Thursday, March 30, 2017

Youtube daily report Mar 30 2017

Canada to me means diversity. Everyone

from all around the world can come live

in this beautiful free country. In Canada,

no matter what race you are you are

accepted. My grandparents were able to

come to this country with my dad and

uncles March 7th, 1991. That is the

reason I was born here. That's what Canada

means to me.

For more infomation >> Here's My Canada: My home - Duration: 0:29.

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【Sherry有話要說 追星篇#2】13種粉絲 你屬於哪一種?|我們是韓飯?還是韓迷?|SHERRY 's Heaven - Duration: 2:51.

For more infomation >> 【Sherry有話要說 追星篇#2】13種粉絲 你屬於哪一種?|我們是韓飯?還是韓迷?|SHERRY 's Heaven - Duration: 2:51.

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Here's My Canada: My Grandpa - Duration: 0:33.

Canada to me, is a place of freedom and

tolerance. In Canada, people don't care if

you're Muslim. Christian or gay. They'll

accept you, and help you start a new life.

In fact, when my grandpa sailed here

after World War Two, people in Canada

didn't discriminate against him for

being German. They actually accepted him and

helped him start a new life.

For more infomation >> Here's My Canada: My Grandpa - Duration: 0:33.

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Samsung Galaxy S8 in Galaxy S8+ - Duration: 3:35.

For more infomation >> Samsung Galaxy S8 in Galaxy S8+ - Duration: 3:35.

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Salzburg: Mehr als nur Mozart | Deutsch lernen mit Videos - Duration: 2:38.

For more infomation >> Salzburg: Mehr als nur Mozart | Deutsch lernen mit Videos - Duration: 2:38.

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নারীর যে প্রশ্নের উত্তর দেওয়া নিজের পায়ে কুড়াল মারার সমান | পুরুষরা সাবধান - Duration: 1:36.

For more infomation >> নারীর যে প্রশ্নের উত্তর দেওয়া নিজের পায়ে কুড়াল মারার সমান | পুরুষরা সাবধান - Duration: 1:36.

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TOP 5 Děti žijící ve speciální bublině - Duration: 6:33.

For more infomation >> TOP 5 Děti žijící ve speciální bublině - Duration: 6:33.

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Heroes & Generals - Assault Classes. Герои и Генералы - Штурмующие классы. ENG SUBS - Duration: 4:20.

Each soldier on the battlefield plays his role, depending on his class.

A role in need is a role indeed.

Today we will discuss the classes, bread and butter of which are captures and defence of the points.

In-fan-tryman.

Infantryman, being the most unique class, having 10 equipment points, with the ability of using every piece of arsenal provided by Stalin himself,

No matter if that is transport or weapons, has the most opportunities.

While playing as infantryman, your equipment depends on your preferrances.

Want to revenge tanks for what they did for you?

Take looootsa antitank mines with yourself and plant 'em.

Want to be a medic that will save the entire team?

You can!

Take a few medic bags, do not forget something to defend yourself and save lives!

Or just take the mobile LMG and shoot down nazis and their transport.

Pa-ra-trooper

Things are a bit more difficult with the paratrooper.

Spawntime is longer than infantry one but you will spawn not on foot,

But on a plane instead

Just choose your destination now, a bot pilot will deliver you himself.

Calculate the distance, prepare...

JUMP

If you don't have a "Free fall" badge, then the parashute will open itself when the height is rather average, and if you have it, you can open it manually.

Starter paratrooper has an SVT but having 6 equipment points he can take a SMG with him. With the effect of stealth he can paratroop on the roof, sneak into the building and sabotage the whole nazi army.

He can't take any transport with him, cause he don't need any, so there will be no transport repair costs, which makes paratrooper very profitable.

Though paratroopers only appear at skirmish, assault and war combats, where he shows off his power.

Heck, after playing with SVT, this is a relief at its best...

For more infomation >> Heroes & Generals - Assault Classes. Герои и Генералы - Штурмующие классы. ENG SUBS - Duration: 4:20.

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Élever son niveau vibratoire - Teal Swan - Duration: 15:38.

For more infomation >> Élever son niveau vibratoire - Teal Swan - Duration: 15:38.

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Polk Audio - przedstawienie serii Polk Omni Collection - Duration: 1:26.

For more infomation >> Polk Audio - przedstawienie serii Polk Omni Collection - Duration: 1:26.

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Peugeot 508 SW BLUE LEASE EXECUTIVE 1.6 E-HDI 2-TRONIC - Duration: 0:41.

For more infomation >> Peugeot 508 SW BLUE LEASE EXECUTIVE 1.6 E-HDI 2-TRONIC - Duration: 0:41.

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Peppa`s Brother George with Dinosaur Toy Coloring Book Fun Painting Learning Colors Coloring Page - Duration: 11:39.

For more infomation >> Peppa`s Brother George with Dinosaur Toy Coloring Book Fun Painting Learning Colors Coloring Page - Duration: 11:39.

