so today's a very special three marker challenge because these three colors were
actually chosen by Copic for me to use - I actually had a pretty hard time using
these three colors together and let me tell you exactly why that was
♪
so these are Copic's official colors for the month of November 2018
there is R37 or 'Carmine,' E37 'sepia,' and G99 'olive'
now when I was doing my testing
to see how I wanted or how I wanted to draw and what these colors kind of look
like on paper and I discovered something real quick and that was all three colors
have very similar tone so what that really means is if I were to desaturate
or remove all of the saturation from this video
these three colors would look almost exactly the same now this was kind of
scary as an artist especially for me who kind of avoids dark saturated colors
because I'm just not very comfortable with markers yet and I like to stick to
my pastels and slowly build up the color and you know have more control in that
way this was not going to be like that so
this is going to be a very much a learning experience and diving right
into my biggest fear when it comes to markers - the other thing that made these
colors very different from what I would usually gravitate towards is when I put
these over a line art when I did my smudge test I've quite quickly learned
that the contrast between these colors and whatever I chose to use as line art
whose going to be nil - okay, these colors were almost as dark as the black liner
so basically what I usually do which is use line art to create all of the
details and like the face on the body what's not really going to work in this
situation but I'll get to that later when I start adding in color right now I
want to address what I'm drawing and why I'm drawing what I'm drawing so I did a
lot of thumbnails and research and tried to figure out what exactly wanted
to draw using these three colors before I dove in and like created this final
illustration and no matter how I looked at these colors they just made me think
of the holidays like the red and the green and
that beautiful brown like all together it just uh like it just made me think of
Christmas and like Thanksgiving and I don't know just that whole season and
like wreaths especially so I drew a lot of wreaths and I noticed these colors
worked really well for that and another thing I painted was like a wreath on
like a wooden texture and that looked really cool and it worked and used all
of the colors and it was really happy with that but I knew I wanted to draw a
character because that's kind of what I'm known for
so I dove in and created a character using these colors and my biggest sort
of inspiration was definitely a holiday wreath and I decided to give
this character space buns with holiday wreaths that wrapped around the buns and
I'm very happy with the idea I think it's very funny and cute - I've probably seen
this somewhere and that's where [the idea] came from and also because of the green
wreath then there's the red bow that like hangs off of the wreath and that
was really fun to draw like the flowy ribbon that was coming off of the bow
and then the hair that was looping up on top of that and then to further use the
colors I decided to give her some dark brown skin and then her dress was like a
bright red it's kind of a play on like one of those like Santa dresses that
you've seen around but that's like a velvety red color and then they have
like that fluffy... white.... fur.... stuff? on it it's kind of a play on that but I
decided to make it very slim fitting around like the waist and the body and
then really loose on the sleeves so they're almost like bell sleeves and
then on the end of basically any edge there's bright white because there's
going to be that.... fur. - now this was kind of a choice because it made me think of the
holidays but also this was a conscious choice because of the colors I had and I
knew I wanted to keep as many of these colors separate from one another as
possible so that they'd have more contrast between them because if I put
the colors right next to each other or try to do it too many details with like
multiple colors next to each other the colors just blended together and if you
were to like squint even without squinting and you looked at the drawing
the colors all just look like one color and
that really was not what I was going for so by using this white fur to separate
like the skin tone from the color of the dress I was able to get some contrast
there and I'm very happy with that decision I wish there was something more
I could have done with the face because when it comes to the head that's where
all the colors start you know I start putting a lot of colors next to each
other because there's the hair and like you can't really put a white line
between the hair and the face that's gonna look kinda weird and then
there's the wreaths that are in her hair I did decide to do something special
about that to separate it from the air but the face is definitely where I had
like the least amount of contrast and I had to make a decision which I make much
later on after - when I start getting to coloring the skin tone and the decision
was am I going to put line art on this? - I decided for coloring the body 'no' I
wanted to go for a paper cutout kind of.... thing
I decided to avoid lineart as much
as possible because the liner like I showed you earlier was really not
setting apart from the colors with red it worked the best but with the brown
and the green like you could just really not - you really couldn't see the lines at
all so it was pretty much pointless so the way I decided to do this was just
erase a little bit of pencil at a time and then try to fill in solid blocks of
color using the Copic markers um trying to get a solid tone is a little bit
difficult for me again I'm a beginner with these copic markers [note: this video was filmed in Oct'18] I'm trying to learn so if you have any
tips definitely let me hear them, I am all ears but I did my best to try and
get a solid tone especially for the dress but once I had that solid tone I
went and tried to add maybe some shading where I thought that there would be
shading and I feel like it pulled away a little bit from that like flat paper
'cutout-y' look that I was going for but yeah it's a learning experience
the only other part of this illustration that is like majorly red are the bows
up in her hair that are connected to the wreaths and this is where I started
putting into play my idea to try and keep colors separate so what I did was
see I am coloring each section of the ribbon but leaving a little bit of white
space between them - I carried this idea over to adding the wreaths in her hair
by trying to keep the wreaths that even section of whiteness away
from the bow I did that on both sides - now each element of this illustration
had like a specific color that I had appointed to it like the wreath, the bow,
the dress, and the skin - but there was a hair color that I needed to choose and I
didn't have an extra color so what I decided to do was use two colors, mix
them together - I used two very contrasting colors which are red and
green and by layering those two up I get a very very dark-near-black, a pretty
brown color and I really liked that for the hair color I think it worked really
well and you'll see like I mentioned earlier this is where colors are
starting to get very close together and starting to almost touch and then like
some sections are going to end up touching like the skin and the hair
because like I said "no white line between that" that would just look really weird
um so I had to kind of come up with a way to keep these colors like in their
own little sections and like keep them separate so that they don't all blend
into just one blob and that was by using a Posca pen and what I did was I just
outlined basically all of the shapes and gave them like this nice even white line
I tried to do this as much as possible without the Posca pen - like just using
the color of the paper but there are some parts where I either messed up or
forgot so I needed to use the pen and just create that like even white line
around the wreaths and the bows - after that I started coloring in the hands and that
part was really fun to do those sort of like paper cutout-y section cuz I was
like able to draw in each finger with like a stroke and I just I really
enjoyed that part but you may have noticed like wait a minute it kind of
looks like she's avoiding coloring the face and... confession, yes I was - like I
mentioned earlier I'm very scared of using line art and these markers
together because of like they're similar tones and so I was just very worried
about doing the face but that's where the most details are in
this particular illustration and I thought that was gonna be the easiest
thing to really mess up so I put it off until last cuz I was just so nervous - I did
end up choosing to put line art on the faces because I was very nervous about
like losing that detail that I had in the face already by adding color on
top of it and then I gave that ample time to dry and added more Posca
pen to the bows and added more separation of color there and then once
I was fully sure that that liner was dry and it wasn't going to smudge I started
adding in the color - I'm pretty sure I was holding my breath like the entirety
of coloring in the face cuz I really didn't want to get any weird streaks or
strokes like in weird places on the face because I like the face to be very
smooth when it comes to coloring so I was very careful and tried to avoid
overlapping any parts that were already dry and tried to like fill in the face
as quickly as possible so that was all like still wet and juicy
while I was adding in the marker so that none of it was dry - I'm just like
repeating myself because like that's how nervous I was, I was just like "ahh no strokes
no streaks ahhhhhh" - I think I did a pretty good job overall and then I was able
actually to add shading right under her chin by going over like a couple times
with that same marker and that's just my favorite thing about markers is the fact
that you can do that it's just just looks so cool I love it and then I
learned from experience by testing these markers together that I really did not
like using any of the other markers as like a blush color on this face I think
it just didn't look very good - the colors were just like "meh" there wasn't good enough
blush color so I decided to use this bubblegum Crayola colored pencil that I
had on my desk and just start uh scribbled and blended on like the cheeks
in the nose to add a little bit more like blush to the face - I also used the
e37 color 'sepia' to add some shading to the dress so like underneath the fur on
the top of her dress I wanted there to be a little bit extra dimension there to
make it look a little bit more poofy and like it's sticking out more so that's
what I did there so after that I added in some extra details here and there
like with the Posca pen and a cool thing I learned is: I added like some white
fern shapes to the wreath with the Posca pen
and then went over that with the Copic marker and it looks really cool because
there's like two separate green tones there even though I only had one Copic
marker "whhhaaaaht? yeah!" that was really cool I wish I had realized that earlier I could
have maybe incorporated it in other sections of the drawing but after that
and coloring in the lips, it was time to add in the background color and if you
look at the illustration there's one color I used the least - what's that one?
