Monday, March 20, 2017

Youtube daily report Mar 20 2017

Hi guys, it's Cindy Lietz, your Polymer Clay Tutor.

In today's PcT Product Demo, I'm gonna demo a review, the brand new Lucy Clay Machine, Mammoth.

Now, this is a very exciting tool that I'm gonna be showing you today.

It's completely different than anything else we've ever had in the Polymer Clay Industry

for rolling out sheets of clay.

And there's so much different about this machine that it's gonna take me a little bit to go

over it all.

So stay right to the end and I will show you the pros and cons of having a machine like this.

Now, first of all, this is a machine that was designed by Jiri Strunc.

He is an engineer and his daughter, Lucy, is a very talented polymer clay artist in

the Czech Republic.

And he wanted to make her better tools for the polymer clay... for working with polymer clay.

And this is one of them.

I've also shown you in the previous videos the Lucy Clay Slicer, and the Extruder, and

a bunch of their cool products.

Now, this particular machine is called The Mammoth M12.

Now this is the biggest machine that they have, this one in particular also has the

Lucy Clay Slicer attached to the side of it which makes it really really cool.

Now what's different about this machine than any other machine.

One of the first things is that the range and thicknesses that it can roll in the clay.

The way the gaps in the rollers are set up, you can roll as thick as sheet as 10 mm, I

mean 12 mm thick or as thin as paper.

So that's a huge range in thicknesses of sheets that you can roll with this particular machine.

Just to put it into perspective, my Atlas Machine, I'll show you the difference in size here.

In fact, The Mammoth could eat my Atlas for lunch.

It is so much bigger than any other machine.

They do have a model called The Elephant which is a little bit smaller and a little bit wider (skinnier),

but it still is way bigger than any of the other Pasta Machines out there.

As far as thicknesses and stuff go as far you can roll them.

Like I said, the 12 mm is actually 48 playing cards thick which is just short of a full

deck of cards.

And my Atlas Machine at the thickest setting could only do 8 playing cards thick.

So that's the difference in the range of thicknesses of sheets of clay.

One of the things, I mean there's a bunch of different things that Jiri did to this

machine to improve on it on what we have in the market.

Some of the issues that we have is the handle falling off, the clamp needing to be on the

side of the machine so that had to be clamped to the side of the table, the rollers leaving

black streaks, gears clunking together and leaving line marks, scraper blades that you

couldn't remove and so they will get dirty.

This machine has fixed all of those problems. As completely...

Like they say in all of their marketing, they say it's completely revolutionary... revolutionizes

the way Pasta Machines are being used for polymer clay, because it's completely different.

First of all, the sizes, I mean for this particular Mammoth is... you need a bigger space for

it so this is... this machine here is not going to be for every single person.

You need a larger space.

This also works better if it's a little bit lower because of the size of it, you don't

wanna be working up near your face.

It's nice if the table that you're working on is lower than your average work table.

And the roller width is a lot wider.

This particular roller width on The Mammoth is 10 inches wide, a typical Pasta Machine

is more like 6.

On The Elephant which like I said...

I'll show you a little picture of what The Elephant size difference is here.

It's a little bit shorter and a little bit skinnier, and a little bit lower but they

have the E12 which means the 12 mm gap in the rollers is The Elephant with the larger

gap and the E6 is The Elephant size that has the gap that is only 6 mm wide, which is still

a lot wider than what most Pasta Machines have.

Let's see what else I can tell you about this.

Other than the roller gaps, there is...

On The Elephant, the machine is... the rollers are 7, almost 8 inches wide so it's a little

bit smaller and still very usable.

The rollers are non-stick which means that the clay isn't gonna stick to them, the gap

space can go...

Like i said, it's huge right down to small and I'll show you how to use those in a second.

It's... the gearing system, they don't use regular gears on this machine.

They use a cam system and so if you listen, you can't hear anything.

There are no gears clunking together.

So you will never get those roller lines that happen.

I've done a video on it before explaining how the roller lines happen on your Pasta Machine.

It's because gears are clunking together and jerking the clay through.

That can't happen in this machine because of the gears' system.

To me, that's probably one of the most exciting parts of it.

It's also super strong so the way this is geared is it's one to two, so for every turn

of the handle, you get two turns of the rollers which means that it will pull your clay through

really super easily.

And I have a little bit of a shoulder problem and I don't find using this machine hard at all.

There are some things about it that are a little bit different, the way it's set up,

you don't have the typical thickness thing where you pull it out and click it from one

to the next.

It has this big dial here that moves the gears, I mean the rollers closer together.

This is a little hard for Doug to see but if you turn this dial, you might be able to

see that the rollers come closer together.

