Tuesday, June 20, 2017

Youtube daily report Jun 20 2017

Your the With the zombie

That Zombie you dummy

what zombie i dont see any zombie are you both dead

that one

witch one

the one in fount of you dummy

what do you mean i dont see any zombie on my screeen

that one

what one

i dont see anyting

your terrable you cant kill last zombie

what the heck

hes hitting so fast cause yor internet is just soo bad you retarded idoit its hiting 00000=-94495849489 miles away

this is stupid

shot it shot it

there pal friend amego

byeee

oh god you you watn the buss to sad you crying ohhh sad little babys

dude he waited for this camden

omg

oh such little babys

how de i get out

lies

ahahhahahahahhaha

hahalolollolohahahhahahahahaha

ima turn on power :D

bruh

leaves

ther we go

now we got power so we can opens doors

fan tastic

am i right :D

leave nate off the buss leaveing him is good right guys :DHAHA

man htis is such a fun game

its to bad hes far

when he ganna cump up

ok therr we go

dezmon singing

oh would you look at that hes leaveing :D ahhahahahahhahahah lol

oh he did leave party too XD ahahahHAHAHAHAHHAHAHAHAH

awww so little baby is crying

oh nno i tbaged

Camden:Bruh (warning Getts salty)

Camden:Leaves to go to sleep for some reson

Me: there we go ^_^ (Mission done)((PLUS SALTY CAMDEN IN BACKGOUND ;D

Me: fan freaking tastic :D yay

Me:true reson i did all of this :D

Dezmon: sings because he is not a mad person trust me on that

Dezmon: REALLY JAYDEN (because CAMDEN LEFT xD AHAHHAHAHAH)

For more infomation >> Trolling on Black Ops 2 Zombies - Duration: 2:49.

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Drap trải giường giá rẻ | bộ drap giường Hàn Quốc đẹp họa tiết hoa nhài T-728 - Duration: 2:32.

For more infomation >> Drap trải giường giá rẻ | bộ drap giường Hàn Quốc đẹp họa tiết hoa nhài T-728 - Duration: 2:32.

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Toyota Verso-S 1.3 VVT-i Dynamic Automaat Navigatie, Parkeercamera, Cruise control - Duration: 0:54.

For more infomation >> Toyota Verso-S 1.3 VVT-i Dynamic Automaat Navigatie, Parkeercamera, Cruise control - Duration: 0:54.

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Mercedes-Benz CLS-Klasse AMG CLS 63 4MATIC Shooting Brake S-Modell - Duration: 1:01.

For more infomation >> Mercedes-Benz CLS-Klasse AMG CLS 63 4MATIC Shooting Brake S-Modell - Duration: 1:01.

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Toyota Verso-S 1.3 VVT-i Dynamic - Duration: 0:54.

For more infomation >> Toyota Verso-S 1.3 VVT-i Dynamic - Duration: 0:54.

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Toyota Verso-S 1.3 VVT-i Dynamic Automaat - Duration: 0:59.

For more infomation >> Toyota Verso-S 1.3 VVT-i Dynamic Automaat - Duration: 0:59.

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lil doggo - Duration: 1:05.

hitler:(lick nose)

(hooman wat r u doin)

(look in confusion)

mini Hitler:(lick nose again)

orange doggo:(why are we still here?)

(1 smol pupper look in confusion)

angry moustache german:(OWO what's this?)

(camera pan to the left)

(moved waaay to the left)

(confused giraffe is confused)

(charlie chaplin wannabe look surprised)

(hooman what is that?)

(camera moved back to it's original position)

(NEIN!)

(when you saw ur crush)

(ghost shadow appear)

(spooky ghost coming to haunt you)

Ghost:Hello there

(yellow doggo's acid has started to kick in)

(all birb look in the same direction)

hootler: what's that smell?

(yellow elephant tries to act natural)

(confused mouse is still confused)

(9N!)

(that jews is delicious)

(confused chicken is probably took acid too)

(hooman hand enter the realm of box)

(boop boop boop)

(NINE!)

(it's MIEN!)

(gimmie some juice too hooman)

(fish tail movement)

yellow orange:Dud u have mites on ur back

(totally not a Benis)

(confused monkey is still confused)

yellow apple:Oh dud i'm so high there's a flying tail

(confused alien has broke out of it's spell)

(what was that?)

For more infomation >> lil doggo - Duration: 1:05.

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How to learn a language with movies and series ? - Duration: 3:36.

Hi there! It's Luca from MosaLingua.

Today I want to discuss a very fun method for

learning a language watching movies and television series.

At the end of this

video, you'll know how to really watch movies and TV shows to improve your

language skills.

I've been using movies and series to learn languages for years.

For example, I have to say that without Friends, my english would not have progressed so

fast as it did during my university years.

Before moving on, I need to tell

you something to straight up: if you are thinking that you can learn a language just by watching

a movie or a TV show, you're going to be disappointed. This method really works if

you are going to use it as a complementary tool and if you really

have some basic skills. You still need to learn vocabulary and try to speak as

much as possible. But if you want to improve your listening skills and pick

up a new vocab, then movies and series are your best friends. Now let me give

you some tips to get the most out of this method.

First ban dubbed movies and series.

From now on, only watch movies and series in the original version with

subtitles. At the beginning it's totally normal to have some troubles following

them. Eventually your brain will learn how to guess what is going on based on

context clues. Second: turn on the subtitles. If you are a beginner

it's okay to start with subtitles in your native language.

Then, as soon as you can switch to subtitles in the target language. Spend

as much time in this phase as you need to, and when you feel ready

turn off the subtitles.

Third: do not read the subtitles. You have to resist the

temptation to read the subtitles all the time. You need to train yourself to use

them as a visual aid. Otherwise you lose the interest of this method.

Another tip: do not look up words. If you hit the pause button frequently then you'll get bored.

Because your movie will last much too long.

If you really want to, you can keep a notepad next to your popcorn. Write down

some words and expressions you would like to look up afterwards.

5. Be regular and consistent. As always try to practice with regularity.

I recommend 2/3 movies per week or if you prefer series you can even watch an

episode every day. Because each one only lasts 40 / 50 minutes. And then, my final

tip: start with movies and series you already know quite well.

Of course it's easier to understand a movie or an episode of a TV show that

you're already familiar with. This way you know it will keep your interest and you

will already have some ideas of the plot so you will be never completely lost.

That's all for today! If you want to find out what the best movies and series are

for learning a language, click on the link below. Thanks for watching and

before you go, make sure you subscribe to our YouTube channel because we have a

lot of other surprises and tools to share with you. Take care and have fun!

For more infomation >> How to learn a language with movies and series ? - Duration: 3:36.

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Alibaba - Bengali - 1937 - Duration: 1:57:33.

Sri Bharatlakshmi Pictures

Pandit Khirode Prasad's 'ALlBABA'

Main Sound-Expert: Charles Creed

Cinematography: Bibhuti Das Gita Ghosh Assistant: Jagdish

Sound Recording: A. Gaffur Assistant: Yasine

Lab: Jagat Roy Chowdhury Purna Chatterjee

Producer: Baijnath ledia Editor: Shyam Das

Music: T. Franco Polo/Nagardas Nayek Choreography: Sadhana Bose

Set Design: Motilal Art Direction: Sudhangshu Chowdhury

Makeup: Kalidas Das

Cast: Marjina: Sadhana Bose

Alibaba: Bibhuti Ganguly Fatima: Suprabha Mukherjee

Kasim: Kamal Biswas Sakina: lndira Roy

Abdullah: Madhu Bose Hussain: B.P. Mehra

Mustafa: Preeti Kr. Majumdar Chief of the Thieves: Kali Ghosh

Director: Madhu Bose

Open, Sesame!

Oh! What a dreadful lot of rubbish

Such a big house, and so much rubbish

l clean it all the time, yet such is the state

The outside and the inside, it's the same everywhere

This rubbish will destroy everything

Dirty house. Such a dirty house

And a dirty owner, lame and wayward

And a mistress with a black heart

Abdullah? Abdullah!

Janaab!

l come at the first call

l love work. And l am always working

As dark as l am, my eyes are as sharp

l work so fast, so astute am l

And a happy-go-lucky mistress, with a very rich master

l come at the first call

Oh! Who is that? Marjina Khanum, the mistress?

The day l become the mistress, l will have you soundly thrashed.

Oh, such peace.

lt was always my wish, to be thrashed by you.

So listen. When you do become the mistress...

l will lease my back to you.

You are being so funny. Why can't l become the mistress?

Listen, slave-girl. Sorry, sorry. Lady of the house.

Without illness or sorrow, and even in good spirits...

l will suddenly die laughing. Will that be nice?

Don't say things like that, Madam.

Again you're joking? Whatever it takes, l'll become the mistress.

- Marjina, Marjina? - Why are you running away?

Where are you, Marjina?

Yes, madam. Go to Ali's wife immediately.

Tell her l need 5 maunds of wood today.

As you wish.

Listen, wood is available in the market.

So why are you mixing with Ali's wife so much?

She's your brother's wife. So what's the harm?

No, this can't go on. l can't tolerate that woman.

l don't like Ali either. He's a wood-cutter!

How can we be related?

But he's your brother.

No, no, no. l'm a nobleman, and he's a wood-cutter.

There can be no relation between us.

Thank God you got your father-in-law's wealth.

So you can afford not to recognise your own brother.

Otherwise, even you would have gone bald, carrying wood.

That's not because of you, wife.

l was fated to be a nobleman.

l would have become one regardless of everything.

But you would have had to be a woodcutter for life.

Come brothers, let us chop wood, or we'll be thrashed soundly

Don't strike softly. The trunk is so thick

Swing the axe wide and hard...

as we cut down the soft branches...

and snap the dry ones in one stroke

You've been summoned because there's a huge feast.

You are family. Our poor house runs because of you.

Well, listen, don't mix too much with Ali's wife.

Do you think l'm like that?

That l'd mingle with someone for no reason?

l know that, l know.

l know very well you aren't like that.

But, why does she keep coming here? Do you know?

l buy wood from Ali's wife.

And l get it cheaper than in the market.

Really? Really?

And proper wood from the trunk, no branches at all.

Really? Really? Yes, and quite a bit for free.

- Really? Really? - And some more free by flattering her.

Really? Really? l can't control my laughter any longer.

Then, while calculating...

l make sure to confuse her and pay less.

Now tell me, have l been wrong in mixing with her?

Wrong? Which fool says it's wrong?

lt's brilliant! lt's perfect!

You have my permission to do things like this always.

But, be careful. Don't invite them by mistake.

How can l forget that?

That's true. You're not the type to forget that.

But, you know what? l'm just warning you.

They'll eat like gluttons. One will finish food meant for five.

There she is. Be careful.

Oh, don't be afraid. You take care of the feast.

- How many will come tonight? - Not too many.

My dear, why have you called on me at such an odd time?

You have to send around five seers of wood today, dear.

What will it come to?

How can l give you rates, my dear?

One should give it for free.

lt is just that times are very hard.

We can barely make ends meet. Hence, we have to charge you.

Why say that dear? We have to buy from the market, anyway.

So we might as well help out a family member like you.

Even if it costs me more, l don't mind.

Giving you a little extra money won't be a waste.

Even if we get a lesser amount, that's fine, too.

Ah, your love for us is so great.

So the rate: 3 maunds and 10 seers come to 1 rupee.

Plus, almost 2 maunds minus 10 seers. That's 75 paisa.

Then another two maunds. But l won't bargain with you.

So, it comes to a rupee and six paisa.

- Take the money when you bring the wood. - Alright.

- Also, send some mangrove timber. - Alright.

- Also, a few baskets of wood shavings. - Alright.

Also, will you pay for the delivery or should l?

That's alright. You pay it. You're family, after all.

Go, send it quickly. Marjina, check the wood before weighing it.

And pay her instantly. l'll be on my way, dear.

Listen, l feel like quarreling with you.

Why?

No, let it be. l'm only a slave-girl.

A slave-girl shouldn't express her opinions of her masters.

Are you talking about the price of the wood?

- You are very foolish. - No, this isn't foolishness.

- Then you got everything? - Had l been foolish...

l wouldn't have been able to run my poor family.

They are family, after all. What can l do even if l get it?

- You tell me. - You say, you have got it?

Then l salute you.

Father, why are you going to fetch wood at such an odd hour?

What can l do son? The way your mother is doing business...

it's become impossible to stay at home.

lt seems like l'll have to move to the forest for good.

Here she comes.

So, Fatima Bibi, how was business today?

Five maunds of wood for today.

And two maunds for free besides half a maund of wood shavings.

Should one say that, dear?

Of course not. Such things happen in business.

That's enough. Don't joke around. Take this money.

Go to the market.

What's the matter? Where are you going with the axe now?

lt seems to be stuck to the shoulder for good.

Don't bother about that.

Great! You've earned a lot of money today, Fatima Bibi.

The seven-eight maunds of wood come to only a rupee and six paisa?