oh! it's a green! so I decided to make the background color green and I've never
colored in this large of a section with an alcohol-based marker before so that
was a treat *laughs* [note this was before i started my new sketchbook] - I'm trying to get it to not streak was near impossible I've tried a
couple different things I looked up like "try to use swishy motions"I tried that
try to do really quick motions - I tried that - go over the section a couple times
I tried that - all of them sort of worked to an extent but they weren't able to
get rid of like every streak so I - well I had this idea to do it anyway but
I added some like snowflakes to the background so like little X's and dots
here and there to kind of distract from the streaks and to make it look a little
bit more winter-themed with snow so I'm kind of happy with that I really like
the way the drawing looks because it's just like so much color everywhere it's
just like in-your-face and whenever I draw something I tend to just draw a
random character in the middle of the page so I'm very proud of myself for
deciding to attempt a solid background color even if it's not like any detailed
background of any kind like the fact that I'm taking steps to move in the
right direction to start adding backgrounds to my drawing so I'm
happy about that and I hope to get a little bit better with strokes and lines
in my markers so this is only my second ever illustration with a Copic marker so
I'm pretty proud of it I've used alcohol-based markers but this is my
second Copic one and yeah I'm happy with it I had a lot of fun like designing the
character so let me show you some of like the sketches I did when I was
planning out the character so these are some of the ones I did before I drew
this picture I'm really happy with some of these and
you can see where I was testing out the colors and you'll actually notice in my
illo sketchbook the paper is different than what I used to draw the final
illustration - in the illo sketchbook, the colors are actually a lot lighter so I
was a little bit more comfortable using them but when it came to this marker
paper that I used to the full illustration, the colors actually ended up being a little
bit darker so it was even scarier because I was like whoa wait a minute
this isn't what I was planning on? so um this whole thing was uh
definitely like kind of delving into my biggest marker fears and I think it
turned out all right I'm actually really really happy with it
and I think it's given me quite a bit of confidence to use markers
more and use some of those more saturated colors and like that I'm
scared of so yeah I can leave the pastels behind for a little bit and yeah
it turns out okay it's not that scary I hope to get better in the future but
so this is a cool benchmark that I can compare myself to in the future and I
think that'll be really cool anyway - I want to thank Copic for
choosing me to be on of their November artists and to challenge me to use these three
colors in an illustration it was very much a learning experience and I had a
lot of fun so thank you for that and yeah you guys can actually can see this
illustration over on their Instagram page and I'll also be posting it on my
Instagram page so I'll have links to all that in the description - thank you guys
for watching I hope you enjoyed watching my process of using these three very
similarly toned markers in one complete illustration yeah I had a lot of fun
thank you guys for watching I'll see you guys all next week I hope you have a
delicious evening full of ♪ WAFFLES ♪
BYE! ♪
For more infomation >> AVOIDING A DISASTER! | 3 Marker Challenge | November Copic Colors - Duration: 14:47.-------------------------------------------
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Meet the New U.S. Ambassador to the Republic of Kosovo, Philip S. Kosnett - Duration: 1:50.
Hello! I'm Philip Kosnett.
Fifteen years ago, I served at the American diplomatic mission in Pristina.
Now I'm honored to return as ambassador to help strengthen the close friendship between our two great countries.
[TEXT: Philip Kosnett, United States Ambassador to the Republic of Kosovo]
My wife, Alison, and I look forward to exploring the country and to making new friends from all communities.
We want to hear your ideas on how Kosovo and America can work together in many areas:
business, rule of law, security, education and more.
Alison and I also hope during our time here to discuss the experience of living in a multicultural,
multi-ethnic, religiously diverse society: something our two countries share.
Diversity can enrich us culturally and inspire innovative solutions to national problems.
And I believe that communities and individuals must honestly consider their past to build a bright future together.
No one understood this better than American civil rights activist Ida Wells,
whose words are enshrined on the wall of the National Museum of African American History and Culture in Washington, D.C.:
"The way to right wrongs is to turn the light of truth upon them."
I hope to see you soon. Thanks for watching. Faleminderit! Hvala!
[TEXT: Connect with us: XK.USEmbassy.gov, Facebook.com/Kosovo.USEmbassy, @USAmbKosovo]
[TEXT: Select Media © AP Images]
[TEXT: Produced by the U.S. Department of State]
-------------------------------------------
Ubisoft Education: The future can't be predicted. It can be mastered. - Duration: 0:37.
The future.
They predicted flying cars.
Burgers in pill form, robots that are practically human.
We're still waiting for our hoverboards.
The future can't be predicted.
85% of jobs in 2030 haven't even been invented yet.
But one thing is certain.
Starting today and in the years to come,
the world of work will need...
more programming,
critical thinking,
creativity,
empathy.
It's time to develop the skills needed
for the jobs of tomorrow.
Because the future can't be predicted.
It can be mastered.
-------------------------------------------
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Eng sub uju return 2 EP18-Elf's Zen horoscope Is there a special menu that amazes everyone? - Duration: 4:00.
[E.L.F.'s Table] [SJ Returns 2]
You can have it now.
What is this?
Oh.
[Daechang with spicy sauce, onion and chives]
[Grill on a mini brazer]
[Spicy grilled daechang]
It seems delicious.
I love daechang.
It's marinated.
The sauce is delicious.
It smells like chili paste.
- Isn't it great? - Try it.
- It will be delicious. - You first.
[Daechang lover eats first]
It's not greasy at all.
It's really delicious.
Really delicious.
[The taste makes you nod]
[Enjoying the taste]
It's not greasy at all.
It's like
the sauce
- is like the Korean sauce for stir fried pork. - Right.
It's spicy.
[My style]
- I like such taste. - Me too.
Korean people will enjoy the sauce.
I thought I wouldn't eat this if it's not good.
But it's really delicious.
I was a bit worried about this place.
It's like the Korean style.
But Japanese people won't come here often.
For Koreans,
they would search for the place that is palatable.
[Any problem?]
I want to have it with the rice.
Than it will score 5.
Do you want some?
No I'm too full.
- Just a scoop. -Shall we?
Can we have a bowl of rice?
Do we have rice?
[Came right away]
- Okay, let's put it in here.
[So careful]
You like this place a lot.
You like it a lot.
So the red color
- stimulates your appetite. - Agree.
Look at the color.
Try some.
Do you like it?
Wow.
This is 5.
Wow.
This is 5.
10.
ShinDong's favorite style.
I know.
- I didn't want to have more. - It's really delicious.
[Thumbs up]
10! 15!
Score keeps going up.
It's over.
This one marks the end.
This goes well together with this.
With the salad?
20!
[Reached the highest score]
[It's his style]
- Isn't it delicious? - It is.
I'm now confident.
I'll do first.
- I'm all cleared. - I had low expectations at first.
Even when I tried this first.
It's a common style.
It's a Korean style.
It's like spicy braised beef rib.
And then we had this.
The skewers.
I thought
it would be around 0,5.
But this really was the best.
- This is really delicious. - I know.
- So, just the score for this menu. - Okay.
So I'll give you...
[Looking forward to it] [To be continued in the 19th episode]
-------------------------------------------
BANDEIRA DA ALEMANHA - HISTÓRIA, CORES E EVOLUÇÃO - Duration: 5:09.
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One more out of memory lane. Sleepin on the streets. Going to Spain midwinter. (Read Descr.) ENG SUB - Duration: 0:31.
I just slept outside
It's so f***** cold
I don't care about any of this right now
It just had snowed a bit
I just slept under a tree, and I collected all these cartboard pieces
because I couldn't take the other train anymore, I was too late
I stuffed my jacket full with these cardboard pieces and old newspapers to keep warm,
But it doesn't help SH***
SO I have to make some fire now
-------------------------------------------
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What If The Boogeyman Was Real? - Duration: 6:15.
Hello internet - and welcome back to the most inquisitive channel on YouTube - Life's
Biggest Questions - the place where there are many things lurking within the shadows
of our closet - none of which are off the table when it comes to a hypothetical questioning
scenario.
What's going on guys - as per usual, I'll be your disembodied floating voice Jack Finch
- as we flick on our Squirtle shaped night light - freeze in terror as the wardrobe door
creaks open - and feel a shadowy claw clutch at our knee - as we terrifyingly consider
the question - What If The Boogeyman Was Real?
Roll the clip.
Now - is it mere coincidence that since ancient times - across the entire planet - mothers
and fathers have told their children the same sort of tale.
For many reasons - but for the most part, as a cautionary tale - as a means to frighten
children into good behaviour, a quaint yet looming threat.
As long as you did what you were told - you'd be safe from the boogeyman.
A monster that has no specific appearance - instead, shaping and morphing into a different
kind of nightmare - varying from household to household, culture to culture.