And because of this wide wide width, if you were to shove some clay in from one side here,

you may push the rollers out of alignment a little bit so what they've got set up here

is these little knobs.

So, let me just put it at the largest setting first and show you.

Now you can take a full pack of fresh clay, you've never been able to do this before.

Usually, what you have to do is you have to take slices off of it and run it through your

other machine and it takes a while to condition a block of clay.

Well here, you can actually take a fresh block of clay, and at the thickest setting, just

run the whole thing through.

Then you would bring it down to a size smaller so what I was talking about with these knobs,

what you do is turn this dial this way, make the gap a little bit smaller, and then to

support the rollers from the back side, you tighten this up just until you can feel them touching.

When you get the machine, you will know what that is.

You don't wanna crank down 'cause you'll push the rollers out of alignment.

But then now I can just do a smaller size and you see it just goes through quietly and easily.

And you just keep going down to whatever size you want.

So you just adjust those to support it and keep going down smaller and smaller.

And you could see this whole block is just easily running through.

Now, I'll go down a whole bunch here and I'll show you the scrapers and all the stuff that's

so easy about it.

You can just remove them and clean them right off but we'll go through and see how that's

like, no effort.

Oh another thing, I'll show you in a sec.

Look at that, so easy, and it scrapes it off beautifully.

The other thing is like I said...

mentioned about the regular Pasta Machines have a clamp that you have to clamp it to

the side.

This machine is set up completely different.

You can set it anywhere you like on your table and it actually has magnets on the bottom here.

And you can attach them to your table with these little things I'll show you here.

I have it set up a little differently which I'll say in a sec.

Now what you would normally do is you'd take this double stick foam tape that he puts in

the case there and these metal plates.

You would stick them down to your table so I will stick them down with metal plate with

the foam tape, set my machine right where the magnets are, right on top of that and

they'll stick to the table.

And then you can lift if off your table or move it if you need the space, 'cause this

do take a lot of space or if you wanna clean up underneath them and that kind of thing.

But what I've done instead is I have a commercial grade cookie sheet that I put down.

And it has... it's not a super strong, I don't know what type of metal it's made of, but

it's not strictly steel.

So it's not super strong on there but it's got enough of a magnet, it magnetizes to it

enough that it sticks quite nicely.

It also catches any crumbles that might fall from underneath so that works beautifully

for me but you could also stick it to those magnets if you wanted to do it that way.

Alright, so let's go just a little bit thinner with this and I'll show you something else.

Now, when you get down to the really small sizes, there is a chance that it could start rippling.

I don't know if it will...

I don't know if I got it at this size yet.

No, not really.

So it's coming through beautifully still but if you try to go too small, the paper thin,

what can happen is it can grab a little bit in the scrapers.

So, what you would do, this is as thin as I would go.

This is probably about 2...

1 1/2 playing cards thick.

It's showing on here as being around 1 mm.

There's little guides here which Doug can't see there but you would see when you get your machine.

But what you can do is take these thin sheets and run them through.

You can also buy these plastic sheets that they sell.

And you can run them through the machine at just paper paper thin settings.

So I just take these plastic sheets, I like to stick the clay to the shiny side so let

me just lay this down here.

You don't need much clay 'cause it's gonna stretch it out really really thin.

The reason why you might wanna use a sheet that thin is I've done a little piece of translucent

clay here, super thin, and you can just make it so thin and lay it over top of special

techniques that you wanna protect and have very translucent look.

There's some very cool things you can do with super thin clay.

But here, I've got it at a very fine setting, around 1 mm, I've got my sheets here and

I'm just gonna run it through.

I like to flop it open once it started running.

And you can start running this through the machine

and get this super super thin sheets. That.

So that's a very cool thing that you can do, and if it gets some clay stuck in it or you've

been using it for quite a while, the way you remove the scrapers.

And I don't know if Doug can see.

Can you see these little knobs down here?

You can't.

Underneath are some little knobs here and there's some on this side here.

And this is where you remove the knobs.

You just unscrew it, and this will remove the scrapers just like that.

So there's a little bit of clay there and then you just wipe it off with a baby wipe.

Get that right off of there and look at how easy it is to clean your Pasta Machine.

That's another thing that's always been hard.

In the past, we've had to take apart machines, sometimes the machine would never go back together.

And now, you can just add them like that.

I'm in a very awkward spot here.

You just tighten them back on, and then you're ready to go. Like that.

Actually, I should've showed you those scrapers.

They're completely unique, these ones are 3D Printed Scrapers, this is the one thing

I would still like to see them improve a little bit, because there is still clay that will

grab a little bit.

