Youtube daily report May 30 2017

The modern day embodiment of Plato's philosophies gave rise to thieves who create those atrocities of late

If you swallow what the state says, you're honestly a brain-dead and rotting heap of zombie meat.

We create payola policies of Crayola quality. We make up the Ponzi Schemes that bankrupt economies

then blame fuckin' poverty and bottom feeders.

Gotta be this way? No. Gonna be this way 'cuz I say so.

Stay close, follow me. Take orders properly. Stay broke, fall to knee and pray, hope, grovel, plead, and

this/that. Obey you authorities and if that's a problem we encourage you to say so, but quietly.

'Cuz make no mistakes bro, we'll break both your collars, knees, and face bone,

penetrate your grey skull, lobotomy your brain slow,

sodomied by flamethrowers, barbecued and flayed open, slaughtered more than Grey's whole Anatomy could

name homie. Double-crossing me? Better think on it.

Take a moment. Ponder while you're chained, drawn, and quartered whether

chainsaw or boiling oil brang more enjoyment for you!

...Or just play bogus. Fake it like you ain't notice anything.

President don't play along? Brains blown to smithereens: Abe Lincoln, Kennedy.

King, Malcolm, Huey P. Kings have been guillotined! Think that you ain't gon' feel the sting of the Killa Beez?

Bank on it. Everything you think you own, you don't... banks own it. Masonic symbols on currency.

We claim coincidence when it ain't so, begetting a nation full of a-holes face-rolling in shit.

And they don't give a shit!

Amazing, isn't it? But ignorance is bliss and complacency's a bitch.

Train a generation to be slaves as little kids,

the next one won't complain when they're chained up getting whipped.

Anyone who wades through our mazes of scripted events is labeled an idiot-brained, crazed conspiracist.

Deranged and clinically insane 'cuz they're paying attention,

so the only valid response is to shame and belittle them.

Our agents spit venom and flame at 'em, anything but engage with 'em serious, while remaining conspicuous

on conspiracy websites entirely populated and moderated by people who ain't conspiracists!

Some brave citizens raising dissidence amidst waves of infiltrants trained to shill against them.

Agent Smiths in this Matrix of mis/dis-information, 'cept for UK and Cinnamon.

But this ancient, wicked enslavement system isn't getting saved.

We built it this way as a prison for the insane and demented.

It is plagued with victims of division games in infinite pain.

We split 'em into big gangs of illiterate, craven, hypocrite

shit-stains, with pencil dicks waved in semi-impotent rage against dissension.

Favoritism is a big thang. Prevent you spittin' major wisdom in a big way with censorship.

Parrots living in a big Cage. No Nicolas could save this Christmas, it's a bit late.

Their mission is to stay in their lane and to get paid. Too arrogant to maybe consider that they're getting played.

Mention it and they get livider than Rick James was gettin' when cocaine would hit 'im in the rib cage.

They're kicking shit and flailing sensitive-skinned babes and mental midget cavemen primitives.

You're lame and your claims of innocence have fallen on deaf ears. I'm Beethoven bitch! Debate's over!

...Get a makeover, put a cape on, take hold of this dick and make your apology

or pay your deposit, please. Ain't no option C. Make sure to take the blue pill from the pharmacy and

eat larger quantities. Three quarter-pounder cheese-burgers, double Whoppers need some love too, fuck you.

Enjoy you irradiated mango and cottage cheese. Grape soda promptly leads to brain stroke and heart disease.

Gravestones oughtta read: "Pale old doctors be the real Ghostface Killahs...no Kangol or Wallabees."

Participate in this staged Idiocracy of payoffs and briberies, layoffs and lobbying.

Praise the hypocrisy and feigned generosity of faithless and Godless beings made into Gods and Kings.

War is our main methodology. War on poor folks creating more poverty.

War on drugs, and not for safety but profiting. Wars of terror spread in the name of democracy!

You can't see the mockery?

Not even in the form of Nobel Peace Prizes gave to Obama on a day that he was bombing people?

And we're the same ones that claimed that Saddam was evil. So we hanged 'im then framed Al-Assad as lethal.

Then we gave guns and raised funds to start a revolt. And we named 'em the Great Mother Isis reborn.

Shoulda gave us a stake to the heart, we're cold-blooded vampires and forked-tongued damn liars!

Our murders assassinated Gaddhafi before he could empower and raise up the common people

by money partnered with gold. Thought he was gonna replace the petrodollar, we smoked his ass

Choked and dragged through the dead heat and folks just laughed as we poked his ass with machetes.

You viewing these crimes as bravery's quite deceitful. For surely I'm highly amazed at that kind of deep throat.

I shouldn't be though; you're trained to admire evil. Your giant egos are prey to the giant eagle.

The higher we rose, the PLANE-er the lies are exposed.

You know how it goes: aim, cock, *Blakka*, reload the propaganda.

Loki gone bananas with the Golden Rod in hand to control the modern manimal.

The Protocols of Cannibals showed us how to channel with the

long-forgotten Pantheons and woe-begotten phantoms of old.

Souls departed from the Holy Garden, shackled in stone in a gargantuan, glow-in-the-dark castle of bones

in a volcano that moats a small chapel.

Ghost-form Vatican Popes on horseback with chloroform patches and ropes.

A faux-Dracula gores his war path. World of Warcraft in a cold and stark attic

where coal-horned jackalopes roam in tall caverns 'neath an old Los Angeles home.

You haven't a hope of defining the divine with myopic mind of a Vulcan scientist.

Widen your scope, kid. Get blinded by the light when it's shining in focus,

make vaginas out your eye sockets, positively mind-fucking primal implosions

of the spirals and the phi symbols, 9s and 25s that's comprising the code.

Try to decode the sciences behind the occult which I have occulted.

The five-sided fiery goat of Scientism.

The Great One, the Final Insult.

The High Religion of The State, son: The Lightbringer Cult.

The finest assault on the plane since The Bible was wrote.

The lie that we told reshaped space and time to a globe!

A Titanic hoax specifically designed to invoke a sense of worthlessness, you're purposeless and life is a joke.

A virus that grows and thrives for the life of the host and violently closes the minds of the brightest adults

that it can find. Fortified and vitamin-coated to make you mortified to codify the lies you absorb.

The bottom line is we can quantify the sign of a slope. You're more than qualified to go and try to find it you won't!

It's been immortalized and we're requiring you to buy into the enormous lie that you're a flying body in motion.

Try to retort; you're lying in denial. We're porcupines, you porks are spineless; swines deboned.

Presided over by nihilistic liars in bow ties and a guy who just won't die!

Consider his affliction; unlikely a long life. A decade is a miracle. Why is he on five and counting? It's hysterical.

A masterpiece of fake false flaggery. What they call gravity is based on fallacies.

Create fraud math and get a play-smart patsy an ornate jaw pad to give a great sarcastic speech!

