Sunday, March 19, 2017

Youtube daily report Mar 19 2017

Pupul Jayakar: Krishnaji,

speak to us of God.

For millennia, man has searched.

In grief, in sorrow,

he turns

to the deepest depths of himself,

searching for that eternity

to give him solace.

You appear to negate thought.

You say the gods are man-made,

and the gods that you have made did not make you.

Does that mean that in your teaching

God does not exist?

And yet you are not a materialist.

How do you explain this paradox?

Krishnamurti: I think we should make quite clear

right from the beginning of this dialogue

that man actually has created God.

If God created man

then he must have wished that man live a rotten life,

a miserable life,

which I am sure is absurd.

I think man has made God

in his own image,

but expanded it,

given various attributes to that which he has created and so on.

Are you asking:

if you deny God,

which is man-made,

then man in sorrow

is not seeking eternity,

is not seeking something beyond himself

or something timeless,

but he really wants something that will give him a great comfort,

a sense of deep, inward security.

That is what he wants.

He doesn't want in that moment, or in that period of sorrow

something that is beyond time.

What he actually desires

is some form of security,

some form of alleviation of sorrow,

some panacea – that is what he wants.

If we agree to that,

then we should really go into the question:

if you negate,

as we do,

the whole mythology,

the whole structure of God,

if you totally negate it

– and how you negate it matters enormously –

then what is there?

Is that what you are questioning?

PJ: May I say one thing.

You have just said that God could not have made man.

Do you imply by that,

that the being of man is a biological, material process?

K: It appears so.

PJ: Do you also then mean,

that when you say the gods which man has made,

that there is – you may not call it God,

you may call it reality, you may call it the timeless –

but there is a reality,

a truth,

which is not man-made?

K: To affirm a thing like that,

we have to really find out

if thought can ever stop.

Then only you can discover something.

Achyut Patwardhan: But while one listens to you

in your discourses,

there is a perfume of sacredness,

and it appears very odd that a person,

while you are addressing,

just creates an atmosphere of sanctity around him.

And then you say that our gods are made by us.

It may be true up to a point that the gods that we have made

are made by our minds.

But as you said, then you must go beyond thought for that.

I want to ask:

is there any such thing,

whose nature is sanctity,

which is available to man?

K: If you posit that there is...

AP: I am only inquiring.

K: Yes. If you are really inquiring and not stating it,

then can we inquire, explore,

not if there is god, if there is not god,

which is quite obviously rather absurd,

can we explore the nature of sanctity,

the nature of sacredness,

not the sacredness which we are seeking,

not the sacredness or the benediction

that man wants in order to feel happy,

in order to feel that he is protected,

in order to feel that there is something

on which he can rely.

AP: There is something which we are seeking,

and there is something which comes unsought,

and it is that which is really beyond man's control.

Man can do nothing about it.

K: No. You must be careful when using language like that:

'man can do nothing about it'.

It may be unconscious

or deep layers of his consciousness which have been so conditioned

they project themselves occasionally from the depths.

So, let's be clear.

What is it we are talking about?

PJ: You will accept that in life,

life itself is a mystery.

It is a tremendous mystery

– being born, living, dying,

and this great, unknowable truth.

The whole of that is a mystery.

K: I don't see why you call it a mystery.

PJ: Because the mind cannot understand it.

K: The mind cannot understand the unknown,

but the mind can understand this whole process of living.

PJ: Man cannot understand birth, man cannot understand death.

K: That is all.

Man cannot understand the nature of death,

what happens after death,

if there is something beyond time and so on.

We are inquiring into something unknown.

PJ: Yes.

So you would accept that there is a mystery.

So I say, we cannot explore into a mystery.

Then it would no longer be a mystery.

So, as man cannot explore into a mystery,

he skirts around,

trying to find a door into this.

K: Yes.

But he cannot find it through intellection.

AP: Granting that he cannot find something through intellection,

he has an experience of something that is too sacred for words.

And that is not imaginary.

K: We must be awfully clear, Achyutji,

that it is not a deep, unexplored layer of his own consciousness

which is longing to have something secure,

and translates that urgent demand into something mysterious.