I'd love to see these made out of nylon instead of the 3D printed but they're amazing and

they're designed to sit perfectly on the roller so that they're really flush and go in perfectly

and easily.

So that's very cool.

And then you can see on the end here, just a sec, I'm just going to...

This is awkward from this angle.

And it just takes a few seconds to attach these back up.

So that is really cool.

Now, what else do I need to make sure to tell you about?

Oh, another cool thing that you can do with these machines, though I didn't really see

the need for it because I like...

I have no problems just using the crank.

One thing that you can do is it also comes with a little adapter.

I'll turn it this way here.

And you can remove this handle and where's the adapter. Here.

You can remove the handle, put on this adapter and use your power drill as a motor.

So you can just hook up your power drill like that.

I won't do it 'cause it's gonna take me a few minutes to set that up.

And besides, I think the battery's dying on there.

But you can use the power drill to run your machine.

He's talking about getting machines...

I mean, motors that you can attach.

But currently, this is the system that you can use if you want a powered machine.

Now, lastly, I will talk about the slicer.

A lot of you have seen the slicer before.

Many of you have the slicer, the slicer is used for slicing polymer clay canes.

I've got a cane, actually, my little Zinia Cane in there.

And it's nice that they've got this design so that it will actually attach right on the

end of The Mammoth so that you can not have to have two big tools on your desk.

They can all attach together and the way this slicer works is there's a little protective

magnet here and you can...

There's a dial on the inside.

You may not be able to see my hands in here.

But I'm going to just move the tray forward a little bit and then take a little slice.

You can get paper thin slices, perfectly-sliced cane slices.

So this machine will do that beautifully.

From what I hear, Jiri's got an adapter kit so if you already own the slicer, you can

attach it to The Mammoth.

I believe The Mammoth is the only size that you can add the slicer to.

I don't think you can add it to The Elephant but you'll have to look that up to be sure

about that.

What else can I tell you?

It's really quite an amazing machine.

It's completely different than the other machines.

Like I said, it's easy to clean.

So I'll just give you the pros and cons now then, I guess.

The pros are that it's super easy to clean, there's no gears so it's easy to turn, there's

no line issues, the rollers are non-stick so you have no black streaking.

They're really wide rollers so you can get large amounts of clay in.

The gaps that you can get, the different sizes are unlimited between 12 mm. all the way down

to a half a millimeter like paper thin, which is amazing.

It's silent, it's super strong, I don't think you can break this machine though I wouldn't

bother trying.

It's too expensive for that.

What are the other pluses?

The scrapers are super easy to take off and put back on so that is beautiful.

The cons that I would say would be the pricing is quite high, most people, unless you're

a professional artist or one of those people that must have the best of everything,

then it might be out of the price range for you.

The Mammoth is currently at $520 without the slicer.

The slicers are in the $200 range so I don't know if there's gonna be a break for it being

added or if you'd buy that separately.

I'm not totally sure how he's gonna handle that.

The smaller... Elephant, with the smaller gap, the E6, is down to I believe it's $390 so there is...

And then the other Elephant, the mid-range one is like with the larger gap, I believe

is four something.

So they're fairly expensive, but they're durable, they're beautiful.

There's nothing like them on the market and what would be the other con?

The other con I guess is this little fiddley thing, having to adjust the support for the

rollers, is kind of a pain but once you get used to it, it's easy to work with.

Also, if you have it at a larger size, you're only just doing minor adjustments just to

support it.

And you're mostly working in the smaller amounts anyways from most of your techniques.

You're not gonna need it at that super thick setting unless you are conditioning clay straight

from the block.

And you can see that, we went straight from a large block to a paper thin piece of clay

in a few seconds without any kind of hassle at all.

So I hope you are really impressed with this machine, it's now available.

Up until now, he had just a few of them out there and now he's got lots of them available.

You can find out more about them at www.lucyclaystore.com and he has a store for the US as well as an

International Store.

So you can pick them up and have one of these beautiful pieces in your studio.

Alright, so I hope you enjoyed that.

If you did, do let us know if you like this video.

Don't forget to subscribe to our channel.

We've got so many videos, product reviews, lots of cool things that you will want to

learn about in the future, and if you have any questions, suggestions, and product demo

ideas, make sure to leave those in the comment section below.

Alright, so we'll see you next time and bye for now.

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How To Rap: Learn To Freestyle & Battle, FAST - Duration: 6:01.

What's up everybody its Dono. In this

video I'm going to be talking about how

to get better at freestyling and rap

battling because it's a question I got.

