
or more, helping them with their video SEO
or put videos together and ranking them
on YouTube and Google.
This article right here, this is in Search Engine Land
and the forecast says that "SEO-related spending
"will be worth $80 billion by 2020."
And if you don't know what SEO is,
that's search engine optimization.
That's optimizing people's websites, videos online
so that they can be seen on YouTube and Google.
And every local business needs this
but not a lot of them are doing it
so the ones that are doing it are grabbing
just a ton of traffic off Google and YouTube.
And one of the best ways to convert is with video.
And a lot of companies don't have videos
but you can make a video for a local company,
a professional-looking video, a green-screen video, for $50.
And then what you do is once you make the video
for these local businesses, you can go out
and you can put it on your YouTube channel
and you can start to rank them in their local markets.
And the great thing about ranking local videos
is that it's very easy to do, right?
Because the competition is very low, and someone searching
for a local business, so let's say this one,
Roofing Repair in Rockville, Maryland,
and then if you're looking for a roofing repair contractor,
the first thing you do is you see this video, right?
And they hit it, they can play it,
and it's a nice, professional video.
Let's look at a different one here,
mold inspection, Escondido, California.
So again, when you're looking for mold inspection,
this is another video I have; that's mine.
But if we look at it, look how it stands out.
So it's almost like a little picture ad
and it stands out from everything else around it.
Let's look at another one, flat roofing repair.
Again, so you see, when you're searching these terms,
and you could rank a video on the first page of Google,
it's huge for local businesses
and they'll pay you a lot of money to do that.
All right, well I hope you enjoyed those two tactics
that I just got done showing you.
Those are things that you can really implement right now
and start making money right away.
Now, if you want more information
on anything that I just showed you,
just go right over here to my site;
my members' area, it's totally free.
I have blueprints, PDFs, everything you need
to get started right now.
Also, if you like videos on how to make money online,
make sure you subscribe to the channel.
We put out videos every week and we do live streams;
See you on the next video.
For more infomation >> How To Make Money Online in 2018 as a Broke Beginner - Duration: 9:33.-------------------------------------------
Top 2 cache cache serveur privé / Battle Royale de LeFouBruiteur. Avec Jurajuma. :) - Duration: 16:00.
-------------------------------------------
If Trump remains a bully, John McCain's funeral won't be the last he isn't invited to - Duration: 3:17.
-------------------------------------------
KAMOU SAVAGE " A La Francaise" ( Clip Officiel ) - Duration: 2:07.
-------------------------------------------
Liverpool Champions League group: Jurgen Klopp reacts to difficult draw - Duration: 4:38.
The Reds were drawn alongside PSG, Napoli and Red Star Belgrade in Group C for the six-game group stage of this year's tournament
Speaking about the draw, Klopp said: "To be 100 per cent honest, it was not that I had a group I wished for or whatever
"I expected a difficult group, we have a difficult group and that's what the Champions League is all about
"With the quality of the tournament, it was always likely we'd get a really tough draw on paper
" Breaking each team down individually, he said: "PSG are one of the most exciting teams in the world and I think their target is to win the Champions League, so that will be two interesting matches
"Napoli, we beat them in pre-season but it goes without saying these two games will be completely a different challenge
"I've been to Napoli with Dortmund, so I know what the atmosphere is like there. In fact, it's where I got a suspension [for being sent off]
I can do better, obviously! "Red Star, I watched them last night. They came through and it will be, again, a very, very intense atmosphere I am sure
" But Klopp insisted he doesn't mind being drawn alongside some of the best teams in the world, and that his side are ready to take them on
"The Champions League is the biggest club competition in the world, so it should be difficult because it is
We cannot expect to get an 'easy' group or whatever," he said. "It's important and interesting to watch the draw, but in the end you have absolutely no influence on it
Now we can start having influence because now we can prepare for the games and look at their games
"I am looking forward to watching PSG a bit more often, which is a very interesting project for sure over in France with Thomas Tuchel
Champions League draw: Why are Liverpool in Pot 3? Who will they face? Champions League draw fixtures: When are the next League games? Carabao Cup draw LIVE: Man Utd, Chelsea, Arsenal, Liverpool fixtures "Facing Neymar will be, for our Brazilian guys, like meeting a friend again and all that stuff
It's a big challenge, but for all the others it is a big challenge to face us." And Klopp is confident following last year's run to the final, that other teams will be fearing coming up against his men
"For sure, when you have already a group with Paris Saint-Germain and Napoli – two absolutely top teams – then you don't want to have Liverpool as the third team!" he said
"'It is how it is' is the best way to describe it; don't think too much about it
If you think about the group, you are already out. If you think it is too difficult, you are already out
"We don't think either. We will play the games, we will be competitive – that's what we have to make sure – and that is all
" He added: "Last season is last season and now we have to do it again. That's normal
All the teams have to do it again. We want to go through the group. "It will be difficult but still we want to go through
That's the plan, so now let's start working on it." Liverpool's first game will take place on the 18 or 19 September, with further games held on October 2/3, October 23/24, November 6/7, November 27/28 and December 11/12
-------------------------------------------
New Fingerlings Dragons
-------------------------------------------
Honda Jazz 1.4 S - Duration: 1:03.
-------------------------------------------
Ford Fiesta 1.0 80PK 5D S/S Style Airco / Nav - Duration: 0:53.
-------------------------------------------
Ford Fiesta 1.0 65PK 5D S/S Style Airco / Navi - Duration: 1:11.
-------------------------------------------
Toronto's Yorkdale mall evacuated after gunshots ring out - Duration: 2:06.
-------------------------------------------
Evangelio De Hoy Jueves 30 De Agosto De 2018 (Mateo 24, 42-51) - Duration: 1:14.
-------------------------------------------
Far from Home: Bringing Archaeological Collections & Tribal Ancestors Home to Alaska - Duration: 52:23.
Good afternoon. My name is Diana Warring and I'm the Director of the Interior
Museum, and it is my pleasure to welcome you here today for our lunchtime lecture
series. Each month we focus on one of our various bureaus or our partners or the
ways that our bureaus interconnect on a various number of themes throughout
America and abroad. Emily Palus is joining us today, she has
coordinated management of federal museum collections and compliance with the
Native American Graves Protection and Repatriation Act, or NAGPRA, for nearly 20
years with the Bureau of Land Management, the Bureau of Indian Affairs, and the
Interior Department former colleague here at the Interior Museum.
She has spearheaded initiatives as well as guided others to partner and
negotiate with museums and universities holding federal collections to develop
innovative solutions for preservation needs, access and use for research, and
education coordination with descendant and resource communities and
repatriation. Please join me in welcoming Emily Palus.
Good afternoon everyone. I'm just delighted to be here with you today and
pleased to return to the Interior Museum, where I started my career with the
department as an intern in 1999. So any interns out there, or especially National
Council for Preservation Education interns - that's where I got my start, so
I'm pleased to be back. Many thanks to Diana for this invitation
to participate in the monthly lecture series. The title of my talk is Far From
Home: Bringing Archaeological Collections and
Ancestors Home to Alaska. We'll focus on a recent interagency effort to retrieve
a sizeable collection of Native Alaskan ancestral remains, or human remains, and
artifacts collected 70 to 110 years ago from public lands in Alaska. The
collections were curated in a prominent East Coast institution, but we
took the effort to move the collection and return to Alaska, placing it in
another reputable institution. Some of the
collections will remain there and some will be repatriated to descendant
communities. My role in this project is not one of being an expert in Alaskan
archaeology. My role is much more that of perhaps expediter or facilitator
in this process. This case study provides a valuable and perhaps lesser-known view
into some of the Department of Interior's work and responsibilities to
the American public regarding care of museum collections, artifacts, specimens
recovered from the public lands, and the associated records. It also highlights
responsibilities for upholding the rights of Native American - the rights of
descendant communities to Native American human remains, and certain
categories of cultural property. And it also shows a thoughtful consideration of
the wishes of local and regional communities to retain a connection to
the antiquities or the archaeological resources associated with their home as
a source of identity, pride, and in some cases, heritage tourism and economic
opportunity. So as I narrate this story I'll aim to weave in some of these
broader concepts and frankly address some uncomfortable histories, which
provide context for this story, and illustrate current responses to some of the
history of archaeology, certainly changing museum practices, the role of
the federal government in upholding a public trust for the care of collections,
and particular responsibilities to Indian tribes, Native Alaskan villages,
and corporations. So over the last century, researchers from across the US
and Europe explored Native villages and archaeological sites across Alaska,
collecting human remains and artifacts from the public lands. This case is but
one, and I want to caution that some of the images I'm going to share are going
to include exposed burials of human remains and skeletal remains. So let's
begin. In July of 2017, so just not quite a year ago, a team representing the
Bureau of Land Management, the US Fish and Wildlife Service, the National Park
Service, along with representatives from the University of Alaska Fairbanks
Museum of the North, retrieved 38 individuals, 13 sets of Native American
human remains, and 1,592 artifacts from the Peabody Museum of Archaeology and
Ethnology at Harvard University in Cambridge, Massachusetts.
