i'm never playing with my brother again in Clash Royale...
Oh, yeah, look who is back online so my previous clash video I battled
Oh, yeah at the end and got absolutely slaughtered. You don't know this is a professional clash royale player
He actually lives in my house. So I'm pretty sure we're just gonna battle
He'll probably kick my ass a few times at then and then we'll just call it a day
Now if you would like us to do a video like battling IRL, we're like, he's next to me when we play
let me know down in the comments section below and just show some support if that's something you want to see leave a like let
Me know. Oh, yeah, give it to me. Okay, we're gonna start this one off with the ice wizard
We're not giving you an easy win here buddy. So don't even think it I'm gonna go pull out on this
Let's get this ready. Oh we got. Oh I should you save my tornado, bro
Okay next time we will so screw. This guy's hogrider up. It's cool
It's cool. As far as that I use wizard on the left goes. Imma just let him show there and do his own thing
Daniel seems to have a pretty
Open the minor would destroy the archer in the candy cart wouldn't be a failure
Sug, it's cool, though. I had the tornado so watch he's gonna send his hog in right here
Just get our tornado ready or not. Oh my god
5% battery
Holy crap, I got a charger guys. I got a charger we're gonna plug it in right now
Are we charging up? Hold up? We gotta check real quick. Okay, we're charging up. We're good wasting later right now
Let's put the ice wizard down in the bag. Oh, yeah, baby. You're going down. Oh, you gotta be kidding me, bro
This is it right here. This is gonna be the push
Let's go I don't know if that poison was bad or if it was good
I guess it's kind of helping out considering we're taking care of that Oh
No, don't you
Come on, man. You had to have those archers there. It's cool. Let's get a tornado ready and try to time this
Decent brother the hog is still actually gonna get holy crap. He's still gonna get two hits 200
Man you know what this this is good. It's good. It's good. I fell for that same thing again
But but now it is cool because just wait he's about to get it. He's about to get a right here fam
Oh you had to have that ice spirit. Come on
We totally just blew all of our t lakes right here, but I got a good feeling about this push
He's going in with the rocket and see that cocky. He is gonna win. We got the candy card on the tower, baby
I'm gonna send that loggin right there. Screw all those archers. Come on candy card, man. Oh you couldn't have got a hit up
I'm not falling for this trap again, bro. We are gonna do it to him here. We're gonna do it to him here
Hey, watch this boys. We're gonna wait we're gonna play this one super smart This Is It this
Is it boys we're gonna get this tower down. Oh wait. No, there's only five seconds left
What the hell did I thought I had like a whole minute left in this battle yikes. That was that was trash. Okay. Oh
Thanks. Come on, man. Okay, I'm gonna hit him with one more. We're gonna keep on going. We're gonna do a few battles
Hopefully we can get one went off or close to win. Maybe I should change the deck up
Yeah, let's let's change our deck up. Oh, my brother's inviting me to a 2v2
You know what? We're gonna do this to be to with my brother real quick
Then we'll go kick Daniels head after because Daniel can wait, but my brother sent me this now
So we're gonna get a win and then we'll go mikham 95 what clan is my brother in nowadays?
I think he's literally in the same clan that he's been in for like her for forever. Oh, my brother's going on that side
It's cool. I don't know where I want to put the poison spell we're gonna put it on that side
Oh my god, do they have two skeleton armies? What the hell I was like, yeah
I'll put you know the skeleton army on this side
But it was kind of a waste but right now we have our wizard pushing up
The miner is locked on but unfortunately there was that lumberjack my brother needs to get his battle RAM down pretty sad
I don't know what he's doing right there. He's just joined on Foley link, sir
It looks like is he he's he gonna put something down. Give me a help. Oh, man. What are you doing?
What are you doing? Why you got a hog rider in the berry bag, bro? What bike Bevers a strategy like this in my life?
You know what? It actually kind of worked out though. So, it's cool. Let's just get one godly
He was right there
Completely screw him up and not like oh my god this I don't even know what my brother's doing right now is this is main-deck
What is what is going on guys? Oh man, this ain't good. I'm pretty sure they're probably gonna send in a goblin barrel soon
Oh, wait, my ghost is still alive, which is cool. I'm gonna put this down right here
Hopefully we can take care of that furnace. Honestly, the furnace is so annoying. I'm gonna try to
Relock on oh crap us hoping the ghost would stay alive. That could have been almost perfect
I wanted the tower to lock onto the miner and then like my ghosts go crazy, but didn't really work out too
Well, so instead i'ma just counter all this my brother. Oh, I'll put my zap down. It's cool
My brother could have mirrored his app but oh my god, man
Maybe just being bad runs in my family because at this point that's honestly what I think it is like I suck my brother
Seems to be worse than me right now. You know, I'm not gonna be judged though. It's cool
We're just we're gonna come back from this battle guys. Just wait. You know what?
I'm probably the bad teammate here, and I'm just blaming my brother
I mean correct me if I'm wrong like in my comments section below like am I bad or is my brother's bad one here because
I would say we're both pretty trash. I mean we're getting three crown
I'm gonna just send this mine her and with my poison spell might as well. Try to get one crown. Am I right?
