-------------------------------------------
Species Counterpoint in 2-Parts: Intro - Duration: 9:18.
SPECIES COUNTERPOINT IN TWO PARTS – AN INTRODUCTION
Our learning how to write a cantus firmus (similar to the one below)
taught us to distinguish between conjunct and disjunct
motion, consonant and dissonant melodic intervals, the distinctions between steps, skips, small
leaps (of a fourth), and large leaps of a fifth or more, also, the differences between
several modes.
We learned that, in a cantus firmus, certain melodic intervals are acceptable – major
and minor seconds, thirds (also sixths), perfect fourths, also perfect fifths and octaves – whereas
others are NOT: i.e., sevenths, also chromatic, diminished, augmented, and compound intervals.
[mus]
In order to combine together two independent melodic lines – a cantus firmus and a counterpoint –
we begin with exercises in "species counterpoint."
This refers to the specific note values of the counterpoint – whether whole, half,
or quarter notes – in relation to the CF.
[mus]
Yes, we're talking about rhythm.
When a counterpoint [CP] in whole notes is matched to an existing cantus firmus – also
in whole notes, whether above or below, it is called First Species Counterpoint, or "note
against note."
Listen to this example from the famous treatise :GRADUS AD PARNASSUM," by Johann Joseph Fux.
[mus]
To work out such an exercise, we consider
not only the horizontal flow of the UCP – acceptable and unacceptable melodic intervals – but
also the vertical harmonic intervals between each pair of notes, upper and lower.
Figures between the two parts mark the vertical intervals.
In 2-part First Species, only consonant harmonic (i.e., vertical) intervals are allowed: Perfect
Unisons, 5ths, Octaves, Major/minor 3rds, 6ths.
Their compound versions are also permitted: Perfect 12ths, Major/minor 10ths and 13ths.
Notice any missing?
When there are only two parts, a vertical Perfect 4th between CF and CP is considered
to be a dissonance.
This is because a harmonic P4 wants to resolve, to a third.
Dissonance between bass and an upper part is not permitted in first species counterpoint.
(Hence, no P4s!)
By AVOIDING Direct Motion into a Perfect interval, your singer or instrumentalist can improvise
fill-ins between melodic skips or leaps in his written part, and not create parallel
or hidden perfect intervals, which are forbidden. [mus]
[mus]
So, Direct Motion into a perfect interval is NOT permitted.
We may use Direct Motion – whether parallel or similar – only when proceeding into an
imperfect interval, but may use Contrary and Oblique motion into any interval.
| Direct | [mus]
| Contrary | [mus]
| Oblique | [mus]
However, … Be careful to not create parallel fifths,
unisons or octaves by contrary motion, as shown on the left! [mus]
On the other hand, alternation by Contrary motion between Fifths and Octaves (or Unisons)
is acceptable, as on the right. [mus]
First Species with Upper Counterpoint, Lower
Cantus Firmus – this is how we do it: The exercise may begin with either a P8 or P5,
which establishes the tonic or key.
But NOT with a P4; remember, when there are only two parts, P4s are dissonances, and not
permitted in 1st species!
Perfect Ending.
[P8] No imperfect interval is allowed on the end; no 3rds.
The CF and CP must both end on the Final, or tonic note, of the mode or key.
(Which means, no P5 is permitted on the end, either.
An octave is okay.)
With the Cantus in the lower part, there must be a major 6th in the next-to-the-last, or
penultimate bar, cadencing on the Final at the Octave.
In Minor Modes (but not Phrygian), the 7th scale degree is chromatically raised to create
an artificial Leading Tone in the upper counterpoint. [mus]
Here are Soprano and Alto staves, bar numbers
above the Soprano, and intervals figured between the CF, on the bottom, and the UCP.
Note that perfect intervals tend to put the brakes on the flow – and octaves are worse
than P5s – whereas the 3rds and 6ths move along easily.
Unisons must be avoided in 2-part counterpoint, except at the beginning and end.
A unison has the unfortunate effect of cancelling out one voice. Listen! [mus]
By the way, octaves in the middle section of an exercise, though not as bad
as unisons, may be used, but sparingly.
A tone may be repeated, only once, not in the cantus firmus, but ONLY in the counterpoint.
In first species, this is in fact the only way to have oblique motion in the cantus firmus.
ANALYSIS.
Remember to approach P8s and P5s by contrary or oblique motion only, NEVER directly (neither
parallel, nor similar motion into a perfect interval is permitted).
Based on the measurements of bars 1 and 2, we have oblique motion, marked with the letter
"O."
From bar 2 to 3, parallel (marked "P").
Bar 3 to 4, contrary (marked "C"), then similar motion between bars 4 and 5.
The rest are marked on the slide as well. Let's listen! [mus]
Summary of Guidelines for writing 2-part,
First Species Upper Counterpoint to a Cantus Firmus.
If it helps, pause the clip and take a screenshot of the slide.
You are of course encouraged to practice adding an upper counterpoint
line to one or more of the cantus firmi you created in previous assignments.
Post a question or a comment, and be sure to like, share, and subscribe for updates!
Food for Thought: … ASSIGNMENT: Transcribe this example to Grand Staff,
then Play the two parts together on a piano keyboard.
Better, sing the cantus firmus part while playing the upper counterpoint line on the
piano.
Then, the reverse: Play the lower cantus firmus part while singing the upper counterpoint.
