Youtube daily report Apr 17 2018

SciShow is supported by Brilliant.org.

[♪ INTRO]

It took nearly a decade of work and billions dollars for Neil Armstrong and

Buzz Aldrin to walk on the surface of the Moon.

But you know what happened after those first historic steps?

They went back inside the lander.

Only two and a half hours later.

And in that time, neither of them even walked more than 100 meters from the lunar lander.

To do more science, future astronauts would need to travel faster, go farther, and carry more.

And to do that, they needed to stop being moonwalkers and become moondrivers.

Fortunately, NASA had just the tool for them: the Moon buggy!

Okay, technically it was called the Lunar Roving Vehicle, but c'mon.

The Moon buggy helped astronauts on Apollos 15, 16, and 17

do more science and bring back more samples than earlier missions.

And along the way, we built a really cool car.

Engineers had actually been thinking about how to build a lunar rover since the

early 1960s, but those first concepts were totally different.

Some engineers imagined heavy duty, fully-enclosed vehicles

that also gave astronauts a place to sleep and work.

Which was nothing like the final design.

By the time the Saturn V rocket was actually flying,

it became clear that there would be almost no weight to spare,

so the plans had to be scaled down a bit.

In 1969, the final contract was approved by NASA.

Then, the rover was put together by Boeing and General Motors.

It was built of aluminum alloy, weighed just 210 kilograms,

about a sixth of a modern-day compact car,

and had to fold in half to fit beneath the lunar module.

But it was also sturdy, and could carry 490 kilograms,

more than twice its weight and enough for two astronauts, their tools, and a bunch of moon rocks.

It even had space for some nice amenities, like seat belts, an armrest, and fenders.

So it was no Rolls-Royce.

But considering that it was a car on the Moon, it was pretty impressive.

The first Apollo missions had shown that the Moon's soft,

powdery surface could make for uneven footing.

So the Moon buggy had not only four-wheel drive, but four engines, one for each wheel.

Each produced only about 190 Watts of power, or about a quarter horsepower,

but the Moon's low gravity meant that that was good enough for a top speed of about

13 kilometers per hour.

The lunar roving vehicle also carried what might have be the world's first dashcam,

a TV camera controllable from Earth.

That not only enhanced the PR value of later missions, but allowed scientists at mission

control to look for interesting features as the astronauts drove around.

Still, even that wasn't the most impressive piece of equipment on board:

The Moon buggy also carried a revolutionary navigation computer.

Since the Moon doesn't have a magnetic field to move a compass needle,

and since surface maps didn't have much detail,

the astronauts were in real danger of getting lost.

And, let's be real: Everything on the Moon just kind of looks the same.

To overcome that, a first-of-its-kind computer combined data about the rover's orientation,

taken from an onboard gyroscope, with odometer readings from each wheel.

That let it track the vehicle's exact meter-by-meter progress across the surface

and plot a direct course back to home base.

And just in case that failed, each astronaut also had to learn to read

a special lunar sundial to determine their direction.

Single-use batteries powered everything, but power was never actually a problem.

Instead, the limiting factor was the rule that barred astronauts from driving

farther away from the lander than they had air left to walk back, a few kilometers or so.

That way, if the buggy broke down, they still had a way home!

All-told, the lunar roving vehicle seemed like a miracle machine,

and all that wizardry doesn't come cheap.

On average, each rover would cost about $60 million today.

Fortunately, we put them to good use.

Apollos 15, 16, and 17 each brought a rover,

and all were driven more than 25 kilometers over at least three hours.

With them, astronauts were able to bring back individual rocks with masses as much as

11.7 kilograms, more than half the total picked up on Apollo 11.

Also, since the lunar landers had to touch down a safe distance from things like big craters,

the Moon buggy opened up those areas for closer study on all three missions.

On Apollo 16, it enabled John Young and Charlie Duke to drive more than 150 meters higher

than their landing site in search of samples of the area's unique geology.

And the crew of Apollo 17 used their rover to deploy literal bombs on the surface.

Just in case you needed another reason to think Apollo astronauts were cool.

When exploded, these bombs created tremors picked up by seismic sensors

and used those to understand the physics of the Moon's crust.

The experiment revealed that the top layer of the Moon's crust is about 1.4 kilometers thick.

It's also a lot more broken up than similar areas on Earth,

probably because of the constant impacts from space.

All together, the Moon buggies were quintessential Apollo.

They were ultimately designed in only months and did so much with so little,

relying on clever engineering and state-of-the-art computers to enable exploration.

Without them, we'd probably know a lot less about the Moon than we do today.

Which might make them a little cooler than, say, a Tesla.

And, hey, what's more American than a car on the Moon?

So, NASA scientists had to do A LOT of creative thinking and problem solving

to figure out how best to design and use the Moon buggies.

And that made me want to work out my own spatial problem solving skills.