Yeah, that was that was rough. What what was that man? Okay. We left that. Let's go son
Oh, yeah, one final battle and then I think we may wrap this video up. I'm telling you. I'm coming in guns blazing
Oh, yeah, I'm literally gonna kick her this time. So just wait Oh screw your hogrider brother screw your hogrider, brother
Look what it goes down right there and do a little bit of a push. I'm just gonna take this one a bit slow
I don't want to waste too much you make sure like, I've been doing throughout this battle
Let's see what you got for this one
Oh, yeah, we got the miner flying machine poison spell combo Oh, he just used one one ice golem
I'm kind of scared about
I am gonna put a poison spell right there just to screw up his
Archers because archers can be super annoying
And as far as this hog, rider goes I am gonna put the guards down
They should be at the perfect spot screw that fog rider off. Get out of here, brother. We're going with the Pekka boys
Oh, this is gonna be too easy for us. This is gonna be too easy for us
He's setting us up for this one boys. Look at that
We have the EVAs on the bottom then gonna screw all that up too. Oh and the ice foam is going down
This is just super. Hey, let's play this one a bit slow. I'm gonna save this app for now
Now we're gonna Razak all that crap. Oh crap. Oh crap shudders after skeleton should have SAP the skeletons. That was a fail
I'm gonna give him a sad face for that one. That was just that was ugly. That was super ugly. Send you're hoggin, bro
Send your hog and bro. I was totally ready for that wood screws
And now we're gonna put some guards in the back cuz I realize those maybe kind of need it so we don't take too much
damage
Yikes. Okay. So this is probably our best battle that that we've had yet. So we try to take this one to proper route
I don't quite know what we have to do. I just kind of committed all of my elixir right there
Oh he totally knows I did too because he just sent a hog rider and
Luckily, we have the guards and the miner on that tower plus. Our flying machine is pushing up
I'm hoping we can get a few hits off. I'ma just keep spamming this lean with troops. Maybe we can get something going
I'm gonna try to keep up the aggression though. Try to cycle out to another poison spell maybe we can actually beat sir
oh, yeah in this battle I
Really need to get this EU is down screw this hog rider gonna try to blast that
I just can't really let this thing get any hits off screw it
Oh
Wait, it only got one hit off. We're still in the clear but no. Oh yeah has the rocket
He totally has a rocket. We need to push him stat. No
We were so close
Man, that was that was the best one yet. So we've been defeated yet again
I mean, I don't think anyone expected me to win this matchup, but I had fun returning back to the main menu though
I think we are gonna be wrapping up today's video here. So guys, this has klipsch. Thank you all for watching and peace up
For more infomation >> i'm never playing with my brother again in Clash Royale... - Duration: 10:02.-------------------------------------------
ទូច ស៊ុននិច ft គង់ ឌីណា ចម្រៀងឆ្លងឆ្លើយពិរោះៗ | Touch Sunnich ft Kong Dina Old Song Collection - Duration: 51:34.
Touch Sunnich ft Kong Dina Old Song Collection
-------------------------------------------
[Vinahouse] Đẳng Cấp Dân Bay / Phiêu Theo Điệu Nhạc / Đừng Quên Tên Anh ► DJ Tuấn Béo Mix | XTNon - Duration: 45:08.
For more infomation >> [Vinahouse] Đẳng Cấp Dân Bay / Phiêu Theo Điệu Nhạc / Đừng Quên Tên Anh ► DJ Tuấn Béo Mix | XTNon - Duration: 45:08. -------------------------------------------
Opel Astra GTC 1.6 Edition Sportcoupé 19 inch LMV - Duration: 0:52.
For more infomation >> Opel Astra GTC 1.6 Edition Sportcoupé 19 inch LMV - Duration: 0:52. -------------------------------------------
Why do we sing? - Duration: 14:30.
(SPEAKERS HUM)
LINDA: Music is this amazing cocktail of emotion and science.
DAN: We've been using it to connect with each other
for thousands of years.
How does music work its magic on us?
Why does it affect us with such intensity?
Hey, I'm Linda Marigliano. And I'm Dan Golding.
And this is What Is Music?
A show about how music works, how it's made and how it affects us.
In this series we're gonna be looking at a whole heap of questions
that you might have about music from why do humans like a good beat,
to how do you write a hit song.
In this first episode we're getting back to the basics -
to the voice, to the original instrument to make music.
Because, "We're the voice, try and understand it.
"Make a noise and make it clear."
Later on in the show I'm gonna be chatting to some professional singers
about how they shape their voices to suit their different styles.
But first, how do we actually sing?
I'm here at the University of Sydney's Voice Lab
and they're gonna test me like a guinea pig
for a whole bunch of things like how much air I use when singing
and how efficient I am with my voice.
WOMAN: Take a deep, deep breath for us.
Pee, pee, pee, pee, pee.
Science is weird.
Good. And now can you sing for us.
# There's a bear in there
# And a chair as well... #
Voice lab director Cate Madill is one of the driving forces
in the study of how and why we sing.
To make voice we actually need our three elements.
There's the power, which is the lungs that we get the air into.
So, we've got the air now coming up through the windpipe.
We hit what we call the larynx, or the voice box.
And inside we've got two strips of muscle.
(SINGS OPERATICALLY)
So, if I re-create that vocal cord
I'll have a firm base and a floppy edge.
Now, if I put an airstream over it... (BLOWS)
..it will flutter and make sound.