Not even that! l still have to deduct my share from that!

Of course, dear! l forgot!

Give her these six paisas.

l'm giving you these six paisas as commission, sir.

Such an ideal son you are. Can't you sell the wood yourself?

l can't say anything to my master. But l can't tolerate cheating, either.

But they haven't cheated us dear. She is family.

Even if she asks for extra, can that be called cheating?

Then why doesn't she say it?

She's from an affluent family. lf she's awkward about asking...

then why can't she be underhanded?

lt's enough that she pays. What would we do if she didn't?

l understand everything. Yet, l remain silent.

lf you have to go, then go. l'll go to the market.

Marjina, do you feel sad seeing our condition?

Yes, perhaps a little.

- Marjina... - What?

Why did you stop?

Umm...you...you...

- Are you embarrassed? - No. Why be embarrassed?

Do you... lo... love...?

Are you asking if l love you at all?

Yes, Marjina.

Perhaps a little bit.

That's what l was asking, Marjina.

- Umm, Marjina... - What?

Umm... you... you...

No. Do you want something to drink?

l get it. Run away. Abdullah is coming.

Abdullah? Umm, Marjina...

lt cannot be, Hussain. l'm a slave-girl.

Oh God, give Marjina some freedom.

- Marjina, Marjina... - Run away, run away.

Then, Marjina...

- Again, Marjina? Run away. - Oh, Allah!

Oh mistress, you've been summoned.

Slave-girl, l have dreamed of your becoming a queen...

and l've become a king

Very well, then, let me cut off your tail

lf a slave-monkey becomes king, what will people say!

Let the tail be. Quickly become the queen

Or else it shall be too late

- Really? - Really!

Really? l've already bought a coffin to be used as your throne

And l've also dug a grave to serve as your Treasury

- l have become king. - l have become queen

And we dance and revel in that thought

Close, Sesame!

Let's go towards Siraj today!

Amazing! They come from inside the mountain.

Who are these people?

He said 'Close, Sesame' and the mountain closed shut.

So, what if l say 'Open, Sesame'?

There are so many rich men in this city of Siraj.

- There are ministers, courtiers. - Rubbish! There are emperors.

But there is none like our Kasim Saheb here.

- Jolly! Magnanimous! - Shut up! Our Kasim Saheb...

- Abdullah! - Master?

- Bring in the Siraji wine. - Yes! Yes! Bring it in.

Excellent! Marvelous!

Fantastic!

The eyes are seductive, words as sweet as nectar

Now oh my heart, stand fast by me

lt is indeed a tough job, to whirl and twirl and please

Bring in the wine, oh Saki.

- And give us a taste of it. - Yes, yes, a taste.

Oh lord! Why did l send him to the forest at high noon?

Fatima! Fatima!

Here you are! You're back. Why are you so late?

And l was crying out of grief for you.

Dear, where did you go today to fetch wood?

Did you bring the whole forest with you?

- Uff! Not so loud. - Why not? l'll scream.

l was wailing all this while. Now l'll quarrel with you.

Dear, from what tree did you get this wood?

- Softly! Softly! - Why? Why softly?

l'll scream. We gather wood from the forest for our livelihood.

We don't covet other people's property. So, why be afraid?

Dear, have you brought sandalwood then?

Hush! Not wood! Gold coins! Gold coins!

- Gold coins! - Hush!

Not so loud! You'll be beaten! And killed!

l should be quieter? Gold coins!

What are you saying? Us and gold coins?

You amaze me. We barely make ends meet.

Where do we get gold coins from?

Have you become a robber? What a catastrophe!

- Shut up, you idiot! - l cannot shut up!

How can l shut up if you're about to die?

Shut up, you idiot! Listen to me at least!

Your wailing will get me beheaded!

That even l can tell! Still l cannot shut up.

You were so honest! And now you have robbed!

No, no, God has given it to me.

l found the gold coins while chopping wood in the forest.

- What! - Hush!

- Oh, what are you saying? - Oh, why can't you whisper?

Oh, what are you saying? Gold coins? What?

ln the forest? What are you saying? Oh lord!

Exclaim all you want in my ear.

Don't scream! You'll get us killed.

Forgive me! Let me scream!

Such a day will never come again! Oh Mother!

Where are you mother!

Catastrophe! l'll go mad from your screams!

Open the door! Open the door!

- That's my Hussain. - Wait! Let me hide the bags!

That's my Hussain. Oh, Hussain!

What nonsense! Let it be Hussain.

Can't Hussain wait awhile?

What if someone else is with him?

Wait! Let me hide the bags.

Open the door! Open the door!

What is it, mother? What happened, father?

- Get a spade, quickly. - Why father? So late at night?

- Softly, speak softly! - Ali, Ali, what has happened?

- What has happened, father? - Softly, speak softly!

- Why father? - Get a spade quickly.

- Where do l get a spade? - Just go and find one.

Fati, come. Let me show you what l've found.

Oh! lt is a such a great day! Why are you sitting here?

Abdullah, don't irritate me.

What! There are tears in your eyes! What is it, Marjina?

lt seems there's a storm raging inside you.

That's no lie. Something seems to be bothering me.

Do you know what will cure it?

Sing! Sing, Marjina! lt will leave you with the song!

Nonsense! How can one sing in the storm?

The storm rages outside. lt rattles the windows of a room.

You're a slave-girl. Your fate is restricted, too.

l'm a slave. My life, too, is wracked with sorrow.

Howl all you want! lt'll sound sweet to me, regardless.

- What shall l sing? - Umm...

- A love song! - Rubbish, a slave-girl and love.

ln my heart...

l've hidden the image of my lover

A slave's fate is always sad. What if my lover finds out?

He will untie my chains, and tie me elsewhere

ln my heart, l've hidden the image of my lover

Here! Do you know where Sakina Bibi is?

- Why? - l need her.

Tell me quickly.

We've been ordered to always ask the reason first.

Can you lend me a measuring bowl?

Why do you need it so late at night?

- l need it for something. - You have to tell us why.

Umm, l will measure paddy.

Where did you get paddy this time of year?

We just got it.

Be that as it may, you have to tell us how.

- My husband got it, dear. - Abdullah!

- Abdullah! - Oh! Yes, Master!

He went to gather wood. Where did he get paddy?

There was a paddy tree in the forest.

- Paddy tree? - Yes, dear.

He struck the trunk and there was a shower of ripe paddy.

Does the paddy tree have a trunk?

Of course! There are so many thing in the forest, who knows.

lf you search, why only paddy, you'll find a tree of money.

Oh Lord! l'm getting so confused! What am l saying?

There's nothing in the forest except for darkness.

Give me the measuring can, or l'll leave.

l'll give it to you. But don't tell anyone what you told me.

Or else, there will be danger.

Danger? What is the danger, Marjina?

Nothing. Fatima Bibi was just asking for a measuring bowl.

But, how do l give it to her now?

Measuring can? Go, Kasim Saheb is asking for you.

You want it, sister? Wait. l'll get it for you.

l'll leave. No, l'll take the bowl with me.

No, l'll leave. No, l'll take it with me.

Fatima, why are you so restless?

Really? Well, l keep behaving like this these days.

Here, take it. But do return it by tonight.

lt's rather important. l hope you understand.

l'll return it as soon as possible.

He has bound me with love

He has smiled and sat near me

He has succeeded at becoming close to me

He has enthralled me, using my own feelings...

And he has bound my life to his

Using my own feelings...

He is devoted to me. He has made me as devoted to him.

He has smiled and sat near me...

He has bound me with love

- Marjina. - Who? Hussain Saheb?

Where are you going with a spade so late at night?

Spade? Oh, spade.

l'm not going to chop wood.

Then who are you going to chop, Hussain Saheb?

Me? Will you be happy if l died?

- What is this, Marjina? - No, Hussain Saheb, take my life.

Then, then, l'll die too, Marjina.

Why will you die, Hussain Saheb?

Marjina, you, l, you...

- Oh! - What happened?

- There's something there. - That's something, indeed.

Abdullah, Hussain Saheb took you for a wild animal.

Well, birds of a feather... So, Hussain Saheb....

Abdullah, brother mine, l thought you were an animal.

- But, l didn't say it. - Well, that's good then.

But beware, Hussain Saheb.

l hope you realise the dangers in confessing what's in the heart.

Then, then, l'll be on my way, Marjina.

And Hussain Saheb, be careful.

Don't hit anyone with the spade thinking they're animals.

Abdullah, why do you sneak about in the bushes at night?

Looking for you. Do you know what Kasim and Sakina just did?

What? Where? What are you saying?

Kasim Saheb was busy with his friends.

Suddenly, Sakina Bibi rushed in and fainted, wailing his name.

- What! She fainted? - Well, almost.

Then she showed him a gold coin and started crying.

Gold coin? What gold coin?

That's so bizarre. Then what happened?

Nothing! l witnessed it and ran here to tell you.

Come, come! Let's go and see what finally happened.

What are you saying! Ali has so much wealth?

Oh God! l will die!

That stupid Ali! He has so much wealth?

Now you suffer. You hate him.

You don't talk to him because he's poor. You don't call him brother.

You don't invite him to your banquets. He is so wealthy.

You count money by pieces. He measures his wealth.

Where is the measuring can?

Oh Lord! l will surely die now!

Abdullah! Abdullah!

Yes, my Lord, my Master!

- Bring a cup of Siraji wine. - As you wish.

- No, bring ten cups! - Yes, Master.

- No, bring bottles of it! - Yes, bottles.

- No, brings jars of it! - Yes, jars.

Oh, calm down. Check which emperor's coin that is.

Very expensive! Very precious! This is worth five other gold coins!

Oh Lord! l will surely die now!

- Oh Lord! Abdullah! - What are you doing?

Abdullah!

There's no point in behaving like a lunatic. Find a solution.

Find out everything.

You see everything, but you don't understand

You don't listen to anything l tell you

lf fate throws hurdles, try and overcome them

God chooses to reward those He wishes to...

yet you get perturbed for no reason at all

- The girl is mine! - Never!

- Hey, l won her! - l won her!

Never! l will slap you!

Beware!

l won the bet! This Hasan has cheated!

l cheated? That's a lie, master!

- He knows. - Beware!

This is God's treasury. We are its keepers.

There's no place for cheats here.

lf you cheat, l will quarter you and hang your body up.

Beware!

Here, drink some. Don't be angry.

The greater the wealth, the more the trouble

What is this headache, for no reason at all?

Thousands increase to lakhs. Lakhs go on to crores

As the money increases, my heart shrinks instead

How will my days pass?

- Darling, Alibaba? - What, darling Fatima?

Please buy me five more slave-girls.

But you already have slave-girls.

They're all dancers. l want someone who works.

- What work? - For when l tire of chopping wood.

Still chopping wood, Fatima?

God no longer needs me to cut wood.

Oh, l forgot. l'm the mistress now.

- Darling, Ali? - What, darling Fati?

Buy me a palanquin and eight bearers.

Why?

There are no good ponds nearby.

My body aches from carrying water from so far.

l will go and fetch water in a palanquin.

Do you still have to fetch water, Fatima Bibi?

Of course, l don't have to do that now.

But, what will we eat from now on?

Only, pulao, kalia, quarma, kebabs, kofta...

and grapes, raisins, almonds and pistachios.

Or, if they're too costly, we'll have sacks full of puffed rice.

Get out. You're insane.

Does a King's wife ever eat puffed rice?

That's right. l forgot.

- Dearest Fati? - What, dearest Ali?

Something's not sitting too well with me.

Then let me be frank. l've been meaning to tell you...

but l keep forgetting. l can't stand this anymore.

l'm feeling choked. l can't sit, nor stand, nor sleep.

- l can neither laugh nor cry - l can neither sleep nor stay awake.

- Dearest Ali? - What, dearest Fati?

What should we do?

Doing anything won't be easy.

lt'll be a disaster if people come to know.

We'll have to be careful for some time.

When it has to happen, it'll happen.

Let's sit together now and cry.

No, no, no, not now.

Neighbors will wake up if we cry now.

lt'll be dangerous and fatal for us.

l don't care! l don't fear the neighbors!

Oh Lord! What has happened! Why can't l sleep?

- Why don't l feel hunger? - Stop! Quietly! Quietly!

- Oh Lord! What's wrong with me! - She'll spoil everything. Quietly!

How did l grow up so quickly? l want to be a child again!

Yes, yes, l understand! There's a reason.

You should call the doctor. Get a doctor for Hussain Saheb.

He's gone mad. He was wandering the streets at night...

and whipping whoever he could find.

l somehow managed to drag him inside through the back door.

Marjina, did you hear what we were saying?

Well, l did hear a fair bit.

Let it be. With you we aren't afraid of any harm.

Alibaba! Alibaba!

There's Master. lt's a disaster!

- Why be afraid? - There's reason to be afraid.

He'll insult me.

He'll insult you in front of me? l'll kill him.

No, no killing. Stop talking.

She saved my honor. l won't let her be insulted.

He won't insult her.

