Tuesday, May 2, 2017

Youtube daily report May 3 2017

Hi, I'm Meredith Hodges, and welcome to Lucky Three Ranch training tips.

Be prepared to ground drive your equine at the walk for several lessons using the halt to change direction before attempting any turns.

This will give you plenty of time to get the "feel" of the drive lines.

Using the halt to change direction will avoid any confusion and prevent resistance from the animal.

When ground driving, always be sure to undo the buckle at the end of the lines to avoid getting entangled or dragged in the lines.

This is not a problem when they are hitched to a vehicle.

When he is ready, you will begin "S" turns through the middle to change direction.

When he is solid at the walk, you can begin lunging him at the trot with the drive lines before ground driving practice at the walk.

Practice ground driving at the walk along the rail with the "S" turn through the middle for as many lessons as it takes for him to remain calm and obedient throughout and for you to become proficient with the lines.

Finally, you can introduce the rein cues for the "Reverse" instead of doing the "S" turn through the middle, or halting to change direction.

All these maneuvers will help your equine to understand the rein cues coming from the drivelines.

When he is finally mounted and ridden, he will be better prepared to respond appropriately.

The only new thing he will need to learn will be the introduction of your weight and leg cues.

For more infomation >> LTR Training Tip #59: Ground Driving Maneuvers - Duration: 2:15.

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Related rates - Man's shadow from a lamp post - Duration: 10:21.

Let's solve together this typical related rates problem about a person and a lamp post:

"A 1.8-meter tall man walks away from a 6.0-meter lamp post at the rate of 1.5 m/s.

The light at the top of the post casts a shadow in front of the man.

How fast is the 'head' of his shadow moving along the ground?"

To solve this problem we're going to use our standard related rates problem solving strategy.

We'll go through each step clearly now, and then at the end of this video we'll include

a clear summary that you can screen-grab if you'd like.

Now the first step in solving any word problem is of course to draw picture of the physical

situation and to think about what's going on.

So let's sketch the ground and a lamp post, with an orange lamp at the top.

Some of the light that leaves the lamp strikes the ground, bathing it in orange light.

Now if there's a man standing on the ground, then the light that hits his back doesn't

reach the ground, thus producing a shadow that we'll show in gray.

The length of the shadow is determined by the line that passes from the lamp along the

top of his head and then continues to the ground.

Since we're really only interested in the shadow, let's focus on that, along with the

line that determines its length.

Let's note here that the man is 1.8 meters tall, and the lamp post is 6.0 meters tall.

Let's call the distance from the lamp post to the man x.

And let's call the distance from the lamp post to the head of the shadow l ("ell").

Here's an important point that often goes unaddressed, and where it's easy to make a

mistake: since we want to determine how fast the head of the shadow moves along the ground,

we need to measure the distance l ("ell") to the shadow's head using a FIXED coordinate

system, like this one, that always has its origin at the lamp post, as if we'd actually

painted the coordinate system on the ground.

In this case when the man walks, the coordinate system does NOT move with him.

By contrast, a common error is to measure the position of the shadow's head from the

man's feet, as if we've attached the coordinate system to his feet.

In this case when the man walks, the coordinate system moves with him, and so we're not measuring

how fast the head of his shadow moves along the ground.

(In case you're curious: instead, with this choice of coordinate system you're measuring

the rate at which the length of his shadow changes, which is a different quantity.)

To emphasize the point: if you want to measure how fast something is moving along the ground,

don't move the coordinate system while you're making the measurement.

Instead we need to be careful, and measure everything from the FIXED origin of the stationary

lamp post.

Now as the man walks, his x-position changes at the rate dx/dt, and we're looking for the

rate at which the position of the head of the shadow changes, which is dl/dt.

Now clearly the faster the man walks, the faster the head of his shadow moves too; that

is, the larger dl/dt is.

The rates dx/dt and dl/dt are thus somehow related.

Our job will be to find that relationship.

Specifically, we're told that the man walks at 1.5 meters per second, which IS the value

of dx/dt, the rate at which x changes.

We're looking for the corresponding value of dl/dt, the rate at which l ("ell") changes.

Really, then, we need to find the relation between dl/dt and dx/dt.

To find that, we back up a step, and first find a relation between l ("ell") and x.

And that takes us to the second step of our problem solving strategy: to write an equation

that relates the quantities of interest, in this case between l ("ell") and x.

And this is the part of the solution that for most is students is most challenging when

you first do related rates problems --- but don't worry, with practice you'll get this down.

Now for many related rates problems, to develop the relation we're after you will use similar triangles.

An advantage to drawing a clear figure at the start of our solution is that, with a

little experience, you'll come to notice right away one triangle embedded in another,

larger triangle, which will be a Big Clue that you'll use similar triangles in your solution.

Notice that here both the small triangle and the large triangle are right triangles.

Furthermore, the upper angles of the two triangles are equal, and the base angle is actually

identical in the two triangles.

Since all three angles in the two triangles are equal, the triangles are similar, and

so we can develop a relation among their lengths.

To do so, let's recall the various values we've assigned on our diagram to the right.

The man's height is 1.8 m, which we'll add to our small triangle, and the lamp post's

height is 6.0 m, which, which we'll add to our large triangle.

Now the base of the large triangle has length l ("ell"), while the small triangle has length

l ("ell") minus x.

With those quantities in place, we can remember that when you have similar triangles,

the ratio of their base lengths equals the ratio of their heights.

Here, the ratio of the base lengths is [l minus x] divided by l, which equals the ratio

of their heights, which is 1.8 meters divided by 6.0 meters.

Numerically that equals 0.30.

We can now solve for l ("ell") in terms of x with just a little algebra:

first moving l ("ell") from the denominator on the left over to the right,

so we have l ("ell") minus x equals 0.30*l.

Then collecting all of the l's on the left and moving x to the right, we have

l ("ell") minus 0.30 l ("ell") equals x, or 0.70*l equals x.

And that's it: that's the relation we need between l ("ell") and x.

And so we're now done with the second step of our problem solving strategy.

And we're ready to move on to step 3, which is to take the derivative with respect to

time of both sides of our equation.

Starting with the left hand side, we have d/dt of 0.70*l, and that equals d/dt of x.

Now on the left, we can pull the constant 0.70 out of the derivative, so we have 0.70

times d/dt of l.

But that quantity IS the rate dl/dt.

Similarly, on the right hand side d/dt of x IS the rate dx/dt, which equals 1.5 meters per second,

a substitution we'll make in a minute.

For now, this completes the third step of our problem strategy, because we now have

the relation between dl/dt and dx/dt that we need.

And so we can go to the fourth and final step, which is to solve for the quantity we're after.

Recall that we're looking for dl/dt, so let's divide both sides of the last equation by

0.70 to get dl/dt equals (1 over 0.70) times dx/dt.

Now recall that dx/dt equals 1.5 m/s, and so we can make that substitution and obtain

on the right-hand side (1 over 0.70) times 1.5 m/s.

Numerically that is 2.1 m/s, and that's our final answer.

As you can see, the calculus in this problem is quite straightforward and just involves

taking some very simple derivatives to go from the relation we developed between l ("ell")

and x to the relation between their rates of change.

The challenging part for everyone just starting out is to practice enough problems to spot

and then use similar triangles in a problem that calls for that approach --- but we promise

that you CAN get that down.

Now, here's that summary screen of the steps we used to solve this problem so that you can screen-grab

it if you'd like.

We use these same four steps to solve *every* related rates problem we encounter.

At the end of this video you'll see a choice of some of our other videos that illustrate

using this approach to solve other problems.

Please note that in Step 2, not every problem will use similar triangles to develop the

equation you need.

Instead, you might need to use the Pythagorean theorem, or some other approach.

Essentially all related rates problems rely on one of four different approaches.

We've listed those four in our general Problem Solving Strategy for Related Rates problems.

You can find that list, along with this entire problem solving strategy, at our website,

Matheno.com.

You'll also find there examples of each of the four types of related rates problems,

every one of them solved using this exact same strategy.

For now, we suggest as always that you immediately --- right now --- try to solve this problem

for yourself, to make the solution your own.

After all, the goal is for you to be able to do it rather than just watching us solve

the problem.

You need to be able to do it routinely.

So give it a go.

If you'd like, you can use our problem solving strategy as a guide.

And as a reminder the answer is 2.1 meters per second.

And of course if you have a question about anything we've done, or any suggestions for

us, please put them in the Comments and we'll do our best to answer.

For more infomation >> Related rates - Man's shadow from a lamp post - Duration: 10:21.

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National Anthem of Bosnia and Herzegovina (1992-1998) - Jedna si Jedina (You Are the One and Only) - Duration: 2:02.

For more infomation >> National Anthem of Bosnia and Herzegovina (1992-1998) - Jedna si Jedina (You Are the One and Only) - Duration: 2:02.

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Toyota Verso 2.2 D-4D Luna | Navi | Climate - Duration: 0:41.