(SINGS OPERATICALLY)
Once we've made the sound, it's gotta come out.
# Ah. #
This is a tube that it's coming out of.
(PITCH OF RECORDING CHANGES)
The sound of the voice can actually change
depending on the shape of the tube.
# I really came up from the bottom... #
# The captain, he swore... #
(SCREAMS)
# It's Play School. #
We can actually see that you have too much air when you're singing
and you have to get rid of it.
Right.
See these big... (EXHALES HEAVILY) ..peaks here?
They're actually at the ends of your phrases.
You went... (INHALES SHARPLY) # There's a bear in there... #
(EXHALES) "There's too much air." Yeah. Yeah.
BOTH: # Fall in your ways... #
So, in fact, singing is a very athletic, extreme form of speaking.
That we can change the tone through multiple ways in the instrument,
which is why of course we are so impressed with very good singing.
It represents an enormous achievement in control of the human body.
(SINGS OPERATICALLY)
Luckily we have opera veteran Jermaine on hand
to show us how a real professional uses their voice.
(SINGS) # Baa, baa, baa, baa. #
(SPEAKS GRUFFLY) Baa, baa, baa, baa.
It's still pretty weird.
(SINGS OPERATICALLY) # Stories to tell
# Open wide, come inside
# It's Play School. #
When Jermaine is singing, she's taking much bigger deep breaths,
expanding both her rib cage and her abdomen.
And when she's using her voice,
she's actually keeping her abdomen extended
as a way of managing and controlling the air.
Whereas when Dan was singing,
he would just let his abdomen collapse really quickly.
OK, I get it, my abdomen sucks.
But we couldn't leave without one more extremely invasive test.
So, we're about to see a slow-motion view of my vocal cords.
A camera's going in my mouth, which is going to be interesting and fun.
I hope.
Well done, Dan. Nobody thinks you're afraid.
Tongue out, yeah? Mm-hm.
And deep breath for me. Deep breath for me.
Ah...
Gross.
(HOLDS NOTE) # Ah... #
Deep breath, deep breath.
That is disgusting. Let's see it in slow-mo.
(DISTORTED NOTE)
This deeply disturbing image is my vocal folds
filmed at 4,000 frames a second.
But, hey, we've all got 'em.
I think one of the most common misconceptions
is that you can only sing if you've had training.
Anybody can sing.
The judgement that we might put on ourselves about that
is often the limiting factor, not anything to do with the voice itself.
(CROWD SINGS INDISTINCTLY)
Singing is essentially a joyous way
of expressing who you are and how you feel.
And whether you're on pitch or not,
whether you're singing the right words or not
and whether you're singing in the right rhythm or not
doesn't change that.
Well, in that case I guess this one goes out to me.
# Eeee... #
(GASPS)
Dan, your flaps! They're really out there!
Yeah, for the whole world to see. I love them.
I feel a little exposed, yeah. Be proud.
Free the flaps, man. (LAUGHS)
Look, now that we know the physical side of singing,
it is time to take it to the next step.
So, I sat down with three people
at polar opposites of the music spectrum - a soul singer...
# I just try some more... #
..a metal singer...
# Tell me why I didn't die in that swimming pool... #
..and an opera singer...
(JERMAINE SINGS OPERATICALLY)
..to discover how differently they manipulate their voices.
(SINGS OPERATICALLY)
(SINGS BREATHILY)
You have such different styles,
and there are so many other styles of singing as well.
But how did you each find what you do specifically?
I just have always loved singing low,
and so I always kind of thought it was like my rebel voice.
(ALL LAUGH) Your alter ego.
Yeah, so when I discovered jazz I just got really obsessed.
The different tones people can access, it's just kind of limitless.
# Now they're, now they're knee-deep
# Mad for my vices
# Loved up and knee-deep
# Mad for my vices... #
You're supposed to be able to find a fingerprint of your voice,
like, and that's what you're working towards, almost.
How do you sound different to everyone else?
I think I heard, like, a lot of other bands doing it,
obviously liked that kind of genre of music,
so I was like, "I want to do this."
And there's not really any, like, lessons
or anything you can do to kind of work it out.
Are you imitating?
Like, are you trying to hear somebody else sing and re-create it?
Yeah, exactly. That's kind of how it started, I guess.
Like, to imitate what they were doing.
But, then, even that's kind of, like, really strange
because you don't know exactly what they're doing.
They're literally screaming.
(ALL LAUGH)
# I owe to you and all your guidance
# I've finally
# Made room to grow... #
To start off with I just kind of, like,
had to wait till all my housemates left and scream,
literally scream in my room
and then just hope I don't get institutionalised for it.
I do a lot of word painting.
So, you kind of, like, try and, like, get inside a word
and, like, figure out what way to lean.
Like, if there's, like, a little bit of a smile in what you're doing.
(SINGS SOULFULLY)
Like, that's kind of, like, you're kind of, you're smiling
while you're singing.
Or you could go, like, the same line...
(SINGS STRAIGHT-AHEAD
I kind of think about it really...
It's quite psychological for me,
less about the actual mechanics of it.
We also challenged our trio to have a go at singing in the other styles.
So, yeah, so I guess kind of like letting a lot of breath out
and trying to make it quite rhythmic.
ALL: # Ooh, baby, give me one more chance
# To show you that I love you
# Won't you please let me
# Back in your heart? #
People are always quite excited when we do start to sing
and they're like, "Oh, that's interesting."