These ancestors and collections originated from Alaska and there are
three circles that plain you can see. The green circle through the top the world,
Twin Islands and Jones Island, we'll talk about that expedition. St. Lawrence
Island, subject to two of the expeditions, and the Aleutians focusing on that
island. So let's learn part of their story beginning not when they lived, but
after they were buried, and when they were found by explorers and researchers
and made into museum collections. The first collection was made 110 years ago
with Anglo-American Polar Expedition, which intended to look for undiscovered
lands in the Arctic aboard the Duchess of Bedford, a schooner with no engines. So
powered only by wind. The expedition was led by a Danish naval adventurer,
and American geologist. You can imagine that these types of expeditions required
a lot of coordination, and a lot of resources - they needed sponsors. Apparently
to satisfy one of the funders, the expedition added an ethnographic
component. So Mr. Stefansson, who was an anthropologist associated with Harvard
University, was hired to study the natives encounter during the expedition,
and acquire artifacts for the Peabody and Royal Ontario Museums.
So I want to give you a sense that this is really on top of the world, where these
guys are in their wind powered schooner. The Duchess of Bedford became locked in
ice and ultimately destroyed, and a camp was set on Flaxman Island, here, using the
remains of the ship to build a cabin in the area now just north of the Arctic
National Wildlife Refuge in the Beaufort Sea. And this location actually is on the
National Register of Historic Places, principally associated with the
geologist Leffingwell, who used this as his campsite made out of the former
schooner, for several seasons. Stefansson the anthropologist ultimately left the
expedition and lived with the Inuit of the Mackenzie Delta in Canada over 1907,
1908, over the winter. And following that experience, the Arctic remained the
focus of his research and studies for his career. For instance, between 1906 and
1918, Stefansson undertook three long expeditions, living with and among the
Native villages in Alaska and Canada, adopting the native way of life, which he
chronicled in his book, for instance, his 1922 book "My Life with the Eskimo."
Stefansson pioneered research into Arctic living and methods for enduring
or really thriving in this harsh environment. This included a low
carbohydrate diet, focused on meat and fish, so perhaps he was a forefather to
Atkins. While I joke and perhaps take some
liberties here, but a point is that this is the first expedition that brought this
young researcher to the Arctic and it would be the focal point of his career.
But I digress, this story is about the human remains and artifacts that he
collected. I mentioned that Stefansson was tasked with making excavations and
collecting for the Peabody and Royal Ontario Museums, and he did. 221 items were
deposited at Harvard University's Peabody Museum, according to their
records, including human bones, fishing and hunting equipment, pipes, weapons and
tools, ceremonial objects, jewelry, and bone ornaments. And he took fairly
detailed notes, and they're in narrative form and give a sense of the excavation
and camp life. For instance, he wrote on June 11th, 1906 on Flaxman Island,
"Skeleton and ravine bank, southeast part of island near native houses. Apparently
body had been deposited in ordinary blog grave. Later erosion and lateral
development of river had caused bank to crumble, and bones of wood had tumbled
about and mixed. Only small part frontal bone showed above turf. From buried
position and absences of regular
parallel logs, the native Saxawanna told us that he inferred the man to have
been murdered and hidden, but the geologic explanation seems more
reasonable to me." On Jones Island he later wrote on July 22nd that same year,
1906, "last evening I commenced digging in a trench along the seaboard wall at
the kashim," or house, "but found the drift of sand so deep that I thought
it hopeless with one spade and shortness of grub to try it.
You see our food supply will surely not allow us to stay more than three
days, and the boys are already fearing possible starvation. I must give up
digging for the present, for the inlet waves to take off the sod and wait for
the Sun to do its work" - meaning melt. "The following objects were found:
flint chipper; mallet of antler found in wall on broad level, detaching pieces
from spear slightly in grave, found in wall, ground level; matlack blade of whale's
rib" and he goes on. As I mentioned, 221 artifacts were accessioned by the
Peabody Museum from this expedition, from various locales. And this included ten
sets of human remains and 41 objects - 41 artifacts - twelve clearly from graves,
based on his descriptions, from Flaxman, Jones, and Twin Islands. These were
federal lands. The Antiquities Act of 1906 had passed that same summer, and
required any gatherings of relics and examinations of ruins to be conducted
with a permit. But although this expedition didn't have a permit, the
federal hook was established. Materials from federal land needed to be deposited
in a public museum in perpetuity. Now I'm going to come back to the Antiquities Act, but
let's move on to our next expedition. A few years after the American Polar
Expedition, Harvard University's Museum of Comparative Biology participated in
an expedition in 1913 throughout Alaska in the Bering Sea. Aboard a little schooner named the
Polar Bear, a party of private big-game hunters and scientists from Harvard, the
Smithsonian, and the University of California set off to make an exhaustive
study of animal and bird life. During their year-and-a-half journey, the crew
visited the Aleutian Islands, Point Hope, Atka, Russia, Herschel Island, Chukchi
Peninsula known Indian points that vary at Point Barrow. And throughout their voyage,
the crew killed and recovered countless numbers of arctic birds,
walruses, mountain sheep, and whales. Facing a similar fate as the Duchess of
Bedford, the Polar Bear was also trapped in ice, but she was not destroyed. Four
crew members actually went over land, and the remaining crew camped on the edge of
the world, waiting eight months for the ice to melt the following spring. And
I traced this, I think, to actually a similar location as to where the other boat
froze, which was over here, so we're still up at the top of the world.
No one perished, which is amazing to me, however one of the crew later wrote
a book about his experience, and it was called Icy Hell.
It sells on Amazon for over $600. I should mention that this expedition was
heavily recorded by - there were a lot of photographers on this expedition.
So there's a fair number of photos, some available online, others in archives. But
as you can see it was principally focused on natural history and big-game hunting,
but along the way the ship encountered natives who traded, educated, and helped
them, and a number of them joined the crew. One of the passengers, Bernard
Kilian, noted in his journal one particular couple who he was quite fond
of, Mr. and Mrs. Itloon. And they stayed with him for a week, and sharing their
stories from their culture, and imparted knowledge about their way of life.
Bernard wrote that his stay with Itloon and his wife was one of the
highlights of his trip, and he enjoyed every minute of it.
So this expedition was principally a natural history tour for research and hunting
and then there is this ethnographic, cultural, early cultural tourism approach,
but the group also conducted some excavations - why not? - collected some human
remains. We know that during the expedition at least 11 skulls, human
skulls, were collected and then subsequently donated
to the Museum of Comparative Zoology at Harvard University, who then turned and
donated them to the Peabody Museum, its sister
organization. A few years later another skull from the same expedition was
donated, so somehow it didn't make the first transaction. We know this from
the museum records maintained by the institution. Seven of those skulls
were from St. Lawrence Island, which was federal land administered by the
General Land Office at the time, predecessor to the Bureau of
Land Management. And here I'm showing you some specimen tags and a portion of
the accession ledger. And on the map, I'm showing you one where they
took the knife this is in blue, this is St. Lawrence Island.
You can also actually see that the accession ledger has lots of information.
"Skull with mandible," "St. Lawrence Island, Bering Sea."
So over the next 30 years, expeditions still undertaken to the Arctic for
research on both the indigenous population and archaeological remains.
Researchers such as Ales Hrdlicka, Otto Geist, Ted Bank led teams, raised
students, made collections. One of Hrdlicka's students was William Laughlin,
who made his first trip to Alaska in 1938, and he returned in 1948 a PhD
candidate at Harvard. Laughlin directed the expedition to the
Aleutian Islands to study and report on the history, culture, language, physical
condition, and origins of the Aleutian people. The expedition was funded by
Harvard, the Viking Fund, and a contract through the Navy Research Group, which
the latter of which focused on biomedical research of the native
population. To quote from the expedition proposal and description, "the object of
the research is to look for physical and cultural adaptations made in answer to
the demands of their particular environment. Living
population and the physical and cultural remains of their forebearers and
archaeological sites will be studied. The headquarters of the expedition will be
at the village of Nikolski on Umnak Island, where tests at the prehistoric
population of the village indicate a continuous occupation from the time
of the original settlement of the islands, the living population of
skeletons from the prehistoric periods at Nikolski, and at other sites will
provide a complete record of the history of mankind on these islands."
