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[K/E/J/S/V/T] EXID 활동기 3주로 줄어 (EXID's Comeback Reduced to Three Weeks) - Duration: 1:05.
Good evening.
As the Presidential Election in Korea is only a couple of weeks away, EXID forces to stop their comeback a week earlier than planned.
None of the music shows will be aired on the first week of May, HYELINIKID's Ahn Hee-Jin has more.
It is anticipated that music shows will not be aired on the first week of May. Because the election is on May 9,
all TV stations will air special TV programs on the election instead of music shows.
KBS Music Bank, SNS Ingigayo, MBC MUSIC Show Champion, MNet MCountDown are officially postponed,
while MBC is still thinking about postponing Show! Music Core.
According to staff at TV stations, it is likely that music shows may not air on the second week of May too.
This may heat the competition for this week even more as many idols try to be on TV as much as they can. Some groups coming back on May are even postponing their comeback until early June.
Let's see what Banana Culture has planned as EXID unexpectedly stops performing.
This is HYELINIKID news, Ahn Hee-Jin.
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[K/E/J/S/V/T] 2017년 4월 읷순탐구생활 (This Month's Research on EXID) - Duration: 1:28.
ANCHOR: This month's Research on EXID, I'm with Ahn Hee-Jin. Welcome. REPORTER: Good evening.
ANCHOR: So EXID will be only active for three weeks, do we know what will happen starting May? Has there been any news story?
REPORTER: A news of EXID's comeback on September 2017 has been circling around online media. As we researched, turns out that is not true.
A news article stated that EXID Hani mentioned of September comeback on SBS Radio Cultwo Show
but as our staff listened to the entire show, none of the EXID members mentioned about their next comeback.
NCHOR: I see, so a reporter assumed a lot. Can we guess when their next comeback will be?
REPORTER: That's correct. Most K-Leggos think either October or November for the next comeback
Probably because EXID Solji will return in this summer as solo.
If Solji only publishes her song and not go on to music shows, EXID could theoretically comeback by September.
Ah Yeah came out in April, and Hot Pink was released in November, so many Leggos thinks it will be similar in 2017 too.
ANCHOR: I see. What will EXID do before their next comeback?
REPORTER: Of course EXID will be on TV shows and go on live music stages in Korea as usual, but there will also be quite a bit of international concerts.
They already planned for Canada in May and for Japan in this summer.
According to several sources, EXID is planning a couple more international concerts as well.
In January 2016, Producer Shinsadong Tiger stated that "EXID will stay in Korea for 2016, but they will start going abroad in 2017,"
REPORTER: ...and it seems like that is quite likely. ANCHOR: This has been Reporter Ahn Hee-Jin. Thank you very much.
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[K/E/J/S/V/T] EXID 1등 실패 졌잘싸 (EXID's Performance on 3rd Week of April) - Duration: 0:50.
It seems like winning the first place became even more difficult with shorter period of comeback.
K-Leggos, however, are still hopeful for this week. HYELINIKID's Ahn Hee-Jin has more.
It's only after the first week that the ranking is counted. EXID's ranking started on April 18
unfortunately, EXID had to remain 2nd place on the first day.
EXID was still on the 2nd place on the following day, and on the 3rd place on last Thursday.
Second or third places are not bad as Leggos have anticipated a tough battle,
but some of them can't help being disappointed as the score gap between EXID and the first place was little.
As APink's Jeong Eunji stops her comeback last Sunday, Leggos are hopeful to win the first place.
This is the last week for EXID, and the members need Leggo's help more than ever. This is HYELINIKID, Ahn Hee-Jin.
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Classical Music in Keygen Version - ( 10 Classical Chiptunes ) - Duration: 6:24.
Hello little friends!
I just sequenced here in my studio
some classical music in the syle
Keygen music
Or chiptune
or 8 bit
you can call whatever you want
so take a look
Mozart would be proud of me!
don´t forget to subscribe to this channel
To see more videos like this! Bye!
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Milford Cafe hosts celebration of Maren Sanchez's life - Duration: 0:37.
