An Giang info: Youtube daily report Sep 22 2017

Title: Talk on evening before Sahastrara Puja Location: Thredbo, Australia

Date: 2.5.1987

So very nice to see you all here, all my children.

Your love out beats me.

I really find no words to express my feelings.

The way you have taken to Sahaja Yoga and the way you have established yourself in Sahaj

Yog.

I know it is very difficult to spread Sahaja Yoga.

Everywhere it is difficult because you know these are the times of kaliyuga.

I am not tired of the journey so much as the fighting the evil forces around us.

When I came to Canberra, I felt the left swadhistana very strong, so strong that I could not walk

few steps and I asked them what's the matter?

They told me that TM, there is some Chinmoy fellow, they are very strong here.

Apart from that there are other spiritualist forces which they are announcing in the newspapers.

It's shocking that human beings take to these horrible things so easily and try to

work it out.

When you study the reason why they take to these horrible things then you realize one

thing that these things promise quick results.

Like supposing somebody's son has been lost.

So, they will say, "All right.

You come to our group, we'll find it out for you."

Or else, somebody says, "I am under a great strain."

"All right.

You come to our group, we will remove your strains."

It's very easy to remove the strains by putting a entity, what we call the bhoots,

into someone so that the bhoot takes over for the time being.

But, here the seeker is not a deep person.

Those who were deep people came back from all these horrible people.

With the TM, I can tell you, we have been able to salvage some people, not all of them.

When first it was brought to my notice, I had a meeting in England and we had from TM

at least hundred people.

Out of which we can say about ten to twelve people we have been able to salvage.

But the growth, spiritual growth in them was very slow and they were just frightened of

Me.

They would not look at Me.

They had awe about Me.

Whenever they saw me they would shake.

There is one fellow, Chinese, who came from TM, and I think Rustom was there, and he just

took My name and he jumped under a table and landed himself outside in the lounge and they

started looking at him where has he disappeared.

With this Chinese fellow, we tried with him, but he used to shake and horrible [UNCLEAR],

poor thing.

Then he left Sahaja Yoga in a way and somebody met him in a restaurant or in a book shop

and somebody met him there, and they asked him, "How do you feel?

How do you feel about Mother?"

He said, "Oh!

Ho!

She is a tremendous power."

So, you see, they are so weak, they are so gone down.

It's very difficult to bring them to normal conditions.

Within two, three years they become recluses.

They are even afraid of, what you call garlic.

If you show them the garlic they start shaking.

If you show them the lemon they start shaking.

They become recluses.

We get few people from there, TM, but their bhoots are so strong that they will not stick

on to us much.

Even they come down for a short time, again they go back.

So, this is the situation with these TM people.

And with this Chinmoy fellow I had an encounter in America and there the people they came

and told me that "Why this Chinmoy is here and why doesn't your husband tell to Secretary

General about it?"

And you know who was the Secretary General that time, [Wol Dahm?] and all the rest of

it.

And they were all crazy people.

How Wol Dahm is now being cheated by people and now he is not allowed to go to America

and all that.

Actually his luck was not so bad but this bhoots, you see, they made him so funny that

he just could not come back to his normal self.

Now this gentleman was not so much into this Chinmoy but there was one south Indian gentleman

who was in the UN and he said that "This Chinmoy is very good."

This Chinmoy used to play tennis, used to swim, used to drink, have women, he was a

real yanky and despite that people said, "Oh!

He is great because he knows how to speak well."

So, all those speech loving people he got.

That's another style of people who are not seekers but who just want somebody to talk,

talk, and talk.

He could talk on Gita, he could talk on this, he could talk on every kind of thing.

Now, the big difference is, in Sahaja Yoga you have to accept Me.

There you don't have to accept anyone.

As long as you accept Gita, as long as you accept Bible, as long as you accept something

– is not there, which is dead, which is finished.

So, these people are interested only in your money.

So, they don't worry about these old, we should say, prophets who are dead now or we

can say the incarnations who are dead.

They have nothing to do.

Just they describe them, take the money.

That's they want.

They only want to have money, money, money and money.