For more infomation >> Toyota Verso 2.2 D-4D Luna | Navi | Climate - Duration: 0:41.

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Mazda CX-5 2.2D Aut./Bluetooth/Navi/PDC TS+ 2WD Nieuwstaat !!! - Duration: 1:02.

For more infomation >> Mazda CX-5 2.2D Aut./Bluetooth/Navi/PDC TS+ 2WD Nieuwstaat !!! - Duration: 1:02.

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May Battle Pet Giveaway Winners and Baking Stream Date Announcement - Duration: 2:40.

Hi!

I'm Hazel, and this is a really quick video to announce the May Patreon battle pet giveaway

winners as well as the date and time for the May Baking stream!

I thought it would be fun to actually show the battle pet drawing so you guys can see

the whole wheel spin thing and then we can catch up with announcements and stuff.

We had over 20 eligible Patrons in May contest so we're giving away THREE pets!

Let's do it.

Drumroll?

Our first May winner is DrDooLittle!

This patron has more pets than me and I actually couldn't get them anything they didn't already

have.

So instead, I'm upgrading and leveling my first Wailing Caverns dupe pet, a Young Venomfang.

These have about a 100k Auction House value on most servers so they can have two, try

and sell it or give it to a friend.

Our second winner is Kasmyn!

Kasmyn didn't have any River Calf pets so I chose an Albino River calf for them.

This guy is a nice tanky all-purpose pet with access to Stoneskin, the Clobber-Takedown

stun combo and your choice of Beast or Aquatic damage.

I recommend it in particular for the Splints Jr fight whenever Fight Night: Rats comes

up!

Our third winner is Kyllar!

I picked out a Syd the Squid for you.

Between Bubble and his Magic Racial, Syd is very tanky against bursty pets and comes in

handy all the time.

So, big congratulations to our May winners, check your mailbox if you're one of them and

best of luck to everyone in June!

The next order of business is the May Baking Stream!

The votes are in and we're making the Conjured Mana Strudels from the Warcraft cookbook!

Now I've NEVER made pastry before so I say there's a 60% chance that this is an utter

trainwreck.

However, the WoW cookbook hasn't steered me wrong yet and either way it should be a good

time.

The stream is going to start at 2PM Pacific on Thursday, May 4th.

That's this week!

Like with the test stream, the whole vod will be made available to watch on YouTube so if

you can't make it you can catch the recording.

I've got more equipment this time so even if the strudels are a mess they're going to

be a high definition mess.

The regular WoW stream will be on Friday as normal, and I look forward to chatting with

you guys on both streams!

A big thank you to everyone supporting me on and off Patreon and have a wonderful, wonderful

day.

Bye!

For more infomation >> May Battle Pet Giveaway Winners and Baking Stream Date Announcement - Duration: 2:40.

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Coeur d'Alene looks to invest in waterfront property - Duration: 2:03.

For more infomation >> Coeur d'Alene looks to invest in waterfront property - Duration: 2:03.

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Spellbound (1945). Alfred Hitchcock | Subtitles | HD - Duration: 1:58:10.

[Woman] Miss Carmichael, please. Dr. Petersen is ready for you.

Awfully sorry I have to go. Had a perfect hand.

- Would have beaten the pants off you. - Harry will take you.

- Oh, thank you. - [Whispering] Watch her carefully.

Don't take your eyes off her.

- How are you today, Harry? - Fine.

- You look a little bilious. - It's the light.

- I worry about you, dear. - I'll be all right.

Must we dash into Dr. Petersen's office?

Can't we go sit somewhere in private and talk, just you and I?

Love it, if I had time.

Would you? [Giggles]

[Gasps, Sighs]

- [Doorbell Buzzes] - Come in.

You ruined a very interesting card game, Dr. Petersen.

- You may go now, Harry. - I'll be outside.

- [Door Closes] - I hope you feel better today, Mary.

- Well, I don't. - You will.

I think this whole thing is ridiculous.

- What whole thing, Mary? - Psychoanalysis.

It bores the pants off me.

Lying on the couch like some dreary nitwit telling all.

You don't really expect to get anywhere listening to me babble

- Really! - My patients invariably regard me...

as a wretched nuisance during our first talks.

I see. It's my subconscious putting up a fight.

- It doesn't want me cured. - Exactly.

It wants to continue enjoying your disease.

Our job is to make you understand why.

When you know why you're doing something that's bad for you and

why, then you can begin curing yourself.

- You mean I've been telling you lies. - The usual proportion.

You're right. I'm lying like mad.

I hate men. I loathe them.

If one of them so much as touches me...

I want to sink my teeth into his hand and bite it off.

Hmm. In fact, I did that once. Would you care to hear about it?

- Tell me anything you remember. - We were dancing.

He kept asking me to marry him, panting in my ear.

I suddenly pretended I was going to kiss him.

I sank my teeth into his moustache.

Bit it clear off.

You're laughing at me.

That smug, frozen face of yours doesn't take me in.

You just want me to tell you all this so you can feel superior to me.

You and your drooling science. I detest you!

I never want to see that nasty face of yours again!

I can't bear you! You and your nickel's worth of nothing!

[Sobbing]

Come on, Miss Carmichael.

Silly fool. Letting a creature like that worry me. Miss Frozen-puss.

Oh, Dr. Fleurot, I want to talk to you alone.

I can't stand that woman.

- I'll see you later, Mary. - Come, Miss Carmichael.

[Moans]

Murchison must be really out of his mind to assign Carmichael to you.

You may report your findings to the new head when he arrives.

You can't treat a love veteran like Carmichael

I have done a great deal of research on emotional problems

Research, my eye!

I've watched your work for six months.

It's brilliant but lifeless. There's no intuition in it.

You approach all your problems with an ice pack on your head.

- Are you making love to me? - I will in a moment.

I'm just clearing the ground first.

I'm trying to convince you that your lack of human

is bad for you as a doctor... and fatal for you as a woman.

I've heard that argument from a number of amorous psychiatrists...

who all wanted to make a better doctor of me.

Ah, but I've got a much better argument.

- I'm terribly fond of you. - Why?

It's rather like embracing a textbook.

- But why do you do it, then? - Because you're not a textbook.

You're a sweet, pulsing, adorable woman underneath.

I sense it every time I come near to you.

You sense only your own desires and pulsations.

I assure you, mine in no way resemble them.

Stop it. I'm mad about you.

I'm afraid I'm boring you.

No. Your attitudes are very interesting.

I feel exactly like Miss Carmichael.

I'd like to throw a book at you... but I won't.

- May I borrow this? - Certainly.

Oh, and forgive me for my criticism.

I think you'd better stick to books. Oh, and another thing...

Pardon me for marching in, but I'm spreading the tidings.

My successor will be due any moment.

- Well, Dr. Murchison, it's been a pleasure working under you.

[Fleurot] Coming, Dr. Petersen?

Oh, I'm in no mad hurry to welcome Dr. Edwardes.

It's hard to imagine this place without you, Dr. Murchison.

Yes, I sort of go with the fixtures.

More than that. You are Green Manors. It seems unfair.

You're very young in the profession.

You haven't learned the basic secret of science.

The old must make way for the new.

Particularly when the old is suspected of a touch of senility.

Oh, that's ridiculous. I should think the board would

You've been like a new man since your vacation.

The board's as fair and all-knowing as a hospital board can be.

Oh, I agree with you, I'm as able and brilliant as ever.

But having crumbled once, I might crumble again.

- You were overworked. - A charming diagnosis

I shall always remember your cheerfulness today...

as a lesson in how to accept reality, Dr. Murchison.

Don't be too taken in by my happy air, Constance.

It's the least difficult way of saying good-bye to 20 years.

- Yes, l... I know. Come in. - [Doorbell Buzzes]

Your mail, Dr. Petersen, and Mr. Garmes.

Come in, Mr. Garmes.

You're not leaving today? I'll see you again?

I shall hover around for a while like an old mother hen.

At least until Dr. Edwardes is firmly on the nest.

[Door Closes]

How do you feel today, Mr. Garmes?

Somewhat better, Doctor. The thing seems a little less troublesome.

May I do that for you, Doctor?

No, thank you. No, no. I can do this myself very well.

Please sit down. I'll be with you in a moment.

So that's the mighty Anthony Edwardes.

He looks a little younger than I expected.

He's only brought one suitcase. Perhaps he doesn't intend to remain very long.

Leave those daydreams to Dr. Murchison.

Gentlemen, our new chief, Dr. Anthony Edwardes. Dr. Fleurot.

- How do you do? - How do you do?

- I am Dr. Graff. - How do you do?

- Dr. Hanish. - How do you do?

There are still some staff members missing, Dr. Edwardes.

These are your quarters.

They're very festive for an institution.

Dr. Edwardes, Dr. Murchison.

How do you do, Dr. Murchison? I've heard a great deal about you, sir.

And I, naturally, about you. You're younger than I thought you'd be.

My age hasn't caught up with me yet.

Mine has, it seems. I'm pleased to hand over the reins to steadier hands.

