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*မုန္႔ လက္ေကာက္*Burmese 's Donut* - Duration: 5:35.
Burmese's Donut
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"Lights..Camera..Action!" Become a Movie Star on a Vintage, 1950s Movie Magazine Cover in Photoshop! - Duration: 10:35.
Hi. This is Marty from Blue Lightning TV.
I'm going to show you how to place yourself onto the cover of a vintage, movie magazine from the 1950s.
This tutorial is for versions CC and later.
I provided a template, so you can follow along.
Its link is in my video's description or project files.
It includes this texture of paper scratches and abrasions, the masthead of a typical movie
magazine from that era and a folder that includes all of the other text.
You can replace any of the text by simply double-clicking the large "T" on the text layer
to highlight the text and then type in your own text.
I'll press Ctrl or Cmd + Z to undo the last step.
If you'd like to use the same fonts that I'm using, I provided their links, as well.
Feel free to reposition the text for your cover.
I'll collapse the folder.
Before we begin, if I've inspired you to explore your creativity in Photoshop, please
help support my channel for as little as 2 dollars a month by becoming a patron through Patreon.
Click the Patreon card at the upper, right corner or click the Join button below the
video to become a Channel member.
Make sure the paper scratches layer's Blend Mode is "Screen".
This blend mode shows the scratches, as well as all the layers under it because it clips
off all of the darkest tones of the scratches layer, while revealing all of the lightest tones.
Open a high resolution, large-sized, close-up photo of a person that you'd like to use for this project.
I downloaded this one from Shutterstock.
Since almost all of the celebrities that adorned these type of movie magazine covers were cut
out of its original background and then placed onto a flat color later, I'll show you how to do it.
There are many ways cut out subjects from their backgrounds, but for this example, I'll
use the Quick Selection Tool If you're using this tool, as well, I find that a radius of
10 pixels works well for most sizes, however, feel free to adjust the amount if you'd like.
Drag your cursor over the inside of your subject.
To remove selections that are outside your subject, press and hold Alt or Option as you
drag over those areas.
To check your selection press "Q" on your keyboard to see it as a quick mask.
By the way, if you want to change the color of a quick mask, double-click the quick mask
icon, click the color box and just change the color.
I have its opacity set at 100%.
To refine the selections' edges, click the Select and Mask button if you're using version
CC 2015.5 or later or you can go to Select and Select and Mask.
If you're using an earlier version of Photoshop, click "Refine Edge".
I did in-depth tutorials on both, so if you'd like to watch them, I provided their links, as well.
If you prefer to use Refine edge instead of Select and Mask, Shift-click Select and Mask
to open the Refine Edge filter.
Check "Smart Radius", which will detect hard and smooth edges.
The brush should be approximately this size.
To adjust its size, make sure the CapsLock key is off and press the left or right bracket
key on your keyboard.
Drag your cursor over the soft edges such as the hair.
Check "Decontaminate Colors".
This prevents color fringing onto your subject from the background.
Drag it all the way to 100%.
Output it to a "New Layer with Layer Mask" and click OK.
We'll convert our cutout subject into a Smart Object, so we can add filters to it non-destructively
and even replace it with a different subject, without having to redo most of the effects.
To do this, click the icon at the upper, right of the Layers panel and click "Convert to Smart Object".
Go to Filter and "Camera Raw Filter".
Before we start adjusting some of the settings, keep in mind, since every photo has its own
characteristics, the settings and amounts I'll be using for this particular image may
not work the best for your image, so feel free to adjust them as needed.
In the "Basic" panel, I'll make the Temperature: 30 to give our subject have a golden-yellow
color cast and I'll make the Exposure: minus 0.60, which darkens our subject.
I'll decrease the Contrast to minus 50.
The Clarity is +40 and the Vibrance is +80.
This combination gives our image an over-the-top, punch that printed movie magazine covers had from the 1950s.
Open the "Presets" panel and open "Grain".
I'll click "Medium", which gives our subject a grainy texture.
Then, press Enter or Return to accept all the settings and to close the Camera Raw window.
Go to Filter, Blur and Gaussian Blur.
I'll blur it 0.4 pixels to soften the image.
Next, we'll darken the overall highlights of our subject by clicking the Adjustment Layer icon
and clicking "Exposure".
Adjustment layers affect all the layers below them in the Layers panel.
To restrict an adjustment layer to affect only the one layer beneath it, it needs to
be clipped to that layer.
Since we'll be adding a background layer below our subject later, let's clip the adjustment
layer to our subject now.
To do this, click the Clipping Mask icon or press Alt + Ctrl + G on Windows or Option + Cmd + G on a Mac.
You can also go to Layer and "Create Clipping Mask".
In the "Exposure" field,I'll type in minus 0.40.
Next, we'll compress the shadows and highlights, which creates a similar flattening of the
overall contrast of many subjects printed on inexpensive, vintage magazine covers.
To do this, click the Adjustment layer icon again and this time, click "Selective Color".
Then, clip it to the subject.
Open the Whites and in the "Black" field, type in 60.
Open the Blacks and in the same field, type in minus 20.
We'll convert our visible subject into a Smart object, by Shift-clicking the subject to make
it and its adjustment layers active and converting them into one Smart Object.
We're ready to place our subject into the template I provided.
Open your Move Tool by pressing "v" on your keyboard.
Drag it onto the tab of the template and without releasing your mouse or pen, drag it down
and release.
To resize it, open your Transform Tool by pressing Ctrl or Cmd + T.
Go to a corner and when you see a diagonal, double-arrow,
press and hold Alt or Option + Shift as you drag it in or out.
If you're using CC 2019, just press Alt or Option as you drag it.
To reposition it, go inside the bounding box and drag your subject.
Then, press Enter or Return.
Let's drag our subject below the paper scratches layer.
We'll add a background color at the bottom of the Layers panel.
Make the text folder active and create a new layer below it by Ctrl-clicking or Cmd-clicking
the New Layer icon.
Let's name it, "Background".
Click the foreground color
and pick a color for your background.
Since, I already know the color I want, I'll type it into the hexadecimal field: 385981.
To fill the empty layer with your foreground color, press Alt or Option + Delete.
To ensure that all of our text is visible and not hidden behind our subject,
we'll drag the text folder above our subject.
To change the color of your text, open the Text folder and double-click the large "T"
of the text layer that you want to change.
This activates and highlights all the text in that layer.
Click the color box in the Properties panel or the box at the top of your screen.
For this block of text, I'll pick black.
Double-click the large "T" of the "Your name here" layer
and type out the name of the person on your cover.
I'll change the color of this block of text by repeating the same steps.
To change the color of the masthead,
double-click the Masthead layer to open its Layer Style window.
Click "Color Overlay" and the box.
Pick a color that compliments your subject and its background.
I'll cancel it, since I like my original color.
This is Marty from Blue Lightning TV.
Thanks for watching!
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#deliJezusa Advent 2018: ADVENT ≠ VESELI DECEMBER - Duration: 1:04.