They are not interested in your welfare or anything.

They have no idea of Kundalini, they cannot raise your Kundalini, they cannot give you

realization, they cannot look after you – nothing of the kind.

Only thing what they want, whatever money you have they should have it.

And the way they do it is a very camouflage sort of a drama they play, that they can deliver

the goods.

What are the goods they are going to deliver to you?

Except Self-Realization.

Even the people who talked of Self-Realization never gave Self-Realization to anyone.

I have seen this Yogananda's disciples.

The early ones, they had to cut their tongues because according to him, in his own kriyayoga,

you had to put back your tongue here for a khechri and that's why they had to cut their

tongue.

They cannot speak, they cannot do anything.

They are just like dogs, you see, wagging their tails.

Very good people, they are doctors, architects, very good people.

All these things have happened to all these great seekers, I should say, but they were

stupid to accept anyone like that.

First of all, you must see what are other, are doing others, say other disciples are

doing.

How are they, majority of them?

In Sahaja Yoga also we might get somebody a very useless person and might get somebody

a very low grade or a very low caliber personality.

We do get on the periphery, we do get.

But they should see other people who are seriously involved in Sahaja Yoga.

How they are behaving?

What is their way of doing it?

And how their life is?

What have they achieved?

What powers have they achieved?

And what kind of a life they lead?

That is how you should judge the person to whom they have to do.

I am sorry that this Canberra is so full of Left Swadistana and if you allow these things

to continue I don't know what will happen to your government.

It will all go to dogs if this stupid thing is allowed to work out because all those booths

will jump on all these civil servants and serious things can happen.

I am quite surprised how it is allowed in Australia where is the land of Shri Ganesha.

As it is I am here now, I am sure something will happen and they will give up that.

But as far as coming to Sahaja Yoga, I would say, it's a headache.

You better give yourselves a bandhan before touching them anywhere near because they will

give you lot of trouble.

I have had lots of trouble with them.

So much so, we had to leave one of our ashrams.

You see, we had three persons in that ashram from TM and they used to scream so much and

this jumping about was so much that the neighbors told us that, "You better get out from here"

and because of them we had to get out.

All kinds of funny things they do.

First time I saw these TM people, were in a hall, and they took the first chairs.

First row they were sitting there.

As soon as I started speaking they all started jumping like jack in the box.

I was wondering, "What's the matter?

Is perfectly alright?

Who are these people?"

I had never seen such a thing before.

I was quite surprised that who are these people jumping like this one by one.

Then I asked them, they said, "We do TM and we are doing siddha course."

"Siddha course?

Stupid people you are, that's what you are."

And out of these 6 or 7 people who were jumping we could save about, I should say, two or

three.

So, those people who have gone to that you shouldn't worry so much about them.

But, of course, if it is gone to the government it is better to beat the government with shoes

and give bandhan to the government so that they don't get entangled with it.

But is serious thing and I have to work it out myself on those lines because I was quite

shocked that in Canberra they have such bad vibrations.

I came to Canberra much before with my husband and I told him that "The vibrations here

are very, very bad."

So he said, "All the capital cities are like that."

I said, "But it seems rather funny that both the centers are catching so badly."

And I couldn't walk that time also and today also the same thing happened to Me.

Now, we have many other people who are seeking God.

They live in the villages.

These people have not gone to the villages because they wanted only rich people, monied

people.

So, there are many people in the villages who haven't yet received their Self-Realization

and they can receive their Self-Realization without any difficulties.

You can go there and talk to them and get them realized because they are not people

for whom these rakshashas are waiting.

We have to give them realization.

Once you give realization to people in the villages, things will change.

The atmosphere will change and you find lots of people coming to Sahaja Yoga.

So, I would say, I am very happy that in Sydney itself we have so many centers and in other

cities you have so many centers.

But now we have to reach the villages and see them.

They are innocent, simple people living in the villages in a very simple manner and is

better to give them proper attention because they are the ones who will get realization.

Then the children, children should be attended to.

They can be very nicely brought to Sahaj and because there may be many of them who are

already born realized.