I'm leaving you my library which contains, amongst other

your latest volume, The Labyrinth of the Guilt Complex.

An excellent work. I hope Green Manors will inspire others as fine.

I'm very grateful.

I don't know the formal words for an abdication, Dr. Edwardes.

May I say merely that these quarters which I've occupied

Will you excuse me?

I spent a half hour with Dr. Edwardes.

I must say, I was most favorably impressed.

I intend to learn a great deal from Dr. Edwardes.

I think we all can from a man with such obvious talents.

- You're familiar with his work? - Mm-hmm, yes. I've read all his books.

A very keen, unorthodox mind.

Well, it would be dreadful if Dr. Murchison's successor

He's joining us.

I think you know everyone here, Dr. Edwardes.

- No, not yet. - Oh, this is Dr. Petersen.

- How do you do? - Dr. Edwardes.

Dr. Hanish has been showing me the grounds.

It's a remarkable institution, Dr. Murchison.

It must be quite beautiful in the summer.

I pointed out to Dr. Edwardes our various open air diversions

Dr. Murchison always argued we did not do enough in that

Let me warn you that Dr. Petersen is a frustrated gymnast.

Well, Dr. Fleurot considers anything beyond sitting and standing gymnastics.

I imagine you're very fond of sports.

Yes, I am. And I miss them, particularly winter sports.

- Did you show Dr. Edwardes the elm grove?

Well, that's where we hope to have our new swimming pool.

Oh, I'm a great believer in the swimming pool.

There's a perfect spot for it among the elms.

Not an oblong one, but an irregular pool, something...

something like this.

You know? The bathhouse, it should be here...

I take it that the supply of linen at this institution is inexhaustible.

[Sighs] Forgive me.

Oh, that reminds me of my professor in psychiatry, Dr. Brulov.

He could never stand a sauce bottle on the table, or even a salt shaker.

They took his appetite away.

I remember once at a banquet in his honor...

he refused to sit at the speaker's table...

because he was completely surrounded by...

by ketchup.

Last night at dinner, a dimple appeared at your cheek

and I detected the outcroppings of a mother instinct toward Dr. Edwardes.

I detest that sort of high school talk.

Your reactions have upset one of my pet theories about you.

To wit, that you were immune to psychoanalysts...

and would end up in the arms of some Boob McNutt with spiked hair.

If I were looking for that type, Dr. Fleurot, I would long ago

- [Doorbell Buzzes] - Come in.

Hi... Oh, excuse me.

It's from Dr. Edwardes.

Ohhh, love notes already.

The French school of science.

I didn't want to come to this institution, but my brother insisted.

I can see no sense in it myself.

You see, I'm convinced I'm not suffering from any hallucination...

but that my guilt is very real.

I know, Dr. Edwardes, that I killed my father...

- and I'm willing to pay the penalty for...

[Edwardes] Come in.

Oh, thank you for coming so soon.

I've been listening to Mr. Garmes and thought you might help me out.

Oh, Mr. Garmes, you shouldn't have disturbed Dr. Edwardes.

Oh, it's all right. I'm very interested in Mr. Garmes' case.

Yes, I knew you would be. He fits perfectly into your

Would you mind telling me what you're talking about?

You're here to see if we can cure your guilt complex

But I have no guilt complex. I know what I know.

- I killed my father, and l... - No, you didn't kill your father.

That's a misconception that has taken hold of you.

Oh, I'm sorry, Doctor. You were talking to him.

No, no. Go on.

People often feel guilty over something they never did.

It usually goes back to their childhood.

A child often wishes something terrible would happen to someone.

And if something does happen to that person...

the child believes he has caused it.

And he grows up with a guilt complex...

over a sin that was only a child's bad dream.

What I am thinking isn't true, then.

No. And in the course of analyzing yourself, you will see that.

Would you care to go back to your room, Mr. Garmes?

- [Door Opens] - Harry.

I think we'd better put him under drugs for a few days.

He looks agitated.

His conviction is curious.

But you've encountered such cases very often, Dr. Edwardes.

You described them perfectly in your book.

Yes. Yes, so I did.

- Uh, would you mind doing me a favor? - Not at all, Doctor.

I have a headache, and I'd like to take the afternoon off... with you.

I understand you're not on duty till after dinner.

Well, I intended typing up my notes...

Oh, please. I need a little fresh air, and it might do you a bit of good.

I was going to lunch with Dr. Hanish. He has an interesting kleptomaniac...

Oh, kleptomaniacs for lunch. They'll steal the food right out of your mouth.

- [Phone Ringing] - Excuse me.

Hello. Yes, Dr. Edwardes.

What? Yes, Anthony Edwardes.

Who? I'm sorry. I don't get your name.

Norma Cramer.

Please, Miss Cramer, I'm very busy and I don't know you.

Some girl claiming to be...

[Chuckles] I hate practical jokes. Don't you?

People calling you up and chirping, "Guess who I am."

Sounds like some ex-patient of yours.

They are always full of coy little tricks.

Very likely. Come on, let's go.

We'll look at some sane trees, normal grass and clouds without complexes.

[Laughs]

I think the greatest harm done the human race has been done by the poets.

Oh, poets are dull boys, most of them, but not especially fiendish.

They keep filling people's heads with delusions about love...

writing about it as if it were a symphony orchestra

Which it isn't, eh?

Of course not. People fall in love, as they put it...

because they respond to a certain hair coloring...

or vocal tones or mannerisms that remind them of their parents.

- Sometimes for no reason at all. - That's not the point.

The point is that people read about love as one thing

Well, they expect kisses to be like lyrical poems...

and embraces to be like Shakespearean dramas.

And when they find out differently...

then they get sick and have to be analyzed, eh?

- Yes, very often. - Professor, you're suffering

I beg your pardon! [Laughs]

Here, can't get through there like that.

Of course I can. Really. I've been through here many times.

- Oh! - Whoops. Hurt?

- No, not at all. - Here.

No, I'm perfectly all right. [Laughs]

Well, I usually go on picnics here alone.

Oh, that doesn't sound like much fun.

I haven't gone in for fun, as you call it.

Oh, isn't this beautiful?

Perfect.

Oh, lunch, lunch. What'll you have?

Ham or liverwurst, hmm?

Liverwurst.

Has anybody seen our new chief today?

He has been tied up.

He frisked off with Dr. Petersen at noon.

It's odd, spending his first day running after Dr. Petersen

It'll do Constance good to be drooled over.

Poor girl's withering away with science.

I was telling her only recently that something vital was missing

[Door Opens]

Oh, please don't get up. I just came in because I learned

- Yes, I gave him a sedative. - I'm very sorry I wasn't here.

- Constance, you look as if you had an instructive time.

Gentlemen, notice her stocking. The lady's been climbing trees.

Or lolling in a briar patch.

No, no, it's trees. There are two leaves in her hair.

Allow me, Dr. Petersen.

You're surpassing yourself as a charmer, Dr. Fleurot.

Don't run away. Do have some coffee.

[Fleurot] Oh, Dr. Petersen has already eaten...

as one can tell by the mustard on her right forefinger.

I would say hot dogs on the state highway.

Would you really? Your diagnosis is, as usual, wrong, Dr. Fleurot.

Not hot dogs. Liverwurst. I'm very sorry I have to leave this nursery.

- I must see Mr. Garmes. - [Door Opens, Closes]

Looks as if we have Casanova himself at the head of Green Manors.

Did you notice her blush every time we mentioned his name?

It's very late.

L-I was going to read your new book again.

I would like to discuss it. I have never discussed

Of course, at school we had several literary professors,

I sound rather nervous, don't I?

Not at all.

I thought I wanted to discuss your book with you.

I am amazed at the subterfuge.

I don't want to discuss it at all.

I understand.

It's quite remarkable to discover that one isn't what one thought one was.

I mean, I've always been entirely aware of what was in my mind.

And you're not now?

[Sighs] Quite ridiculous.

It was stupid of me to come in here like a distracted child.

- You're very lovely. - Please don't talk that way.

You'll think I came in to hear that.

- I know why you came in. - Why?

Because something has happened to us.

But it doesn't happen like that, in a day.

It happens in a moment, sometimes.

I felt it this afternoon.

It was like lightning striking.

It strikes rarely.

I don't understand how it happened.

- What is it? - It's not you.

It's something about your robe.

My robe? I don't understand.

Forgive me. L... Something struck me.

I've been having a rather bad time with my nerves lately.

Your robe... I mean, the dark lines.

- You're ill. - [Phone Ringing]

No, I'll be all right.

Hello. Yes, Dr. Edwardes.

Yes. Yes. What?

Where is he? I'll be there right away.

Mr. Garmes. He's run amuck. He tried to murder Fleurot,

- Well, is it bad? - I think so. He's in surgery.

I'll be right along.

He's lost a lot of blood, but I think he'll pull through.

- What's the pulse? - One hundred and forty.

It's going down.

Why are the lights out in the corridor?

- What do you mean? - It's dark.

That's why he did it! 'Cause the lights are out!