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very funny pranks compilation 2017 TRY NOT TO LAUGH #25 - Duration: 7:08.

funny

For more infomation >> very funny pranks compilation 2017 TRY NOT TO LAUGH #25 - Duration: 7:08.

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A short movie created by the dictation of Sanat Kumara December 1, 2009 " - Duration: 4:37.

I AM Sanat Kumara,

having come again.

I have come because I am overwhelmed with the feeling of Love towards humanity.

And I am ready to sacrifice all my attainments, the whole momentum of my attainments

so that mankind can live and evolve.

Yes, the question is still very serious.

We do our best, and every time we look back at you, Earthlings who are incarnated now,

we watch what has changed.

If it were not for my multi-million experiences with humanity of the Earth,

I would have stopped this experiment a long time ago.

But for that time I loved humanity of the Earth and its best representatives

so much that I cannot help sacrificing my momentum of attainments for you, Earthlings, time and again.

Your inner choices determine the future of mankind which may change any moment

if only a certain number of the light-bearers manifest their oneness and aspiration.

I AM Sanat Kumara.

Om.

The film is created by the dictation of Sanat Kumara December 1, 2009

For more infomation >> A short movie created by the dictation of Sanat Kumara December 1, 2009 " - Duration: 4:37.

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OLYMPUS OM-D E-M1 MARK II: ВЖУХ, И НОВЫЙ ФЛАГМАН - Duration: 6:13.

For more infomation >> OLYMPUS OM-D E-M1 MARK II: ВЖУХ, И НОВЫЙ ФЛАГМАН - Duration: 6:13.

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Tomviz | An Open-Source 3-D View of Nanomaterials - Duration: 2:52.

(music)

Materials are now being designed in

three dimensions in order to push the

future of computing. The future of your

transistors and memory in your phone for

example or new batteries so you don't

have to charge your phone as often are

all now designed with three-dimensional

architecture. It starts with the

nanomaterials so we need to be able to

see at the nano scale all three

dimensions. You need to be able to slice

through the material looking at its

internal density changes and do it at

high resolution.

Tomviz is a powerful

three-dimensional imaging platform where

you can analyze any three-dimensional

structure but in particular nano scale

materials so you can spin around you can

interact you can understand the true

structure at the nanoscale.

Tomography- 3d visualization of nanomaterials is a

challenging problem. When you take that

off a microscope like this the data that

comes off that tool is not a direct 3d

structure of your material. You get a

projection at the nano scale of a

material then you have to take all these

projections at different angles and you

have to reconstruct the

three-dimensional shape. These data sets

can be quite large.The bottleneck for 3d

imaging of nanomaterials is software.

We've lowered that barrier, we've made

complex processes accessible. We've

integrated those state-of-the-art

reconstruction algorithms into this 3d

visualization platform so you cannot

just analyze the data but you can do all

the steps right off the microscope to

the 3d visualization. This is the first

time that you see all those steps

integrated into one platform.

(music)

A key aspect to Tomviz is that it's open

source. You can save your state, all the

steps and you can send that to a

colleague they can open it and they'll

get the exact same visualization and all

the steps leading up to it. They can

rotate it around themselves they can see it.

This isn't a beta prototype we've

iterated many times to get to this stage.

With the great progress in the electron

microscopy community combined with

platforms like Tomviz, will see rapid

characterization across scale and

dimension from single atoms to large

three-dimensional objects and that'll

enable us to develop a new generation of

materials at the nanoscale and will power

a new generation of technology.

For more infomation >> Tomviz | An Open-Source 3-D View of Nanomaterials - Duration: 2:52.

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L'interview Smartphone d'Emmanuel Rubin - Duration: 3:48.

For more infomation >> L'interview Smartphone d'Emmanuel Rubin - Duration: 3:48.

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Toyota GT86 2.0 D-4S Navigatie - Duration: 0:56.

For more infomation >> Toyota GT86 2.0 D-4S Navigatie - Duration: 0:56.

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Kia cee'd 1.4 Sporty Wagon Nav Pl Pack Rijklaarprijs - Duration: 0:49.

For more infomation >> Kia cee'd 1.4 Sporty Wagon Nav Pl Pack Rijklaarprijs - Duration: 0:49.

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Here's My Canada: My home - Duration: 0:29.

Canada to me means diversity. Everyone

from all around the world can come live

in this beautiful free country. In Canada,

no matter what race you are you are

accepted. My grandparents were able to

come to this country with my dad and

uncles March 7th, 1991. That is the

reason I was born here. That's what Canada

means to me.

For more infomation >> Here's My Canada: My home - Duration: 0:29.

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Here's My Canada: My Grandpa - Duration: 0:33.

Canada to me, is a place of freedom and

tolerance. In Canada, people don't care if

you're Muslim. Christian or gay. They'll

accept you, and help you start a new life.

In fact, when my grandpa sailed here

after World War Two, people in Canada

didn't discriminate against him for

being German. They actually accepted him and

helped him start a new life.

For more infomation >> Here's My Canada: My Grandpa - Duration: 0:33.

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NUEVA INTRO! MEJORADA - Duration: 0:10.

For more infomation >> NUEVA INTRO! MEJORADA - Duration: 0:10.