That's one small step for man, and now I'm really tired.

Anybody got a moon buggy anywhere?

Brilliant.org has a ton of great spatial reasoning quizzes, and today I'll be taking the

3D Geometry Puzzles Shortest Distance quiz.

[tires squealing]

It starts out a little like the story of the tortoise and the hare,

but it's an ant and a fly trying to make their way through a 3D cube.

They even put them there so you can visualize it, and I think they're pretty stinkin' cute!

In this case, the ant definitely has the longer distance to travel,

because it can't fly through the cube and has to walk along its edges.

As you get deeper into the quiz, it gets more complicated and

I almost wanted to make a 3D model to help me think through the distance.

[honking]

What's cool, is that I'm not alone in this.

When you view the solutions, Brilliant has created 3D to 2D models

to illustrate how to think through these problems.

So give them a try.

And right now, Brilliant.org is offering the first 77 SciShow Space viewers

that sign up at brilliant.org/scishowspace 20% off their annual premium subscription,

and you'll support SciShow Space, so thanks!

[♪ OUTRO]

For more infomation >> Moon Buggies: The First Electric Cars in Space - Duration: 7:01.

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My Girlfriend Lied, Cheated and Betrayed Me - Duration: 3:11.

It all took place in Venezuela. This girl, we're gonna call her "Stephanie." She had

like brown hair, gray eyes and fair skin. Now, I did heard rumors about this girl

dumping a boyfriend, no apparent reason if they were to date her and leave them

the piles of despair for no apparent reason and no one knows what she's

dumping all these guys. But I just wanted to get to know her and so I did.

We went from being friends until the time Stephanie asked me to be her

boyfriend and I accepted. We had a couple of dates. Everything was doing great we

did those romantic selfie kisses. And she will always give me chocolate presents

during recess and I appreciated them. But everything changed when I saw a photo of

her with a man who looked around 16 to 18. To make sure that she wasn't doing

anything suspicious, I asked who that guy was and then she told me it was her

brother...nothing to see here. She even showed me that he had his own room in

her apartment. Everything changed when I went to Madeira for the summer. I was

checking on my Facebook, scrolling up on my timeline, when I saw that picture of

Stephanie with that same "brother" again. And to make sure that she wasn't lying I

went out to her profile and then I check her photos. Everyone was doing good!

So, fine! Until there was a photo of her kissing the man on the lips. And I was in

complete shock. There were even more photos of her making romantic face with

the same guy aside from all the kissing. And I was getting sad like she betrayed

me!!! I thought we had a feeling to each other, like she was the one she dumped me

over someone. How could she do that?!? But I was also angry. So when my Summer

vacation ended, Stephanie came up to me and she said "hi" but then I looked at her

in the eyes and I glared her and I told her in angry words, "you cheated on me!" and

then I walked away. the next morning Stephanie came up to me

crying with tears running down to her cheek and she told me that she was

crying for the entire night over those words that I said to her and she said

that I was everything to her but I was really mad. I was mad that she made a

huge mistake over leaving me for someone else while she was still dating me. Like

she left me for another guy. I just told her that she made a big mistake

of her life and she will never date me again.

And, plus I said, that the "brother" was her boyfriend! and then I just walked

away again. And that's where I just looked back in there and saw her crying...

Yep, I guess it was for the best. She did try to apologize and then we started to

become friends again but in reality I wasn't in the mood to be her friend

again. I mean what she did to me and other boys was horrible and I don't

think she deserves to be my friend again after what she's done.

For more infomation >> My Girlfriend Lied, Cheated and Betrayed Me - Duration: 3:11.

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ZERO-G ETHERA EVI - TUTORIAL 01 - SYNTH INTERFACE - language Italian - Duration: 27:57.

hi guys you are welcome, with this video we start a series of

tutorials on the new Ethera EVI

Electro virtual instrument. this library it

was designed to create everything of the world of electro soundtrack

cinematic sound with a bit of

cyberpunk sound... I'm thinking of blade runner,

gost in the shell, matrix or some musical genres like TRON by

duft punk all this world

It's an excellent ALL IN ONE library

so many sounds

for your cinematic productions and electro punk and if

used in combination with other orchestral libraries

we get a very interesting sound ...

a modern sound .