For more infomation >> #deliJezusa Advent 2018: ADVENT ≠ VESELI DECEMBER - Duration: 1:04. -------------------------------------------
3B Outdoors TV - 2 Turkey Hunts, 1 Doe & a KY Bluegrass Buck - Duration: 28:27.
3BO S12 E03
(FREDDIE) Hey folks welcome to another action packed
week here at 3B Outdoors.
Man, have we got some great hunts.
Four hunts on one show.
First we're going to Tennessee with Clayton and Randy
McDavid as they try to outsmart one of those big
ole' Tennessee Gobblers.
Then we're back in Tennessee with Dustin Coats and
myself, we're trying to double up in a double bull blind.
Then we're going to jump into a tree with Randy and
Tanner McDavid as they're on a little doe patrol.
Last, we're going to Kentucky with
Mr. Lionel Green.
We're going to see if he can put his tag on one of
those big ole' bluegrass bucks.
Thanks so much for being with us this week.
I'm Freddie Neeley and welcome to 3B Outdoors.
(MUSIC)
(GUN SHOT)
(FREDDIE) LAUGHING
(FREDDIE) FOR REAL.
(SILENCE)
(MUSIC)
(NATHAN) THIS ONE RIGHT HERE MAY HAVE A LITTLE MORE PULL.
WHAT A BEAST OF A SMALLMOUTH.
(MUSIC)
(BARRY) GAHHHH!
(KEVIN) LOOK AT THAT. IT DON'T GET NO BETTER THAN THIS GUYS.
(GUN SHOT)
(CLAYTON) YES!!!
(GUN SHOT)
(FESS) YES SIR!
(BOW SHOT)
(JEFF) WE'RE HERE IN OHIO.
(DUSTIN) YES SIR!
(KANDRA) IT ALL HAPPENED SO FAST.
(LIONEL making train sound.)
(NATHAN) BOOM! THAT JUST HAPPENED.
(FREDDIE) YOU WON'T CATCH ANYTHING LIKE
THIS OUT ON THE WATER.
(DUSTIN) LAUGHING.
3B OUTDOORS IS BROUGHT TO YOU BY VISIT KINGSPORT TENNESSEE.
(MUSIC)
♪ ♪ ♪
(CLAYTON) Well we're in southwest Virginia, trying
to get it done again this morning.
A friend of ours said he saw a bird come into this area
of the woods yesterday afternoon late.
So, we come in here this morning and set a blind up
and we heard him gobble way down deep in this holler
right here.
And we've called to him two or three times and he'll
won't even answer us now.
We've bought the side by side up here and it may have
him all wadded up this morning.
Anyway, he never answered us, about all we can do right
now is sit here for a few minutes and see what happens.
We got our decoy spread up.
We got Woodhaven calls raring to go.
But let's just wait and see what happens.
We're going to try to wait it out.
(Turkey sounds and outdoor sounds)
(FESS) Look there that's a good call.
Boy that's a good one right there. Decoys too. oh yeah.
(Turkey sounds and outdoor sounds)
(Turkey sounds and outdoor sounds)
(Turkey sounds and outdoor sounds)
(CLAYTON) Oh yeah.
(Outdoor sounds)
(GUN SHOT)
(laughter)
(CLAYTON) I tell you when a plan comes together
oh, that'll ole' Woodhaven call I'm telling you
what, that bird, we couldn't do a thing with him
this morning.
(FESS) He didn't like to gobble.
(CLAYTON) No, he didn't want to gobble.
He flew off a way from us, plum down the other end of
the a whole different ridge and set up and
started gobbling, raising cane but just ever once in a
while I mean he could barely hear us, we could barely
hear him.
What he finally did, Fess got on that real hen Woodhaven
box call and I got on the mouth call here and
we hammered him for a little while and then we just shut
it off.
We said well he knows where we're at.
So, we're going to wait on him, see what he's going to do.
Next time we heard him he had come up the ridge into
another gap, gobbled one time.
So, we hammered him again and just shut it off and we
both looked at each other and said we'll give him 30
minutes and see what he's going to do.
And ole' Fess looks up and sees him coming down through
a sage brush field, got his britches pulled everywhere.
(laughter)
(CLAYTON) Running down through that sage brush field, got
him coming through that, all the way down through the
field there, come over here jumps on our hen,
starts wearing him out and sealed the deal right there.
Let's go out here and get a tag on him and see if we
can find you one brother.
(FESS) All right.
(ANNOUNCER) THIS PORTION OF 3B OUTDOORS IS BROUGHT TO
YOU BY THESE FINE COMPANIES.
(MUSIC)
(COMMERCIALS)
(CLAYTON) I tell you what that's a big ole' gobbler.
He's sitting on this hen down here.
He didn't even wiggle when he hit the ground.
Man, what a bird.
I used to say it should be against the law for me
and Fess to hunt together, we're living tru-oh good
grief what a bird.
Yeah, good bird.
Look there.
(Laughter) Look here, ole' Susie Q right there.
That's a big bird.
(FESS) Was he after that hen?
(CLAYTON) That's a 20 pounder.
Yeah, he was after ole' Susie Q here.
He was after a hen turkey.
And he just jumped, he didn't pay him no attention at all.
Good grief Fess, that's another 20 pounder or better.
(FESS) Good.
(CLAYTON) Good spurs.
Good beard.
Big turkey.
(laughter) Another day in paradise, ain't it.
(FESS) You know it is.
(CLAYTON) You know what, I'll tell you what, we've
been around these things for probably 45 years or so and
it never, it just never ceases to amaze me how much fun it is.
It just brings back the kid in you every time you hear
one gobble don't it?
Man.
(FESS) Just such a majestic bird.
(CLAYTON) And we had to be more patient with this bird.
He didn't want to have to say a lot.
(FESS) He kind of acted like he might have been shot
at before, didn't he?
(CLAYTON) I believe he, he's a big ole' mature bird.
I believe he's played this game before.
He didn't pay this Jake no mind at all.
He come in looked him over and said he ain't, this
ain't going to happen.
So, but hey.
(FESS) Let's go find another one.
(CLAYTON) Let's go find another one.
It's early yet.
We might get Fess on the gun.
He run the camera this morning.
So, my time, run that camera.
(Turkey sounds and outdoor sounds)
(Turkey sounds and outdoor sounds)
(Outdoor sounds)
(Outdoor sounds)
(FREDDIE) Are you ready?
Are you ready?
I know it. It's all right. I'm going to kill him right.
(Outdoor sounds)
(FREDDIE) All right, here we go.
(GUN SHOT)
(Outdoor sounds)
(FREDDIE) Put the camera on it, put the camera on it.
Okay. Shoot you one.
(Outdoor sounds)
(FREDDIE) You better hurry.
(Outdoor sounds)
(GUN SHOT)
(Outdoor Sounds)
(FREDDIE) That's just awesome.
It don't get much better than that.
It's according to what season it is, which one I like best.
If it's turkey season I like turkey best.
If it's deer season I like deer season but like I
said me, and Fess came down here yesterday.
We seen these birds.
It was raining.
We was going to come in here and hunt a little bit,
but they was already out in the field.
So, we made a plan.
We was going to go get a blind.
We'd come back a little later.
