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Airtel Latest Offers 2018 || JIO VS AIRTEL Plans || Omfut Tech And Jobs - Duration: 3:32.
Airtel Latest Offers 2018
JIO VS AIRTEL Plans
Omfut Tech And Jobs
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Minecraft TXT do pvp odc.1 - Duration: 3:08.
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Por qué introducir los rebozuelos en tu dieta es una buena idea - Duration: 6:54.
For more infomation >> Por qué introducir los rebozuelos en tu dieta es una buena idea - Duration: 6:54. -------------------------------------------
The Last O.G. Finale
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Volvo V50 1.6D S/S Sport Clima 16 Inch - Duration: 1:06.
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Novation Circuit Mono Station - Duration: 11:25.
For more infomation >> Novation Circuit Mono Station - Duration: 11:25. -------------------------------------------
Rendre plus beaux les moments que l'on vit, une faculté à la portée de tou-te-s - Duration: 9:45.
For more infomation >> Rendre plus beaux les moments que l'on vit, une faculté à la portée de tou-te-s - Duration: 9:45. -------------------------------------------
Les filles du prince Harry et de Meghan Markle ne pourront pas hériter de leur duché - Duration: 1:11.
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Robert Mueller Believes These - Duration: 13:54.
Robert Mueller Believes These Four Questions Will Impeach Donald Trump
Special counsel Robert Mueller has put all his cards on the table.
He has revealed the end game for his witch hunt.
And he is counting on these four questions to impeach the President.
Mueller is trying to prove to Trump's lawyers that his interview with Trump will not be
a "perjury trap."
So his office previewed the four main lines of inquiry Mueller will pursue.
They pertained to Trump's involvement in a statement responding to the story about
Donald Trump, Jr.'s meeting with a Russian lawyer in June 2016, what led up to that meeting,
and the circumstances surrounding the firing of James Comey and Michael Flynn.
The Daily Caller reports:
"SPECIAL COUNSEL ROBERT MUELLER THUS FAR HASHED OUT FOUR MAIN TOPICS HE HOPES TO ASK
PRESIDENT DONALD TRUMP ABOUT WHEN THEY MEET TO DISCUSS THE RUSSIAN INVESTIGATION, ACCORDING
TO A CNN WEDNESDAY REPORT.
INVESTIGATORS WANT TO ASK TRUMP ABOUT HIS ROLE CRAFTING A STATEMENT ABROAD AIR FORCE
ONE THAT MISCAST DONALD TRUMP JR.'S JUNE 2016 MEETING WITH RUSSIANS AT TRUMP TOWER,
THE CIRCUMSTANCES SURROUNDING THAT MEETING, AND THE FIRING OF FBI DIRECTOR JAMES COMEY
AND NATIONAL SECURITY ADVISER MICHAEL FLYNN, THE REPORT NOTED.
THE FINDINGS ARE BASED ON INFORMATION FROM TWO ANONYMOUS SOURCES.
BUT THE BULK OF THE TOPICS SURROUND THE OUSTING OF COMEY AND FLYNN.
TRUMP'S LEGAL TEAM — MADE UP OF ATTORNEY JOHN DOWD AND WHITE HOUSE SPECIAL COUNSEL
TY COBB — IS DISCUSSING WITH MUELLER A POTENTIAL INTERVIEW WITH THE PRESIDENT POTENTIALLY TO
INCLUDE ATTORNEY GENERAL JEFF SESSIONS' INVOLVEMENT IN COMEY'S FIRING AS WELL AS
T HE PRESIDENT'S KNOWLEDGE OF FLYNN'S PHONE CALLS WITH THE RUSSIAN AMBASSADOR."
Notably absent from this list is any questions about collusion with Russia.
That angle has been dropped entirely.
Mueller is asking about these four topics because his goal is to build a case that Trump
obstructed justice.
That is the silver bullet Mueller and his allies in the establishment believe will finally
rid them of Donald Trump.
But it is well known why Trump fired Comey.
Comey told the President in private three times that he was not under criminal investigation.
But in his March 20th testimony before Congress, he left that issue open.
The Daily Caller also reports:
"THE WALL STREET JOURNAL REPORTS SUGGEST COMEY WAS OUSTED BECAUSE HE WOULD NOT PUBLICLY
STATE THERE WERE NO LINKS BETWEEN THE TRUMP ADMINISTRATION AND RUSSIA.
