Youtube daily report May 3 2017

Hello and welcome to Ask the Expert

My name is Christopher and I'm your host

Today we've been fortunate enough

to have Claus with us

And Claus, you are a bit of a vinyl-buff

Can you talk a little bit about it?

Well Christopher, pleasure to be here

My job at Dynaudio is Chief Commercial Officer

So, I have the overall

commercial responsibility for our global

markets in all the segments that we operate in

I've been a... I've been a music-buff since birth

and I've been a hi-fi enthusiast probably since I was 13 I believe

That's a lot of years

That's, that's a long time

I've always been in this industry now

for you know a very long time and I'm

here by choice. I love what we do here

I love what we do here and I love the industry in general.

Yeah my passion for vinyl has

been going on for more years than I

would care to mention here, yes.

But, that's good because that's what we're

going to talk about today.

So, should we just jump into the questions?

Absolutely. Let's do it.

Claus, our first question is from Tim Werner.

And, Tim has been

noticing that on a lot of records it says

how much of they weigh and he's paid

special attention to the ones that weigh

180 grams and he asks:

"Does the heavier record, does it matter -

- that it's heavier or?"

Well, first of all it is obviously lovely for us record lovers

to see so many titles being released on vinyl now.

Both new titles from young

artists and as well as old of course and

and also a lot of old titles being

re-released now.

So, times are great.

The 180 gram sort of sticker that

you see on a lot of covers has

become a bit of a marketing point.

180 gram is definitely heavier than your

average record which will probably be

around 120 - 130 gram.

But, it's important not to take that

particular thing out of context.

What really matters in the

quality of a record is the quality of the recording itself,

it's the mastering the quality of the mastering job,

it's the purity of the vinyl,

it is the vinyl really flat has no

warp and is it very well centred

meaning is the hole exactly in the middle.

All of those things have a

big influence on the under final sound quality.

A 180 grams you could argue the record

is a bit more stable it creates

perhaps a more stable platform for when

the cartridge is reading the musical information in the groove.

On the other hand,

you could also argue that a heavier

record perhaps will store the

vibrational energy for longer remember

that the cartridge is vibrating when

it's reading the musical information in

the groove it's that vibration that's

turned into an electric signal but when

the cartridge is doing that it's also

sending vibration into the record which

is not a good thing.

So, there's obviously

both good and bad thing about it.

Yeah, yeah two sides to every story.

What I hear you say

is that you can't use it as an isolated

factor for deciding if it's a good

record or not, a quality record?

That's exactly it and I mean we see that a lot in

in the audio industry and

everyone who's very keen to put together

a very good system and people that

really like without CDs or records that

there's a tendency to stare yourself

blind on just one single parameter or

factor or take one issue and blow it up

and sort of take it out of context and

the truth is that there are so many

factors that influence that the final

sound quality and it really is important

that you don't just focus on one little

thing but that you look at the big

picture and and getting back to the

weight of the record.

Again, there are

arguments for and against and you'll be

you're the best judge of evaluating the

quality of a record.

Especially, if you

have the opportunity to compare one

pressing to another.

So, if we are to

give, Tim, like an answer to this it's more

about you know actually bringing it home

listening to it comparing to another sample or?

Yeah, and if your really into

your sound quality if you have the

opportunity to maybe read a review where

that particular pressing is compared to

another pressing that was it

has been made at the same time or

perhaps much much earlier if it's the

pressing we're talking about is a

re-release then see how it's being

compared to the original pressing of

that same recording.

Okay, thanks.

These days, Claus, there's a lot of remastering

being done whether it's on LPs if it's

in the digital domain and Mads Kok

he's noticed this and he asks is the

remastered record always better than the original one?

Remastering has clearly become a bit of

a marketing gimmick and it gives

record companies an opportunity to

release the same musical content again

and again and again and remaster it and

remaster it and remaster it.