So Laughlin studied in the population of Nikolski on Umnak Island and also
excavated their old village site which included the Chaluka Mound, an area of
occupation for almost 4,000 years. One of Laughlin's students later described the
expedition, "they excavated by day, took measurements and blood and recorded ethnography
at night." And I want to read an excerpt from a journal from
one of the expedition team members, a man name by Alan May, who, if I can say I almost
find charming. His journals are really a wonderful record of their
life, their expedition, and quite informative on their day to day,
and their research interests and, frankly, some of their interpersonal conflicts.
"Third Tuesday, June 29th, 1948. A light rain this morning but out to work anyway,
much against Shay's wishes," Shay was another archaeologist on the
expedition. "Left the skeleton I exposed
yesterday in the hopes that perhaps it might dry out a bit.
We have now acquired a ladder which is most useful. The ladder is quite useful
going from one level to another and much safer than climbing up
sides each time. Soon after starting work, I found a baby skeleton but the skull
was smashed. Another ivory labret turned up, bone points, fish, herbs, awls, flakers,
and reams, pins, adzes, scrapers, grindstones, and wedges were also found.
By noon we were pretty dirty and wet, so we spent the afternoon indoors. I cleaned
and segregated and Shay did at last started cataloging. This
was really piling up on us and I was glad to get started. Tonight everyone
went to church after supper to take photos. By that point going
to church with the villagers of Nikolski.
As I have some, I did not go but stayed here and cleaned up some specimens and bones.
Information from the natives is being slowly acquired. Vegetation that is
used as medicine, for food, myths and so on. There is one about an old stump
which is said to be under a little building near the church. When this stump,
or post according to some, grows tall enough to knock the ball off the top of
the building then the whole life of the natives will be completely changed or
the world will come to an end. There seems to be a chance that their life may
be changed shortly, for there is rumor that the Army may take over the entire
island. If the ball should happen to fall at the time they were evacuated, then of
course their superstitious believe would be much enhanced. We learn also
that there is a ghost here, something called the 'outside man.' It seems that
many believe in it and some will not go in the dark, but none of them scoff
at it." The next day, June 30th, Wednesday. "It was
raining hard this morning so we could not go to work. Worked on records, made
maps of the site, and so on. After lunch the rain was not so heavy, so we went out.
A piece of pottery, or something that looked very much like it turned up.
A skeleton of a youth, about 10 years old, was uncovered in the late afternoon, his
head under a rock. This was somewhat of an unusual burial in that the
body was extended and on his back. The first of this type of burial I have seen
here - normally they are flexed." And it goes on, he journaled every day.
One of my interests in the journals and the archival records is being able to
tie that information ultimately to the individuals and the artifacts we
ultimately recovered, and will be doing documentation on. But let's stick with
Laughlin, in 1949 he completed his dissertation with this research from the
'48 expedition. And last summer while I was in Cambridge I had the opportunity
to review his work. And I'll confess it was a bit of a personal experience
for me because for many, many years I had been trying to get information about
this collection, and I thought if I find the dissertation then surely that
will tell me all about this collection. And so I opened it up, and the spine
creaked, and the archivist said "I think you might be the first person to look at
this." To which my heart sank. And then I opened it up
and I started flipping through, and I realized that 90% of his dissertation
is on the biomedical research that he did on the then-current population, and about
10% is a comparative to 11 skulls. He collected more than that. There was
nothing on the material culture. So it was kind of this shocking moment okay,
okay, you need to find more than that, how else are we going to find out about
these artifacts? Will we find field notes? And we have found some – May's
journal I actually found last month. So it's coming together. But anyhow, so
there were no reference to the artifacts, although these would later be studied by
students, and Laughlin moved on to have a prominent career in physical anthropology,
moving to the University of Oregon, University of Wisconsin, the
University of Connecticut, and ultimately retiring in 1999, and he has since passed
away. His primary field of specialization was physical anthropology including the
Aleutians and Siberian studies, human biology, population history, and human evolution.
And over the years he made over 20 trips to Alaska, to the Aleutians, to study its
peoples, to dig, to collect. His research there culminated in the publication of a
1980 book, "Aleuts: Survivors of the Bering Land Bridge." We have so far found
collections made by Laughlin in eight institutions so far, and counting. But
from this particular trip he deposited 1,655 items to the Peabody Museum, we know
from their records, including human remains and artifacts, bone points, harpoons,
stone scrapers - all of the archaeological material he recovered on his trip from
federal lands administered either by the Bureau of Land Management or by the US
Fish and Wildlife Service. So last July we, being BLM and Fish and Wildlife,
retrieved 21 sets of remains and 1,542, and so if you're tracking all of my
numbers, that's not everything. But that's what the museum had. So as I've talked
about these collections in these three expeditions I paused and always noted
that there is a connection to federal lands - General Land Office, Bureau of Land
Management, US Fish and Wildlife Service. So what? Why does land status matter?
Why would the BLM and the US Fish and
Wildlife Service all these years later have a current interest in these
collections? What is the federal interest? What's the
federal role? What is the federal responsibility to the American public?
To local communities, researchers, Indian tribes, Native Alaskan villages
and corporations, Native Hawaiian organizations. This interest, the
roles and responsibilities are defined in a suite of laws enacted by Congress
with varying regulations, further implementing this direction which
fundamentally outline a philosophy and a set of values: that
archaeological resources are significant, important to all Americans, and that
descendant communities may have particular rights and interests. So let
me just give you a quick overview of these authorities and direction to put
current Department of Interior bureau activity
into context. So there's a long history of federal protections for antiquities
going back to 1906, with an act for the preservation of American antiquities,
signed by President Theodore Roosevelt. This was a visionary act to safeguard
archaeological and historic properties on federal lands from haphazard digging and
looting. While the Antiquities Act is most often referenced in current media
today regarding presidential establishment of monuments, in the
context of collections and management of archaeological sites, this Act
established that archaeological sites are most valuable for the information they
contain or their commemorative associations, not as commercial resources
like timber or minerals, that have primarily a monetary value. The
Antiquities Act declared the first federal policy that the management of
archaeological sites was in the public interest, asserting that permits for the
examination of ruins, the excavation of archaeological sites, the gathering of
objects of antiquity, may be granted to institutions deemed qualified. That the
examinations, excavations, and gatherings are undertaken for the benefit of
reputable museums, universities, colleges, and other scientific or educational
institutions, with a view towards increasing the knowledge of such
objects and gatherings made for permanent preservation in public museums,
public interest in these materials. This act established the
United States government responsibility to manage cultural resources and initiated
regulation of the investigation of those resources. So flash forward to the
National Historic Preservation Act of 1966, sets out a very broad federal historic
preservation policy and among many value statements,
purpose statements, the Congress finds and declares that the spirited direction
of the nation are founded upon and reflected in its historic heritage. And the
cultural and historic foundations of the nation should be preserved as a living
part of our community life and development in order to give a sense of
orientation to the American people that historic properties
significant to the nation's heritage are being lost or substantially altered,
often inadvertently, with increasing frequency and that the preservation of
this irreplaceable heritage is in the public interest. So
that in spite a legacy of cultural, educational, aesthetic, inspirational,
economic, and energy benefits can be maintained and enriched
for future generations of Americans. So among the many sections of the
National Historic Preservation Act, one section directs the creation of
regulations for the management of archaeological or art collections associated
with historic properties. I'll come back to that in a moment, the curation
regulations. But let me cover the successor to the Antiquities Act, if
you will. So 73 years after the Antiquities Act was enacted, in 1906,
have proved to be insufficient to protect archaeological sites that were
increasingly threatened and damaged by unauthorized excavation and pillage. So
Congress enacted ARPA, Archaeological Resources Protection Act, in 1979 to
further solidify federal policy that archaeological resources on public and Indian
lands are an accessible and irreplaceable part of the nation's heritage, and they are
increasingly endangered. ARPA was enacted to secure for the present and
future benefit of the American people the protection of these resources and
sites on public and Indian lands. This statute builds on the Antiquities Act
with more refined provisions regarding permitting investigations, and retains
the requirement that collections be deposited in a public museum for the long
term or in perpetuity. So not a statute, but I referenced that
NHPA gave direction for promulgation of regulations, as did ARPA for management
of archaeological collections. So Curation of Federally Owned and
Administered Archaeological Collections, those regulations were made final or
promulgated in 1990 and they established definition, standards, procedures, and
guidelines to be followed by federal agencies to preserve collections of
prehistoric and historic material remains and associated records. Covered
under the authority of the Antiquities Act, Reservoir Salvage Act, which I didn't
mention, National Historic Preservation Act and Archaeological Resources Protection
Act, the federal agency official is responsible for the long-term management
and preservation of pre-existing and new collections. Such collections shall be
placed in a repository – museum, university, institution - with adequate
long-term curatorial capabilities and so on.