THERE WAS GROWING FRUSTRATION AMONG TRUMP'S ASSOCIATES THAT THE FORMER FBI DIRECTOR WOULD
NOT TAMP DOWN QUESTIONS ABOUT THE PRESIDENT'S ALLEGED CONNECTION TO RUSSIA.
HE REFUSED TO "SAY THOSE THREE LITTLE WORDS: 'THERE'S NO TIES,'" A SOURCE TOLD
WSJ ON MAY 9, 2017, ABOUT TRUMP'S DECISION TO FIRE COMEY WITHOUT ANY FOREWARNING.
HE WAS APPOINTED IN 2013 AND HAD NOT YET SERVED SIX YEARS OF WHAT SHOULD HAVE BEEN A 10-YEAR
TERM.
MEDIA OUTLETS SPENT MONTHS THEREAFTER SPECULATING COMEY WAS OUSTED BECAUSE HE REFUSED TO GO
EASY ON FLYNN AT TRUMP'S REQUEST.
TRUMP WAS UPSET ABOUT WHAT HE VIEWED AS THE FORMER DIRECTOR'S WILLINGNESS TO HOG THE
MEDIA SPOTLIGHT, A WHITE HOUSE SOURCE ALSO SAID AND QUESTIONED WHETHER COMEY COULD BE
INDEPENDENT WHILE KEEPING SUCH A HIGH PROFILE.
ANOTHER WHITE HOUSE AIDE DESCRIBED THE FORMER FBI DIRECTOR AS A SHOW HORSE."
Likewise, Flynn's calls with the Russian ambassador were perfectly normal and legal.
And for whatever the media wants to say about the June 2016 Trump Tower meeting, every participant
has testified that it was about Russian adoptions.
In addition, crafting a press statement – even if it is misleading – is not a crime.
Mueller is desperate and looking for angle to sink President Trump.
He has settled on obstruction of justice.
We will keep you up to date on any new developments in this story.
Facebook has greatly reduced the distribution of our stories in our readers' newsfeeds and
is instead promoting mainstream media sources.
When you share to your friends, however, you greatly help distribute our content.
Please take a moment and consider sharing this article
with
your friends
and family.
Thank you.
-------------------------------------------
Opel Meriva 1.6-16V MAXX COOL NED.AUTO, NAP, CLIMATE CONTROL, CRUISE CONTROL, ELEKT. R+S, SENSOREN - Duration: 1:12.
For more infomation >> Opel Meriva 1.6-16V MAXX COOL NED.AUTO, NAP, CLIMATE CONTROL, CRUISE CONTROL, ELEKT. R+S, SENSOREN - Duration: 1:12. -------------------------------------------
Liverpool respond to Sadio Mane 'agreeing personal terms' with Real Madrid ● News Now transfer #LFC - Duration: 1:58.
Liverpool have rubbished reports Sadio Mane has agreed personal terms to join Real Madrid
this summer.
Mane was linked with a shock move to Madrid by France Football, who claim the Senegal
international was awaiting the greenlight from the new Real manager.
The agreement was reached before Zinedine Zidane decided to quit as head coach and Real
have now shelved their pursuit of Mane until after a new manager is installed.
Mane is a pivotal member of Liverpool's team and helped the Reds reach the Champions
League final this season, where they met Real.
The attacker was also the sole Liverpool player to score in the final, and was the Reds's
stand-out performer after Mohamed Salah left the pitch injured.
Liverpool have now replied to pleas for comment by the English press, branding the links as
'nonsense'.
The Mirror claim Liverpool have no intention of selling Mane and will not allow the forward
to exit the club under any circumstance this summer.
Liverpool also insist there is no truth to the rumours Mane wants to join Real and has
already come to terms with the La Liga giants.
Jurgen Klopp would be devastated to lose Mane to Spain, after watching the speedster enjoy
an excellent season for the Reds.
Mane bagged 20 goals in 44 appearances and also laid on nine assists for his team-mates.
It was the 26-year-old's best season in England to date as Mane flourished alongside
Roberto Firmino and Salah.