They're like, "Oh, my gosh, how do they make that sound?"
# Love is like a defiant bird
# That none can catch and none can tame... #
What's, like, the hardest thing that you need to nail technique-wise?
Movement. Like, before when I was singing the run... The runs.
It's the runs that I find really difficult.
(SINGS SCALE RUNS)
(CONTINUES SINGING)
Something like that!
Wow. Oh, my God, amazing.
It's like, "Ah..." And then you go, "Where am I going?"
But then you're just like, "Don't think about it too much."
Because if you think about it too much it gets stodgy.
If you're singing the scale and you're not emphasising every note,
your ears fill in the notes that I haven't emphasised.
And so it's almost an illusion, like, in your ear.
Right. Kind of like reading? Yeah! Yeah!
You can see, like, certain letters and it's like,
"Oh, yeah, cool, it's that word."
If you run your tongue from your teeth to back,
it's hard until this back bit.
That's your soft palate.
(WITH TONGUE IN SOFT PALATE) So, what does that...
Wait. So, what, I'm singing into that or...
You're singing into that, but that needs to be arched.
# Oh, oh... #
Is that it?
It needs to be up, that's all.
You don't need to sing into it, it needs to just be up.
I think I'm an opera singer now. (LAUGHS)
Because opera's often in Italian, we often sing with quite round vowels.
# Oh, oh, baby
# Oh, baby, baby... #
ALL: # Oh, baby, give me one more chance
# Won't you please let me
# Back in your heart? #
(LAUGHS) That was good.
I feel like it's this general perception that opera singers sing
so, so loud, like, that it was gonna break, shatter some glass.
Which is probably the stupidest thing to say to you.
(SINGS OPERATICALLY)
But actually it was John that was ridiculously loud.
# Oh, baby, give me one more chance... #
It didn't? Did it peak?
But how does it work, in terms of volume?
Like, are you thinking about how loud you need to be?
For opera singing, it's more about cut.
It's that you actually have to sing within a certain frequency
so that every other instrument in the orchestra
isn't singing at your frequency.
And so that's what people hear out there.
It's like you're aiming for a target
rather than trying to sing as loud as you can.
I'm interested about, like, John,
when you sing because you do this amazing thing where you go
from screaming to, like, melodic singing and then back to screaming,
and then two seconds later back into melody.
# I made it out And I'm happy now
# I'm your friend, I'm your brother, I'm your lover
# I'm your son... #
Mm. What is going on?
How does that work? I don't know.
Do you know how I got that sound was because I couldn't sing high enough,
so I just screamed it instead,
'cause it was kinda easier to scream.
# Some of my friends sell drugs
# But I just sell sad songs... #
It surprised me how resonant the screaming was.
Like, it had tone to it. Yeah, yeah.
You can change pitch within itself.
Yeah, you can kind of eventually control it.
# Oh, baby, give me one more chance
# Won't you please let me
# Back in your heart? #
Well done. It's there.
Yeah, well, right, so to do that you just gotta scream.
(ALL LAUGH)
Do you take higher breaths?
No, no, I, like, fill my tummy up and then just kind of, like, push it
until it kind of crackles.
Some really topnotch music theory for you.
(LAUGHS) The crackle.
The crackle. You've gotta get that crackle.
YEAH! Like that.
WOMEN: YEAH! (ALL LAUGH)
You nailed it! I'm like, "Imitate now!"
One, two, three, four.
ALL: # Oh, baby, give me one more chance...
(ALL LAUGH)
WOMEN: # Won't you please let me
# Back in your heart? #
(ALL LAUGH) You're just singing loud.
Well, thank you. Thank you.
What I loved about that is that they all had so much in common,
but that they all really wanted to get better as well.
I know. They were so curious about each other's styles,
even though they were so different.
Like, Jermaine was even saying at the end that she wanted to incorporate
metal screamo into her opera singing in the future, which I just loved.
Yeah, I mean, people think of singing as, like,
a gift that you're born with, but that's not actually true at all.
Yeah, exactly. It's a tool for communication.
You can always improve on it, so basically
if you want to sing, Dan, you should sing.
I think I will.
And if I wanna sing or if you wanna sing, you definitely should.
And in fact here are some top tips.
Posture's really important,
so it's a good idea to keep everything as upright as you can.
So, relax your shoulders, lift your body up from your chest.
Support.
Put your hands on your rib cage, breathe in and then breathe out.
Feel these muscles around here?
Make sure these are engaged while you're singing.
Remember to relax.
Your mouth doesn't need to be wide enough to fit a fist in it,
but keep your jaw relaxed.
# Ah! #
-------------------------------------------
Why do we love a good beat? - Duration: 10:35.
(TECHNO BEAT)
Hey, I'm Linda.
And I'm Dan, and this is What Is Music?
Dan, do you like a good groove?
I do, actually.
I think rhythm is so important to what I like about music.
Maybe even more important than melody, actually.
I'm the same.
I am all about the rhythm a lot of the time.
I love this idea of us having a heartbeat, having a pulse,
people having a cadence to the way that they walk and they talk
in everyday life.
Yeah, I think rhythm is really intrinsically human, actually,
and that's why this whole episode is about why we love a good beat.
I went to the MARCS Institute to find out how our brains react to a beat.