A remastering job you cannot really say

that it's better worse it really depends

on the quality of the original mastering.

As well as the quality of the job that's

been done again.

Mastering is about taking the musical content that

has been through the mixing process and

preparing it for whatever format it's

being you know it's being put on and so

the mastering of an LP and I would say

you should we've certainly seen certain

technological advancements

in you know in studios and the whole

process and the quality of equipment but

at the end of the day it comes down to

the skill set and the opinions and the

ears of that particular engineer who's

doing the mastering you have certain

I've certainly seen many examples where

I find that the remastering is quite

horrible and I much much prefer the

original and now and then I experienced

a remastering job where can hear that in

my view it's a vast improvement on the

original job so again unfortunately

perhaps the answer is really not that

clear it you have to evaluate yourself

and if you have the opportunity to compare

an LP that has been remastered to the

original LP that will give you obviously

a very clear answer do you think it

sounds better or not.

Yeah, it's yes or no.

Yes or no. Ultimately you have to decide

whether it's a quality improvement to you or or not.

And, as you said it's about

the complete picture and I guess if you

like a certain engineer the way that he

masters a record you might think that

it's a better better remastering and if

you don't like him you think it's worse

so there's also an aspect of personal opinion.

Yeah, you do have you know us

vinyl purists and music lovers some of us

will actually pay attention to the

name of who's done the mastering.

I'm almost embarrassed to say it's not

something that has been too much time on

but if you really get into comparing

especially with very old recordings as

something as being re-released who is

doing that we're mastering and there are

certain individuals in the business that

have a very very good reputation for

taking old original recordings and

actually making them sound better than

they've ever done and that's oh that's a

wonderful thing but it's not the general rule.

Okay, perfect.

Henrich Kruse. He's heard that

some are against digitizing a vinyl-system.

But, he actually still wants to

have a vinyl system with a streaming

possibility so he can stream to

a pair of active speakers.

Is that possible?

It is possible as long as your streaming

device will accept an analogue input

then what you need to make sure of is

that you have a phone pre-amp that

will amplify the signal from the

cartridge which requires very powerful

and a special amplification and you hook

that up to your streaming device that

accepts an analog input and then off you go.

It's perhaps a little bit unusual

combining the playback of a record

process with streaming but it can be

done and if that's your thing and if

that's what you want to do to get

maximum enjoyment out of your music and

listen to more music then I would

strongly recommend it.

For us vinyl purists we're generally against digitizing

an analogue signal but what we I guess

sometimes forget is that whether we like

it or not a lot of recordings today or

the majority of recordings today are

actually made in the digital domain and

then it's converted and

then you have an LP and and then you

have the sound and the analogue format but

the original recording was made in the digital domain.

I think it's important

not to get religious about it but

for people that are really into high-quality

LP playback like myself...

Yeah, we probably

would not do it certainly not when we do

our active listening.

But, it is possible

it's a phono pre-amp,

a streaming device that accepts an analogue input,

and off you go.

Correct.

Perfect.

The next question is from Mohammed Saleh.

And, Mohammed, he asks:

Why do I need a phono pre-amp?

Two things are unique about the signal from your cartridge

1) is that the signal is

very very weak it therefore requires

extra amplification.

That amplification needs to be very high-quality because

you want to keep the noise at an

absolute minimum the signal from a

cartridge is far far weaker than the

signal from the CD player for instance.

The other unique thing is that when you

make records this signal is equalized in

order to allow for long playing time and

to minimize the surface noise.

You actually weaken the base notes and you

boost the treble so - roughly speaking - so

when you amplify it you obviously need

to apply it in reverse in order to

get that signal that's linear so that's

the reason why you simply cannot take

your turntable and hook it straight into

any kind of amplifier you need to make

sure that either you have a separate

phone pre-amp or that you have that

phono amplification built into your

pre-amplifier or integrated amplifier.

So, when I've taken care of the the phone stage

is it then just about plugging it directly

into my passive speakers?