The audacity. Feinted y'all masterfully. Now pay for a NASA geek to fake your reality and wait for it happily.

And sorry Captain but we ain't going back to see the dang-gone flag

because we can't go dammit! So there ain't no flag to see! Laugh at the flashes as it raises up magically.

That's the reaction made from 10Ks blastin' on that shaky-ass, tacky-looking, banged up craft?

That was straight up fantasy! A preposterously baked-up botching of a space shuttle launching costing

costing eight bucks tops...being craned up. Obviously ain't no rockets made of tape and epoxy.

It's a lame duck mock. A cardboarded and black construction paper box with a dang go kart beneath a

dinged up tarp, all strang up sloppy like a fake fuck prop from a Bang Bus bondage scene!

...It's appalling even. Shameful technology that takes off Rocky like it banged on Apollo Creed.

Alien colonies arranged horizontally, we ALL live on a plane...snakes on the property.

The age old prophecy of Page 4, Column B. We play God constantly and make y'all all believe

The Great Wizard of Oz. We dictate the mob to see the Emperor's New Clothes but kids say the darnedest things.

So we educate y'all forcefully. Ya ain't thought logically since grade school? That just means we

trained you properly. A bitch made cross between Tin Man and Dorothy, Scarecrow and Lion:

weak and cowardly. A pussy where your aorta oughtta be. Eighth-quart of pudding in your brainless noggin

and ya ain't enough dog to pull the drape back off me 'fore the Ape Bird Army comes to raid your quarantine!

Soft pacifists with rainbow satchels and some shades on? This ain't fuckin' paintball practice bitch it's straight war!

Put away your baseball bats, I'm droppin' napalm canisters in strafe bomb patterns on ya.

Strayed lost cattles under siege! Y'all monks in the street going against a tank, dog?

Abbot, I will face-palm slap a chicken, stank ho ratchet bitch's face OFF while rockin' an 8-Ball jacket.

I invaded your clans and reclaimed your land for God, enslaved your ancestors, raped your grandmothers,

erased your past, then named y'all Africans and made y'all ass kiss the same God afterwards!

I'm the master of Chaos Sorcery. Pay your taxes or face more torturing!

Provide me with worship; if you die on me before this you will FRY in a furnace built to make your corpse scream!

Praise Lord Jehovah's Gleaming Great Golden War Machine!

Bring forth the molten-breathing Angelic Armored Legion!

Chains off the starving, teething vanguard of Altered Beasts!

GAME OVER, holla, peace! And take home a slice of pizza!

For more infomation >> Triiumph: The Executive Session (Unmixed) - Duration: 9:12.

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[TV:스코어] '귓속말' 떠난 자리 '쌈마이웨이'가 꿰찼다..10% 돌파 - Duration: 1:36.

For more infomation >> [TV:스코어] '귓속말' 떠난 자리 '쌈마이웨이'가 꿰찼다..10% 돌파 - Duration: 1:36.

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Potenciális gyilkos BMW-s az M5-ösön - Duration: 1:28.

For more infomation >> Potenciális gyilkos BMW-s az M5-ösön - Duration: 1:28.

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Mercedes-Benz S-Klasse 320 Elegance - Duration: 0:55.

For more infomation >> Mercedes-Benz S-Klasse 320 Elegance - Duration: 0:55.

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Audi A6 Avant 3.0 TDI S LINE EDITION - Duration: 0:54.

For more infomation >> Audi A6 Avant 3.0 TDI S LINE EDITION - Duration: 0:54.

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Mercedes-Benz S-Klasse 500 Lang - Duration: 0:58.

For more infomation >> Mercedes-Benz S-Klasse 500 Lang - Duration: 0:58.

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Toyota Verso-S 1.3 VVT-i Aspiration - Duration: 0:59.

For more infomation >> Toyota Verso-S 1.3 VVT-i Aspiration - Duration: 0:59.

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Toyota Verso-S 1.3 VVT-i Aspiration - Duration: 0:54.

For more infomation >> Toyota Verso-S 1.3 VVT-i Aspiration - Duration: 0:54.

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Audi A4 Sedan 1.8 TFSI 170pk S EDITION [S-Line] S-tronic Aut, Navi, H Leer, Xenon, Full - Duration: 1:00.

For more infomation >> Audi A4 Sedan 1.8 TFSI 170pk S EDITION [S-Line] S-tronic Aut, Navi, H Leer, Xenon, Full - Duration: 1:00.

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How To Search For What Cobra Has Said In Interviews - Duration: 3:16.

How To Search For What Cobra Has Said In Interviews

by Danell Glade

By DaNell � PFC

We have updated our Cobra Interview FAQ section.

The FAQ section was started by Dragonheart when he started organizing the Cobra interviews

by subjects.

We really appreciate his starting and doing this on his own.

We also thank your volunteers who helped organize the last year of interviews.

Over time we saw the value to keep updating his files as it�s very useful in studying

Cobra�s intel.

We would like to encourage anyone with a question for Cobra to first check this section and

see what he has already answered, before submitting your own questions.

or look under the Cobra/RM tab and scroll down to Cobra Interview FAQ.

We will update these files every few months.

This is a GREAT way to help yourself understand the Resistance Movement�s intel � through

Cobra.

COBRA FAQ � INTERVIEWS BY SUBJECT � are organized under 33 main topics and 128 sub-topics.

The 1111 Instructions hold this short outline or the longer detailed outline (57 pages)

and the list of Cobra interviews by dates and codes.

Each interview is assigned a code � usually who interviewed Cobra and the date.

i.e.: pfc0317 = prepareforchange.net �s interview on March, 2017.

Those are found on the interview by date list.

Enjoy!!!

For more infomation >> How To Search For What Cobra Has Said In Interviews - Duration: 3:16.

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Mark Wahlberg Was A Drug Dealer And Was Charged With Attempted Murder - Duration: 9:21.

Wahlberg, born the youngest of nine children all living in a three bedroom apartment, dropped

out of school around the age of fourteen and joined a gang.

During this time, he was reportedly in trouble with the law around 20-25 times, for dealing

drugs and various other offenses.

He also claims he became addicted to cocaine during this period.

Things came to a head when he was 16 years old and he attacked two Vietnamese men without

provocation.

He attacked the first with a stick and he punched the second, permanently blinding him

in the process.

The official record of the event as recorded by the Commonwealth of Massachusetts Superior

Court is as follows:

Count I:

At approximately 9:00 p.m. on April 8, 1988, Thanh Lam, a Vietnamese adult male who resides

in Dorchester, traveled by car to 998 Dorchester Avenue, Dorchester, Massachusetts.

At 998 Dorchester Avenue, Thanh Lam left his car carrying two cases of beer.

As he crossed the sidewalk, Mark Wahlberg attacked Thanh Lam.