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Élever son niveau vibratoire - Teal Swan - Duration: 15:38.

For more infomation >> Élever son niveau vibratoire - Teal Swan - Duration: 15:38.

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Quel riflesso deformato che è la Metropoli Virtuale… [In relazione agli Utenti] - Duration: 19:56.

For more infomation >> Quel riflesso deformato che è la Metropoli Virtuale… [In relazione agli Utenti] - Duration: 19:56.

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Classical Musicians React: TAEYEON 'I Got Love' vs 'I' - Duration: 17:53.

Umu: She's from a girl group called Girl's Generation

Shimon: Oh I've- Oh

*looks at Naoki*

Shimon: Yeah

Naoki: What Shimon: It's a it's a-

Naoki: You're looking at me like I know. This is my first

*play fight*

*Rossini's Semiramide Overture plays*

Umu: Ready?

So this is another female artist except this-

Lindsey: This is the one who's in Shake that Brass

Umu: mmm YES Davis: Yeah

Davis: I remember that too. Didn't we talk about that this weekend Umu: Niiceeee

Umu: So this is Taeyeon

She also splits off to do her own solo works

Umu: And this is her most recent- Lindsey: And Shake that Brass

Umu: Yes and Shake that Brass

Collabs

Shimon: Yeah th- th- their popular in Japan. I've heard of them

*Says GG in Japanese* (I'm an English captioner so don't expect translations lol)

Naoki: What's that

Shimon: *Girl in Japanese* Naoki: Oh Girl

Naoki: Yeah

Shimon: *Continued Generation in Japanese* Naoki: What's jidai, something question?

Shimon: Generation

Naoki: Oh ok

Oh wait that's their Japanese name

Shimon: Yeah exactly Naoki: Oh they have a separate Korean and Japanese name is what you're saying

Shimon: Yeah yeah yeah yeah Naokie: Oh

Emiel: I Got Love

Umu: So this is her most recent one that also came out a few days ago and I was just like this is different (Note: this is old footage)

Like I mean it's a little bit more American pop-y but still I just really enjoyed listening to it and it would be cool if you guys explained what you liked about it too

Kevin: Dabaga go

*Click*

Gwen: Oh f*** me up first of all those boots Hugo: F***ing glitter

Kevin: Tch that's pretty Yunyi: Spark-

Henry: Wow! Fiona: Oohhh

Kevin: Acoustic drum

Hugo: Oh f*** Gwen: Yeah

Kevin: Oh yeah

Yunyi: Oh it's like modern cabaret

Lindsey: Immediately oh woah

Kevin: Oh filters

Henry: Wwwwow

This is pretty intense

Naoki: I mean the voice is completely different

Hugo: Damn!

Ungh

Yunyi: That bass is overwhelming but in the best way

Henry: Is she like lowkey running a very very lucrative yet very very illegal diamond- Emiel: this is like the most diamonds

Emiel: -I've ever seen in my entire life

Henry: Trade or something Fiona: She's beautiful

Hugo: Music wise, holy sh*t! Gwen: Teehahah

Kevin: Suspensions overload

Gwen: You know those songs that when you're wearing six inch heels

Gwen: You put on and you're just- Hugo: Yeah, f*** yeah!

Fiona: Yes Henry: So much gliteeerrrr

Gwen: And you like- you walk and it's just like, murder

Emiel: Wow

Kevin: Of the kpop songs we've heard this one borders on American pop a little more than the others Yunyi: It does

Kevin: Yeah

Fiona: Oooh Henry: Oooh I see

Yunyi: OOohhhh Woah! Kevin: *flips out* that's-

Lindsey: I like how it seemed like there should be a drop but then it just went ptttptp

Gwen: And it's like- Hugo: I love this minimalism here

Naoki: There's guitar with like a modulator thing

Kevin: It's a very filtered Umu: Saxophone

Kevin: Saxophone Yunyi: It sounded almost like a flute

Kevin: Yeah

Naoki: Does it sound like a wind- It doesn't sound winded like a wind instrument Shimon: No it was definitely plucked

Emiel: This song definitely has an acquired taste to it Henry: Yeah

Henry: I don't know if I have the taste Emiel: If you don't have the taste for this, you definitely don't enjoy it

Emiel: as much as you should if you had the taste for it

Henry: Do you have the taste for this kind of music Fiona: I think I kinda like it Emiel: See I'm kinda half way which is why I'm not really gettin the full of it

Lindsey: Oh there's no beat anymore now

Umu: Is her voice good?