We'd set it up.
Well we get back down there and set it up and what's
the chance of these turkeys flying right back into
this field this morning but me and Big D we, the big bird,
I don't know where he come from.
I didn't hear him this morning. Did you Dustin?
(DUSTIN) No
(FREDDIE) But he come,
(DUSTIN) I never seen him fly out.
(FREDDIE) He come from over top, the other ones flew
over and man, it just happened, and it don't get
no better than that.
Give me some Big D. I'm going to call Fess.
(DUSTIN) What did I tell you. I told you.
(FREDDIE) I know
(DUSTIN) When we're together
(FREDDIE) Something happens.
Let's call, let's call Fess. Let's call Fess.
(FESS) Hello
(FREDDIE) What you doing uncle Fess?
(FESS) (laughter)
(FREDDIE) Yeah boy.
(FESS) Well did they come in wanting beside or what?
(FREDDIE) Well kind of sort of.
They's two laying out here.
(FESS) Are they really?
(FREDDIE) Yeah.
(laughter) Well I'm just going to be honest with you.
I didn't think they'd be back out here.
(FESS) Well my goodness.
(FREDDIE) Well, how many time did you see turkey in
the field that they don't come back for a while?
(FESS) Those right there, you can just tell that's
where they wanted to be.
(FREDDIE) Yeah, you're exactly right.
All right, I'm going to get off here and go out here
and get my turkey and send you some pictures.
(FESS) All right.
(FREDDIE) See ya, bye.
It's the finish product. Buddy, thank you, you know.
(DUSTIN) That's what it's all about.
(FREDDIE) That's what it's all about.
We came in here, like I said we came in here yesterday
and set this blind up.
We know there was some birds in here and just about
anytime me and Big D's together, something bites
the dust.
(DUSTIN) But you know one thing here, it
ain't necessarily, now don't get me wrong, everybody
wants to kill the biggest spurs, big beard, but just
the way it works out, hey, trophy to me boys and
it's going to eat just the same.
(FREDDIE) Guys, thanks for being with us
and we've hoped you enjoyed the show,
stay tuned for more 3B Outdoors.
(ANNOUNCER) THIS PORTION OF 3B OUTDOORS IS BROUGHT TO
YOU BY THESE FINE COMPANIES.
(MUSIC)
(COMMERCIAL)
(FESS) Hey folks, on this week's show I'm hunting
with my son Tanner.
It's such a privilege.
We don't get to do this very often because of our
busy schedules and I'm sure some of you guys
understand that.
But it's such a blessing to be able to hunt with him.
We're hunting with rifles and you know what, it's
opening doe day.
So, there's a good chance some back straps and bunch
of venison will be handy by the end of the day
because Tanner is a really good shot with a gun.
It's real early in the morning, just breaking light.
We're trying to get situated in a tree and we hear a
deer coming.
(Outdoor sounds)
(Outdoor sounds)
(GUN SHOT)
(Outdoor sounds)
(TANNER) I tell you what folks.
Whew, that was a quick one.
I hadn't much more gotten settled in and that doe
came right at us, being in this location before,
saw several does, and perfect day its doe day here.
Got us a good body.
That's going to come, that's going to make for good
deer meet.
It's going to be great.
The Lord has provided us this morning. Thank you, Lord.
(FESS) Well I had my opportunities to kill here
in Southwest Virginia but when the camera man could see it,
I couldn't shoot.
When I could shoot, he couldn't see it.
That's okay.
Hey, let's go check out Tanner's big doe, see what
it looks like.
(TANNER) Well folks here's the results of a great morning
and I know you were wanting a good doe here, was needing
it for our wild game dinner for next year and
getting stuff prepared for it.
You know the Lord's just provided for us this morning.
(Outside sounds)
(LIONEL) Hey guys.
it's September the sixth.
We're right here in Kentucky again, trying to get 'er done.
Man, this morning has been intense.
I tell you.
I couldn't even get my camera set up.
My bow was on the ground, I had deer all around me.
There was does but I hear it's a pretty good morning
being that it's a full moon.
So, we're sitting back trying to get 'er done.
We're going to try to keep the talking down to the
minimum cause I still think these deer are not very
far away and we're waiting on a particular buck I got
on camera back here.
I call him photogenic because he likes the camera and
he likes to be seen on camera but not this camera, for
some reason, while I'm back here hunting.
He's on my trail camera.
So, he was in here yesterday morning at weird times.
He was in here maybe at, he was in here like from
9:30, then he come back at 11, then he come back again at
12, 12:30, somewhere around in there and then he was
getting back again at 1:30.
So, it's pretty cool this morning.
Started out this morning it was like 49 degrees and
we're going to sit here a little while, just like it
was the rut.
We're going to sit here and see what happens, just
because the full moon's out.
We're just going to see if that midday thing is going
to work or not.
So, you kick back, and I know I'm babbling but kick back
and see what we're going to do here.
So, you're watching 3B Outdoors. I'm on the hunt.
(Outdoor sounds)
(Outdoor sounds)
(Outdoor sounds)
(ANNOUNCER) THIS PORTION OF 3B OUTDOORS IS BROUGHT TO
YOU BY THESE FINE COMPANIES,
(MUSIC)
(COMMERCIALS)
(Outdoor sounds)
(BOW SHOT)
(Outdoor sounds)
(LIONEL) Yeah, yeah.
I think I just smoked a buck I came in here to hunt, folks.
He's been missing.
He's been missing for like two weeks.
He just went out to get his, his velvet, I think.
He's been missing.
I got up in this tree stand.
I took off work today.
I just got up in here off the top of my head.
I said I'm going in here.
The wind is marginal, but I tell you what we got 'er done.
I don't know, it looked like a good hit but we're going
to set up here and see if we can't, we're going to set
up here and give him some time.
I mean he took off.
He went that a way.
I couldn't hardly follow him cause I'm self-filming
this morning and oh.
Man, if you don't do this stuff right here, I tell
you what man, this is, I can't get enough of it.
I can't get enough of it.
Let me get my, let me get myself together here and
we'll get right back here with you folks.
You're watching 3B Outdoors.
(Outdoor sounds)
(LIONEL) I'm glad we gave this deer some time.
Enough time to lay down.
You know what they say when in doubt back out.
Jeff, look right there, look right there.
(JEFF) Is he there?
(LIONEL) Yeeha boy, he's right here.
(Train noise) Looky here boys.
This might be my best deer yet, Jeff.
(JEFF) He's nice.
(LIONEL) Shoot yeah.
My goodness gracious.
I want to give a big shout out to Jeff Gulley for coming
out here and helping me.
Nick come out here and helped us too.
If it wasn't for them, I couldn't have got him out
of here myself folks.
(JEFF) I'm going to pan back and show you Nick real quick.
(NICK) How you doing everybody?
(JEFF) He's been behind a lot of deer that we kill.
He hangs a lot of stand for us and we appreciate it Nick.
(NICK) No problem.
(LIONEL) Mathew's Bows, Range Broadheads, and the
infamous Nosejammer.
Like I said the wind was kind of marginal today and we
used that Nosejammer, man, and I'm telling you if you
haven't used this, this right here is some good stuff,
real good stuff.