That, yes, well

you plug the phono pre-amp into your

pre-amp or your integrated amplifier you

would still need your conventional

amplification because you need the volume control.

And, if I haven't... What if I have an active system?

Well, then it should also

be possible but here I have to say

something that you should try out first

it depends on how powerful the signal is

coming out of your phono pre-amp if

that in itself is powerful enough to

feed your active speakers.

Then job done.

But you would have to try it out first.

But, it would certainly make for a very easy

system to set up and enjoy.

But with active speakers just make sure to try out beforehand.

Yes, you need to do a little bit of

investigation first and find out whether

the phono pre-amp is sort of up for

the job of feeding the active speakers directly.

Perfect.

Franz Umber asks

what's the difference between a belt drive,

and a direct drive turntable?

A turntable consists fundamentally of

three parts the deck itself,

a tonearm

and a cartridge.

And the whole purpose of

the playback system is really to protect

the cartridge and make sure that the

cartridge has the best possible working conditions.

Now, the deck itself

you can mount the platter directly on a

motor that would be a direct drive

principle that will give you great speed

accuracy and the platter will start up

very very quickly but the challenge is

to eliminate vibrations from the motor

and any motor will will have vibrations.

The challenge is to prevent those

vibrations from entering the platter and

then into the record itself because you

don't want to pollute the signal that

the cartridge is reading in the record

you want that to only be the musical

information not vibrations coming from

the external environment or the motor.

The belt driven principle well here you

mount the platter on a bearing and then

you have the motor next to the bearing

sometimes very close sometimes not so

close and you connect the two with a belt

Now what that will give you is a

usually a much better way of eliminating

vibrations from the motor entering the

platter itself and then going into the

record it's a little bit more difficult

to achieve the same type of speed accuracy.

Okay, so, is there anywhere where you

would use one instead of the other?

Well, direct driven turntables you always find in

you know the DJ environment for obvious

reasons it's very robust and and the

record will start up immediately and

they can do their thing with with

scratching and what have you. That's simply impossible to do...

You wouldn't do that in a Hi-Fi setting?

No, no, no that's impossible.

Most high-performance turntables in

fact the vast majority of

high-performance turntables for Hi-Fi use

are based on a belt driven principle.

To eliminate all of the

vibrations and give the best sound quality?

Yes, yes.

Thank you.

Claus, the next question is from Steve Wodell and he asks

if you can describe the differences

between a moving magnet and a moving coil?

So, in a moving magnet cartridge

you have two magnets placed at the end of the stylus.

One magnet for each

channel and as the stylus vibrates

these magnets move and they're

positioned in relation to a coil and

that is what is generating an electrical signal.

In a moving coil cartridge it's

sort of the opposite you place two coils

at the end of the stylus and they are

positioned in relation to a magnet now

both the coils and the magnets

regardless of the principle are obviously

positioned inside the cartridge itself.

Does either one have any benefits or

advantages compared to the other?

Well, in a moving magnet

cartridge you tend to get a more

powerful electrical signal compared to a

moving coil cartridge and all things

being equal you could also argue that

it's a more affordable way of making a

cartridge and I'm generalizing things a

bit here but but that is

the general principle.

A moving coil cartridge well because the coils are

lighter than magnets and the coils are

sitting at the end of the stylus you

could argue that a moving coil cartridge

will allow for better tracking of the

record groove and and so you get all the finer details

The downside is that you

have a significantly weaker electrical

signal and that requires a more powerful

amplification afterwards.

So, you would have to pay attention to especially

your amplification stage if you go for the moving coil?

Yes, you have

slightly different amplification for a

moving coil compared to a moving magnet

and you need to make sure that your

phono pre-amp has that capability.

I have to say all quality phono pre-amps

will have that capability but

nevertheless that's something you need

to look out for.

Perfect.