Put 'em on!

The doors. Unlock them!

- You can't keep people in cells! - Dr. Edwardes.

You fools, babbling about guilt complexes.

What do you know about them?

He did it. He told me. He killed his father.

[Panting] Put the lights on, quick!

It's dark. It's dark.

- He's in collapse. - He's ill.

- He didn't look like a heart case. - Not heart, shock of some sort.

- We must get... - Probably brought about by exhaustion.

Take him up to his room. I'll take care of him.

I'm sorry.

I suppose I made quite an exhibition of myself.

Who brought me down here? You?

It's rather a mess. Going to pieces in surgery.

Who are you?

I remember now.

Edwardes is dead.

I killed him and took his place.

I'm someone else. I don't know who.

I killed him. Edwardes.

I have no memory.

It's like looking into a mirror and seeing nothing but the mirror.

And yet the image is there. I know it's there.

I exist. I'm there.

How can a man lose his memory, his name...

everything he's ever known and still talk like this?

As if he were quite sane. Are you afraid of me?

No. You're ill. Loss of memory is not a difficult problem.

Yes, I know. Amnesia.

A trick of the mind for remaining sane.

You remain sane by forgetting something too horrible to remember.

You put the horrible thing behind a closed door.

- We have to open that door. - I know what's behind that door:

No. That's a delusion you have acquired out of illness.

Will you answer me truthfully and trust me?

I trust you, but it's no use. I can't think.

I don't know who I am. I don't know. I don't know.

- Who telephoned you yesterday? - Telephoned me?

Yes, there in the office.

Yes, I remember.

What did she say?

She said that she was my office assistant.

She was worried about me, hadn't heard...

You mean, she was Dr. Edwardes' assistant and hadn't heard from him?

What else did she say?

She didn't recognize my voice. That I wasn't Dr. Edwardes.

- You hung up in anger? - I was confused. My... My head ached.

- Was that your first doubt? - First doubt?

The first time you became confused as Edwardes?

Did anything else happen before that?

Yes.

While I was in the hotel room packing to come here...

I found a cigarette case in my coat.

It frightened me. I didn't know why it should.

Here.

The initials "J.B." See them?

- Yes. - When I saw them in the hotel room...

they made my head ache.

They're probably your initials.

J.B. J.B.

You must sleep. I think when you wake up, you'll be able to tell me more.

- If you trust me. - I trust you.

It's late. You'd better get some sleep yourself.

I'll be all right.

I'm-I'm sure there will be no police inquiry for a few days...

and we'll talk about it and straighten everything up before anything happens.

I'll come in in the morning and report you're too ill for service.

[Door Closes]

I have been in Dr. Edwardes' office for five years...

and the man who spoke to me is not Dr. Edwardes.

He let me have my vacation when he left on his.

I was very worried when I didn't hear from him last week.

Then I thought he might have just come here without reopening his office.

- That's why I telephoned. - Show them the picture.

Oh, yes.

That's a different man.

He was taking a chance. Somebody might have known what Edwardes looked like.

- You never saw the real Edwardes? - No, I never met him.

But I felt something was wrong from the moment our man appeared.

He didn't impress me as a scientist.

And last night when he collapsed, I became actually alarmed.

What do you think made him break down last night?

It's obvious now... Garmes.

Our impostor, I'm almost certain, is an amnesia case.

Garmes brought him back to reality for an instant.

And being unable to face the truth of who he was, he collapsed.

- You think he may have killed Edwardes? - There's no question of it.

He killed Dr. Edwardes and took his place in order to conceal his crime...

by pretending the victim was still alive.

This sort of unrealistic act is typical...

of the shortsighted cunning that goes with paranoid behavior.

But we're wasting time, gentlemen. His room is upstairs.

[Doorbell Buzzing]

[Buzzing Continues]

[Knocking]

Oh, uh, this is Dr. Petersen.

These gentlemen are from the police...

The police? What has happened?

Nothing to be alarmed about. Our Dr. Edwardes turns out to be

and is very likely guilty of having murdered the real Edwardes.

- He's disappeared. - Oh. He is not in his room?

You left him in his room, miss?

- Yes. - Did he say anything?

About himself? About why he broke down?

No. He was not himself. He was unable to speak coherently.

You don't seem very surprised to learn that this Dr. Edwardes...

is a fake and may be guilty of murder.

L-I'm used to such surprises in my work.

You suspected something, then?

No. I thought his collapse due to a mental strain.

That's a funny diagnosis for a fellow who's supposed to have just come

I made no medical diagnosis. I was shocked to see him collapse,

We were all pretty shocked, Sheriff. The fellow took us all in.

All except Dr. Murchison.

And he didn't say anything that might give you an idea of where he went?

No.

He may be hanging around. We'll have to go over the grounds first.

I'm sorry this has happened to you, Constance.

I felt like warning you about him, but I wasn't certain.

Don't worry. It's not your fault.

They're bound to find him. I'll keep you informed of the police activities.

I say the fellow expected to get away with it, like any criminal.

Nonsense. Obviously a case of amnesia.

He hadn't the faintest notion of who he was or what he was doing.

What do you say, Constance?

I, I don't know.

You know, if you were anybody but Constance Petersen...

the human glacier and the custodian of truth...

- I'd say... - Yes, you'd say what?

My dear, forgive me my scurvy thoughts. You are telling the truth.

I was going to say that you were holding something back.

I'm a sentimental ass. A woman like you...

could never become involved emotionally with any man, sane or insane.

I suggest you change the subject, Fleurot.

I will be very interested to ask him certain questions...

when they bring him back here, no matter what you think.

- You'll never ask our mystery man any questions.

For the very good reason the police will never find him alive.

Amnesia case of that sort with the police after him...

Fellow will put an end to his pain, nightmare fantasies...

either by blowing his brains out or dropping himself out of a window.

You're offending Dr. Petersen with your callousness.

I'm sorry, Constance, that our staff still retains the manners

Why, I'm not offended. I think Dr. Fleurot's ideas are quite accurate.

But I'm rather tired. Good night. Good night.

[Radio Newscaster] The police have asked me to announce...

that our neighborhood roads are free of the dangerous madman

The search for the impostor has shifted to Manhattan.

This is WQZK, Rutland, George Bell.

[Announcer] We now resume our regularly scheduled program.

## [Big Band]

[Sighs]

Sure feels good to take the weight off your feet.

I'm from Pittsburgh.

There's a town for you.

Really can meet people in Pittsburgh.

Friendly.

A fellow could live and die in this town, and he couldn't meet nobody.

How about you and me having a nice little drink together

No, thank you. L...

You don't have to be so snooty about it.

I'll have you know, madam, that I know better people than you in Pittsburgh.

Yeah, I'm sure you're a great social success, given half a chance.

Now you're talkin'.

Do you mind not sitting in my lap in public?

That's enough of that. Beat it.

I'll have you know I'm a guest in this hotel. Who do you think you are?

I'm the house detective. Get going.

Aw, this town's gettin' worse and worse.

Oh, that's all right, lady. You don't have to go.

I'm sorry you were being annoyed.

I've been watching you, and I figured something like this might happen.

See, the chief duty of a house detective...

is to spot trouble in advance.

- You're not registered here, are you? - No.

Well, I didn't think so, the way you were wandering around.

Lookin' for somebody, huh? Oh, now, don't be afraid of me.

I, uh, I've got you spotted as a lady in trouble...

and from out of town.

Schoolteacher or, uh, librarian.

- Which is it? - Schoolteacher.

I thought so. They always look like they just lost something.

- Maybe I can help you. - I don't think so. Thank you.

Looking for some man, I suppose.

Must be a relative.

And from the worried look, I'd say a pretty close one.

A husband, for instance.

Oh, I'm really amazed.

- I hit it, huh? - But how could you tell?

Well, I'm a kind of a psychologist.

You know, you gotta be in my line.

Now would you mind filling in a few of the blank spaces for me?

Oh, no. It's just that we quarreled.

Oh, and then you got sorry and you came running after him?

That's the usual psychology.

But now you're afraid to face him.

Oh, no, no.

It's that l... I don't know what room he's in.

He told a friend he was coming to this hotel...

but under a different name so I couldn't find him.

But I must find him and apologize and make him feel better.

When did he arrive here?

Yesterday morning.

Give me a description of him.

He's-He's very tall and, and attractive.

Uh, dark hair, a rather rugged face...

and brown eyes and one suitcase.

I'll go check on him.

[Sighs]

- Did you find him? - Well, I think we got a line.

About 25 guys answering your description registered here yesterday.

These are their registration cards.

I figured you might recognize the handwriting.

That's very clever of you.

This is his handwriting.

John Brown, huh? Not much imagination for an alias.

- Room 3033. - Oh, thank you very much.

- I was going to sit here all day watching for him.

I'm glad to be of service. I'm a married man myself...

and I know how it feels to have a wife come chasing after you to apologize.

[Doorbell Buzzes]

Constance.

What did you come for? You don't owe me anything.