With this video I will try to explain mainly the

nature of the instrument, therefore the interface, and how to go to exploit the instrument

through these simple controls how to shaping the sound

the most as fast as possible

because it is a an important element especially for those

who works and has little time available .. very often to make some work

and get to a certain result

valid from the point of view of sound without losing too much time in matrix modulations, in the many parameters,

etc. This is an added value, for everything else then for the sounds,

for presets, to get an idea of ​​the content of the Library I refer you to the videos

that you find on the sites of zero g or time & space where there are so many

videos that can show you the presets already made from which maybe leave to have

inspiration or simply to use for work. Then let's see immediately

the library as it is structured, we can find four main instruments , the synth, the true legato, the vocal builder and the vocal phrases, then the synth that

we will see in this first video is a really powerful tool very wide

very versatile with a palette of amazing samples were

sampled a lot of hardware sinth modular and acoustic sounds

we also have available a fantastic

felt piano really perfect for this kind of soundtracks then of

soundtrack with a very very soft sound very very interesting we have

available also some electric guitars and a severals synth sounds

textures that really allow us to achieve a nice sounds we have also sound based on voice that

allow us to have a palette incredible sound. The true legato that is

as we will see in other videos of course an evolution of the previous legato...

in the other Ethera and I must say that this version is fabulous a bit like

it happened for and Ethera soundscape 2.0 with the true emotional legato this true legato

EVI is really fabulous because it contains a series of

articulations of vocal nuances and have a incredible vocal range because we start to ....

practically from E2 to B4

so we have a very wide vocal extension

and as we will see later it will really be seems to have the singer in the studio

basically playing. The vocal builder allows you to go to build

of interesting vocal matrix for create arpeggios choirs

we will also see this in other videos and the vocal phrases as in other versions

it is a container of vocal improvisations so many fabulous vocal evolutions in different music style.

We have Epic genres in lisa gerrard or more ethnic genres . Also more pop or

electronic , so really we have a quantity of vocal interpretations

from clara that allow to have so different articulations

really awesome, however, as I said in

this video we take a look at the synth because there is so much to say, so....

I would like to try not to make huge videos which then break the boxes a little then

I will try to go to the hard then let's start from .... I have now gone into the

folder synth instrument we find all the various categories of Presets and we start

from this BASS 00 that is a classic synth bass sound

ok, let's see from this here we try to modify..... we try to modify it

let's try to get something out of it deeply different

as I said this synth is based on a series of controls that we can say

"macros" and the big difference is just that

while with classic synths for get certain results as I said

first we have to go through a series of matrix , modulations, envelopes, etc.

etc this was thought to be a lot

quicker to go immediately to to the goal also the various

various waveforms that are a bit the heart of the synth and with which they are

The various presets are built really already well waveforms

structured some simpler but others particularly complex rich of

of substance the harmonics of material so they already sound good

basically in just loading the rough round shape without effects without

nothing from these then you understand that if let's take action on these

parameters and on the other controls of the instrument will be really fun in one

certain sense to go to create some original and different sounds and

own personal that can as well then be saved via a save as

and we make our own suite of presets substantially then we see

then this bass is based .... another thing sorry..... for every samples

and therefore each presets is based on two layers

ok so as you can see we have layer 1 and layer 2 and layer 1 represents a bit of the

main level and layer 2 change with the sample that is loaded takes on

different characteristics in some cases allows us to control the

formant of the sound and then add further timbric material in others

cases instead becomes the reverse as in the case of the drum

loop as we will see or loops of guitar this allows us to

create some of the sounds profoundly different from the original

then mixing them together will have further control possibility on the

on the timbric material in this case this preset is very simple so it is

based on 1 layer

let's see now the various parameters then speed grain and smooth are controls that

they allow us to go and edit completely the waveform because

with speed in real time we can stretch.... the sample grain let's go to

manage the grain , the distance of the various micro samples when we go to "freeze " the sound

as we will see the sound and with smooth let's add or not

further let's say let's call it distortion but still pulls out a

sound richer with harmonics basically therefore for example

now I play with the speed

so I frozen the waveform

or I can slow it down completely or I can speed up as much as possible

of course I can also do it in real time so I can go and create some

changes in real time. Ok then for example we act on the speed

grain

ok, for example, let's start now to add

layer 2 let's see what happens

adding layer 2 automatically I can act on these

further parameters form modulation and amount, with form

let's change the formants of the sound then of layer 2 always

with the modulation instead and amount are basically a filter is an LFO

built to go to modulate the pitch of layer 2 and this is interesting

to go to create small effects of detune between the two oscillators

we said or go to create of envelope effects on the pitch

interesting for example

obviously right-click and it's possible to controls

no, I've assigned this too assigned to the pan to the volume then

let's see this is free ok we can controls

ok

then acting on the amount

we can create...

as you see, we say with a few really already with few touches the sound is

completely changed from the beginning

for example, now let's activate a bit in the in the arpeggiator section we have

this arpeggiator is available based on 16 steps configurable via

this slider therefore so use just one step so we use them

obviously all through these selectors let's decide the velocity

of every single of every single step the duration will decide the duration of each

single note then every single step i time values ​​the arpeggio mode

above we have a matrix with which we can go and change the pitch then

every single step substantially and this is useful for going to create

real sequences

let's add some effect then some delay

a bit of flanger

ok with the off...... offset parameter sorry, let's decide the point of

start inside the waveform e this also with the arpeggiator on

it's interesting because it allows us to brush in

real time to move in real time within the waveform and create

of interesting timbral variations we see

soften with the attack a bit departure to avoid that small clip

obviously moving in the form wave could be

audible but sometimes it can also be one

what did you want to create glitches for example?