(JEFF) Put the Gulley crank to him every year, year after year.
(LIONEL) Yep, if you haven't tried it you need to get
ahold of this guy right here.
He can hook you up on some crank. Cranks them right in.
(JEFF) Good job Lionel.
(LIONEL) Yessir, thank you very much.
We love it when a plan comes together.
(Outside sounds)
(FREDDIE) Wow, I told you it was action packed.
Four hunts in 30 minutes, well that's action.
How about Fess and Clayton on that big bird in
Tennessee, there's nothing better than hunting with
your brother.
Then Dustin and I doubling up on those big birds well
it seems like a lot of that's been happening lately.
Next Tanner and Fess doing a little doe patrol.
You know when you get to hunt with your family,
especially your son, well they just ain't nothing much
better than that.
Last Lionel Green shows you persistence does pay off.
Getting those pictures all day long, sometimes you have
to sit just a little bit longer to get the big ones.
Well we're out of time again this week folks, join us
again next week, when Nathan will have you somewhere on
the water.
Thanks so much for being with us.
I'm Freddie Neeley and you've been watching 3B Outdoors TV.
(MUSIC)
(MUSIC)
(MUSIC)
-------------------------------------------
LE MASSAGE AVEC UNE BROSSE SÈCHE PEUT TRAITER 10 PROBLÈMES SUR LE CORPS HUMAIN - Duration: 3:21.
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Malahi Rai 2019 Enchainé Toop Raw3a | أغاني ملاهي روعة - Duration: 14:31.
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Meghan Marke et Prince Harry « face au Sida » -[Nouvelles 24h] - Duration: 2:26.
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Brigitte Macron « prisonnière de l'Elysée », cette traumatisante comme une douche froide - Duration: 2:20.
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Week of November 25, 2018 Spiritual Self-Mastery Class ~ Ego and Heart w/ Sloane Rhodes - Duration: 13:40.
hi subscribers hi everyone it is Sloane Rhodes here with your weekly spiritual
self mastery class ego and heart for the week of November 25th 2018 so I hope for
all of those of you who celebrated Thanksgiving I hope that you all had a
nice Thanksgiving weekend and that you are recovering didn't eat too much
um and so for this week what I want to do
well first of all for those of you who commented on the sound I I'm really
sorry that the sound was most difficult it was hard to hear so I think I fixed
it but um let me know if there are still some problems or issues with the sound
all right so as I do every week when these ego and hard spiritual salt master
classes I address and look at the energy for the week based on how the ego may
try to distract you with with those energies and based on how the heart can
explore those energies in a more loving and open way and I'm going to begin so
I'm going to get one card and I'll look for the energy the overarching energy
for the week and I'll look at how the ego may view it and how the heart may
look at it as well and then I'll be getting one additional card for what we
can expect to look forward to regardless so you might can't wandering around all
right let's get started spiritual self mastery class equals
heart for the week of November 25th 2018 is for all astrological signs and the
love readings are up for each sign if you are are interested in looking at
those you can watch them here on the YouTube channel and as well as hear them
on the audio podcast so you can listen to them as well as see them here and
there's links below
okay here we go so the energy for the week I'm using the terror of the spirit
Dec by Pamela enjoys Eakins okay so we got the death card in Reverse it's
interesting this card come up for me my personal reading today okay so when we
have the death card in Reverse and we're looking at it through the eyes of the
ego the ego will be very impatient the Eagles always judging that things are
not right right so so for this week as we have the death card in Reverse
there's gonna be something that is unfinished something that was coming
back around that either we have been delaying on or procrastinating on or
that we had thought we had put to bed and it comes back up come like when you
put your kids to bed when they're little and they pop back up just as you're
starting something adult anyway so here we go we have the death card in Reverse
so the ego may look at it like okay why is this coming back around
I can never catch a break it's always something just when I think I'm clear
back it comes again like you know in a godfather 3 which I don't recommend you
watch but there's a lion or Al Pacino says just I think I'm out they probably
vacuum right I love The Godfather movies but not that one anyway so with the
death card in Reverse that you might try to pull this kind of energy with you
like you know you can't catch a break it's always you're always in trouble
just when you think you're clear and you can't get clear why does this happen
then we go into the victimization right why is this artists happened to me I
thought I'd have paid that bill and now this is finance charge I'm never gonna
get ahead and so if you allow yourself to be led by the hand by the ego down
that road which is always very painful and full of feelings of victimization of
self judgement you begin to despoil in that same sort of Eddy you know you
can't get out of it you can't get out of it and it's very distressing when we get
into that space as we all know right the egos that is present for everybody but
when the death card comes in reverse it can be feel even bigger because it's a
Major Arcana card as well as you want something to
naturally end you know those are natural ending that's supposed to occur it's
supposed to happen that ego says why won't it end right and the ego is always
about supposed to it should have this kind of thing so it can be very
distressing so just be aware of that so somebody comes back around that you
thought was done and dusted and here it comes again take a breath and you say oh
how interesting I thought I was done with that I thought that I had completed
that cycle and yet here it is again offering me another opportunity says the
heart to address this from a more aware and loving perspective I thought I was
done with it but I have another opportunity here to open my heart more
to less self judgment to valuing myself and my contributions and the
contributions of others you know because we're always co-creating and it could be
an individual coming back in if it's not a situation and you can say wow here we
here we go again you know but we're doing the dance differently now because
I have more consciousness around it I have more open hearted and I'm looking
at myself differently and whenever we begin to hold a different vision for
ourselves we automatically begin to shift the vibration around the situation
or the interaction with the other an other person so it can't help but be
different rather than wishing somebody would go
away or the situation would go away you've got to change as you know your
own perspective about it and for these classes that you go in the heart the
heart says try to release the self judgment try to look at it as another
opportunity as opposed to God dang it here I go again I can't catch a break or
this person's always coming around I'm never gonna be clear bla bla bla you
down and you go right down that train and the heart says oh my gosh look at
that another opportunity to address this from a more open-hearted perspective
maybe look at the situation of the person in ways that are more
open-hearted you know or you look at the other person and go gosh
last time I I had this issue with them I was feeling really judgmental of them as
well they're so selfish they're so weird there's some needy whatever it might be
and now I can see that gosh you know I hold those energies within me as well I
know that I have been needing in my life I know that I have been weird in my life
and I can understand it more how this other person is holding that energy too
because the more that you create more open-hearted feelings towards self first
the less you tend to judge others because you're judging yourself less