Yunyi: I love those fourths Kevin: Blown by the instrumentals

Yunyi: I love those fourths

Kevin: Yeah it's pretty well done

Gwen: It's- it's good for the style

Hugo: It's lower

Hugo: It's lower than most kpop artists we've listened to Gwen: yeah it's- she's- she's hella alto

Kevin: Duuuuut

Hugo: She knows how to use her range though

Kevin: I like how the- the note's a little sharp

Yunyi: Yeah yeah yeah

Again, microtonal composition

Kevin: It's almost a half step sharper

Umu: *yawns something* Yunyi: Almost Kevin: Yeah

Yunyi: It's like a little past a quarter tone Kevin: Uh huh

Henry: Ta- there was just drums for no reason

Ooh

Hey now

Kevin: You're right, harmonically it's as simple as it gets

But it totally captures the vibe

Lindsey: It- it like- It just like slightly scoops up a little it's like BWAAH BWaah Bwooh bwuuh

Naoki: It's almost jazzy with that kind of range

Like that kind of sound as well when she's down lower

Henry: I love the diamond imagery of like all- like

You know like the multiple frames, like the sort of kaleidoscopey sort of thing

And then there's the ff- the shot where she's like in the mirror

Hugo: Ooh that was good that was really f***ing good!

That vocal line had just the right amount of resonance to it

It was like, it wasn't belty but it wasn't screaming

Lindsey: You- It like-

When you're just listening to the backgrounds you almost don't really feel a strong

Naoki: Is it plugged I can' tell

Lindsey: Key or like

Whatever but I mean there definitely is one

Emiel: Sharp four

It's like sharp four to five on the top line. It's kinda uhggmh

Gwen: Hell yeah

Hugo: It was

Different but I liked it. It was definitely different than anything we've watched so far

Umu: Ok but yeah what did you think overall of that song?

Naoki: Yeah that was cool

Shimon: Very different Naoki: I'd like another listen to it I think

Hugo: This is empowerment Gwen: This is like a woman who's like rich husband that didn't really love her died

Gwen: 4 months ago and she's not sad about it

His massive champagne collection she's just like bathing in it and she's just like soooooo- Hugo: What the f*** are you talkin' about! (Same)

Gwen: Cool Hugo: What the f*** are you talking about Umu: I can see it, I could see it!

Gwen: She's a badass woman

Hugo: I d- no that I do not argue with I'm just like how did you get to that storyline

Fiona: She's fabulous she's like *sassy snap* I'm in charge

Henry: That definitely was like- Emiel: Took control of the stage Fiona: Girl you got it

Hugo: It was a really cool song, it was kind of- Gwen: I liked it!

*Hugo so done*

Gwen: That was on- Hugo: Yeah

Gwen: That was on purpose Hugo: Yeah yeah

Hugo: Ok you know what else is on purpose *Pretend punch*

Umu: HAHAHAHHAHA Gwen: :000

Umu: But she's never done this type of video. She usually does like very nature, natural

Lindsey: Oh then this is an awesome contrast to that Davis: Oh ok Umu: So this is new

Davis: Then this is incredible Lindsey: Then this is like- this is like I am woman

Lindsey: Hear me roar

Lindsey: Awwrrrrrrr hehehe Davis: Yeah that's where I'm getting all the beyonce from

Umu: Ok LIndsey: That's- that's what I'm getting from her Davis: Very female empowering

Emiel: Bass was good, the mids and the highs were eennnnggg a bit questionable

Emiel: But it was good

It was kinda- it wasn't as enjoyable as it could've been if I had like the taste for it

Umu: Mhm Henry: They used a synthesizer that kinda sounded like a very distorted guitar but it was so like

I thought that was Fender Rhodes that was really really distorted

Umu: Oh Emiel: It could've been too Henry: The Eeeng eenng unng unnnngg

Umu: It sounded like backwards saxophone to me Emiel: Honestly you can make any-

Henry: Fender Rhodes

Umu: But honestly like just what you said, you didn't get tired of it

Umu: Because I was listening and I'm like this is repetitive but *Whispers* I like it Kevin: Exactly yeah Yunyi: Yeah

Umu: *Whispers* What the f***

Yunyi: Cuz it's so funky that you just want more of it each time Umu: And like the video was so cool

Kevin: Yeah, I like how it uses video effects more than just like glamorous background

Like sometimes you know there's the little *noise* the little mosaic that kind of appears for a little bit

Kevin: It's- yeah, nice for retro Yunyi: It was so- It was just so classy

Kevin: Mhm I agree

Umu: Let's do, let's do Taeyeon I

So this is her original style. She's more of like a natural, naturey type of person *Reaction filmed a few weeks later, hence the change of clothes lol*

Umu: and this is very more acoustic and- Shimon: nature

Umu: Wait, first introduce yourself while you're feeling Gwen's hair

*WOOOO ANOTHER PERSON*

Jeremy: Hi I'm Jeremy, I am subbing for Hugo right now

I am a freshman vocalist and I have participated in the vocalists react *Ep 2 coming soon*

before but you have not seen that yet so stay tuned

Umu: Hugo is super busy (dead jk) for the next few weeks with opera

Gwen: Sooo we kicked him out Jeremy: Even though I'm in the opera too

Gwen: Yeah basically subtweet Hugo

Gwen: Get your life together Jeremy: Like @Hugo come here (That's not his handle btw)

Gwen: Hey at least he won't

Hate me

Umu: You've seen I Got Love Jeremy: I have

Umu: What were your first thoughts

Jeremy: Uh well the video was like

A little

Jeremy: Odd but Umu: Hyaahahahaha

Jeremy: Not out of line of what a lot of people are doing with American pop music as well

And the music I liked a lot except for like there was this one part of the chorus that just like

Was a little freaky

Jeremy: I don't know Umu: Freaky, is that the part where she stops singing and then it was like the weird synth part

Gwen: Nyewww

Jeremy: Yeah it's like a weird sound I don't know what it was

Umu: Yes I know what you're talking about Jeremy: Yeah it was a little freaky

Umu: Let's go

*Misses click*

*Click*

Umu: Tah XD

Henry: Look at all that ocean

Gwen: One, Taeyeon (Gwen she just told you it's I)

Kevin: Portland?