But - what if there was something more to it.
What if the Boogeyman - was real?
Before we find out the answer to that potentially terrifying question - you know the drill by
now guys.
If you're a fan of this video, terrifying tales, shadowy figures - or just Life's
Biggest Questions in general - then please - be a dear and hit that thumbs up button,
and ding that subscribe bell so you can stay up to date with our latest and greatest questioning
uploads.
If you've got a burning question that you just can't keep to yourself, and you think
it'd make a good LBQ video - please, let us know in the comment section down below.
On with the show.
The word bogey is derived from the Middle English - bogge, or bugge - meaning either
scarecrow - or something frightening.
There are theories that the word also derives from the German phrase - boggel-mann, meaning
goblin - a creature steeped in Euro-Germanic and Scandinavian folklore that steals children
and wrecks mischief.
It's strange though that language has always found a word or phrase that correlates to
the same figure.
In Lowland Scots it is bogle - in Dutch it is boeman.
In Old Norse it is puki - and in English - puck.
A similar cultural phrase - a bugbear, derived from bug - meaning goblin, was imagined in
the form of a demonic beastial creature that ate small children - and was similarly used
to signify an object or entity that personified dread and fear.
For thousands of years - our species has codependently found similar words for the same meaning.
An almost intangible figure that society can bolster its ranks against - shelter it's
children from the looming threat of evil.
Considerably though - that shared concept is older than civilization itself.
In the Luo Dialects of Eastern Africa - a branch of the ancient Nilotic languages spoken
in South Sudan and Tanzania - the term 'booga' - which means to scare - is as ancient as
the language itself.
We could argue that language simply finds a way - an amalgamation of sound cobbled together
to express the same meaning - the shared concept of a Boogeyman.
Does this suggest then - that humanity expects evil?
On an even deeper note - does the expectation of evil make up the very fabric of our civilization?
Is the reason that when we crawled out of the primordial soup and sat around a shared
campfire - we told stories about the dangers of the dark because we needed to.
We were compelled to share our fear - because with comfort comes complacency.
Fear is the driving force that kept our ancestors alive.
It is the means to ensure our survival.
It is the same reason hundreds of thousands of people are terrified of spiders - or the
same reason that we feel a knot in the pit of our stomach when staring down a tall building.
Fear is intangible - yet it's easier to defeat when it has a face and a body.
The Boogeyman is very much real - because we created him.
In many Latin countries - Brazil, Portugal, Spain - the boogeyman is portrayed as a figure
with a sack on his back that carries naughty children away.
He is known as hombre del saco - or el roba-chicos, meaning child stealer.
In Italy - the Babau is portrayed as a tall man wearing a heavy black coat - with a black
hood that hides his face.
In Romania, and many countries in the Eastern Mediterranean - the same figure is used to
threaten misbehaving children.
In Germanic folklore - the Butzemann has various appearances and forms - a gnome, a man, an
animal - a ghost or devil - that are said to emerge at very specific places.
Deep in forests - at large bodies of water, at the edge of a steep cliff.
In Germany, children also play the game Wer hat Angst vorm schwarzen Mann - Who Is Afraid
of the Boogeyman?
A halcyon way for children to confront their own fears.
In England - Grindylow, Jenny Greenteeth and Nelly Longarms were the vile, grotesque hags
who lived in ponds and rivers - and they would drag children into the water and drown them
if they got too close.
During the time of the Roman Republic - the military successes of Hannibal Barca's campaign
across the Italian Peninsula were so devastating and damaging to the region, that Roman mothers
would tell their children brutal tales of Hannibal himself.
If they misbehaved, he would enter their home and night and carry them away.
Hannibal - by definition - was the self made boogeyman of Roman culture.
It's interesting then, that in 1957 - in Haiti - the tyrannical despot Francois Duvalier,
seized political power of the country by embodying the same kind of fear.
Deliberately, Duvaliver modeled himself on the image of Baron Samedi - a spirit of the
loa in Haitian Vodou - playing on the shared cultural fears of the people of Haiti.
Publically, he would wear sunglasses to hide his eyes - and often deliver speeches in the
strong nasal tone associated with the loa. Francois Duvalier captivated the fears of
an entire nation - and used it to maintain power.
He became the literal embodiment of The Boogeyman.
A murderer and a dictator - and living proof that the Boogeyman IS very much - real.
Well - unfortunately folks, that's all we've got time for in today's video - cheers for
sticking around all the way to the end.
If this video has resonated with you in any way - let us know your thoughts in the comment
section down below.
If you'd like to carry on with your questioning binge, feel free to hit that playlist floating
shortly above.
As always, I've been your host Jack Finch - you've been watching Life's Biggest
Questions - and until next time, you take it easy.
-------------------------------------------
AVOIDING A DISASTER! | 3 Marker Challenge | November Copic Colors - Duration: 14:47.
so today's a very special three marker challenge because these three colors were
actually chosen by Copic for me to use - I actually had a pretty hard time using
these three colors together and let me tell you exactly why that was
♪
so these are Copic's official colors for the month of November 2018
there is R37 or 'Carmine,' E37 'sepia,' and G99 'olive'
now when I was doing my testing
to see how I wanted or how I wanted to draw and what these colors kind of look
like on paper and I discovered something real quick and that was all three colors
have very similar tone so what that really means is if I were to desaturate
or remove all of the saturation from this video
these three colors would look almost exactly the same now this was kind of
scary as an artist especially for me who kind of avoids dark saturated colors
because I'm just not very comfortable with markers yet and I like to stick to
my pastels and slowly build up the color and you know have more control in that
way this was not going to be like that so
this is going to be a very much a learning experience and diving right
into my biggest fear when it comes to markers - the other thing that made these
colors very different from what I would usually gravitate towards is when I put
these over a line art when I did my smudge test I've quite quickly learned
that the contrast between these colors and whatever I chose to use as line art
whose going to be nil - okay, these colors were almost as dark as the black liner
so basically what I usually do which is use line art to create all of the
details and like the face on the body what's not really going to work in this
situation but I'll get to that later when I start adding in color right now I
want to address what I'm drawing and why I'm drawing what I'm drawing so I did a
lot of thumbnails and research and tried to figure out what exactly wanted
to draw using these three colors before I dove in and like created this final
illustration and no matter how I looked at these colors they just made me think
of the holidays like the red and the green and
that beautiful brown like all together it just uh like it just made me think of
Christmas and like Thanksgiving and I don't know just that whole season and
like wreaths especially so I drew a lot of wreaths and I noticed these colors
worked really well for that and another thing I painted was like a wreath on
like a wooden texture and that looked really cool and it worked and used all
of the colors and it was really happy with that but I knew I wanted to draw a
character because that's kind of what I'm known for
so I dove in and created a character using these colors and my biggest sort
of inspiration was definitely a holiday wreath and I decided to give
this character space buns with holiday wreaths that wrapped around the buns and
I'm very happy with the idea I think it's very funny and cute - I've probably seen
this somewhere and that's where [the idea] came from and also because of the green
wreath then there's the red bow that like hangs off of the wreath and that
was really fun to draw like the flowy ribbon that was coming off of the bow
and then the hair that was looping up on top of that and then to further use the
colors I decided to give her some dark brown skin and then her dress was like a
bright red it's kind of a play on like one of those like Santa dresses that
you've seen around but that's like a velvety red color and then they have
like that fluffy... white.... fur.... stuff? on it it's kind of a play on that but I
decided to make it very slim fitting around like the waist and the body and
then really loose on the sleeves so they're almost like bell sleeves and
then on the end of basically any edge there's bright white because there's
going to be that.... fur. - now this was kind of a choice because it made me think of the
holidays but also this was a conscious choice because of the colors I had and I
knew I wanted to keep as many of these colors separate from one another as
possible so that they'd have more contrast between them because if I put
the colors right next to each other or try to do it too many details with like
multiple colors next to each other the colors just blended together and if you
were to like squint even without squinting and you looked at the drawing
the colors all just look like one color and
that really was not what I was going for so by using this white fur to separate
like the skin tone from the color of the dress I was able to get some contrast
there and I'm very happy with that decision I wish there was something more
I could have done with the face because when it comes to the head that's where
all the colors start you know I start putting a lot of colors next to each
other because there's the hair and like you can't really put a white line
between the hair and the face that's gonna look kinda weird and then
there's the wreaths that are in her hair I did decide to do something special
about that to separate it from the air but the face is definitely where I had
like the least amount of contrast and I had to make a decision which I make much
later on after - when I start getting to coloring the skin tone and the decision
was am I going to put line art on this? - I decided for coloring the body 'no' I
wanted to go for a paper cutout kind of.... thing
I decided to avoid lineart as much
as possible because the liner like I showed you earlier was really not