Why? Why do we need these regulations governing collections?
Well federal property should be cared for to particular standards, and outline
the values and interests of the public in these collections, these
artifacts, laid out in the Antiquities Act, the National Historic Preservation Act,
and the Archaeological Resources Protection Act, that they needed to
be preserved and maintained to particular standards for the long term
or in perpetuity, and made available for research, exhibition, and
other appropriate uses. So, so far I've talked about public interest and benefit,
but there are classes of objects so important to American Indians that
Congress passed another law to assure Native American's right to them, in the
Native American Graves Protection and Repatriation Act enacted in 1990. NAGPRA
protects ancestral remains or NAGPRA addresses Native American human
remains and funerary objects, as well as sacred objects and objects of cultural
patrimony. The statute upholds the rights of Indian tribes, Native Alaskan villages
and corporations, and Native Hawaiian organizations the right to control the
disposition of their ancestors and certain categories of cultural property.
The law requires federal agencies and museums receiving federal funds to
document and inventory their collections, consult with Indian tribes, Native
Alaskan villages, and Native Hawaiian organizations, determine descendant or
who has rights or cultural affiliation, and upon a valid claim, repatriate. This
law established a responsibility for federal agencies and museums to act,
to inventory their collections and consult. So this responsibility for
conducting this work is based on a concept of control, and for federal
agencies this can tie to land. So control rests with the agency that managed the
land at the time the collection was made. Given the sensitive nature of these
materials and deadlines this work has been met with a sense of urgency. But
before I return to our case study, let me share a few challenges land
management agencies face in meeting these responsibilities for collections
care and its appropriate documentation, consultation, and repatriation. Under both the
Antiquities Act and the Archaeological Resources Protection Act permitting
standards, a museum had to be identified in the permit application, and that would
receive the collection, and a catalogue of what was collected be included in the
final report. There is nothing that required further follow-up by the
agencies, and in fact it wasn't until 1984 that most Interior bureaus had
authority to issue their own permits. Prior to that, the Office of the Secretary
issued permits, from 1906 to 1968, and the National Park Service Departmental
Consulting Archaeologist on behalf of the bureaus did serve until 1984.
Between 1906 and 1986, more than 3,000 permits were issued. So in 1990,
Curation and Regulations are issued, Native American Graves Protection and
Repatriation Act is enacted, and most agencies did not have readily available
information about the location, scope, and content of collections, basically relying
on museums housing them. So most successful NAGPRA compliance projects
were achieved through collaboration and a little bit of funding between the museum
holding the collection and the federal agency from
which lands the items were removed. So with that background, let's return to
our Alaska collections and providing for the appropriate care and responsiveness
to descended Native Alaskan communities. So the Bureau of Land Management and
with our partner, US Fish and Wildlife, we're responsible for ensuring the care
of these collections - they came from BLM and Fish lands.
According to 36CFR79, the Curation regulations covers preexisting
collections, basic professional standards for providing preservation protection,
and appropriate access and use. Of course NAGPRA requires the agencies to inventory
collections of the human remains and cultural items and report those to Indian
tribes, and through consultation determine affiliation - who has rights to
the remains and cultural items. These responsibilities apply, regardless of
physical custody or possession. So from 1907, 1915, and 1948, we have 3 collections
from expeditions I walked you through. They were from federal lands and they were
housed at the Peabody Museum of Archaeology and Ethnology in Cambridge, Massachusetts.
The collections were actually not made under a permit issued under the Antiquities
Act, so there was no firm trail, but they were from federal land. So the BLM
had collections and potentially repatriation responsibilities and didn't
even know their collections existed. This is one of the challenges we face. However
we did learn about the collections over time. In 2001, Peabody Museum contacted
the BLM lead archaeologist in Alaska inquiring about land status of several
locales. Well BLM often knows land, and we know land
jurisdiction. So my colleague went through the list of locales the Peabody
asked about and identified GLO, General Land Office or Bureau of Land Management,
US Fish and Wildlife Service, US Forest Service, State, or Other, and specifically
identified BLM locales named Flaxman, Jones, and Twin Islands. Oh,
and St. Lawrence Island, the first two expeditions I mentioned. So a strong focus
at this time in 2000-2001 - NAGPRA's enacted in 1990 so about ten, eleven years later -
a strong focus of museums and federal agencies regarding museum
collections was the need to address Native American human remains and
inventory requirements. Some museums were figuring out the scope of their
responsibilities. Their collection was federal land, and they could identify the
agency, maybe that would become the agency's priority and not theirs. But
responsibility was not always fully clear, and there are different
perspectives and interpretations that have evolved over time. So
for instance, wouldn't an institution that sponsored
expeditions and actively made these collections, have some responsibilities
to inventory them for this repatriation statute? Well there are different
interpretations on this. But after a few exchanges between the museum and the
BLM in 2001 and outreach to the respective tribes, the matter
actually lay dormant. In 2009 I come on the scene and I was contacted by a
consultant working for the Chaluka native corporation, letting us know about
the 1948 Laughlin material. We initiated a discussion with the Peabody
Museum about that collection, which apparently had not been tagged as
potentially from federal lands. Our need to address NAGPRA remained urgent and
compounded by learning of this other collection which turned out to be quite
sizable, 16 individuals, approximately 1,600 artifacts. The Peabody Museum
acknowledged the BLM's assertion of control and responsibility
for the collection, and explained that all services and activities the museum
would now charge the BLM. This was not a unique stance but happened to change from
other museums and universities we have worked with where we had partnered, perhaps with
some financial support, but nevertheless collaborated on this inventory and
documentation work. But this was to be a contractual relationship. The BLM
requested estimates to inventory the collection so that we could complete our
baseline NAGPRA work. The following year my
colleague, BLM Alaska archaeologist visited the museum in 2010, met with staff
and learned that there was no active research on collections. and that they no longer had an
active Arctic Studies program. Further, that their facility was quite full and
that the museum would be amenable to transferring the collection to another
institution. So the BLM then requested an estimate for both an inventory of the
collection and to ship it. At first, we had aimed to partner with the museum to
complete the NAGPRA work but really, over time, it seemed appropriate to move their
collection given some of the capacity constraints that the museum had. And so
we looked to another partner and specifically the University of Alaska
Museum of the North in Fairbanks, which is the main repository for
archaeological collections in Alaska, with whom the BLM and other federal
agencies have a very strong relationship with the state-run institution. We had
completed several successful NAGPRA projects and also just general
collections management work with them. And we note, and we had relied upon them
for their technical support, their ample Arctic expertise, their knowledge
of sites, locales, artifacts, and importantly, relationships with Native Alaskan
villages. And while at first we were focused on the NAGPRA
collection, we then looked at the entirety of the collection materials - the
human remains and certain classes of artifacts, but then everything
to move to the Museum of the North. The proximity, expertise, and
relationships would help with NAGPRA, and for the non-NAGPRA material, the
collections could be incorporated into the Museum of the North's collections,
part of an active research and education program for the university, immediate
Fairbanks community, Alaska more broadly, including extension programs across the
state. The Museum of the North was also very interested in returning collections
to Alaska as so many collections have been made from their state during
these historic expeditions and dispersed across the lower 48 states and beyond.
We had consulted with Native villages who had requested that their ancestors
be returned home, and also that all of the collections from their communities
be returned to Alaska. And I'll also note that in the 1990s, 2010s was
not the first time many of these villages had asked about the collections
that had been made. Through some archival research for this project and another
one, I found a lot of requests, especially in the 1970s for, where village leadership
is asking archaeologists if they come and dig, to leave the materials there or
ship them back. And in fact in 1977, William Laughlin, who's
kind of been an interesting character to me but the more
I get to know him through archives, the more complex character - in 1977 he frantically
tried to create a museum in the village of Nikolski, and laid out some pretty
extensive plans and lining up funding. He was also looking towards his
retirement, and while I've just been talking about what was at Harvard
Peabody, remember he made another 19, 20 trips to Alaska.