If necessary, transpose the keyboard part up or down an octave, to suit your voice.
You may also try singing the two parts together with a partner, in solfège.
[music credit]
Thank you for watching! [Copyright © Mark Priest, 2017]
-------------------------------------------
Ascension Toolkit #8 – Courage - Duration: 4:19.
Ascension Toolkit #8 � Courage
by Michael H Hallett,
We live in a world that recognizes and respects courage: the military hero, the policewoman
who dies in the line of duty, the fireman who dashes into a burning building and emerges
with a child in her arms. We are familiar with this kind of courage as a result of our
long patriarchal past.
On the Ascension path, however, courage takes on new forms and there is a place for them
in our toolbox. The courage required on the Ascension pathway falls into two kinds: outward
directed and inward directed.
Outward directed courage
Outward directed courage is the closest to the traditional military-valor type of courage.
This is the courage to step outside your comfort zone and do something you not only haven�t
done before but also�more importantly�haven�t felt capable of doing. That place outside
our comfort zone is scary. We don�t know what happens out there. We don�t know how
people will react to us stepping into that twilight zone. Just the thought of it makes
us squirm and look for the slightest reason not to do it.
In my experience, the Ascension process is a continual expansion of our comfort zones.
So get used to it. That stomach-rumbling feeling you get when you�re about to step outside
your comfort zone is something you will become familiar with. So courage is sometimes the
tool that we need to take the next step.
Still thinking of avoiding it? There�s a saying in spiritual circles, �that which
you resist persists.� Damn right it does. All you�re doing is prolonging your own
misery (not to mention slowing the global Ascension process!). I can�t say that it
gets easy, but it does get easier. You will get to know very clearly when you need to
step up and will learn the futility of resistance. Instead of putting off crucial changes and
letting issues persist you will get better at knocking them out of the park as soon as
they show up.
Inward directed courage
The other kind of courage is inward directed. That�s the courage to expand your �inner
comfort zone�. If you�re male, this might involve the courage to become softer and abandon
macho posturing and violence as problem-solving methods. In a society built on the concept
that men should be physically and mentally strong (and, implicitly, emotionally inflexible),
letting go of this paradigm is a courageous step. If you�re a woman, it might be the
opposite. Step into some of that angry masculine energy and give that dysfunctional family
of yours a good shake. They may not thank you, but you will know you with utter certainty
you have done the right thing.
Like any tool in the Ascension toolbox, when you use courage properly you will be left
with the warm glow of knowing you have taken another step along your own Ascension path�and
made the world a better place.
-------------------------------------------
Ancient Race of White Giants Described in Native Legends From Ma - Duration: 7:03.
Ancient Race of White Giants Described in Native Legends From Many Tribes
Several Native American tribes have passed down legends of a race of white giants who
were wiped out.
We�ll take a look at a few such legends, including those among the Choctaw and the
Comanches of the United States down to the Manta of Peru.
Choctaw
Horatio Bardwell Cushman wrote in his 1899 book �History of the Choctaw, Chickasaw,
and Natchez Indians�:
�The tradition of the Choctaws� told of a race of giants that once inhabited the now
State of Tennessee, and with whom their ancestors fought when they arrived in Mississippi in
their migration from the west.
� Their tradition states the Nahullo (race of giants) was of wonderful stature.�
The tradition of the Choctaws told of a race of giants that once inhabited the now State
of Tennessee.
� Horatio Bardwell Cushman
Cushman said �Nahullo� came to be used to describe all white people, but it originally
referred specifically to a giant white race with whom the Choctaw came into contact when
they first crossed the Mississippi River.
The Nahullo were said to be cannibals whom the Choctaw killed whenever the opportunity
arose.
Comanches
Chief Rolling Thunder of the Comanches, a tribe from the Great Plains, gave the following
account of an ancient race of white giants in 1857:
�Innumerable moons ago, a race of white men, 10 feet high, and far more rich and powerful
than any white people now living, here inhabited a large range of country, extending from the
rising to the setting sun.
Their fortifications crowned the summits of the mountains, protecting their populous cities
situated in the intervening valleys.
Innumerable moons ago, a race of white men, 10 feet high, and far more rich and powerful
than any white people now living, here inhabited a large range of country.
�They excelled every other nation which was flourished, either before or since, in
all manner of cunning handicraft�were brave and warlike�ruling over the land they had
wrested from its ancient possessors with a high and haughty hand.
Compared with them the palefaces of the present day were pygmies, in both art and arms.
��
The chief explained that when this race forgot justice and mercy and became too proud, the
Great Spirit wiped it out and all that was left of their society were the mounds still
visible on the tablelands.
This account was documented by Dr. Donald �Panther� Yates, a researcher and author
of books on Native American history, on his blog.
Navajo
Yates also writes of the Starnake people of Navajo legend, describing them as:
�A regal race of white giants endowed with mining technology who dominated the West,
enslaved lesser tribes, and had strongholds all through the Americas.
They were either extinguished or �went back to the heavens.'�
Manta
In 1864, Pedro de Cieza de Le�n wrote in �Chronicle of Peru� about legendary giants
described to him by the Manta indigenous people:
�There are, however, reports concerning giants in Peru, who landed on the coast at
the point of Santa Elena.
� The natives relate the following tradition, which had been received from their ancestors
from very remote times.
From the knee downwards, their height was as great as the entire height of an ordinary
man.
