Bongani: Growler! Come in!
Growler: What do you want? I'm very busy at the moment.
Bongani: Don't talk like that to the Chairman.
Growler: Chairman? You didn't want to be the chairman
Bongani: well after some initial reluctance
Bongani: I've had some time to think and now
Bongani: I've decided to fully embrace the Chairman role and all the responsibilities that come with it
Bongani: And as part of this...
Bongani: I've had to make some drastic changes I'm afraid
Growler: Drastic changes? What do you mean?
Bongani: Well...
Bongani: We're now a review channel!
Growler: What what what what
Growler: Review channel?
Growler: But what about the comedy?
Bongani: Well the comedy wasn't working very well and um
Bongani: I've been doing some research and all of the reviews get loads of views and um
Bongani: Well we need to get more views.
Bongani: So I'm...
Bongani: We're going to do a review channel and I'm the host.
Growler: You're the host? but but
Growler: Oh! Oh I see! Now it makes sense. Of course
Growler: So you think that by starting a review channel you're going to get your face out to loads of people.
Bongani: No no no no. That's not true
Bongani: The reviews are for the best of the channel
Bongani: But if I happen to get lots of views then obviously that's a side bonus and that's great.
Growler: Oh yes yes. You tell yourself that. yes okay.
Growler: All right so if we go to a review channel
Growler: I mean it's not the worst idea in the world but but what you gonna review exactly?
Bongani: well initially I thought
Bongani: Maybe we could review my favorite types of leaves.
Growler: Leaves? That's ridiculous.
Growler: Giraffes aren't watching us it's humans
Bongani: oh but don't humans like leaves?
Growler: Not really. I mean no they prefer much other things than leaves.
Growler: I mean most people eat meat.
Bongani: Oh. Um.
Bongani: Alright I thought people like that.
Bongani: All right. If we're not doing leaves then maybe we can do like camera equipment.
Bongani: Like what about that camera over there?
Growler: Oh. The GH5. Hmm.
Growler: I mean I guess some people would probably be looking for a review on that.
Growler: It is a good camera and reasonably up-to-date
Growler: So um yeah that's not the worst idea in the world
Growler: Okay. So we're gonna review the camera. That's good.
Growler: But do you know how a review channel works? I mean um there's quite a lot of work to do you know.
Bongani: What do you mean?
Growler: Well I mean when people review cameras and things like that
Growler: They do have quite a lot of knowledge. I mean they do know what they're talking about
Growler: Or if they don't, they do some research to find out about the product.
Growler: They look at their stats, they test it and do all sorts to get the review.
Bongani: Oh no no no. We don't need that.
Bongani: I mean I'll do it but I know eveything about everything.
Growler: Oh right of course yeah obviously.
Growler: Ok but there's still quite a lot of work to do you know.
Growler: What about writing a script?
Bongani: Oh no. Well I'll write something for me to say
Bongani: But obviously I always come up with the right words.
Growler: Oh I see. Yes of course you're right.
Bongani: Yes but I do need some help though
Bongani: Because well I'm gonna be the host you see of course cuz obviously I'm so beautiful
Bongani: Yes and look at my lovely horns for example
Bongani: But I do need a director so I was thinking you could direct the shoot.
Growler: Oh I see.
Growler: Okay I guess I can do that yes I'll help you
Bongani: Oh good yes yes yes okay so
Bongani: We're gonna shoot tomorrow. Growler: All right yes yes
Growler: All right so you are going to do all of the necessary prep work right?
Bongani: Er yes of course
Growler: hmm. Yes.
Growler: I must I must admit I'm a little dubious about this because I've seen how how I guess how lazy you are at points
Bongani: Lazy? Ooh ooh. Well I'm gonna prove you wrong. Just you wait.
Growler: Okay all right all right that's fine then. If you're gonna do it then that's great.
Bongani: Ok well I'll see you tomorrow then.
Growler: Okay I'll see you tomorrow. Bye bye.
Bongani: Bye Growler.
Bongani: Hmm. Right. Er.
Bongani: I better get started on the prep work.
Bongani: Er.... Ooh it does sound like a lot of work...
Bongani: Errrrr... Hmmm....
Bongani: Nah. I'll just wing it.
For more infomation >> WE ARE NOW A REVIEW CHANNEL?? - Bongani is shaking things up! Funny Plushie Videos - Duration: 4:50.-------------------------------------------
[مترجم] بانقتان في خلف كواليس حفل البيلبورد [شغل ترجمة الـ CC] - Duration: 36:38.