And all that material was in Connecticut and would need to go
somewhere. Ultimately a museum in the village of Nikolski was not constructed.
That collection actually ended up in the Museum of the Aleutians. So why Museum
of the North? Sorry, just to kind of catch you up on this institution and
requisite facilities, community relationships. So a plan was forming, key
details not settled, and over the next several years, discussions circled
between the agency asking for estimates and the museum actually asking to verify
control - that the BLM did indeed have legal responsibility. And I will say
we're kind of a…we're not looking for work.
This is not intended as any kind of overreach, we were trying to ensure that
we met our obligations under the statute to descendant communities and to the
American public for the broader collection.
So the BLM and the Peabody are trying to, at the same time, BLM and the
Peabody are going through and trying to research and refine the information
about the collections because at this point we still don't have the full
inventory listing of the materials. So why wasn't this addressed sooner, why is
this taking so long? Land jurisdiction, not always clear, takes
expertise and time to verify. The Laughlin collection included materials
from sites on BLM lands, US Fish and Wildlife Service lands,
and it was all in one museum accession. So the museum looked at
it as one collection, and we would break it apart based on site or locale to
figure out land jurisdiction. And then the Navy had this interesting
relationship to this because remember, the Navy helped fund the expedition. And
so there was some thought that maybe the Navy had some authority over this
collection. Well, don't you love archives? We got a copy of the contract for Navy
research, which had nothing to do with the archaeological research
that was done, all having to do with the medical examinations and,
incidentally, the Navy wouldn't have had the authority to authorize the
excavation on another agency's lands. But we had to sort all of that out and
unravel it all and distill it simply down to collections from BLM or General
Land Office land - BLM responsibility, from Fish and Wildlife Service land - Fish and
Wildlife Service, Navy had no part. So finally in January of 2017, the matter
of control was settled and the Peabody agreed to move forward with transferring
the collection. By then cost estimates were irrelevant, because the BLM Bureau
of Land Management, Fish and Wildlife Service, and the University of Alaska
Museum of the North, along with some local support from the National Park
Service in Charlestown, Massachusetts, next door to Cambridge, we formalized a
plan and in July 2017 we met with the Peabody staff, inventoried,
packed, and shipped the collection. So our final negotiations with the Peabody
resulted in transfer documents that we all signed, we agreed to the terms,
they assembled the collection and they provided us a space to work, inventory,
and pack, and they provided us a full catalog from their database. And over the
next few months, according to our agreement, museum staff diligently
supplied scans of all of the relevant associated documentation and records,
like field notes, that helped put these materials into context. The records are
critical to the research values and helping identify
descendant groups with rights to claim the human remains and other cultural
items. It's not just about the objects. So inventory and pack we did. Our process was
careful, planned - museum people are the best. These materials are fragile, delicate,
unique, sensitive, so the pressure was on to do a good and thorough job and
we documented every step of the way. So we track and locate an item with its
catalog number, we know which box it is in, which pallet it's on. Hyper
inventory tracking, because this is irreplaceable material. Now I also want
to pause and mention that, again, the Native Alaskan ancestors, these are the
boxes that they were in and I mentioned the dissertation, and I'm including this
plate which is from the dissertation this is the only plate, of the
11 skulls used for comparative research in the dissertation, this is the only one
that is a plate in the dissertation. So I noted that it has a
number, so I hurriedly went back to my team and asked do we have this one? My
team said no. We went back through all of the photos, we went back through the
photos the museum provided us, we went back through the photos that we took, we didn't have it.
So this one's still out there. I have a feeling it might be at the University of Oregon,
which is where Laughlin went next on his journey, and we are actually in
discussions right now with the University of Oregon for the Laughlin
collections that are there. Okay. It's hard not to get a little personal about
this. So more action. We loaded up our cargo vans and packed our boxes on
pallets and ultimately we had 4 pallets containing 21 boxes, 18 boxes of
human remains, those 38 individuals, and the hardest working team. And a couple of
Alaska Airlines flights later, the Museum of the North retrieved these
individuals and these artifacts in Fairbanks and brought them to the next
phase of their journey. And where they remain today,
almost a year later, the Museum of the North. The Bureau of Land
Management has been reaching out to the descendent communities who all
have an interest, I've listed them here because there are many given the nature
of the Alaska village corporation arrangement. So we're initiating
consultation and at the same time going through the collections that we
received from the Peabody and trying to connect it with the documentation that
was provided by the museum, as well as other information that we found. There
are 120 boxes of archival material from Laughlin in
Anchorage, for instance. So trying to put the collections
into context so we know where they came from, so that we can hurry their return
home if they're going be repatriated. If they're not subject to NAGPRA, that
information is valuable as their research interest. So over the last
century, as I mentioned, researchers across the US and Europe explored Native
villages and archaeological sites across Alaska, and this case is just but one. What
I find so interesting as I delve further into this project and those
related to it, because each one leads to another, the history of archaeological
and anthropological research in Alaska, and the number and complexity of
expeditions and the resulting collections. Massive quantities
of artifacts excavated from Alaska and subsequently curated in museums in the
lower 48, in Europe, and Canada. And part of what we're tracking is the history
of museums, for museums often would try to produce an encyclopedic
collection and have something from everywhere. But more and more, that focus is
more focused in on particular regions and regional institutions like the
Museum of the North or some of the other institutions that the BLM works with out
of the western states. There's a unique connection between the items,
the sites and the items, and the institution. People don't like their heritage to move
far away. So today, federal agencies and museums
curating federal collections, we have to collaborate on achieving our shared goals for
the best use and care of the museum materials. And while this case study
presents reasons for transferring a collection from one institution to
another, and these transfers can be complex, expensive,
time-consuming, and take much longer than you think they should, ultimately trying
to make a decision that's in the best interest of the collection and its
availability and benefit to the public, where there is current curatorial
research interest, access to expertise, and to honor the wishes of descendant
groups and source communities. And also to reveal some of the challenges of what
it means to manage collections for the long term or in perpetuity. Which is,
from the museum's viewpoint, in 1907, 1915, and 1948, Harvard Peabody was
actively trying to assemble a broad and extensive encyclopedic collection.
So where else do we go from here? I mentioned that each
one of these leads to another one. But for now, on this particular project,
having started it all those many years ago, we took a moment to celebrate a
major milestone in bringing these collections home but remain focused on
getting them the last leg of their journey. Thank you. [Applause]
-------------------------------------------
Audi Q2 1.4 TFSI CoD 150pk S tronic Design - Duration: 1:11.
-------------------------------------------
Is Caffeine Why You Feel Like S&#T? - Duration: 6:46.