-------------------------------------------
3 Lessons Learned From Spending Over $400k on Facebook Ads - Duration: 4:18.
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COMO FAZER UMA CURVA PERFEITA? Aprenda a técnica simples de um piloto profissional - Duration: 12:08.
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孫安佐出庭在即 邱彰曝真相「狄鶯太恐怖了」 - Duration: 3:06.
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USAA's empathy lab uses latest tech to help veterans with PTSD - Duration: 1:58.
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STMicroelectronics FERD Rectifiers | Digi-Key Daily - Duration: 1:09.
STMicroelectronics family of FERD, or Field Effect Rectifier Diodes, offers a unique trade-off
between low forward voltage drop and low reverse leakage current thanks to ST's advanced rectifier
proprietary process.
This technology enables designers to meet the most stringent energy-efficiency standard
requirements without the expense of using synchronous rectification techniques.
These diodes are available in either single- or dual-diode devices, with continuous forward
currents ranging from 15 amps to 60 amps with peak reverse voltages ranging from 45 to 60
volts.
By achieving best-in-class forward voltage drop and low reverse leakage current, these
diodes are ideal for applications including industrial power machines and auxiliary power
units.
Currently, twelve FERD devices are available and housed in through-hole, D2PAK, and power-flat
packages.
-------------------------------------------
該國威脅美軍: 再對我指手畫腳, 就讓美軍從境內全部消失 - Duration: 4:02.
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Pouvons nous boire de l'eau pendant que nous mangeons ou pas - Duration: 4:40.
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2-Point Perspective for Artists - Very Simple and Easy - Duration: 9:40.
Hello my friends and welcome to another Tuesday of tutorial!
I am Leonardo Pereznieto and today I will explain you very simply
the two-point perspective.
First we will determine if we will use one-point, or two-point perspective.
If the object is facing us…
like this
or like this,
straight or parallel,
then we will use one-point perspective.
But if it is at an angle toward us like this or like this, then we will use two-point perspective.
Let´s do a quick review of the one-point perspective.
We draw a horizon line and on it we will have a vanishing point
where all the lines will meet.
The horizon line is at the eye-level of the viewer,
and the vanishing point is in front of him of her, or it [laughter].
If we draw an object, in this case a simple rectangle,
we just need to pull lines from each corner to the vanishing point
to get the basic perspective.
Like so.
Good!
Let´s draw also the back end.
We are doing this as if the object was transparent or made of wire.
Now with a marker I will go over the lines that we would see
if the object was solid,
so as to make it more easy to understand.
Good!
It doesn´t need to be right in front of you for this simple perspective to work.
It can be on this side, let´s make an example.
We draw a square, up here into the side but is directly facing us, and then we do
the same
we pull all the lines to the vanishing point.
And we draw the back and the bottom.
Notice that if the figure is high, it is above the horizon line,
and therefore above our above eye level,
we will look at it from below.
While the other one, which is below the horizon line,
we are looking at it from above.
And I´m correcting my crocked lines. What happened is that since the camera
is straight on the paper, if I try to get into
a comfortable position
I would be right in front of the camera blocking all the view.
So I am all the way down and to this side which is not ideal.
Leonardo, quite giving excuses, you are making crocked lines, admit it.
Yes, I´m drawing some crooked lines today.
It´s true.
And I´m sketching a second cube which is farther away,
…and as we know the farther away the smaller it gets.
This technique is not only for simple subjects.
Let´s draw a more complicated one.
A strange shape.
Like this.
It will pull lines from all the angles to the vanishing point,
we will get a nice perspective.
Very easily.
If you would like to have more information about
one-point perspective, watch my video on the subject.
And let´s mark where we want the object to end.
Very good!
Now let´s go over the two-point perspective.
We draw the horizon line, and this time we start drawing the object by
the edge that is pointed toward us.
The figure is going to be rotated, as we mention at the beginning.
The object side edges are converging at two vanishing points,
one on the left and one on the right.
These vanishing points are on the horizon line, of course.
They can be far away even off the paper or close by.
The closer together they are, the more extreme the perspective
will look.
We draw all the vertical lines of the cube, vertical, without any tilt.
And we also pull the other edges as if it were transparent.
I could be doing this with a ruler which would be
a lot easier and more precise, but this tutorial is for artistic drawing
as if you go out with your sketchbook, and in that case this is the way you
would do it.