But what if he does?

Open the door! Or l'll break it down!

Oh! Please give me a place to hide.

lf not here, he'll go home and then beat me up.

- Mother! Get my dagger. - Stop it. Let me figure this out.

Yes, please. Marjina will be my daughter-in-law.

Our wealth will suit us only if she's well. Figure something out.

Yes, l will. Now, open the door.

Ali, were all of you standing and sleeping like donkeys?

l screamed and knocked so many times. None of you answered.

Why are you here at so late an hour, brother?

l'll explain. What? Marjina? Why are you here?

Master, l came to buy wood.

So late at night? You take me for a fool?

Then why are you here brother?

What good fortune of mine brings you to my house?

Well! l'll deal with you.

Come back home and you'll get six hundred lashes.

Don't be angry, brother. She's a woman, and a young one at that.

- So, what's the matter, Ali? - Which matter, brother?

Where did you get money? From where did you steal it?

- Money? - Yes.

- What money? - You don't understand?

Should l help you understand? Do you understand now?

Where did you get it from?

You have so much, you have to measure it.

Brother, l didn't steal it. God gave it to me.

Ah! God didn't find anyone else.

There were quazis, ministers, courtiers, emperors. Even me.

And instead God gave antique gold coins to Ali Saheb.

Tell me! Or else l'll call the sheriff.

Call him, it doesn't matter. l don't fear the sheriff.

But you're my brother. lf you wish to know, l'll tell you.

Where l got this from, it's so much wealth that...

you won't be able to spend it even in a thousand years.

Really! Ali! My brother!

My dearest brother! Of my own blood! ls this true?

Completely true. There's not even a grain of untruth.

- l'll tell you right now. - Yes, brother, please! Quickly!

- But you have to take an oath before that. - What oath?

You have to swear you won't torture Marjina.

Am l such a person?

Of course. l know you very well.

You are so wealthy. And l'm your own brother.

l've spent so many days hungry. You didn't even care.

l've heard you detest calling me a brother.

- Who said this? Who? - Who in the city doesn't know this?

Let it be. l'm not sad about such things.

But l do know you're heartless.

What if you torture Marjina in spite of taking an oath?

No, no, l'm very fond of Marjina.

No, l don't trust you. Well, do something then.

- What? - Sell Marjina to me.

l paid a lot of money for her.

l'll give everything l have.

l don't know how much you have.

My wealth is more than ten times the wealth you have.

Very well. l'm giving Marjina to you.

Why did you do this Ali Saheb?

You became a pauper again, for my sake?

No, no, please return me.

l'll go back to chopping wood then.

Come. Let us go. l'll pay you for Marjina.

And l'll tell you about the gold coins.

Then, Marjina, you belong to us now?

l can't say that just yet.

How long was l there? How much was spent on me?

- Let me calculate that first. - Marjina?

- What? - l'm so happy today.

Then come, let me serve you some sherbet.

- Marjina? - Some Shiraji wine then?

l swear to Allah! l have gone blind with delight!

Oh, so now you've become a holy man?

l won't let the masters go for useless work anymore

l'll send him to the forest to get jewels to wear

A garden of coins in the forest

Coins overflow from trees like paddy

l'll weigh and store the gold at home

No one can object

Open, Sesame! Open, Sesame!

Uff, what a word these people have chosen.

Whoever's chosen it, he must be crafty.

l've been learning it for so long, but it's still so confusing!

l should have written down 'Open, Sesame!' somewhere.

Open Sesame, open Sesame, open Sesame, open Sesame, open Sesame.

No, if l've remembered it thus far, l won't forget.

The word, it sounds like the sesame seeds.

Of course l'll remember it. lt won't be difficult.

Open, Sesame, open, Sesame, open, Sesame.

Open, Sesame. Close, Sesame. Open, Sesame. Close, Sesame.

Oh! How much further?

Oh, there's the mountain.

There's the tree.

What a terrible place.

ls this a trap Ali has set to kill me?

Well, come what may.

Open, Sesame!

Oh Allah!

All this is mine!

All these gold coins! And then the world!

Everything! Servants, emperors...

l'll now do and say whatever l wish!

What fun!

Should l take this or that?

Gold coins or diamonds?

Diamonds or sapphires? Or rubies? Or emeralds perhaps?

l'll take everything!

l won't leave even a farthing behind.

l'll even take the dust from this place.

l will dance!

Why is my heart restless?

My eyes are watery, my limbs are shaky, my head is aching

Why is my heart restless?

Bibi Saheb, come inside.

Don't be afraid. Master will be back soon.

When will he come, Marjina?

A whole day and night have passed.

When will he come, Marjina?

He is coming from afar, with a heavy load, so he's a bit late.

What have l done, Marjina?

He used to love me a lot.

- Oh, what do l do now? - Abdullah!

- Where do l go? - Abdullah!

Calm down, Bibi Saheb. Everything will be fine.

Oh Lord! What have l done? Why did l let him go?

Why didn't l tell him he is my wealth?

Abdullah! Go to Ali Saheb's house.

See if he's home. lf he is, bring him here immediately.

As you command.

Marjina, don't leave me alone.

Can't you stay awhile, even if you're not my servant anymore?

l've tormented you so much.

No, you were like a mother to me.

Please stay with me awhile, dearest.

Here l am.

Don't go anywhere, dear.

My master isn't like that. He won't scold me for staying here.

l was a master like that. Now l'm paying for it.

Oh Lord, how did this happen, Marjina?

Oh Lord! lt's a catastrophe!

What seeds does it sound like? Something to eat.

Seeds, seeds. Open, seeds!

Why? Why doesn't it open?

What else? Oh Lord! What does one eat when hungry?

They work, they serve, they steal, they cheat!

Nonsense, rubbish!

Oh, what have l done! lt's a catastrophe!

Yes, yes, it's the name of a food.

Yes, open, open, open, ladyfingers!

Open, mustard! Open, spices! Open, for God's sake!

Oh, what have l done? lt's a catastrophe!

Open, cows! Open, pulses! Open, grains! Open, corn!

Oh, what have l done? lt's a catastrophe!

Oh, what will l do now?

Open, mango! Open, berries! Open, lychee! Open, jackfruit!

Oh Lord! Someone tell me how to get this door to open!

Oh Ali! Dearest brother Ali! l'll give everything over to you.

lf you feed me l'll eat. Otherwise, l'll starve, my brother!

You know the word! Please open this door!

Open, fruits! Open, nuts!

Open, for God's sake! Open, for the world!

Who is it? Ali, my brother?

No, it's your maker!

Oh Ali, oh dear brother Ali!

Stop! Calm down!

Oh, but l cannot stop!

My dearest Kasim hasn't returned yet.

l'll go right now. l have to get the three donkeys from home. Marjina!

- No, let Marjina be here! - Fine, let her be. Abdullah!

- No, let Abdullah stay, too. Fine, then l'll go.

Be careful. Don't make a fuss. Or else there'll be trouble.

What will happen to me, Ali?

You'll have servants, wealth, good times, everything.

Don't cry. My brother isn't a fool. He'll be back.

He'll come back and make you a queen.

Then go quickly.

And if you don't find him...

l'll find him. Don't shout. Don't create a ruckus.

l spend my days in vivid hope

Will my lover ever come back?

The end of my happiness flows through my tears

The verses and songs that profess love...

ends in a distressed heart

This fiery pain rises slowly

So he comes to make love

He loves me, so he comes to make love

He loves that l love him so

His happy smile, his loving glance...

ln it l have seen the moon wandering in the sky of my heart

l cry seeing him smile, yet he smiles anyway

- Marjina. - Why are you calling Marjina?

- What are you thinking? - Guess and tell me.

Should l tell you? You're thinking...

if you find a handsome man like Abdullah...

you should marry him.

You're close, but not close enough.

- l was wondering... - Yes?

when Abdullah dies, who will bury him?

- Why, can't you do it? - No.

My hands are sore.

What? So, things are finally looking up, are they?

Or, has someone twisted your arm?

Can't someone hold my hand?

Should l be a slave-girl forever? Won't l get married?

Now, now, stop this. Why were you looking for me?

Someone has died in Fatima Bibi's house.

Shut up, you rascal.

- She's crying. - Shut up, you rascal.

You're snapping like a snake. What's it to you?

Whatever it is, something's happened in that house.

Fatima Bibi is lamenting and crying out Hussain's name.

And Ali Saheb is trying to stop her.

Shut up! That's a lie. Ali Saheb isn't home.

l saw it myself. Why should l believe you instead?

What are you saying, Abdullah!

- Why did you sit down suddenly? - Something fell from my hand.

- Then sit and listen. - l don't want to listen.

What? The best is yet to come. You have to listen.

Three donkeys carrying three loads of wood...

will Ali Saheb handle them, or will he manage Fatima?

Or will he lament, crying Hussain's name?

Abdullah, go away.

Let me finish. Then l'll leave.

- Then Hussain came... - Really?

There, that makes you jump.

Yes, of course. Then Hussain showed up.

Abdullah, your story is very sweet.

Then, Hussain came...

Abdullah, tomorrow l'll do all your work.

Then, Hussain came...

He doesn't have to come. l understand everything.

- Then, Hussain came... - Stop! Stop!

- Then, Hussain died. - Again?

- Not Hussain, Kasim. - What are you saying?

Since he hasn't returned in almost twenty four hours...

- then he has surely died. - Then, what will Sakina Bibi do?

What else?

She'll do what the wives of all courtiers and ministers do.

For the first few days she'll cry.

Then she'll think about what to do next.

Then she'll wipe her eyes with one hand and...

count her wealth with the other.

Do you really think Kasim's death will affect Sakina Bibi's life?

- Marjina? - Go away! Sakina Bibi is on the way.

Such a cheat! Took away everything!

Even the body isn't here! We're so careful, and still someone entered?

They robbed robbers! We have to find the thieves!

By hook or by crook! Or else...

- We swear on our life, oh chief! - Yes, we swear on our life!

We must set out at dawn! To catch and to kill!

But beware! The thief shouldn't know, nor should the emperor!

Forty clever men, and forty earthen pots...

they must be ready at dawn!

- Remember, we swear on our lives! - We swear on our life, oh chief!

Listen to me, sew up the four parts of the dead body...

and tell people Kasim Saheb is ill.

Then call the doctor and get medicines.

Finally say he's dead and bury him.

You're right.

Then Marjina, go.

There's a well-known cobbler in the market called Baba Mustafa.

Go and get him tonight.

But be discreet about it.

You're intelligent enough. What more can l tell you?

Let me go and check up on Sakina Bibi.

Hussain Saheb, tell your parents and sell me off immediately.

Why do you say that, Marjina?

l've tolerated enough. l won't take it anymore

l won't ask to be bound in the tricks of your crafty eyes

l have endured enough hurt. l have borne enough pain

l will now run for my life. l won't stay here anymore

- What is all this, Marjina? - Sell me off immediately.

So cruel! Everyone is crying for Sakina Bibi.

- And you shed no tears! - Who says that, Marjina?

The world will drown in my tears.

But Marjina doesn't understand my pain.

Then the world is unfortunate indeed!

Even animals cry for their own.

Such a shame.

No, l have to be sold off right now.

Then tell me what l should do, Marjina.

Go sit over there and cry.

When l see that, l'll be satisfied.

Fine then, l'm going.

l'll kick him, hit him with a broom.

How dare he? Another marriage!

Marjina, where's Ali?

They see people and run for cover.

Just point them out to me.

Everyone's eyes are swollen from crying!

None can tell you anything!

Look, even Hussain Saheb is crying.

Hussain is crying?

Just crying? He can't stop crying.

His throat is sore from grieving for his aunt.

What should l do Marjina? Tell me.

Then he'll marry again. l feel like crying, Marjina.

Who is that? Didi, is that you?

Oh, dear sister!

Oh dearest aunt!

Don't cry sister. Don't cry Hussain.

l'll find a solution. Come with me.

l understand that. But what is the matter?

Why, this maddening breeze, that unsettles the flowers and buds?

Come and see, if you wish.

The waves of desire floods its own banks.

But really. There won't be any celebration?

What, there won't be music and revelry?

You're right, slave!

Why hide the truth? Tell me everything.

Hush! Don't blabber so loud.

Baba Mustafa.

Baba Mustafa.

Baba Mustafa.

So late at night, who are you, my lady?

l want to sit in your shop for a while.

But why, my lady?

ln this shoe-shop of mine? But why, my lady?

What lady? Here sit.

Baba Mustafa?

What, my lady?

May l lounge about in your room for a while?

What are you doing, my lady?

Then what should l do, Baba Mustafa?

What's the matter with you, my lady?

My body is burning.

Have you had too much to drink?

Has your lover died, then?

Or has your lover been captivated by someone else?

Baba Mustafa, are you a seer? You are right.

Baba, l'll lounge about your shop and weep.

What are you doing?

Everyone will find out. My business will suffer.

From where did you emerge, my lady?

Then find a way. Give me a cure.