all right so let's speak about caffeine and why it really may be the reason
you're feeling like crap feeling tired you know paradoxically caffeine actually
makes a lot of people tired and many people don't realize this many people in
fact don't realize how strong caffeine is because it is a drug it's a stimulant
it has profound effects on the brain but it's something that people underestimate
just because of how widespread its use is I think it's somewhere of upwards of
70 to 80 percent of Americans at least have at least one cup of coffee or some
sort of a beverage that contains caffeine a per day so it's extremely
widely used but misunderstood so basically how caffeine works is that
when you ingest it it blocks something called adenosine which naturally builds
up as you get more tired so basically it blocks this so it prevents you from
getting tired and increases things like cortisol the stress hormone and this
also leads to you being more alert as well as increasing things like
catecholamines like norepinephrine increasing ketone bodies caffeine
actually mobilizes fat too so you know caffeine is great it helps with your
physical performance it's been shown in studies to help with
the working memory but the problem is that these benefits are short-lived
after you become dependent on caffeine because once you're actually dependent
on caffeine and it only takes about a cup of coffee per day for this to occur
all you're doing by giving yourself that boost physically or mentally or both is
alleviating the withdrawal symptoms you experience so you go to bed you wake up
you feel tired you feel like crap because you're having withdrawals from
the caffeine you have your coffee and the cycle continues as you continuously
think that you're getting a benefit from caffeine but in fact if you were to go
off caffeine if you were to allow receptors in the brain to re sensitize
then over time you would feel just as good if not better without a dependency
on something like caffeine what caffeine is actually doing in the body isn't
creating energy right it's basically giving you an advanced on energy it's
giving you energy and then it's gonna take that away late
as you crash your ballroom energy and once you get in the cycle of
continuously borrowing energy and never using any of your own you're gonna feel
it with some negative side effects of caffeine there are some other negatives
of caffeine increased risk of anxiety especially if you're already prone to
that it's going to exacerbate that because of the increase in cortisol that
it causes and now let me be clear I'm not saying it's bad I'm not saying that
having a cup a day is as bad if you can manage with that and that's perfectly
okay even to I mean there are many correlation studies which link caffeine
to a decreased risk of degenerative brain disorder disorders like
Alzheimer's there's even a correlation with a longer life for those who consume
more coffee up to four cups a day generally teens tends to be optimal for
life expectancy when looking at correlation studies these are just
correlations but you know certainly caffeine isn't something that's
dangerous to the extent of other narcotics obviously but um what I am
saying is that we are in general drinking too much and I don't advise
that you drink it to the extent where it becomes something you're dependent on
that's never a good idea to be dependent on something it's always good to have
your baseline your normal self where you're not stimulating yourself with
caffeine or nicotine or alcohol and then use it as a boost when required for
example before a workout or on a day where you feel particularly tired
rather than utilizing it as a crutch everyday in order to get up and live
your life now again I'm not saying that that's a bad thing you can do that but
if you personally have been feeling tired and you're not sure why maybe even
anxious maybe even your performance in the gym isn't as you want it to be and
you've been consuming caffeine on a regular basis for a long time and
gradually building up the dose of it as you become more tolerant to it then I
would highly recommend decreasing it not permanently not I'm not saying that's
the best course of action but if you haven't and you've been doing it for
five years and you might as well give yourself a few weeks where you go off
the caffeine just to see how your body responds now do be warned that you will
experience withdrawal symptoms from stopping the use of caffeine especially
if you go cold turkey and you completely eliminate it you're probably going to be
bed bound if you've been reliant on several couple of coffee per day for
several years so you know a good idea it can be to slowly kill it cut it down by
drinking decaf mixing it with decaf you know reducing the cups of coffee from
three one week to two the next week to one the next week or you could just call
go cold turkey and brace through those first few days of feeling like crap but
you know through my own personal experience and other anecdotes I've read
online after you do quit caffeine you're going to have much more stable energy
instead of having that cup of coffee in the morning feeling that energy and then
crashing a few hours later the energy that you do have although it may not be
as intense and exciting and euphoric the moment you wake up will be much more
gradual and you'll be more productive overall paradoxically as you have more
stable energy to take you through from morning to night so that's definitely
something you want to consider the best part about reducing your caffeine intake
and you know ideally eliminating it almost completely is that when you do
use it when you want to use it for example if you're very tired and you
still want to go to the gym but you really need a boost when you do use it
in that circumstance you're actually going to feel the positive effects of it
and get a real benefit rather than just alleviating the withdrawal symptoms you
were experiencing so that's probably the best part so I
highly advise that you form a relationship with caffeine more similar
to the one most people have with alcohol you know wake up and have a drink you
know you have a drink on the weekend to have fun with your friends for example
if you do that if you don't it's fine and just like that it's good to have
that relationship with caffeine where you use it once in a while for a workout
once in a while when you need to do an all-nighter for a project you're working
on that's kind of the relationship I think you should have with any sort of
stimulating substance which does have profound impacts on the brain so that's
it for the video leave your thoughts down below on caffeine and I'll I'll see
you guys later
-------------------------------------------
Jacque Fresco - Trabajando con las personas (2010) - Duration: 1:59.
-------------------------------------------
BMW X6 5.0d M Head-up/21inch/Schuidak/Dealer onderhouden - Duration: 1:10.
-------------------------------------------
Mercedes-Benz 190 2.0 D - Duration: 1:09.
-------------------------------------------
Toyota ProAce Compact 1.6 D-4D Cool Comfort | Airco | Cruise Control | Bluetooth | Trekhaak | - Duration: 1:08.
-------------------------------------------
Return to the Beginning「Splatoon 1 🦑🧓」 - Duration: 1:13:17.
-------------------------------------------
Is There a Safe Way to Use Your Phone and Drive? - Duration: 5:06.
This episode is supported by NordVPN which is offering SciShow viewers a chance
to set up a Virtual Private Network and start protecting your internet experience.
Use the code "SCISHOW" at NordVPN.com/SCISHOW for 77% off of a 3-year plan.
♩
Everyone's heard that distracted driving is dangerous, and there's a mountain of studies backing that up.
Almost 400,000 Americans are killed or injured annually in distracted driving-related crashes.
But people all over the world still do it anyway.
In the US, drivers use phones in 88% of car trips.
At least a quarter of teenagers have texted while driving, a quarter of adults say texting or emailing doesn't make their driving worse,
and lots more think other distractions, like talking on the phone, aren't harmful.
Which just… doesn't seem to add up.
We're overconfident, mostly because our brains don't show us how much distractions really affect our driving, which gets us into life-or-death situations.
Ultimately, the problem with distracted driving is multitasking: paying attention to multiple thoughts or tasks at once.
Decades of research have shown that it doesn't matter whether you think you're great or terrible at multitasking, because humans are straight-up awful at it.
You make more mistakes when you're switching focus between multiple tasks, because switching takes time
anywhere from a fraction of a second to half a minute when you're driving while doing something else.
And that transition time leads to missed details and mistakes.
Plus, you have a sort of blindness to one task while you're focused on another.
So you might think you're batting a thousand, because you don't know how much you're missing.
And that's one reason it can be tough to convince people that their distracted driving is dangerous.
Research in driving simulators shows that drivers talking on their cell phones miss as much as half of what happens around them
stop signs, exit ramps, other cars, pedestrians, you name it.
And when you ask them afterwards, they just say those things weren't there.
Now, some of you are probably thinking that maybe this is true for other people, but you really are a good multitasker.
But here's the thing: more confident multitaskers do worse on multitasking tests, not better.
And same goes for multitasking tests that involve driving:
the more comfortable a driver is with multitasking, the worse they tend to be at it.
Confident or not, distracted drivers are significantly more likely to be injured or killed, or hurt someone else.
So it's a serious issue, and one that every single one of us can prevent.
Not all distractions are created equal, though.
Adult drivers generally don't get in more accidents if they're eating or drinking, as long as it's non-alcoholic.
But passengers are an interesting middle ground.
Younger drivers get in more accidents when they have passengers in the car, especially people their own age.
But that increased risk goes down as drivers get older.
Which is actually true for most distractions.
Surveys show that younger drivers aren't as good at identifying and responding to hazards like merging roads or swerving cars, so they choose worse times to be distracted.
They're also about 5-10% more likely to think certain distracting behaviors like talking on the phone don't affect their driving.
But talking on the phone really does, no matter a driver's age.
Like in driving simulations, adults are just as impaired as drunk drivers are and crash more when they're talking on the phone.
And by tracking drivers' eye movements in real life and in simulations, researchers have found that drivers on the phone or doing comparable tasks only look at a fraction of the road.
There's no measurable difference between holding the phone and using a hands-free device or voice recognition software like Siri.
Even if laws and our unaware brains say otherwise.
The danger of a phone call isn't that your hand is off the wheel.
It's that your attention is off the road.That's why the device doesn't matter.
But talking to a passenger in the car is a little different, because they actually can see what's going on around you, and, like, pause the conversation while you find your exit or merge into that lane.
Finally, researchers gathered data from cars with cameras and sensors to study about a thousand serious crashes,
meaning there was property damage or injuries.
And they found that texting, dialing, and reaching for the phone are about the most dangerous things that many people do while driving.
Things like eating and listening to music, especially for experienced drivers, aren't tasks that demand focus from your brain.
And even if your bite is a little off or you miss lyric here or there, who cares?
More dangerous distractions require more of your focused attention, because getting the details of your text conversation right often means getting details of the road wrong.
When hundreds of studies say phones aren't safe, we should listen.
Even if it means having some good ol' fashioned silence after your podcast ends.
And not only are phones not safe for drivers, there's a chance your phone might not be safe when you're online as well.
That's why NordVPN is offering SciShow viewers 77% off of a 3 year plan to set up a Virtual Private Network.
Whether you're on your phone or your laptop, your connection to the internet is not always completely safe, especially if you're using a public network.
But with a Virtual Private Network from NordVPN, your information is encrypted and sent via one of their secure servers.
They have over 4800 in 62 countries and they're always adding more.
Plus, one NordVPN plan can be used on up to six devices, so no matter where you're surfing on your phone, you'll be safe--just don't do it while you're driving!