Henry: Are they in Portland?

Kevin: Oh my gosh

Henry: I love Portland, Oregon. Its- tha- that was the state of Washington (Henry you just said it's in Oregon)

Gwen: Grass

Hnenry: Aw Emiel: Got some nice photoshoots here

Henry: Oh it wasn't the state of Washington. It was Portland... Oregon

Shimon: Oh I remember her last intro too Naoki: Wait is she speaking English

*Swooned*

Henry: Wow Fiona: Is this country haha Emiel: Good voice

Henry: Is this country XDXD

Jeremy: She sounds a lot more natural here

Naoki: Man this is pretty cool

That bass, I'm liking that bass

Emiel: Yeah her voice is really good

Yunyi: Oh Kevin: Oh no what

Henry: Sevenths unnng that's beautiful

Shimon: I like that

Gwen: Also

This guy's

cool

Emiel: Some good rapping

Shimon: White people (Omg lol)

Yunyi: I just kinda wanna listen Kevin: My chem- I'm getting My Chemical Romance

Yunyi: How? Kevin: Vibe

Yunyi: Oh the duh diguduhduh Kevin: Yeah, yeah yeah yeah

Gwen: Oh don't yell at her she's really cute

Henry: What's the deal with him Fiona: You jerk

Naoki: What's that, I don't remember Shimon: SHEEP!

Naoki: SHEEP IT MUST BE FILMED IN NEW ZEALAND Shimon: SHEEP SHEEP SHEEP

Gwen: She- yeah she has an actual like

Resonance in this style

Davis: Wow I don't know how to describe this music right now

Davis: You know what I mean. What are- it sounds like

Lindsey: The whole thing's like over a tonic pedal

Lindsey: You hear like NNnnngngngnng

Jeremy: This style of music is much more suited for her voice. I'm not saying the other song wasn't it's just that they're such different extremes

Kevin: The melody is still very kpop though

Dun duh dun duh dun dun dun dun

Naoki: OH WAIT WAIT GO BACK I HAVE TO STOP IT Shimon: No no no no we can't

Naoki: Yes we have to go and see that city Shimon: We can't go back no no we're already recording

Naoki: Ok we're checking after Shimon: We can go back after we're done

Kevin: Like you don't hear that in American

Kevin: It's like so based on a pentatonic scale, I mean there are a couple of other notes but there's like a pentatonic skeleton Yunyi: You're right

Kevin: I like pentatonic skeletons

Davis: This is like straight up Caucasian, just American pop music right now

Yunyi: What is even happening harmonically

Yunyi: Has it- I feel like it just- Kevin: I think it's intriguing

Yunyi: Bit on one and moved

Kevin: Yeah Yunyi: From ch- like third relations

Emiel: There's nothing that pops out like it usually does you know there's always something weird that sticks out like right off the bat

Kevin: My life is so beauti-.... ful

Ful? *looks to umu for reassurance*

Umu: Are you liking the instrumentals and the melodic lines

Jeremy: Yeah, I liked it more so in the beginning Umu: Mhm

Jeremy: But I still really like it Gwen: Well I really like- I like the kind of strummed electric guitar in the background a lot

Henry: Is she just about to quit

Henry: Do it, Do it! Fiona: Quit your job. She's quitting her job Emiel: Oh

Fiona: She was inspired by the magic butterfly I told you

Henry: I'm out

Henry: Adios b*tch Emiel: Butterfly changed her life Fiona: Screw you

Fiona: I'm stealing your car Henry: I'm ta- hah I'm steal Emiel: Hahahaha

Henry: *gibberish*

Fiona: *Gibberish*

Davis: Yeah it's pretty vanilla I think they something to spicen it up here

Umu: Mhm

Lindsey: Do you he- There is seriously a tonic pedal going on in the entire thing Davis: Oh yeah, yeah

Naoki: That looks like a New Zealand pay machine. Like it actually does Shimon: MMMMMMmmmmmmmmm

Kevin: Oh my gosh Yunyi: Right

Yunyi: Beauty standards

Yunyi: Out the roof right now Kevin: Yup

Yunyi: Sev, one, five, three

Fiiivee, threeee

Yunyi: Seeevvveeennn Kevin: It's interesting how-

Kevin: Unlike other pop songs this one substitutes a five chord with a five like-

Naoki: She's gonna eat the flower hah Shimon: Hah I thought she had butterflies

Naoki: Oh haha

Kevin: Six four chord, one six four chord. So the bass is still five but it's like