AP: One comes upon it unsought.

You are in a forest,

you are facing the Himalayan ranges

or you are by the side of the river

and suddenly in that silence, in that quiet,

there is something that comes into being.

And you get a feeling of the sacred.

K: I don't question it. We all do.

AP: Well, you can't say it is a make-believe.

K: No.

All that we are pointing out is,

one has to be very careful

that we are not deceiving ourselves.

AP: That is true.

K: We are not caught in some kind of illusion

and then say, that is the truth.

AP: No, I say we don't know.

PJ: You were speaking of negation.

K: I was saying,

can man

wipe out all that he has accumulated

as psychological knowledge

– totally, completely negate all that.

Is that first of all possible?

And if it is,

to inquire, not theoretically or abstractly or intellectually,

but actually in life

to negate his whole conditioning.

And in that negative state which is the most positive,

see or come upon something which is not man-made,

which may be sacred.

Is that possible?

PJ: To move into this field of negation

it is necessary to inquire into that word: to negate.

K: To negate,

to wipe out, to leave.

PJ: What is the nature of negation?

What is it to negate?

AP: When you said

that all the centuries of psychological knowledge

has to be wiped out,

I would say this is just a plain statement of fact,

that when we come to ask ourselves – what is this quality of sanctity –

we have to face the fact that we know nothing about it.

And you have to say I don't know.

In that one single recognition, which is very simple,

that I don't know the nature of all this,

then automatically you have negated everything.

When you say I don't know,

or you feel something that you don't know.

K: No, Pupulji was asking:

what is it to deny?

AP: I am saying it is not a rational thing,

it is something where reason merely accepts the fact

that it has come to its limit.

K: Yes, it has come to the end of its tether.

AP: No, you just say that I don't know.

PJ: Let us not talk of facing a river or a mountain.

Let us talk of negation

in a very ordinary set of circumstances.

Because unless you understand negation

in an ordinary set of circumstances,

that negation which comes when you look at something

extraordinarily powerful,

it may be just the taking over of yourself by that power.

K: Are you asking, Pupulji,

are you asking what is the nature of negation?

PJ: Yes.

K: I think that is fairly simple.

If one is attached

to some person or some belief

or some conclusion, historical or dialectical,

– to negate that, that is to say, I will not have it,

I will push it out of my mind completely.

PJ: But you deny will.

K: I deny will.

PJ: So the instrument of pushing it out...

K: Is perception.

PJ: Normally in the human mind, it is will. K: Yes.

PJ: That is how negation normally takes place.

When you want to say that I want...

K: I will not have. PJ: There is a want in it.

K: Yes, there is a causation.

PJ: There is a causation,

and action of will which puts the thing aside.

AP: But there is also another form of negation, Pupulji.

Like some people believe with all their guts in communism,

and they come upon the truth

that you cannot have a new social order of free and equal men

through that particular idea or ideology.

Now, that ideology loses its validity with no will.

You are honest, intellectually you are honest

and you say that this has dropped.

PJ: Maybe, but you are not free of belief.

AP: No, when your belief ends with the confrontation of facts

which are not of your own creation, there is a negation.

An honest man must see that his belief has become invalid.

PJ: But if I may say, Achyutji,

being creates negation,

which is the negation of the self as 'I',

as the process which does, moves, propels,

never takes place.

AP: I will never use the word never because it is too absolute.

I would say that one does not come upon it

as one comes upon the invalidity of a belief.

PJ: Because the nature of that is entirely different, I think.

K: What are we talking about?

PJ: I say the nature of that negation

which sees the becoming

in so many aspects of one's existence,

to negate deep, at the depths of one's self,

that process is a movement of becoming.

K: Let's not use the word negate,

can we understand this whole becoming

with all the conflicts never ending,

with all the travail of human anxiety, loneliness and all that,

that is the perpetual movement in which we are caught

– wait a minute, let me finish –

and see it,

see the actuality of it,

and without exercising will see the truth of it

and that very perception of that truth ends that process.

That is what I call negation.

PJ: Negation then is

the ending of becoming?