Right now you can use the code "SCISHOW" and sign up at NordVPN.com/SciShow to get 77% off a 3-year VPN plan.
But this discounted offer is going to end soon, so make sure you sign up now.
♩
-------------------------------------------
Sephora VIB Sale Recommendations - Top Product Picks That You Need To Buy - Duration: 16:04.
hello gorgeous welcome back to my
channel today I am talking about one of
the best sales of the year that is not
related to Christmas and that is the
Sephora sale
I mean it is every girl who loves makeup
favorite sale of the year because you
get to get literally anything in the
store at a discount which doesn't
usually happen throughout the year so
I'm going to jump right in and show you
guys the products that I would be
spending my money on if I were y'all
at the sale so let's get started alright
guys excuse the noise because I have a
very needy little almost a month old
downstairs with daddy and if he even so
much as leaves her line of vision it's a
disaster so if you hear a fuss and
that's why but okay let's jump right
into the Sephora vib sale and I'm saying
be as in beauty not P as in Paul and I'm
gonna explain to you exactly what it is
because if you're new to it then you're
gonna be like what the heck what's
what's up so what it is is that when you
are an insider so basically you know you
give them your email address and and
every time you buy sales you accumulate
points and when you hit certain brackets
throughout the year of spending it gets
you to a different level so the levels
are Rouge vib and insider so Rouge is
the top tier and that started on August
24th so the sale goes until September
3rd they got earliest access because
they're the top tier of spenders and
they get 20% off of their purchases
during the sale the next is the vib and
that is that starts on the 30th which
I'm filming today on the 29th but this
video will be up on the 30th and so
today it's open to both the VIPs and the
insiders VIPs get 15% off of everything
and insiders get 10% off of everything's
just so that you know and this is in
store and online by the way it's not
sponsored I just wanted to share the
love because it's Sephora and who
doesn't love Sephora so what I did
instead of my you like I've watched a
few of these videos because a lot of
people are talking about the sale and
what they would buy and the one thing
that I would do personally is I would be
spending whatever budget I allocated to
this sale I will be putting it towards
the products that are pricier because
that makes the most sense you're gonna
get the most bang for your buck and so
what I did was I divided up my favorite
brands and I made a huge list
oh it's bleached out but I made a huge
list it's two bits a two cider of what
it is that per brand that I would buy so
I'm gonna jump right in so I'm gonna
first kick it off with Marc Jacobs Marc
Jacobs is a little bit on the pricier
side of
products obviously it's a higher-end
brand I'm newer to the Marc Jacobs
bandwagon and there are particular
products that I have been using in this
probably past year so that I just
absolutely loved one of which is the
bronzer so this guy is the tantalizer
bronzer or tantastic am very tantastic
bronzer it's a matte bronzer and it's a
huge bronzer as you can see there's a
lot of product there which is awesome
the thing that I love about it is that
it is so mat but it is a very it's not
it's pigmented but not heavily pigmented
so it blends really well it's just a
fantastic bronzer it was discontinued
for a minute there and then all of a
sudden its back and guys run don't walk
run because I am obsessed with this
bronzer I think it's fantastic and it's
something that you should definitely try
another Marc Jacobs product that I love
that I talk about all the time on my
videos and I you guys asked about this
all the time this is the Marc Jacobs the
face to foundation brush again pricey I
love it though it's and I'm a big Beauty
Blender fan I have one always right here
I just used that one that's why it's so
dirty but that's another thing to invest
in is like stock up on your beauty
blenders while they're on sale but they
do who on sale pretty often at Nordstrom
but this I'm such a klutz this brush is
fantastic it really just gives you a
really flawless finish on your on your
foundation and I just I love the way
that it blends
I am completely obsessed I haven't used
a foundation brush in years I was only
using a Beauty Blender and then I
discovered this and I love it a couple
of other products that I love from Marc
Jacobs is their eye primer and then
let's see what else is it that I love oh
they have an eyeshadow palette that I
absolutely love please hold and I will
get it for you okay so I have I think
every single eyeshadow palette that Marc
Jacobs makes and my favorite is this guy
no but this is beautiful oh my gosh
isn't that beautiful this one is Glu
ambition so pretty this is my favorite
one it's called scandal lust and it's
because of that shade that shade that
shade and that
obviously I'm a big reddish fan for
eyeshadow it's just my thing especially
if you have green eyes just really makes
your green eyes pop love this palette I
think it's fantastic the quality is
amazing the pigment is unreal it's
beautiful the shimmer of slash glitter
colors just pack on beautifully and not
if I don't if I recall not a crazy
amount of Fallout which is something
that I always look for when I'm doing a
glittery shadow so I highly recommend
these and like I said the eyeshadow
primer is great it's a coconut one and
then their foundation I've only used it
a couple of times but it's a it's more
of a medium coverage and I actually
really like it the only thing I would
say is that it's a smaller bottle it's
it feels like you get a lot less product
than you would say like a bottle of
nonono covergirl but maybe I should look
at the the weight maybe I'm wrong about
that but it just feels like it's less
because it's a very thin bottle and
maybe it's just like a visual like
illusion that's what I'm trying to say
but yeah these are my must-haves for
Marc Jacobs and if you're going to
invest in the brand those are the top
picks for it in my opinion okay so the
next brand on my list is it cosmetics
I'm opening a bag right now they
actually sent me a whole new bag of
products in the mail that I just opened
up yesterday just okay first let me tell
you why I picked 8 cosmetics ok so I
love it cosmetics because it is so
awesome for everybody and I'm talking
everybody like no matter what age you
are no matter what type of skin I just I
love it cosmetics and I have yet to try
a product of theirs that I'm like me I
don't like it I really do I like every
single product and love a bunch of them
so one of the products that I absolutely
love is the CC cream have it on right
now it's a great coverage it's so good
for everyday and it's got 50 SPF I'm
really big into SPF lately but what they
sent in the package it's the CC cream
and it's the new oil-free matte and
there's 40 SPF in it oh my gosh I'm so
excited about that
oh this is cute it's time to meet your
CC soul mate and they included what else
was the heavenly skin brush I'm very
excited to try these the oil free to see
how they compare to the illumination
because I feel like the illumination
looks so good so I use this all the time
and then when I set it with is the air
see see powder I am a medium and then a
medium tan and the combination just is
fantastic so it was not yesterday but
two days ago I I have like a breakout
going on right here which I don't know
if you can see it but it's it's on the
way out and all I had on my face was
this this CC cream I had some concealer
tiny bit of mascara had my brows and had
this and maybe a small amount of blush
no bronzer nothing and I'm sitting in
the living room and that listened me
goes do you have makeup on today because
your skin looks really good and like
that was just a really nice compliment
especially being that I had a breakout
going on so I know that this really does
make your skin look great plus I'm
trying out a whole new skincare routine
right now that I'm hopefully gonna share
with you guys but it's a full-on routine
and it's a mixture of all different
products and I'm testing and trying them
out to see what works but these ones are
must-haves love their universal brow
powder gel it's Universal taupe it's
literally matches every single brow
color out there I love their brow gel um
what else do I love Oh their mascara
their superhero mascara is fantastic
their concealer their miracle water I
use that every day so yeah it's just a
fantastic brand I feel like you can't go
wrong with it
and it's something that when it's on
sale scoop it up and take advantage and
you know what if I were you I would buy
Christmas gifts because every single
person that I have recommended it
cosmetics to absolutely loves it it's
fantastic up next is Laura Mercier big
Laura Mercier fan and there's so many
products of hers that I love I love her
primer use it every day I've been using
the hydrating one but I really really
love the secret brightening powder I've
used this for several years now pretty
much every single makeup tutorial that I
do you're gonna see this powder recently
she the Branson over this new blush that
they have it's in peach and I have it on
right now and I think it's really
beautiful it's buildable it's the kind
of sheer so you do have to build it a
little bit but then it looks beautiful
on then I picked up the highlighter
palette during the Nordstrom sail her
highlighters are incredible her tinted
moisturizer is incredible everything
Laura Mercier does is wonderful so
that's another
product brand / brand that like can do
no wrong in my opinion okay next up on
my list is GA and I'm opening up my
little handy dandy I keep a little thing
of lipsticks right here these are the
ones that I reach for all the time and
let's see how many are you a in here
right ii enough for jus a products a lip
liner a lip topper and sunset ii and
then a lip cream and praline
and then a high pigmented lip gloss and
PCH like i literally always have jouer
and i know if you were to go look in my
bag that I'm carrying right now I'd have
at least one G a lip product in there I
always have jouer on me it's just
something that I do the newest thing