I'm going to do what I want to do.

Take care of you and cure you and remain with you till that happens.

But you can't. You can't help hide a criminal.

You're not going to jeopardize your standing as a doctor.

You're just getting started. I won't let you be stupid about it.

I couldn't bear it away from you.

I went through yesterday holding my breath as if I were being hunted.

I couldn't eat or work or do anything but think of you.

So I had to come. I'll get a room on this floor.

I'm here as your doctor only. It has nothing to do with love.

Nothing at all. Nothing at all.

Try remembering.

Let your mind go back to your childhood.

Was it happy? Whom did you know in your childhood?

I'm haunted, but l... I can't see by what.

- It's no use. - You lived somewhere.

You had a mother. You were loved. You had friends.

Yes. Probably a wife.

Can you remember her?

Oh, I didn't say I had one. I said I probably had.

No, darling. Thank heaven I can't remember a wife.

I would like to ask you a medical question.

Constance, would you mind not prodding me?

It mixes me up. L...

I can't remember anything... except that I love you.

How would you diagnose a pain in the right upper quadrant?

A pain that is persistent.

Oh, a gall bladder, possibly a heart case or pneumonia...

- depending on the patient's history. - It's obvious you're a doctor.

Yes. The eminent Dr. X.

And if we can unlock one tiny memory...

it'll give us a key to the others.

No.

The only thing that comes to my mind...

that I keep thinking over and over, is the logic of the situation.

- What logic? - That it was I who was with Edwardes.

"Police believe the impostor who escaped from Green Manors...

to be the patient who visited the real Dr. Edwardes...

in the Cumberland Mountains the day that the noted psychiatrist disappeared.

No trace of Dr. Edwardes has been found...

since he left the Cumberland resort in the company of his supposed patient."

- Do you remember that? - No.

Then why do you believe that you were with him?

Because wherever we went, I came back with his identity.

I wouldn't have come back as Dr. Edwardes if I hadn't

How would I have known he was dead if I hadn't been

- Were you? - I, I don't remember, but...

logically I know that I must have been.

And logically I also know why the body hasn't been found.

Because it was hidden by me.

Don't you see that you're imagining all this?

You call yourself names. You insist without proof that you're a murderer.

You know what that is, don't you?

Whoever you are, it's a guilt complex that speaks for you.

A guilt fantasy that goes way back to your childhood.

I think you're quite mad. You're much crazier than I.

Do all this for a creature without a name.

To run off with a pair of initials.

The police have not given your name or case history to the papers.

That must mean only one thing...

that your name was not in Dr. Edwardes' files.

You were in an accident.

Where was it?

What happened to your hand? Your hand was burned.

You've had an operation in the last six months.

And skin grafts. Third-degree burns.

Your hand was burned. Where?

- It hurts. - Try remembering.

[Panting] My hand hurts.

Your hand is remembering. Open your mind, and the pain will leave.

- Where did it happen? - I can't. It hurts.

- What happened? - It's burning. My hand's burning.

Try to remember.

Oh, my dear, are you all right?

I'm all right. What happened?

You relived an accident you've been in.

But the memory only touched the part of your mind that feels.

But it's a beginning. It really is.

- You'll feel better soon. - [Doorbell Buzzes]

- Who could that be? - Oh, I know.

I sent out for the later editions of the papers.

- You ordered the afternoon papers, didn't you?

- They just came. I brought them right up.

- Here you are. Thank you. - Oh, thanks.

My picture's in the paper. He recognized me.

We've got to go, quick. We can't pack.

Listen.

When you left the mountains, you must have passed through New York.

Wherever you came from, wherever you went, you must

You must have heard Edwardes ask for tickets to somewhere.

I don't remember.

You will. When you come to the ticket window...

try to relive that other time with Edwardes.

Try to repeat what was said then.

Ask for the same tickets.

I'll try.

One. Philadelphia.

[Ticket Agent] Philadelphia. $3.39, including the federal tax. Thank you.

Washington, one way.

You went someplace with Edwardes.

Ask for tickets to that same place.

[Ticket Agent] $8.46, including tax.

Thank you.

What is it?

What do you want, sir?

Well, please step aside.

- I want two tickets. - Where to?

- Rome. Rome. - To where?

- Rome. - What Rome?

He means Rome, Georgia.

Is anything wrong?

My husband is ill. I'm taking him home.

Here you are. Two tickets to Rome, Georgia.

He'll be all right in a minute. These dizzy spells go away quickly.

- He looks pretty sick. I'll call a doctor.

Do you feel better now, darling? Darling?

Pull yourself together. You're all right.

When does the train for Rome leave?

The Birmingham Special leaves in ten minutes, track 17.

- I feel better now. - Thank you.

That's all right, lady. I'll take you to the train in case anything happens.

Oh, he has recovered now. You're very nice to offer help,

Act as if we are taking this train. We'll walk down a ways

What's the matter with this train?

The policeman heard us buying the tickets.

- Did he act suspicious? - No, he was very nice.

But when he goes to the police station tonight, he may find

They'll telegraph Rome, Georgia, and have us picked up.

We can't go back to the hotel. They'll have a million police there by now.

We're not going back. We're going to Rochester.

Come on. We'll go over to Grand Central Station.

Oh, by the way, what are we going to Rochester for?

Oh, we're going to visit Dr. Brulov.

Oh, that's the fellow who doesn't like sauce bottles.

- He was my analyst. He psychoanalyzed me.

Oh, all analysts have to be psychoanalyzed by other analysts

Ah, that's to make sure that they're not too crazy.

Apparently the mind is never too ill to make jokes about psychoanalysis.

- I'm sorry. I'm a pig. - No, I am. I keep forgetting

So do I. When I hold you like this, I feel entirely well.

Will you love me just as much when I'm normal?

Oh, I'll be insane about you. [Laughing]

I am normal.

At least there's nothing wrong with me...

that a nice long kiss wouldn't cure.

Oh, I have never treated a guilt complex that way before.

- We don't want to attract attention. - Everybody's doing it.

[Laughs]

- You're both going? - Yes. Y-Yes.

Oh, don't read the paper. Let's pick up where we left off.

- Pick up what? - Try to recall the first moment

- Darling, I have a confession to make.

As a doctor, you irritate me.

I sit here swooning with love, and then suddenly...

you ask me a question and I don't like you anymore.

Do you have to sit there smiling at me like some smug,

I can't help smiling. That's what happens in analysis.

As the doctor begins to uncover the truth in a patient...

said patient develops a fine, hearty hatred of said doctor.

Well, you're going to hate me a great deal before we're through.

- And you're going to like that? - As a scientist, yes.

And if I should happen to biff you one, you'll consider that a sort of diploma?

Yes, but don't biff too hard.

You know, I think we should go on with our investigation.

- We have some new facts to work with now.

You're a doctor, you were in an accident...

your hand and forearm were burned...

- and you were in Rome. - I was never in Rome in my life.

You were either there or going there.

You remembered something no doubt connected with the burning of your hand.

Rome. Think of Rome.

Maybe Rome, Italy. When did you go to Rome?

What did you do in Rome?

Think.

Think.

[Mutters]

Yes, I remember. I remember something. A fighter plane spotted us.

- You were flying? - Transport, Medical Corps,

- What happened? - They hit us. Caught fire.

What else?

I don't know. L-l-It blacks out.

You left the army?

Yeah. I probably deserted it. I hated it.

I hated killing. I can remember that much.

Your guilt fantasies were obviously inflamed by your duties as a soldier.

Oh, stop it.

Babbling like some phony King Solomon.

You sit there full of half-witted double-talk that doesn't make sense.

If there's anything I hate, it's a smug woman.

Darling, we're just beginning.

Don't biff too hard yet.

I worked as Dr. Brulov's assistant for a year, right after my internship.

He got me the post at Green Manors. You'll like Alex.

I doubt that. One psychoanalyst in my hair is enough.

- What are you gonna tell him? - That we are on our honeymoon.

Oh, Doctor, you think of the most wonderful descriptions.

Good evening. Is Dr. Brulov in?

No, he went out right after dinner. He ought to be back soon.

Would you mind telling him I've left his supper on the table?

I'm sorry, but I can't wait any longer.

Oh, and there are two gentlemen waiting for him in there.

- How do you do? - [Man] How do you do?

How do you do?

How's your mother been lately?

Oh, she's still complaining about rheumatism.

She figures I ought to get transferred down to Florida.

I said, "Do you expect me to sacrifice all chance of promotion...

just because you've got rheumatism?"

Did you take the subject up with Hennessy?

Yeah. He said a transfer could be arranged...

but I'd probably have to start all over again as a sergeant.

I said, "Personally, I think that's unfair...

after all the work I did in that narcotics case. "

- And what did Hennessy say to that? - Oh, a lot of things.

He made some crack about me being a mama's boy.

[Ringing]

[Ringing Continues]

Oh, pardon me. That may be for me.

I gave Headquarters this number.

Hello. Yes, this is Lieutenant Cooley.

Any new developments?