harshly so then you can kind of look at other people in a softer light as well
and that begins to shift the energy around it and then things can have their
natural end because remember the death card is about a natural transition and
natural ending something that wants to to move on you know what it's in the
upright ascent it's a transition it's a card of transformation transition here
we are kind of like stuck so look at what the place is where you are kind of
holding on to older energy as well where you want it to blame someone or you're
really hanging on to that feeling of I'm a victim to this it's one of the easiest
ways for the the ego to hook us back into that older familiar pattern of
being the victim you know when when the egos when we're caught up in the ego
we're always in some fashion a victim in some way and that can be very addicting
because it does require whenever we are feeling victimized or the victim of
something whether it be just our bills are too much or this person's always
mean to me or whatever it may be we're seeing that in that familiar pattern of
fear and anxiety and that we can you know we can't ever shift our lives and
we can shift our lives right here and right now I say well hey look at that
here is that pattern coming vacuum again I'm really feeling victimized I'm really
feeling like circumstances are beyond my control how interesting I thought I had
done so much work around this and here it is again
and another opportunity to take your breath and to give myself more love less
self judgment and say look at you know it's a heart perspective look at how
hard you're working look at how much work and consciousness you've done
around this good job and it may not be comfortable to have to address it again
you thought we were done with it but now you can do it in a loving way
not always easy I'm not saying like it's super simple
it takes consciousness around it and it does take a moment you know because the
ego will will immediately pull us back into the old familiar pattern that's the
egos job it's feel safe there it feels more on guard
it feels yes this is how it's supposed to be no cuz the ego um
I guess as a function of the inner child or vice versa is trying to keep us safe
at its core you know are we safe are we loved you
know okay so let's get another card and so I hope that give you some perspective
on how the ego may try to distract you and how the heart says look look at
another opportunity here again it's not always comfortable that's an opportunity
to shift the larger ego of patterns through these these smaller ones that we
look at every week and the more that you draw consciousness around it and just
even ask the question of Wow okay so if I'm not a victim of this circumstance
how is this for me well perhaps it's what we already talked about like you're
getting another opportunity to look at it differently from more a more grounded
sense of self or more from a more loving standpoint with less self judgment and
less judgment of another or a circumstance and just when you begin to
ask those kinds of questions and play with a little bit you're no longer in
that place of ego and you're more in the space of curiosity in the heart subject
energies let me get one more card as you look at
what we can expect to look forward to regardless so the ego and the heart are
gonna be looking at this tenancy of the death card reversed which is something
that is meant to be transitional or to have ended already this coming back
round again to see that it's a layup procrastination you know again the ego
can come in and say why you procrastinating you're so lazy you never
get anything done that's kind of thing that can be another way that you go
comes in and then the heart says well you must be tired you know give yourself
a break it's coming back in again or you haven't finished it yet or this cycle is
still repeating because you're still integrating some of the earlier lessons
you know and just be a little kinder to yourself less always the heart such
energy and it's not just um what woowoo stuff it's actually beginning to shift
the vibe for pattern of how you live your life
okay so what's my expect regardless
seven of wind seven of swords many tons so some interesting energies here so
during the week we have the step partner murmur something that's not ending a
transition that's not occurring and the ego and the heart will have their own
opinions about this I've already talked about but what we can expect to look
forward to it regardless is a sudden of wind seven of swords and this cart in
this deck it's called many tons so be aware of gossip be aware that there is a
lot going on under the surface of other people's actions and maybe even your own
watch your tongue make sure that you're not adding to the gossip adding to this
energy which is ruled by the moon not everything is clear right you don't know
what's going on so don't talk about it you know if you
don't know if you don't have clarity then maybe just don't contribute to the
confusion and with the seven of wind I will say as well you know keep your
cards close to your chest this week something has come back around with more
consciousness around this death card in Reverse you can keep a watchful eye
rather than just racing ahead and disclosing everything because you don't
know everything that's occurring why is it not ending why is this death carnival
reversed why is this pattern repeating why have I not been able to close the
door on this particular relationship this thing whatever and the seven of
witnesses just keep it close to your chest right now no need to contribute to
the confusion keep your keep you know keep a watchful eye make sure that every
there is more clarity in your own head and make sure that everything that you
are wanting to hold near and dear you're keeping a watchful eye sometimes the
seven of when things can disappear people can get sticky fingers so we can
be aware of that as well
transformational wants to occur so we have all these snakes right the snakes
are a symbol of transformation we have the death card which is in the in the
Tarot is the car transformation so transformation is
occurring it wants to occur but it just may not be absolutely clear yet so don't
don't don't contribute to any confusion keep your tongue to yourself let's say
don't contribute to all of that okay so I hope you find that helpful I wish you
much love as always and I will see you next week and or your own private
appointment or over on the podcast I do Oh today is the final day for the Black
Friday we can say I have 35% off all of my online courses there's a link below
and the love readings are also up much love to you
-------------------------------------------
Composition n°25 "J'ai vu Dieu" (2018) - Duration: 4:04.
For more infomation >> Composition n°25 "J'ai vu Dieu" (2018) - Duration: 4:04. -------------------------------------------
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Tholisari Palikenu Full HD Video Song | Prema Mandiram Songs | ANR | Jaya Prada | Suresh Production - Duration: 4:08.
For more infomation >> Tholisari Palikenu Full HD Video Song | Prema Mandiram Songs | ANR | Jaya Prada | Suresh Production - Duration: 4:08. -------------------------------------------
La justice ordonne une expertise psychiatrique de Marine Le Pen - Duration: 2:11.
For more infomation >> La justice ordonne une expertise psychiatrique de Marine Le Pen - Duration: 2:11. -------------------------------------------
Altarpiece Santa Claus Step by Step - Duration: 37:04.
Hello Art Friends in Your Hands Welcome to a new project for today
let's share how to make this altarpiece is a santa claus
about two years ago we share a snowman and for
this year, we wanted to share the Santa Claus who had suggested so much to us
so we hope you like it put into practice remember to subscribe
there on the red button, activate the bell to get all of you
our notifications and also remember that the molds of all
projects that we share they have no is not found in the blog in
the page on facebook Arte en Tus Manos with Lili and Sam, then join me in all the
step by step so that they learn to make it welcome!