Then you've come to the right place, my lady.

Only l can give you a cure for that affliction.

But, l am feeling shy about giving you that cure.

But why, Baba Mustapha?

Your face is dreamy, and your eyes are glistening.

How can l give you that cure, my lady?

What cure, Baba Mustapha?

A few strokes and lashes and all your pain will vanish.

Baba Mustapha, you are a seer.

Can you repair a torn soul?

Forgive me my lady. l can't do so much.

But l can repair torn bodies with ease.

- Really? Can you? - Try me once.

Then take this as advance. Come with me.

What are you thinking? Get up.

Princess, l am a poor man.

But l'll cover your eyes on the way.

l'll be killed, princess.

Don't be afraid. l won't lead you to death.

Do l look like a killer to you?

ls that even possible?

Do my eyes speak of naughty deeds?

ls that even possible?

Can these hands bear weapons, Baba Mustafa?

Allah, is that even possible?

But has someone really lost hands or limbs, my lady?

l have been torn to pieces. My soul has bid me goodbye.

Come Baba, bring your instruments. Come quickly.

Fine.

lt would have been fine if you didn't cover my eyes.

l am your lowest slave.

What would l have said, my lady?

Baba Mustapha?

l'm a renowned person.

l understand, my lady. Fine, cover my eyes. lt's fine.

Baba Mustapha?

You're a good man. l feel like marrying you.

Allah, l should be so lucky.

Why are you raising my hopes to the skies, my lady?

Then l will keep you in the skies.

l won't throw you to the ground. Come.

Leave me, oh Love! Leave me! l don't know the ways of the world.

You can't force me to sing

Your song is too much trouble

l have cried for you so much

My eyes are red, yet you do not come

Such is your behavior, you unfaithful man

What are you looking at, Baba Mustafa?

Come.

Yes, my lady. Let's go.

Give some alms to the poor beggar?

Alms? As if l owe him money.

Go away! Don't bother!

l don't get to eat, sir.

Oh! He doesn't get to eat. Then go to Alibaba's house.

He's become wealthy overnight.

He'll feed you pulao, kebabs to your heart's content.

But no. He's come to die here.

Go away! Really, Ali is so lucky.

From a woodcutter, he has become a courtier.

And you don't know the other news.

What other news?

- There's more news. - Do you have all the world's news?

Oh, it's so hot!

Damn the heat. Tell me the other news.

Ali's brother Kasim? Apparently, he's gone missing.

Absolutely missing.

Missing? Really? Then?

- Kasim's beautiful slave-girl... - Yes, yes...

- that cobbler from the other side... - Cobbler?

that Baba Mustafa...

Oh, yes.

she tied his eyes and took him to Kasim's house.

- Then? - Then, nothing.

Did l follow her that l'd know everything!?

lt's a new shoe. How did it split into four pieces?

My sons did it.

Baba, you're famous for seamlessly sewing torn things.

This kind of stitching will cost you a little more.

l know. lf you do what l want, you'll be well rewarded.

More than yesterday.

- My lord! - Don't be afraid.

Here's an advance.

Where did you go with the beautiful girl last night?

l don't know the address.

- Beware! Do you see this? - Salam alaikum, Baba Mustafa.

So Baba Mustafa, quickly. l'm very busy.

Twelve gold coins or this. Which do you prefer?

By God, l don't know anything.

She blindfolded me.

Fine, l'll blindfold you, too. Come.

So, Baba Mustafa, how much further?

God knows, sir.

Should l uncover your eyes once? Take a look?

No, sir. That will confuse me further.

Halt! lt seems l have reached the place.

Yes, take me a little to this side.

Oh, this isn't walking. lt's like trotting on a horse.

Wait for a moment.

See if there's a house nearby.

Salam, Baba Mustafa. My heartfelt gratitude to you.

That's true.

Ever since l became wealthy, l haven't seen the dawn.

A foreign merchant is on his way to Tehran with jars of oil.

He requests shelter for the night.

Why are you asking? Go and bring him here with respect.

And ask Abdullah to store his things with care.

Marjina, go and arrange for the merchant's dinner.

l'm coming right away.

What is the order, Marjina Bibi?

There will be a large banquet tonight.

The food should be such that not even an emperor gets.

- How many are coming? - Not coming. They're already here.

And that will also be a test of your culinary talents.

- Anything new? - Of course new.

lt should be astonishing food. Like none seen before.

Well, arrange everything. l'll come and tell you.

Astonishing food.

Be careful. Watch out.

Be careful. lt's worth a lot of money.

l hope you're storing these in an empty shed.

l'll set out early at dawn tomorrow.

Yes, all the arrangements have been made, sir.

l'm a poor merchant. Please be careful.

l'll give you more.

Of course, sir.

Hey, be careful. Very expensive. Heavy rewards!

Be careful! Watch out!

l'll take care of your things.

You go and rest.

Still, l'll go and check once.

To make sure everything has been put away properly.

One never knows what happens when.

l won't be able to rest until l see for myself.

Fine, let's go.

The Master is in danger! Be very careful!

- What are you saying, Marjina? - Listen...

be careful. We have to be watchful of everything.

Why did he go to the warehouse?

He's a businessman. He can't rest...

without checking his things.

Really? Let's go and see what this expensive cargo is.

Let's go.

Everyone.

Be careful. We have to do everything by tonight.

Come out when you hear the whistle.

- Robbers! Robbers! - Of course. For sure.

Be careful. lt will happen tonight.

You stand guard here.

Let me go and arrange the merchant's banquet.

May Allah keep you safe.

l'm overwhelmed by your hospitality.

This is your house, oh honored guest.

l have some humble arrangements for you.

Why did you take so much trouble, Ali Saheb?

But, everything will have to be wasted.

l don't eat salt. l can't eat this food.

What? You don't eat salt?

- Hey! - Don't bother, Ali Saheb.

Even the emperor's palace doesn't have such arrangements.

But permit me to just eat some fruit tonight.

Well then, fine. As you wish.

As l said, this is your house.

My dancers await your orders.

Very well, give them the word, Ali Saheb.

That's enough!

How much more oil do you need, my lady?

Fill it up.

You have to fill the jars completely.

lt has to be astonishing food, after all.

Fill them up!

What are you looking at? Fill them up!

lt seems even this music and dance doesn't please the merchant.

Very well, you have yet to see my Marjina dance.

Hey, go and fetch Marjina and Abdullah immediately.

Quickly! Quickly!

Marjina! Abdullah!

What has happened? What is the matter?

Be quiet! Be still! lt's robbers!

What are you saying! What are you saying!

What are you saying! What are you saying!

- lt's robbers! - Do not fret! Do not regret!

What has happened? What is the matter?

Be quiet! Be still! lt's still robbers!

What did you do, Marjina? Such evil in my house!

No, Ali Saheb, Marjina is not your enemy. lt is l.

Oh chief, do forgive me.

Chief?

Ali Saheb, l am chief of the thieves!

Hussain? Marjina?

So, here you are!

So, you finally become a queen, Marjina!

But l'll always have one regret.

l couldn't lease my back to you as promised.

Anyway, Hussain Saheb will keep that promise now.

No, Abdullah will never change!

The heart overflows with promises of love

We imbibe this joy, just as the curlew drinks the moonbeams

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FATHER FORGIVE - Version original avec sous titres - Duration: 32:25.

On the night of November 14th, 1940

there was a night of bombing

during the Blitz, during World War II.

Incendiary bombs fell and

the cathedral burnt, as the City of Coventry

burnt all that night.

The medieval cathedral we are standing in

was destroyed.

The city of Coventry is located

in the West Midlands region of England

near Birmingham

At the beginning of the Second World War

it was one of the most important industrial regions of the country

with a number of armaments factories.

This is why the Nazi regime decided

to conduct the series of air raids as part of

its psychological warfare against Great Britain.

The air raid of 14 November 1940

destroyed a substantial part of the city centre

including the historical Cathedral of St Michael

while also causing many casualties.

The next morning Provost Howard

the leader of the cathedral community

walked out into these ruins and said two words:

He said: "Father, forgive!"

In the acknowledgement that we're all in need of God's forgiveness

everyone of us, victim and perpetrator alike.

He didn't say: "Father, forgive them"

he didn't say: "Father, forgive the Germans who've bombed us"

he said: "Father, forgive all of us".

And that was a crucial message

and it was the start of our peace and reconciliation work

here in this place!

"Father Forgive"

They found two of the medieval roof beams that had fallen

in the shape of a cross

and they bound them together into the cross

which you see behind you in the sanctuary of the ruined cathedral.

They set it up over the altar made of rubble.

They also found three medieval roof nails

and bound those together

into the cross of nails.

The day after the bombing

the decision was taken to rebuild the cathedral

as a sign of faith, trust and hope

in the future of humanity.

The ruined shell of the medieval cathedral remained open

to the elements and the new cathedral, which was built alongside it

was consecrated in 1962.

The entire site has become a place of pilgrimage

that is visited by thousands of people each year

seeking peace and reconciliation.

So I came into reconciliation ministry

I think the way many people

who are reconcilers, or try to be reconcilers do

and that is from living it, or living in a place of conflict.

I think it gets inside you.

Sarah Hills is "Canon for Reconciliation"

a special ministry linked to the Coventry Cathedral.

She is a priest, like more than 5,000 women today in the Church of England

this Church having opted for the ordination of women priests and bishops.

The Church of England is part of the Anglican Communion.

Having been raised in South Africa

her parents were committed to the struggle against apartheid.

They relocated to Northern Ireland in 1971

at the height of the conflict between Republicans and Unionists.

This is the environment in which she grew up

before choosing to study medicine in England

and become a psychiatrist.

And when I was working with patients

some of whom had suffered severe traumas

psychological traumas as well

I started wondering about the concept of forgiveness.

Some people seemed to get better

when they forgave their attacker, or forgave the perpetrator

and other people didn't get better, even if they had forgiven.

So I started thinking really about

all of these concepts of forgiveness and reconciliation

and justice and repentance, then as a doctor.

And then I had a calling to become ordained

and started then thinking,

more and more theologically about these concepts.

As Canon for Reconciliation at Coventry Cathedral

I lead our reconciliation ministry along with my colleagues

the Dean and my other cathedral clergy colleagues.

We believe here

that reconciliation is the heart of the Cathedral.

It's the heart of what we're called to

as Christians through our mandate

the mandate that we're given in 2 Corinthians 5, 18:

we're called

we're given the message and the ministry of reconciliation.

That's what we base our whole work in the Cathedral on.

Coventry's cross of nails

has become a symbol of forgiveness and reconciliation

first and foremost in Europe and particularly in Germany

but also throughout the entire world.

Justin Welby, Archbishop of Canterbury and Primate of the Anglican Communion

took this symbol for his pectoral cross

and this is the cross that he gave Pope Francis

on the 5th of October, 2016 at the meeting in Rome

celebrating the 50th anniversary

of the rapprochement between Anglicans and Catholics.

The "Community of the Cross of Nails"

founded in 1974

is made up of a group of people who share this commitment

to reconciliation and peace

and which currently has 200 partners in 35 countries.

The Community of the Cross of Nails has three priorities:

past, present and future

so we heal the wounds of history in the past

in the present we learn to live with difference and celebrate diversity

and in the future we attempt to build a culture of peace.

St Michael's House is our world centre for reconciliation.

To this building we bring people

who are in need of, help with reconciling

people in conflict from all sorts of places

from the church and from the world,

between Christians, and between Christians and other faiths

and between people of no faith, as well.

We aim here to create a safe space

a space, as we say, a space for hope to flourish

because reconciliation is about hope

hope of the end of a conflict

and hope of relating better to our fellow humanity.

Because I am really interested

in how the stories of conflict are told

and how we remember a conflict

in a way that might be beneficial as opposed to harmful

the Coventry story appeals to me

because they took a terrible event, the destruction of the Cathedral, the bombing

and turned it into something beautiful

by which we can remember and bring people together.

Still 50, 60, 70 years after the conflict,

people are coming together,

brought together by this way of telling the story

in such a way as to bring reconciliation and build peace.

Reconciliation is a long journey.

It's hard, it's risky.

It's not about sitting,

being nice to people.

It's a journey which we don't embark on lightly,

but it is incumbent upon us to embark on that journey,

because, if we don't, what happens?

The world is not in a good place, is it?

So we need to be working

and working towards reconciliation!

The Reverend Shane Parker

Dean of the Anglican Cathedral of Ottawa in Canada.

He came to Coventry several months after the publication of the final report

of the "Truth and Reconciliation Commission"

dealing with the "Indigenous Residential Schools".

These government-sponsored religious schools

established to assimilate Aboriginal children

began in Canada in the 1830s and ran until 1969

with the last residential school closing its doors in 1996.

150,000 children coming not only from the "First Nations"

but also from the Inuit tribe

as well as the mixed race children

were placed in these schools.

In most cases, this was done without the consent of the families,

and there were many cases of premature death

and physical, emotional and sexual abuse.