with SHAPE we add a first one first distortion stage

ok as you can already see the sound is practically another thing compared to the bass 00

of the starting presets now, for example, we turn off the arpeggiator

let's take a look at the section of the filters for example

then let's see a bit we put second oscillator

ok so now let's go to the LFO section these filters are practically

5 LFOs that go to modulate a series of filters then CUTOFF, RESONANCE, LO-FI,

FORMANT, BASS PASS FILTER and for each LFO we can decide the type of the

of the waveform and for example add a BANDPASS

the interesting thing is that through the slider free RATE sync we can decide

if the LFO can be synchronized to bpm value of the session

we will go to the right if we want a free LFO

we will go to the left compared to many others to other synths

where these things so these changes they are often set on steps

here we have a chance for change fluid that allows you to go to

modify in real time then create some of the variations of the

very interesting envelopes on the filter for example

as we feel we have completely just twisted the sound in a way

unbelievable

we have also a new one reverberation with new impulses

very very interesting for example with very long impulses to create

reverberations we say infinite

as you can see then we started from one Bass Sound and having fun a while

play with the various controls we manage to shaping the sound a lot

simple this for example another page

dedicated to other controls where we can add an additional limiter

further saturation in this case it was on... we can play with the glide

then go to create for example of the typical effects

so create a lead

or go and add a unison effect

enlarge the sound we see a moment we put off the filter

we can decide the amount of it spread

so how do you see starting from a simple sound a... synth bass you can create..

really a lot of sounds now think that the waveforms available

they are really many and very different between they are different types ..and we have

various categories so we already have some waveforms meant to be

structured to be a lead a pad an other sounds that we will then see maybe in

other videos however this first video was

simply to make you understand how with few touch of the mouse by

on the graphical interface of the tool is really possible to go to

create a sound design of the presets taken in little time then become one

really interesting tool from both then play in pure composition

in the musical production area then starting from presets

as you can see I advise you to see the various videos on

zero g or time space sites are really really so many and

they embrace every every category of sound then there is the multi presets that

maybe we'll see in another video that we're telling you

of the combinations therefore various modules together that allow you to have some

really rich sounds and find all these these will present

a quick overview of the potentials you can find them in those videos

that are present on the official pages So I hope that with this

video is a bit of a result clear the possibility of sound design

the intervention capacity of the of the user on the on the instrument

so guys you can really go to shaping the sound quickly and even in

way in my opinion funny creative without staying too long to lose

in checks that we do not immediately say at the beginning they are not understood very well

and also the professionist that anyway he seeks a sonority he obtains it

from my point of view with a few touches of

mouse with this is everything I wish you a good one

continue and I'll see you there

bye guys

For more infomation >> ZERO-G ETHERA EVI - TUTORIAL 01 - SYNTH INTERFACE - language Italian - Duration: 27:57.

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« David Hally­day est marié avec une femme qui a 100 fois l'argent de Johnny, son problème - Duration: 2:07.

For more infomation >> « David Hally­day est marié avec une femme qui a 100 fois l'argent de Johnny, son problème - Duration: 2:07.

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Key Glock x Moneybagg Yo Type Beat - "Decisions" | Prod. By @Chad_G x Allen Lorenzo - Duration: 3:46.

Key Glock Type Beat

Moneybagg Yo Type Beat

For more infomation >> Key Glock x Moneybagg Yo Type Beat - "Decisions" | Prod. By @Chad_G x Allen Lorenzo - Duration: 3:46.

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Romina Power, foto con Albano e figli: siamo di nuovo "tutti insieme" | K.N.B.T - Duration: 1:41.

For more infomation >> Romina Power, foto con Albano e figli: siamo di nuovo "tutti insieme" | K.N.B.T - Duration: 1:41.

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Kia cee'd 1.6 First Edition met Velgen, Navigatie en 7jr. Garantie!! - Duration: 1:12.

For more infomation >> Kia cee'd 1.6 First Edition met Velgen, Navigatie en 7jr. Garantie!! - Duration: 1:12.

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Loredana Lecciso, tutta la verità sulla rottura con Al Bano | M.C.G.S - Duration: 2:27.

For more infomation >> Loredana Lecciso, tutta la verità sulla rottura con Al Bano | M.C.G.S - Duration: 2:27.

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Loredana Lecciso annuncia ufficialmente la rottura con Albano e ne spiega le ragioni | M.C.G.S - Duration: 5:02.

For more infomation >> Loredana Lecciso annuncia ufficialmente la rottura con Albano e ne spiega le ragioni | M.C.G.S - Duration: 5:02.

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Opel Astra 1.4 Turbo 150pk Start/Stop Innovation *Zeer compleet! - Duration: 1:14.