So the children can be brought into Sahaja Yoga but not without the permission of their

parents because the laws and regulations are such that we may land up in the prison without

asking the permission of the father or mother.

So, one has to be very careful.

The another are the adolescent boys and girls who are studying in the colleges and who are

not yet exposed so much to all these bad things.

They might be drug addicts little bit or may be other addiction they might be having but

they are not yet touched by these horrible evil forces.

So, you can just attend to them.

You can also advertise that you can look after people who are addicted to all these drugs

and all that.

You can relieve them.

If you are allowed to do that you can advertise, get those people and if you give them realization

they might be able to get over their addiction completely.

There is a doctor, Dr. Wells, in London who has now become a very big doctor in charge

of a hospital of addiction.

So, I said, "What do you do to them?

How do you manage this addiction business?"

He said, "In their absence I beat them with shoes, that's all and they are all getting

rid of their addiction."

So, you can attend to those boys who are now grown up boys and are taking to drugs and

things like that.

They are seekers.

That's why they are going to these things.

I think this kind of an attitude if you have that you are not going to attend to people

who are already with some gurus and with something and encounter them.

But attend to people who by their innocence have fallen into some problems or to the innocent

people in the villages or children who are innocent.

I am sure you can prosper faster.

So, Sahaja Yoga is growing very much faster here and in a way in a city it is growing.

We can grow much faster, I think, the way there are people, so many people, are in the

villages and in the countryside; in a very simple way they live.

As for Myself, to come to Australia is such an excitement and such a joy because last

year I could not come and this year when they said it was a Sahastrar Puja and had to perform

here and be there, I was very happy.

Tomorrow we have to have that Puja.

I was also a person in a way you can say, a seeker, because I was trying to find out

a method, the way, by which I could really give en-masse realization.

I could give realization to many people at the same time and for that I was really working

very, very hard, understanding lots of people, human beings, and out of them I found bureaucrats

are the worse.

As you have lots of bureaucrats in this Canberra, may be, that they are not so good because

they have to compromise all the time.

They have to say, "Yes sir, yes sir," and despite their resistance, despite their

not liking, to say that, they are poor things, pushed into a job where they have to work

it out because after all job is important.

When all these things become important, the person's personality suffers a lot.

That's what I found that the bureaucrats who are seeking all the time power, go after

the man who can give them some more power, in the sense the power not of the divine but

over the people that they can dominate more people and they can manage more people.

And that's why these people fall into these groups because in the beginning they feel

relaxed in a way and they dominate many people as there are booths sitting with them who

give them ideas.

But then they get tired of them and then they fall sick.

So, many people commit suicide also, suicide.

I was told that suicide is maximum, suicide cases are maximum in Canberra.

The reason is this only that you don't know what to do with yourself.

You suffer from some sort of a miserable disease.

You don't know how to get out of it and then you commit suicide.

So, all these things are connected with the attack of the evil forces and these evil forces

attack you in a very subtle manner.

So, one should be careful as to mature.

One has to mature in Sahaja Yoga so that nothing can affect them, nothing can trouble them,

nothing can bother them.

One has to mature.

The maturity should be such as like Mine.

If I catch it, I mean, I deliberately catch it and then I try to solve the problem.

But if you cannot do that then you should not catch also because you will suffer little

bit by catching them.

Now, for tomorrow's puja I hope you will all be ready and you will all enjoy tomorrow's

puja.

Had a very nice puja in Pune which I had to perform on the thirteenth because it is the

date called Akshaya Thrithya, means undestructible third day of the moon.

That's actually nobody knew, but it is the puja of the Kundalini.

That day everybody felt very, very clear.

Very clear.

Puja was hardly for about half an hour, the real puja of the Kundalini.

But everybody felt extremely clear and beautiful.

So, that sort of puja we should do tomorrow also, if possible, so that we'll have the

feelings of Sahastrara completely opened out because even if Sahastrara is opened, the

rest of the chakras, if they are caught up then you have problems.

It's better to clear out all the chakras and then the Sahastrara.