Immediately upon arriving in the schools

they were forbidden to speak their own language

or to wear their own clothing.

Their hair would be cut in a uniform style

and they were basically told to conform

to a European standard of living

of dress, of culture, of religion as well.

So the Anglican Church of Canada was one of four churches who

ran the Residential Schools, on behalf of the state

and as the truth-telling began

as we as a church allowed ourselves

to become vulnerable and not to deny that these experiences were happening

we began to hear because we began to listen

to the stories of abuse and of pain and suffering,

and alienation from culture and so on.

So it was of great concern to the church as a whole

because we recognised our complicity

in a very misguided government policy

and in 1992, the Primate of Canada, Archbishop Michael Peers

made a formal apology

to the First Nations of Canada

and we were the second Church to do so.

I am sorry more than I can say

that we tried to re-make you in our image

by taking from you, your language

and your sense of identity.

I am sorry more than I can say…

There are people who are sceptical

about the Truth and Reconciliation Commission

who would see the Residential Schools

as not being entirely bad or misinformed

and we're all at different stages on this journey.

I think what's important is

to understand that reconciliation

is a process and it is also an outcome

and I would say that we are very much in process.

And an important part of that process

is to accept

where there is not reconciliation

to understand the differences,

be able to be together

and express different points of view

that is the reality that we are in.

I think when the Truth and Reconciliation Commission released its final report,

there was a sudden upsurge in Canadians' awareness

of our indigenous peoples

and that was a positive thing.

Canadians for the most part were outraged and embarrassed

at the legacy of Residential Schools.

It is not hidden anymore

and I think there's a greater awareness of that

which I believe is appreciated by the Indigenous people of Canada.

They are no longer trying to speak

their truths and having others resist that.

There's a sense in which the story has been told,

it's indisputable.

It's true that the story of Residential Schools

is a sad one

but for us survivors

simply talking about it does us a world of good.

I'm not aware of any nation

that has forgiven the Government of Canada, for example

but I am aware of individuals

who have forgiven those who have abused them within Residential Schools.

It's a process; it will take a generation or two for us, to come

to terms with the legacy of Residential Schools.

I believe that reconciliation is not just a priority

reconciliation is the Gospel.

Reconciliation is the mission of God in the world:

"God was in Christ reconciling all things."

Christians have always responded by saying:

"Love your neighbour" in situations of conflict

but the more radical thing Jesus says is: "Love your enemy".

And that's not just our political enemy or when there is physical conflict,

that's also about our theological enemy.

Born in Belfast, David Porter has spent his entire life

working for peace and reconciliation in Northern Ireland

particularly through an organisation called

"Evangelical Contribution on Northern Ireland"

of which he was the co-founder and first director.

From his roots as an Evangelical Baptist

he took on the responsibilities of minister for reconciliation

at Coventry Cathedral, after which he joined the Archbishop of Canterbury

leading the reconciliation priority at Lambeth Palace, in London

where he is currently chief of staff and strategy.

My favourite definition of reconciliation

is by Stanley Hauerwas

who says that reconciliation occurs

when my enemy tells me my story

in such a way that I'm able to say: "Yes, that is my story".

So this is the Gospel

it's not just a priority or Archbishop Justin's priority

it is the priority, the mission of the Church.

I have spent most of my life

working it out, in the political domain.

So what I think about that, in terms of war and conflict is that

it's always political

because politics to me is the art of negotiating relationships.

Therefore we're always negotiating relationships with people

in our families, in our communities

in our Churches, in our nations, between the nations.

In that negotiation issues of power and identity are very important.

We can either approach our negotiation of relationship with others

trying to dominate them

and because we believe our identity is more important than theirs

to exclude them, say that they don't belong

and we meet them at the interface that becomes a barricade:

which is on the other side needs to be destroyed or dominated

Or we see it as an interface

with that which what we meet needs to be understood and celebrated

and our belonging becomes mutual.

In the words of Miroslav Volf, it's exclusion and embrace.

It's the choice we face when all the time

when we meet that which is different to us.

The second thing is

that bad religion trumps good.

We religious people don't like hearing that.

So often the good religious answer is complex.

We live in a world

that doesn't want to listen to complexity

that responds to the slogan, the easy answer

you raise a banner and they rally to it

that accepts religious rhetoric

that says: "They're bad, we're good!".

Then we believe that somehow

our land is special, more than your land.

So we're God's special people:

Ulster Protestants, Irish Catholics, you name it…

That religious nationalism, I believe, is the great communal idolatry.

If the struggle of the individual Christian

is against the world, the flesh and the devil

the struggle of the Christian community

is against religious nationalism

and "God, Land and Nation".

The third thing is: the past does matter.

We, in our modern world, forget about the past

wounds of history that are deep

are never very far below the surface.

So the capacity of the past

to come zooming into the present

and destroy our future is massive.

It's a burden, it's a chain.

The only chain that breaks it

is mercy and forgiveness.

People say the past can't be changed.

It can, actually.

In 1987, Terry Waite was sent to Lebanon

as a special envoy of the Archbishop of Canterbury

to free some hostages, when he was himself captured in Beirut.

He spent 5 years in captivity

most of the time in solitary confinement

with his hands and feet chained to the wall.

In 2012, he decided to return to Lebanon, to the place where he was captured

a spirit of reconciliation with his captors.

I went back to the place where I was captured

and I went to see the group that

allegedly were responsible for my capture.

Its here.

They were a bit surprised to see me!

This was many years later.

I think they were more nervous than I was!

They had changed, of course, over the years,

they had developed and grown

I said, "I'd like to put that unfortunate episode in the past

and build something creative from it.

And they said, "Well, what?"

And I said, "Well, I've just returned from the border

and I've seen the refugees coming across the border.

They're cold, they're hungry, they've lost everything.

At least, can you let me have

heating oil for those people?

They said, "Yes, we will do it."

Well now, I'm not a believer that

that very simple gesture

is going to bring about masses of political change

I don't believe it at all.

It may have helped some people

maybe a limited number of people.

But, if 10,000 people in Israel

and 10,000 people in the occupied territories of Palestine

were able to sit together and do that,

we would have a basis for a political settlement.

And so I would encourage every individual

to think hard

as to how they can themselves be a reconciler

and reconcile differences that exist between themselves

and people whom, perhaps, they have misunderstandings.

10 years ago

Patrick Blythe, an Irish-American sculptor

had a life-changing interior experience

in the ruins of Coventry Cathedral

which inspired one of his works.

So the name of the piece is "Reconciliation"

it is two figures coming together after a period of estrangement

and to me that symbolizes what reconciliation is all about.

And the symbolism is personal

my daughter and I were estranged for quite some time

and we've had a great coming together as well.

So in some ways I view the white figure

as representing my daughter

and the dark figure as representing me:

it looks older, it's not as beautiful

so I think, there's a very personal touch here

but it also has broader connotations.

I like that the white personnage appears young and vigorous.

I think the contrasts are very important

and that usually is something that you have to deal with

in reconciliation:

contrast in opinions, or positions on issues.

I like the fact that it starts conversations

when people come to my studio and look at it

they often share their own personal story of reconciliation

and some of the stories that I heard have been so compelling, so remarkable

that in some ways I hate to see this piece leave my studio

because it's been such an important conversation starter.

But I remember one elderly lady looking at it

she was in her mid-eighties

as she looked at the work she talked about

her relationship with her daughter

and how they hadn't spoken for thirty years

and when she left the studio she said:

"I'm going to call my daughter"

I think everybody has a story of reconciliation.

Neither of my grandfathers returned from the war

having lost their lives in the fighting.

Two of my uncles were also killed

the brother of my father and a brother of my mother.

They were killed at the very young age of 16.

As a young girl, when I would ask my grandmother:

"Who is my grandfather? Where are my grandfathers?"

She would say that they had been killed in the war.

When I grew up, I would ask her:

Granny, aren't you angry?

Don't you feel any hatred?

Don't you want revenge?

My grandmothers would always reply

"You must pray" and "You must believe" and "God is with us and God helps us!"

Ten years ago, my own son died of cancer

and it was only then that I really understood

what it means to lose a child.

For the last 10 years it has been as if I had died.

I have simply not been alive.

And for me, this journey to Coventry

has brought me back to life in a way.

It's wonderful! It's as a present of God.

Provost Richard Howard wrote the words

"Father, forgive"

on the wall behind the cross formed by the beams

found in the ruins of the Cathedral.

These words have touched generations of people

and are part of the prayers used in the reconciliation litany

that is said every day in the new cathedral at noon

and on Friday in the ruins

and in many places around the world.

This reconciliation litany, which is based on the seven capital sins

opens with the words of the letter to the Romans:

"All have sinned and fall short of the glory of God".

This is a timeless universal confession

of the failures of humanity

but these sins and weaknesses

are viewed in the light of the forgiving love of God.

All have sinned and fallen short of the glory of God.

The hatred which divides nation from nation, race from race, class from class

Father, forgive.

The covetous desires of people and nations to possess what is not their own

Father, forgive.

The greed which exploits the work of human hands and lays waste the earth

Father, forgive.

Our envy of the welfare and happiness of others

Father, forgive.

Our indifference to the plight of the imprisoned, the homeless, the refugee

Father, forgive.

The lust which dishonours the bodies of men, women and children

Father, forgive.

The pride which leads us to trust in ourselves and not in God

Father, forgive.

Be kind to one another, tender hearted, forgiving one another

as God in Christ for gave you.

Therefore, if anyone is in Christ, the new creation has come.

The old has gone, the new is here!

All this is from God, who reconciled us to himself through Christ

and gave us the ministry of reconciliation.

that God was reconciling the world to himself in Christ

not counting people's sins against them.

And he has committed to us

the message of reconciliation.

For more infomation >> FATHER FORGIVE - Version original avec sous titres - Duration: 32:25.

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How to learn a language with movies and series ? - Duration: 3:36.

Hi there! It's Luca from MosaLingua.

Today I want to discuss a very fun method for

learning a language watching movies and television series.

At the end of this

video, you'll know how to really watch movies and TV shows to improve your

language skills.

I've been using movies and series to learn languages for years.

For example, I have to say that without Friends, my english would not have progressed so

fast as it did during my university years.

Before moving on, I need to tell

you something to straight up: if you are thinking that you can learn a language just by watching

a movie or a TV show, you're going to be disappointed. This method really works if

you are going to use it as a complementary tool and if you really

have some basic skills. You still need to learn vocabulary and try to speak as

much as possible. But if you want to improve your listening skills and pick

up a new vocab, then movies and series are your best friends. Now let me give

you some tips to get the most out of this method.

First ban dubbed movies and series.

From now on, only watch movies and series in the original version with

subtitles. At the beginning it's totally normal to have some troubles following

them. Eventually your brain will learn how to guess what is going on based on

context clues. Second: turn on the subtitles. If you are a beginner

it's okay to start with subtitles in your native language.

Then, as soon as you can switch to subtitles in the target language. Spend

as much time in this phase as you need to, and when you feel ready

turn off the subtitles.

Third: do not read the subtitles. You have to resist the

temptation to read the subtitles all the time. You need to train yourself to use

them as a visual aid. Otherwise you lose the interest of this method.

Another tip: do not look up words. If you hit the pause button frequently then you'll get bored.

Because your movie will last much too long.

If you really want to, you can keep a notepad next to your popcorn. Write down

some words and expressions you would like to look up afterwards.

5. Be regular and consistent. As always try to practice with regularity.

I recommend 2/3 movies per week or if you prefer series you can even watch an

episode every day. Because each one only lasts 40 / 50 minutes. And then, my final

tip: start with movies and series you already know quite well.

Of course it's easier to understand a movie or an episode of a TV show that

you're already familiar with. This way you know it will keep your interest and you

will already have some ideas of the plot so you will be never completely lost.

That's all for today! If you want to find out what the best movies and series are

for learning a language, click on the link below. Thanks for watching and

before you go, make sure you subscribe to our YouTube channel because we have a

lot of other surprises and tools to share with you. Take care and have fun!

For more infomation >> How to learn a language with movies and series ? - Duration: 3:36.

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Tenere basso l'indice glicemico | La Pausa del Benessere BIO con Piacere Terra - Duration: 2:41.

For more infomation >> Tenere basso l'indice glicemico | La Pausa del Benessere BIO con Piacere Terra - Duration: 2:41.

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Alibaba - Bengali - 1937 - Duration: 1:57:33.

Sri Bharatlakshmi Pictures

Pandit Khirode Prasad's 'ALlBABA'

Main Sound-Expert: Charles Creed

Cinematography: Bibhuti Das Gita Ghosh Assistant: Jagdish

Sound Recording: A. Gaffur Assistant: Yasine

Lab: Jagat Roy Chowdhury Purna Chatterjee

Producer: Baijnath ledia Editor: Shyam Das

Music: T. Franco Polo/Nagardas Nayek Choreography: Sadhana Bose

Set Design: Motilal Art Direction: Sudhangshu Chowdhury

Makeup: Kalidas Das

Cast: Marjina: Sadhana Bose

Alibaba: Bibhuti Ganguly Fatima: Suprabha Mukherjee

Kasim: Kamal Biswas Sakina: lndira Roy

Abdullah: Madhu Bose Hussain: B.P. Mehra

Mustafa: Preeti Kr. Majumdar Chief of the Thieves: Kali Ghosh

Director: Madhu Bose

Open, Sesame!

