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(vroooom!)
Drive around, Drive around, jiggety-jar.
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(vroooom!)
Drive around, Drive around, jiggety-jar.
To market, to market, to buy a white dog;
(woof woof woof!)
Drive around, Drive around, jiggety-jog.
To market, to market, to buy a big clock;
Home again, home again, open that lock.
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Leica Summicron 50mm F2 vs Canon EF 50mm F1.4 - Duration: 2:51.Both of these lenses are close in price,
which makes it odd to think that the 40
year old Leica R Summicron is a
little more expensive than the much more
modern Canon EF 50mm. However,
the Leica Summicron seems to offer
more benefits than the Canon EF when it
comes to shooting. Let's see what those are.
(Music)
You can buy a Canon EF 50mm
lens for about $330 brand new.
It's a good lens for
photography but if you want one of the
best made lenses for both video and
photos then the Leica R Summiocron
50mm is the right lens for you.
Will it serve you for all photography
purposes? Absolutely not. For example, I
wouldn't use the Leica R Summicron 50
for action photography, but it takes
beautiful photos and video. No other lens
renders images with such color and
clarity as the Leica R Summicron 50mm.
As we all know, the Leica R
Summicron is completely manual and the
Canon EF 50mm F1.4 has
an automatic focus adjustment along with
an electronic aperture that you control
through the camera. This is common among
most modern lenses. While it may be
beneficial for photography, these
features are the last thing you'd want
for a video lens. A manual aperture
allows you to manipulate the exposure of
an image midway through a shot. For this
comparison, I used both a Metabones Leica
R to micro four-thirds and Canon EF
to micro four-thirds speed boosters.
These adapters widen the focal length
0.71 times, increases the maximum aperture by
one stop and increases the overall
sharpness. Right off the bat, the Leica R
Summicron 50 seems to have less
contrast than the Canon EF. This can be
easily corrected within post though. The
Summicron also appears to be much
sharper especially at lower aperture
settings. The lens handles itself
magnificently across the entire frame
with complete clarity. Flaring is an issue
with the Leica R Summicron while the
Canon EF has an anti-flare coating on
the front lens element. Most modern
lenses come with this additional feature.
Personally, I don't believe this is an
issue but you will need to buy a matte
box or lens hood with these lenses,
especially if you plan to shoot a lot
outdoors. Overall, I don't believe the
Canon EF 50mm is
worth the money you will pay for it. What
you're paying for is the autofocus
feature, which really doesn't make sense
if you plan to shoot primarily video. The
lens really isn't that sharp especially
at lower apertures and the build quality
feels very cheap. The Leica R Summicron
though is the cream of the crop
when it comes to buying vintage lenses
and it's no surprise that this one
performs better than most modern lenses.
It also renders colors and bokeh in a
way that no other lens can. Leica R
lenses have a particular look and feel
that stand out among the rest. Click on
the links provided to learn more about
these lenses, and as always feel free to
subscribe for more filmmaking reviews
and tutorials from yours truly.
Thanks for watching!
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