Wahlberg was carrying a large wooden stick, approximately five feet long and two to three

inches in diameter.

Wahlberg approached Thanh Lam calling him a "Vietnam fucking shit", then hit him

over the head with the stick.

Thanh Lam was knocked to the ground unconscious.

The stick broke in two and was later recovered from the scene.

Thanh Lam was treated overnight at Boston City Hospital.

After police arrested Wahlberg later on the night of April 8, 1988, Wahlberg was informed

of his rights and returned to the scene of 988 Dorchester Avenue.

In the presence of two police officers, he stated: "You don't have to let him identify

me, I'll tell you now that's the mother-fucker whose head I split open", or words to that

effect.

Count II:

As a police officer arrived at the scene of 988 Dorchester Avenue, Wahlberg and two other

youths who were with him fled up Dorchester Avenue toward Pearl Street.

Shortly after 9:00pm on April 8, 1988, Hoa Trinh, an adult Vietnamese male who resides

in Dorchester, was standing several blocks away from 998 Dorchester Avenue, near the

corner of Dorchester Avenue and Pearl Street.

Hoa Trinh was not aware of the altercation outside of 998 Dorchester Avenue.

Wahlberg ran up to Hoa Trinh, put his arm around Hoa Trinh's shoulder and said: "Police

coming, police coming, let me hide."

After a police cruiser passed, Wahlberg punched Trinh in the eye, causing him to fall to the

ground.

Police arrived and Hoa Trinh identified Wahlberg as the person who punched him.

Wahlberg was placed under arrest and read his rights.

Thereafter, he made numerous unsolicited racial statements about "gooks" and "slant-eyed

gooks".

After being returned to 998 Dorchester Avenue, Wahlberg identified Thanh Lam as the person

he hit over the head with a stick.

For these attacks, Wahlberg was arrested and initially charged with attempted murder, but

it was later reduced to criminal contempt, which carried a maximum sentence of ten years.

After pleading guilty, he was given a two year sentence at the Deer Island House of

Correction in Boston.

In the end, he only had to serve 45 days in the correctional facility.

Unlike most that go through such facilities, the time he spent locked up inspired him to

try and turn his life around.

"As soon as I began that life of crime, there was always a voice in my head telling

me I was going to end up in jail.

Three of my brothers had done time.

My sister went to prison so many times I lost count.

Finally I was there, locked up with the kind of guys I'd always wanted to be like.

Now I'd earned my stripes and I was just like them and I realized it wasn't what

I wanted at all.

I'd ended up in the worst place I could possibly imagine and I never wanted to go

back."

He started his turn-around by reaching out to his parish priest for guidance and support,

as well as leaving the gang he was a member of.

Mark Wahlberg's big break came thanks to his older brother, Donnie.

Donnie Wahlberg was already famous at this point with his success as a member of The

New Kids on the Block, a band Mark had initially been a member of at the age of 13, but quit

before the group became famous.

Mark had been working as a bricklayer after serving time when Donnie helped him form Marky

Mark and the Funky Bunch, including helping him get a record contract and producing the

first record the group made.

The debut album Music for the People, released in 1991 when Mark Wahlberg was 19 years old,

ended up going Platinum thanks largely to the hit single Good Vibrations and the follow

up single Wildside.

After his music career started to hit the tank a couple years later, Wahlberg dropped

his Marky Mark persona and decided to take up acting.

Despite early skepticism by critics, he made the switch successfully, with his first critical

success coming from appearing in The Basketball Diaries, though he had a few roles before

this, most notably opposite Danny DeVito in Renaissance Man.

Since then, he has become one of the bigger stars in Hollywood, reportedly commanding

around $12-$15 million per movie today.

During his "Marky Mark" fame period, Wahlberg famously worked for Calvin Klein as an underwear

model.

Somewhat more humorously, he also put out a workout video: Form…

Focus…

Fitness Mark Wahlberg's siblings are: Arthur, James,

Debbie, Michelle, Paul, Tracey, Robert, and Donnie.

He also has half siblings Scott, Buddy, and Donna who are children of his dad by another

woman.

Though all in all Wahlberg has turned his life around quite nicely, especially in recent

years where he's been involved in numerous charitable endeavors, particularly benefiting

underprivileged youth, he still had several instances of violence in his post-prison,

younger years (around the "Marky Mark" period).

For instance, when he was 21 years old, he "viciously and repeatedly kicked the plaintiff,

Robert D. Crehan, in the face and jaw" while a friend of his, Derk McCall, held Crehan

down on the ground.

This resulted in Crehan's jaw being broken, as well as a claimed decrease in learning

ability.

Wahlberg also famous had a fight with certain members of Madonna's entourage (which he

states Madonna still owes him an apology over).

He also attacked a security guard, which resulted in him having to appear in several anti-bias

advertisements.

Wahlberg states about his early life: "I've made a lot of mistakes in my life and I've

done bad things.

But I never blamed my upbringing for that.

I never behaved like a victim so that I would have a convenient reason for victimizing others.

Everything I did wrong was my own fault.

I was taught the difference between right and wrong at an early age.

I take full responsibility."

Wahlberg was originally cast in both Ocean's Eleven and Brokeback Mountain, but turned

both roles down.

In Ocean's Eleven, he was cast as Linus Caldwell, but withdrew and Matt Damon was

cast instead.

In Brokeback Mountain he states he withdrew due to being uncomfortable with the sex scenes.

Wahlberg and several friends originally had tickets to fly on United 93, one of the planes

hijacked by terrorists on September 11, 2001.

However, they ended up deciding to instead charter a plane to go attend a film festival

in Canada before returning to Los Angeles.

Wahlberg has since stated that "If I was on that plane with my kids, it wouldn't

have went down like it did.

There would have been a lot of blood in that first-class cabin and then me saying, 'OK,

we're going to land somewhere safely, don't worry.'"

Obviously this didn't go over very well with people who lost loved ones on that plane,

nor with the general public.

Given Wahlberg's apparent propensity towards violence, even when unprovoked, the first

part of his claim isn't really that far-fetched.

However, the passengers of United 93 did revolt once they realized the bomb threat the terrorists

were using to control them wasn't likely true.

They learned this after several passengers heard of the planes that hit the twin towers

from talking to loved ones on their cell phones.

Unfortunately for the passengers, though, the terrorists at this point were obviously

the ones flying the plane.

Once the passengers had nearly broken into the cockpit, the hijackers made the decision

to simply crash the plane, with one recorded as saying "Is that it?

I mean, shall we put it down?" and another responding, "Yes, pull it down."

The pilot then rolled the plane over and began chanting "Allāhu Akbar", while the passengers

continued to fight.

The official report states that at the time of impact, the passengers were just seconds

from taking complete control.