Claus, we've come

to the final question and it's from Andy

and Chuck and they wanted to know how to

match the cartridge with the tonearm?

It's a good question the cartridge needs

to match the tonearm and the tonearm

needs to match the deck.

When match, when you hook up a cartridge to a tonearm

it will always resonate at a

particular frequency what frequency is

quite important when a cartridge is in

the groove it in a way functions as a

spring because it's reading and

vibrating both vertically and horizontally.

How soft or hard

that spring is to put it in sort of

layman terms and the effective mass of

the tonearm which basically acts as a

weight that will determine the frequency

where the playback system will have that

resonance and that is a little bit

critical and usually you would say if it

falls between nine and 14Hz...

You're sort of okay.

Now, it is possible to go in and actually read

that information get the necessary data

when you read the specifications of the

cartridge and also the tonearm

and and you can calculate exactly what

that resonance frequency is but it is an

area where I would say unless you're

really experienced in these matters

I would trust a qualified dealer and also

as with everything in audio you also

need to trust your own ears.

You said something about it has to be within a

certain frequency range what happens if

it falls out side?

It creates potential problems it doesn't

necessarily create actual problems it

creates potential problems.

Let me give you an example if you have a record

that's warped now that warp in itself

that will be at a very low frequency

if then you have a cartridge-tonearm

combination that also resonates at a

very low frequency then it will be

boosted and that's very unfortunate so

that would affect the tracking of the

record and you want that record to be

you know track the best way possible.

So, it would be very audible or?

Could be.

But as I said it will create a set of

potential problems not necessarily

actual problems and so the guideline is

that if it falls between let's say nine

and 14 there will be general

agreement that that is the best place so

but you need to know the compliance of the cartridge,

the weight of the cartridge,

and the effective mass of the tonearm

Okay and as you said if you really

you want to be extremely sure you can calculate it...

You can calculate these,

these things yourself and I would

refer to some excellent articles that

you can find on the internet if you

really want to get into detail if that

seems a little bit intimidating you know

go to a good dealer and trust the advice

that you get from the dealer.

They can help.

Yeah, they can help.

Perfect.

Claus, that was the final question.

We're done.

Thank you, thank you very much for inviting me

I enjoyed that and I have a very

important message here to you ladies and

gentlemen and boys and girls go out and

buy some vinyl it's a wonderful thing to

own and enjoy I'm spending far too much

of my disposable income on these things

I'm not sure I would advise you to do

exactly just that but it's a wonderful

way of enjoying your music.

I guess we could say that you're pretty happy that

it's back 'in'.

I am very happy that it's

back 'in'... My bank manager is not.

That's it for this time guys.

Thank you so much.

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The meaning of life? I don't really care about that.

Only the value of an existence would satisfy me.

I got tired of this useless and boring reality.

What is reflected on the mirror is the hidden face of this world.

I will erase that rubbish.

Hey, how about discarding your ideals?

I will not let anyone get in my way!

Until i get everything!

"You will love me!"

That is the fate of this world!

The Earth is turning only for me.

Reflecting in the eyes is behind the hidden face of this world.

This silhouette waiting in front of you

It is already extremely pleasant!

Whatever anybody else may say!

I am the one who is right!

Look! and bow down to me!

Right now in this place!

I will erase that rubbish.

Hey, how about discarding your ideals?

What i wish for... It is as you expect.

Quick and bow down to me! That's only natural.

I will not let anyone get in my way!

Until i get everything!

"You will love me!"

That is the fate of this world!

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The Varia UT800 Smart Headlight stays brighter for longer,

so you can ride with confidence – day or night.

In this video, we'll tell you a little bit about using your light

either alone or with a compatible Edge® cycling computer, so you'll be ready for your first ride.

First, charge your headlight using the included USB cable.

To use the UT800 as a standalone light,

turn it on by holding the button for 1 second.

Press the button again to change light modes,

from high, to medium, to low, to night flashing and to day flashing.