A MILFORD BAGEL SHOP --
SELLING PURPLE BAGELS TODAY IN
HONOR OF MAREN SANCHEZ.THAT'S
BECAUSE PURPLE WAS HER
FAVORITE COLOR. MANY OF
HER FRIENDS STOPPED BY
DEVINE'S BAGELS TO GET THEM.
THE OWNER HAD 35 DOZEN TO SELL
PATRICK DEVINE/DEVINE'S BAGELS
((WE'RE GOING TO DO IT EVERY
YEAR. WE HAVE A BANNER
OUTSIDE, EVERYONE IS WEARING
PURPLE. IT'S FOR A GOOD
CAUSE.))
ALL OF THE MONEY GOES TOWARD
THE MAREN SANCHEZ FOUNDATION.
THEIR GOAL IS TO EMPOWER GIRLS
TO DEFEND THEMSELVES AGAINST
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How to create transparent 3D prints! - Duration: 13:04.
I wanted to make something clear, but the problem is that typical 3D prints, even if
you use clear filament, just come out milky white tone instead of being properly clear.
They diffract light too much, so while the light still passes though, it gets bounced
around inside the parts and scatters, which creates that translucent, but not quite transparent
look.
But Colorfabb have had this article online for a while where they are showing off incredibly,
impressively clear prints.
I've done a lot of printing and I think I'm ready to show you how to reproduce these
prints yourself.
Okay, let's see, Colorfabb were using their HT filament for this, which is Eastman's
Tritan, so I believe it's the same material that Taulman used to make, just plainly called
Tritan, too.
But the key here is that it's a copolyester, so a material that is very closely related
to the common PET and PETG materials.
In general, those are plastics that like to fuse together extremely well, so they turn
into one solid piece of material instead of keeping those layer marks when you look through
the print.
I do have the Colorfabb HT filament here, but I wanted to see how well just a standard
PETG would do, so I did all my experiments with the inexpensive DAS FILAMENT PETG, but
I'm sure any other clear polyester filament is going to work basically the same for this.
I had two different use cases here, the first one being these solid parts like Colorfabb
showed that just look like they are one single, solid block of plastic with basically invisible
layer lines on the inside and outside, at least that was the goal, the other one being
vase-like structures that have no infill, but only provide a shell, in my case, to scatter
light.
I was specifically looking into this for use as diffusers for lamps of various types.
And I think I pretty much achieved that.
But let's start with the solid parts.
My test subject here is a spur gear from Daniel Noree's OpenRC F1 design, it's got some
relatively complex surfaces on the side, large flat areas on the top and bottom and this
hub that is a bit of a smaller element where you'll be able to see the light shine through
from the top and the sides.
I know, it's not the most realistic design for something that's supposed to look good,
but I think it's a great object to tune in the process.
Plus, I've now clearly got plenty of spares for when I start building my first OpenRC
models!
I'll probably reprint these from ABS or Taulman 910, though.
So the first print was done with settings that I thought would make sense - I used 300
and 350µ layers, 100% infill and regular temperatures.
But if you look at the part printed with those settings, it is translucent, but it is not
transparent.
Yes, you can take a flashlight and shine it through and the part will glow, but it's not
nearly as transparent as the samples Colorfabb showed.
So the first idea was to increase flow, to close what looked like tiny gaps between the
extrusion lines, so I upped the extrusion rate to 105% first, and seeing that that improved
things a bit I tried again at 110%.
And if you compare the original part at 100% flow and the new one at 110% it is already
a lot more transparent, but we can also see that it's starting to show over extrusion
streaking on the top surface.
So at this point, the amount of material seems like its correctly filling every gap, but
the rest of the print settings could probably still use some work.
So I tried the other extreme, going with 50µ layers, and that immediately helped a lot.
I think because the hotend now passes over the same spots more often and sorta irons
down the tracks more, we're fusing the individual extrusion lines together more tightly to turn
them into an actual, single block of material.
In fact, if you look at this hub part that I accidentally broke in half, you can see
that both the surface where it broke and the inside of the part look like one single piece
of PETG, looking at just the crack, you'd be hard-pressed to tell this thing was 3D
printed at all.
So next up, I tried increasing the material flow on the 50µ prints and increasing the
layer height from 50µ to 100µ, and both improved transparency a bit.