� Pedro de Cieza de Le�n, conquistador
�There arrived on the coast, in boats made of reeds, as big as large ships, a party of
men of such size that, from the knee downwards, their height was as great as the entire height
of an ordinary man, though he might be of good stature.
Their limbs were all in proportion to the deformed size of their bodies, and it was
a monstrous thing to see their heads, with hair reaching to the shoulders.
Their eyes were as large as small plates.�
Le�n said that the sexual habits of the giants were revolting to the Natives and heaven
eventually wiped out the giants because of those habits.
Paiutes
The Paiutes are said to have an oral tradition that told of red-haired, white, cannibals
about 10 feet tall who lived in or near what is now known as Lovelock Cave in Nevada.
It is unclear whether this �oral tradition� about the so-called Sitecah giants existed
or if it was an exaggeration or distortion of their legends made after the Paiutes were
mostly killed or dispersed in 1833 by an expedition by explorer Joseph Walker.
Brian Dunning of Skeptoid explored Paiutes legends and found no mention of the Sitecah
being giants.
It seems there was, however, a people who practiced cannibalism and who lived in Lovelock
Cave.
Human remains have been found there, and a few of the human bones had the marrow removed,
suggesting the marrow was eaten.
Cannibalism seems to have been a rare practice among these peoples, however.
The remains do have red hair, but this may be because black hair can turn red with time.
Miners unearthed the artifacts in 1912, leaving them in a pile before eventually contacting
the University of California.
Anthropologist Llewellyn L. Loud traveled from the university to the site to investigate.
It is commonly agreed that excavation of the site was not handled well and certainly not
up to modern standards.
But some proponents of the Sitecah giants theory say researchers have deliberately covered
up any giant remains found there.
-------------------------------------------
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How to powder coat lead bullets, the lubing alternative DIY tutorial - ep 32 - Roma Custom Bike - Duration: 15:02.
In this episode we'll powder coat some bullets so that they can go from this… to this.
Hi folks, I'm Custom Cez for Roma Custom Bike and this episode will be a bit off topic,
but I'm sure that you'll like it.
Today I'd like to explore two different techniques of powder coating that do not require the
use of an electrostatic gun
Because of the subject matter I'd like to remind you that this video is for entertaining
purposes only and in no way an invitation to to replicate my action at home
Yo, ask the lawyer if that was alright. Disclaimer all right? all right, let's get started then
By managing www.verniceapolvere.it, my Italian powder coating company, in the last few months
I've received many inquiries about powder coating bullets
For those of you not familiar with fire arms, I'm referring to the part of the ammo that is
actually shot out of the gun or rifle.
here it is
So I documented myself and found out the lead bullets tend to lead up the barrel of the gun or
forcing the gunman to spend lots of time in tedious cleaning operations
Moreover, the lead tends to make a lot of smoke and smell, and finally it exposes the
shooter to lead contamination that, as we know now
is not really the healthiest thing in this world
Over time, many systems have been developed to prevent these problems, including full
metal jackets, or grease and oil lubrication
Today, however, the powder coating of the bullet is a viable and economical alternative
to prevent these problems, sealing the lead inside the thin coating of very hard plastic
So in this video we will use two different techniques for powder coating that do not
require the use of an electrostatic gun
I'll be using the powders that you can find on our site www.verniceapolvere.it which supplies
professionals and hobbyists with in small quantities of powder
This bag for example costs only 13 Euros and
can provide coating for about 4000 rounds of ammo
So a pretty good deal
But I've mentioned two techniques, The first one
is the wet one and the second one is a dry one
The wet one will require some acetone, a container where will mix the acetone with some powder
for powder coating
We have the bullets that we want to paint.
We have a tray made out of mash that we'll use to put the bullets in the oven to bake
We have another container that we'll use to mix bullets and paint and the small oven.
I've decided to use this oven to demonstrate how a very cheap oven can work for this purpose
and can be a dedicated oven because once you use this machine for powder coating you can
no longer use it for food because it would be toxic.
So let's get started and let's see how it goes
First of all I need to remove the grease that is already present on the store bought bullets,
this step probably won't be necessary for those of you that fuse your own ammo
Powder coating, like most painting processes do not like grease
To do so it's enough to put them in the oven at about 80 degrees Celsius, 180 Fahrenheit,
for a couple of minutes,so it will melt away
While still plenty warm, I rinse the bullets with some acetone to obtain a clean surface
ready to be powder coated.
This step is valid for both processes
Now I can start preparing the paint mixture I'll use to coat the bullets
All I need is about 15 grams of powder, that I can easily measure with a common kitchen scale
and then just about 50 milliliters of acetone
I'll use this graduated container to measure it out
Then I mix it with the powder paint.
While giving it a vigorous shake I realize that the acetone is eating away at the plastic container
Better use some glass with this solvent
I quickly transfer the mixture to a cleaned out marmalade jar and I'm back in business
Back to the shaking
After mixing the ingredients together I obtain a suspension of powder in an highly volatile
liquid solvent...Just the way I like it!
Watch out though... no flames around.
Now I can use this mixture to paint the bullets and that is why they are often referred to
as colored bullets!
The fact that this container is made out of plastic doesn't worry me, to coat this handful
of bullets I'll just need a few tea spoons full of paint
As soon as I pour I need to get shaking right away.
The acetone evaporates pretty quickly so I've got little time to act.