Good!
Let´s do another figure way up here.
We begin with the edge and pull the ends toward the vanishing points.
The higher and further away of the horizon it is, the more we will see
the bottom side of it.
Let´s pull the other corners … like this, and we draw the back edge.
And the remaining line to complete the side.
Very good!
This is really fun!
Let´s go over it with a pen, so that is easier to see.
Good!
Let´s do one more horizon line,
and place the vanishing points to draw a last figure, which will be something
similar to the strange object that we drew at the beginning.
But this time in a two-point perspective
and let´s plant it on the ground
as if it were a house
or a building.
We began with the edge that is pointing toward us,
but this time it crosses the horizon
and then we pull lines from both ends toward the vanishing points.
Oops I bang the camera, sorry
which as I told you, is totally on my way.
And we draw a line from the bottom end of the edge, to the vanishing point.
Good!
I will mark the sides for now with straight lines
so as to make it easier.
And then, about at this height, it will have a recess, that can be a terrace
or a balcony or something like that.
And we go toward both vanishing points.
Over here let´s draw a door, or an entrance.
The top should go actually to the vanishing point on the right.
Like so.
And let´s not forget the chimney!
Like this.
The balcony is not going to be all around,
it will only be on one side and it will end here.
I think it is beginning to look like a building.
All right and we should pull this toward
the vanishing point on the right.
And now the height of the door, let´s pull it to this side, to see where
should be the height of the garage entrance.
And we will go over all of this, with the marker.
The two-point perspective technique is very handy because it applies in most cases.
When drawing it is good to first simplify the object to a basic geometrical
figure like a square a cylinder, et cetera
and then add the detail.
With these 2 vanishing points we can sketch several objects
in the same drawing as long as they´re all parallel.
If not, if they are rotated to each other, then we need a new set of 2 vanishing
points, for each of these objects.
As you see I´m shading all the surfaces that are facing it toward the left,
as I´m considering that the light, is coming from the right.
We should also shade the entrances.
All right!
We are done with this one!
But I want to show you just one more thing.
The one and two-point perspectives
are not only used when drawing one object but also can be very helpful
to find the sizes of other objects
as they get further away.
For example, here we have a person
kind of [laughter]… and here we will place the vanishing point.
If we need to know the right size of a person that is at specific point far away,
we can simply do it like this.
If the person is here, will measure this much.
But what about if we need to have a person which is not on the same line,
but is all the way over here for example.
In between the other two but out of line. In this case we mark the place where
he´s standing, from that spot we make a horizontal line to meet the other one,
we pull it up to know the height,
and back to the right.
And now we can draw to the correct size and the proportion, our person with style.
[Laughter] He is looking at you [laughter].
We are done with this one.
Let me know if you want me to make a tutorial
with multiple vanishing points.
Thank you.
If you enjoyed it please give it a LIKE! share it to your friends
and subscribe to Fine Art-Tips.
You know where to follow me the links are below.
And I will see you, on Tuesday ;)
Subtitled by Grethel Trejo
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Live in the D: "Motown the Musical" back in Motown - Duration: 5:37.
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Live in the D: Fee-Free Felines - Duration: 2:27.
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Live in the D: What's cooking at Eastern Market? - Duration: 4:05.
For more infomation >> Live in the D: What's cooking at Eastern Market? - Duration: 4:05. -------------------------------------------
Unboxing huile Stage6 & Stage6 R/T MKII by Maxiscoot - Duration: 1:52.
Hello everyone
I'm delighted to meet you today to present you a novelty
as you know Stage6 is a very committed brand in the mid 50cc scooter and mécaboîte
and presented a complete range of lubricants for the 2-stroke engine a few years ago this range is renewed today
to meet the different market requirements the program two high quality oils the first Stage6 semi synthetic
oriented daily use the second Stage6 R / T
synthetic material for high-performance engines this new generation MKII is made with additives
specials of mineral origin ensuring excellent properties
the first a low smoke release a clean exhaust duct and piston maximum protection of engine components
but above all an excellent miscibility with the different fuels of the market but also with the fuels of
competition these two oils are obviously usable in separate lubrication with your oil pump
how to mix other novelty of this range a transmission oil of grade 75W90
specifically developed for lubrication
Optimal components of your gearbox and clutch using a formula made up of mineral active ingredients
this oil lubricates the parts of your gearbox
smoothens the gear shift and minimizes the dreaded slip of the clutch
maximizing are adherent this MKII version made in Germany with a capacity of one liter each offers a new design and a spout
expandable to facilitate filling
personally we love it then enough talk I let you discover them in pictures do not forget the little blue thumb
subscribe and thank you for following us on our Youtube channel soon
-------------------------------------------
Mercedes-Benz GLE-Klasse GLE 250 d 4-Matic AMG Automaat - Duration: 1:07.