K: No. Negation is the perception of the truth of becoming,

seeing what is involved, the consequences of that becoming,

and the very perception of that whole movement in which time,

the whole of that thing is involved, ends the becoming.

That is all I am saying.

It is the perception that ends, not will and so on.

PJ: I am asking something which is a little subtle.

Does truth lie in seeing,

or seeing of becoming?

Where does the fact or actuality take place?

Is it in the nature of seeing?

K: No, the actuality takes place in the mind.

There is a perception, say for example, of attachment

– I am taking that purposely –

Attachment to position, to a person, to something or other.

Now, without investigation, without analysis,

without all this process of thinking,

that is what I am saying all the time.

Not searching out the cause,

analysing the reason why one is attached and so on.

Why do you bring in truth?

I used the word truth in the sense,

the truth of attachment,

the implications of that attachment, the consequences.

PJ: No, but what I am trying to get at is,

is understanding it? K: No.

PJ: They are not separate. K: No,

K: but we must understand what we mean by understanding,

what is the significance of understanding.

I will explain what it means to perceive.

That is fairly simple.

Which is, to perceive without the past,

without the nature of the mind

which is conditioned by the past memories and so on.

To perceive simply, directly.

AP: We understand what you say but our difficulty is that with us,

it is always a partial process, a fragmentary process.

I may see how stupid and harmful

is this attachment to nation, nationality.

Nationality has become an anachronism

in our age of technology.

Now, I can see this with respect to nationality

because when I have applied my mind to it,

I can see that nationality has become a total anachronism,

but I am pointing out that our minds

are always functioning in a limited field.

You are saying that

– with you, as I hear you – it is a total perception.

K: Yes, of course, that is obvious.

AP: But how does one move from the particular to the general?

K: You are expanding the question, Achyutji,

if I may say so, remind you.

We started out asking,

if you deny God as man-made

and all the rituals and all the circus that goes on

in the name of religion,

if you see the absurdity of it inwardly, you put it aside.

Then you won't be a hypocrite.

AP: When I mentioned communism, when I mentioned nationalism,

I was taking the modern God.

K: Yes, of course.

PJ: Krishnaji says,

that to come to it there has to be a negation

of everything which is the mind.

K: Yes, that is it. Let's stick to that one thing,

and let's proceed. We are going off.

PJ: And therefore, in going into the nature of negation,

we came to perception.

And now I am trying to probe into perception,

I am probing into perception,

asking him whether the act of perception,

which is seeing,

and without mentation.

How does understanding arise?

K: Ah, there is no understanding in it

– seeing

without the whole process of thought.

That very seeing,

which is insight,

that insight dispels all illusions.

You see, we are not going step by step.

We are saying that

understanding –

what does it mean to understand?

I understand the language we are using.

I understand the reason,

but understanding is something much deeper

than merely hearing words

and translating in words and reacting to words,

but understanding implies a complete reception

or receiving something that you are saying so completely

I understand it, I have got it.

PJ: Yes. It is as if there is darkness

and suddenly light falls on it and it is revealed.

K: Yes, that is all.

PJ: There is a revealing of what exists.

K: Yes. Don't let's complicate it further.

PJ: So perception in that sense is what reveals.

K: Yes. PJ: If I may put it that way.

K: It reveals the whole process of any causation.

PJ: So is it the perception without mentation?

K: That is it.

K: Is the clue. PJ: Is the clue?

K: Yes.

You see, that is what I am saying.

Say for instance,

I have negated that organisations,

institutions

will in no way help man to comprehend, to arrive,

to perceive that which is eternally true.

I have said that.

Now,

it is in me,

I am the result of thousands of institutions, traditions,

I am all the propaganda of institutions,

that is religions, politicians and so on

– I am all that.

Which is, I am the past, the present and the future.

In me all that is – that is me.

Now, can I,

can the mind move away from that cycle

– becoming, which is the past, the present and the future as me,

moving along that direction,

as we have been doing for millennia after millennia,

can we,

can the mind see...

deny that slavery,

and discover something else?

After all, that is the new mind, to discover something new.

PJ: You see, we come to this point.