So, tomorrow we'll do the puja in that fashion and I hope it will work out very well for

all of you.

I hope I have been rather late for all of you and I am not taking too much of your time

here.

Tomorrow I think it should be, you see, actually you'll be surprised that this is the time

I opened the Sahastrara in India.

This is exactly the time because just now is 6.30 there, 6.35 and about 6.30, I opened

Sahastrara.

So, you can imagine this is the time I opened the Sahastrara there and

this is the time we are sitting on

the other side of the world and celebrating that day, that great day

of Sahastrara being opened out.

It's a very great day in the history of spirituality, very great day for the whole

world.

They will realize one day what

it was.

Such a big time that Sahastrara could

be opened for masses.

Not only that but you are empowered to do that great work.

May God bless you.

For more infomation >> 1987-0502 Talk to Sahaja Yogis, Eve of Sahastrara Puja, Thredbo, transcribed - Duration: 36:38.

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1987-0711 Talk before Guru Puja, Shudy Camps, UK, transcribed - Duration: 4:56.

Today, I bow to all the Sahaja Yogis of the world.

First, I used to bow to all the seekers of the Truth and today, all those seekers of

Truth have shown that truth is love, and love is truth.

With the power of love, you have been able to establish a beautiful place for Sahaja

Yoga in England.

I must congratulate you all for fulfilling your desire so beautifully, working it out

together and the collectivity which you have achieved

– not only in England, but all over the world.

All of you feel so responsible that Shudy Camps should be a perfect piece of art, the

perfect piece of love, perfect piece of peaceful atmosphere.

There's dedication, no doubt, but apart from dedication, the collective oneness, the

integration of your feelings is beautifully demonstrated.

Even Indians wanted to send you something for Shudy Camps and it was not ready before

I left, so they were saying that they will be able to give you when you come there for

your tours.

Every country wanted to express their love.

They say love begets love; I loved you, no doubt, but in so many faces, when you see

the reflection of that Divine Love, it is multiplied beyond My expectation.

I cannot describe My joy: you can sing, dance, jump, say "Jai" – I also feel like saying

your "Jai", and singing like … This is the beginning of our collective effort

and we have to go further and further with this.

Tomorrow is a great day for Me, as well as for you – it has to be one step forward;

very substantial step forward and you must be looking forward to it.

I am sure something will work out in the inner building of Shudy Camps, in every Sahaja Yogi's

heart.

All that is expressed outside has to be expressed within, and that is what we have to achieve.

May God bless you!

Now, what do you have – the program?

[Sitar recital]

[Two English songs (duet) – "You are the ocean Shri Mataji …" and "Opening up".]

[Announce Song - "How much we are loving Mother" by Swiss & English collectives,

but then two Bhajans are sung – "Be Khabar" (Hindi 2) and "Ajib.

Das.

Ta hai ye" (Hindi 3).

May be useful to keep information in case anyone wants to revive them as they are not

often sung now, if at all!]

For more infomation >> 1987-0711 Talk before Guru Puja, Shudy Camps, UK, transcribed - Duration: 4:56.

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Lucifer returns Monday, Octo...

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Optimus Prime vs. Infernocus 'Fight Scene' | Transformers: The Last Knight (2017) Digital HD - Duration: 1:26.

...you.

Fight, fight, fight.

Fight's on.

Good job, little friend.

- Laze the target! - Move, move, move!

Let's move!

Let's move out! We got you covered! Move!

Optimus.

Yeah!

You ugly mess!

Did you forget who I am?

I am Optimus Prime.

Autobots, attack!

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Conlon Nancarrow's Impossible Piano - Duration: 6:30.

hey, welcome to 12tone! lots of composers write difficult music.

Rachmaninoff is famous for his technically demanding compositions, as are Chopin, Liszt,

and many others.

Sorabji's Opus clavicembalisticum is a four hour piece for solo piano filled with blazingly

fast, wide-ranging counterpoint, and it's so hard to play that Sorabji eventually banned

public performances of it, declaring that "no performance at all is vastly preferable

to an obscene travesty."

but it's still possible to play it.

like, a human being could do it, if they were good enough at piano.

the same can't be said for the works of Conlon Nancarrow.