One of the main functions
of the MARCS Institute for Brain, Behaviour and Development
at Western Sydney Uni
is to study how music and dance communicate universally.
If you think about music generally, it's a time-based art form,
and rhythm is the patterning of time
and beat is something by which rhythmic durations can be measured.
We like a good beat for three reasons.
One is it makes us move, almost literally.
Secondly, a good beat is predictable,
and the brain likes that.
The brain is a rhythm generating machine in some sense.
It can lock on to the regularity of a good beat.
And the third reason is that
one of the key systems in the brain for processing the beat
is involved also in regulating the sense of reward and motivation.
To see how my body reacts to beats,
I'm gonna be tested by Peter's students, Tomas and Cecile.
OK, so tell me, what is happening?
So, we're going to do an EEG experiment with you.
EEG measures the electrical activity in the brain,
and we're about to measure my huge noggin.
It's gonna be a small one. It's a small one.
Perhaps it's just my ego that's huge.
It is quite natural for humans to perceive beat in music.
We often synchronise just by tapping our foot or bobbing our head.
(FLUTE PLAYS)
So do you want me to do that or...
I want you to try to focus on the beat
as if you were sort of dancing to music
but at the same time try not to move with the music.
I want to put a cool wig on now.
So I'm about to be played three different tracks
and I have to sit really still and stare at this little dot
for the next half-hour.
Everything alright there? Great.
OK.
(ELECTRONIC FUNK BEAT)
KELLER: The body reacts to the beat
because the brain regions and the brain systems in fact
that are activated the beat follow two pathways.
So of course we're processing sound.
The auditory sensory system is activated.
But this is very closely linked in humans to the movement system,
the motor system of the brain.
Therefore when we hear a rhythmic beat,
it can also harness or call into activation
the movement system of the brain and trigger movement.
At this point I want to move so badly,
but I can't and we're only halfway through -
because science likes to take its sweet time.
Our bodies and in fact brains recognise beat
through a phenomenon that is referred to as entrainment.
It's been observed in biological species, fireflies synchronising,
frogs and crickets, but they don't change their tempo
or the rate at which they are producing a beat at will.
Whereas humans are able to do this, we're able to get faster,
get slower, double the tempo, halve the tempo.
I think that makes us special
in terms of our beat-keeping capacities.
Score one for the humans.
We are beat machines.
Now, fast forward a couple of weeks.
Let's see how my brain did.
Hi, Linda. This is Dr Keller.
Hello.
Hi, your test results are in. OK.
The good news is your brain locks onto the musical beat.
Yay!
So we prepared this little figure
where we logged your brain activity.
So in Daft Punk, large numbers of neurons become synchronised
at this particular frequency.
We got such a nice strong response.
When the Daft Punk song came on, I knew it
so I was dancing to it in my head.
And the picture is a little bit different for the other two pieces.
This broken beat track from the '90s.
Yeah.
(IRREGULAR DRUM BEATS)
The rhythm there was complex.
Most people have difficulty to actually find the beat
and synchronise to it
because it's not very prominent in the rhythm in the actual music.
But Linda actually did find the beat,
but it's not as strong as the Daft Punk.
Because that sounded more complex to me,
I found myself paying attention heaps more to find the beat.
But when you look at the very right, that track,
there was a very clear beat.
So we would expect that your brain tracks this pretty well,
but I don't know what happened there.
Your brain wasn't interested in that one for some reason.
It's a mystery.
That one to me felt kind of like an easy beat,
so I didn't pay attention that much.
So maybe that's what it was.
Rank my brain.
What was it, like...
Was it good at locking into the beat? Did it work?
I think your brain is pretty, pretty high.
(LAUGHS) Yes!
It's a very nice response.
Congratulations. Alright.
See you, guys. OK, see you. Bye.
I was having to sit so still and stare at one spot on a screen.
It was so hard.
But you can still see
that your brain is looking on to the rhythm too.
Yeah, for me, in terms of the songs that I didn't know so much,
it was actually where my brain was paying way more attention.
So essentially the lesson for me was that
you can train your brain to lock onto rhythms.
I mean, just moving away from the science for a moment,
I mean, I've been a musician for a while,
I can count and play in pretty complicated rhythms
and time signatures,
but I've never really been able to articulate that to my body, I guess.
Do you mean dancing?
Yeah, dancing.
Do you want to do a dance class with me?
No.
WOMAN: Five, six, seven, and...
(ELECTRONIC BEAT)
And double, double.
Single, single. Double, double.
So why do you think that everybody should dance?
I think everyone should dance 'cause it's a lot more fun than running.
(BOTH LAUGH)
Yeah.
And so what's special about rhythm?
We have a natural inclination tow rhythm that even if someone's like,
"I can't dance, I have no rhythm," and some people don't,
but it can still help to organise a pace of something.
It's something that we can all feel.
So you want to think about both your foot going out
and your arm going out, and then they're crossing over.
So, out, cross, out, in.
And out, cross, side.
(ELECTRONIC BEAT)
For me, the different types of music that I've listened to or engaged to
have also played quite a big part in identity
and things that I've felt like I've related to.
I remember listening to punk when I was, like, a teenager
and feeling angsty
but also too listening to a lot of N.W.A. and Dr Dre and hip-hop.