good and for this project these are the most of the materials that
we need is the altarpiece that I'm going to use 9 millimeters thick
it can also be cartoon remember that I have told them in other occasions also
It can be a cardboard that is thick fabrics is felt I have two types of
stuffed animal that is long hair with we're going to do the beards this is the
plush mink, there is the fabric for the part which is skin color that is the face
it is mainly called angel skin peach skin, yersilon also les
It serves liquefied flannel of the color that you wish so normally in which
calls us skin you decide, in the description the same list of materials
we leave them complete then so can you have an idea of what we are going to
use brushes scissors glue white liquid silicone and also
hot buttons pompoms a close or Zipper to hang cord too
golden wadding that is what to quilt normally the quilts in the wadding
silicone cotton then with these materials
we start if one is missing remember that here in the description in the part
we leave the list of materials and also the link so they can
download the molds well here I already have the altarpiece if this is
the mold that we are going to share with you this altarpiece has a length of 64
centimeters and the lower part that is that of the feet the widest part
say so the body measures 41.5 you what can accommodate if you want I had more
small bigger that's decision then from each one here then already
they see the mold that the altarpiece and this same mold we're going to cut the batting the
Wadding is the same as they use when they are listening to the quilts the
sheets that are so cute this is of the same material she comes from
various calibers this is one that is thick that measures
about two centimeters of this you can not also open it in the center and
we are thinner that also you they decide if they want it thicker or
thinner but so thick gives us a more cushioned feeling
prettier more puffed then this It is also going to cut exactly the same
the size of the altarpiece what we do now it is to stick it with silicone or with
White glue
good now considering the size of the head we are going to create the piece that
will shape the face here I can not cut to the margin of the wood because
I need to cover the wadding then approximately let's take
a measure that takes us about 3 centimeters
that we know that when we cover is going to cover the wadding then here what
I'm taking from the back but this is what we are going to put here
to cover it then I'm going to cut it same, I am going to share with you the
mold to make them well done here is so that if they are going to be smaller
know how to get the mold out of your head in the same way I also take the
dressed then about three centimeters
same to the other side
short the fabrics there is also a benefit when we started to stick the fabrics in the
back then the remainder we can remove them to the excess also
can cut by now then we go taking the measure of the dress and we do
the same to get the measure of the shoes
and these are the pieces then that conform the body of the saint that are the
head the body as such the shoes and I have also cut four pieces for
that make up the arms and four pieces for what make up the gloves if
all of them at least the molds of what is the head the gloves the
arms all of them are shared and what that make up the shoes and the dress
that we do give you the exact measurements for that can take it out then we're going to
start to arm well here then let's start with
the head I will put the cloth on the table and I go
to flip the piece for paste
here I put pressure on the fabric
and I start to bring it to the wood and I'm sticking with hot silicone
the excess fabric can be cut already final
and so it remains to give an idea of how is it then lined up the the
face of the saint we do the same process with the body
So the body is left then covered the dress the red part and now we do
the same process the same as we have done but with the shoes we give
back again and we locate where the shoes would be
ready we do the same the same process remember that you have to
Apply enough silicone and also do a little pressure to be able to
the altarpiece is well puffed
well here then we gave it back that the shoes are well-armed
on top then we had a leftover
we're going to flip it over about one centimeter
and we will also hit it if they want Sew it up they can do it but the truth is
apart you will not see you do not notice if we met and if I get it we paste
here now
now I'm going to take a step so that let us be focused on a division that I'm going
to do between each shoe so that we is the way we wanted shoes
then the measure that goes is 42 centimeters in the middle would be 21
so what I'm going to do is with pins
to help to look at the measure so that we stayed focused we stayed pretty
it's just a guide
and we're going to start introducing then the needle
we introduce by the low part
and let's do it is linear stitch but
continue that we will remain continuous so that the same fabric with the wadding
leave as if remembering that the pins only is a guide point
so we are going to do it until the part superior then here we are going to take a
measure approximately in about 5 centimeters
I'm going to look at exactly how much of 8 out of 8 centimeters and we're also going to do the
same sign to the top is this part of the dress to this part in
actually the lower that part of the dress so that we stay like
legs but here if it would be in red I will continue to do
we're finished if you want you can review the sewing here I bring you to see
that suddenly if you get to notice a little but already when you do not see it that way in
person if you notice the division that there between the two between the two sides now
I'm going to make stuffed mink rolls these rolls are going to have 8 centimeters
wide and long if they are going to have 37 centimeters I'm going to make one for several
pieces for the suit for the boots and for gloves, what I do is double
a little
and here is a roughly 8 calculation centimeters can be cut and
have them ready and with hot silicone then I start to stick them and so the
I'm putting together
who likes to sew things and not there is a problem
I'm also giving him agility and what another is that there are many subscribers that
the truth in the comments tell us that they do not like to sew a lot
it makes it difficult for those who do not I like to sew it easier
make of these for now I'm going to do 4 Well, here I have one of the pieces of
stuffed animal that will be located in the center where we made the sewing to live
the legs then there starts this stuffed toy I'm going to stick it to the
where the dress meets the head because we also help each other with
silicone we are going to stick it
and there all this we are going to hit
Apply it directly on the stuffed animal or we stick it on the dress as I eat
We want to locate it so that it does not I stayed
right to the piece
so now we cut the excess when it is already well stuck we can give
silicone retouching in the parts where We are missing so we can stay
well and here I will locate another piece
and remember that I told you here that they will leave 8 centimeters is because in this part
there is stuffed then this here get dressed and here is the shape
of the trousers here also apply quite a lot
silicone and paste the piece
and then then we paste on the part of back as we did with the other fabrics
well here I also put him in the neck so that we look good here in the
low part of the boots then I put him aside in this extreme here I'm going to
do what I did was to paste a little silicone
this stuffed animal tends to like fray how to fray then
that's why I always work with silicone or I stick it like that because it tends to
get damaged here he doubled it
I'm going to be finished is going to be well composer
then look here you do not notice so now I can take
I'm not going to put here and I'm going to paste I did the two parts was so that
we will be divided the two boots then the effect is that it is in the
leg and that this is the foot or boot internal will be more accentuated
putting the two pieces of stuffed animal the boots separately remind you that
here you do a fold that cross here and from here I start to stick it and
I do the same process and here I stuck it to teach and I hit him we give him the
back and finished it here in the back then the same thing I'm
doing here with scarcely
of sylicon
no but remember to make the silicone touch-ups
if they play if they are missing when there is already a bit drier is done here it bent towards
back and now I also stick it I will start then to sew what
make up the arm and the glove of our saint then
here is the sleeve I'm going to do sewing in festoon stitch remember that
stitch has several names tell you because it's all around the doll
buttonhole stitch, dragon already has many names and gives us a very handmade touch
I'm going to sew the project
and I do the same stitching all over the contour of the curve in the glove
and we thought the same as we did with the arm
A) Yes
well then now we have both pieces that make up the arm and the
glove let's put them together here I have what I held with some pins then
let's start to know in the same stitch in the stitch stitch
but she will get to the moment in one of the sides then in this or in the
other than equality the same thing we're going to leave a space to fill in then
we are going to sew like this is going to start here
this part does not matter what the because here is going to go a piece of
stuffed animal and as well as how can the rest of the dress then here we go to
start to perform this tip and when we already have all the return and we arrive
soon here to this other side then we leave the space we fill and seal
here I go to sewing as I told you they say all around and here I left the
hole then now I'm going to start introduce the silicone cotton
I finished filling it now as I did I had not removed the needle I still
then sewing and for seal
good here to each of the arms then I'll hit the stuffed animal equal to
as I did with the whole dress and boots and so I put him then now what
what I'm going to do is apply silicone here at the ends where the arms start