Well, when did you find that out?

No. Right. I'll be down later.

Good-bye.

[Door Opens]

- Alex! - [Brulov] Who is it, please?

- Oh, my old friend! - Alex!

- My dear darling! - Oh, l-I didn't have time

- I just arrived. - Imagine I find you here.

Oh, I would have come home quicker.

I was giving a lecture at the army hospital.

- Are these gentlemen with you? - No, I'm here with...

Dr. Brulov, I'm Lieutenant Cooley of Central Station.

- This is Sergeant Gillespie. - What for?

We thought you might give us some data on Dr. Edwardes.

Data? What is this kind of persecution?

I told the policeman yesterday I know nothing about Edwardes.

But yesterday you had some kind of theory.

[Brulov] I explained to the policeman...

that if Edwardes took along with him on vacation a paranoid patient...

he was a bigger fool than I ever knew he was.

It is the same as playing with a loaded gun.

[Cooley] Do you think this patient might have killed him?

I'm not thinking anything. I am not a bloodhound.

Was Dr. Edwardes a great friend of yours?

What are you talking about? The man was impossible.

You had a quarrel with him when you went back in New York, I understand.

Not New York. In Boston, at the psychiatry convention.

What kind of an analyst is it who wants to cure psychosis...

by taking people skating or to a bowling alley?

I understand you threatened to punch his nose.

All I did was get up and walk out...

and kick over a few chairs which nobody was sitting in.

So you don't have to ask me any more questions. You have now the facts.

Well, thank you very much. I'm sorry to have bothered you.

If anything turns up, we'll let you know.

- Good-bye, ma'am. Good night, sir. - Good night.

[Door Opens, Closes]

What do you suppose they are snooping around me for?

The next they will give me is the third degree.

I am so glad to see you. I was going to write you, but it happened so suddenly.

- I got married. - Uh, who is married?

Oh, Alex. My husband, John Brown.

- I'm glad to meet you, officially. - Oh, so you are married!

Oh, there is nothing so nice as a new marriage.

No psychosis yet, no regressions, no guilt complexes.

I congratulate you...

and wish you have babies and not phobias.

How about we have a glass of beer like in the old days?

Yes. The truth is that we have no hotel room.

- All the hotels were so crowded. - What do you want with a hotel?

That's for millionaires, not lovebirds on a honeymoon.

You will stay right here.

Look how I'm living by myself with a can opener.

My housekeeper is gone to war.

My secretary is a WAC.

And I got a cleaning woman who can't cook and who hates me.

Cook me my coffee in the morning and the house is yours.

- That's wonderful of you, Alex. - Ah, there is nothing

It's nice to see my old assistant...

the youngest but the best one I ever had.

But who knows now?

As my old friend Zannenbaum used to say...

"Women make the best psychoanalysts...

till they fall in love.

After that, they make the best patients."

[Chuckling]

Good night and happy dreams...

which we will analyze at breakfast.

Good night, Dr. Brulov, and thanks for everything.

Any husband of Constance is a husband of mine, so to speak.

- Good night, Alex. - Good night.

- You were superb with the police. - Was I?

Oh, carried it off like a grade-A gun moll.

Well, I felt terribly stupid for a few minutes, but it turned out very well.

Providing the professor isn't wiser than he seems.

Alex? Oh, no. Things are a little different.

No, Alex didn't think anything. He's sweet.

He may be sweet, but he didn't even ask us where our bags were.

Alex is always like that... in a complete dream state, socially.

Do you know, this room does look changed.

But it isn't.

It's I who am changed. It's called transfer of affects.

- What is? - The fact that everything seems

Oh. That's what it's called, is it?

- Did the police disturb you? - Oh, no.

One ignores such trifles on a honeymoon.

I take it this is your first honeymoon.

Yes. I mean...

it would be if it were...

For what it's worth, I...

I can't remember ever having kissed any other woman before.

I have nothing to remember of that, that nature either.

Oh, you're very sweet.

- Of course, I'm no child. - Oh, far from it.

I'm well aware that we're all bundles of inhibitions.

Oh, dynamite dumps.

No.

- Oh, please don't do that. - Why?

It isn't ethical. I'm here as your doctor.

Well, you can stop worrying, Doctor. I'm gonna sleep on the couch.

No, that's also unethical.

This honeymoon is complicated enough without your dragging

- I suppose the floor is out. - The patient always sleeps in the bed.

And the doctor occupies the couch, fully dressed.

Oh, I see you know the rules.

- You remember something. - No.

- This room reminds you of something. - No.

You're resisting a memory. What is in your mind?

- I don't know. - Yes you do! You're resisting it!

Don't start that again! Don't stand there with that wiseacre look.

- I'm sick of your double-talk. - You were looking at the bed.

What frightens you? White lines.

When I made fork marks on the tablecloth, they agitated you.

That night you kissed me, you pushed me away because of my robe.

It was white. It had dark lines on it.

Why does the color white frighten you? Why do lines frighten you?

- Think of white! White. - 'Cause it frightens me. I can't look.

Don't run away! Stand still! Look at the white spread!

Darling.

Oh, darling.

You mustn't be frightened.

No, you mustn't. We are making progress.

We have the word white on our side.

Is that you, Mr. Brown?

Oh, I thought it was you.

I was unable to sleep, so I came down to work.

When you're old, you don't need to sleep so much.

I'm just having a glass of milk and some crackers.

Join me, please. I'll get another glass.

I'm glad to have company.

Nobody likes to have crackers and milk by himself.

When I was a young man, I was always saying...

"Ah, if I could only get along by myself...

instead of wasting my time with people...

I would be happy. "

Now I am saying just the opposite.

This is the secret of old age.

Everything becomes just the opposite.

Do you know who makes the most trouble in the world?

Old people.

They are always worrying what is going to be in the world tomorrow...

after they are gone.

That's why they have wars...

because old people got nothing else they can get excited about.

Well... we will drink to you.

To when we're young and know nothing except living.

Alex! Alex, are you all right?

- Oh. - [Sighs]

Good morning. Yes, I am all right. Thank you.

- Oh, I fell asleep in the chair. - Yes.

- What time is it? - 7:00.

I was dreaming this morning I get some real coffee.

Yes. M-My husband must have gone out very early this morning.

- You didn't happen... - He didn't go out.

He's over there on the couch.

He's all right. He's sleeping fine.

My dear child, do you think old Alex Brulov...

one of the biggest brains who is in psychiatry...

is unable to make out two and two come out four?

[Sighs] I should have known.

The moment I see you with a husband whose pupils are enlarged...

who has a tremor of the left hand...

who is on a honeymoon with no baggage...

and whose name is John Brown...

I know practically what is going on.

What happened?

Only what I expected.

There is no use taking chances with a possibly dangerous case.

I sit here waiting.

If you scream, I'm ready.

So he comes downstairs, and he's dangerous.

I can see by his face.

So I keep talking while I put some bromide into a glass of milk...

enough to knock out three horses.

When he falls down, I run up to see you...

you are sleeping like a baby...

and I come back here to watch out.

Well, the struggle against his condition agitates him at times...

but there is no danger in him.

This is what I found in his hand last night.

He didn't know he had that. Alex, you mustn't think that.

He didn't try to do anything to you. He couldn't.

My dear child, he's not responsible.

But that's not correct.

I'm just a little more experienced with this type than you.

I grant you know infinitely more than I do, but in this ca...

Do not complete this sentence with the usual female contradictions!

You grant me I know more than you...

but on the other hand you know more than me.

- Women's talk. Bah! - Alex, what are you going to do?

- Something more for you than for me. - Alex.

- I'm calling the police. - No, no, please!

You are giving me orders. My own pupil.

You don't know this man. You know only science.

You know his mind, but you don't know his heart.

We are speaking of a schizophrenic...

and not a Valentine.

We are speaking of a man.

[Chuckling] Oh. Oh, I see. Love.

Look at you. Dr. Petersen...

the promising psychoanalyst, is now all of a sudden a schoolgirl...

in love with an act, nothing else.

Alex, let me tell you about him.

What is there for you to say?

We both know that the mind of a woman in love...

is operating on the lowest level of the intellect.

The doctor told me not to smoke in the morning, but I am too excited.

Oh, you are right.

I'm not an analyst, not even a doctor here.

I'm not talking to you as one.

But believe me... not what I say, but what I feel.

The mind isn't everything.

The heart can see deeper sometimes.

A police investigation might ruin his chances for recovery,

My dear, he killed Dr. Edwardes. How can you help him?

He didn't. He didn't.

But if it turns out he did, which I'm good and certain it will...

It won't. You yourself taught me what Freud says...

"A man cannot do anything in amnesia that his real

And how do you know what his real character is?

I know. I know.

She knows.

This is the way science goes backward.

Who told you what he is?

Freud... or a crystal ball?

I couldn't feel this way toward a man who was bad...

or had committed murder.

I couldn't feel this pain for someone who was evil.

You are 20 times crazier than him.

[Mockingly] She couldn't love him if he was no good.