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Volkswagen Polo 1.4 Milestone AIRCO, NIEUWE D RIEM. - Duration: 1:11.
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Pouvons nous boire de l'eau pendant que nous mangeons ou pas - Duration: 4:40. For more infomation >> Pouvons nous boire de l'eau pendant que nous mangeons ou pas - Duration: 4:40. -------------------------------------------
COMMENT MIEUX RAMER - Améliorez votre technique en retirant les sangles - Duration: 9:03.
For more infomation >> COMMENT MIEUX RAMER - Améliorez votre technique en retirant les sangles - Duration: 9:03. -------------------------------------------
Les filles du prince Harry et de Meghan Markle ne pourront pas hériter de leur duché - Duration: 1:11. For more infomation >> Les filles du prince Harry et de Meghan Markle ne pourront pas hériter de leur duché - Duration: 1:11. -------------------------------------------
"One Hundred" Official Fanmade Trailer (2018) | Nina Dobrev, Bob Morley Movie HD - Duration: 2:31.
It's been 97 years since a nuclear apocalypse killed everyone on earth...
...leaving the planet simmering in radiation.
Fortunately, there were survivors
Prisoner 319, face the wall.
You are not being executed.
You're being sent to the ground.
All 100 of you.
Prisoners of the Arch, hear me now.
We have no idea what is waiting for you down there.
Why send us down today, after 97 years?
-What changed? -Who cares?
I woke up rotting in a cell...
...and now, I'm spinning in a forest.
Oh, woaw...
We're told the earth needs another hundred years to become survivable again.
4 more space locked generations and man can go home.
Back to the ground.
The ground...
That's the dream.
We're sending you because your crimes have made you expendable.
The communication system is dead.
These wristbands are all we've got.
Take them off in the Arch will think we're dying
That's the point.
We can take care of ourselves
If it really is safe, how could you not want the rest of our people to come down?
Everything we thought we knew about the ground is wrong.
There are people here.
Survivors.
Each of us is here because we broke the law.
On the ground, there is no law.
No!
This is on you, princess!
All we have to do is survive.
We will be tested.
We're, either in this together...
Or it's over...
For all of us...
People die around you.
It matters and you know it!
We're not prisoners anymore!
You're fighters!
Survivors!
The grounders should worry about us!
Available on Wattpad.
-------------------------------------------
the 'others' are far more advanced than we are - Duration: 7:21.
"…the 'others' are far more advanced than we are".
Nick Redfern.
Of the many and various UFO / extraterrestrial-themed documents and papers that have surfaced under
the terms of the U.S. Freedom of Information Act, one of the more interesting ones is Communication
with Extraterrestrial Intelligence.
It was written back in the 1960s (specifically in 1965) by a man named Lambros D. Callimahos.
He was a cryptologist with the National Security Agency.
On September 23, 1965, Callimahos took part in a panel-style debate on the subject of
his paper at a conference on military electronics in Washington, D.C.
Also present for the debate was Dr. John C. Lilly, perhaps best known for his work with
dolphins and in the fields of psychedelics and altered states.
Others included an astronomer, Francis S.J.
Heyden.
The American Astronomical Society note of Heyden: " Heyden's earliest research was
performed in the fields of galactic structure and variable stars.
He collaborated. with Fr.
L.C.
McHugh S.J. in photographing star fields in the Southern Milky Way.
These images were combined into an Atlas, which has become a basic reference tool for
students of galactic structure."
And there was a noted linguist too, Dr. Paul Garvin.
The event was moderated by a Dr. Harold Wooster, at the time the Director of Information Services
of the U.S. Air Force Office of Scientific Research.