The paint covers the bullets pretty good and once the solvent has evaporated all that's
left is the powder
So the bullets are transferred onto the mash tray and as you can see the coverage is quite
spotty, it doesn't matter, it will be ok in the next few steps.
The oven is on and it's already at 200 degrees Celsius, 400 Fahrenheit.
I can proceed with the first round of baking.
I set the timer to 5 minutes, after about 3 minutes, when the powder has already melted,
I give it a shake to make sure the bullets aren't sticking together too much.
5 minutes is a long time to wait when curiosity is driving you nuts
The bullets are very hot, they need to cool off for a few minutes, but it doesn't take
long, they are just a few and they are tiny, so after 5 minutes they are ok to touch.
As you can see they are not fully covered with paint and that is why I need to repeat
the process another couple of times, just 2 or 3
I have to make a compromise between the look of it and the thickness
each coat adds to the bullets
The good thing is that with this technique the thickness of each layer of paint is so
small that even 4 coats are ok.
So I start the process again, using bullets that are still warm to facilitate the adhesion
of the powder, but watch out, if they are to hot you'll end up with a mucky mess.
Let's go with bake session number two.
You can see that the paint coverage is already much better than before, but still, let's
give it a third coat.
Since this is the last curing cycle I'll leave the bullets in for the full 10 minutes as
stated on the powder bag, so that I can be sure that all the layers have fully cured
After a short wait the bullets are ready to be handled... well, almost ready...
You know, I'm sure that you guys would certainly manage to be more patience and you will wait and won't get burned
I have to say I'm very happy with the result!
I can still see a few marking where the bullets were in contact with the net but I'm sure
that with a bit of practice the process can be refined a great deal
Here you can see the comparison between the before and the after
Now, before getting to the second technique, I'd like to remind you that if you are in
Europe you can find the powders used in this video on our site www.verniceapolvere.it
I will also write it in the description
I'd also like to thank you guys for the support you guys demonstrate every day by liking our
videos, by commenting and sharing on your social networks.
If you aren't already please subscribe to the channel and remember to click the little bell to receive
a notification every time I publish a new video!
Here comes the second technique the dry one maybe the simpler one
We'll need a Tupperware container where will mix bullets and paint
Then we will dump everything into our mesh tray
We will use some aluminum foil to recoup the extra paint
and recycle it for the next painting job
Then everything will go into our little tiny dedicated oven
So let's get started with technique number two and let's see what kind of results
we can get
I've tried to use only easy to find materials for this project
For example to collect the extra powder so that it can be reused many times all I need is a sheet
of aluminum foil to be placed under the mash tray
Then, with the bullets already placed into the container, I add a little powder, just
enough to cover them with a thin layer of color
Now, all that's required is a good shake to distribute the powder evenly on the lead bullets
Again, if we have them at a temperature of about 130 150 degrees Fahrenheit, it will
be easier for the paint to stick
I'm sure that with a little trial and error anyone can find the perfect combo to get the
best results
Once covered with paint, I transfer the bullets to the tray where the excess powder is free
to fall through the mash
My oven is always ready for baking
Today's chef suggestion is Roman style bullets! cooking time: 5 minutes!
The extra paint can be put back in the bag and reused without any additional steps
This makes it so that this process has practically zero waste of powder
After 5 minutes lunch is ready and the smell is delicious
Bu you've got to keep the temperature in check
You just can't trust these little oven's thermostats and that's why I Iike to use a laser thermometer
In this case I got distracted while talking to you, and I lost track
of the temperature
The consequence is that the bullets melted away, what you gonna do?
But I never give up!
With the magic of post production I'm back in a jiffy with a new batch of bullets and
this time I won't let you guys distract me...
I'm going to put an eye on the temperature
This is the result from just one round of painting
You can still see some marking of the mash and from the bullets touching each other,
but I have to say it all looks pretty good for now
With one more layer we should get a pretty decent product
Without letting the bullets cool off to much I go for a second powdering round, as you
can see you need very little powder
The net captures the bullets and lets through the excess powder.
If we didn't do this step, it could result in an uneven coating
and too thick of a layer of paint
Once again they are back in the oven and in very little time we can finally see the final
result of this second bullet coating technique.
As you can see with only two layers of paint we have a much better coverage that with the
same amount of layers on the previous technique
We do have a bit more of visible markings both from the net and from bullet to bullet
contact but, although the look factor is definitely important, we can certainly assess that the
objective of encapsulating the lead bullet in plastic has been achieved!
Mission accomplished!
Here they are, our powder coated bullets.
Now is time to press them into the casings.
You can see that my casings are just for show, there is no powder and there is no primer.
I just want to see how does the final product will look once done.
I borrowed this press from a friend that can put together a cartridge with the simple pushing
of this lever
All you need to do is line up the bullet with the casing and voila'... here is our pretty
bullet, nice and easy.
I think I like this thing...
I'm going to make some more
We managed to powder coat this bullets and I'm pretty excited about the results, now
I am no expert so I'm sure that you guys Will be able to get the best procedure in place
to get some top results out of this still powder coating techniques
All I wanted to do is to prove that it was possible and it was as easy as everyone makes
it out to be.
Now I invite you to subscribe to the channel, press the like button and check out some of
the other videos in my series.
I am Custom Cez for Roma Custom Bike and I will see you in the next video
-------------------------------------------
Asal Kau Bahagia (I hope you be happy with him) [Armada] - Minecraft Noteblock Cover - Duration: 1:42.