So obviously Wahlberg with his temper and fighting ability being there or not would

have made no difference as the hijackers would have put the plane down all the same the second

it was apparent a passenger or group of passengers were about to retake the aircraft.

Wahlberg never returned to High School after dropping out at the age of 14, but did eventually

get his GED.

Since New Kids on the Block, Donnie Wahlberg also took up acting, appearing in such works

as Band of Brothers, the Saw films, and The Sixth Sense.

For the latter role in The Sixth Sense as "Vincent Grey", he had to lose 43 pounds.

New Kids on the Block was formed by Maurice Starr who held auditions in Boston with over

500 boys turning out.

The first member selected was Donnie Wahlberg, who subsequently convinced Starr to also add

Mark to the group, along with some friends of his.

New Kids on the Block actually almost never were, as far as becoming famous.

Their debut album was a flop and their second album initially didn't do any better.

After their first album, the group could only get gigs at school dances and the like.

When their second album was released, it also initially flopped with little interest in

their first single Please Don't Go Girl.

Finally, the label had decided to drop the group, but at this same time a single radio

station in Florida had been playing the song steadily, with it becoming one of the most

requested songs at that station.

When Columbia Records learned of this, they decided to promote the song more and things

took off from there.

Interestingly, due to their later success, their debut album ultimately ended up selling

four million copies, despite the initial flop.

All total, New Kids on the Block sold over 70 million albums.

The original name of New Kids on the Block was "NYNUK", but upon signing the group,

the label, Columbia Records, told them they needed to come up with a different name.

Donnie Wahlberg also has had his share of trouble with the law, such as being charged

with first degree arson for setting fire to a hotel hallway in Kentucky (The Seelbach

Hotel).

The charges were later lowered and he simply had to make a series of public service ads

about fire safety, as well as anti-drug and anti-drunk driving ads.

For more infomation >> Mark Wahlberg Was A Drug Dealer And Was Charged With Attempted Murder - Duration: 9:21.

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Adepero Oduye - Duration: 0:41.

The experience of working on HER PORTMANTEAU

has been amazing, wonderful.

It is everything that I became an actor for

in terms of the density of the situation,

what's being said, what's not being said,

what's inside and not coming out and

what it means to be American, what it

means to be Nigerian. We're seeing it

through the lens of this Nigerian family, which I

don't think has ever been shown.

For more infomation >> Adepero Oduye - Duration: 0:41.

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☔ Le Bruit De La Pluie Qui Tombe Sur Le Toit ☔ Relaxation - Ambiance & Détente ☔ - Duration: 1:08:20.

For more infomation >> ☔ Le Bruit De La Pluie Qui Tombe Sur Le Toit ☔ Relaxation - Ambiance & Détente ☔ - Duration: 1:08:20.

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Eromanga Sensei - Hitorigoto (Opening) Guitar Tutorial | Guitar Lesson + TABS - Duration: 4:40.

Thank you for watching my Eromanga Sensei - Hitorigoto (Opening) Guitar Tutorial.

You can download Eromanga Sensei Tabs from my site, link in the description

If you want to see more Eromanga Sensei Guitar Lessons and other Anime Guitar Lessons, feel free to subscribe!

I hope you like my Eromanga Sensei - Hitorigoto (Opening) Tabs.

Any way I could improve this Eromanga Sensei - Hitorigoto (Opening) Guitar Lesson? Let me know in the comments.

Remember to ask the tab author for permission first before making an Eromanga Sensei Guitar Cover

For more infomation >> Eromanga Sensei - Hitorigoto (Opening) Guitar Tutorial | Guitar Lesson + TABS - Duration: 4:40.

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Si vous avez l'habitude de tirer la chasse après pipi regardez ceci, Beaucoup ne le savent pas ! - Duration: 4:13.

For more infomation >> Si vous avez l'habitude de tirer la chasse après pipi regardez ceci, Beaucoup ne le savent pas ! - Duration: 4:13.

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開心要了阿湯哥,蘇菲亞,簽名，走Tom Cruise紅毯過乾癮,跟小八合照,想看Duncan真面目. - Duration: 1:33.

For more infomation >> 開心要了阿湯哥,蘇菲亞,簽名，走Tom Cruise紅毯過乾癮,跟小八合照,想看Duncan真面目. - Duration: 1:33.

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Bruler de la graisse avec le jeûne intermittent (fasting) - Duration: 9:29.

For more infomation >> Bruler de la graisse avec le jeûne intermittent (fasting) - Duration: 9:29.

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eTV訪吳鳳，說他女主角在家等他，將Tom Cruise簽名送福建女鐵粉,好羨慕,粉絲搶鏡頭. - Duration: 1:19.

For more infomation >> eTV訪吳鳳，說他女主角在家等他，將Tom Cruise簽名送福建女鐵粉,好羨慕,粉絲搶鏡頭. - Duration: 1:19.

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LES 7 ETAPES POUR TROUVER UN BIEN RENTABLE - Duration: 11:18.

For more infomation >> LES 7 ETAPES POUR TROUVER UN BIEN RENTABLE - Duration: 11:18.

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我跟湯姆克魯斯要簽名，卻卡在紅毯上,請環球老闆幫我撿起來,Tom Cruise,The Mummy,神鬼傳奇見面會. - Duration: 1:30.

For more infomation >> 我跟湯姆克魯斯要簽名，卻卡在紅毯上,請環球老闆幫我撿起來,Tom Cruise,The Mummy,神鬼傳奇見面會. - Duration: 1:30.

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🌨💦Bruit De La Pluie Qui Tombe Sur Le Toit🌨💦Très Relaxante - Duration: 1:08:20.

For more infomation >> 🌨💦Bruit De La Pluie Qui Tombe Sur Le Toit🌨💦Très Relaxante - Duration: 1:08:20.

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Alif Allah Aur Insaan Episode 7 Promo - Duration: 0:52.

Alif Allah Aur Insaan Episode 7 Promo

Please Subscribe karo may daily sab dramas upload karta hu. plz subscribe kar do channel ko

Please subscribe,Like video and comment

For more infomation >> Alif Allah Aur Insaan Episode 7 Promo - Duration: 0:52.

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BMW X3 2.0D 184pk Aut8. X-Drive/ Bi-xenon/ Sportstoelen/ Cruise control/ Full map navigatie/ Tel. bl - Duration: 0:57.

For more infomation >> BMW X3 2.0D 184pk Aut8. X-Drive/ Bi-xenon/ Sportstoelen/ Cruise control/ Full map navigatie/ Tel. bl - Duration: 0:57.

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Toyota RAV4 2.2 D-4D Comfort VAN - Duration: 0:58.

For more infomation >> Toyota RAV4 2.2 D-4D Comfort VAN - Duration: 0:58.

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The tips of the wrought iron rod .Forged elements with their hands - Duration: 8:08.