Any question I ask you after this point,

you will negate.

K: Surely, of course.

But Pupulji,

a true relation of man's experience, psychologically,

can that be wiped away,

which is to deny, which is to negate.

How you negate matters,

because in that very negation the positive is taking place.

You see, is it –

when you negate God, the word God

or the feeling of God or the man-made gods,

– there is the fear of utter emptiness,

utter nothingness?

It is that which is preventing us, the fear of that

that is preventing us from denying the false.

We don't deny the false.

We are finding out reasons to sustain the false.

But when you deny the false and see...

PJ: It would appear, sir,

that what we feel as the sacred,

what we feel as the ground of sanctity,

has to be denied.

K: Oh, yes, absolutely.

Because that may be our deep down urge, a desire.

AP: It has to leave, the will to believe.

K: Yes. There is nothing.

It is not darkness of the soul and all that kind of stuff.

But to see that there is absolutely nothing,

and to come to that point

that thought has no place at all in it.

Remain with that nothingness.

I don't know if I am making this clear.

AP: Isn't there something

which is infinite,

which is eternal,

which has nothing to do with my volition,

with what I am, what I am not?

K: Yes. But why do you suppose? AP: No, I am not supposing.

AP: I am merely saying... K: Questioning.

AP: that we are now going along in one way.

I want to go another way and say, isn't there something...

K: How can you know?

AP: We don't know about it. All that I say is...

K: Then inquire... AP: How do you inquire?

K: How do I enquire – is to wipe all that I know,

psychologically.

We come back to the same point.

AP: We do.

PJ: You see, the interesting thing is,

or the thing which is very difficult,

one comprehends the negation of what we call thought,

of becoming.

But this feeling of the sacred...

K: You see, there is a point –

after all, when you go to a temple, a very old temple,

– as you must have done – a very old temple,

there is an extraordinary atmosphere about it,

because millions of people have been there, worshipped.

It maybe all illusory,

but there is this sense of worshipping something

which man has made,

and out of that worship, out of that adoration,

out of that sense of devotion,

you create an extraordinary atmosphere,

extraordinary sense of sanctity.

But that sanctity, that atmosphere, that worship,

is all the result of enormous work of human beings.

That is not sacred.

PJ: You have talked of going to a place of great antiquity

and getting that feeling.

When one sits at one of your talks,

and you talk,

there is a feeling of great sacredness

which descends on the mind,

and you see it as if it were holding the whole of that place.

If that is also part of this process of illusion...

K: No, not quite.

PJ: Then? K: I am going to explain that.

K: First of all, the speaker has a certain reputation.

Whether it is right or wrong, that is not the point

– he has a certain reputation.

So, the audience has created an image about the person.

And that image also is conditioned by their religious spirit,

their traditionalism, their cynicism, all that.

So there is an atmosphere created.

Now,

is the person who is speaking

more vital than the image they have created about him,

so that image has no value.

You follow?

And if the speaker is really enormously compassionate

and all the rest of it is involved, in his speech, in his feeling,

that creates its own extraordinary atmosphere.

So, if the person is really, deeply, only honest,

has such integrity in what he is saying,

then that itself is a momentum towards the other.

AP: That is precisely what I was trying to drive at,

that there is something which is infinite,

which is incomprehensible,

and which comes into being without my volition.

K: No.

AP: I said, intimation of it.

K: Sir,

I have heard various people say

that there is a guru

with whom if I sit quietly,

in whose presence I feel completely present.

I question that.

You are attributing the same thing in different words.

AP: No, I am not saying now that it is in relation to anything.

I am saying, is there not something...

K: There may be,

but it is for me or you or Pupulji to come upon that,

not that there is, posit it,

and then imagine what it is,

and then say yes, I have received it.

That is all illusion.

AP: Yes, that is quite clear.

We are not pursuing an illusion.

K: No – pursuing from fact to fact to fact.

AP: Yes.

K: The fact is: can I deny?

Either I negate one by one,

or there is a perception which comprehends the whole.

And that perception of the whole is the very denial of all that.

Holistic perception.