For more infomation >> Opel Astra 1.4 Turbo 150pk Start/Stop Innovation *Zeer compleet! - Duration: 1:14.

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Kia Picanto 1.0 5-zits First Edition nette auto met 7jr. Garantie!!! - Duration: 1:13.

For more infomation >> Kia Picanto 1.0 5-zits First Edition nette auto met 7jr. Garantie!!! - Duration: 1:13.

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"Sou neta de combatentes da 2ª Guerra Mundial, vim para lutar", diz Paula - Duration: 1:26.

For more infomation >> "Sou neta de combatentes da 2ª Guerra Mundial, vim para lutar", diz Paula - Duration: 1:26.

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Le régime 5 : 2 pour vaincre le diabète - Duration: 8:36.

For more infomation >> Le régime 5 : 2 pour vaincre le diabète - Duration: 8:36.

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Dinosaur Event Near You

For more infomation >> Dinosaur Event Near You

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"Schwer verliebt"-Sarah (†): Wende im Mordprozess um Axel G. - Duration: 1:39.

For more infomation >> "Schwer verliebt"-Sarah (†): Wende im Mordprozess um Axel G. - Duration: 1:39.

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One Minute Singing Secrets: Get Out of Your Head! - Duration: 1:26.

Hey singers, start the timer and let's go.

When I first started my journey to better singing, I was thinking too much.

This is what was going though my mind as I was singing: How did it sound?

Was it on pitch?

The high note is coming!

Don't push!

And bla bla bla.

My mind was going 100 miles per hour!

Do you have similar thoughts going through your head while singing?

Stop doing it to yourself.

When you think too much, you think either about what just happened or what is going

to happen.

And therefore, you cannot be in the present moment!

Give yourself a break and enjoy the moment.

When you are in the present moment, you have more fun and your audience will see and feel it too.

It may be hard to let go of all those thoughts (especially if you are a perfectionist).

Don't be afraid to expose yourself and become vulnerable.

Vulnerability makes your singing authentic.

That's what good singing is all about.

Be yourself!

Stop analyzing every sound you make and get out of your head when singing!

For more infomation >> One Minute Singing Secrets: Get Out of Your Head! - Duration: 1:26.

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4/16/18 9:27 PM - Duration: 9:35.

For more infomation >> 4/16/18 9:27 PM - Duration: 9:35.

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4/17/18 5:42 AM - Duration: 10:23.

For more infomation >> 4/17/18 5:42 AM - Duration: 10:23.

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4/17/18 5:52 AM - Duration: 4:55.

For more infomation >> 4/17/18 5:52 AM - Duration: 4:55.

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Conagua alerta por fuertes vientos y calor para estos estados - Duration: 10:21.

For more infomation >> Conagua alerta por fuertes vientos y calor para estos estados - Duration: 10:21.

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#EwangeliarzOP | 18 April 2018 | (John 6:35-40) - Duration: 2:05.

[music]

Łukasz Głowacki who records Ewangeliarz says that this new 4K camera we use,

will show four times more of all my wrinkles, all my defects, gray hair, etc.

It's true that every one of us dies every day. No matter how old you are, you do not grow younger, you only grow older.

It is amazing to realize that I am dying a little each day.

And the ultimate event that will happen to everyone of us will be physical death - sooner or later.

What great hope is it to hear these words today from the lips of Jesus who says - I will raise from the dead..

You do not have to worry about the shadow of death that accompanies you somewhere.

You can think of death as your sister as Saint Francis of Assisi said.

Because I will resurrect you - do not be afraid of death, reach for the life of your love, your faith,

your relationships with people, with me. Live your life to the fullest and do not worry about death,

because I will resurrect you in all the things in you that are subject to death.

For more infomation >> #EwangeliarzOP | 18 April 2018 | (John 6:35-40) - Duration: 2:05.

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The Making of Mura Masa's "What If I Go?" | Deconstructed - Duration: 6:50.

I think it's important not to overthink what you're doing.

You have to be willing to make hundreds of really terrible ideas, and then one of

them will be good.

And that's kind of what happened with this song, as well.

Prior to learning what the fuck this was about, I used to come home from school every day

and just sit in front of Ableton, and stare at it until it made sense really.

The story with "What If I Go?"

I had just been to London to see my manager, and we were kind of talking about what an

album would sound like or feel like.

And I was so excited on the train back to Brighton, which is in the south of England

that I just got going on some music.

And this is one of the ideas I made on the train, so…

It started with this drum break, I think.

Just as the real song goes.

It looks like it's labeled with the BPM and stuff, so it's probably from one of these

sample packs.

After that, I wrote the main loop on this little Operator synth.

Quite a typical Mura Masa thing is to have the main line played by a few instruments.

When I first moved to London, I was hanging around in south London a lot and Brixton.