Nancarrow was a mexican composer in the 20th century who became fascinated with the idea

of polyrhythms.

we've talked about these before, and they're a fairly simple concept: basically, you just

have two different parts playing a different number of beats in the same amount of time.

like, if you have one part playing two beats per bar (bang) and another playing three per

bar (bang) you can put them together to make what's called a hemiola, (bang) or a 3:2 polyrhythm.

another way to look at that, though, is as two parts playing at different tempos. that

is, instead of changing how many beats they play in each bar, we could just change how

long a bar is.

in our hemiola, we could say that the faster part is playing three bars of music in the

time it takes the slower one to play two, meaning that its tempo is 50% faster.

Nancarrow's interest in this was inspired in part by a book called New Musical Resources,

by Henry Cowell.

Cowell was interested in the relationship between rhythm and pitch: after all, a note

is just a soundwave with a specific frequency, and in a sense, a frequency is just a really,

really fast tempo. this A hits your ears 220 times per second, and if you play a drum beat

220 times per second (bang) it… well, it sounds similar, at least.

not as pretty, but it proves the point: pitches are kinda just really fast rhythms, and Cowell

wondered if the same principle could work in the other direction.

are rhythms just really slow pitches, and if so, can we build a sort of rhythmic harmony

out of them?

well, in order to do that, we need to look at how intervals work, starting with something

called the harmonic series.

this is just a list of all the multiples of a given fundamental frequency.

so if we started with 220, its harmonics would include 440, 660, 880, 1100, and so on.

this gives us a predictable set of frequency ratios, and those ratios are how we define

different intervals.

for instance, the octave, our strongest interval, is a doubling in frequency.

the perfect fifth is a ratio of 3:2, and it's only slightly less stable.

then the perfect fourth is 4:3, the major third is 5:4, and so on. and since frequencies

are fast tempos, couldn't we just slow those intervals down into polyrhythms?

well, yes and no.

Cowell did indeed lay out a framework for what he called tempo scales, where the relationships

between multiple tempos played at once are used in much the same way we would use pitches

and intervals.

for instance, the hemiola (bang) is a 3:2 ratio, and the perfect fifth (bang) is also

a 3:2 ratio, so we can treat them as basically the same thing, just at very different speeds.

we can even create chords: the three notes of a major triad (bang) have the ratio 4:5:6,

and rhythms with the same tempo ratio (bang) could be thought of as almost rhythmic triads.

but Cowell also recognized that writing complex pieces based on these ideas would ultimately

be kinda pointless, because the precision necessary in order to accurately capture the

subtle rhythmic relationships his system needed were beyond what humans were capable of.

even the best musicians aren't entirely consistent in their meter, and small variations could

completely ruin what Cowell was trying to build.

imagine trying to faithfully switch from 150 beats per minute to 168. computers could do

it, of course, but since Cowell's book was first published in 1930, that wasn't an option.

instead, he left the idea with this offhand comment: "the almost insurmountable complexity

of this procedure is now sufficiently evident.

it would be interesting, though, to hear such rhythms cut on a player-piano roll." and that

is where Nancarrow comes back into the picture.

player-pianos were a popular device in the early 20th century that were, in effect, pianos

that could play themselves.

you programmed them by punching holes into long strips of paper that you then ran over

detectors, and whenever a hole passed over, the piano played the corresponding note.

this allowed clubs, bars, and even homes to enjoy piano music without needing to find

a competent piano player: the instrument would take care of that itself.

for a while, that was all the player-piano was: a replacement for a human musician, playing

basically the same things a human would.

Nancarrow, though, recognized much greater potential.

you see, human players have lots of physical limitations.

for instance, most people have no more than 10 fingers, which means that precisely playing

more than 10 notes at once is pretty much impossible.

we're also limited in range: an adult human hand can only stretch to a little over an

octave, and since we only have two hands, we can't play notes all across the keyboard

simultaneously.

there's other problems, like speeds and complexities too advanced for even highly competent humans,

but player pianos have no such issues.

want an 8-octave power chord?