AP: I want to say

that this holistic perception of which you have spoken,

it is not only a step by step rational process.

K: Oh, no. It is not.

AP: It also has a deep feeling in it.

K: Of course.

A deep affection, love, compassion.

– that is perception, that is intelligence.

You see, Achyutji, if I may point out,

if I can go into this a little more

– you see, we don't negate.

We are talking always,

therefore there is always this play between the fact and non-fact.

I say, I won't play that game, because it is so childish.

If we comprehensively

negate

so that there is absolutely nothing,

psychologically.

I can't deny that lamp, I can't negate that lamp

or the technology that lies behind that lamp.

But to negate

the whole process of becoming so completely,

so that your mind is not caught in the past.

The past I need to have, to learn and so on.

Can we do that?

And if we don't, talking about the eternal gods, timeless,

it becomes so meaningless.

PJ: Is it not necessary

for a mind

which today, which now rests

without movement,

to hear

the words said

about the nature of that which is unknowable?

K: What?

Can you?

PJ: I said, the mind is still.

K: That is all.

PJ: Now, is it not necessary

for that still mind

to hear of the nature

of that which is timeless?

K: The mind is still, quiet,

not achieve quietness ever, be still,

not induced, not practised,

not go after it with words,

but in that awareness of the mind –

which sees it is in the nature, it is law, it is chattering,

and sees the utter...

PJ: Yes,

but when there is a situation,

that there is a man who can speak of God

which is not man-made.

K: Be careful – I did not use the word God.

PJ: I am using that word God.

PJ: Don't let us... K: Quibble about the word.

PJ: There is a man,

and is it not necessary when a mind is still,

to hear that voice speak?

K: Of course, though you can't hear.

You are telling me a story...

PJ: But I am saying to you,

and I am saying it with great...

can you speak to us?

K: About? PJ: About that which is the timeless?

K: I don't know if it is possible to put it into words.

We are measuring with words the immeasurable.

That is the whole point.

PJ: I don't want to measure. That is why I said...

K: Now, just a minute.

If your mind is actually quiet,

absolutely silent,

not induced,

not in this conversation trying to capture that silence,

but actually, after listening,

deep, inwardly silent.

When there is that silence, you cannot ask that question.

PJ: I can ask that question.

K: Only when there is not that silence.

Go ahead. I understand.

PJ: I see you,

and I don't want to do it.

It is not that I want to capture what you are saying.

K: No, that is why we must be very clear.

PJ: It is not that I want to capture what you are saying,

but I feel that when there is a stillness of the mind,

the hearing

of that which lies beyond the mind...

K: Look, Pupulji, I understand what your question is.

Achyutji and you too are listening.

Or, I am listening to you with great, deep,

with complete affection to what you are saying.

That very attention is silence.

Then you are telling me

or conveying to me

something much more infinite than silence.

And can you convey that in words?

Or, your very presence,

that very presence is impressing me

and I become silent.

Wait.

If there is this extraordinary quietness which has no cause,

and therefore it is that very silence which is space,

which is timeless, is infinite.

This infinity is the universe.

And therefore the universe has no cause.

But all my life is based on cause.

And can I understand one – in the understanding of one cause,

I am infinite, my brain is infinite.

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Move out!

Go, go, go, go!

No!

Where is he?

Next time they shine your light in the sky,

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The Bat is dead. Bury it.

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Tell me.

Do you bleed?

You will.

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Facial Gym # 40 - Smooth the forehead, the dark circles and reshape the lips contour - Duration: 3:40.

Smooth the forehead, the dark circles and reshape the lips contour in 3 'per day

Place your index fingers on the outer corner of eyes and your middle fingers on the inner corner.

Open your mouth by drawing an oval and direct your gaze upward.

Blink forcefully with the lower eyelids and smile with the corners of the lips.

Keep your upper eyelids motionless and hold on contraction for 10 seconds.

Repeat 4 times.

Another 3 seconds.

Looking upward, firmly blink of lower eyelids and smile with the corners of your mouth.

Remember to keep your upper eyelids motionless.

Take care to press your upper lip against the teeth.