To mount the light, first attach it to the quick-mount disc.

Then place the disc into the out-front, helmet or friction mount, and twist to lock.

To get even better performance out of your light,

including automatic intensity adjustments and light networking,

use the UT800's smart capabilities and pair it with a compatible Edge bike computer.

It's simple. First, bring your Edge near your light.

If you've not yet paired the UT800 with an Edge bike computer,

it will power up into pairing mode and the LED will flash purple.

Press the menu button on the home screen on your Edge.

Then the Settings button

and select Sensors.

To add the Varia UT800, select Lights and add sensor.

Your UT800 will list as a paired light.

Once it's paired, your headlight will power on into smart mode,

and the LED will flash blue.

Smart mode is an ultra low-power mode that allows your UT800 to stay continuously

connected and controlled by your Edge

while holding its charge for extended periods when it's not in use.

This way when you turn off your Edge your headlight will automatically shut off too.

And when you're ready to ride again, it automatically turns on.

You never have to touch your light again other than to recharge the battery.

To set automatic features, press the menu button on the home screen.

Then the Settings button

then Sensors and Lights.

Then press the network options button to turn on Automatic Beam Adjustment.

Select Light Mode and set how soon after Edge start-up your light turns on.

Thanks for watching.

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Wendy Channels Her Inner Tiffany With Latest Airport Outfit

Red Velvet's Wendy and Girls' Generation's Tiffany have a lot of things in common, and their fashion taste is definitely one of them.

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Both SM Entertainment artists gave off a classic American vibe with their casual outfits. With their casually styled hair, plain jeans and loose top, combined with a selection of dainty jewelry, the inspiration for the pair's outfits is clearly similar.

Whether it because of their experience of living in the states, their personal taste, or their shared stylists' preference, the two label mates both owned this classic look. Take a look at Wendy's airport outfit below:.

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Take Two.

Let's do the camping turtle tactic right now.

Pauline must not be hit.

ARE YOU FUC.KING KIDDING ME 2X?!?

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Watch This Deserving U.S. Army Couple Receive A Brand-New Home | Southern Living - Duration: 6:08.

Army Commander that I have, Tommy Franks,

82nd Division Commander 112th.

These are all the coins from where I worked at in my career

or I was awarded with during my career.

From the time I was a very young boy from the age of

probably four or five, my mother could have told you

I wanted to be a paratrooper my whole life.

Some lower jumpers below me said that

when they were on the ground they saw a big puff of dust

as I hit slammed pretty hard.

It seems that I lost lift with my canopy

at about 70 feet above ground level.

I'm not exactly sure why, I only assume that someone

come underneath me and stole my air

'cause the lower jumpers here with a canopy

this canopy loses air; it will collapse.

There's nothing you can do.

So down he goes.

They let me go to sleep on the floor of the emergency room.

Obviously that's a bad thing with a brain injury.

When he woke up he was combative,

and that is a very large sign of a brain injury.

The neurologist that took his case started looking through

his files and everything and realized

he shouldn't have been on active duty

after the IED accident before.

He definitely should not have been

jumping out of an airplane.

A beautiful, young, new paratrooper came in town

named Leslie Sherman.

She was one of the medics, and we got together

during the treatment for my final brain injury.

And I pretty much knew from the day I met her

that I was going to marry her.

I met Matthew the very first day I was there.

He was the first person I met.

We just kind of clicked.

With my wife being a medic in the military

and EMT qualified, and being my caregiver at the same time,

it really helps that she understands symptoms.

She understands what's going on: memory, anger.

Patience is one my biggest things.

I'm trying to learn patience again.

She's a great woman.

I'm pretty lucky to have her.

The home we live in is a little aggravating

for the fact that it's two floors.

Going up and down steps is difficult for me with my back.

He can't really go up top tuck the kids in bed.

If goes up, that's it.

We're done.