Oh! What a dreadful lot of rubbish

Such a big house, and so much rubbish

l clean it all the time, yet such is the state

The outside and the inside, it's the same everywhere

This rubbish will destroy everything

Dirty house. Such a dirty house

And a dirty owner, lame and wayward

And a mistress with a black heart

Abdullah? Abdullah!

Janaab!

l come at the first call

l love work. And l am always working

As dark as l am, my eyes are as sharp

l work so fast, so astute am l

And a happy-go-lucky mistress, with a very rich master

l come at the first call

Oh! Who is that? Marjina Khanum, the mistress?

The day l become the mistress, l will have you soundly thrashed.

Oh, such peace.

lt was always my wish, to be thrashed by you.

So listen. When you do become the mistress...

l will lease my back to you.

You are being so funny. Why can't l become the mistress?

Listen, slave-girl. Sorry, sorry. Lady of the house.

Without illness or sorrow, and even in good spirits...

l will suddenly die laughing. Will that be nice?

Don't say things like that, Madam.

Again you're joking? Whatever it takes, l'll become the mistress.

- Marjina, Marjina? - Why are you running away?

Where are you, Marjina?

Yes, madam. Go to Ali's wife immediately.

Tell her l need 5 maunds of wood today.

As you wish.

Listen, wood is available in the market.

So why are you mixing with Ali's wife so much?

She's your brother's wife. So what's the harm?

No, this can't go on. l can't tolerate that woman.

l don't like Ali either. He's a wood-cutter!

How can we be related?

But he's your brother.

No, no, no. l'm a nobleman, and he's a wood-cutter.

There can be no relation between us.

Thank God you got your father-in-law's wealth.

So you can afford not to recognise your own brother.

Otherwise, even you would have gone bald, carrying wood.

That's not because of you, wife.

l was fated to be a nobleman.

l would have become one regardless of everything.

But you would have had to be a woodcutter for life.

Come brothers, let us chop wood, or we'll be thrashed soundly

Don't strike softly. The trunk is so thick

Swing the axe wide and hard...

as we cut down the soft branches...

and snap the dry ones in one stroke

You've been summoned because there's a huge feast.

You are family. Our poor house runs because of you.

Well, listen, don't mix too much with Ali's wife.

Do you think l'm like that?

That l'd mingle with someone for no reason?

l know that, l know.

l know very well you aren't like that.

But, why does she keep coming here? Do you know?

l buy wood from Ali's wife.

And l get it cheaper than in the market.

Really? Really?

And proper wood from the trunk, no branches at all.

Really? Really? Yes, and quite a bit for free.

- Really? Really? - And some more free by flattering her.

Really? Really? l can't control my laughter any longer.

Then, while calculating...

l make sure to confuse her and pay less.

Now tell me, have l been wrong in mixing with her?

Wrong? Which fool says it's wrong?

lt's brilliant! lt's perfect!

You have my permission to do things like this always.

But, be careful. Don't invite them by mistake.

How can l forget that?

That's true. You're not the type to forget that.

But, you know what? l'm just warning you.

They'll eat like gluttons. One will finish food meant for five.

There she is. Be careful.

Oh, don't be afraid. You take care of the feast.

- How many will come tonight? - Not too many.

My dear, why have you called on me at such an odd time?

You have to send around five seers of wood today, dear.

What will it come to?

How can l give you rates, my dear?

One should give it for free.

lt is just that times are very hard.

We can barely make ends meet. Hence, we have to charge you.

Why say that dear? We have to buy from the market, anyway.

So we might as well help out a family member like you.

Even if it costs me more, l don't mind.

Giving you a little extra money won't be a waste.

Even if we get a lesser amount, that's fine, too.

Ah, your love for us is so great.

So the rate: 3 maunds and 10 seers come to 1 rupee.

Plus, almost 2 maunds minus 10 seers. That's 75 paisa.

Then another two maunds. But l won't bargain with you.

So, it comes to a rupee and six paisa.

- Take the money when you bring the wood. - Alright.

- Also, send some mangrove timber. - Alright.

- Also, a few baskets of wood shavings. - Alright.

Also, will you pay for the delivery or should l?

That's alright. You pay it. You're family, after all.

Go, send it quickly. Marjina, check the wood before weighing it.

And pay her instantly. l'll be on my way, dear.

Listen, l feel like quarreling with you.

Why?

No, let it be. l'm only a slave-girl.

A slave-girl shouldn't express her opinions of her masters.

Are you talking about the price of the wood?

- You are very foolish. - No, this isn't foolishness.

- Then you got everything? - Had l been foolish...

l wouldn't have been able to run my poor family.

They are family, after all. What can l do even if l get it?

- You tell me. - You say, you have got it?

Then l salute you.

Father, why are you going to fetch wood at such an odd hour?

What can l do son? The way your mother is doing business...

it's become impossible to stay at home.

lt seems like l'll have to move to the forest for good.

Here she comes.

So, Fatima Bibi, how was business today?

Five maunds of wood for today.

And two maunds for free besides half a maund of wood shavings.

Should one say that, dear?

Of course not. Such things happen in business.

That's enough. Don't joke around. Take this money.

Go to the market.

What's the matter? Where are you going with the axe now?

lt seems to be stuck to the shoulder for good.

Don't bother about that.

Great! You've earned a lot of money today, Fatima Bibi.

The seven-eight maunds of wood come to only a rupee and six paisa?

Not even that! l still have to deduct my share from that!

Of course, dear! l forgot!

Give her these six paisas.

l'm giving you these six paisas as commission, sir.

Such an ideal son you are. Can't you sell the wood yourself?

l can't say anything to my master. But l can't tolerate cheating, either.

But they haven't cheated us dear. She is family.

Even if she asks for extra, can that be called cheating?

Then why doesn't she say it?

She's from an affluent family. lf she's awkward about asking...

then why can't she be underhanded?

lt's enough that she pays. What would we do if she didn't?

l understand everything. Yet, l remain silent.

lf you have to go, then go. l'll go to the market.

Marjina, do you feel sad seeing our condition?

Yes, perhaps a little.

- Marjina... - What?

Why did you stop?

Umm...you...you...

- Are you embarrassed? - No. Why be embarrassed?

Do you... lo... love...?

Are you asking if l love you at all?

Yes, Marjina.

Perhaps a little bit.

That's what l was asking, Marjina.

- Umm, Marjina... - What?

Umm... you... you...

No. Do you want something to drink?

l get it. Run away. Abdullah is coming.

Abdullah? Umm, Marjina...

lt cannot be, Hussain. l'm a slave-girl.

Oh God, give Marjina some freedom.

- Marjina, Marjina... - Run away, run away.

Then, Marjina...

- Again, Marjina? Run away. - Oh, Allah!

Oh mistress, you've been summoned.

Slave-girl, l have dreamed of your becoming a queen...

and l've become a king

Very well, then, let me cut off your tail

lf a slave-monkey becomes king, what will people say!

Let the tail be. Quickly become the queen

Or else it shall be too late

- Really? - Really!

Really? l've already bought a coffin to be used as your throne

And l've also dug a grave to serve as your Treasury

- l have become king. - l have become queen

And we dance and revel in that thought

Close, Sesame!

Let's go towards Siraj today!

Amazing! They come from inside the mountain.

Who are these people?

He said 'Close, Sesame' and the mountain closed shut.

So, what if l say 'Open, Sesame'?

There are so many rich men in this city of Siraj.

- There are ministers, courtiers. - Rubbish! There are emperors.

But there is none like our Kasim Saheb here.

- Jolly! Magnanimous! - Shut up! Our Kasim Saheb...

- Abdullah! - Master?

- Bring in the Siraji wine. - Yes! Yes! Bring it in.

Excellent! Marvelous!

Fantastic!

The eyes are seductive, words as sweet as nectar

Now oh my heart, stand fast by me

lt is indeed a tough job, to whirl and twirl and please

Bring in the wine, oh Saki.

- And give us a taste of it. - Yes, yes, a taste.

Oh lord! Why did l send him to the forest at high noon?

Fatima! Fatima!

Here you are! You're back. Why are you so late?

And l was crying out of grief for you.

Dear, where did you go today to fetch wood?

Did you bring the whole forest with you?

- Uff! Not so loud. - Why not? l'll scream.

l was wailing all this while. Now l'll quarrel with you.

Dear, from what tree did you get this wood?

- Softly! Softly! - Why? Why softly?

l'll scream. We gather wood from the forest for our livelihood.

We don't covet other people's property. So, why be afraid?

Dear, have you brought sandalwood then?

Hush! Not wood! Gold coins! Gold coins!

- Gold coins! - Hush!

Not so loud! You'll be beaten! And killed!

l should be quieter? Gold coins!

What are you saying? Us and gold coins?

You amaze me. We barely make ends meet.

Where do we get gold coins from?

Have you become a robber? What a catastrophe!

- Shut up, you idiot! - l cannot shut up!

How can l shut up if you're about to die?

Shut up, you idiot! Listen to me at least!

Your wailing will get me beheaded!

That even l can tell! Still l cannot shut up.

You were so honest! And now you have robbed!

No, no, God has given it to me.

l found the gold coins while chopping wood in the forest.

- What! - Hush!

- Oh, what are you saying? - Oh, why can't you whisper?

Oh, what are you saying? Gold coins? What?

ln the forest? What are you saying? Oh lord!

Exclaim all you want in my ear.

Don't scream! You'll get us killed.

Forgive me! Let me scream!

Such a day will never come again! Oh Mother!

Where are you mother!

Catastrophe! l'll go mad from your screams!

Open the door! Open the door!

- That's my Hussain. - Wait! Let me hide the bags!

That's my Hussain. Oh, Hussain!

What nonsense! Let it be Hussain.

Can't Hussain wait awhile?

What if someone else is with him?

Wait! Let me hide the bags.

Open the door! Open the door!

What is it, mother? What happened, father?

- Get a spade, quickly. - Why father? So late at night?

- Softly, speak softly! - Ali, Ali, what has happened?

- What has happened, father? - Softly, speak softly!

- Why father? - Get a spade quickly.

- Where do l get a spade? - Just go and find one.

Fati, come. Let me show you what l've found.

Oh! lt is a such a great day! Why are you sitting here?

Abdullah, don't irritate me.

What! There are tears in your eyes! What is it, Marjina?

lt seems there's a storm raging inside you.

That's no lie. Something seems to be bothering me.

Do you know what will cure it?

Sing! Sing, Marjina! lt will leave you with the song!

Nonsense! How can one sing in the storm?

The storm rages outside. lt rattles the windows of a room.

You're a slave-girl. Your fate is restricted, too.

l'm a slave. My life, too, is wracked with sorrow.

Howl all you want! lt'll sound sweet to me, regardless.

- What shall l sing? - Umm...

- A love song! - Rubbish, a slave-girl and love.

ln my heart...

l've hidden the image of my lover

A slave's fate is always sad. What if my lover finds out?

He will untie my chains, and tie me elsewhere

ln my heart, l've hidden the image of my lover

Here! Do you know where Sakina Bibi is?

- Why? - l need her.

Tell me quickly.

We've been ordered to always ask the reason first.

Can you lend me a measuring bowl?

Why do you need it so late at night?

- l need it for something. - You have to tell us why.

Umm, l will measure paddy.

Where did you get paddy this time of year?

We just got it.

Be that as it may, you have to tell us how.

- My husband got it, dear. - Abdullah!

- Abdullah! - Oh! Yes, Master!

He went to gather wood. Where did he get paddy?

There was a paddy tree in the forest.

- Paddy tree? - Yes, dear.

He struck the trunk and there was a shower of ripe paddy.

Does the paddy tree have a trunk?

Of course! There are so many thing in the forest, who knows.

lf you search, why only paddy, you'll find a tree of money.

Oh Lord! l'm getting so confused! What am l saying?

There's nothing in the forest except for darkness.

Give me the measuring can, or l'll leave.

l'll give it to you. But don't tell anyone what you told me.

Or else, there will be danger.

Danger? What is the danger, Marjina?

Nothing. Fatima Bibi was just asking for a measuring bowl.

But, how do l give it to her now?

Measuring can? Go, Kasim Saheb is asking for you.

You want it, sister? Wait. l'll get it for you.

l'll leave. No, l'll take the bowl with me.

No, l'll leave. No, l'll take it with me.

Fatima, why are you so restless?

Really? Well, l keep behaving like this these days.

Here, take it. But do return it by tonight.

lt's rather important. l hope you understand.

l'll return it as soon as possible.

He has bound me with love

He has smiled and sat near me

He has succeeded at becoming close to me

He has enthralled me, using my own feelings...