Release and repeat the movement, by stretching as far as possible the corners of lips toward the ears.

Another 5 seconds :)

You should feel the beat of the orbicular muscle of eye at the inner and outer corners of your eyes.

Release the contraction and repeat the movement.

Count up to 10.

You should feel the beat of the orbicular muscle of eye at the inner and outer corners of your eyes.

Release by breathing out.

Press your lips together line against line, without tightening your teeth.

Stretch your nostrils down by aspiring your upper lip under your teeth.

Hold on the contraction and count to 40.

Gently tap your lips from up to down when you feel a warmth feeling.

This sensation is due to the muscular work, tap gently to soothe the heat between your lips.

Keep on stretching your nostrils downward and your lips pressed line against line.

Another 20 seconds :)

Your teeth should not touch each other; keep the jaw relaxed.

Release by blowing through your lips.

Place your index fingers face to face on your forehead, two centimeters above your eyebrows.

Exert a pressure downward with your fingers and push your eyebrows upward.

Repeat 10 times.

Hold on contraction one second then release.

At the 10th movement, hold on your eyebrows upward

and do small moves with the eyebrows toward the forehead.

Maintain a firm pressure downward of forehead with your fingers.

Hold on the small movements for 20 seconds.

You should feel a warmth feeling, proof that the muscle is working properly.

Hold on your eyebrows in the up position while keeping the pressure of your index fingers downward,

and count up to 30.

10 seconds left :)

Release and massage the area between the eyebrows with small circular movements.

C21

Thanks for watching! Practice daily to keep your skin looking younger.

Vary the programs regularly and discover a new video every Saturday.

Perform a program every day to enjoy a radiant complexion and prepare the skin for care.

To achieve targeted results, practice this program twice a day for a week,

then increase the difficulty for shaping efficiently the volumes of your face.

Adjust the level of the programs to your progress by following the color code: GREEN to start,

BLUE after one or two weeks, VIOLET from the fifth week and PINK after 8 to 9 weeks of practice.

Free your beauty

For more infomation >> Facial Gym # 40 - Smooth the forehead, the dark circles and reshape the lips contour - Duration: 3:40.

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[MV Theory] B.A.P _ WAKE ME UP, the real meaning of November 5 and roses - Duration: 7:53.

Hello, This is Dream of Dreamteller.

B.A.P brought some message to the public by ROSE

which is the new album of B.A.P, and WAKE ME UP, which is the title song.

5th of Nov, and the rose.

From this, we can anticipate that V For Vendetta, the movie, 2008.

Well, What message B.A.P want to say using hommage to V For Vendetta?

Ah! Well, it's kinda spoiler, so if you guys don't watch this movie, please consult it.

In this music video, people seem like very painful from the loneliness,conflict,chaos,and sense of shame.

They want to overcome those feelings, so they rely on self-torture and drugs, or getting crazy.

Where those pains are coming from?

We can see the calendar that mark on 5th of Nov behind of Him chan.

With it, All of music video numbers are

5th of Nov or pointing 11:05.

5th of Nov means gunpowder plot in V For Vendetta,

5th of Nov means gunpowder plot in V For Vendetta, known as Guy Fawkes's night.

The Catholic Church and the Anglican church were conflicting each other,

so they carry out a public execution everyday in medieval England.

Among them, Gunpowder Plot happened in 5th of Nov, 1605,

a Roman Catholic didn't understand James 1's religion policy,

so they made something for killing the king and their members to blow up in underground of

Westminster palace's gunpowder, but it failed.

In the novel and V For Vendetta emphasized the meaning of 5th of Nov

that ridicule of terrorist to revolution and freedom.

Background of V For Vendetta is future England.

Nuclear war happened all around the world, Many British were killed from an unknown disease.

Because of it, they chose very conservative and oppressive government to protect them.

And fascism government arrested people who are minority of society

like the opposing part of the government

(for example in Korea we called them as "commie") in prison.

They tried to hide the fact through making an inflammatory pronouncement. Well, it's very similar...

Characters of WAKE ME UP repeated the same self-destructive behavior like self-torture and drugs

to endure the loneliness, conflict, chaos, and sense of shame.