We're upstairs the rest of the night.

One day there might come a point where stairs

won't be able to be used at all.

Get one of those cool little old man chairs.

(laughs)

Tonight, we have a couple of special guests here.

A couple of true American heroes

Sergeant Matthew Hutcheson and his wife,

Army Medic Leslie Hutcheson, and their three kids.

Would y'all come on up here?

(audience applauds)

We're gonna built you a brand new home.

(audience applauds and cheers)

Thank you.

I don't know what to say.

I'm speechless.

This Operation Family whole experience to me

has been the most humbling experience I've ever had.

I've never deserved something so great

and so wonderful for my family.

My children and wife, of course, they deserve it.

They're some of the greatest people in the world,

but me, I'm just an old broke down soldier.

Nothing special about me.

(applause and cheers)

Welcome home.

Hey!

Lots of folks came out from the neighborhood,

local community.

The girls are so excited.

I don't think we could have cut that ribbon fast enough.

(applause and cheers)

Welcome home Hutcheson family.

Oh my God, it's beautiful.

It's just perfect.

To see our pictures on the wall

just put that personal touch.

It kind of made me realize, it's not a model home.

It's mine.

Is this our dining room?

Yeah.

Here's your master bedroom.

Oh my God.

Oh, that's beautiful.

It's awesome.

Look at my flowers.

They made it.

Those were the very first flowers

I got her in Alaska nine years ago.

Our master bedroom is the perfect setting.

Holy cow.

There's a freestanding tub here.

That's mine.

You can have your shower.

Oh my God, it's got doors.

Holy cow.

This is amazing.

Hey, the hot water heater is right underneath us,

so you won't wait long for hot water.

It was like my dream shower.

It's one of the few times of isolation

as soothing as my wife is a good hot shower.

It's amazing.

It's hard to grasp that it's ours.

No rent.

When everybody leaves tonight

and we close the doors, it's ours.

Its very awing.

Tonight is gonna be good.

Sit on that couch, and we don't have to leave.

Coming home here, to me, is it's peace.

I've lived many places, many homes.

I've been around the world.

This is easily the most calming and relaxing point

of my life to know that I never have to move again.

My kids will be here, my grandkids.

Everything that has been given to us on this

has been the greatest, most top of the line thing

that can be given.

It's humbling.

Yeah.

Yeah, you never know how small you are

until you've stayed in something so big as this.

For more infomation >> Watch This Deserving U.S. Army Couple Receive A Brand-New Home | Southern Living - Duration: 6:08.

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Just Dance Unlimited | Don't Let Me Down | SUPERSTAR Gameplay! - Duration: 4:13.

Hey my luvs! Túlio's here!

Marina's here!

And Magic Cucumber is here too,

But I think you guys can't see it right now.

It's me?

It's you, lady.

But that's all?

What?

- That I'll... - That's all! BYE GUYS

If you liked this video,

Leave us a sassy like!

And please subscribe,

So you can help us reach 200K subscribers! <3

Thank you and we'll see you soon! <3

For more infomation >> Just Dance Unlimited | Don't Let Me Down | SUPERSTAR Gameplay! - Duration: 4:13.

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BREAKING BIG WIN FOR O'REILLY AFTER SICK TRUTH COMES OUT ABOUT WHY HE WAS REALLY FIRED - Duration: 6:29.

BREAKING BIG WIN FOR O'REILLY AFTER SICK TRUTH COMES OUT ABOUT WHY HE WAS REALLY FIRED

Liberals are drooling spit all over their mother's basements after hearing about what

happened with Bill O'Reilly.

They're so happy in their rent free roach motel in public housing that they already

think 2020 is in the bag for democrats.

Even Antifa clowns are jumping for joy so hard that women are literally walking into

fists to celebrate the removal of O'Reilly.

Not so fast, losers.

One guy getting ran off TV doesn't mean a damn thing.