So these are both really big topics and

it's it's going to be impossible for me

to get into all the details however in

this video I'll just cover some basic

high-level tips that should be able to

help you out to get better at these two

topics. So let's start off with

freestyling the first thing you need to

think about when freestyling is coming

up with ideas quickly off the top of

your head it's going to sound pretty

simple but the best way to do this

honestly is to just practice. If you want

to get better freestyling, freestyle all

the time. This will help build up the connections

in your mind and get you used to

thinking quickly on your feet.

The next thing you want to think about

to improve your freestyle skills is

being more prepared and when I say more

prepared

I mean develop a lot of the underlying

skills that you need to rap normally.

The reason this works is as you build up

these skills these connections become

more ingrained in your brain so you can

do it at a quicker rate. For example

if you want to build up you know your

rhyme base you can freestyle with more

rhymes. Write a lot of verses that are

sticking with the same scheme that way

those connections will be there when you

need to use them on the spot and you can

go more quickly.

The more rhymes that you know and the

more you practice them the quicker

they'll come to you.

Same thing goes for you know building up

your vocabulary, the same thing goes for

your delivery. There's a lot of

these underlying skills that if you

prepare outside of freestyling they will

come to you more naturally and more

quickly when you freestyle. The next

thing that you'll want to focus on to get

better freestyling is using different

association strategies and by that I

mean there's these different ideas that

you can use to kind of help you think of

ideas and continue

freestyling regardless of what

happens.

So let me give you a couple of examples

of association strategies that you can

use. You can do the same theme as the end

line, you can do the opposite of the end

line, you can look around it you know

objects that are around you and call

those out, or you can try to you know

make it a story as you go. So let me give

you an example if you ended a line by

saying something like acting

like a king and the strategy you're

using his opposite so you said

acting like a king the next word that

should come to mind is peasant because

that's an opposite of king. Or queen

because that's the opposite of King. So

you would say I'm the best at this

acting like a king you a peasant

I'm the one wearing all the Rings. You

know something like that and you can

just keep chaining these strategies

together to freestyle indefinitely.

Now as you start you probably only want to

tackle one of the time and really focus

on it but as you put them all together

you're able to just freestyle forever. So

those are a few ideas to really work on

your freestyling. The next thing we'll

move onto is how to get better at rap

battling. The number one thing that you

have to understand to win rap battles is

punchlines. Punchlines are how you make

an impact, that's how you win, everything

battling revolves around the punchline.

If you can't attack your opponent in

some way or come up with something

clever or insulting, you know if you can't do

that and you can't make the crowd

understand it and feel it then you will

never win a battle. So the number one

thing to do is to focus on understanding

punchlines. A really good way that you

can do this is to start watching battles.

When you watch other people battling, and

there's a ton of leagues out there it's

super easy to find, you can start

breaking down their punch lines as well

as the style that surrounds it.

You know some people are more funny

some are more serious, some are more complex

but basically at the core they're all

doing punchlines and the more that you

watch them you can see what pieces of

their style might fit for you and start

building your own battle style around

that. The other big component of getting

doing good at battling is your delivery.

Delivery is actually important because

once you have the punchline your

delivery can make the difference between

you know the crowd going like whoa and

everybody just sitting there like I

don't know what that meant right. So the

way that you pace things out just like

in comedy

it has to be right to make the most

impact. The other piece of it is you have

to come with some confidence and

some gusto with the way that you

present yourself, because if you come in

there and like *mumble* my bars you know

I mean like no one's gonna be able to

hear you,

you're not going to seem confident in

yourself. Even if your writing is good

you won't have enough stage presence to

win against an opponent. As you start out

battling those punchlines and that

deliver are going to be the most important

thing. As you master those then you can

kind of work on some of the smaller more

technical skills but those are the two

that you really need to win. I know that

i didn't cover these topics super

in-depth but they're both really big

topics with a lot of subtopics

that we could talk about. Hopefully those

are a few ideas that you can use to

start improving at those skills.

The other part of it is honestly if you

want to be good at freestyling or

battling you need to practice a lot.

You have to practice there's no way

around it. I can give you some exercises and

ideas on how to practice but ultimately

it's up to you to put in the actual

practice, get feedback, see what you need

to improve on.

Keep practicing, that's all I've got

for this video. As always feel free to

leave a comment or question down in the

box below.

Beyond that i've also got a course that

you can check out - 30 days I'll give you a

discount there's a link down below. On

top of that i've also got a website rap

better dot-com where there's some more

resources. Keep practicing and deuces.

Don't forget to subscribe so you can

stay up-to-date on the videos and if you

have any questions comments or topics

for me to cover leave them down in the

box below and I'll get to them as soon

as possible.

See you next time!

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