and we stick it to the body
and they put it where
prettier 1 remember that you have to hold up well
the pieces to stick and stay fixed
already the arms were already dry totally then we will begin to
work your head good to start then do the
face let's cut a circle 7.5 centimeters in diameter and we're going to
darn it, if they want the bigger nose because
this piece of make for the nose then they cut the circumference more
big and if they want it smaller then then smaller
everything goes in tastes So here I am
doing a darning
well, that's how my nose was like, so here I am going to locate but before hitting the nose what
what I'm going to do is that I'm going to paint eyes you decide if you put the
eyes that normally sell in the market or apply techniques that I have already
taught in others step by step that they teaches painting, embroidery, crazy eyes
I used all the techniques in the videos for you to apply the
that they like or that they are most facilitate in this I will show how
I'm going to paint but in a step by step more fast because already in others I have
explained a little more detailed then I'm going to start with the color white
now we will apply the color black
it has completely dried the paint then now let's make an effect
in the part that we painted in blue let's make some lines to give
as an effect to give it light are very thin lines already in a
video that I shared recently to show how the
little eyes then from here I return it I explain but then the techniques and
I'm teaching them more in quick camera pure lines
that are dim, it does not have to be very repainted can be
only in the blue part and we apply a little more from the center and the center towards
the end of each eye for example from this would be the right side and that's what
does the left side then what we do blank and in black
when you have finished making the effect of this dry brush that shading those
lines in black and white we begin to delineate
we are going to apply in a brush that is very thin and we started to delineate
give him enhance the look
let's now work the beards so here is the mold so
we are also going to share them and these already are the beards cut here I have done
a brand where I want it to be the beard is stuck, the beards I leave to
disposition of you in this stuffed animal of long hair or in the technique that
teach in the previous video that are the beards in wool then you already
they choose which one they like best and several I have taught them to choose the one
more like it because this beard I'm going to put the cloth to the right on the face and
what I'm going to do is start hitting with silicone if in this position to
that the beards who stuck to the face then I will start
apply the silicone
and remember that you have to focus and accommodate
and I start to stick the silicone all over the outline where I want the one who hits
the beards
I already hold, I hope it dries and then hit the excesses up so that
the beard comes from the part of the head we wait for it to dry well
well here it's dry then we started to fix the piece
and look at the effect it gives us Yes go
is with him with the little hair like from the head I already have
list the whiskers as the whiskers the I will stick in this position you
they can also with the scissors cut the excess stuffed what you do not like if
you can remove it then here I go to stick the whiskers
all right
that the cleared part starts to paste the whiskers
if you notice when you cut the stuffed animal cut how comes the next giving him the
sense that they would have whiskers like that whiskers and beards go down
then you always have to accommodate the fabrics to give us the position and here
I have my nose remember that I made it so here I am going to stick my nose
also applied good enough silicone
and we stick it
we hold these pieces well for that hit us and you know that for example
the mustache if it was not very well cut does not look very good on
stuffed toy we can cut is here so less until the space where it is supposed
that go the lips but the amount of stuffed toy gives us to look good
cute then we accommodate the excess what We cut to make it look nice and
we continue with the hat now let's work on the hat is
a piece that cuts the base has double If the base is double, it is 18.5.
actually the base in total is the average for the mold it would be 37 centimeters and
long if in this part of the hat is of 42 centimeters then instead of
make a straight hat right triangle what are we going to do it
it's with a little curve that's what that allows the hat to look nice
then in this curve we are going to do the Same stitch we made in the
arms that the stitch stitch, then let's do it for all that contour and
in the lower part we will decorate the same how do we do the whole project with the
stuffed mink, then like that
to end here at the end
good before hitting the hat then cut a piece of cloth you can
buy this is called kambral the fabric surgical that already comes from many
colors buy that cloth and what I'm going to do is cut it the same size as
mold and with it cover the imperfections of work that we have
done then here is going to hit also with hot silicone and that we
will prevent all of us from seeing each other work that was done if everything
is stuck and they give us the best presentation of what we do and then
when we paste the kambral then there if we proceed to paste the hat
well then after having glued
look how it is now taught them well in a photo after having stuck
so now we are going to put on the hat
let's accommodate
we paste it if we can higher what we stick in the back what
We also arrange and fix the hat as we like
well here I already place the hat now taught how it was and here what I'm going to
do is I'm going to locate the zipper which is the system that we are going to use
so that we hang on the wall or where we wish that this altarpiece then here
I place the zipper as centered as can
screw and here with these screws in the lower part as you can see I put a
of the same material that I used as a support system you can put a
pillow or whatever they need the fact is that we are not going to make much force to
the wood and making it this system let's not go to leave here is what
we do is that we are putting the screws each with its ability if
suddenly they do not know how to place them or It costs difficulty, we ask you to help
soon some gentleman who is at home to help us, this is what I put
well after making the system fit where we are going to hang this altarpiece
then I put some laces and in this part of the shoes and if we go up
a little bit more then well also the buttons that you put on the dress are
the golden buttons that make it receive much more the color of the dress
That is how the saint, the altarpiece of santa claus, of santa claus in
this video, I hope you like it put it into practice the truth is a
step by step very simple the result is very nice at least I liked it
a lot, I hope to read many comments also of you if you liked it if they go
to put into practice there is always some material that has another name in another
country they let us know so that they can let's teach all the names of the
materials remember that molds we share on the blog and on the page in
facebook Art in Your Hands with Lili and Sam, if there in the description they
we leave the link, list of materials now I'm going to take
some pictures to see how they are complete plan and I hope you give us a present
I like that they share the video that subscribe there on the red button if
they still have not done it and we read also all your comments then
a hug for all and see you in a next video here on your channel
Art in Your Hands
do not
ah
Y
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60 Minutes - The Devil Made Me Do It - 1990 ( Deutsche Untertitel ) - Duration: 6:08.
For more infomation >> 60 Minutes - The Devil Made Me Do It - 1990 ( Deutsche Untertitel ) - Duration: 6:08. -------------------------------------------
"Lights..Camera..Action!" Become a Movie Star on a Vintage, 1950s Movie Magazine Cover in Photoshop! - Duration: 10:35.Hi. This is Marty from Blue Lightning TV.
I'm going to show you how to place yourself onto the cover of a vintage, movie magazine from the 1950s.
This tutorial is for versions CC and later.
I provided a template, so you can follow along.
Its link is in my video's description or project files.
It includes this texture of paper scratches and abrasions, the masthead of a typical movie
magazine from that era and a folder that includes all of the other text.
You can replace any of the text by simply double-clicking the large "T" on the text layer
to highlight the text and then type in your own text.
I'll press Ctrl or Cmd + Z to undo the last step.
If you'd like to use the same fonts that I'm using, I provided their links, as well.
Feel free to reposition the text for your cover.
I'll collapse the folder.
Before we begin, if I've inspired you to explore your creativity in Photoshop, please
help support my channel for as little as 2 dollars a month by becoming a patron through Patreon.
Click the Patreon card at the upper, right corner or click the Join button below the
video to become a Channel member.
Make sure the paper scratches layer's Blend Mode is "Screen".
This blend mode shows the scratches, as well as all the layers under it because it clips
off all of the darkest tones of the scratches layer, while revealing all of the lightest tones.
Open a high resolution, large-sized, close-up photo of a person that you'd like to use for this project.
I downloaded this one from Shutterstock.
Since almost all of the celebrities that adorned these type of movie magazine covers were cut
out of its original background and then placed onto a flat color later, I'll show you how to do it.
There are many ways cut out subjects from their backgrounds, but for this example, I'll
use the Quick Selection Tool If you're using this tool, as well, I find that a radius of
10 pixels works well for most sizes, however, feel free to adjust the amount if you'd like.
Drag your cursor over the inside of your subject.
To remove selections that are outside your subject, press and hold Alt or Option as you
drag over those areas.