We produce hand-stamp for forged end on metal rod

We produce hand-stamp for forged end on metal rod

For more infomation >> The tips of the wrought iron rod .Forged elements with their hands - Duration: 8:08.

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Si vous avez l'habitude de tirer la chasse après pipi regardez ceci, Beaucoup ne le savent pas ! - Duration: 4:13.

For more infomation >> Si vous avez l'habitude de tirer la chasse après pipi regardez ceci, Beaucoup ne le savent pas ! - Duration: 4:13.

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Just Dance Unlimited | Ain't My Fault | FLAWLESS SUPERSTAR Gameplay! - Duration: 4:35.

Hey my luvs! Túlio's here!

And Magic Cucumber is here too!

guys,

I decided to post this video a day earlier for you,

For those reasons:

1- New song added to Just Dance Unlimited.

2- This song is simply awesome <3

And 3-

I'm in a good mood today.

Right, Magic Cucumber?

If you liked this video,

Don't forget to leave a like!

And please subscribe,

So you can help us reach 200K SUBS!

This year,

Today,

One day, I don't know lol

And also share this video with your friends who loves JD!

Who loves dancing, exercising,

Or with those who only likes to watch silly videos,

It helps the channel and I'll be very happy. <3

Thank you and we'll see you soon! <3

For more infomation >> Just Dance Unlimited | Ain't My Fault | FLAWLESS SUPERSTAR Gameplay! - Duration: 4:35.

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How to get better at drawing poses and body posture ~ Frannerd - Duration: 9:21.

For more infomation >> How to get better at drawing poses and body posture ~ Frannerd - Duration: 9:21.

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4K - info - HRY - Duration: 0:51.

I'Il shoot games

For more infomation >> 4K - info - HRY - Duration: 0:51.

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Martyn Ashton's Colours That Prove You Are A Pro Mountain Biker - Duration: 4:45.

- How do you know who's really great out there?

Which riders are the ones to watch?

Well, you know what, if you follow

the colours that prove you're pro,

then you're gonna know for sure

who to look out for.

Let's start with this one, it's a really simple one

and it'll give you the gist of where I'm going with this.

It's the Red Bull lid, yes.

If you see someone wearing a Red Bull lid

then you know they're a special rider.

Red Bull like to pick someone up,

just before they've reached greatness,

and give them that helping hand

in terms of resources, which they're really good at,

to make them achieve the absolute best

that they ever could.

So if you see someone wearing a Red Bull lid

then you know they're a special rider.

That's rule number one, look out for it.

The national sleeve, now this is a weird one

but if you see a downhiller or a cross country rider

with a sleeve with a national flag on it,

the Union Jack or the stars and stripes,

then you know these guys

have won their National Championships,

they're the current national champion.

So that means they must be good right?

They've gotta be pros.

Hey look, Aaron Gwin's got one, it's gotta be true.

This is a sneaky one and you've

gotta look really closely for it.

If you've won the EWS Championship

then what you tend to see is the rider

running the EWS colours either on their collar

or on their sleeve, a little band,

an arm band that proves they've won

the Enduro World Series.

They're one of the best mountain bike riders out there.

Tracy Moseley, Jared Graves, Jerome Clementz, Richie Rude.

They've all got them, look for them,

if you see that you're looking at someone pretty special.

Blackbox, now this is an interesting one,

it's very subtle, if you see this

then this is a pro Rockshox or SRAM rider.

Those brands are testing these things out on the riders,

they're trying to find out if they're good enough

for you, the public.

And similar thing, the RAD programme, over on FOX.

If you see that logo and sometimes

the orange fork, then you really know

that these riders are in that same situation.

They're the test pilots for the bits

you're gonna buy in the future.

One offs, you know what there's nothing

more amazing as a pro rider,

and I'm lucky to say I've had it a few times,

that when something very special's

made just for you, it's a one off.

Steve Peat's famous for having his Santa Cruz's

done in all sorts of colours, specifically for races.

Troy Brosnan's the same, color-ways on his clothing

and his bike, just for an individual World Cup race,

just to look that little bit special.

Jenny Rissveds, she's got her own color-way on her bike,

that's pretty amazing.

If you find a rider with one of these one off things

then you're looking at someone who's got

what we all dream about as a pro rider,

the special bits that no one else can get their hands on.

Now this is called the colours that prove you're pro.

And this is one of them, Hope Green.

Yep, the company from Barnoldswick in Lancashire

love to drizzle their favourite rider's bikes

with that green jewellery that really does prove

you're something special.

And they really like to work with riders like

Adam Brayton to create bikes that look

really really special.

Those one offs but you can always tell

the riders they're really supporting

have got those green bits.

Hard to get hold of and they

look great when you've got them.

Loic Bruni, Nico Vouilloz, Steve Peat,

Jenny Rissveds, Julien Absalon,

Nino Schurter, Rachael Atherton,

what have they all got in common?

The rainbow jersey.

That's right, they've been strong enough

to go to Worlds and win and have that day

where they got to prove they were better than anyone else.

And they get to put that rainbow jersey on

and wear it for a year, but the rainbow

never leaves you, they've then got the right

to put the rainbow tag on any kit

they wear in the future.

So if you see the rainbow then you are looking

at either the or an ex World Champion.

Now that is special and it's the one bit

of this whole video that proves that the colours

really do tell you who's pro.

Well those are some ways to spot the pros.

It's fun game and it's really interesting

to see who's got those colours.

If you liked this video, and I hope you did,

then why don't you click on the logo

to subscribe and you'll get

a brand new video every day of the week.

Click over there to see a video that shows

free riders versus downhills, very interesting.

And over this side we've got our bunny hop bout

which was hilarious fun, it's really worth a watch.

Give us a thumbs up like and in the comments section

down below why don't you tell us

some other ways to spot the pros.

For more infomation >> Martyn Ashton's Colours That Prove You Are A Pro Mountain Biker - Duration: 4:45.

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Agripaume : plante médicinale oubliée - Duration: 10:09.

For more infomation >> Agripaume : plante médicinale oubliée - Duration: 10:09.

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Trailer 500 years of Reformation - Celebrating Christ together - Net for God, June 2017 - Duration: 1:54.

For more infomation >> Trailer 500 years of Reformation - Celebrating Christ together - Net for God, June 2017 - Duration: 1:54.

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Que boire/que manger pour être performant et mieux récupérer en CrossFit - Duration: 9:13.

For more infomation >> Que boire/que manger pour être performant et mieux récupérer en CrossFit - Duration: 9:13.

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☔ Le Bruit De La Pluie Qui Tombe Sur Le Toit ☔ Relaxation - Ambiance & Détente ☔ - Duration: 1:08:20.

For more infomation >> ☔ Le Bruit De La Pluie Qui Tombe Sur Le Toit ☔ Relaxation - Ambiance & Détente ☔ - Duration: 1:08:20.