setting apart from the colors with red it worked the best but with the brown
and the green like you could just really not - you really couldn't see the lines at
all so it was pretty much pointless so the way I decided to do this was just
erase a little bit of pencil at a time and then try to fill in solid blocks of
color using the Copic markers um trying to get a solid tone is a little bit
difficult for me again I'm a beginner with these copic markers [note: this video was filmed in Oct'18] I'm trying to learn so if you have any
tips definitely let me hear them, I am all ears but I did my best to try and
get a solid tone especially for the dress but once I had that solid tone I
went and tried to add maybe some shading where I thought that there would be
shading and I feel like it pulled away a little bit from that like flat paper
'cutout-y' look that I was going for but yeah it's a learning experience
the only other part of this illustration that is like majorly red are the bows
up in her hair that are connected to the wreaths and this is where I started
putting into play my idea to try and keep colors separate so what I did was
see I am coloring each section of the ribbon but leaving a little bit of white
space between them - I carried this idea over to adding the wreaths in her hair
by trying to keep the wreaths that even section of whiteness away
from the bow I did that on both sides - now each element of this illustration
had like a specific color that I had appointed to it like the wreath, the bow,
the dress, and the skin - but there was a hair color that I needed to choose and I
didn't have an extra color so what I decided to do was use two colors, mix
them together - I used two very contrasting colors which are red and
green and by layering those two up I get a very very dark-near-black, a pretty
brown color and I really liked that for the hair color I think it worked really
well and you'll see like I mentioned earlier this is where colors are
starting to get very close together and starting to almost touch and then like
some sections are going to end up touching like the skin and the hair
because like I said "no white line between that" that would just look really weird
um so I had to kind of come up with a way to keep these colors like in their
own little sections and like keep them separate so that they don't all blend
into just one blob and that was by using a Posca pen and what I did was I just
outlined basically all of the shapes and gave them like this nice even white line
I tried to do this as much as possible without the Posca pen - like just using
the color of the paper but there are some parts where I either messed up or
forgot so I needed to use the pen and just create that like even white line
around the wreaths and the bows - after that I started coloring in the hands and that
part was really fun to do those sort of like paper cutout-y section cuz I was
like able to draw in each finger with like a stroke and I just I really
enjoyed that part but you may have noticed like wait a minute it kind of
looks like she's avoiding coloring the face and... confession, yes I was - like I
mentioned earlier I'm very scared of using line art and these markers
together because of like they're similar tones and so I was just very worried
about doing the face but that's where the most details are in
this particular illustration and I thought that was gonna be the easiest
thing to really mess up so I put it off until last cuz I was just so nervous - I did
end up choosing to put line art on the faces because I was very nervous about
like losing that detail that I had in the face already by adding color on
top of it and then I gave that ample time to dry and added more Posca
pen to the bows and added more separation of color there and then once
I was fully sure that that liner was dry and it wasn't going to smudge I started
adding in the color - I'm pretty sure I was holding my breath like the entirety
of coloring in the face cuz I really didn't want to get any weird streaks or
strokes like in weird places on the face because I like the face to be very
smooth when it comes to coloring so I was very careful and tried to avoid
overlapping any parts that were already dry and tried to like fill in the face
as quickly as possible so that was all like still wet and juicy
while I was adding in the marker so that none of it was dry - I'm just like
repeating myself because like that's how nervous I was, I was just like "ahh no strokes
no streaks ahhhhhh" - I think I did a pretty good job overall and then I was able
actually to add shading right under her chin by going over like a couple times
with that same marker and that's just my favorite thing about markers is the fact
that you can do that it's just just looks so cool I love it and then I
learned from experience by testing these markers together that I really did not
like using any of the other markers as like a blush color on this face I think
it just didn't look very good - the colors were just like "meh" there wasn't good enough
blush color so I decided to use this bubblegum Crayola colored pencil that I
had on my desk and just start uh scribbled and blended on like the cheeks
in the nose to add a little bit more like blush to the face - I also used the
e37 color 'sepia' to add some shading to the dress so like underneath the fur on
the top of her dress I wanted there to be a little bit extra dimension there to
make it look a little bit more poofy and like it's sticking out more so that's
what I did there so after that I added in some extra details here and there
like with the Posca pen and a cool thing I learned is: I added like some white
fern shapes to the wreath with the Posca pen
and then went over that with the Copic marker and it looks really cool because
there's like two separate green tones there even though I only had one Copic
marker "whhhaaaaht? yeah!" that was really cool I wish I had realized that earlier I could
have maybe incorporated it in other sections of the drawing but after that
and coloring in the lips, it was time to add in the background color and if you
look at the illustration there's one color I used the least - what's that one?
oh! it's a green! so I decided to make the background color green and I've never
colored in this large of a section with an alcohol-based marker before so that
was a treat *laughs* [note this was before i started my new sketchbook] - I'm trying to get it to not streak was near impossible I've tried a
couple different things I looked up like "try to use swishy motions"I tried that
try to do really quick motions - I tried that - go over the section a couple times
I tried that - all of them sort of worked to an extent but they weren't able to
get rid of like every streak so I - well I had this idea to do it anyway but
I added some like snowflakes to the background so like little X's and dots
here and there to kind of distract from the streaks and to make it look a little
bit more winter-themed with snow so I'm kind of happy with that I really like
the way the drawing looks because it's just like so much color everywhere it's
just like in-your-face and whenever I draw something I tend to just draw a
random character in the middle of the page so I'm very proud of myself for
deciding to attempt a solid background color even if it's not like any detailed
background of any kind like the fact that I'm taking steps to move in the
right direction to start adding backgrounds to my drawing so I'm
happy about that and I hope to get a little bit better with strokes and lines
in my markers so this is only my second ever illustration with a Copic marker so
I'm pretty proud of it I've used alcohol-based markers but this is my
second Copic one and yeah I'm happy with it I had a lot of fun like designing the
character so let me show you some of like the sketches I did when I was
planning out the character so these are some of the ones I did before I drew
this picture I'm really happy with some of these and
you can see where I was testing out the colors and you'll actually notice in my
illo sketchbook the paper is different than what I used to draw the final
illustration - in the illo sketchbook, the colors are actually a lot lighter so I
was a little bit more comfortable using them but when it came to this marker
paper that I used to the full illustration, the colors actually ended up being a little
bit darker so it was even scarier because I was like whoa wait a minute
this isn't what I was planning on? so um this whole thing was uh
definitely like kind of delving into my biggest marker fears and I think it
turned out all right I'm actually really really happy with it
and I think it's given me quite a bit of confidence to use markers
more and use some of those more saturated colors and like that I'm
scared of so yeah I can leave the pastels behind for a little bit and yeah
it turns out okay it's not that scary I hope to get better in the future but
so this is a cool benchmark that I can compare myself to in the future and I
think that'll be really cool anyway - I want to thank Copic for
choosing me to be on of their November artists and to challenge me to use these three
colors in an illustration it was very much a learning experience and I had a
lot of fun so thank you for that and yeah you guys can actually can see this
illustration over on their Instagram page and I'll also be posting it on my
Instagram page so I'll have links to all that in the description - thank you guys
for watching I hope you enjoyed watching my process of using these three very
similarly toned markers in one complete illustration yeah I had a lot of fun
thank you guys for watching I'll see you guys all next week I hope you have a
delicious evening full of ♪ WAFFLES ♪
BYE! ♪
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LMC Musica 440 D - Duration: 1:09.
For more infomation >> LMC Musica 440 D - Duration: 1:09. -------------------------------------------
LMC Musica 440 D - Duration: 1:08.
For more infomation >> LMC Musica 440 D - Duration: 1:08. -------------------------------------------
Interview of Stephane Escafre - Chief arbiter of the World Chess Championship match - Duration: 13:46.
I'm in London right now
with a famous arbiter :
Stéphane Escafre.
is chief referee of the chess world championship !
Hello Stéphane Hello Etienne
How well are you doing in London
Everything is perfect in London, Sunny in the morning, rainy in the afternoon...
Small incidents but nothing really special.
So you anticipated my question about weather
You are the arbiter of the world championship : when were you selected
and when did you learn ?
Fide President selected me
right after his election
It was during the Chess Olympiad in Batumi,
2 months ago.
So I said you're famous amongst referee
Since when you are an International referee Stephane ?
International Arbiter since 2002
Now, I even have the right to teach IA...
Ok, so you can do everything !
You are referee, trainer, very nice !
So I'm going to change the screen arrangements, we can now look at some photos
It's better for everybody.