The most instant connection was taping songs off the radio
and then making up dances to them,
or taping songs from the television and then learning the movements.
Mostly watching the lines that they would make with their body
and what they were using, what objects they were dancing with
and I guess it kind of spurred a greater trajectory into it.
But, I mean, most of the time when I'm making dance now,
the sound or the music would support what it is that I'm making
rather than the other way around.
Next song? Easy.
So now that you guys have mastered the slower,
we're gonna move on to a slightly faster song,
and this song I chose because of the lyricism in it
and I guess we're kind of moving through the lyricism of the rapping,
but also too doing a lot of repetitive grooves.
So a similar movement to what we were doing before
but we're just gonna try and short cut it in a couple of ways.
Yeah? I like short cuts.
(LAUGHS) So do I. (CHUCKLES)
And one, one, and double.
Boom, boom, and back.
And slow, hop. And slow, hop.
One, two, three, four.
And ooh-ooh, slide.
Ooh-ooh, slide.
Yeah. Oh, I did that before.
So, what does dance mean to you?
It is so many things.
My career and something that I enjoy very, very much.
But usually the definition that I give to somebody else
is the organisation of time and space and my autonomy over that.
So when I'm telling you how to dance, will be organising time,
or timing,
and the space that we're in.
So time travel? Mm-hm.
(LAUGHS) Pretty much, yes.
(LAUGHS)
So, how did that feel?
Yeah, actually surprisingly good.
But you know what - the next morning I woke up
and I sort of found myself still moving in the same way.
Still thinking about the moves. You were going through it.
Yeah! That's totally a dancer's thing.
Because you've been a dancer for ages, right?
Yeah, I was quite hard-core with dancing
from the time I was about nine until about 21, 22,
and even now I dip in and out of classes.
I love it.
I mean, I think that kind of experience helps you
articulating the rhythm to your body.
You know what you're doing. You've got to practise, Dan.
Are you gonna come back and do another class with me?
(LAUGHS) Sure.
Well, it's clear our brains love a good beat.
It locks onto it, it helps your body move along,
and how well you move is then up to you.
Captions by Red Bee Media
Copyright Australian Broadcasting Corporation
-------------------------------------------
Why does music give us goosebumps? - Duration: 14:05.
GIRL: Absolutely.
Particular types of music.
Sometimes. When it's really, really good.
DAN: Yeah? I feel the resonance.
Depends what mood I'm in. Yeah.
Like, sad music. Maybe, like, music that reminds me of a certain...
Like a memory. Yeah.
When there's, like, a really good kick,
I really do like that feeling of... you kind of really immerse yourself.
If I'm cold, yes. (LAUGHS)
Other than that... not that I'm aware of.
Hi. I'm Dan. I'm Linda.
And welcome to What Is Music?
And in this episode,
we're gonna be looking at how music gives you goosebumps.
But first, Linda, what do we actually know about goosebumps?
Well, goosebumps happen when our hairs stand on end.
It's an ancestral connection to furrier friends of ours
who, when they were in a threatened situation,
they looked bigger and more scary.
And having the hair stand on end
also has the advantage of thermal insulation.
Now, over time, this becomes built in to how we behave.
This idea of frisson -
these very strong, intense emotions
that we connect now to shivers
and chills and thrills -
still activate this physical response.
So why is it that music can re-create
some of these physiological responses?
Goosebumps come when there's a sudden change
in our emotional state -
a kind of 'aha' moment of emotionality
where we feel suddenly connected with the music.
We especially feel connected with music
when that music is personally meaningful.
Music that we heard during an important time of our development,
which is called the reminiscence bump,
where music meant so much to our identity
and developing a sense of self.
When we hear that music, it brings back a flood of emotions
and a flood of memories.
And there are ways that we might be able
to trigger these emotional responses using music.
Other emotions, like happiness, sadness,
there are fairly definite ways and almost universal ways.
Goosebumps is far more particular.
You'd be looking at changes in the loudness of the music,
changes in the tempo,
an unexpected harmonic change.
There's also the important factor of being familiar.
So it seems like there's still a lot of research to be done on this topic.
There's a lot of theories that we should be testing out here, Dan.
Yeah. Well, actually, I've got a plan for that.
(ALARM BEEPS)
Well, welcome to the goosebumps sphere.
I love what you've done with the place, Dan.
So, we're gonna be testing what kind of music gives us goosebumps.
OK. And so we got the chair
and we've got a macro lens on this camera here right next to your arm,
so it's gonna pick up the moment any goosebumps come through,
so there'll be no faking it.
We've got the magnificent...
This is amazing! ..helmet apparatus over here...
I wanna look at this properly.
..which... This is incredible.
Oh, it does...absolutely nothing.
Oh! But it looks great.
(LAUGHS) OK!
You've always been about fashion. That's what everybody says about me.
We've each got five songs with different musical elements
to give the other person goosebumps.
We filled out some very personal surveys
to work out the best songs to use.
Winner will get bragging rights.
So, Round 1 - it's all about sudden crescendos.
When a piece of music suddenly gets louder, it often causes goosebumps.
You can hear this in Pink Floyd's The Post War Dream.
(MID-TEMPO, MELLOW MUSIC PLAYS)
(DRUM POUNDS, INTENSITY BUILDS) # Wish I could turn you
# Back into a stranger... #
I feel emotional but I don't...