♪ Honey, I saw you yesterday.. ♪
♪ You met him at that moment.. ♪
♪ Now, I think that you are still.. ♪
♪ Thingking about him.. ♪
♪ What don't you like about me.. ♪
♪ In your life.. ♪
♪ So that you cheated on me.. ♪
♪ Please tell me the truth now.. ♪
♪ That you weren't happy with me.. ♪
♪ I have your body.. ♪
♪ But not your heart.. ♪
♪ You don't need to lie to me.. ♪
♪ That you still want him.. ♪
♪ I don't care if you want him.. ♪
♪ I hope you be happy with him.... ♪
Written by: Hirmawan Pratama
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Tabouret for workshop | Chair made of screw-nuts - Duration: 10:39.Tabouret for workshop | Chair made of screw-nuts
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Step by step motif 3 in crochet - Duration: 26:45.
Hello guys are welcome to another video class today I will teach you this
beautiful square crochet ie reason as you better find it is very beautiful is
easy to work and today I will be teaching to you a new technique to amend them
I believe you will like and is perfect the amendment and you can use this
square or motive in various types of work Use creativity what you
fit you can use ok staff let our video lesson today then.
We will start working with the wire Dune merged in yellow color and the reference number
we'll use is the 9368 I'll put one ringlet the needle and I will work here
six little chains one two three four five six will introduce here the first needle
little chain where we started and I will cast off with a very low point will hold the wire
below the ring will rise a necklace inserting the needle inside the ring and
make a low point this out down I will work totaling fifteen sixteen
did one two three four five six I will Finally my sixteen lows
I will cast off here at the end with very low point I'll cut my wire and I will hide the thread
back here and get back with you.
We finished our core here already arrematei the wire cut and hid here in the inside out now
I'll catch the next thread I'll use here Anne wire 500 in white color I had it
here to spare I'll enjoy it but you They can use the white wire Dune I'll put
Here's a ringlet the needle will catch my kernels go here on any basis point to introduce
and attaching the needle to a low point will up now sixteen one two little chains
three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen
made the sixteen go here at the same point base attach here with another low
see here we start with a point down did little chains and arrested sixteen
here again with another low point in the same base point now continuing here we
I next base point'll hold here with low and will rise sixteen
little chains three one two four five six seven eight nine ten eleven twelve thirteen fourteen
fifteen sixteen sixteen done little chains I go here on the same base point where arrested
with a low hold here also another low point being a point this way
down early sixteen and little chains at the end of another low point in the same holding
Following the base point will next basis point do low and we
working that way all around career always working one sixteen low
little chains and one low point in the same base point next base point do
a low sixteen little chains and hold with a low point on the same basis
then do a low point in the near base point and we will work to finalize
career and I getting ready to return you.
Finished his career worked here sixteen handles sixteen chain on arrematei
at the end with slip stitch cut the wire and I hid in the back now we will start
the next career with the wire color Dune mixed green and the color reference
we will use is the 9391 will put a ringlet needle we here at any
Here handle and will hold with a low now I will go up four little chains one two
Three Four staying at the time of a high point double will rise two little chains to turn
one two will lasso the wire once two and same handle will work here a high point
double snapping up every two getting so now I will go up one two three
four little chains will now here next handle will work part-time high finishing off
ringlet three at once will only rise again here now a necklace Two Three Four
I will next strap and hold here with a low climb one Two Three Four little chains
Tie the thread will handle the next job middle high point snapping up three ringlet
at once go up one Two Three Four I will here next loop will work a
high point double loop wire once two I go here on the handle work double-time high
climb a necklace two loop wire two times on the same handle will work other point
high double snapping up every two ringlet getting this way we see that the tip
we have two doubles highlights interspersed with two little chains climbed four little chains
We hold the next handle with half point high four little chains hold here with
a low point through four little chains High here four little chains and at the other end
We work two sequences highlights double interspersed with two little chains
we'll work that way in the four side until finish.
Another career ended here last I mean held with little chains four highest point climbed
and here at the beginning where we have the high point we did double the height of four little chains
we here in the fourth chain on up and we cast off here with a slip stitch
following we will work here in two little chains handle here will fasten
with another very low point and now I will go up one two three little chains a high point
two will go up one two three little chains I will handle the same job two points
high one two made the range we go now work in four little chains handle
four highlights a high point two three four got here where arrested with half
high point we will now skip this point we will work where we have the four little chains
so are a high point two three four we came here with a point where hold
down we will work on four little chain strap four highlights a high point two
Three Four coming here where arrested with half high point let's jump and work
the four little chains handle four highlights one two three four coming
here at the end where we have the two highlights double interspersed with two little chain we
work our other range equal did at first with a high point two one two
three little chains and two high points in same handle one two we're working
that way throughout the four side career to finish getting ready I return with
you.
Here already finished the career has arrematei the wire cut and hid in the back of my
order now we will pick up the thread Anne white wire and we'll put one here ringlet
the needle we're here in one of the handles we hold here with a low will
climb a two little chains a high point I will pass the thread to the left and I
work here hiding he made a point top two will go up one two three little chains
two high points in the same handle a point top two now go to work following
hiding the wire a high point in the direction each basis point always hiding
wire beneath arrived here at the end of the handle on the other side now will lasso the wire and I
working here two highlights a point high two one two three little chains and two
highlights the same strap we will work that way all around our career
on all four sides to get here early and we cast off with slip stitch getting
ready this part I return to you.