What is a "normal" day for an arbiter during the WCC ?
There's no typical day
There's 12 games, every game is independant and different.
At the beginning, I spent time on particular problems
like "lights",
"room temperature"...
Anything related to logistics
During rest day, one can go for shopping, have a walk...
When the tournament is under way, it's possible to enjoy London
In the morning, I've to answer questions from the player's team (coaches, manager etc...)
So there's no typical day, sorry !
On Friday, it's rest day, isn't it ? Yes, now it's one game, one rest day, one game...
At the beginning it was 2 games and 1 rest day...
... now that we reach the end of the championship, it's one game and one rest day...
Tomorrow is a free day.
yes, abolutely normal : tomorrow is Black Friday and you will go out for shopping ! ;-)
Concerning the competition, did you have specific demands ?
Yes we had a lot of specific demands... Ah !
but I cannot say a word about them... Oh !
Ok, very good !
You have to ask me again after the championship !
During the WCC, I have a duty of confidentiality.
Ok, I understand.
So we are going to show you a video
of the beginning of
the first round
when the British actor Woody Harrelson played the move of Fabiano.
Let's have a look !
We see that the comedian dropped the white King
, which can be interpreted as a sign of resignation by amateurs...
but professionnal players never do that,
you know this Etienne.
He did it on purpose (we ask him) :
he wanted to joke a little bit...
and the players took it easy.
Close to me, the FIDE President (NDLR : Arkady Dvorkovich) who smile as well
But the,
He did a mistake on the first move that Caruana wanted to play
Oh, yes ?!?
He put a wrong move on the board
And of course I allowed Fabiano to take back this move
(Caruana asked me if he could play something else)
Fortunately I anticipated this possibility during the technical meeting.
If the VIP doesn't play the right move, the players could of course take it back.
Fine.
Let me add something.
I say : the VIP plays the move
and only then we start the clock.
What happened when the VIP plays the move is not really part of the game.
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Comment choisir une orientation, un métier - Duration: 6:02. For more infomation >> Comment choisir une orientation, un métier - Duration: 6:02. -------------------------------------------
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Records d'Irlanda Grup SAU - Duration: 4:46.
Records d'Irlanda aquell Ben tan blanc
First
Be mine
There were no stars
They start
Lady
It's done
And
Oh Oh
But we love
Through
This
Dude
It's done
Me
You
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Kia cee'd Sporty Wagon 1.6 CVVT X-ecutive 125pk - Duration: 1:11.
For more infomation >> Kia cee'd Sporty Wagon 1.6 CVVT X-ecutive 125pk - Duration: 1:11. -------------------------------------------
COLT 1911 A1 Inokatsu - REVIEW AIRSOFT - Duration: 20:50.
Hello everyone and welcome to this new airsoft gun video review. Today, I am attacking a monster, I have hesitated during a long time before presenting it to you: this gun unleashed the passions.
But finally, my friend Mathieu corrup... convinced me !
I present the Colt M1911 A1 100th anniversary of Inokatsu, under Colt license, distributed by Cybergun, thanks to Mathieu and OPS-Store, presented by Neo035, with the kind participation of...
I didn't know you were doing the credits at the beginning... You want to do like Hollywood, right? NeoHollywood? Go to the title, we are pissed off.
This Colt 1911 A1 waS SenSeleSSly praiSed aS Soon aS it waS releaSed on the SiteS.
A lot of S in this sentence. If you want to have a technical break, it's my fault.
Thus, some owners swore by this miracle gun, this sometimes unreasonable, preferring to hide the face rather than admit that this gun may have defects.
But now this fashion has passed I can venture on the subject without taking the wrath of the owners.
Everyone is calm. There is one who has put his red thumb. Take it off. You'll put it back later.
First of all, I would like to thank three people and a store: Mathieu for allowing me to buy this Colt 1911 A1; Chris Adams and OioiAirsoft for helping me analyze it.
The channel and the blog are in the description of this video, really go take a look, it's worth, both are experts on this type of gun. Without them, this video wouldn't have been so detailed.
On the other hand, Mathieu is an individual, so it's not a partnership but a gift.
If you too,you want to participate in my personal enrichment, then don't hesitate, I accept all the gifts! Car, jewelry, money, credit card, phone, mother-in-law, I accept everything!
Offer subject to condition that your object is usable. Including your mother-in-law.
I would also like to thank the store OPS-Store, partner of this video at the level of the consumable, namely the cartridges, the BB's, the goggles and the lubricant that I will be able to present to you.
Lubricant... Present... It's a little "sextoy party", isn't it?
As usual, the link is in the description.
This replica has a history. We have several generations that have come out. Ranging from 1000€ to 300€ now.
The decline in price could be explained by the decline in quality controls that we find on the 300€ version. Thus, defects that didn't pass on the 1000€ version are now accepted on the 300€ version.
Would not it be the very reflection of our current society?
There are several finishes of this gun. Parkerized, blued, and... a version that I had the opportunity to briefly meet, was developed in 2014 by Cyberbun with an artificial patina, realized I believe in acid.
Version that was made for a contest, won by a lucky one who became a very good friend. I had the opportunity to attend the award ceremony, since I was in the Paris region at this time. #TalkAboutYourLikeWeDontCare
Here we are on a blued version, so darker than the parkerized version.
The Parkerized version is the one that jumps in all directions by weaving webs?
Peter Parkerized
The extremists of the Colt 1911 A1 Inokatsu will now fall on my face because I am going to tell the magic words. This gun has flaws. Yes he has some. A lot.
We will also weigh the pros and cons throughout the video story to appear impartial. Do you agree ? (Good airsoft gun 0 - 0 Big Shit)
I'm waiting, you have to answer.
Well, we will say that yes.
Not very talkative...
It's nice to have a pistol that is the weight of a real but it consumes three times more than a conventional CO2 Colt.
In addition, this gun only accepts magazines that have a UGLY HEEL. And again, this one is the one developed by Inokatsu, normally it's the KJWorks which have a big heel.
Why do they do that while the KWC doesn't? In any case, it consumes so much CO2 that I triggered global warming in my own home...
Suddenly, if you finish a magazine fulled with its BB's with a single CO2 cartridge, you are very lucky.
The breech is so heavy... One comes to wonder what is the interest? Have something realistic but not usable in part? Or the opposite with the Marui for example: not realistic at the level of weight but which is a monster in game.
What are we looking for? Realism or performance?
You have 4h, without calculator.
Basically, my friend Mathieu had offered me a first. Same version as this one. But he never worked. Whenever I wanted to shoot with the replica, it was like that: "PSHIIII"
I have disassembled, reassembled, used the lime, the dremel, nothing helped. I finally sent the gun to Chris Adams Custom, who specializes in Inokatsu, he has 3 or 4...
And he too was faced with an impossible problem. Even by inverting the parts, we could not find the origin of the problem.
I said to my friend Mathieu "Sorry, I can't do a review on that". So he sent me another one in exchange. One that works this time.
Notice that the magazine was provided in the first version but not in the second. Check that there is the magazine when you buy.
Or manage to find elsewhere. While knowing that there are several generations of magazines depending on the versions. This one is not compatible with KJWorks magazines.
That's OioiAirsoft who had the opportunity to test. I put the link of the comparison in the description of the video.
So if you can, try it before you buy it.
Some have adapted their Colt 1911 A1 to go with HPA. It's an idea, but you have to bring the bottle in game.
Imagine if you have 2 colts like it and a MG42 from Shoei? It's not a tactical bag you need, it's a wheelbarrow!
At the black dot: Look at the adjustment of the bolt relative to the body of the gun.
The body of the gun
AMEN
So I said, look at the adjustment. The slide is not aligned with the frame.
On the slide, the elements are not positioned exactly in the same place as on the original. Example with a photo that sent me Chris Adams Custom: a comparison between 1 RS and 2 inokatsu.
It's a few millimeters, but a few millimeters that are enough to fuck a fly.
Moreover, if you want to recognize an Inokatsu 1st version of an Inokatsuni 2nd ver...
Oh, sorry, sorry, I didn't even do it on purpose...
If you want to recognize an Inokatsu 1st version of an Inokatsu 2nd version, there are two elements to see at the slide. Simply the position of the markings in relation to the curve we have on the top of the breech.
The 2nd point: the 1st line here. Here we see that it has a correct form. Look what it was before. And in addition we had a mark on the outer barrel. From the ejection window.
Here is the box for this 100th anniversary edition.
Why make a box edition 100th anniversary for the M1911 then the M1911 A1 dates from 1926? We still have time before making his real birthday... It would have been more fun to make a real M1911, it doesn't exist in airsoft...