This is baby talk, nothing else.

What do you want I should do?

Give me time to treat him and cure him...

before the police find him and shock him into an incurable condition.

- This could take a year. - Oh, no, no.

Or a half a year.

We should sit and hide for a half a year...

waiting to find out if he's going to cut your throat...

my throat and... and set fire to the house.

Oh, my dear girl.

Even to a woman in love...

such a situation must seem a little unreasonable.

Just a few more days, Alex, before you turn him over.

Just a few more days. And then if I can't do anything...

if we both can't, well, then you call the police.

You're not hiding a criminal. There is no evidence against him

He's wanted only as a possible witness as to what happened to Dr. Edwardes.

Well, in his present condition, he could tell the police nothing.

Don't you see you are doing nothing against the law?

We are helping them by investigating the patient as doctors...

doctors who want the truth even more than they do.

- All right. - You'll wait?

Go make me coffee.

I'll pretend to myself I'm acting sensible for a few days.

[Crying] Oh, Alex.

Thank you. Thank you very much.

Thank you.

It's, uh... I'll make you coffee... with an egg in it.

- Who are you? - I'm Dr. Brulov.

Brulov. Oh, yeah, that's right.

[Sighs] Bromides? Who's been feeding me bromides?

I gave you... to sleep.

Brulov.

Oh, yes. Rochester.

- What's your name? - [Sighs]

I don't know.

- Constance told you. - Oh, nobody told me.

If I don't know a patient with amnesia when I see one, what do I know?

- You don't remember your father or mother?

- Wife or sweetheart? - No!

Don't fight me. I'm going to help you, if I can.

I'm going to be your father image.

I want you to look on me like your father.

Trust me, lean on me.

This is a shortcut, but we haven't much time.

All right. Go ahead. I'm leaning.

Maybe you've got something you want to tell me...

a single thought, a few words in the corner of your head?

Go on. Talk to me.

Whatever comes into your head, just say what it is.

- There's nothing. - Maybe you dreamt something.

- Yeah. - What did you dream?

I don't believe in dreams. That Freud stuff's a lot of hooey.

Hooey? You are a fine one to talk.

You've got amnesia, and you've got a guilt complex.

You don't know if you're coming or going from someplace.

But Freud is hooey. This you know.

[Scoffs] Wise guy.

[Sighing]

You don't like me, Papa.

You want I should help you... or not?

[Chuckles] I'm sorry.

I'll explain to you about dreams...

so you don't think it is hooey.

The secrets of who you are and what has made you run away from yourself...

all these secrets are buried in your brain...

but you don't want to look at them.

The human being very often doesn't want to know the truth about himself...

because he thinks it will make him sick.

So he makes himself sicker, trying to forget.

- Do you follow this? - Yeah.

- Oh, how do you feel? - Ah, coffee.

Awful.

The patient is going to tell us what he dreamt.

Oh, fine. I'll take notes. I'll get my glasses.

Now, here's where dreams come in.

They tell you what you are trying to hide...

but they tell it to you all mixed up...

like pieces of a puzzle that don't fit.

The problem of the analyst is...

to examine this puzzle...

and put the pieces together in the right place...

and find out what the devil you are trying to say to yourself.

Let's see.

I kept thinking while I was dreaming that all this meant something...

that there was some other meaning in it that I ought to find out.

We'll find out.

I can't make out just what sort of a place it was.

It seemed to be a gambling house.

But there weren't any walls, just a lot of curtains with eyes painted on them.

A man was walking around with a large pair of scissors

And then a girl came in with hardly anything on...

and started walking around the gambling room kissing everybody.

She came to my table first.

[Brulov] Did you recognize this kissing bug?

Well, I'm afraid she looked a little like Constance.

Uh-huh. This is plain, ordinary, wishful dreaming.

- Go on. - [Chuckles] Well...

I was sitting there playing cards with a man who had a beard.

I was dealing to him. I turned up the seven of clubs.

He said, "That makes 21. I win."

When he turned up his cards, they were blank.

Just then the proprietor came in and accused him of cheating.

The proprietor yelled, "This is my place and if I catch you

I'm sorry about that kissing bit.

I'm glad you didn't dream of me as an eggbeater as one of my patients did.

- Why? What would that mean? - Never mind.

Well, does it make any sense to you what I dreamed?

Not yet. You are trying to tell yourself something.

What it is we'll figure out later.

There's a lot more to it.

Go on and try to recall the details.

The more cockeyed the better for the scientific side of it.

He was leaning over the sloping roof of a high building.

It was the man with the beard. I yelled at him to watch out.

But then he went over, slowly, with his feet in the air.

And then I saw the proprietor again... the man in the mask.

He was hiding behind a tall chimney and he had a small wheel in his hand.

I saw him drop the wheel on the roof.

Suddenly I was running. Then I heard something beating over my head.

It was a great pair of wings. The wings chased me...

and almost caught up with me when I came to the bottom of the hill.

[Chuckles] I must have escaped. I don't remember.

That's all there was. I woke up and saw Dr. Brulov.

- Have some coffee. - Thanks.

- Something's happening. - What is it?

- Snow. - The light frightened him.

Photophobia.

No, it was the snow.

That's the white he's afraid of.

Snow and those tracks.

- What tracks? - The sled tracks in the snow.

The first symptom he revealed was shock at the sight of fork

And my robe. It had dark lines on it.

And last night, the white coverlet...

like those dark tracks in the snow.

We'll pull the blinds down, please.

Dr. Edwardes was fond of sports.

He mentions tennis and skiing in his book as valuable...

in the treatment of mental disorders.

Skiing.

Ski tracks in the snow.

That's what those dark lines symbolized for him.

His horror at them means that they are immediately connected

Yes, a murder on skis.

Where did Edwardes go for his skiing? We must find out.

Can you tell us where? Try.

He has told us of it, in his dream.

Let me see your notes.

What can we do for him?

Oh, you're not his mama. You're an analyst.

Leave him alone. He will come out of this by himself.

The sloping roof.

That means only a mountainside.

And they were skiing.

And the father image... the bearded man... is Dr. Edwardes.

That's very simple. Dr. Edwardes plunged over the precipice while skiing.

And then a shadow chases him up and down a hill.

That could mean he was escaping from a valley.

Skiing resorts are often called valleys, like, like Sun Valley.

He was being pursued by a winged figure... a witch or a harpy.

No, the figure was you.

If you grew wings, you would be an angel.

The dream's trying to tell him the name of the resort.

Angel. Angel Valley.

Do you remember Angel Valley?

- No. - We could call a travel agency

It wasn't Angel Valley.

I remember it.

It was a place... called Gabriel Valley.

What else do you remember now?

Who was the masked figure in your dream?

It was an accident. Do you remember that? A skiing accident.

- Dr. Edwardes went over a snow cliff. - It was no accident!

I can't stand this anymore! I've had enough of it.

No, we have to go to Gabriel Valley.

You've got to go with me.

This is for Cooley when he comes in.

I'll tell him.

[Constance] At 4:45? Thank you. Good-bye.

[Hangs Up Phone]

There's a train leaving in an hour.

- We can make connections for Gabriel Valley.

I can't go on endangering you.

- I know about last night. - Nothing happened.

But it will. I've got to end it before it does.

I love you, but I'm not worth loving.

Darling, you can help me afterward.

There's no help afterward. If you give yourself up

there is no afterwards for either of us.

- I can cure you. - But you can't undo a murder.

- There is none to undo. - I killed him.

- Oh, stop. - And now you. Last night, I mean.

Don't try to stop me. I've got to go.

Guilt, guilt. You've lived with it for a long time, haven't you?

- Yes. - Since childhood.

- What? - Ever since childhood, you've

You've always felt guilty about anything that happened around you.

What was it in your youth? It must have been terrible...

for you to prefer to think you murdered Edwardes rather

- Enough! - You said you love me.

Look at me then. Why am I fighting for you?

- Because I love you. Because I need you.

- I want you to come with me to Gabriel Valley.

When you see the hill where the accident happened, you will remember it.

- We'll go skiing together as you did with Edwardes.

You'll see your innocence. You'll see what really happened.

You mean, because it will happen again.

- Yes. - And what if I killed him?

[Stair Creaks]

Isn't it true that if the episode's repeated...

I'm likely to do the same thing I did before?

Then how do you know I won't kill again?

Because I'm convinced you didn't kill in the first place.

You believe in me enough to take such a chance?

Of course I do. We are going back to that ski run.

We'll find out what it was in your childhood

And we'll also find out what happened to Dr. Edwardes.

You ever see her before?

Let's go.

I've always loved very feminine clothes but never quite dared to wear them.

But I'm going to, after this. I'm going to wear exactly

and you.

Even very, very funny hats.

You know, the kind that make you look a little drunk.

[Train Whistle Blowing]

Put them on.

[J.B. 's Voice] It was something in my childhood.

Something in my childhood!

I remember now! I killed my brother!

I didn't kill my brother. It was an accident. It was an accident!