Saying this man has a history of being a jerk and sexually harassing women puts him in the

same category of Bill Clinton.

While Bill's escapades may have been with one woman, that we know of, it doesn't make

any difference.

Whether it's one or a ton, it's still wrong.

AMIRIGHT?

The leftists love every minute of watching O'Reilly pack his bags and ship out, even

though their own people have been historically known to exhibit the same, or similar, behavior.

And now we find out something else about the happy-go-lucky leftists that might rain a

few drops on their parade.

According to The Gateway Pundit, this whole O'Reilly fiasco has been one big setup by

liberal minded Media Matters, Bonner Group, and George Soros.

That makes sense when you think about it.

A leftists group targeting prominent figures in right-wing television who have decent ratings

really does make sense.

You can't knock the left for targeting the successful people on the right.

However, it does put a slight damper in the cases against Bill and his sexual rumors.

I'm not one to speak about Bill as if I know about him off the set or other than him

being a TV personality, but it sounds like lefties have it out for him.

They label him as a misinformer who has some other issues revolving around racism, sexism,

homophobia, and xenophobia – all the things a typical leftist calls you when they lose

an argument to facts.

Are these true?

I don't know.

A leaked email seems to think so.

However, the leaked email is just one page that doesn't provide samples or evidence

to back up the claims.

It's going on the notion that everyone knows everything about Bill O'Reilly.

If there's one thing that I do know is true, it's that everyone does NOT know everything

about O'Reilly.

Therefore, there are no factual items to base this evidence on other than Bill's body

of work over the years, but if you're someone who couldn't care less about him – then

how would you know if any of these statements or claims are true?

I couldn't care less about Bill O'Reilly, but I will certainly not label him as anything

other than a guy on TV who apparently had good ratings.

If I had read this email without knowing who he was, then I would ask "where's the

evidence to support these claims" and judging by historic moments in leftist history – there

would be no facts to back up these claims.

Leftists usually lose arguments when a right winger brings out the fact sheet.

When faced with facts, the leftists resort to defense tactics that involve them screaming,

acting violent, or labeling people as a racist or something else that ends in -ist or -ic.

You could tell a liberal that 50+50 is equal to 100 and they would call you a numerophobic

(just made that up).

Let's observe a supposedly leaked email that suggests this witch hunt against Billy

O is the work of the Soros-meister himself.

A smear campaign caught by leaked email?

Looks like Mary Pat has some 'splaining to do!

On top of that, I wish Bill O'Reilly sexually harassed me and paid me $13 million.

I'd give $10 million back to him as a "thanks, I know you didn't really do it, so here's

most of your money back" courtesy.

Did Bill sexually harass women?

I don't know.

How does anyone know unless they're a victim?

If there are five women who claim this is true, then does their story match up?

Or is it like the loads of women who saddled up with Bill Cosby thinking they would become

the next actress with a Pudding Pop in their mouth, but became nothing, so they called

Cosby a rapist?

I'm sure Bill Cosby slipped a few mickeys in a few drinks, but there's certainly something

strange about the huge number of women trying to get a paycheck from a cross-eyed aging

pervert.

I would have to read the full case file and statement from each of the five women before

I EVER claim Bill O'Reilly had anything to do with sexual harassment.

Even if he settled the case to make it go away, that doesn't always mean the person

is guilty.

Sometimes it's cheaper to settle for one price, then to pay MORE for the attorney's

to prove your innocence.

These things can take years to figure out, so if you can make it stop and go away cheaper

and faster, then it's always worth it.

It's not an admission of guilt by any means, it's sometimes just the cheaper way to deal

with things such as five women who may not even know what sexual harassment really is.

A few people Tweeted about Bill O'Reilly.

Wednesday, Glenn Beck tweeted out a screenshot of an email from the Bonner Group.

The Bonner Group is a leftist fundraising Super PAC for Hillary Clinton under the employ

of George Soros' Media Matters.