Because of it, people are getting suppress the emotion and thinking.

Fascist government in V For Vendetta compared to people's self control in modern life in this music video.

Like this, music video showed that their brains are full of the stem like their pain is from the society.

When Religious Conflicts were getting higher, Guy Fawkes tried to kill the king and their member

because he had complaints to Government's religion suppression.

And V of V For Vendetta also tried to control fascist government's policy

that affected all around England like Hitler after the unclear war by violence and belief.

V showed the movement very constantly by V-mark.

V means number 5 in ancient Rome, that's why the movie showed V, number 5 constantly.

The main female character name was Every, E, the first letter of the name, is a 5th order by,

and this man who wore the mask name was V, which mean 5th order by alphabet.

In addition, V's motto is the word that used 5 times of V, and the last fighting place was Victoria station.

BAP wanted to escape the people from the suppression, chaos, and fear through the message

to their music to change people's mind and emotion.

11:05 or 5th of Nov, and Friday is the 5th order in the 7days. Well, we skip the VU.

Well, In WAKE ME UP in B.A.P's music video, we can find many scenes that hommage to V for Vendetta.

Music and music video is going to the highlight when ZELO was rapping through the broadcasting system.

This scene is very similar as V trespassed on the broadcast,tried to send a message to people

and hacked the control broadcasting in V for Vendetta.

And people notice their mind were changing from the message

and they showed their stacked dissatisfaction, hidden dissatisfaction and true mind very explosively.

At the same time, V's many efforts reach out the one conclusion.

Vendetta, revenge of the blood.

Like him, B.A.P's song is reaching out the one conclustion, the explosion of the emotion.

In V for Vendetta, government personnel spread out the disease

from the illegal experiment to show the fear to their citizen.

they broadcasted the scary news. and they started to greedy so many things.

V wanted to revenge them so he tried to kill them by face-to-face.

He remained the scarlet, this scarlet rose.

V was the opposing part of the government's fascism policy before the V's life.

He was used for government's subject, and he got some story about the lesbian who was related to the rose in the prison.

And these V's behaviors,which means the rose, described as the priming

that individual revenge to change the whole society to get one belief.

Suppression of the emotion and chaos, pain is going on through the society in this music video.

Well, music of B.A.P is sent the people and the people who listened thier music is starting the revolution.

B.A.P showed the situation found the rose like showed this step.

When people explode their feeling, every member has the rose.

B.A.P chose "Scarlet rose" their name of the album, they maximized the meaning.

Through this album, B.A.P sent the message that each their music can influence people like a hugh echo.

B.A.P try to awake up the explosion of the inner side and the revolution of the emotion.

Well, How about check the WAKE ME UP music video again through the V for Vendetta and the meaning?

This is Dreamteller.

For more infomation >> [MV Theory] B.A.P _ WAKE ME UP, the real meaning of November 5 and roses - Duration: 7:53.

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Charlie dans le ravin - Chasse aux insectes - Duration: 2:18.

For more infomation >> Charlie dans le ravin - Chasse aux insectes - Duration: 2:18.

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Stella et Sacha - Où est Boule de neige? - Duration: 23:16.

For more infomation >> Stella et Sacha - Où est Boule de neige? - Duration: 23:16.

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DJ Tips: Comment Mieux Lire le public? - Duration: 6:24.

For more infomation >> DJ Tips: Comment Mieux Lire le public? - Duration: 6:24.

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Ghost in the Shell

For more infomation >> Ghost in the Shell

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Let's Play Fallout 4 - Edna! :D (Roleplay) - Part 3 - Duration: 44:17.

Let's Play Fallout 4 - Edna! :D - Roleplay - Part 3

For more infomation >> Let's Play Fallout 4 - Edna! :D (Roleplay) - Part 3 - Duration: 44:17.

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P. Bonino #4 : La raison humaine peut démontrer l'existence de Dieu - Duration: 2:42.

For more infomation >> P. Bonino #4 : La raison humaine peut démontrer l'existence de Dieu - Duration: 2:42.

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Girls' Generation and 2NE1 May Still Collaborate On A Song - Duration: 1:50.