And outside the train station in Brixton, there's this steel drum band that play everyday.

I was walking past that so much and hearing it so often that it just kind of became a

part of the vocabulary.

I think it's a really London-y sound.

In the second half of that build-up, the piano kind of drops down an octave.

It's like a very subtle thing, but it creates movement.

And then, there's a few percussive things that come in here.

Just to build up some of the rhythm approaching the chorus.

These claps are such gold.

That is from a vinyl that I picked up at a vinyl fair in London.

That's a very easy way to add human atmosphere.

And a lot of these sounds, I think, are rooted in real-world sounds.

Everything kind of builds in.

And the harps.

The classic Mura Masa harps.

'Cause originally these were…

Yeah.

Still sounds nice, but doesn't really make sense in the context of what we're doing

until we...

Yeah. Pitch it up.

Suddenly there's a lot more energy.

And it sounds like it fits.

Much more of like, a head nod when it finally does kick in.

The thing that's happening is there's these kind of vocal chops going on.

One thing I really love about Ableton is this transpose feature.

But this makes it super easy.

So, we have the original pitch here.

But with Ableton, in a pinch...it sounds like that.

So this is all the same sample.

And one of them is just pitched down an octave, and one of them is pitched up a fifth?

So yeah.

Here's the synths, affectionately labeled here as "FuckSynth" and "FuckSynth2."

And the sub.

It's basically...surprise, surprise.

Here's Operator again.

One of them kind of...that's handling the mid-range stuff and some of the higher end.

And then the second one there's a little bit more reverb on there.

There's this ping-pong delay.

And then the sub.

Operator again.

It's just one oscillator, it's a sine wave.

It's about using it in the right context.

Tension and release, I'd say.

There's a few percussive things that come in here.

All this stuff.

Way too many snares.

This is gonna be really sharp.

Most importantly is this CamelCrusher.

Can't recommend that enough.

That just makes everything sound super loud.

There's this, which is like a multi-sampled, actual drum kit.

That's all programmed.

Individual hits.

The kick is two layers.

It's kind of this middle.

And then there's the stereo one as well.

It kind of sounds a lot more like a real kick drum would once you add that layer.

Then obviously you have Bonzai's amazing vocal that she came in and added.

And we recorded it a couple of times, but I was really happy with how it came out.

I sincerely think Bonzai could be the next Rihanna.

This lower octave layer.

Which is very not high up in the mix at all but it adds some depth.

And then just the backing vocal layer.

There's this really like broadway slowdown at the end.

Everybody who I sent this to thought I was joking.

They thought I was really wack for that.

But it's something you wouldn't normally hear in this kind of song, and I really like that

so fuck it.

Fuck them.

It sounds great.

There's this really weird sample of a Japanese...I think it's a weather report or a newscast.

For more infomation >> The Making of Mura Masa's "What If I Go?" | Deconstructed - Duration: 6:50.

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Controversial Statue Removed From Central Park - Duration: 1:58.

For more infomation >> Controversial Statue Removed From Central Park - Duration: 1:58.

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8. Small Red and Blue Group Does Quesitons and Answers (Part I) - Duration: 20:45.

all right so we're gonna wear the the Reds of the home team so they can go

first and and we have about five minutes of

question if they don't get through them all that's okay and just again remember

that you're reading the word for word and then notice I can respond if you

don't not everybody has to respond every question if you have nothing to add

that's fine you can ask follow-ups but you're

staying in the questioning mode rather than the arguing you're wrong about that

okay so you want to start okay very first question how will do your views on

human nature affect reviews on public policies on what policy public policy so

we've written it again how do you do your views on human nature affects your

views on public policy please I inherently believe that all people want

to be successful that all people require purpose and want to feel like they're

good contributors to society and that they want safety and security and one

who loved want to feel valued and so I think that for me the policies that we

as a country put in place should enable everybody to be able to have those kinds

of worthwhile feelings so that somebody who starts at a disadvantage may need a

little bit of help in order to to recognize those very basic human needs

okay the others have you can give you a response and they can also ask

follow-ups but so so in other words multiple people can respond to the same

question so if you think do you want to respond to it as well there's nothing I

can add anything to it right out of them right out of the game yeah yeah then I'm

done but I do have a follow-up yeah so like

I intervene when a participant started to preface his follow up question with a "but."