Callimahos' words make for intriguing reading: "We are not alone in the universe.
A few years ago, this notion seemed farfetched; today, the existence of extraterrestrial intelligence
is taken for granted by most scientists.
Sir Bernard Lovell, one of the world's leading radio astronomers, has calculated that, even
allowing for a margin of error of 5000 per cent, there must be in our own galaxy about
100 million stars which have planets of the right chemistry, dimensions, and temperature
to support organic evolution."
He continued: "If we consider that our own galaxy, the Milky Way, is but one of at least
a billion other galaxies similar to ours in the observable universe, the number of stars
that could support some form of life is, to reach a word, astronomical.
As to advanced (by miserable earth standards) forms of life, Dr. Frank D. Drake of the National
Radio Astronomy Observatory at Green Bank, West Virginia, has stated that, putting all
our knowledge together, the number of civilizations which could have arisen by now is about one
billion.
The next question is, "Where is everybody?"
Callimahos added: "The nearest neighbor to our solar system is Alpha Centauri, only
4.3 light years away; but, according to Dr. Su-Shu Huang of the National Aeronautics and
Space Administration, its planetary system is probably too young for the emergence of
life.
Two other heavenly friends, Epsilon Eridani and Tau Ceti, about 11 light years away, are
stronger contenders for harboring life."
He expanded, in somewhat speculative fashion, but undeniably fascinating fashion too: "Nevertheless,
if superior civilizations are abundant, the nearest would probably be at least 100 light
years away; therefore, it would take 200 years for a reply to be forthcoming, a small matter
of seven generations.
This should, however, make little difference to us, in view of the enormous potential gain
from our contact with a superior civilization.
"Unless we're terribly conceited (a very unscientific demeanor), we must assume that
the 'others' are far more advanced than we are.
Even a 50-year gap would be tremendous; a 500 year gap staggers the imagination, and
as for a 5000-year gap…
(By the way, if they are as much as 50 years behind us, forget it!)
It is quite possible that 'others' have satellite probes in space, retransmitting
to 'them' anything that sounds non-random to the probe.
But they have probably called us several thousand years ago, and are waiting for an answer;
or worse yet, they have given up; or, more probably, they have reached such impressive
technological advances that they have destroyed themselves.
Callimahos turned his attentions to the kind of work that was then in place to try and
find evidence of alien life: "Epsilon Eridani and Tau Ceti were the targets on which Dr.
[Frank] Drake [of SETI, the Search for Extraterrestrial Intelligence] focused his attention in the
Spring on 1960 in Project Ozma, an attempt to detect possible intelligent signals from
outer space.
The frequency selected for listening was 1420.405752 megacycles per second, or a wave length of
21 cm."
"This particular frequency, postulated independently by two professors on the faculty of Cornell
University, Giuseppe Cocconi and Philip Morrison, happens to be the radiation frequency of atomic
or free hydrogen which permeates space in great clouds; moreover, this frequency is
within the range of radio frequencies able to pass through the earth's atmosphere.
Presumably, the significance of this frequency would be known to other intelligent beings
in the universe who understand radio theory.
We're still talking about radio waves as the communication medium; other possible media
might be masers, lasers, or the as yet undiscovered and unnamed 'rasers.'
A technology superior to ours might even have learned how to modulate a beam of neutrinos
(weightless, uncharged particles that physicists on earth find it difficult even to detect);
if so, 'they' may have to wait a century or two before we learn how to build a neutrino
receiver."
I'll close with these thought-provoking words from Callimahos: "…after we resolve
our pressing scientific questions, it might be appropriate to make discreet inquiries
as to how we could live in harmony and peace with our fellow man – that is if we
aren't eaten or otherwise ingested by the superior civilization that had the good fortune
to contact us.
But as far as the cryptologist is concerned, he (and generations of his descendants who
might experience the supreme thrill of their lives when we hear from 'them') must keep
a level head, not get excited, and be prepared to cope with problems the like of which he
has never seen – out of this world, so to speak."
-------------------------------------------
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Woodturning Bud Vase From Plywood And Concrete (English Subtitles) - Duration: 5:33.
Hello and Welcome to another DIY video!
Today I'll show you how to make a bud vase of plywood and cement ideal for succulents.