We have a notice provided in it, which has just farted the mouth...
It's in two parts: the hood and here it locks with a magnet. And we have the gun inside. Note here a part that has been added to the location of the magazine.
Which proves that it was planned that they put it, but that finally, it costs too much. Sure, 300€ without magazine, it's perfect...
If you want the box, I give it to you... I have one in addition.
Some parts are smooth as the sides, others are grainy as on the top and on the front.
Simply because it's handmade, so some machines can go on the sides, it will be more complicated on the top. So it's an excellent point of realism, the real ones are finished the same way.
The breech is made of steel and therefore positive to the magnet! Hence its weight in the end.
Which means that according to the versions, we can find traces of welds more or less well camouflaged, it all depends on the version on which you will get.
And even the 1000€ version could be less well finished than this one. Look what could be found under a grip for the version of 1000€.
It's really disgusting, huh. Oh shit, no it's me in the reflection of the window.
But imperfections and asperities, it can also happen on the real one, the finish... the last priority in time of war.
The breech is here very well adjusted, it has a very light game. But on the previous model, that I had the opportunity to receive but not to test, it was the disaster, so much that we could make maracas and when we did that.
It will depend on the versions made by these gentlemen from Inokatsu, a company that no longer seems to exist as the website is Down. Maybe because they got bought by Cybergun. I don't know.
Note also patina created on the right side only. A fitting problem surely.
In any case, the natural patina will actually skate your replica, don't do it manually, it would be a pity.
Speaking of patina, don't hesitate to use and abuse silicone lubricant such as this one. Yes, you know, juice from modified boobs.
By default to have a hottie at home, have a bomb of this type. It will be good for your petard, and joints will be more satisfied.
Yes, I talked bomb, boobs, petard, joints. I unlocked lots of keywords to annoy me! Or make me demonetize...
So this silicone bomb on the joints especially, it will avoid leaks.
Looking closely at your Colt, you will see here 3 axes that are not simulated on the back, unlike the KWC which has 2 real axes and a fake! A good point on realism, again!
Now let's talk about markings. The markings are 99% realistic. It's a shame, the arsenal marking on the right side is absent. You will tell me, and I have looked for it, it may not be there.
In fact, he is one, but he is very slightly struck. So far, you can't see it. So afterwards, Hicock45 showed a Colt who didn't have one.
In any case, it's a pity he is not on this version. The rest of the markings, on this version, we can say that they are well done.
If we put a real side, we will see that the typography is slightly different and not exactly well positioned.
But anyway, we knew that the slide didn't have the same sizes as the original, so the position of the markings, it's normal that it may not be good.
The serial number on the right side is specific to each replica, and that's fine! But mine is not WW2, and that's not good... And the small marking on the bridge, we talk about it?
69! WOW! What's the point of advertising for the Rhône department? And why not 35 while we are there? Band of pigs...
On the side, we have a GHD for Guy H Drewry, so manufactured from June 17 to July 15, 1945.
So WW2? While the serial number is not? WTF
The magazine, we see that he stained when I have used it just a few. This is explained: it's zamak while the frame is steel.
Do not hesitate to be a big nagging when you insert it. If you put it in that way and you say, oh, that's good, then you're going to lose it.
Then you will cry. Then you will get lost, then you will drink, then you will cry. All this for a magazine.
We have false scratches at the exit of the outer barrel. We guess them very lightly on the outer barrel...
Normally, scratches, it doesn't have too much that head, and above all, what is the interest of having blued the inside of the outer barrel? It's a plus but it's not a mark of realism, not like that anyway.
All this to get a weight of 1200g without CO2 cartridge, and 1212g with cartridges of... 12g.
Thank you Captain Obvious!
The original weighs 1105g unloaded and 1271g with 7 cartridges in the loaded magazine. Basically, they averaged the loaded and unloaded weight and we fall about in the middle!
Hence the impressive kick (it's really noisy too) and a consumption of CO2 that would rant Nicolas Hulot. (French ecologist)
We will now go to the chrony test + shooting test. I will use 0.25g BB's, and most importantly, don't forget your goggles, even if it's to shoot a target, it's very important.
It's 14°, I have 27 BB's in the magazine, with a new CO2 cartridge engaged, we will see what it gives, if I will succeed in shooting the 27 BB's. The target is about 10m away.
I shot at least 10. We take the rest.
The CO2 cartridge has a capacity of 20 BB's.
Note, I forgot, we have a nice marking on the magazine: Inokatsu
Here we are with a new magazine with 27 BB's, a new cartridge. We can notice that we can insert the BB's from the bottom with a BB-loader. And we're going to do a range test and see how far it's going.
What makes us a range of 15 to 20m, and yet my hop-up is set!
In fact, as for all CO2 replicas, if you want to make a complete magazine, it's possible, but you have to take breaks every 10 BB's.
The hop-up is accessible, like all replicas of Colt 1911, by dismounting the breech, it's below. And if I have a Swiss knife here, it's because in the hand, it's not possible to touch it. It's too stuck. Like your sister. Or your mother.
Once the hop-up set up, to put the breech, it will be tricky because the little spring here is strong, I don't want to damage the part over.
You are warned, be careful not to scratch your breech with your tool.
It's done, I can shoot again.
Here is what concludes this video of airsoft gun review, I hope that it will have pleased you. If so, don't hesitate, as usual, to leave a blue thumb, a comment, to subscribe and share this video, it's very important.
Go to visit my page Tipeee, it can help me as much about the frequency of videos as their content.
I'll see you soon for a new video of replica airsoft, replica Denix video review, uniform or VIP presentation! Bye!
Directed by Neo035
With the support of Mathieu and OPS-Store
With the help of OioiAirsoft and Chris Adams Custom
Thanks to Tipeur James Taylor
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How To MASTER Instagram Ads For BEGINNERS In 2019 - The COMPLETE Instagram Advertising Tutorial - Duration: 25:33.
In this video
I'm going to break down the three different ways to market your business on Instagram how to use the Facebook Ads manager
Advertise how to advertise within the mobile app and also probably the most cost effective way to market and advertise your business
leveraging other Instagram influencers
All right. Now if you guys are brand new here to my channel
My name is Jason Wardrop and I teach you how to generate more leads
Make more money and grow your business
And if you guys want a free bonus from me
Then right down below in the description as well as in the top comment section
I have a 100% free Facebook Ads mini course where we do dive into
Facebook advertising as well as Instagram advertising and I have a little cheat sheet for you guys
And also if you guys are brand new here
Make sure you subscribe because we launch new videos every single week and how to generate more leads
Make more money and grow your business
So hit that subscribe button and also if that notification bell so you will be notified every time
We launch a new video. So with that said guys, let's talk about the three core ways that you can market and grow your business
Leveraging Instagram now Instagram obviously is one of the hottest social networks out there right now
So it's a great place to go and connect with your different customers
But the thing is Before we jump in and like we just want to start marking our business on Instagram
We got to think about what business were in and where our ideal client. Our ideal customers are actually hanging out now
There's a lot of customers
There's a lot of potential clients on Instagram
But you got to make sure that it matches well with your business before we dive into things
Okay
So there's three key ways to go through and actually market your business
Leveraging Instagram so that you can become a master when it comes to Instagram advertising, right?
so the first way to go through and market your business on Instagram is
Leveraging other social media influencers. So if you think about your market, whatever market you're in there are other
influencers with
Massive followings where if you're just getting started you might not have any following whatsoever or you're following might be very small so it's kind
Of hard to get that organic growth generate those leads make that those sales for your business
So what you can do is go find of their social
Influencers on Instagram that already have a following and typically you can reach out to them. So send them a direct message on your phone
And then say hey, how much does it cost for a promotional pulse?
So for example, let's say I'm gonna jump over here on Instagram
Just kind of show you how this works
A lot of this has to be done on your mobile phone and it's a lot easier to do on your mobile phone
But just for the sake of this example, I'm gonna be showing you guys right here on my desktop
But let's say that you are in the fitness industry
So we're gonna come up here to the search bar and more likely you already probably know the top
Influencers in your market, and if you don't you definitely should get to know them
So let's say we're in the fitness
So we'll just type in Fitness up here and it's gonna pop up some of these different Instagram influencers
So for example like Christian guzmán right here
I know he's a fitness influencer and we're gonna click to his profile and you can't do this on a desktop device
But you can do it on your mobile phone. You can direct message Christian and ask
Hey
How much does it cost for a promotional post and typically most?
influencers are gonna have different rates as far as how much it cost to have a post up for a few hours or
Even for a full 24 hours, typically what they'll do
Is you give them an image with the post or whatever link you're wanting to send people to and now they'll leave that post up
For about 24 hours and then they'll take it down. So they'll delete the post
But basically if you want more time, then you can pay more for a longer period of time
Or if you want multiple posts
Then you can go through and say you'll pay how much would it cost to have like 5 posts within the next?