I'm totally there with you but it did seem you're asking the question that's

not that question it's coming so what about the negative side of human nature

yeah could you just lend a hand upside down okay

negative side of human nature I don't know what that is I really don't I mean

I see negative behaviors that I think are a result of people not getting the

positives met so I think greed and power are reactions to not feeling worthwhile

to not being able to express yourself and feel like a worthwhile person so you

resort to those kinds of things now from a biological point of view we're animals

so we have territoriality we have there are certain traits that we have which

get us into trouble but I think meeting human needs kind of for me erases those

kind of things from having to happen I have to go sit over there

say I'm usually pretty optimistic and I share Lin's perspective for the most

part I do feel though that there are times that people do take advantage you

know let's say on Wall Street could be a good example so I do feel that one of

the roles of government in addition to giving everybody the advantages they

need to be successful is also putting for example some checks in the system so

for example if people are going to take advantage and I could go both ways it

could be the rich Wall Street bankers taking advantage of loopholes in our

system it could also be people buying houses outside of their means and I

think that's a role where government can step in and say you know what even

though people are basically good there's going to be this greed on the part of

the Wall Street bankers and on the part of the people who are going to buy

houses beyond their means and we're going to put policies into place that

prevent for example what we had happened with the whole mortgage crisis ok all

right so a question from your side I won okay so how do you balance the

protection of individual liberties with the common good and it's exemplified for

example by the need for childhood and immunization the schools so read it

again slowly okay how do you balance the protection of individual liberties with

the common good as exemplified by the need for childhood immunization whether

are you saying whether that vaccinations should be mandatory or not erect

in other words should vaccinations be mandatory if we vaccinate in the school

you know protecting the common good in the schools against the parents desire

to do what they feel is best for their child when it comes to

highly infectious diseases like the MMR's I do think those should be

mandatory not in that it that saves both the

individual and the community I think communities that have made that not

mandatory we've seen breakouts of her velum and easels and I think those

things could be very easily avoided by 20th century medicine and I heard for

stuff like that I think it should be mandatory yep

yeah I agree my opinion if you don't vaccinate you shouldn't be allowed to go

I intervene when a blue participant followed up a red answer with a statement, not a follow up question.

to public school I think you're more than welcome to home-school but you know

don't put them out other kids risk them because you feel differently well even

if you're homeschooled you have the right to go sorry yeah you're in the

question yeah yeah I'm the yeah yeah to answer the question directly I think

education plays a major part in that you know the concept of herd immunity a

lot of the you know anti-vaxxers just don't know anything about that

and how you know my child is fine you know they just don't realize there's a

bigger perspective there and then I also agree with him that making it mandatory

across the board for Americans is the wrong way to go but it's the the

government is well within its rights in public services to set conditions for

participation in the public services so you know you must vaccinate your kids

that's a problem you must vaccinate your kids if you wish to take advantage of

the public school system that's it's fine with me

and then I guess a follow-up question would be how would you convince one of

your fellow Reds that vaccinations doesn't of their children does not

interfere with their rights to individual liberty well if it's not

mandated because you're a citizen of America but mandated because you wish to

voluntarily participate in a particular service I don't think there needs to be

too much more explaining on that and that's that I quote my taxes a part of

which goes to public education if I choose not to take that's not what the

social contract is we elect our representatives and whether or not you

voted for the guy that won those are the policy is okay yeah okay so a question

from their friends is there a platform policy of your party and that you

disagree with if so what is it and why do you disagree yeah it's overrated

again

can I change there's a social contract read it as different different question

I just went to the second one but I didn't oh well they're gonna be prepared

for that one yeah I'm sure you can pick whatever question you want okay so what

end should public policy a man equality of opportunity or equality of outcome

and why again slowly yeah yeah yeah yeah to what end should public policy aim

equality of opportunity or equality of outcome and why

you know that's similar to a question we were thing but but I think in our little

discussion we talked about those policies should be geared to those

people only who start with a disadvantage being physical or racial or

housing or what have you that if there is a blatant barrier to the happening

that that's a place that that we think public policy would be affected to equal

that that playing field now does it erase all of the abuse that may occur no

and so with that comes some monetary and some pretty tough policies about if it

isn't I mean I remember reading about the VA paying $1,000 for toilet paper I

mean what happened from that it went on and it went on and it went on so I don't

think it's so much the policy as our inability to monitor it and and police

it for lack of a better term yeah and then more it's like the razor point of

the question and you know what you described is what it is but is that

policy you're describing a policy toward equality of opportunity you know those

that started lower need to be brought up to the same place and give them the same

chance or is it an aim toward those who started lower need to end up at the same

place as those that started higher yeah well there's results and that was the

question okay now to question an opportunity so say more about that yeah

yeah same one I see this opportunity we know that that everybody does not start

out at the same way along the same families in the same economic structure

whatever and sometimes they need a little help to get started but it

doesn't mean that everybody to end up at the same place no universe

exactly the goal but the opportunity should be there and I want to elaborate

I have something that I personally happened to me which is one of my

fellows applied for one of these affirmative opportunity scholarships and

they asked her to identify if she was black or American native whatever and

she's not but she comes from poverty she comes from a lot of mental illness in

her family and it really made me rethink and I'm totally in agreement with the

opportunity I think we also have to be sure we don't have cookie cutter

categories no because everybody is different and everybody has a story and

the goal should be to raise up everyone in terms of the opportunity that they're

given even if they don't fit into a nice little you know box that labels them by

their skin color or their you know and can I add I think where we've missed the

boat in the past is that the process through which everybody goes for that to

happen given those loves has been so controlled that there is very little

individual responsibility baked into it so that as a person enters a program

that gives them an advantage the question is where's the onus on them to

do it you know it are there things they should be doing that we shouldn't put in

the policy which might account for those being successful and those not being

successful but if the opportunity as Judah said is there then the onus is on

the individual I was also wondering this kind of ties back to the first one a bit