That's what has haunted you all your life. That was the memory

It's like looking into a picture book... an old one.

Seeing the familiar pictures, one at a time.

I went to Columbia Medical School.

I had a girl with a giggle who, luckily, married my roommate Ken.

Oh, and by the way, my name's John Ballyntine.

Oh, I'm very pleased to meet you.

Another thing. My, my army record's all right.

I was invalided out.

I ran into Dr. Edwardes when I was in the Cumberland Mountains...

trying to recover from some kind of nerve shock

He was on vacation, but I asked him to help me.

And he invited me to go skiing with him.

We went through New York, and I seem to remember going to lunch somewhere.

I'm still a little bit vague about that lunch part.

Then we arrived here, and the accident happened at that spot.

Where you saved me.

Now, let's not have any confusion about who saved whom.

Yes, he went over there, all right.

It's still a little foggy, but I do know...

that Edwardes was about 50 feet ahead of me when he went over.

- I saw him plunge. - That was the thing that set you off...

that stirred up your old guilt complex...

and made you think that you'd killed him.

So you had to run away from that too, and you took on the role

to prove to yourself that he wasn't dead.

So, therefore, you had not killed him.

Professor, I never quite realized in my amnesic state how lovely you are.

Oh, now that you got your head back, you mustn't lose it again.

Oh, no. It's too late. I'm beyond cure.

How does it feel to be a great analyst?

- Oh, not so bad. - And a great detective.

- Wonderful. - And madly adored?

Very wonderful.

You'll look wonderful... in white...

with a little orange blossom in your hair.

That, that sounds vaguely as if it has something to do with marriage.

That's a brilliant analysis, Doctor.

- Oh. - [Door Opens]

[J.B.] Oh, hello.

You know Lieutenant Cooley and Sergeant Gillespie from Rochester.

Yes, yes. We know them quite well.

- How did you find us? - Well, no thanks

We made a few inquiries at the railroad station.

- You left a trail a mile wide. - Well, you arrived

I believe that's the usual expression.

We found the body of Dr. Edwardes. It's almost exactly...

where you told the local police it would be.

You remembered the spot very well.

- Well, thank goodness it's all cleared up.

I'm afraid a bullet was found in the body.

T-T-That's impossible.

- It was in his back. - The case is one of murder.

We shall have to detain you, sir.

It's my duty to inform you that anything you say may be used against you.

No. No, you mustn't say you killed him, darling.

Try to remember what happened before Edwardes went over.

But when he said he killed him, he wasn't himself.

He was in a state of great mental distress.

But you can't put him away. You can't!

It'll destroy his mind! Don't you understand?

Good-bye, my dear.

We won't give up hope. I'm going to fight and fight and get you free.

My dear girl, you cannot keep bumping your head against reality...

and saying it is not there.

The evidence was definite.

We can't remove it by wishing or crying.

He trusted me.

I led him into a trap. I convicted him.

Is that real enough for you?

There is no one to blame.

The case was a little deeper than you figured.

This often happens. You must realize now one thing.

It is over for both of you.

It's not over.

- You will have other cases. - It's not over. It never will be!

Don't ask me to stop. I can't! I can't. [Sobbing]

Oh, I'm, I'm sorry.

I, l...

Thanks for straightening things out with Dr. Murchison and everyone.

It is very sad...

to love and lose somebody.

But in a while, you will forget...

and you will take up the threads of your life...

where you left off not so long ago.

And you will work hard.

There is lots of happiness in working hard.

Maybe the most.

I will write to you.

Oh, Alex, you're very good.

- Very good. - [Knock At Door]

I'm sorry to hurry you, Dr. Brulov, but your car is waiting.

- You have just time. - Oh, thank you.

I'm always late, always forgetting.

A brilliant man.

I should have gone to the station with him.

You're too tired. I know that feeling of exhaustion only too well.

One must humor it, or it explodes.

I shall try to help you, in every way.

- You will take care of yourself? - Yes.

And try to forget things better forgotten.

You've got a great career ahead of you, Constance.

Thank you. Well, at least one good thing came out of all this.

You are back at Green Manors.

Who knows what would have happened to the place under Dr. Edwardes?

I knew Edwardes only slightly.

I never really liked him.

But he was a good man, in a way, I suppose.

Well, good night, Constance.

I hope you feel rested in the morning.

[Murchison's Voice] I knew Edwardes only slightly.

I never liked him very well.

I knew Edwardes only slightly.

I knew Edwardes slightly.

Knew Edwardes.

Knew Edwardes slightly.

Knew Edwardes.

Knew.

Knew.

Knew.

Come in.

I want to talk to you, Dr. Murchison.

It's rather late. I do need rest, Constance.

I must talk to you.

Nocturnal conferences are bad for the nerves.

- Is it something about your work? - Yes.

- Can't it wait till morning? - It can't wait.

Well, do sit down.

Now, what's your problem?

It is a dream one of my patients reported.

May I ask who the patient is?

The patient is John Ballyntine.

I fancied that.

And you're still working on the possibility of his innocence.

Charming loyalty...

one of your most attractive characteristics, Constance.

[Sighs] What did he dream?

He dreamt he was in a gambling house.

It was full of odd people playing with blank cards.

Blank cards.

Obviously, the patient was trying to deny it was a gambling house...

by dreaming of spurious cards.

One of the people in the place went around cutting the drapes in half.

Another was a scantily dressed girl who was kissing everybody.

With a little effort, one could almost imagine them inmates of Green Manors.

That's what I had in mind, Dr. Murchison.

Interesting notion to play around with, isn't it?

Do go on.

There were eyes painted on the curtains around the walls.

Oh. The guards at Green Manors.

The patient was playing cards, now no longer blank...

a game of 21 with a bearded man who was evidently Dr. Edwardes.

Yes, one usually dreams of one's analyst as an authority with a beard.

He dealt Edwardes the seven of clubs, and Edwardes said...

"That makes it 21."

I would say the patient was trying to mention a locale.

The seven of clubs might mean a club.

Yes, with the word 21 in it.

There is such a place in New York. It's called the 21 Club.

I've heard of it.

The patient dreamt the proprietor of the place came in...

and began accusing Dr. Edwardes of cheating.

He ordered Edwardes out and said, "I won't allow you to play here.

This is my place. I'm going to fix you."

The dream gives the locale a double identity...

the 21 Club and Green Manors.

But the proprietor seems to belong more to the latter.

In fact...

I would say that this angry proprietor...

who threatened Dr. Edwardes... was myself.

It seemed that way to me.

I presume you only arrived at this solution tonight.

Yes.

And have confided your psychoanalytic findings to nobody.

Not yet.

Was there any more to the dream?

Yes. The patient dreamt he and Dr. Edwardes...

were on a high-sloping roof...

and that he saw Edwardes plunge over the edge to his death.

He also saw the angry proprietor hiding behind the chimney, laughing...

holding a small wheel in his hand.

He dropped the wheel.

The symbolism of the small wheel escapes me.

It was a revolver.

The proprietor who threatened Edwardes' life in the 21 Club...

dropped a revolver in the snow in Gabriel Valley after shooting

The weapon is still there at the foot of a tree...

with the murderer's fingerprints on it.

I can't agree with this part of your interpretation...

for the good reason that the weapon is now in my hand.

I imagined something of this sort would happen...

when I made the slip tonight about knowing Edwardes.

That started your agile young mind going.

You were having a breakdown.

And in a state of panic, you heard that Edwardes was to take your place here.

So you sought him out in his favorite restaurant where he was

You accused him of stealing your job.

You threatened to kill him.

He calmed you down, told you he was off on a skiing vacation.

You followed him there... and shot him from behind a tree.

That's enough. Your story is ridiculous.

You'll make a fool of yourself...

a love-smitten analyst playing a dream detective.

There'll be no dreams for the police.

They'll find out from the waitress in the 21 Club that you were there.

You'll be identified as the man who had a row with Dr. Edwardes.

There'll be people who saw you on the train to Gabriel Valley,

There will be no dreams necessary for this case.

I see.

You're an excellent analyst, Dr. Petersen, but a rather stupid woman.

What did you think I'd do when you told me all this? Congratulate you?

You forget in your imbecilic devotion to your patient...

that the punishment for two murders...

is the same as for one.

You're not going to commit a second murder, Dr. Murchison.

I hadn't planned to.

But you're here. You're not leaving.

A man with your intelligence does not commit a stupid murder.

You're thinking you're not mentally responsible for that

They'll find extenuating circumstances in the state of your health.

They'll not execute you for the death of Dr. Edwardes.

You can still live, read, write, research...

even if you are put away.

You're thinking that now, Dr. Murchison.

If you shoot now, it is cold, deliberate murder.

You'll be tried as a sane murderer...

convicted as a sane man...

and killed in the electric chair for your crime.

I'm going to telephone the police now, Dr. Murchison.

[Laughing] And remember what I say.

Any husband of Constance is a husband of mine, so to speak.

- All right. Good-bye. Good luck. - Good-bye.

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