72 hours and they'll give you these different rates and all of these different influencers are gonna have different rates
but the reason why this is super powerful is because a lot of times if you come over here and you look at some of
these different pictures
He's getting 42 thousand likes 240 comments 31 thousand likes
32 thousand likes so you can see how much engagement
55,000 they're getting with each one of these posts
So when it's coming from the actual influencer themselves as opposed to just a sponsored ad on Instagram
Then it's just a lot more beneficial to you and you
Or business and you're gonna get a lot more clicks a lot more leads a lot more exposure
Because they already have that connection with this influencer
and so a lot of times you're able to get that awareness for pennies on the dollar as
opposed to going into the Instagram app and advertising there or even going into the Facebook Ads manager and
Setting up your full Instagram marketing campaign within there, which we'll get to here in just a second
So once again guys you could just come down here
If you click this down arrow, we can see a lot of other influencers
And so usually what I would do is I would go find you know
10 to 15 to 20 other influencers that are in the same exact niche
It's like for example Rob I know he's in this niche as well
and so I would just go through and I would message all these people and ask how much it would be for a
sponsored post on their profile
And typically they're gonna have if they're gonna have a decent sized following like this guy's got four hundred seventy five thousand followers
they're going to have some type of rates in place to be able to just give you right out of the gate and then you
Can go through and track and measure, you know
Is this going to be worth it to be able to get so you come down here?
It's really important to see how many likes and comments that each person's getting because really anyone can go and buy
followers that are like fake followers
But you want to make sure they've got a good
Following but also they've got a good connection with that following
So if they're getting a lot of likes a lot of comments all that stuff, then you want to make sure
that that's happening so that if you're gonna go and invest money into a post is
It actually going to be engaged with are people gonna actually see it or you can actually get clicks to your website
And if that's the case, then it's definitely a worth looking into as far as investment goes
All right. So that is the first way now, let's jump over here. This is kind of Facebook's Instagram advertising page
Which gives you a quick run through and we're gonna hit some of these different points just so you have a basic understanding
Of all the different ways that you can market or advertise your business on Instagram and then we're gonna actually jump into the Facebook
Ads manager and set up an Instagram
Advertising campaign, okay
So right here, there's a few ways that you can go through and create different posts on Instagram that sponsored post
So obviously you could do just a photo ad right you guys have seen these before if you've been on Instagram
It's basically just a picture just like anyone elses account
But it's a sponsored and then we'll have a call-to-action link and then down below it
So there's not going to be any a headline sub-headline or anything like that?
But there will be a call to action and then down below in the actual description area. You can write some text
But if you put a link in the actual description area, it's not going to be clickable
Just like any other link within Instagram, but you can have the call to action when they click on the actual photo itself
Okay
so obviously you have video ads the thing you got to remember is that if you're setting up a
Video ad that's going to be both on Facebook as well as Instagram
So the video ad can only be 60 seconds long, okay
now that's really important remember because if you're setting up a video ad on Facebook
You can actually be really as long as you want. Whereas with Instagram it can only be 60 seconds long
So if you're trying to make an ad that's going to be both on Facebook and Instagram
It's got to be less than 60 seconds or else it won't show, okay?
also
You can have these carousel ads which are really nice especially as far as like if you're doing e-commerce
Product or even if you're in real estate and you're showing a home a listing, you've got multiple photos of that home
People can scroll down and flip through all the different photos and so it's just like an Instagram photo ad
But you can have multiple photos, which is really convenient
Okay
And then right here
We've got the story ads which this is basically you can have a photo or a video but Instagram launch stories kind of copying
Snapchat back in the day, but basically it's gonna be at the very top once you jump on Instagram
and so as someone's clicking on the different stories as they're clicking next it'll pop up as a sponsored post between
their friends stores and the next friend stories
And so once again, there is a limit on the amount of time you can have on this video
I believe it is 15 seconds. Let's see if it's got right here
So it doesn't have the time but I believe it's just 15 seconds
so you got to be aware of that and
Also, another thing is if you look at the way that someone's gonna be holding their phone when they're we through their story adds
They're gonna be holding it vertically
So if you're shooting a video ad that you're wanting to promote to everyone you're wanting to shoot that video
vertically on your phone because then if you shoot a
Horizontally, it's just gonna show up kind of small right here
And that's gonna have a lot of black where you're not optimizing the real estate on that phone
And so it's just you want to make sure you know where you're gonna be actually
Showing this video ad whereas like up here. You can make it a box. You can shoot it
Vertically, you could shoot a horizontally. There's a lot more options if it's just in the Instagram newsfeed
All right, they cut me down here collection ads
This one's really good for e-commerce stores as well where you can have a lot of different images
You can honestly on Shopify
You can track based off what products people have looked at and then based off what they've looked at
You can reshow that to that person on instagram
So there's really some powerful things that you can do with Instagram advertising and setting all this up
So like we said earlier there's a few different ways to go about doing this one
you can obviously connect with other social influencers and ask them how much it would cost to do a
Sponsored or promoted post on their page. Typically it only lasts a certain amount of time
but honestly at the end of the day the weight Instagram and even Facebook works is the posts typically are only relevant for about
24 to 48 hours and then it just gets lost deep into the newsfeed so you don't really need anything longer than that if you
Want more exposure then you could just pay for
multiple posts over the course of let's say five to seven days and you can get more people coming in and seeing your business and
Your products and generating more leads. All right, you can also go through and advertise within the Instagram app
So if you have a business profile
Just you make a post and you can hit this promote button right here as you seen and then the way I like to do
It is going into the actual ads manager, which we're gonna do here in just a second
I'll break down and show you guys exactly how to set this all up
But you'll go to the ads manager and it's just like creating a facebook marketing campaign
but instead of choosing to post on Facebook you're choosing to post it on Instagram and obviously if
the creative fits both platforms
Then you can say hey, I want to advertise both on Facebook as well as on Instagram. Okay, so coming over here
Let's jump in and I'll show you guys how to set this up within the Facebook Ads manager to target people just on Instagram
So we'll come over here and on our Facebook page. We'll go to the ads manager
We can access it right here or in the drop down in this right arrow
So we just click on create ads or manage ads?
so I'm just gonna come over here click on ads manager and
This will take us into our Facebook Ads account
Now if you have never created an a Facebook Ads account, it's gonna walk you through the initial creation, but right here
These are your Facebook advertising
Campaigns. Okay. So what we're gonna do first is will click on create to create a new campaign
And at first it's gonna ask us what is our marketing objective
So what do we want to accomplish by creating this advertising campaign? And the cool thing is that
Facebook Facebook is also Instagram. So Facebook bought Instagram for over a billion dollars
So when I'm talking about Facebook, it's the same thing for Instagram
But they have so much data on every single person on their platform. They know their age. They know their gender
They know what they like what other posts they like what accounts they interact with
They know if people are more likely to watch a video on
Instagram or on Facebook and so because they have all this information
When we're going through and creating a new advertising campaign
We can tell
Facebook aka Instagram
Which campaign what what type of objective of what we want to accomplish with this campaign?
So for this example, let's say we are just wanting people to click off to our website
Check out our Shopify store opt-in to one of our landing pages or visit our website or blog or anything like that
We'll click on traffic right here
And that's basically we want people to click from Instagram and go to our site
Okay, so well come over here. We'll name it traffic
Demo, you can really name it whatever you want
but I like to kind of like give it a name of something that I know if I see that later on the road if
I'm looking through all my
Advertising campaigns. I know what it is specifically for so we might even do down
And they call it demo IG for Instagram obviously and then we'll click continue
Okay, and now this is where we're gonna choose our audience of who we want to target and we're gonna choose our placement
Okay
So the placement is do we want to show this ad on Facebook do want to show it on Instagram?
We want to show it on the Instagram newsfeed do want to show it in the Instagram stories
Where do we want to actually have this shown? Okay, so we're gonna come up here and give this a name as well
So we'll say IG and we'll say people in
Dallas for example, okay
So right here this traffic website, we don't have to touch anything right here the dynamic dynamic creative right now
We don't have to mess with that to offer anything like that. We'll come down to the audience
And this is where we choose who we want to actually show our post to okay?
So let's say that we are in the fitness space
So we want to show it to you know people that are interested in fitness
So if we come down here, we probably don't want to just say fitness in general because fitness is pretty broad
Like is it gonna be more focus for men or women?