To check your selection press "Q" on your keyboard to see it as a quick mask.
By the way, if you want to change the color of a quick mask, double-click the quick mask
icon, click the color box and just change the color.
I have its opacity set at 100%.
To refine the selections' edges, click the Select and Mask button if you're using version
CC 2015.5 or later or you can go to Select and Select and Mask.
If you're using an earlier version of Photoshop, click "Refine Edge".
I did in-depth tutorials on both, so if you'd like to watch them, I provided their links, as well.
If you prefer to use Refine edge instead of Select and Mask, Shift-click Select and Mask
to open the Refine Edge filter.
Check "Smart Radius", which will detect hard and smooth edges.
The brush should be approximately this size.
To adjust its size, make sure the CapsLock key is off and press the left or right bracket
key on your keyboard.
Drag your cursor over the soft edges such as the hair.
Check "Decontaminate Colors".
This prevents color fringing onto your subject from the background.
Drag it all the way to 100%.
Output it to a "New Layer with Layer Mask" and click OK.
We'll convert our cutout subject into a Smart Object, so we can add filters to it non-destructively
and even replace it with a different subject, without having to redo most of the effects.
To do this, click the icon at the upper, right of the Layers panel and click "Convert to Smart Object".
Go to Filter and "Camera Raw Filter".
Before we start adjusting some of the settings, keep in mind, since every photo has its own
characteristics, the settings and amounts I'll be using for this particular image may
not work the best for your image, so feel free to adjust them as needed.
In the "Basic" panel, I'll make the Temperature: 30 to give our subject have a golden-yellow
color cast and I'll make the Exposure: minus 0.60, which darkens our subject.
I'll decrease the Contrast to minus 50.
The Clarity is +40 and the Vibrance is +80.
This combination gives our image an over-the-top, punch that printed movie magazine covers had from the 1950s.
Open the "Presets" panel and open "Grain".
I'll click "Medium", which gives our subject a grainy texture.
Then, press Enter or Return to accept all the settings and to close the Camera Raw window.
Go to Filter, Blur and Gaussian Blur.
I'll blur it 0.4 pixels to soften the image.
Next, we'll darken the overall highlights of our subject by clicking the Adjustment Layer icon
and clicking "Exposure".
Adjustment layers affect all the layers below them in the Layers panel.
To restrict an adjustment layer to affect only the one layer beneath it, it needs to
be clipped to that layer.
Since we'll be adding a background layer below our subject later, let's clip the adjustment
layer to our subject now.
To do this, click the Clipping Mask icon or press Alt + Ctrl + G on Windows or Option + Cmd + G on a Mac.
You can also go to Layer and "Create Clipping Mask".
In the "Exposure" field,I'll type in minus 0.40.
Next, we'll compress the shadows and highlights, which creates a similar flattening of the
overall contrast of many subjects printed on inexpensive, vintage magazine covers.
To do this, click the Adjustment layer icon again and this time, click "Selective Color".
Then, clip it to the subject.
Open the Whites and in the "Black" field, type in 60.
Open the Blacks and in the same field, type in minus 20.
We'll convert our visible subject into a Smart object, by Shift-clicking the subject to make
it and its adjustment layers active and converting them into one Smart Object.
We're ready to place our subject into the template I provided.
Open your Move Tool by pressing "v" on your keyboard.
Drag it onto the tab of the template and without releasing your mouse or pen, drag it down
and release.
To resize it, open your Transform Tool by pressing Ctrl or Cmd + T.
Go to a corner and when you see a diagonal, double-arrow,
press and hold Alt or Option + Shift as you drag it in or out.
If you're using CC 2019, just press Alt or Option as you drag it.
To reposition it, go inside the bounding box and drag your subject.
Then, press Enter or Return.
Let's drag our subject below the paper scratches layer.
We'll add a background color at the bottom of the Layers panel.
Make the text folder active and create a new layer below it by Ctrl-clicking or Cmd-clicking
the New Layer icon.
Let's name it, "Background".
Click the foreground color
and pick a color for your background.
Since, I already know the color I want, I'll type it into the hexadecimal field: 385981.
To fill the empty layer with your foreground color, press Alt or Option + Delete.
To ensure that all of our text is visible and not hidden behind our subject,
we'll drag the text folder above our subject.
To change the color of your text, open the Text folder and double-click the large "T"
of the text layer that you want to change.
This activates and highlights all the text in that layer.
Click the color box in the Properties panel or the box at the top of your screen.
For this block of text, I'll pick black.
Double-click the large "T" of the "Your name here" layer
and type out the name of the person on your cover.
I'll change the color of this block of text by repeating the same steps.
To change the color of the masthead,
double-click the Masthead layer to open its Layer Style window.
Click "Color Overlay" and the box.
Pick a color that compliments your subject and its background.
I'll cancel it, since I like my original color.
This is Marty from Blue Lightning TV.
Thanks for watching!
-------------------------------------------
SUKISHI | Japanese ALL-YOU-CAN-EAT Shabu Shabu 😋 - Duration: 3:28.
Hi guys! It's Puri & Sue here.
Today, we are going to try a Japanese all you can eat shabu-shabu. This place is called Sukishi.
If you haven't already subscribe to us, click the SUBSCRUBE button, and don't forget a notification bell.
So, let's go!
First we need to choose the type of soup.
So, there's 5 types of soups here. We've chose the Miso Soup and the Japanese Mala
So, this is the Miso Soup.
It's a bit salty.
But the Miso paste is really really flavourful.
I'm going to try this Japanese Mala soup.
It has a mild spiciness to it.
And a little bit of Miso fragrance.
It's a really big hot pot but it's empty right now and we've gotta get our food first!
We're now ready to put in all the food that we've taken from the bar into the soup.
The best part is that we get to choose 2 types of soups. Get the best of both worlds.
Ooo...the pork belly!
Let's try this out.
The pork fats really really melts in your mouth.
I'm gonna get minced pork. Look at that!
It's so chunky!
Okay, I'm going to try a little bit of this.
Ok, I'm gonna try this juicy minced pork.
Wow, the minced pork is really really tender!
They gave us free chicken as a complementary dish.
Mmm...it's crunchy and very juicy too.
This is definitely one of our favourites is the Cheesy Tofu.
Regular tofu on the outside; super cheesy in the inside.
It's not that cheesy... :(
It's one small dot over there...
But it's still tasty though.
I'm going to try this out with the dipping sauce.
This dipping sauce is Super Awesome!
It has Salty, Sweet...
Fragrance from the garlic...
The chilly is spicy...
Aww...It's everything a dipping sauce can be!
Awesome sauce.
There's one thing that we learned from the Japanese is to dip into raw egg.
One of the best things about this place, is that the soup is refillable and so is the meat.
Dessert!
So, there's many condiments you can add on.
We're going to go ahead with the chocolate chips and some peanuts.
That was a really really delicious meal.
Yea, we got so many things to eat.
This is definitely going to be our favourite All-You-Can-Eat Hot Pot place.
So, if you LIKE this video, give it a Thumbs Up!
And we'll see you in the next video!
Thank you so much for watching. See you!
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