And he has bound my life to his

Using my own feelings...

He is devoted to me. He has made me as devoted to him.

He has smiled and sat near me...

He has bound me with love

- Marjina. - Who? Hussain Saheb?

Where are you going with a spade so late at night?

Spade? Oh, spade.

l'm not going to chop wood.

Then who are you going to chop, Hussain Saheb?

Me? Will you be happy if l died?

- What is this, Marjina? - No, Hussain Saheb, take my life.

Then, then, l'll die too, Marjina.

Why will you die, Hussain Saheb?

Marjina, you, l, you...

- Oh! - What happened?

- There's something there. - That's something, indeed.

Abdullah, Hussain Saheb took you for a wild animal.

Well, birds of a feather... So, Hussain Saheb....

Abdullah, brother mine, l thought you were an animal.

- But, l didn't say it. - Well, that's good then.

But beware, Hussain Saheb.

l hope you realise the dangers in confessing what's in the heart.

Then, then, l'll be on my way, Marjina.

And Hussain Saheb, be careful.

Don't hit anyone with the spade thinking they're animals.

Abdullah, why do you sneak about in the bushes at night?

Looking for you. Do you know what Kasim and Sakina just did?

What? Where? What are you saying?

Kasim Saheb was busy with his friends.

Suddenly, Sakina Bibi rushed in and fainted, wailing his name.

- What! She fainted? - Well, almost.

Then she showed him a gold coin and started crying.

Gold coin? What gold coin?

That's so bizarre. Then what happened?

Nothing! l witnessed it and ran here to tell you.

Come, come! Let's go and see what finally happened.

What are you saying! Ali has so much wealth?

Oh God! l will die!

That stupid Ali! He has so much wealth?

Now you suffer. You hate him.

You don't talk to him because he's poor. You don't call him brother.

You don't invite him to your banquets. He is so wealthy.

You count money by pieces. He measures his wealth.

Where is the measuring can?

Oh Lord! l will surely die now!

Abdullah! Abdullah!

Yes, my Lord, my Master!

- Bring a cup of Siraji wine. - As you wish.

- No, bring ten cups! - Yes, Master.

- No, bring bottles of it! - Yes, bottles.

- No, brings jars of it! - Yes, jars.

Oh, calm down. Check which emperor's coin that is.

Very expensive! Very precious! This is worth five other gold coins!

Oh Lord! l will surely die now!

- Oh Lord! Abdullah! - What are you doing?

Abdullah!

There's no point in behaving like a lunatic. Find a solution.

Find out everything.

You see everything, but you don't understand

You don't listen to anything l tell you

lf fate throws hurdles, try and overcome them

God chooses to reward those He wishes to...

yet you get perturbed for no reason at all

- The girl is mine! - Never!

- Hey, l won her! - l won her!

Never! l will slap you!

Beware!

l won the bet! This Hasan has cheated!

l cheated? That's a lie, master!

- He knows. - Beware!

This is God's treasury. We are its keepers.

There's no place for cheats here.

lf you cheat, l will quarter you and hang your body up.

Beware!

Here, drink some. Don't be angry.

The greater the wealth, the more the trouble

What is this headache, for no reason at all?

Thousands increase to lakhs. Lakhs go on to crores

As the money increases, my heart shrinks instead

How will my days pass?

- Darling, Alibaba? - What, darling Fatima?

Please buy me five more slave-girls.

But you already have slave-girls.

They're all dancers. l want someone who works.

- What work? - For when l tire of chopping wood.

Still chopping wood, Fatima?

God no longer needs me to cut wood.

Oh, l forgot. l'm the mistress now.

- Darling, Ali? - What, darling Fati?

Buy me a palanquin and eight bearers.

Why?

There are no good ponds nearby.

My body aches from carrying water from so far.

l will go and fetch water in a palanquin.

Do you still have to fetch water, Fatima Bibi?

Of course, l don't have to do that now.

But, what will we eat from now on?

Only, pulao, kalia, quarma, kebabs, kofta...

and grapes, raisins, almonds and pistachios.

Or, if they're too costly, we'll have sacks full of puffed rice.

Get out. You're insane.

Does a King's wife ever eat puffed rice?

That's right. l forgot.

- Dearest Fati? - What, dearest Ali?

Something's not sitting too well with me.

Then let me be frank. l've been meaning to tell you...

but l keep forgetting. l can't stand this anymore.

l'm feeling choked. l can't sit, nor stand, nor sleep.

- l can neither laugh nor cry - l can neither sleep nor stay awake.

- Dearest Ali? - What, dearest Fati?

What should we do?

Doing anything won't be easy.

lt'll be a disaster if people come to know.

We'll have to be careful for some time.

When it has to happen, it'll happen.

Let's sit together now and cry.

No, no, no, not now.

Neighbors will wake up if we cry now.

lt'll be dangerous and fatal for us.

l don't care! l don't fear the neighbors!

Oh Lord! What has happened! Why can't l sleep?

- Why don't l feel hunger? - Stop! Quietly! Quietly!

- Oh Lord! What's wrong with me! - She'll spoil everything. Quietly!

How did l grow up so quickly? l want to be a child again!

Yes, yes, l understand! There's a reason.

You should call the doctor. Get a doctor for Hussain Saheb.

He's gone mad. He was wandering the streets at night...

and whipping whoever he could find.

l somehow managed to drag him inside through the back door.

Marjina, did you hear what we were saying?

Well, l did hear a fair bit.

Let it be. With you we aren't afraid of any harm.

Alibaba! Alibaba!

There's Master. lt's a disaster!

- Why be afraid? - There's reason to be afraid.

He'll insult me.

He'll insult you in front of me? l'll kill him.

No, no killing. Stop talking.

She saved my honor. l won't let her be insulted.

He won't insult her.

But what if he does?

Open the door! Or l'll break it down!

Oh! Please give me a place to hide.

lf not here, he'll go home and then beat me up.

- Mother! Get my dagger. - Stop it. Let me figure this out.

Yes, please. Marjina will be my daughter-in-law.

Our wealth will suit us only if she's well. Figure something out.

Yes, l will. Now, open the door.

Ali, were all of you standing and sleeping like donkeys?

l screamed and knocked so many times. None of you answered.

Why are you here at so late an hour, brother?

l'll explain. What? Marjina? Why are you here?

Master, l came to buy wood.

So late at night? You take me for a fool?

Then why are you here brother?

What good fortune of mine brings you to my house?

Well! l'll deal with you.

Come back home and you'll get six hundred lashes.

Don't be angry, brother. She's a woman, and a young one at that.

- So, what's the matter, Ali? - Which matter, brother?

Where did you get money? From where did you steal it?

- Money? - Yes.

- What money? - You don't understand?

Should l help you understand? Do you understand now?

Where did you get it from?

You have so much, you have to measure it.

Brother, l didn't steal it. God gave it to me.

Ah! God didn't find anyone else.

There were quazis, ministers, courtiers, emperors. Even me.

And instead God gave antique gold coins to Ali Saheb.

Tell me! Or else l'll call the sheriff.

Call him, it doesn't matter. l don't fear the sheriff.

But you're my brother. lf you wish to know, l'll tell you.

Where l got this from, it's so much wealth that...

you won't be able to spend it even in a thousand years.

Really! Ali! My brother!

My dearest brother! Of my own blood! ls this true?

Completely true. There's not even a grain of untruth.

- l'll tell you right now. - Yes, brother, please! Quickly!

- But you have to take an oath before that. - What oath?

You have to swear you won't torture Marjina.

Am l such a person?

Of course. l know you very well.

You are so wealthy. And l'm your own brother.

l've spent so many days hungry. You didn't even care.

l've heard you detest calling me a brother.

- Who said this? Who? - Who in the city doesn't know this?

Let it be. l'm not sad about such things.

But l do know you're heartless.

What if you torture Marjina in spite of taking an oath?

No, no, l'm very fond of Marjina.

No, l don't trust you. Well, do something then.

- What? - Sell Marjina to me.

l paid a lot of money for her.

l'll give everything l have.

l don't know how much you have.

My wealth is more than ten times the wealth you have.

Very well. l'm giving Marjina to you.

Why did you do this Ali Saheb?

You became a pauper again, for my sake?

No, no, please return me.

l'll go back to chopping wood then.

Come. Let us go. l'll pay you for Marjina.

And l'll tell you about the gold coins.

Then, Marjina, you belong to us now?

l can't say that just yet.

How long was l there? How much was spent on me?

- Let me calculate that first. - Marjina?

- What? - l'm so happy today.

Then come, let me serve you some sherbet.

- Marjina? - Some Shiraji wine then?

l swear to Allah! l have gone blind with delight!

Oh, so now you've become a holy man?

l won't let the masters go for useless work anymore

l'll send him to the forest to get jewels to wear

A garden of coins in the forest

Coins overflow from trees like paddy

l'll weigh and store the gold at home

No one can object

Open, Sesame! Open, Sesame!

Uff, what a word these people have chosen.

Whoever's chosen it, he must be crafty.

l've been learning it for so long, but it's still so confusing!

l should have written down 'Open, Sesame!' somewhere.

Open Sesame, open Sesame, open Sesame, open Sesame, open Sesame.

No, if l've remembered it thus far, l won't forget.

The word, it sounds like the sesame seeds.

Of course l'll remember it. lt won't be difficult.

Open, Sesame, open, Sesame, open, Sesame.

Open, Sesame. Close, Sesame. Open, Sesame. Close, Sesame.

Oh! How much further?

Oh, there's the mountain.

There's the tree.

What a terrible place.

ls this a trap Ali has set to kill me?

Well, come what may.

Open, Sesame!

Oh Allah!

All this is mine!

All these gold coins! And then the world!

Everything! Servants, emperors...

l'll now do and say whatever l wish!

What fun!

Should l take this or that?

Gold coins or diamonds?

Diamonds or sapphires? Or rubies? Or emeralds perhaps?

l'll take everything!

l won't leave even a farthing behind.

l'll even take the dust from this place.

l will dance!

Why is my heart restless?

My eyes are watery, my limbs are shaky, my head is aching

Why is my heart restless?

Bibi Saheb, come inside.

Don't be afraid. Master will be back soon.

When will he come, Marjina?

A whole day and night have passed.

When will he come, Marjina?

He is coming from afar, with a heavy load, so he's a bit late.

What have l done, Marjina?

He used to love me a lot.

- Oh, what do l do now? - Abdullah!

- Where do l go? - Abdullah!

Calm down, Bibi Saheb. Everything will be fine.

Oh Lord! What have l done? Why did l let him go?

Why didn't l tell him he is my wealth?

Abdullah! Go to Ali Saheb's house.

See if he's home. lf he is, bring him here immediately.

As you command.

Marjina, don't leave me alone.

Can't you stay awhile, even if you're not my servant anymore?

l've tormented you so much.

No, you were like a mother to me.

Please stay with me awhile, dearest.

Here l am.

Don't go anywhere, dear.

My master isn't like that. He won't scold me for staying here.

l was a master like that. Now l'm paying for it.

Oh Lord, how did this happen, Marjina?

Oh Lord! lt's a catastrophe!

What seeds does it sound like? Something to eat.

Seeds, seeds. Open, seeds!

Why? Why doesn't it open?

What else? Oh Lord! What does one eat when hungry?

They work, they serve, they steal, they cheat!

Nonsense, rubbish!

Oh, what have l done! lt's a catastrophe!

Yes, yes, it's the name of a food.

Yes, open, open, open, ladyfingers!

Open, mustard! Open, spices! Open, for God's sake!

Oh, what have l done? lt's a catastrophe!

Open, cows! Open, pulses! Open, grains! Open, corn!

Oh, what have l done? lt's a catastrophe!

Oh, what will l do now?

Open, mango! Open, berries! Open, lychee! Open, jackfruit!

Oh Lord! Someone tell me how to get this door to open!

Oh Ali! Dearest brother Ali! l'll give everything over to you.

lf you feed me l'll eat. Otherwise, l'll starve, my brother!

You know the word! Please open this door!

Open, fruits! Open, nuts!

Open, for God's sake! Open, for the world!

Who is it? Ali, my brother?

No, it's your maker!

Oh Ali, oh dear brother Ali!

Stop! Calm down!

Oh, but l cannot stop!

My dearest Kasim hasn't returned yet.

l'll go right now. l have to get the three donkeys from home. Marjina!

- No, let Marjina be here! - Fine, let her be. Abdullah!

- No, let Abdullah stay, too. Fine, then l'll go.

Be careful. Don't make a fuss. Or else there'll be trouble.

What will happen to me, Ali?

You'll have servants, wealth, good times, everything.

Don't cry. My brother isn't a fool. He'll be back.

He'll come back and make you a queen.

Then go quickly.

And if you don't find him...

l'll find him. Don't shout. Don't create a ruckus.

l spend my days in vivid hope

Will my lover ever come back?