is this assistance that should be offered is this something that should be

given or taught or a little bit of both if that makes sense

I think it takes many forms do you mean like whether it should be just given or

earned not necessarily earned but you know should you teach someone to do

something a different way as opposed to just giving them something to equal yeah

yeah I would teach rather than give okay it's like the you know if you give a man

a fish he eats for a day but if you teach him how to fish you can eat for a

lifetime okay alright so the question I have a

question Judith extent okay what is the proper venue for for reds to disagree

with the leadership that are gonna party okay so read em again what is the proper

venue for reds to disagree with the leadership of the Republican Party or

the could you clarify that a little bit like are you asking like should those of

us that disagree be protesting or blogging or yeah it's one of your

thoughts about okay well I can share what I do about it

and if that would be helpful I tend to spend my weeknights down at the local

pub and Franklin and there's you know lots of loud conversations it's pretty

much where you go to talk about religion and politics with strangers and you know

in my personal life if I start by just you know trying to be a helpful you know

person to have credibility there where I'm not coming at it with like I'm all

about politics and this is my gig I try to just be a good person individual

so that whatever I say it's coming from a place of you know this is what I think

about it how about you rather than you know here's my soapbox and I'm gonna

stand on it and I've you know on my own side I've you know personally seen a lot

of success in converting individuals from various types of extremism or

reductionism and examining our own principles and if enough people if we

reach a critical mass of those that are willing to examine their own site and

talk about it honestly with other people I believe that the leadership that we

elect will reflect those changes and our personal views and in our you know our

own desire to want to be good and not to just be a team player

and so you know if I'm given a platform you know if one of my albums pops or you

know for whatever reason I have a more national platform then I'll be able to

use that to you know address it more directly but if I don't you know I think

I do a lot more good having a conversation with as many people as I

can every day and then by necessarily going to social media and blasting my

views I'm sure there are a culture I think is for me very similar to what an

ideologue Andrew Breitbart had expressed is how politics is really

down streaming from culture and for for people in my own party I think I think

that we've pulled out of the arts to a point that we don't know how to express

ourselves the way we used to and us being able to not just blog but even

feel confident enough in in our view point to not necessarily

care about how much resistance we might get but just wanting to be heard whether

it's being a contributor to a small new site to creating small short videos film

shorts it's like even creating paintings or getting into poetry more often or

theater art I think I think if we felt more confident in in interjecting

ourselves into the arts would be an easier way for us to change the way our

own party thinks about a particular policy or a particular viewpoint I think

I think the more we're able to spread our ideas wider gives them the

opportunity to see that there's a lot more different viewpoints should I want

to see if John has anything to add on this nothing in particular other than

actually conversing with people I don't for example I don't think if something

is recorded it's hard to you know interpret that in a way I guess I'm

trying to say is if you can actually go back and forth with someone as opposed

to using interpreting what has been said especially with you know online and

stuff when someone's typing it can be proceeding much differently based on

what you you know feel about that person as opposed to what they actually mean

so you know if that's entirely irrelevant but it sure sounds yeah do

you think their protests like the women's March and like

assembling outside of the congressmen senators offices on Western Avenue with

signs do you think that those are viable ways to show your you know the other

your party or your elected leaders what your feelings are and if not what would

be a better way for Blues to do it their blues are peaceful protest is can be

extremely effective I think even even for some on my side of the aisle that

may be overly expressive yelling profanities or blocking off streets or

cutting off highways I don't think are effective I fit its kind of going back

to the the squeaky wheel gets all the oil and sometimes that's not always the

best thing that we okay to be the one that pops off and everything falls apart

but I do think that protest is one I think I think there's I think there's

other more effective ways that that can be quieter well not necessarily acquire

but easier to hear and and I'm very open to the ability to have this type of

dialogue more often instead of just people standing in a line with the Syst

like read my sign this is what I think it's like that's that's such a small

bullet point of who the person actually is and I think this is way more

effective than standing in a line and expecting

everyone to agree with you

For more infomation >> 8. Small Red and Blue Group Does Quesitons and Answers (Part I) - Duration: 20:45.

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THE AVENGERS VS SPIDER-MAN TEAM - EPIC BATTLE SUPERHEROES COMIC - Duration: 11:45.

THE AVENGERS VS SPIDER-MAN TEAM - EPIC BATTLE SUPERHEROES COMIC !!!!

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