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Vicente Fernández confirmó que le hicieron una biopsia | Un Nuevo Día | Telemundo - Duration: 1:38.

For more infomation >> Vicente Fernández confirmó que le hicieron una biopsia | Un Nuevo Día | Telemundo - Duration: 1:38.

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[SPOILER] "Mirror Magic" - Starlight Meeting to Equestria World! [HD] (ENG + TR Sub) - Duration: 0:53.

For more infomation >> [SPOILER] "Mirror Magic" - Starlight Meeting to Equestria World! [HD] (ENG + TR Sub) - Duration: 0:53.

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Hyundai i20 1.0 T-GDI Go! - Duration: 0:54.

For more infomation >> Hyundai i20 1.0 T-GDI Go! - Duration: 0:54.

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Window Box Project: Succulent Garden Dish - Duration: 6:51.

Hi there! It's Julie Davison from www.juliedavison.com

Today I'm going to show you how

to make this little flower box with the

succulent framelits. The Succulent

Framelits are retiring so you want

to make sure you get this before May

31st. There's only a couple more days for

left. I'm going to start by showing

you how I made the little succulent dish.

I used the window box framelit. This is

from the 2017 Stampin' Up! Occasions Catalog, but it is going

to carry over to the brand new Stampin' Up!

Annual Catalog. Normally when you would make

a full box you're going to cut two of

these. You can cut that with a half a

sheet of cardstock and you're going to

connect them like this, then fold it up

into a box that looks like this. This

box has a lid that opens on top and is actually

pretty good size. For the dish, we're

going to use only half; only one piece of

the window box die cut.

I'm using Really Rust (Oops! Actually Cajun Craze) to look like

clay. On my template here I've showed

you how we're going to cut it. We're

going to cut the top in half, but I want

to point out that it's not where the

points are because there are little tabs

here, so you want to make sure that the

half your cutting point to point is when

the tabs are folded down. If you do it

when the tabs are folded up then you're

going to end up cutting across too far

down and your halves will be uneven. For

this box we're also going to cut off the

tabs. Normally the tabs would be used to

connect the box together but since we're

not going to connect this, we're just

going to cut those off the sides.

Let's get the paper cutter out and get

started. Okay right here I'm going to

line up, I'm making sure to do the point

after the tops are folded and we're

going to cut the bottom off and those

are going to be the two sides of the

succulent dish.

I like using the green cap glue or the

multi-purpose liquid adhesive and

so we're going to use a little bit of

that on on each of the box flaps.

With the liquid adhesive, you just

have to hold it down a little bit until

the glue sets then we're going to put

glue on the tabs and fold those up.

and on the other tabs

I've forgotten to cut the tabs, so I'm

just going to do that right now.

Now my sides are even. For the succulent

dish I wanted to have something to put

the flowers or the succulents on, so I

just cut a piece of cardstock that was

1-3/4 inch wide and then I just kind

of eyeballed it and scored. You

can glue those side pieces down into the

box and make that as

deep or as high as you want. That's

just going to support the succulents and

have a place to put them on. Let me

show you how I made the succulents. We're

using the Succulent Framelits which

include large flower shapes like this

and also shapes that coordinate with

the Oh So Succulent stamp set. For this

project I'm using several layers to make

one flower so I've die-cut from each of

those dies two times and I'm using the

bone folder to curl up the petals. I you

want to as I did on this one you can

sponge some colors on the petals before

you put the flower together. For this

example, I used the sweet sugar plum ink

to add a little bit of purple color to

the tips of the succulent. Now you're

going to use the multi-purpose liquid

adhesive again and just layer those

flowers together. You just want to

turn them so that you're getting in

between the spaces. Just keep adding

the glue and the flower glue and the

flower. For a little bit more depth, if

you wanted to you could add Stampin

Dimensionals in between each layer.

I've got two big ones on the bottom two

medium ones right on top of each other

and then I've only got one small one

die cut but you could add a sixth one

with another small die cut. You

can see how easy and fast it is to

create a succulent flower

and then I just used multiple sizes this

is Old Olive cardstock, Pear Pizzazz

cardstock and Sweet Sugarplum

cardstock. Then all I did was add a really quick

and simple tag and a little bit of the

linen thread to finish off this project.

It looks so cute to give as a gift or

sit on your desk. If you really like the

die-cuts and the succulents then you'll

want to make sure to get the Vertical

Garden Project Kit. This is something

that was in the Cccasions Catalog and it

is retiring and will be going away after

May 31, 2017. With this kit all these

flowers come die-cut, all you have to do

is curl them with the bone folder and

put them together and then you can

arrange them in the box. The

kit includes the tray for the flowers,

all the die-cut flowers, the banner (which

you'll have to stamp on your own), and the

pretty ribbon. If you're interested in

the Vertical Garden Kit or the Succulent

Framelits to make your own

succulent flower pot, make sure to get

those before May 31, 2017. You can shop

anytime on my website at www.juliedavison.com/shop

Thanks so much for watching!

Happy Stamping!

For more infomation >> Window Box Project: Succulent Garden Dish - Duration: 6:51.

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L'édition 2017 de la Semaine du tourisme - Duration: 2:23.

For more infomation >> L'édition 2017 de la Semaine du tourisme - Duration: 2:23.

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افضل فيلم في الجزائر بدون منازع فلم قصير (الإنسانية humanity) - Duration: 4:37.

For more infomation >> افضل فيلم في الجزائر بدون منازع فلم قصير (الإنسانية humanity) - Duration: 4:37.

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Bruler de la graisse avec le jeûne intermittent (fasting) - Duration: 9:29.

For more infomation >> Bruler de la graisse avec le jeûne intermittent (fasting) - Duration: 9:29.

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LES 7 ETAPES POUR TROUVER UN BIEN RENTABLE - Duration: 11:18.

For more infomation >> LES 7 ETAPES POUR TROUVER UN BIEN RENTABLE - Duration: 11:18.

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PaintHeads - Csendháborítás S01 - E01 - Duration: 11:38.

For more infomation >> PaintHeads - Csendháborítás S01 - E01 - Duration: 11:38.

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Denial: How do filmmakers approach the Holocaust? - Duration: 15:00.

This video is sponsored by Denial.

Hello and welcome to Making Film—a series where we take a look at everything from the

construction of films to film history and how cinema affects how we see the world.

Today, we take a look at how cinema shapes our understanding of an historical event.

In this case, the Holocaust.

How do you approach a film related to the Holocaust?

How can you even begin to approach a subject so incomprehensibly horrific?

So, I got an email a little while ago asking if I would be interested in making a sponsored

video on the subject of the Holocaust in film to help promote the UK DVD release of Denial

starring Rachel Weiss, Tom Wilkinson, and Timothy Spall.

The film follows the true story in which Holocaust scholar Deborah Lipstadt was sued by Holocaust

denier David Irving for libel.