Shimon: It's squirming inside her mouth Umu: *is eating salad and dies* Oh my god HAHahahah Naoki: Waaaiiit that acutally looks really fa- familiar

I feel like that's in Paihia (I looked that up guys I'm proud)

Gwen: Wait it has very rock vibes, like very soft rock vibes but then there's the electronic beats and

stuff like that under it with some synth

Yunyi: yeah this ch- this ch- Kevin: Product placement XD

Gwen: If she was a waitress how does she afford a BMW (She stole her boss' car remember)

Umu: Heh

Jeremy: Rich daddy (That word causes me physical pain but lol)

Yunyi: This song is like, exploiting

how the major seventh chord on one utilizes like both tonic and dominant functions (This honestly sounds like math)

Umu: It was shot in New Zealand

Naoki: I told you

Gwen: It's just so powerful

It's like overwhelming in a good way

Kevin: I guess so Yunyi: It's kinda cool cuz if you just play within the major seven chord and add in like, add in a nine

You get like scale degrees one, two, three, five and seven. And then so you can build dominant and tonic- SO IT CAN BE DOMINANT AND TOMIC!

Yunyi: Dominant- Umu: YOU DID IT AGAIN!!

Yunyi: Dominant and tonic!

Shimon: WOooooaaaaaahhh Naoki: Wait what

Yunyi: At the same time

Naoki: What

Fiona: -a minute, wait there's two of them!

Kevin: Woah

Henry: What Fiona: Did you just see that

Kevin: Oh double the beauty standards

Gwen: I'm confused she's lookin at herself

Yunyi: Woah

Gwen: She's lookin at herself

Naoki: Wait are the- they representative of two different styles or something

Lindsey: Oh she's living two different liiiveess because that's the one in New Zealand and the one in f***in Portland, Oregan Davis: But she's saying, I

Kevin: Wumppumpumpumpumpumpum (Yes I counted the pums)

Kevin: It's just me myself and I (Oh my gosh)

Fiona: AAAAAHHHHHHHHHHH

Jeremy: Yeah there were two different storylines

Fiona: So she was missing her inner self, she just met her inner self on the beach because

She- she lost herself by going and taking that crappy job, by putting up with stuff she had to change herself as a person to make others happy

And she quit everything, she came to that beach and found her- her real self in the wild with sheep

Emiel: Wow

Shimon: You wanna check the city scape

Naoki: Yeah yeah let's do that

It looked like the Auckland city scape just putting it out there now that I know it's in New Zealand

OH!

Hang on

*Click*

Naoki: That's the sky tower, that's the ANZ building (I had to look the 2nd one up too lol)

That's the ver- That's the toilet seat building! (Vero Centre, it does kinda look like one)

So that means she's probably filming ooonnn the north shore like at Devonport

Umu: I wonder if they did film in two places, No when I looked it up it just said New Zealand (It was a bar in New Zealand called The Portland Public House)

Umu: But it could be like- it could be like Lindsey: Well it said Portland cafe and everyone was super American so (Her older brother was in the cafe apparently)

Umu: What did you think of this song musically, her voice

Gwen: Oh it was pretty, it was just really pretty

Jeremy: Yeah I think her voice is really nice

I- I mean I would want to hear something acoustic

Of her

Jeremy: She sounds really good Gwen: Well this, was comparatively pretty acoustic but Umu: Right

Umu: We're definitely gonna be hearing more of her Um I'm just running a few things by Kevin and to make- to double check like to make sure like hey is this musically interesting enough for us to react to

Davis: Oh you can hear it going where it's gonna go Lindsey: Oh I agree, the whole thing seems very Americanized

Davis: I don't know there's just like a depth that isn't really there it was just a little underseasoned

Umu: Did you at least like her voice

Davis: Yeah she had a good voice Lindsey: Oh yeah no she's great but it's just the song itself, like the overall song was just meh

Lindsey: I didn't- it's not that I didn't like it

I just

Didn't like it

Kevin: I don't think it's that American Umu: Ok

Kevin: It's definitely that pop rock area like maybe a little towards the Coldplay side

Fiona: I like that the chorus is really catchy, *Sings chorus*

Which got kinda old

Henry: That was some pretty aggressive seventh motion happening Fiona: It was- it was so powerful

Emiel: Her voice is just really good too Henry: Her voice was really good

Umu: Can say like why out of first listen someone might think this sounds American-y

Kevin: The chord progressions for sure Yunyi: Yeah dude it was just kind of on one chord the whole time

Yunyi: But then, the major seventh chord Kevin: It kind of- yeah the thing is

Kevin: Dominant is the chord that wants to go to tonic

But in this- Ugh I'm gonna, i'm gonna come on do the thing do the thing

The chorus goes like

The bass notes are

just very very

Simple

And most artists would do

So we hear this chord we think it goes either to here or here because...