Girls' Generation and 2NE1 May Still Collaborate On A Song

Taeyeon sparked hope in 2NE1 and Girls Generation fans everywhere after saying she'd like to collaborate with former 2NE1 member Minzy.

2NE1 and Girl's Generation have respectively been two of the most influential girl groups over the past decade.

Although 2NE1 officially disbanded earlier this year and nothing is concrete, the hope that members of these legendary groups could work together has brought back a spark in the hearts of fans everywhere.

On Sister's Slam Dunk, comedian Kim Sook asked Taeyeon to come join and perform on the show. Without much prompting, Taeyeon responded by saying she would like to do a subunit with Minzy.

Minzy shyly agreed to the collaboration, but nothing is confirmed at this point. However, the two do seem to have a great deal of respect and love for each other as artists.

Before leaving, Taeyeon also revealed she has been a fan of the show since season 1. She politely wished them good luck with the rest of their season and bid farewell.

For more infomation >> Girls' Generation and 2NE1 May Still Collaborate On A Song - Duration: 1:50.

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Le shopping des grosses sans tabous ! - Duration: 4:01.

For more infomation >> Le shopping des grosses sans tabous ! - Duration: 4:01.

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泡泡大亂鬥 經典模式8 - Duration: 5:36.

For more infomation >> 泡泡大亂鬥 經典模式8 - Duration: 5:36.

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Facial Gym # 40 - Smooth the forehead, the dark circles and reshape the lips contour - Duration: 3:40.

Smooth the forehead, the dark circles and reshape the lips contour in 3 'per day

Place your index fingers on the outer corner of eyes and your middle fingers on the inner corner.

Open your mouth by drawing an oval and direct your gaze upward.

Blink forcefully with the lower eyelids and smile with the corners of the lips.

Keep your upper eyelids motionless and hold on contraction for 10 seconds.

Repeat 4 times.

Another 3 seconds.

Looking upward, firmly blink of lower eyelids and smile with the corners of your mouth.

Remember to keep your upper eyelids motionless.

Take care to press your upper lip against the teeth.

Release and repeat the movement, by stretching as far as possible the corners of lips toward the ears.

Another 5 seconds :)

You should feel the beat of the orbicular muscle of eye at the inner and outer corners of your eyes.

Release the contraction and repeat the movement.

Count up to 10.

You should feel the beat of the orbicular muscle of eye at the inner and outer corners of your eyes.

Release by breathing out.

Press your lips together line against line, without tightening your teeth.

Stretch your nostrils down by aspiring your upper lip under your teeth.

Hold on the contraction and count to 40.

Gently tap your lips from up to down when you feel a warmth feeling.

This sensation is due to the muscular work, tap gently to soothe the heat between your lips.

Keep on stretching your nostrils downward and your lips pressed line against line.

Another 20 seconds :)

Your teeth should not touch each other; keep the jaw relaxed.

Release by blowing through your lips.

Place your index fingers face to face on your forehead, two centimeters above your eyebrows.

Exert a pressure downward with your fingers and push your eyebrows upward.

Repeat 10 times.

Hold on contraction one second then release.

At the 10th movement, hold on your eyebrows upward

and do small moves with the eyebrows toward the forehead.

Maintain a firm pressure downward of forehead with your fingers.

Hold on the small movements for 20 seconds.

You should feel a warmth feeling, proof that the muscle is working properly.

Hold on your eyebrows in the up position while keeping the pressure of your index fingers downward,

and count up to 30.

10 seconds left :)

Release and massage the area between the eyebrows with small circular movements.

C21

Thanks for watching! Practice daily to keep your skin looking younger.

Vary the programs regularly and discover a new video every Saturday.

Perform a program every day to enjoy a radiant complexion and prepare the skin for care.

To achieve targeted results, practice this program twice a day for a week,

then increase the difficulty for shaping efficiently the volumes of your face.

Adjust the level of the programs to your progress by following the color code: GREEN to start,

BLUE after one or two weeks, VIOLET from the fifth week and PINK after 8 to 9 weeks of practice.

Free your beauty

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