The idea got me thinking about how filmmakers approach the depiction of such an extreme

historical event like the Holocaust and how this shapes our understanding of history.

Now, the Nazi genocide of the Jewish people and other groups in Europe during the 1940s

is a sensitive subject to tackle.

That said, the Holocaust (or Shoah) has been portrayed directly or indirectly in a wide

variety of genres including drama, documentary, horror, action, and even comedy.

There is an inherent acceptance that horror, action, and comedy are using the setting and

the hatred toward Nazis for storytelling and are not necessarily making an attempt to recreate

an authentic portrayal of the Holocaust whereas drama and documentary are.

So, let's take a look at how they do that.

In Denial, Holocaust denier David Irving attempts to put the Holocaust on trial through his

libel suit against Deborah Lipstadt, but it is he (and Holocaust denial in general) who

is put on trial.

There was the risk that, by fighting the libel suit in court and losing, it would be accepted

that there are two equal points of view—that some people believe that the Holocaust happened

the way we understand it and some do not.

As we've seen in other areas, allowing a denialist point-of-view can stagnate progress

or undermine the issue all together.

In order to combat this with the depiction of the Holocaust in drama and documentary,

Aaron Kerner notes a list of guidelines for making a Holocaust film by Terrence Des Pres

in Kerner's book Film and the Holocaust: New Perspectives.

First, "The Holocaust shall be represented, in its tonality, as a unique event, as a special

case and kingdom of its own, above or below or apart from history" (Kerner 2).

We see a lot of dramas that deal directly with the Holocaust categorized as "Holocaust films"

rather than "historical dramas" "or "war films" like those depicting

most other historical events.

Second, "Representations of the Holocaust shall be as accurate and faithful as possible

to the facts and conditions of the event, without change or manipulation for any reason

— artistic reasons included" (Kerner 2).

And third, "The Holocaust shall be approached as a solemn or even a sacred event, with a

seriousness admitting no response that might obscure its enormity or dishonor its dead" (Kerner 2).

When we think of Holocaust films, we usually think of those that take place inside the

camps and when we think of authenticity in the depiction of the Holocaust, we tend to

think of documentary.

Documentaries provide visual evidence of the result of the atrocities—photographs that

we can see with our own eyes.

But whose eyes are we seeing with?

In a documentary titled Night and Fog by Alain Resnais, much of the archival footage we see

was filmed by the Nazis themselves, which gives the audience a unique gaze from the

point of view of the perpetrators.

The archival footage is also intercut with footage of the camps taken decades after the

war has ended.

Despite harrowing images such as piles of eyeglasses and scratch marks in the shower

rooms, Elizabeth Cowie notes that these images "[fail] as visible evidence" without the

explanation provided by the narrator (Haggith, Newman 184).

And in Claud Lanzmann's documentary Shoah, the testimony relies almost entirely on the

words of those who experienced the Holocaust, which in a way, forces us to see the events

they depict through our own mind's eye.

In 1945, a British documentary, eventually titled "Memory of the Camps," was made

that aimed to show the result of German atrocities in the newly-liberated concentration camps.

The film (often wrongfully attributed to Alfred Hitchcock) was made by Hitchcock's friend

Sidney Bernstein and remained uncompleted until February 1984 (Haggith, Newman 50).

During the months following Germany's defeat, Russia had been releasing newsreel footage

of liberated camps and were preparing their own documentaries.

This prompted Bernstein to have his producer, Sergei Noldbandov, to begin going through

footage from "Russian newsreels, the US Army Pictorial Service, War Office, RAF and

the British newsreel companies" in order to collect every piece of available footage

showing the atrocities committed by the Nazis.

The goal was to compile evidence of these atrocities from all around the world to be

screened to audiences in formerly Nazi-occupied territories who [quote] "had been exposed

during the preceding four or five years to Nazi propaganda" (Haggith, Newman 52).

It was after a visit to Belsen, that Berstein decided to pivot the film from being a [quote]

"retrospective compilation" to a full documentary with new and archived footage

that would be definitive evidence to quell any possibility for denial that these events

took place (Haggith, Newman 53).

Bernstein would have the cameramen document, not only the bodies of the dead, the testimony

of the survivors and German prisoners, but the company logos and nameplates of the German

and foreign companies who contributed resources and construction

to this systematic extermination (Haggith, Newman 54).

The objective now was to make a version of the documentary for German citizens and prisoners

to show the evil acts that the National Socialist Party committed [quote] "in their name"

as a way to prevent any potential terrorist acts by German citizens in the name of the party.

The film was also meant to implicate the German audience as complicit in these crimes (Haggith, Newman 54).

Most of the German people—including POWs— refused to accept any

responsibility for what happened.

Many had likened the disturbing images of the camps to the constant publishing of photos

in national newspapers of dead Germans due to allied bombings (Haggith, Newman 54).

They managed to separate themselves from what they were seeing in the footage of the camps

as merely the government's doing.

We can see something similar in David Irving in Denial.

Even when confronted by video evidence of very racist things he has said, he still doesn't

consider himself to be a racist.

"You sued because you said that we had called you a racist and an extremist."

"Yes…

But I'm not a racist."

While the film footage taken during the liberation of the camps offers us a more objective view

of the aftermath of the atrocities, what is missing are the atrocities themselves.

This is where dramatic narratives come in—most of what's depicted in these films is based

on witness testimony.

Perhaps the most famous filmic narrative depiction of the Holocaust is Steven Spielberg's 1993

drama, Schindler's List, in which a German factory owner uses his status and resources

to save many Jewish lives during World War II.

Spielberg's approach was to use an "induced documentary" style similar to William Friedkin's

depiction of the events in The French Connection.

Steven Spielberg: "Many many scenes were hand-held and not planned.

I didn't plan shots.

I didn't sit home at night making shot lists or doing storyboards as I usually do…

And then I would just wander into the scene like I was an eavesdropper with a camera to

try to make the existence of the camera very second nature to

what was happening in front of the camera."

Of course, quite a lot of documentaries contain hand-held footage out of necessity—documentary

filmmakers often capture events as they unfold without the opportunity for planned camera

moves and framing that fictional narratives can afford.

Spielberg would take a similar approach with Saving Private Ryan, which, like Schindler's List,

also enlisted the talents of cinematographer Janusz Kaminski.

The hand-held shots coupled with the use of black and white make Schindler's List appear,

at times, disturbingly close to real life captured in a documentary.

In his book, Kerner speaks about the feminization of the Jewish victims in Holocaust films and

notes that there is often a sex-crime aspect.

In Schindler's List we see this not only in Amon Goeth choosing Helen Hirsch as his housekeeper,

but also in the scenes with nude females being sent to what could have been

the gas chambers.

We see this in Denial as well.