The end of my happiness flows through my tears

The verses and songs that profess love...

ends in a distressed heart

This fiery pain rises slowly

So he comes to make love

He loves me, so he comes to make love

He loves that l love him so

His happy smile, his loving glance...

ln it l have seen the moon wandering in the sky of my heart

l cry seeing him smile, yet he smiles anyway

- Marjina. - Why are you calling Marjina?

- What are you thinking? - Guess and tell me.

Should l tell you? You're thinking...

if you find a handsome man like Abdullah...

you should marry him.

You're close, but not close enough.

- l was wondering... - Yes?

when Abdullah dies, who will bury him?

- Why, can't you do it? - No.

My hands are sore.

What? So, things are finally looking up, are they?

Or, has someone twisted your arm?

Can't someone hold my hand?

Should l be a slave-girl forever? Won't l get married?

Now, now, stop this. Why were you looking for me?

Someone has died in Fatima Bibi's house.

Shut up, you rascal.

- She's crying. - Shut up, you rascal.

You're snapping like a snake. What's it to you?

Whatever it is, something's happened in that house.

Fatima Bibi is lamenting and crying out Hussain's name.

And Ali Saheb is trying to stop her.

Shut up! That's a lie. Ali Saheb isn't home.

l saw it myself. Why should l believe you instead?

What are you saying, Abdullah!

- Why did you sit down suddenly? - Something fell from my hand.

- Then sit and listen. - l don't want to listen.

What? The best is yet to come. You have to listen.

Three donkeys carrying three loads of wood...

will Ali Saheb handle them, or will he manage Fatima?

Or will he lament, crying Hussain's name?

Abdullah, go away.

Let me finish. Then l'll leave.

- Then Hussain came... - Really?

There, that makes you jump.

Yes, of course. Then Hussain showed up.

Abdullah, your story is very sweet.

Then, Hussain came...

Abdullah, tomorrow l'll do all your work.

Then, Hussain came...

He doesn't have to come. l understand everything.

- Then, Hussain came... - Stop! Stop!

- Then, Hussain died. - Again?

- Not Hussain, Kasim. - What are you saying?

Since he hasn't returned in almost twenty four hours...

- then he has surely died. - Then, what will Sakina Bibi do?

What else?

She'll do what the wives of all courtiers and ministers do.

For the first few days she'll cry.

Then she'll think about what to do next.

Then she'll wipe her eyes with one hand and...

count her wealth with the other.

Do you really think Kasim's death will affect Sakina Bibi's life?

- Marjina? - Go away! Sakina Bibi is on the way.

Such a cheat! Took away everything!

Even the body isn't here! We're so careful, and still someone entered?

They robbed robbers! We have to find the thieves!

By hook or by crook! Or else...

- We swear on our life, oh chief! - Yes, we swear on our life!

We must set out at dawn! To catch and to kill!

But beware! The thief shouldn't know, nor should the emperor!

Forty clever men, and forty earthen pots...

they must be ready at dawn!

- Remember, we swear on our lives! - We swear on our life, oh chief!

Listen to me, sew up the four parts of the dead body...

and tell people Kasim Saheb is ill.

Then call the doctor and get medicines.

Finally say he's dead and bury him.

You're right.

Then Marjina, go.

There's a well-known cobbler in the market called Baba Mustafa.

Go and get him tonight.

But be discreet about it.

You're intelligent enough. What more can l tell you?

Let me go and check up on Sakina Bibi.

Hussain Saheb, tell your parents and sell me off immediately.

Why do you say that, Marjina?

l've tolerated enough. l won't take it anymore

l won't ask to be bound in the tricks of your crafty eyes

l have endured enough hurt. l have borne enough pain

l will now run for my life. l won't stay here anymore

- What is all this, Marjina? - Sell me off immediately.

So cruel! Everyone is crying for Sakina Bibi.

- And you shed no tears! - Who says that, Marjina?

The world will drown in my tears.

But Marjina doesn't understand my pain.

Then the world is unfortunate indeed!

Even animals cry for their own.

Such a shame.

No, l have to be sold off right now.

Then tell me what l should do, Marjina.

Go sit over there and cry.

When l see that, l'll be satisfied.

Fine then, l'm going.

l'll kick him, hit him with a broom.

How dare he? Another marriage!

Marjina, where's Ali?

They see people and run for cover.

Just point them out to me.

Everyone's eyes are swollen from crying!

None can tell you anything!

Look, even Hussain Saheb is crying.

Hussain is crying?

Just crying? He can't stop crying.

His throat is sore from grieving for his aunt.

What should l do Marjina? Tell me.

Then he'll marry again. l feel like crying, Marjina.

Who is that? Didi, is that you?

Oh, dear sister!

Oh dearest aunt!

Don't cry sister. Don't cry Hussain.

l'll find a solution. Come with me.

l understand that. But what is the matter?

Why, this maddening breeze, that unsettles the flowers and buds?

Come and see, if you wish.

The waves of desire floods its own banks.

But really. There won't be any celebration?

What, there won't be music and revelry?

You're right, slave!

Why hide the truth? Tell me everything.

Hush! Don't blabber so loud.

Baba Mustafa.

Baba Mustafa.

Baba Mustafa.

So late at night, who are you, my lady?

l want to sit in your shop for a while.

But why, my lady?

ln this shoe-shop of mine? But why, my lady?

What lady? Here sit.

Baba Mustafa?

What, my lady?

May l lounge about in your room for a while?

What are you doing, my lady?

Then what should l do, Baba Mustafa?

What's the matter with you, my lady?

My body is burning.

Have you had too much to drink?

Has your lover died, then?

Or has your lover been captivated by someone else?

Baba Mustafa, are you a seer? You are right.

Baba, l'll lounge about your shop and weep.

What are you doing?

Everyone will find out. My business will suffer.

From where did you emerge, my lady?

Then find a way. Give me a cure.

Then you've come to the right place, my lady.

Only l can give you a cure for that affliction.

But, l am feeling shy about giving you that cure.

But why, Baba Mustapha?

Your face is dreamy, and your eyes are glistening.

How can l give you that cure, my lady?

What cure, Baba Mustapha?

A few strokes and lashes and all your pain will vanish.

Baba Mustapha, you are a seer.

Can you repair a torn soul?

Forgive me my lady. l can't do so much.

But l can repair torn bodies with ease.

- Really? Can you? - Try me once.

Then take this as advance. Come with me.

What are you thinking? Get up.

Princess, l am a poor man.

But l'll cover your eyes on the way.

l'll be killed, princess.

Don't be afraid. l won't lead you to death.

Do l look like a killer to you?

ls that even possible?

Do my eyes speak of naughty deeds?

ls that even possible?

Can these hands bear weapons, Baba Mustafa?

Allah, is that even possible?

But has someone really lost hands or limbs, my lady?

l have been torn to pieces. My soul has bid me goodbye.

Come Baba, bring your instruments. Come quickly.

Fine.

lt would have been fine if you didn't cover my eyes.

l am your lowest slave.

What would l have said, my lady?

Baba Mustapha?

l'm a renowned person.

l understand, my lady. Fine, cover my eyes. lt's fine.

Baba Mustapha?

You're a good man. l feel like marrying you.

Allah, l should be so lucky.

Why are you raising my hopes to the skies, my lady?

Then l will keep you in the skies.

l won't throw you to the ground. Come.

Leave me, oh Love! Leave me! l don't know the ways of the world.

You can't force me to sing

Your song is too much trouble

l have cried for you so much

My eyes are red, yet you do not come

Such is your behavior, you unfaithful man

What are you looking at, Baba Mustafa?

Come.

Yes, my lady. Let's go.

Give some alms to the poor beggar?

Alms? As if l owe him money.

Go away! Don't bother!

l don't get to eat, sir.

Oh! He doesn't get to eat. Then go to Alibaba's house.

He's become wealthy overnight.

He'll feed you pulao, kebabs to your heart's content.

But no. He's come to die here.

Go away! Really, Ali is so lucky.

From a woodcutter, he has become a courtier.

And you don't know the other news.

What other news?

- There's more news. - Do you have all the world's news?

Oh, it's so hot!

Damn the heat. Tell me the other news.

Ali's brother Kasim? Apparently, he's gone missing.

Absolutely missing.

Missing? Really? Then?

- Kasim's beautiful slave-girl... - Yes, yes...

- that cobbler from the other side... - Cobbler?

that Baba Mustafa...

Oh, yes.

she tied his eyes and took him to Kasim's house.

- Then? - Then, nothing.

Did l follow her that l'd know everything!?

lt's a new shoe. How did it split into four pieces?

My sons did it.

Baba, you're famous for seamlessly sewing torn things.

This kind of stitching will cost you a little more.

l know. lf you do what l want, you'll be well rewarded.

More than yesterday.

- My lord! - Don't be afraid.

Here's an advance.

Where did you go with the beautiful girl last night?

l don't know the address.

- Beware! Do you see this? - Salam alaikum, Baba Mustafa.

So Baba Mustafa, quickly. l'm very busy.

Twelve gold coins or this. Which do you prefer?

By God, l don't know anything.

She blindfolded me.

Fine, l'll blindfold you, too. Come.

So, Baba Mustafa, how much further?

God knows, sir.

Should l uncover your eyes once? Take a look?

No, sir. That will confuse me further.

Halt! lt seems l have reached the place.

Yes, take me a little to this side.

Oh, this isn't walking. lt's like trotting on a horse.

Wait for a moment.

See if there's a house nearby.

Salam, Baba Mustafa. My heartfelt gratitude to you.

That's true.

Ever since l became wealthy, l haven't seen the dawn.

A foreign merchant is on his way to Tehran with jars of oil.

He requests shelter for the night.

Why are you asking? Go and bring him here with respect.

And ask Abdullah to store his things with care.

Marjina, go and arrange for the merchant's dinner.

l'm coming right away.

What is the order, Marjina Bibi?

There will be a large banquet tonight.

The food should be such that not even an emperor gets.

- How many are coming? - Not coming. They're already here.

And that will also be a test of your culinary talents.

- Anything new? - Of course new.

lt should be astonishing food. Like none seen before.

Well, arrange everything. l'll come and tell you.

Astonishing food.

Be careful. Watch out.

Be careful. lt's worth a lot of money.

l hope you're storing these in an empty shed.

l'll set out early at dawn tomorrow.

Yes, all the arrangements have been made, sir.

l'm a poor merchant. Please be careful.

l'll give you more.

Of course, sir.

Hey, be careful. Very expensive. Heavy rewards!

Be careful! Watch out!

l'll take care of your things.

You go and rest.

Still, l'll go and check once.

To make sure everything has been put away properly.

One never knows what happens when.

l won't be able to rest until l see for myself.

Fine, let's go.

The Master is in danger! Be very careful!

- What are you saying, Marjina? - Listen...

be careful. We have to be watchful of everything.

Why did he go to the warehouse?

He's a businessman. He can't rest...

without checking his things.

Really? Let's go and see what this expensive cargo is.

Let's go.

Everyone.

Be careful. We have to do everything by tonight.

Come out when you hear the whistle.

- Robbers! Robbers! - Of course. For sure.

Be careful. lt will happen tonight.

You stand guard here.

Let me go and arrange the merchant's banquet.

May Allah keep you safe.

l'm overwhelmed by your hospitality.

This is your house, oh honored guest.

l have some humble arrangements for you.

Why did you take so much trouble, Ali Saheb?

But, everything will have to be wasted.

l don't eat salt. l can't eat this food.

What? You don't eat salt?

- Hey! - Don't bother, Ali Saheb.

Even the emperor's palace doesn't have such arrangements.

But permit me to just eat some fruit tonight.

Well then, fine. As you wish.

As l said, this is your house.

My dancers await your orders.

Very well, give them the word, Ali Saheb.

That's enough!

How much more oil do you need, my lady?

Fill it up.

You have to fill the jars completely.

lt has to be astonishing food, after all.

Fill them up!

What are you looking at? Fill them up!

lt seems even this music and dance doesn't please the merchant.

Very well, you have yet to see my Marjina dance.

Hey, go and fetch Marjina and Abdullah immediately.

Quickly! Quickly!

Marjina! Abdullah!

What has happened? What is the matter?

Be quiet! Be still! lt's robbers!

What are you saying! What are you saying!

What are you saying! What are you saying!

- lt's robbers! - Do not fret! Do not regret!

What has happened? What is the matter?

Be quiet! Be still! lt's still robbers!

What did you do, Marjina? Such evil in my house!

No, Ali Saheb, Marjina is not your enemy. lt is l.

Oh chief, do forgive me.

Chief?

Ali Saheb, l am chief of the thieves!

Hussain? Marjina?

So, here you are!

So, you finally become a queen, Marjina!

But l'll always have one regret.

l couldn't lease my back to you as promised.

Anyway, Hussain Saheb will keep that promise now.

No, Abdullah will never change!

The heart overflows with promises of love

We imbibe this joy, just as the curlew drinks the moonbeams

For more infomation >> Alibaba - Bengali - 1937 - Duration: 1:57:33.

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