Well folks here we completed our square that is our reason already arrematei wire
I cut and hid in the back of our piece now I'll leave it here aside'll get
one square ready and we'll now here the first base point we started
the race will count a low point a necklace the second herein will insert the needle and
I will cast off with very low point following I will run with very low points above the
High following point and then also handle I will run here on the first point making
a very low point and another point on the handle very low on the handle got here we go
take the square on the other side we put back to back and we will work here one
low point following we will start our amendment of a different way then
I have done that let the thread below go here the first point of the other piece I will introduce
Here the chain on the needle and above the Here the first part here introduces the needle
the wire loop bring here in the front along with both ringlet'll get this ringlet
I will put within the first two finishing off that way they'll play down the wire
I will now again here in the second point high in ringlet up here will in the second
Part of the high water here will introduce the needle will also lacing wire passing Pro
here three left side of the needle ringlet I will cast off the last within the first two
again set the wire down here at will third high point in his direction here
above will insert the needle to go here here the third piece of the same shape and
here I lacing wire bring him here in the needle along with the two ringlet and I will pass this
third ringlet within the first two again we will leave the thread below we
Here next insert the needle point here in the middle of the piece there ringlet
Here introduce here the part of the needle Also in ringlet wire loop bring here
the needle left three I put this ringlet within the first two we will work
thus mending to get here in handle on the other side ending with a point
Low ending this part I return to we continue.
Well folks here we completed the amendment of two square that is getting the two reasons
this way is perfect here where we the two handles with a low mend
and we were working the way I explained until you reach the other two handles and hold
with a low finalized this part arrematei My wire cut and hid in the back of my
order now here I leave the two square Here aside I'll get one here ready
and we here at the first point where we began his career telling a low
a necklace chain on the second will fasten with a very low point in going
arremato next high point again with a very low point will grip at arremato
with another very low point came here in handle'll get my piece on the right side
here I put inside out with inside out and will hold the two handles with low and now
we will start our amendment will put the thread below will highlight the first
after the handle right here where we have the chain I will insert the needle point in the middle will
Part high here's side go here in the little chain introduce the needle in the middle of the loop also
Here I bring the needle thread left three ringlet we will take the third and bring in
the first two in this way will bring wire down again in the second go here
Above the workpiece there introduce the needle here in the little chain in the center come here
in the second part of the height of the side here I will introduce here in this little chain
the needle here in the middle lacing wire and bring Here the needle left in three ringlet
Needle will take the third bring in the first two in this way take the wire
down go here in the third high point Here we introduce the needle in the center of the ringlet
I go here in the third part of the high water here introduce the needle right in the center tie
the yarn left the needle bring here three ringlet in the needle will take the third bring
within the first two we will work this way to get here on the other handle
hand holding a low point I will finish this part here and the little I return.
Here we completed the amendment of another square that is another reason early mend
the first with the second and the second now the third here on the right hold
with a low straps and were mending to get across here where arrested
also with a low'll turn now my piece and we'll start the amendment
Here the right here on this I'll handle Now take a piece here already ready and I will
Finally here finishing off with a slip stitch I will tell you here a low point a necklace
the second will cast off here with a point very low in the next base point also
and here will also fasten the handle with a very low point will now put
parts in this position and I'm here to join the two WS handles inside out and will hold here
with a low point following we will start our amendment and we here at
first high point of the square on the upper side inserting the needle here the center of the chain on
we here in the square below in the first high point we will introduce the needle in the center
the little chain here too lacing wire left three needle ringlet we will take
the third input within the second and the first will thus now in square
Up to here the needle will enter the second high point in the center of the little chain will
square here under the center of the little chain the second highlight will also lasso the
ringlet three wire left on the needle will fasten the third and into the second
first so I go here in the third Above the needle will enter here in
center chain on the square will down here the third high point also introduce
the needle in the center of the chain on the lacing Wire bring him here on the needle forming three
ringlet the third we will introduce within the first second and thus
we're working to get uniting here the handle I will finish this part
and I go back with you.
Good staff arrived here at the end of next Left held the two handles with low
remembering that here earlier arrested with low and were mending to reach
here across here already held and now we will continue now we have here
the side the handle we attach to this so I'll fold this back way
inside out and will hold here with a low holding with a low point we will start
the ever amendment to the wire down below the square we go now here in the first
high point we will introduce the needle Here in the center of ringlet above the point
high we here in the first under'll do the same way and we will bring lacing wire
here in front of three left in ringlet we introduce the needle in the third
the second and first we made it toward the second high point introducing
Here the needle in the center of the second ringlet low the same way we lacing wire
left three needle ringlet will introduce in the second the third and the first
going toward the third high point Here introduce the needle in the center of ringlet
the third here under the same loop shape the wire down here left three ringlet
the third put into the second and first this way we will always working
mending to get here at the end where we we hold with a low point on the straps
I will finish this part and I'll be back with you.