This was the current video.
A bud vase I created in the lathe and then finished with cement.
I hope you liked it!
Don't forget to make a subscribe, press the "like" button and leave your comment to tell me how it looked!
I'll see you soon with a new video.
Until then don't forget to put your imagination to work.
Bye!!
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2-Point Perspective for Artists - Very Simple and Easy - Duration: 9:40.Hello my friends and welcome to another Tuesday of tutorial!
I am Leonardo Pereznieto and today I will explain you very simply
the two-point perspective.
First we will determine if we will use one-point, or two-point perspective.
If the object is facing us…
like this
or like this,
straight or parallel,
then we will use one-point perspective.
But if it is at an angle toward us like this or like this, then we will use two-point perspective.
Let´s do a quick review of the one-point perspective.
We draw a horizon line and on it we will have a vanishing point
where all the lines will meet.
The horizon line is at the eye-level of the viewer,
and the vanishing point is in front of him of her, or it [laughter].
If we draw an object, in this case a simple rectangle,
we just need to pull lines from each corner to the vanishing point
to get the basic perspective.
Like so.
Good!
Let´s draw also the back end.
We are doing this as if the object was transparent or made of wire.
Now with a marker I will go over the lines that we would see
if the object was solid,
so as to make it more easy to understand.
Good!
It doesn´t need to be right in front of you for this simple perspective to work.
It can be on this side, let´s make an example.
We draw a square, up here into the side but is directly facing us, and then we do
the same
we pull all the lines to the vanishing point.
And we draw the back and the bottom.
Notice that if the figure is high, it is above the horizon line,
and therefore above our above eye level,
we will look at it from below.
While the other one, which is below the horizon line,
we are looking at it from above.
And I´m correcting my crocked lines. What happened is that since the camera
is straight on the paper, if I try to get into
a comfortable position
I would be right in front of the camera blocking all the view.
So I am all the way down and to this side which is not ideal.
Leonardo, quite giving excuses, you are making crocked lines, admit it.
Yes, I´m drawing some crooked lines today.
It´s true.
And I´m sketching a second cube which is farther away,
…and as we know the farther away the smaller it gets.
This technique is not only for simple subjects.
Let´s draw a more complicated one.
A strange shape.
Like this.
It will pull lines from all the angles to the vanishing point,
we will get a nice perspective.
Very easily.
If you would like to have more information about
one-point perspective, watch my video on the subject.
And let´s mark where we want the object to end.
Very good!
Now let´s go over the two-point perspective.
We draw the horizon line, and this time we start drawing the object by
the edge that is pointed toward us.
The figure is going to be rotated, as we mention at the beginning.
The object side edges are converging at two vanishing points,
one on the left and one on the right.
These vanishing points are on the horizon line, of course.
They can be far away even off the paper or close by.
The closer together they are, the more extreme the perspective
will look.
We draw all the vertical lines of the cube, vertical, without any tilt.
And we also pull the other edges as if it were transparent.
I could be doing this with a ruler which would be
a lot easier and more precise, but this tutorial is for artistic drawing
as if you go out with your sketchbook, and in that case this is the way you
would do it.
Good!
Let´s do another figure way up here.
We begin with the edge and pull the ends toward the vanishing points.
The higher and further away of the horizon it is, the more we will see
the bottom side of it.
Let´s pull the other corners … like this, and we draw the back edge.
And the remaining line to complete the side.
Very good!
This is really fun!
Let´s go over it with a pen, so that is easier to see.
Good!
Let´s do one more horizon line,
and place the vanishing points to draw a last figure, which will be something
similar to the strange object that we drew at the beginning.
But this time in a two-point perspective
and let´s plant it on the ground
as if it were a house
or a building.
We began with the edge that is pointing toward us,
but this time it crosses the horizon
and then we pull lines from both ends toward the vanishing points.
Oops I bang the camera, sorry
which as I told you, is totally on my way.
And we draw a line from the bottom end of the edge, to the vanishing point.
Good!
I will mark the sides for now with straight lines
so as to make it easier.
And then, about at this height, it will have a recess, that can be a terrace
or a balcony or something like that.
And we go toward both vanishing points.
Over here let´s draw a door, or an entrance.
The top should go actually to the vanishing point on the right.