The 100µ print was done with more perimeters, so you can see how those scatter light differently
than solid criss-cross infill, but overall it didn't look like that different from
the 50µ prints other than the top surface being a bit less smooth and now looking more
like it was overextruded..
The 50µ prints with more material I think were the best ones of the entire series, where
the one with a total of 15% extra material looks, I think, extremely good, while the
one with 20% extra is a bit too much and started to get quite messy on the top and side.
It also has these fuzzies between the gear teeth where the nozzle was scraping off the
extra material on each layer.
For some reason, at the time I thought the 100µ prints were pretty much just as good
as 50µ ones, so I kept on printing parts with that setting.
Looking back, I probably should have stuck with 50µ.
Anyways, these two benchies were printed with 110% flowrate, but this one got a bit of a
temperature boost, hoping that would help with everything fusing together.
But instead, it turned out that the higher temperature actually decreased the clarity
of the part and had a few other negative effects on quality.
It's a bit easier to see what exactly is happening when you look at the gears that
used different temperatures , and you can see that, with a higher temperature, the PETG
actually sorta starts cooking and bubbling, and we'll see that effect again in a second.
In the main section of the gears, the higher temperature is fine and slightly improves
clarity, but up here at the hub, where the printer slows down so that it doesn't pump
too much molten plastic onto one area in too short of a timeframe, up here you can see
the plastic getting extremely cloudy.
That's because when the printer slows down, the filaments is sitting in the heated zone
of the hotend longer and gets more time to heat up, cook and degrade.
So to avoid that, either disable the cooling slowdown in the slicer or just print at a
lower temperature overall.
I think this Benchy does look really good and shows off the transparency or translucency
really well, but it's most visible when you look at the top and bottom of the parts,
since it's almost like the low layer height makes the side surface somewhat milky.
Maybe I should try with an even lower layer height at some point, 10µ or something, but
I'm pretty sure the Prusa i3 MK2 is not up for that without dropping in a new extruder
and some lower-pitch Z-axis spindles.
The stock setup has a physical resolution of 20µ, considering that the half-step position
is the only microstepping angle you can really trust.
But let's get back to these parts.
I also tried to improve the surface by either flame polishing it with a hot air gun set
to 600°C or sanding it beforehand, but with the hot air gun, this unsanded spinner started
bubbling and softening up before it started getting more transparent, so that part's
gone, and when I tried to sand a part beforehand, yes, it did ultimately get a bit clearer,
I think, after I heated the surface that was sanded to 1200 grit, but again, it's really
hard to find that optimum spot where the plastic neither bubbles nor softens up too much.
But one nice thing you can do with heat, actually for any filament, is to melt off the little
hairs that PETG in particular likes to pull when the hotend moves from one area to the
next.
High heat and a single pass are usually enough to take care of them.
And one last approach that didn't really work with the Benchy was the thicker layers
at 300µ, even with the extrusion multiplier cranked up, it did not turn out transparent
at all.
Though print quality overall was a bit more consistent compared to the low-layer-height
parts.
So to recap for solid prints: With polyester filament, use a low layer height, 100% infill,
obviously, and tune the extrusion multiplier so that you're getting maybe a tiny bit
of overextrusion.
Higher temperatures can help, but it's really easy to cook your filament that way.
Post-processing prints to improve the surface is hard to do right, at least with heat.
Maybe those thick coatings can help here, I've played around with spray-on clearcoats
before, but they didn't improve things at all.
Awesome, let's check out how these parts were printed.
These are all single-wall parts, most of these you could print with vase mode, which is a
print mode that turns the entire print into one long extrusion line, instead of having
discrete layers, it just continuously keeps moving the hotend up as it lays down plastic,
so it's one long spiral.
However, this shroud does have a ridge up here, which usually can't be printed cleanly
with vase mode.
But that's not the point here.
Let's start out with what makes these parts look better or worse than others, and essentially
it's the same thing again.
It's refraction wherever light transitions from one medium into another, and here, that's
from the air into the plastic and back out.
The layers act as tiny lenses because they have that round section on their end.
That's why this part right here will blur things in the vertical direction, but not
as much horizontally.
For example with this shroud, I tried to use that effect and create tiny microlenses that
would also diffuse light horizontally because this is supposed to be a diffuser for a lamp.