I think that's one you won.
I was actually trying, though. Yeah?
I remember putting so much meaning to that song
because of the relationship that I was in,
and, like, moving in and out of.
But, yeah, I guess I'm just an unfeeling...
(LAUGHS) Yeah. And you know what?
I'm actually gonna take this off because...
Look, fair enough. Gonna throw you a bone.
I think...I think it's affecting my emotional levels.
So it DOES do something. It does.
Alright, so, Round 2. Alright.
It's all about the long, sustained note.
AKA the money note -
big, belting notes from singers like Whitney Houston and Freddie Mercury,
but also things like super-high violin melodies
and orchestral music.
(VIOLIN PLAYS SMOOTH, SUSTAINED, POIGNANT MELODY)
Alright. How'd you go?
I don't think I got goosebumps. Yeah, no.
OK. Hit me with another one. Alright.
# 'Cause you're nothing to me... #
Sometimes a chord progression or key change in a song
is really distinctive.
You might not see it coming but the unexpected harmony is a perfect fit,
and it gets you every time.
(LOW, ELECTRONIC THRUMMING)
(PITCH RAISES)
Again. Nada.
Nothin'.
I could pass a lie detector test. (LAUGHS)
Alright, new plan.
So we're none from three so far. Mm.
It's time to really up the ante on this.
What are you doing? So, this is a blindfold.
It's actually... No, it's not - it's a scarf.
Yeah. (LAUGHS)
For today, it's a blindfold. OK. (LAUGHS)
OK. Alright. Can you see anything?
Nup.
So, we're gonna try an emotional minor song.
More often than not, the type of music that gives us chills
is in a minor key.
Some people call that the sad one.
(SLOW MELODY IN MINOR KEY PLAYS, WOMAN SINGS SUSTAINED NOTE)
(LAUGHS)
(DELICATE PIANO MELODY, SWEEPING ORCHESTRAL STRING NOTES)
What is going on right now with my arm?
I think I got goosebumps. Yeah?
Could you see any? S... Yes. Absolutely. (LAUGHS)
Definitely feeling something happening here.
Yeah, I'm gonna call that. (PING!)
Oh, my God.
I can't believe you got it
using a song from the Romeo and Juliet soundtrack!
What else is gonna give you goosebumps?
I seriously... I was like, thinking about break-ups before,
thinking about other things - like, real adult stuff,
and then that one was the one.
So it's nostalgia, in a way.
It's like a memory of, like, your early teens
and you coming back to it as an adult
that's kind of tipped you over the line.
To just do it with that Des'ree song... (LAUGHS)
Yeah. Yeah. Well, a win for me.
OK. You've got one final chance, my friend.
Mm-hm. Best of luck.
Actually, wait.
Uh, we can do away with the blindfold
because I can go one better than that.
We're pulling out all stops for the final one. You ready?
(LAUGHS) Dan!
One of the most important things about music giving you goosebumps
is you.
Music that's special to you.
(IMMERSIVE TRIP-HOP JAZZ FUSION MUSIC PLAYS)
# I just want to be a woman... #
No goosebumps. No goosebumps.
So, still nothing with that one. Nothing.
Although that Portishead song is one that I love so much,
and even though I listened to that song
from when I was, like, 14 years old...
Mm.
..but I feel like I listen to it too often now
that it feels almost everyday to me.
It's not one particular... So it's no longer nostalgic?
Yeah. It's not nostalgic anymore - it's just...an omnipresent...
Yeah. Ugh. Well, my research has let me down.
Well, you got one. Yeah, one.
But we're gonna turn it. You ready to get into your...
(SIGHS) ..chair of delight?
Yep. My body is ready. (LAUGHS) OK.
(CHUCKLES) Your head's too big!
It actually... Yeah. It actually is.
Alright. So... (LAUGHS)
My turn now.
You made me get goosebumps once. Mm.
Round 1 - sudden crescendo.
(VIBRANT ORCHESTRAL MUSIC REACHES CRESCENDO)
(MUSIC QUIETENS)
(CHUCKLES) I don't know. What do you reckon?
I certainly had a strong emotional reaction.
You seemed so happy.
Yeah. I love that piece of music.
I don't think there was any goosebumps.
I definitely felt coldness in my arm, though.
Alright. Alright, alright. Alright, Round 2.
Long, sustained notes. Mm-hm.
Here we go. I'm ready.
(GENTLE, LILTING ORCHESTRAL MUSIC)
(MUSIC SWELLS)
If you didn't get that, you're never gonna see goosebumps.
That was 100% definitely. Seriously?
Seriously. Goosebumps?
Yeah. Why can't I tell?
There was a lot on the back of my neck.
Really? And some on my arm.
OK, I need to have a camera on the back of your neck.
Yeah. (LAUGHS) So, that's Star Wars.
That's the Binary Sunset, the Force Theme, by Joel Williams
in its most emotional playing,
and that hits, I reckon, musical love
and also childhood nostalgia.
Like, that's really the big musical swell of the first Star Wars film,
which I watched over and over and over.
Yep, ticking all the boxes pretty much, I think.
Yes! (LAUGHS)
Yes!
Wow! Ooh. Yeah.
(PING!) (LAUGHS)
Excellent triangle skills. So we're even.
So, if I get one more... Oh.
..I win. What? So quickly! Even.