That's the dominant chord, it likes to go places

But in this song

She substitutes it for

It's like a six four chord

And it doesn't want to go anywhere, it- just the whole song just feels like you know it feels more mellow, it feels more vanilla and it feels like

Not directionless because of the rhythm still leads it but like it's just

Harmonically not as driven

Dude I didn't even hear chord changes in that song, I- I heard everything- Kevin: Really it's because you see the seventh

yunyi: yeah I heard everything

yeah I heard everything as suspensions or appoggiaturas of the major seventh chord

yunyi: cuz like the....root was like hammered in like the

whole song umu: *sings* root root root

umu: rooooot is this rooot yunyi: yeah that's root

kevin: root is one, but the chorus actually doesn't have the root...you see the chorus just goes umu: still singing root

umu pls

yunyi: in the instrumentals it wasn't there

kevin: because there's no dominant, everything feels like one

yunyi orr- like but the things is it's not like totally placid

because like again you know, kevin: sounds pretty placid to me I think

Yunyi: Well it's obviously not just

Yunyi: one one one one one one one one it's because like she sings on like, she sings on the appoggiatura

Yunyi: and suspensions which makes it feel like there's not a dominant Kevin: So maybe the whole piece is plagal because it just goes foooouuurrrr

Kevin: Like four is literally the only other chord- well there is the minor, nevermind

I think we're making this pop song too- we're going a little too far with this pop song

Umu: If we're comparing this to I Got Love, which one do you like better

Gwen: This one Jeremy: Uhh yeah this one

Naoki: Oh this one is way better, it's way more authentic. Like I'm not biased at all Shimon: Hahahahaha

Shimon: Hahahaha Naoki: It could be filmed in Australia and I'd still say the same thing

Umu: But only music-wise

Naoki: No I actually really liked it, it like

Shimon: Was peaceful

Naoki: Yeah it conveyed this kind of like natural kind of atmosphere

Shimon: I like this one better, it was laid back and you know we needed the variety of intense music and peaceful music, it's a nice balance

Umu: Ok so right after that you guys already like I Got Love better?

Davis: Oh yeah Lindsey: Oh yeah yeah yeah

Fiona: I like this one more

Umu: Ok so both of you I Got Love better?

Kevin: Yes Umu: Even though it was like a style that isn't her usual

Kevin: Oh yeah Yunyi: I Got Love for love, like I got- I love

Kevin: You got love for I Got Love Yunyi: W- I can not talk today

Kevin: I got love for love XD Yunyi: I think I'm having a Hugo and Gwen 3 hours of sleep moment

For more infomation >> Classical Musicians React: TAEYEON 'I Got Love' vs 'I' - Duration: 17:53.

-------------------------------------------

Papaianni Group: efficienza energetica per il settore florovivaistico - English Subt - Duration: 3:37.

We are an agricultural holding specialized in

the production of cut flowers and potted plants.

We spread over around 32 hectares of air conditioned

greenhouses and use electricity for both air

conditioning in the summer and heating in the winter.

The choice of installing a cogeneration system was made

essentially because this system is the best solution

to meet the energy requirements of our business,

in terms of both thermal and electrical energy.

This is what took us in this direction.

We have installed three one-megawatt units

with 1.4 megawatt of thermal power output.

We consume 70% of the electricity and 100% of

the thermal energy produced by the installation.

Therefore, we are absolutely taking full

advantage of our cogeneration system.

Additionally, we use the CO2 produced from fume reduction

system of the cogenerator for growing our plants.

We use two sources of energy, the electrical energy is used for

automation, lighting and cooling the installations, whereas the

heat is used to heat the greenhouses during the winter.

We have two types of systems, one overhead and one underground, used

to bring the temperature to around 23-24 degrees during the winter.

The financial advantage of using a cogeneration system of this

type, in addition to exploiting the electrical and thermal energy

that it produces, is also linked to obtaining 'green certificates';

in fact, for this type of installation for High Yield Cogeneration,

the government awards the so-called green certificates.

Therefore, the benefit is both operational - by utilising

the energy produced, and financial - by obtaining these incentives.

Today, due to the cost of the energy in our country, it has almost

become indispensable to have a system of this type to produce energy.

As we all know, the cost of electrical energy and

gas rise year on year, and the rise of energy costs

over the last five years has been around 40-50%.

Therefore, in order to carry out an activity like

ours, taking advantage of the energy resources in

the best way possible is almost essential.

For more infomation >> Papaianni Group: efficienza energetica per il settore florovivaistico - English Subt - Duration: 3:37.

-------------------------------------------

「ASMV」Fullmetal Alchemist °Hurt° - Duration: 4:10.

Narrator: Resembool ten years ago. Trisha: Ed, Al..

Trisha: Where are you guys?

Trisha: Oh my God.

Trisha: They're messing up your dad's room again.

Trisha: Ah, you can not scribble there.

Edward: They're not mother scribbles.

Edward: look.

Trisha: That's ... Alchemy, is not it?

Edward: Did I do something wrong?

Trisha: That's nothing, it was incredible.

Trisha: They could only be your father's children.

Trisha: I'm going out and telling everyone.

Trisha: They're my pride.

Edward: It was all my fault.

Edward: Alphonse.