Irving goes after Lipstadt, a Jewish woman who, in the courtroom, is forced by her own

defense to remain passive while the war is fought in front of her.

Despite her efforts to defend herself, it is made clear that the only way she can win

the case is if the men win it on her behalf.

In Holocaust dramas, the Jewish internees lack any ability to protect themselves and

can only hope to miraculously survive what often appears as random murder.

They require the capable allied soldiers to save them.

This utter impotence to have any control of your situation with each moment potentially

being your last is what makes Holocaust films far more disturbing than any other.

Holocaust dramas and documentaries aim to inform and create an understanding of the

events that took place.

Schindler's List brought the testimonies of survivors to the world's attention—the

film was [quote] "seen by a quarter of the population of Britain [and] nearly a third

of the population of Germany" (Haggith, Newman 196).

But what about other genres?

One could argue that films like Schindler's List or The Pianist are horror films.

A connection is drawn between Holocaust films and slasher flicks with the Jewish people

as the terrorized females and the Nazis as the unstoppable killer possessing "superhuman

strength" and lacking any remorse (Kerner).

Something like Quentin Tarantino's Inglorious Bastards purposefully subverts this structure

and depicts a group of Jewish-American soldiers terrorizing and brutalizing the Nazis.

Here, we get a cathartic answer to the absolute hopelessness of reality and are allowed to

experience a fantasy of justice.

Jerry Seinfeld: "You thought that there was a profound revenge for Hitler's crimes

in making fun of him that, in a way, surpasses everything."

It seems strange to think of a Holocaust comedy, but they do exist.

"My name is Adolph, I'm on the mic.

I'm gonna hip you to the story of the new Third Reich."

There are plenty of comedies that revolve around Nazi's—whether it be to make fun

or to shock an audience,

"Heil Hitler!"

"Heil myself."

but there is even comedy in films depicting the genocide.

Perhaps the most famous is Roberto Benigni's Life is Beautiful where a man tricks his young

son into thinking that what is going on in the camps is part of a game.

"Sorry if I'm going so fast, but I'm playing hide and seek.

I have to go now or they'll find me."

But there is also an interesting film called Genghis Cohn where a Jewish comedian is executed

in a concentration camp and comes back as a ghost to haunt a former Nazi in 1958.

It is possible that horror, action, and comedy allow us to explore the Holocaust in a more

real way, by requiring our participation through fear, suspense, and laughter and therefore

we cope from within as opposed experiencing an outsider's view based on pity.

A major theme that Denial brings up is the silencing of the Jewish voice.

Denial of the Holocaust requires ignoring the testimony of those who experienced it.

Lipstadt is recommended by her council not to speak during the trial nor allow any of

the Holocaust survivors to testify.

This disregards the first-person perspective of the average victim.

I believe this speaks to Holocaust films in general.

Whereas many Holocaust films are built out of witness testimony, Kerner writes that "as

victim, Jewish characters lack agency, and narratives to get played through or around

them, as opposed to by them" (Kerner 31).

We get a voyeuristic view of the brutality inflicted on the victims from an outside perspective.

This is more or less prevalent in Schindler's List, which revolves around Oskar Schindler,

a gentile German businessman, as he transforms from complicit in what is happening to the

Jews to a kind of savior for the victims.

Even a film like The Pianist, revolves around Szpilman's attempt at survival among the

backdrop of Jewish suffering.

What he witnesses outweighs what is inflicted upon him.

Szpilman's musical talent seems to almost lift him to a higher level than the other

victims as if to say that, Szpilman is special and shouldn't be forced to die like the

average people.

Of course, it would be ridiculous to think that this is in any way intended in these

films, but I would argue that a better example of Jewish agency outside of action films like

Inglorious Bastards and Defiance, is in Life is Beautiful.

It is unique for a Holocaust film that takes place in the camps to have the quest of survival

be secondary to a different objective—in this case, Guido is trying to keep his young

son from discovering the horror of their situation by making a game out of it.

Similarly, Son of Saul follows a Jewish man forced to work the gas chambers who tries

to give a boy believed to be his son a proper Jewish burial.

Roberto Benigni, who co-wrote, directed, and starred in Life is Beautiful, is not Jewish

himself despite playing a Jewish man in the film.

Seeing as the vast majority of the victims of the Holocaust were murdered for being Jewish,

the story of the Holocaust is regarded as a Jewish story.

However, is a Jewish heritage required of an author to tell these stories?

Often, there is a certain authority perceived in a Jewish filmmaker making a Holocaust film.

Roman Polanski, who directed The Pianist, is a survivor himself.

Roman Polanski: "And then they were liquidating the parts of [the] Ghetto.

They had lists of people and they would come at night to take people away."

Steven Spielberg doesn't have a connection to the Holocaust in his immediate family,

but he speaks on wanting to make Schindler's List because he is Jewish.

Steven Spielberg: "I'm not the son of a survivor.

I'm certainly related to survivors and victims of the Holocaust through my grandparents with

all the relatives they lost."

It is argued that critics and scholars tend to impart ownership of the Holocaust to Jewish

filmmakers—likely because it is perceived that a Jewish person would be more inclined

to use proper care and respect when approaching an event that is so closely tied to their

ancestors and heritage.

Steven Spielberg: "Well I tried to get Marty Scorsese in the mid 80s to do Schindler's

List and he felt that he couldn't do it because he wasn't Jewish."

There is something to be said about the David Irving trial being against a Jewish person.

Lipstadt becomes not just a defendant, not just arguing against Holocaust denial,

but a symbol for Jewish people taking ownership of their own history.

The thing that pretty much all of the mainstream Holocaust-related films have in common is

the depiction of good versus evil.

Obviously there is no question that the Nazis were evil, but these films allow us to position

ourselves comfortably on the side of good without taking into account that, the rise

of the Nazis was a failure of humanity.

It is hard to wrap your head around the idea that, under the right circumstances, you or

I could possibly have been complicit in something so inhuman.

A similar theme is depicted in a film titled The Grey Zone, in which Jewish internees help

the Nazi's exterminate their people in exchange for their own lives.

Denial shows its antagonist, David Irving, as human.

He is depicted as a loving father who enjoys playing with his child and he even a gracious loser.

What's important to the portrayal of Irving is that he is seen, in part,

through his own eyes.

Irving sees himself as a logical thinker—someone who is uncovering a conspiracy that heavily

benefits the conspirators.

He represents himself in the trial— making him the David to Lipstadt's legal team's

Goliath— and he sees himself as a scholar whose work, person, and legacy is the target

of an attack by those who can't prove their words.

Portraying Irving in this way, as opposed to simply a villain, allows we, the audience,

to better understand how a denier is created.

There is infinitely more that can be said on the subject of the Holocaust in film,

but I hope you've found the subject to be as thought-provoking as I have.

And be sure to check out Denial coming to DVD in the UK on June 5th.

Thanks for watching!