Good staff finalized yet another amendment I used four square to be able to be giving
a tip for you how they used to mend this model is beautiful to perform a
quilt a blanket or even a tablecloth a table runner or even a cushion the
you see fit and use of creativity ok staff many will ask a teacher
you will not make the entire quilt or whole blanket or towel not the whole people
I will not do I just to explain to you have an idea for you and this modelinho
It is easy to do and I think you not will have no difficulty in performing
he just follow the step by step and you They leave personal ok well I hope you
enjoyed this video lesson is liked ai click on Channel liked to share in
the video on social networks and if you want are watching is not registered in the Channel
to sign up to receive updates video lessons do not forget to activate the bell
because enabling you will receive notifications in your emails ok good personal for today
and only until the next video lesson.
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Viaje a la luna (1902) - Duration: 15:33.
For more infomation >> Viaje a la luna (1902) - Duration: 15:33. -------------------------------------------
June 1, 2017 - Senator Al Franken - Duration: 35:11.
For more infomation >> June 1, 2017 - Senator Al Franken - Duration: 35:11. -------------------------------------------
【毎日星座占い】狐天の星座占い★【2017年6月3日】 - Duration: 1:45.
For more infomation >> 【毎日星座占い】狐天の星座占い★【2017年6月3日】 - Duration: 1:45. -------------------------------------------
HOW TO USE VICKS VAPORUB TO GET RID OF ACCUMULATED BELLY FAT AND CELLULITE, ELIMINATE STRETCH - Duration: 6:25.
OUR WEBSITE : http://justhealthrelated.com/
Vicks VapoRub has been used for treating headaches, cold,
cough, congested nose, chest and throat stuffiness.
However, Vicks VapoRub can do so much more than this.
Vicks VapoRub has been present and used for more than hundred years and is known as one
of the most widely used over-the-counter decongestants.
Recently there are many popular and unconventional ways to use this ointment.
Vicks is a supposed treatment for so much more than just a congested chest.
In this article you can read 21 more amazing uses of Vicks you haven't heard about.
1.
Puts Off Mosquitoes
If you want to keep mosquitoes away, apply a little bit of Vaseline on your clothing
and skin.
2.
Sinus Headaches
If you are suffering from sinus headaches, do this trick immediately.
Apply Vicks under your nose and take a deep breath.
The menthol from Vicks will help you calm your headache.
3.
Ease Acne
You may not believe it, but Vicks can aid you clean your skin.
You just need to apply it on your acnes a few times daily.
It will dry out your acne and sooth the affected area.
4.
Keep Insects Away
Do this by rubbing Vicks VapoRub on your neck, inner knees, elbows, and behind your ears.
Also, if you want to keep flies away while on a picnic, just open the Vicks bottle.
Additionally, this is the best eco-friendly trick.
5.
No More Bruises
If you combine a pinch of salt in Vicks VapoRub and apply it on a fresh bruise, it will help
you get rid of it quickly.
6.
Alleviate Sore Muscles
Start by massaging your sore muscles with Vicks.
Then, cover that area with a warm and dry towel.
Lie down or lift the sore limb until the pain reduces.
Do this three times daily.
7.
Moisturize Your Skin
If you have dry skin, rub Vicks VapoRub on your skin and you'll see the positive results.
8.
Tennis Elbow
If you want to get rid of the pain form tennis elbow, apply Vicks and the menthol and camphor
will help you ease the pain.
Rub again until the ache stops.
9.
Treat Cracked Heels
Apply some Vicks on your feet and heels and then put on your socks.
The next morning wash your feet with warm water.
Exfoliate the softened skin with pumice stone.
Do this every night to keep your feet healthy and smooth.
10.
Fingernail or Toenail Fungus
Apply Vicks on the infected toenail or fingernail twice daily.
Then, put on your socks.
Don't forget to trim your nails until you completely remove the infected part.
11.
Relieve Congestion Symptoms and Cough
To do this, apply Vicks on your throat and chest.
12.
Prevent Your Cat's Scratching
If you want to stop your cat's scratching, rub some Vicks to your windows, walls, and
doors.
13.
Fast Healing of Cuts and Splinters
Apply Vicks on any splinter or cuts to increase the time of healing and prevent infection.
14.
Reek-free Racehorses
Professional racers rub Vicks below the nostrils of racehorses on the race day.
This prevents the horses from the fascinating stench of the female pony and keeps them focused
on the race.
15.
Stretch Marks
If you want to decrease the visibility of the awful stretch marks, apply Vicks on the
affected area.
You will see the positive result after two weeks of regular application.
16.
Prevent Your Pet's Peeing
To avoid your pet's wetting on the rug or any area of the house, place an open bottle
of Vicks in those areas.
17.
Eczema-free
Ease the inflammation and itchiness of eczema by applying Vicks on the affected skin.
18.
Relieve Terrible Ear Pain
Apply some Vicks on a cotton ball and then put it in the painful ear.
You will notice relief immediately.
You can also warm garlic clove in the microwave for 10 seconds and then apply some Vicks vapo
rub on one of the ends of the clove and place it in your ear.
19.
Athlete's Feet
Apply Vicks twice daily if you want to heal athlete's feet.
20.
Remove Warts
Apply Vicks twice a day and cover it with gauze and a sock.
You will feel better in just a few days.
Continue to do this for about two weeks, until the wart disappears.
21.
Fat Burning and Stretch Marks Removal Cream
If you want to decrease localized fat and have the desired figure, use Vicks Vapo rub
because it can help you.
However, it cannot do miracle, but can stimulate fat burning in the problematic area, such
as legs or abdomen.
It can aid you fight fat accumulation, remove cellulite and stretch marks and make skin
tissue firm.