Edward: Alphonse It was like that because of me.

Edward: Now he can not eat or sleep or feel any pain whatsoever.

Edward: I know he owes this with hate, very hate of min.

Person: Thank you

Edward: Al come here, come fast.

Alphonse Body: I can not.

Alphonse Body: You are not my soul.

Alphonse Corps: I can not go with you.

Edward: I promise, one day I'll come back here to get you.

Edward: Wait for me.

Edward: Wait for me.

Hohenheim: I'm back trisha.

Hohenheim: I enjoyed my life well.

Hohenheim: It's true.

Hohenheim: That was enough.

Hohenheim: Thank you .... Trisha.

Hohenheim: But ... you just thought you would not want to die.

Hohenheim: Actually, I have no way.

For more infomation >> 「ASMV」Fullmetal Alchemist °Hurt° - Duration: 4:10.

-------------------------------------------

The Final Burial | Sci-Fi Short Story by Daniel K. Lind | Free Audiobook - Duration: 4:52.

Tall Tale TV. Short Story Audiobooks.

The Final Burial Written by Daniel K. Lind

Narrated by Christopher Herron

The smell of iron lingered in the air.

A wounded man lay by the wayside, blood-soaked clothes torn into shreds.

I watched him run from his assailants for days: killing one or two.

But the hunt had come to an end.

Excited voices and grunts rumbled through the brambles.

They would see their prey any minute if he didn't start moving.

"You need to go, Sean," I whispered in his ear.

"The Taulians are almost here."

As if hearing my voice, he turned his head and made an attempt at crawling.

The arrow in his leg burrowed deeper into his flesh and he cried.

He knew, as I did, this could be his final resting place: the last human on Earth would

rot in the English countryside.

Then they came: two tall, slender, creatures.

Their leathery skin reflected the afternoon sunlight, casting long shadows upon nearby

grassy hills.

One carried a bow, the other a sharp spear.

Both wore an expression of elation on their faces.

The hunter carrying the spear growled and pointed at Sean.

His comrade lifted his bow and aimed.

"Don't do it," I shouted.

"He's the last one."

I tried to stop him from releasing the arrow, but my hands went through him.

The Taulian released the arrow a moment later, cutting through the silence and hitting Sean's

neck.

He moaned and dropped his head.

A crow cawed beyond the trees.

A swarm of flies gathered.

The Taulians approached the corpse and the alien with the spear poked it.

He then released a guttural laugh, and the other chimed in with sounds that pierced the

air.

The sun hid behind dark clouds.

***

"Do you reckon they'll bury me?" said Sean, standing next to me with his arms crossed.

"They're savages," I said.

"But they honour traditions just like the humans used to do."

The pain and the fear had left his eyes.

His scarred face had turned silky smooth.

"You should all have stayed hidden underground.

They would have never found you," I said.

"The Taulians picked you off one by one."

A third hunter appeared.

This one had a slack jaw with jagged teeth sticking out from the corners of his mouth.

He carried three shovels.

"We didn't have much choice," said Sean.

"They would have found us sooner or later."

His voice played with the rustle of the leaves, scattering in the damp air when the first

drops of rain fell on the ground.

"Supplies were running short."

The three hunters shoveled the mud, digging a deep hole in the ground.

They moved stones and branches out of the way.

Slackjaw grunted and threw a punch at the two others.

"What are they arguing about?" asked Sean.

"They can't decide if your body should go face down or not."

"Why is that a problem?

They got what they wanted."

I sighed.

"Honouring traditions isn't always straightforward.

You're the last one of your kind they'll ever worry about."

Sean grimaced.

"Not quite."

I straightened my coat and checked my notebook.

The rain fell heavier, washing the pools of blood aside, and turning the grave into a

drenched pit.

The three Taulians grunted louder as they heaved the corpse into the hole.

The hunter with a bow spit, and received another blow from Slackjaw.

"I don't have more names on my list," I said.

"Yours was the last."

"My son didn't receive a name before I escaped," said Sean.

"He's still underground with the other nameless children."

Clever humans, always finding means to avoid their inevitable fate.

I had failed to protect Sean, but this could be my second chance.

As the last shovel of mud covered the hole, and the stones and branches were placed upon

it, the rain stopped and jagged shades dissipated through the bushes.

"Where are you taking me now, Angel?" asked Sean.

"The Other Side.

This isn't your world anymore."

Sean's spirit nodded.

His body rested beneath the muddy ground.

Maybe one day his son would find the grave, but Sean wouldn't be there to see it.

It was time for him to go, and I needed something to drink before I started looking for the

children.

Daniel K. Lind is a Swedish teacher who lives with wife and kids in London.

He has published several short stories around the web and is currently busy with Steampunk

Fairy tale anthology Volume II, available on Amazon.

He's also hard at work on the fist book in his new scifi series.

Check him out at www.DanielLind.org

Do you have a story you think people are dying to hear?

Head on over to www.TallTaleTV.com for submission guidelines.

Hit that like button and subscribe for more bite size audiobooks.

Because that's it for today's Tall Tale TV.

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