(bang) it can do that.

want a 64th-note run at 200 beats per minute?

(bang) it can do that too.

but most importantly, do you want to be able to precisely subdivide very complex polyrhythms?

because as long as you put the holes in the right places, it can do that just fine.

this gave Nancarrow the tools he needed to begin exploring Cowell's rhythmic intervals

in earnest.

he started simple: many of his early works stick to fairly straightforward ratios. for

instance, his Study no.

13 is based on a ratio of 5:4, effectively a major third.

but Nancarrow quickly tired of those sorts of simplistic designs and set out to do more

and more complicated things.

his Study no.

37, for instance, has 12 different tempos, each representing a different note of Cowell's

tempo scale.

each voice plays the same basic melody, but at a different speed and starting on a different

note.

this creates a somewhat surprising effect where, at first, it feels like you're hearing

a single chord across all the voices, and then as they drift further and further apart

in time, it starts to sound more and more chaotic. if you want to check that out, I

put a link in the description.

he also experimented with irrational and even transcendental number ratios, which aren't

just impossible for humans to play, they're impossible to even count.

Nancarrow was largely uninterested in harmony and melody, viewing them as merely a means

of exploring his rhythmic ideas.

he once said in an interview that, "For me, chords are just blocks of notes I can use

to make a rhythm."

many of his pieces used the same melody in all the different tempos, to better emphasizes

the distinctions between them.

after all, if the rhythms of the melodies are different, it's much harder to tell that

they're also being played at different speeds.

Nancarrow's work is a great example of what happens when we're willing to completely reexamine

our assumptions about what music is and how it works, and while you may or may not enjoy

listening to it, you have to admit, it's completely unique.

oh, and if you want to learn more about Nancarrow, Adam Neely's done a video about him too.

I'll link to that in the description.

anyway, thanks for watching! if you want to help make these videos possible, please consider

supporting 12tone on Patreon or checking out our store.

you can also join our mailing list to find out about new episodes, like, share, comment,

subscribe, and keep on rockin'.

For more infomation >> Conlon Nancarrow's Impossible Piano - Duration: 6:30.

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Meghan Markle a choisi sa demoiselle d'honneur : découvrez de qui il s'agit - Duration: 1:37.

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Brigitte Macron : son action « est primordiale, elle est vraiment engagée » - Duration: 2:20.

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Géraldine Maillet : taclée par Julien Castaldi, elle demande à Benjami - Duration: 2:29.

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Géraldine Maillet : taclée par Julien Castaldi, elle demande à Benjamin Casta - Duration: 2:33.

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Cade Meets Cogman | Transformers The Last Knight (2017) Movie Clip - Duration: 4:11.

There's always one in charge!

All right, we take out the big one, we're gonna take them all out.

Come on, come on, come on. Hurry, hurry, they're coming.

- Oh, my God! A leprechaun. - Who the hell are you?

Leprechauns are tiny, green and Irish,

and that is offensive.

What are you looking at, little girl?

What are you looking at?

Hello. Master Cade, I have been sent to collect you.

- Collect me? - That is correct.

You're not collecting shit.

- Man! Slow down! - So, you want to play rough.

No! No! Cade!

Shit!

- Cade! Cade! - Hold on!

Did you see that? Hang on!

Iam so clumsy!

- Is he still alive? - Hold on!

Is he still living?

No, he's going to die!

My lord, this is not my fault,

but he just burst out of the elevator.

Ten stories.

Oh, my God.

Did you have a backup plan, sir?

- Did he live? - I don't know! He just flew!

My lord, rip an arm off a human

and they'll go wherever you want.

What's the matter with you?

You little gnats.

There you are. Good to find you alive!

Just like nothing happened.

- Let's make you presentable. - Hey! Come on!

Shiny, spic and span.

- Back off, Jeeves! - There.

- You look better already, sir. - Who are you?

My name is Cogman, sir. And I am here because of that.

And that is here because of you.

It will not leave you until your quest is fulfilled.

You have been chosen.

What do you mean, "chosen"?