It's gonna be more focused on weight loss or maybe you're trying to get a 6-pack or build muscle anything like that
So we want to actually get a little bit more targeted with our advertising so it's not just speaking to
Everyone out there. So for this example, let's say we have a product or service or something
Whatever it is that is close to since where we've kind of been coming with the whole Fitness route
Let's say it's close to like p90x like at-home workout video training program
Maybe we've got like a little home workout course or something to go through and build strength build muscle get get fit
So we can come in here and for the detail targeting we will type in
p90x
Ok, it should have something so we've got about 1.4 million people in this audience
so instead of this Dallas one will say Instagram will say
p90x
Alright, so now we'll come down here
And as far as the location really that like I like to typically start out with just the US
But you could go through and do the US and Canada or wherever you're located
Whatever country you're located or wherever you want to have your ideal target customers and then as far as the age goes like p90
is pretty general pretty broad so all this leave that open-ended if you do have a
Specific market, like you're wanting to go through and work with women ages 18 to 30
You go through and put that in there. The one thing to keep in mind when it comes to targeting and your audience size
Facebook typically likes larger audiences and based off of your ad copy and you're creative
So whether it's a video or image Facebook can kind of target who the ideal people are that are more likely to actually engage
With that post and click to your website. So make sure you guys keep that in mind a lot of people
I feel like a lot of beginners go through and they try to get all the interest is like super narrow down super niche
They try to go and get a specific age range and get that exact person super ideal and a very tiny audience
But typically what I found is that your advertising dollars are better spent leaving a little bit more wide open
But giving Facebook just a little bit of direction
So make sure you keep that in mind as you're going through and creating an audience to go through and target
And then coming down here to our placements now, we're setting up an Instagram app
Facebook says that the automatic placements is
Recommended but that means this can be shown on Facebook on
Instagram on their audience network every place that it that Facebook can actually go through and show an ad
And I don't love that because if you go and have a video
It's gonna show up different on your stories on your Instagram newsfeed on your Facebook newsfeed
And so I usually like to go through and select specific
Placements so that my ad creative is actually gonna match up with that placement. Okay
so will come over here will click on edit placements and
I don't want to do anything on Facebook because this is a tutorial on how to go through and mark it on Instagram
So we're gonna uncheck this
we're gonna uncheck audience Network uncheck messenger and we're just gonna focus on
Instagram now
If we wanted to just to show up in the news feed then we just click this and we can uncheck the stories or vice-versa
If we just want to do the stories, we'll click on that and uncheck the feeds
But we want to make sure that whatever creative we're using. So whether it's a or image or whatever it is
It's gonna actually match up with that specific placement. So let's say for this one. We're gonna do an actual newsfeed one
we're gonna uncheck stories and then we'll come down here and we can choose a
Budget of how much we want to spend now we could do a daily budget
so let's say we want to spend five bucks every single day or ten bucks every single day or
We could say hey we want to do a lifetime budget and over the course of the next month
We only want to spend let's say we've got a hundred bucks to go through a thousand
We've got a hundred dollars to go through and spend on our Instagram marketing
Okay
but typically what I like to do is I like to do the daily budget because if the campaign is performing well
Then we can just leave it running and if it's not performing well, then we can always go through posit cancel it. Delete it
Whatever we want
So we'll come back here to the daily budget and we'll just run the ad set
Continuously starting today and maybe let's say we're gonna start out at five dollars per day
All right, so five dollars per day, it's gonna be over the course of a month
It's gonna be about a hundred and fifty dollars or thirty five dollars per week. And then as far as the
optimization for ad delivery it's saying link clicks, which let me just kind of break down the difference between link clicks and
Landing page views so anytime for link clicks anytime somebody taps on your ad on Instagram
Facebook will charge you and that will count towards the cost per link clip
But if somebody's in a spot where they don't have a good data or good Wi-Fi or anything like that
Then they might never actually pull up your website your blog your ecommerce store
Whatever you're trying to send them to so if you want a little bit more accurate data of how many people are actually
visiting your website
I like to do Lannie pageviews because that means they not only clicked on the ad but your page
Actually loaded so you want to make sure that happens and that's able to be done with the Facebook pixel
Which I have another video showing you how to create that how to install out how to do everything
So we'll add that up here in the top that you guys can go through and watch that if you're unsure on how to go
Through and create the Facebook pixel install it and everything like but this is going to give you a lot better
accurate data when it comes to tracking people that are actually clicking and
Seeing your website, your cost per landing page view is going to be a little bit higher than your cost per click
But it's just gonna be higher quality information
So from here, we'll could choose landing page views and we'll click on continue right here
And this is where we're gonna actually create the ad of what people are gonna see inside their Instagram
Newsfeed. Okay. So right here
we're gonna choose what Instagram account we want to go through and show it from so if you haven't connected an Instagram account
They're going to ask you to connect an Instagram account and then we can choose the format
Now we talked about I showed you kind of up here. There's a lot of different phone formats. The collection ads the story ads
Carousel video ads and photo ads and so this is where we actually choose this. Okay
So let's say for this example
we'll just do a single image ad it's the most common the most basic but just scrolling through you'll just see an image and
So coming down here
We'll upload an image from our desktop if you already have one you want to use
Or if you don't have one you want to use but you still want to use a professional-looking image
Facebook has a deal with shutterstock where you can have all these free stock images that look really nice. So if we click on this
We'd come in here and let's say we'll type in fitness
Okay, so we'll see like what different posts they've got so this one looks like okay
It's both men and women this might even be a p90x type of workout. So we'll click on that. We'll hit confirm
Okay, so this will be what the image is looking like
This is a little example post of what our ad is gonna look like on Instagram
Okay, so it's going to have our profile picture
it's gonna say sponsored ad and then we can go through and add some more information and you can see kind of like
The Shutterstock and all that stuff here this watermark
Once it goes live that's not actually gonna show up so you don't have to worry about that
Okay, so then we come in here. We type our message
Maybe it's like get our free
seven-day
workout series
Or whatever it is. And then let's say you our website is we'll just say Google for this example
Okay
So we'll just copy and paste this and we'll put it right in. Here's our website URL and
Then I usually like to have for the the call-to-action. I usually like to have learn more
Okay, and you can see the pixels missing from this page because Google doesn't have a Facebook pixel on their page, obviously
but as I mentioned earlier guys
If you want that Facebook pixel tutorial on how to install that on your page and help you with your Instagram
Advertising and the tracking track and everyone that's coming to your page
I'll have that link to the video up here that you guys can go through and check that out and watch how to do that
Before you actually go through and set up your Instagram marketing campaign
Okay, so then from here guys
That's pretty much it
The it's really going to be important what you throw in here into your copy
of what you're actually saying to get somebody to want to click and then also the image the goal of the image is to get
Somebody's stop scrolling and check out what you have to offer and then the actual text right here is to sell them on
clicking so the image is to get them to stop scrolling and
Then the text the goal is to sell them on why they should click not necessarily sell them on your product
That's what your sales page should do. But to sell them on why they should click
Alright, so then from here, all we got to do is hit confirm and you are done. You are good to go
That is how you set up a full Instagram advertising campaign. Alright?
So once again guys if you want my free Facebook Ads mini course
And it goes into Instagram as well as well at my face Facebook ads and Instagram ads cheat sheet
Down below in the description as well as in the top comment
You guys can go through and download that a hundred percent for free
But just as a quick recap of the three different ways to go through and mark and advertise your business on Instagram
You can go through find other Instagram influencers that are in your niche reach out to them
Find out how much it cost for a promoted post
so obviously for this Fitness niche you can go through and find these different influencers and
Think about who your audience is going to be following obviously. These are male Fitness influencers
So that's gonna be different than the female fitness influencers based off your market
Then you can come over here and as shown down here on this page you can ties within the Instagram app
So if you have a business Instagram profile
You can make a post and promote the post
Directly within the Instagram app or my favorite way to do it is going through into the ads manager on Facebook on your computer
Just because you're able to have a little bit more leeway and a lot more
Options when it comes to your targeting your setup and all those different things
So that's really the way I like to go through and do it
So anyway, if you found this video helpful, go ahead give it a thumbs up also drop a comment down below
Let me know what you think. I would greatly appreciate that
And if you guys are brand new here to the channel
Make sure you guys subscribe and hit that notification bell because we launched new videos every single week on how to generate more leads
Make more money and grow your business, right?
So thanks so much guys for watching this complete tutorial of advertising on Instagram
I hope that it helped you with getting started with marketing your business on Instagram and
Even on Facebook and all these different platforms to be able to go through and grow your business
And with that said thanks for watching and I'll see you in the next video
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