Glenn Beck throws his spatula in the pot of Bill O'Reilly's mess, even though he has

his own trouble brewing with Tomi Lahren.

Look for the Bill vs leftist nonsense to brew to max capacity soon.

This is going to be a battle that might be fun to watch.

For more infomation >> BREAKING BIG WIN FOR O'REILLY AFTER SICK TRUTH COMES OUT ABOUT WHY HE WAS REALLY FIRED - Duration: 6:29.

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STRES ÇARKI ÇEKİLİŞ SONUÇLARI - HAND SPİNNER ÇEKİLİŞ - Duration: 3:05.

For more infomation >> STRES ÇARKI ÇEKİLİŞ SONUÇLARI - HAND SPİNNER ÇEKİLİŞ - Duration: 3:05.

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THE ULTIMATE BEEF (Grilled Japanese Yakiniku in Tokyo) - Duration: 7:58.

For more infomation >> THE ULTIMATE BEEF (Grilled Japanese Yakiniku in Tokyo) - Duration: 7:58.

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ПРОВАЛ - МОЕ ВТОРОЕ ИМЯ: как перестать бояться ошибок? (с субтитрами!) - Duration: 9:21.

For more infomation >> ПРОВАЛ - МОЕ ВТОРОЕ ИМЯ: как перестать бояться ошибок? (с субтитрами!) - Duration: 9:21.

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SONGWRITING: HOW TO NOT BE A CLICHÉ - Duration: 2:48.

hey, i'm kat burns, aka kashka.

i write songs for a living.

there are a lot of songs in the world these days, and…y'know.

just a lot of songs.

i sometimes get asked how to not become a cliche, which i think is someone really asking

how not to write a cliche song.

which….could be considered cliche… i don't have all the answers, but i have a few tips.

literally three.

1.

explore metaphors, but interesting ones.

don't just compare love to a rose, that's been done a million times.

use your thinking parts and think outside of the box.

even better is if you think about what you're really trying to say, in a way that comes

from you.

part of being a cliche is sounding like everyone else.

be you. and use a strange or interesting (but not too distracting) metaphor

2. if you don't have a dying burning desire to write about how much you love __so and

so____, then write about something else.

anything else really.

as stated in the beginning of this video, there are a lot of songs in the world.

about 98% of them are about love.

3.

read your lyrics out loud before you sing them You'd be surprised at how much that

changes the way you feel about the.

Sometimes for the best.

Don't read it like a poem though, read it like a shakespearean actor.

for effect.

bonus tip - don't worry about rhyming.

i mean, rhyming is great and an important part of good phrasing, but it's not so important

that you need to compromise your lyrics for the sake of a rhyme.

don't stop on a dime to find the time to rhyme.

(wink)

hope this helped you, and i hope that you share this video with your fellow songwriter

friends.

don't let them be cliches! i'm here every day this month and i'd love if you hit that

susbsirbe button and joined me on the journey.

all the links to my music are down below.

as always guys, stay cool.

cooler than me!

For more infomation >> SONGWRITING: HOW TO NOT BE A CLICHÉ - Duration: 2:48.

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Intervista a Silvia, mamma di Sofia | Lega del Filo d'Oro - Duration: 2:27.

For more infomation >> Intervista a Silvia, mamma di Sofia | Lega del Filo d'Oro - Duration: 2:27.

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【Japan Travel】Irohazaka, Tochigi, Japan - Duration: 14:36.

Tohoku Expressway, Utsunomiya Exit(IC)

Utsunomiya Exit(Tollgate)

Nikko Road

Nikko Tollgate

Kanmangafuchi

Kiyotaki Exit(IC)

Umagaeshi

Iroha zaka

Kurokamidaira

Akechidaira

Akechidaira

Lake Yunoko

Lake Yutaki

Kotoku Bokujo(stock farm)

Ryuzu falls

Lake Chuzenji(Time-lapse)