I will explain everything if you'll kindly come with me.

Cade, what's with this C-3PO rip-off?

Don't kill the messenger

or the messenger will kill you.

Now then, I'm afraid all this ballyhoo is on your account.

If you want to save your friends, you will leave them.

Hey, don't talk to that leprechaun!

What, and run off with some crazy ninja butler?

Your friends will be safe in your absence.

In your presence, unsafe.

You are more important than you can possibly imagine.

You are needed, sir.

Urgently.

My master is fond of saying

that all the important decisions in life

often come down to just one moment.

You're gonna be all right. You're family now.

They're gonna take care of you, I promise.

The plane is waiting. We are going to England.

Bee?

Listen up, Little Miss Sunshine, I'm in charge now.

Just don't expect any bedtime stories.

For more infomation >> Cade Meets Cogman | Transformers The Last Knight (2017) Movie Clip - Duration: 4:11.

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★ Nightcore - Cry For You | Exi Bootleg Hands Up | Sugu Music ★ - Duration: 5:26.

Cry For You

Nightcore

Sugu Music

Exi Bootleg

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Dimash: The story behind 'SOS d un terrien en détresse' with English subtitles - Duration: 8:47.

Did you just wake up?

What do you think about the first version of the song arrangement?

It has lost the original style

This is what I think

He doesn't understand the show

Whether or not he gets to stay depends on the 500 people in the audience

But if these 500 people

only listen quietly while you sing

If they don't leap to their feet with excitement

you won't get their vote

After our discussion

we realize that once he decided on his music style

he is very stubborn

He feels really conflicted

But I feel a truly professional musician must struggle with conflicts

This is the type of person who can succeed

We only sing the high note in one part

This part

Adding the drums here feels unnatural

For such a young singer

to have this kind of ability in music and song arrangement is very rare

He has been to many countries

He has won many international competitions

His vocal ability and technique has been recognized

What ranking do you expect?

First or second place is not important to me

I have participated in many competitions

To be honest I have never been in second place

I am not showing off

What matters to me is whether the audience likes my performance

Ranking is not that important to me

For more infomation >> Dimash: The story behind 'SOS d un terrien en détresse' with English subtitles - Duration: 8:47.

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Défaite judiciaire pour les anti-McDo de l'île d'Oléron - Duration: 3:57.

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MINI Clubman 2.0 COOPER D SALT SERIOUS BUSINESS Sportstoelen | WIRED | Comfort Access - Duration: 0:54.

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RPG ANNOUCEMENT BY ANGEL : Star Wars, The Future of the Galaxy - Duration: 2:03.

Hello everyone, friends of Geek Worlds !

Today

No video, as you might have understood

We has a little problem with the second episode of Gotham

Thanks Skarr

Anyway, poor guy... Not his fault

It happens to everybody, even the best

So I propose a little announcement

About a RPG that should be released soon enough on Geek Worlds

As soon as you're numerous enough

This RPG will be settled in George Lucas universe

As you would have understood, I am a great admirer and fan of this

So...

You'll get a Star Wars saga

Where you will be the hero

Or more like, the heroes...

You will fight mainly alongside Rahm Kota

or Luke Skywalker, Han Solo and Princess Leia

And you will harm the Empire

Which after the destruction of the second Death Star

decided to piss off

The New Republic and the Rebel Alliance

Yeah, we're not going to go into Disney...

With the Resistance and the First Order

No, no, we will follow the storyline

imagined at first by George Lucas

So all the extended universe

which now is just legends

Excepted by the faithful admirers of our friend Lucas

So, now I invite you to get in touch with me through Discord or Messenger (Facebook Page)

So I can book you in

that I add you in our group

Star Wars : The Future of the Galaxy

Which is the official name of this RPG

And so you will be able to start your spatial adventure

In a galaxy

far far away

So, see you very soon

I don't tell you more

And most of all, don't forget to subscribe, a little like

As usual

So, goodbye !

For more infomation >> RPG ANNOUCEMENT BY ANGEL : Star Wars, The Future of the Galaxy - Duration: 2:03.