All you need to do is prepare a cream with Vicks VapoRub, camphor, baking soda and a
little bit of alcohol.
Apply the resulted cream in the problematic areas and cover with black plastic or a clamping
strip.
You can do this while you are at home, at work or before doing your exercises.
VapoRub includes levomenthol, a solid white glass with mint f
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Tabouret for workshop | Chair made of screw-nuts - Duration: 10:39.Tabouret for workshop | Chair made of screw-nuts
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BACON EXPLOSION - Bacon Bomb with Cheese - Duration: 5:51.
Hi It's subscriber Sunday in Steve's kitchen and DeZy Tut asked me to make
a Bacon Explosion but move over bacon explosion because the bacon cheese
explosion is here
Now DeZy I think he's changed his name slightly, he's also got a channel
he's Danish and he's always apologizing for the quality of his English but his
English is fantastic
so you can always get across and say hello. So move over the Bacon Explosion
is dead make way for the new king
let's make the bacon cheese explosion
Now we start our recipe by laying out six strips of
streaky bacon on a silver foil like this and I'm going to take the rest of the bacon
I had about 750 grams about a pound and a half
the leftover bacon I'm going to dice it up in fry it nice and crispy
I want that a little later on and we need to start off by weaving our bacon
so I'm just going to take
and alternate strip like that and just lay it back
I then take another strip of streaky bacon lay it across
and fold these pieces back on themselves like so
and that's the start of our bacon weave. Now what we're going to do is take the bacon
from this end
and turn it back on itself, again alternate pieces
and then going to take another strip of streaky bacon
and just lay it in there push it up nice and tight and then we
pull these pieces down
and there you have it there is my bacon weave, so the next thing we're going to sprinkle our
nice smoky barbecue rub now this is one I've made myself so subscribe to
the channel because that recipe will be coming up very shortly
Get a nice even coating of barbecue rub on there now it's a good idea to take some
baking paper
just pop it over the bacon before we put our sausage mince on here
that's going to make it easier for rolling up the sausage mince. Next we going to take
a couple of pounds, about a kilo of Italian sausage meat
just going to pop that on there and we want to spread this out
evenly across the bacon. Now once your sausage meat is spread out like that
I like to take some barbecue sauce and just spread it across the top of the
sausage meat
Some people put this on top of the bacon but I think it goes better
straight onto the sausage meat now over the top of that we going to put some
cheese
I'm using a mozzarella you could use a provolone I prefer the mozzarella
because it's a lovely stringy cheese
I've got about 200 grams thats about seven ounces I'm just going to spread it
across the top of the sausage
now our crispy bacon look that's beautiful
I've grilled that up and made it wonderful and crisp all in little pieces
we're just going to sprinkle that all the way across the top of the cheese
doesn't get much better than this cheese bacon
sausage and that is why now I put the paper on here because we got to roll up the
sausage meat
into a pinwheel and this is just going to help me lift it
and start the rolling process I want to pull that in nice and tight
now I've got my sausage on there I'm just going to start to roll it back a little bit
towards me
shape it back up a little bit tight like that this is pretty this is about the
trickiest piece
well now you are going to use that silver foil to
role the bacon around the outside of our sausage meat
and I'm just squeezing that in as I go I'm bringing that nice and tightly around the
sausage
like so. So when you've got that tightly wrapped up like that we can lift the
Bacon Explosion pop it into a baking tray
now that's going into an oven at 180 degrees Celsius that's 350 Farenheit
for about 30 minutes we want the sausage meat in the center to cook thoroughly
through
and then we are going to unwrap it and crisp off the bacon
the bacon
cheese explosion has been in the oven for about 30 minutes I just wrapped back the
foil
and now I'm going to Baste it in that rich barbecue sauce I want to put it on fairly
heavily
and then that he's going to go back in the oven now for another 30 minutes just
keep an eye on it
I might even baste a little more sauce on if I need to
now I have just taken my bacon cheese explosion out of the oven and it looks
delicious
now we need this to cool down a little bit on the side before we start carving it and
eating it
so I'm going to leave it there we'll come back in a moment. Now before this completely
cools down I want to share with you because it smelled so good how beautiful
this is going to look
I'm going to cut this through and you can see just what it looks like
with me in the middle now look
at that. It is the ultimate bacon cheeseburger
just fantastic now you can if you want baste more barbeque sauce over the top at
this point but I basted this while it was roasting
it just smells delicious so what we would do now
it's really we're going to cut ourselves the perfect burger
just lay that down like that
and what better way to serve this I have got a fresh cream biscuit here
and just going to pop a slice of that well it's barely a slice is like a door wedge
pop my lid on top now if you wanted to but sauce in there as well
you could but I'm going to give this a try just as it is
thank you DeZy I hope you like this video ahh I am so lucky now I hope to
share this across
any social media please give it the thumbs up let's give this
bacon cheese explosion a taste
ahh
you know where I am now I'm in heaven that is delicious
thanks everybody stay in touch I'll see you next time
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Aquinas in 30 sec: The Passion as Wondrous - Duration: 0:40.
Christ's death for sinners is a fact we find wondrous and almost unbelievable, because
it is hard to find someone who will die for an innocent person, yet Christ went far beyond
this and died for the wicked.
That Christ died for us is a truth our intellect can scarcely grasp, and it shows God loves
us more than we can believe or understand.
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