You know, you have these individual LEDs and just seeing each one through a clear shroud
doesn't make for a very attractive lighting setup, so I have all these parts that create
different diffusion patterns.
Most of these were printed with 300µ layers, because if you compare it to the the one printed
at 100µ, they are so much clearer and crisper and less hazy white.
Of course, using thick layers and only a thin shell like this means that these parts print
incredibly quickly and use very little material.
This one was printed with just 25g of PETG in 45 minutes, that's hard to beat.
This little one I printed with a thicker extrusion width.
But I can tell you one thing that doesn't work, and that is leaving the printer at over
600% speed for the wrong file, I mean, it did get the print done super fast, but clearly,
it's not quite what I wanted.
So typically, with a .4mm nozzle, you're going to set it up to lay down like 0.42mm
wide tracks.
Here, I went with a full mm, so two and a half times as wide as the nozzle, and while
it's not the greatest thing to do if you want overhangs and details to come out great,
I mean, you should be using a thicker nozzle, this part still came out looking great.
It's not quite as clear, instead it's very glossy if that's the right word, but
that might be due to the structure, too.
It's definitely better than using two individual perimeters, which would introduce that second
interface where you'd potentially end up with more diffraction.
Also, it's very strong and stiff, as expected, but I did crack the bottom when I tried to
remove it from the PEI bed, PETG, as usual, likes to stick to PEI a bit too much, so usually,
I'd recommend using a liquid surface finish on top of the PEI that doesn't stick quite
as much, so something like Printafix, or Magigoo, or maybe Glue Stick if you can apply it evenly.
But this technique of just using a single wall isn't great for every model.
This Adalinda frog does come out really nice looking with those thick layers, but wherever
there's a slope on the surface, the extrusion lines just get super droopy, like on the back,
near the tail or on the wings.
I did configure this print with two solid layers on top and bottom and turned off any
features that backfill surfaces, which would avoid these exact issues, but would also create
these structures on the inside that just don't look great if you see the way they diffract
light shining through it.
Alternatively, you could print it with a solid infill and thin layers, but that would use
up a lot of material and take a long, long time to print.
So that's how I printed these transparent / translucent parts.
I think they turned out great, especially these single-wall prints, they are going to
look awesome installed somewhere with some light in them.
If you learned something, click that thumbs up, get subscribed if you aren't already
and whether you've freshly subscribed or have been for a year or two, check that you
have that bell toggled so that YouTube sends you notifications as soon as a new video gets
uploaded.
Kickbacks from affiliate links help me run this channel, so if you want to try printing
some clear stuff, too, there are is a link to ColorFabb's HT material that will take
you to the right shop for your region, also, to the DAS FILAMENT PETG, that's not an
affiliate link, I just like the material, it's cheap, it consistently prints well,
what more could you want.
If you're going to be shopping on Aliexpress, Matterhackers, Amazon, eBay or iGo3D, check
out the shop links to them from the video description.
Or if you want to directly support what I'm doing here, head over to Patreon to chip in
a dollar or two per month, or more, I'm not going to judge you, that is always appreciated
and you'll be invited to join an exclusive live Q&A hangout as well.
So thanks for watching, and I'll see you in the next one.
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Jaguar F-Pace 2.0d R-Sport Automaat AWD - Duration: 1:08.
For more infomation >> Jaguar F-Pace 2.0d R-Sport Automaat AWD - Duration: 1:08. -------------------------------------------
DANIELMAGICAL GROZI ŚMIERCIĄ MEDUSIE! - Duration: 2:12.
For more infomation >> DANIELMAGICAL GROZI ŚMIERCIĄ MEDUSIE! - Duration: 2:12. -------------------------------------------
PORWANIE MARLENY TO OSZUSTWO? BOXDEL ROZMAWIA Z PEKU! - Duration: 10:26.
For more infomation >> PORWANIE MARLENY TO OSZUSTWO? BOXDEL ROZMAWIA Z PEKU! - Duration: 10:26. -------------------------------------------
✅ SKULL JACK O'LANTERN makeup tutorial WOLFE FX body paint (Speed-painting) in 4k- Witte Artistry - Duration: 1:40.
*Humming*
Da DUH!
Strawberries were a good choice.
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