that they have now is the rose gold
collection I just got this as a PR
package in the mail and I can already
tell you I'm going to love it because
I've seen it all over social media but
these are the new products that are in
there that are in the kit and they have
four new lip products we've got a lip
cream a lip top or lip gloss another lip
topper and then their blush duo's are
fantastic these are their new shades
right here but what I'm really excited
for is this eye shadow palette I think
that these colors are incredible for
fall and I think that they're gonna be
oh my gosh so pretty I cannot wait to
try this out but that's another brand
that I would highly suggest if you're
new to g'way so for a sale is the
perfect time to invest in something from
them to try out if I were just starting
out and you are a new nude lip fan I
would go immediately to their lip creams
because they we're so awesome I remember
putting on a jus a lip cream before a
flight and it was like a five or six
hour flight like before I even went to
the airport and then got to wherever I
was going hours later like it was like a
nine-hour day and I still had the lip
color on because it just wears so
awesome so I would just really suggest
that that's where you start but I gotta
say this eyeshadow palette looks
incredible too so again jouer is awesome
and there's so many awesome products
that you could try at a discount
all right I've been talking your guys's
the ears off way too long so I'm just
going to just
quickly go over my list of other things
that I would just highly recommend I'll
pop them in the description bar below so
that you can easily reference them and I
go with a pencil and just mark them off
but next is Estee Lauder I love their
advanced night repair I use it
constantly I think it's great and I also
love their foundation they just sent an
entire package of new foundation that I
haven't tested out yet and I'm really
excited to try that actually I'm gonna
show you the box please all okay so this
is the SA Ladder box of foundation and I
don't even know how to like get this all
on camera cuz it's so huge but they sent
every single shade there's a little
video that plays there and then when you
pull out the drawers on the side they
sent over another Beauty Blender some
product there some foundations to try
out like I said I just got this
yesterday so I haven't tried them out
yet but I am very familiar with their
foundation it's great they also sent the
smoother and be set and refresh right
there
so I love Estee Lauder like I said their
skincare is among some of my favorite
it's in my my repertoire if you will and
I even get Matt to use it a lot of times
so it's really good next brand is NARS I
love their their lip gloss is a cult
classic in Turkish Delight like Kim
Kardashian put that on the map but I
also love their lip pigment an American
woman I think this is a beautiful shade
if you haven't tried these they're new
and they're fantastic and they wear so
long I actually gave one too
I believe it was my mother-in-law and
she texted me or called me afterwards
and told me that she wore it and it
lasted like 12 hours and she was blown
away with how well they wear and it's
true I've worn these and they are great
and they don't dry your lips out I also
love their creamy radiant concealer and
I love their blush also both of those
are called classics the blush and orgasm
everybody knows that okay and then last
but not least him and just tell you a
few more brands to check out that are on
my list because their favorites of mine
make up forever incredible foundation I
live in decay oh my gosh they're naked
heat pallet I have it on right now I
wear it everyday I'm constantly reaching
for it Urban Decay has a million awesome
products I don't even know where to
begin because I love their settings
where I said my face
with it every day if I'm not using that
that I'm using Mac there lip products
are great everything is great urban
decay benefit brow oh my gosh I use
their brows every day I'll link that
also I'll put it in the description bar
Moroccan oil huge fan of Moroccan oil
I've recently gotten back into it I use
it in conjunction with Nioxin and I just
love the way it makes my hair smell feel
and look dry bar oh my gosh I love my
dry bar straightening iron and curling
wand I've pretty much gotten rid of
everything else and only have been using
those exclusively lately and then last
but not least is Kat Von D I was such a
huge Kat Von D fan for so long and I've
kind of gotten away from I hurt a lot of
her stuff
only because I really loved her
foundation because it was such full
coverage but it oxidized very easily so
I kind of quit using it but what I will
say is that her concealer and her
translucent powder and her contour kit
are all worth every penny they're
fantastic great quality and I just
highly recommend them that is a lot of
information I hope your heads not
spinning because mine kind of is right
now because there's just so much good
stuff obviously you're not gonna run out
and buy every single thing that I just
named but at least it gives you an idea
of the top brands that I am highly just
loving right now highly loving just like
really bad English use ear words and I
feel like I see that every single video
use your words and probably because I
say that in life to myself everyday
anyways that is my list I'm forgetting a
million things I'm sure because I I you
know play with makeup on like an
everyday basis and I love it all so I
hope you guys enjoyed this video leave a
comment below and let me know what are
you buying from the Sephora sale I have
a couple things that I'm thinking about
going and getting a couple of things
that I really really really really want
so I might I might run out and get them
tomorrow or order them online I mean I'm
not really sure yet but these are the
things that I think you should
definitely consider and like I said let
me know in the comments what you're
gonna get alright guys thank you so much
for watching love y'all so much au
revoir
-------------------------------------------
Michael Schumacher sent la fin proche, ses millions partagés (photo) - Duration: 1:41.
-------------------------------------------
Recette de Cake à la farine complète sans œuf - Duration: 4:51.
-------------------------------------------
10 Ways Prison Is Better Than Your Life - Duration: 13:17.
-------------------------------------------
海贼王851:路飞遇见人生中的第二个老师,他的能力将产生质变 - Duration: 6:25.
-------------------------------------------
If Trump remains a bully, John McCain's funeral won't be the last he isn't invited to - Duration: 3:17.
-------------------------------------------
Liverpool Champions League group: Jurgen Klopp reacts to difficult draw - Duration: 4:38.
The Reds were drawn alongside PSG, Napoli and Red Star Belgrade in Group C for the six-game group stage of this year's tournament
Speaking about the draw, Klopp said: "To be 100 per cent honest, it was not that I had a group I wished for or whatever
"I expected a difficult group, we have a difficult group and that's what the Champions League is all about
"With the quality of the tournament, it was always likely we'd get a really tough draw on paper
" Breaking each team down individually, he said: "PSG are one of the most exciting teams in the world and I think their target is to win the Champions League, so that will be two interesting matches
"Napoli, we beat them in pre-season but it goes without saying these two games will be completely a different challenge
"I've been to Napoli with Dortmund, so I know what the atmosphere is like there. In fact, it's where I got a suspension [for being sent off]
I can do better, obviously! "Red Star, I watched them last night. They came through and it will be, again, a very, very intense atmosphere I am sure
" But Klopp insisted he doesn't mind being drawn alongside some of the best teams in the world, and that his side are ready to take them on
"The Champions League is the biggest club competition in the world, so it should be difficult because it is
We cannot expect to get an 'easy' group or whatever," he said. "It's important and interesting to watch the draw, but in the end you have absolutely no influence on it
Now we can start having influence because now we can prepare for the games and look at their games
"I am looking forward to watching PSG a bit more often, which is a very interesting project for sure over in France with Thomas Tuchel
Champions League draw: Why are Liverpool in Pot 3? Who will they face? Champions League draw fixtures: When are the next League games? Carabao Cup draw LIVE: Man Utd, Chelsea, Arsenal, Liverpool fixtures "Facing Neymar will be, for our Brazilian guys, like meeting a friend again and all that stuff
It's a big challenge, but for all the others it is a big challenge to face us." And Klopp is confident following last year's run to the final, that other teams will be fearing coming up against his men
"For sure, when you have already a group with Paris Saint-Germain and Napoli – two absolutely top teams – then you don't want to have Liverpool as the third team!" he said
"'It is how it is' is the best way to describe it; don't think too much about it
If you think about the group, you are already out. If you think it is too difficult, you are already out
"We don't think either. We will play the games, we will be competitive – that's what we have to make sure – and that is all
" He added: "Last season is last season and now we have to do it again. That's normal
All the teams have to do it again. We want to go through the group. "It will be difficult but still we want to go through
That's the plan, so now let's start working on it." Liverpool's first game will take place on the 18 or 19 September, with further games held on October 2/3, October 23/24, November 6/7, November 27/28 and December 11/12
-------------------------------------------
Autour de Jupiter, douze nouvelles lunes dont une tournant à contre-sens ont été découvertes - Duration: 3:26.
-------------------------------------------
Jeep Compass - Duration: 1:04.
-------------------------------------------
Peugeot 2008 - Duration: 1:07.
-------------------------------------------
DRAWING 2018 SEXY BIKINI GIRL'S ANIME ALLEYNE QUEEN'S BLADE - Duration: 10:34.
please subscribe
No comments:
Post a Comment