I know. I know. Argh.
Unexpected harmonies. Alright.
Surprise.
(ETHEREAL MUSIC, GENTLE FEMALE VOCALS SING IN MINOR KEY)
Nothing. Nothing.
It's a song. OK. It's a song.
Mm-hm. Alright.
Fine. Do you remember what happened in Round 4?
I beat you? (LAUGHS)
(LAUGHS)
I got goosebumps and you put this on me.
Oh, yeah.
So it should be tighter? Yeah, I think so.
Alright. OK. So, this is minor keys. Mm-hm.
OK. Perhaps sad music.
(GRAND, INTENSE ORCHESTRAL MELODY IN MINOR KEY PLAYS)
So, that's interesting. What?
No goosebumps, but my heart beat way faster. (CHUCKLES)
Really? Yeah.
If you were measuring my pulse, you would have seen a huge spike.
I'm gonna count that as a half point.
Yeah. (LAUGHS)
Wait - that means you're in front.
No, definitely not. Round 5!
(UNEARTHLY, EXPERIMENTAL MUSIC, ETHEREAL FEMALE VOCALS)
So, what happened during that last one?
I had some reaction.
I enjoyed the soundscape of that song,
and there's a lot in there that's quite emotional and beautiful.
I don't think it really translated into full goosebumps, though.
'Cause I chose that one 'cause that's, like,
one of your favourite, you know, sentimental pieces.
From your "survey says". (CHUCKLES) From the survey, yeah.
So just to re-establish these scores - Dan got one.
I was one out of five. One ping.
And then I got one...and a half. Yeah.
One goosebump and then one raised heartbeat, which we count as a half.
I...I... So the winner is...
Finish the sentence. I think it's...I think it's you.
It's Linda. It's Carmelinda... Yeah. (LAUGHS)
..the goosebump champion. Yeah.
Isn't it so funny that the one that we responded to,
that properly got goosebumps,
was the reminiscence bump?
Yeah, absolutely. I think there's something so key about memory.
The melancholy that you feel when you listen to something
or you have that really strong visual accompaniment as well.
So, both of ours were for these movies
that we'd watched over and over again as kids.
I also think it's incredibly important that, you know,
there's images associated with the music that we're hearing in our mind.
And do you reckon that you could force goosebumps?
Nup. No way. I don't think so. I don't think you can force goosebumps.
Do you? Mmm... I was trying.
I was trying really hard, actually.
I was trying to give you a point or two.
But the more I was trying to,
the more that I found that I was forcing myself to cry.
Wow. Like, under that beautiful blindfold
that you put on me,
I was welling up. Huh.
So it's easier to cry to music, do you think?
Yeah. Yeah.
So if that had been the challenge... Right. Maybe that's next time.
Old cry-baby. Yeah. (LAUGHS)
..you might've won. Next time, crying challenge.
Captions by Red Bee Media
Copyright Australian Broadcasting Corporation
-------------------------------------------
[VOSTFR] ZICO - Soulmate (feat. IU) - Duration: 3:42.
For more infomation >> [VOSTFR] ZICO - Soulmate (feat. IU) - Duration: 3:42. -------------------------------------------
Greatness: Ginette Pelletier - Duration: 3:14.
Well right now I am...
Making sure that the sky is... is well coloured
I am working with sky photos that were taken during the in the winter
So the colours are a bit grey, but they are still nice colours
Hi, my name is Ginette Pelletier. I live in Midland
on the shores of Georgian Bay and I am a visual artist.
I am originally from Montreal and then…
… I moved to Ontario in the 80s, so about 40 years ago.
I've always wanted to live on the shore of a big body of water. So…
being here in Midland, on the shores of Georgian Bay, it's really…
… a great place for me to live, because...
I really love the water and big water bodies.
So my artistic journey…
I have worked a lot by myself, I'm almost "self-taught",
but I took some courses at the University of Nipissing.
But I do a lot of self-exploration.
So, this allows me to work on projects such as this one.
I feel really passionate.
My passion for art is a way of life to me.
It's a lot more than just a hobby
or pastime or something that you do when you're bored.
To me, art is life and life is art.
So...There is so many things that can be illustrated by art,
but art is not only an illustration. It's also a speech,
and to me it is also a poem or a dream.
Given that I am a citizen of the world. I want to help conserve it.
I want to show the positive side of things.
My relationship with Georgian Bay and the Great Lakes is fairly young one.
The turquoise and the blues that you can find
on Georgian Bay on a sunny day are really...
...extraordinary. One of my passions about big water bodies and the Great Lakes
is being here in the winter time.
Because there is so much drama in the colours.
The greys, the movements of the water, the snow, and…
and… euh… the trees that are bare.
To me it's all so dramatic
and without being too tragic right now,
it find that it brings up a lot emotions in me.
...It's a blue planet, so that's why I really like to illustrate...
...water. The dessert too,
but the dessert is another story.
Hi, my name is Ginette Pelletier. I live in Midland
on the shores of Georgian Bay and I am a visual artist.
-------------------------------------------
ទូច ស៊ុននិច ft គង់ ឌីណា ចម្រៀងឆ្លងឆ្លើយពិរោះៗ | Touch Sunnich ft Kong Dina Old Song Collection - Duration: 51:34.Touch Sunnich ft Kong Dina Old Song Collection
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