Like so.
And let´s not forget the chimney!
Like this.
The balcony is not going to be all around,
it will only be on one side and it will end here.
I think it is beginning to look like a building.
All right and we should pull this toward
the vanishing point on the right.
And now the height of the door, let´s pull it to this side, to see where
should be the height of the garage entrance.
And we will go over all of this, with the marker.
The two-point perspective technique is very handy because it applies in most cases.
When drawing it is good to first simplify the object to a basic geometrical
figure like a square a cylinder, et cetera
and then add the detail.
With these 2 vanishing points we can sketch several objects
in the same drawing as long as they´re all parallel.
If not, if they are rotated to each other, then we need a new set of 2 vanishing
points, for each of these objects.
As you see I´m shading all the surfaces that are facing it toward the left,
as I´m considering that the light, is coming from the right.
We should also shade the entrances.
All right!
We are done with this one!
But I want to show you just one more thing.
The one and two-point perspectives
are not only used when drawing one object but also can be very helpful
to find the sizes of other objects
as they get further away.
For example, here we have a person
kind of [laughter]… and here we will place the vanishing point.
If we need to know the right size of a person that is at specific point far away,
we can simply do it like this.
If the person is here, will measure this much.
But what about if we need to have a person which is not on the same line,
but is all the way over here for example.
In between the other two but out of line. In this case we mark the place where
he´s standing, from that spot we make a horizontal line to meet the other one,
we pull it up to know the height,
and back to the right.
And now we can draw to the correct size and the proportion, our person with style.
[Laughter] He is looking at you [laughter].
We are done with this one.
Let me know if you want me to make a tutorial
with multiple vanishing points.
Thank you.
If you enjoyed it please give it a LIKE! share it to your friends
and subscribe to Fine Art-Tips.
You know where to follow me the links are below.
And I will see you, on Tuesday ;)
Subtitled by Grethel Trejo
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Sony | Cyber-shot | RX100 VI - Product Feature - Duration: 3:22.
ZEISS® Vario-Sonnar T* 24-200mm* F2.8-4.5 zoom lens * 35mm format equivalent.
AA (advanced aspherical) lens / Aspherical lens / ED aspherical lens
24-200mm* high-zoom lens in a pocket-size body * 35mm format equivalent.
1.0-type stacked CMOS sensor
Advanced image processing engine
4.0-stop* effective optical image stabilisation OFF (Simulated) / ON * CIPA standard, pitch/yaw directions, at 200mm (35mm format equivalent).
High picture quality even in low-light conditions
0.03-sec* Fast Hybrid AF * CIPA standard, internal measurement, at f=9.0mm (wide-end), EV6.9, Program Auto, Focus mode: AF-A, Focus area: Center.
315-point wide-area phase-detection AF coverage
High-density Tracking AF Technology
24fps* continuous shooting with AF/AE tracking * With "Continuous shooting mode: Hi".
Enhanced Eye AF Excellent tracking performance
Eye AF
Intuitive Touch Focus
Touch Shutter
4K HDR SDR (Simulated from the HLG video) / HDR(HLG) * Connect to an HDR(HLG) compatible Sony TV via a USB cable when displaying HDR(HLG) movies.
Super Slow Motion* at up to 960fps (NTSC) / 1000fps (PAL) * Sound cannot be recorded.
One-push Access EVF
2.35 million-dot-equivalent
Tiltable LCD screen 180 degrees up 90 degrees down
Assignable control ring
Location Information Link via Bluetooth
Wi-Fi NFC (One-touch remote / One-touch sharing) QR code
Sony, Exmor RS, BIONZ X and other marks are trademarks or registered trademarks of Sony Corporation. All other company and product names mentioned herein are used for identification purposes only and may be the trademarks or registered tarademarks of their respective owners.. Product design, features, specifications and availability are subject to change without notice.
-------------------------------------------
Sony | Cyber-shot | RX100 VI - Unveil - Duration: 1:38.
Every opportunity that comes your way
Extend your reach
24-200mm
F2.8 - 4.5
1.0 type stacked CMOS sensor
0.03 sec 315 point Focal-plane phase-detection AF
24 fps with AF/AE tracking
4K HDR movie recording
960 fps/1000 fps Super slow motion
Close in on the action
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