For more infomation >> [مترجم] بانقتان في خلف كواليس حفل البيلبورد [شغل ترجمة الـ CC] - Duration: 36:38. -------------------------------------------
Cyril Hanouna : en galère sur une route, les automobilistes l'ignorent complètement - Duration: 2:28.
For more infomation >> Cyril Hanouna : en galère sur une route, les automobilistes l'ignorent complètement - Duration: 2:28. -------------------------------------------
LA PUISSANCE - Elle va fuir - 60 MINUTES NON STOP - il sera GROS et LONG comme JAMAIS - Duration: 2:01.
For more infomation >> LA PUISSANCE - Elle va fuir - 60 MINUTES NON STOP - il sera GROS et LONG comme JAMAIS - Duration: 2:01. -------------------------------------------
[مترجم] بانقتان في خلف كواليس حفل البيلبورد [شغل ترجمة الـ CC] - Duration: 36:38. For more infomation >> [مترجم] بانقتان في خلف كواليس حفل البيلبورد [شغل ترجمة الـ CC] - Duration: 36:38. -------------------------------------------
Contra Bill & Lance Action Figures + Contra Soundtrack Vinyl LP | jSALEj #22 - Duration: 1:29.
j SALE j
NECA Contra Bill and Lance Video Game Action Figures
Contra Original Video Game Soundtrack LP
-------------------------------------------
Čo sa deje? ft Terence McKenna - Duration: 2:58.
For more infomation >> Čo sa deje? ft Terence McKenna - Duration: 2:58. -------------------------------------------
How Cube Robots are Solving - RUBIX - RUBIK"S CUBE - Duration: 1:33.
How Cube Robots are Solving - RUBIX - RUBIK"S CUBE
Hello! Welcome to Krishna Radhey!
WOW!!! Lets see how it solves !!!
I LOVE IT!!! T-T is incredible
This Rubik's cube starts to move when top face is rotated 360° continuously after scrambled. It can solve oneself !
In this video you can visualize the Best Rubik's Cube Official Solves Ever !
/!\ I put just 1 Solve by Cuber /!\
► Please LIKE ✯ COMMENT ✯ SUBSCRIBE to My Channel to see more interesting videos ! ►Subscribe For More : https://goo.gl/NZ1hz5
► Please LIKE ✯ COMMENT ✯ SUBSCRIBE to My Channel to see more interesting videos ! ►Subscribe For More : https://goo.gl/NZ1hz5
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The Inventor of Cruise Control Couldn't See - Duration: 1:57.
- [Narrator] Hello there.
Oh, hey, watch the road, watch the road.
I just wanted to tell you a little fun fact.
Did you know that the guy who invented
cruise control couldn't drive?
He had a good excuse.
He was blind.
(playful music)
This is Ralph Teetor.
He was an amazing guy.
He lost his sight when he was a kid,
but it didn't slow him down.
He excelled in school
and became a respected mechanical engineer.
He had a talent for visualizing objects in his mind.
It led to amazing inventions such as
an early power lawnmower and a new version
of the fishing pole.
But his crowning achievement is cruise control.
The story goes like this.
During World War II, the speed limit was set to 35
to save on gas and tires.
Teetor's lawyer was driving him around
and kept having to brake to stay at 35
and that constant slowing down and speeding up
started to make our intrepid inventor feel a little carsick.
His blindness made him particularly sensitive to the motion.
An inspiration struck.
Ralph came up with an idea that would control
the speed of the car without the driver
having to touch the pedals.
Thus, the Speedostat was born.
Obviously, that name didn't catch on.
In 1958, the first car to use Ralph's invention came out.
At first it was an 86 dollar luxury feature,
but over the years, cruise control, as it came to be known,
has become a standard part of most cars.
So, the next time that you're cruisin' down the road,
remember Ralph Teetor.
The genius, the engineer, the visionary.
(playful music)
-------------------------------------------
This Star Might Be Hiding Undiscovered Elements | Przybylski's Star - Duration: 5:52.
[♪ INTRO]
If you spend any time studying space, you're bound to find some strange stuff;
that's one of the best parts about astronomy.
But every now and then, even the most experienced scientists
find something that makes them scratch their heads.
Like Przybylski's Star.
We've been studying it since the 1960s,
but we still can't seem to figure out what the thing is made of.
And according to one study, that might be because it contains elements or isotopes
scientists have never seen before.
Move over, Tabby's Star, because this might be the weirdest star in the universe.
Przybylski's Star is about 370 light-years away,
and it's named after the Polish astronomer who first studied it.
Przybylski published his first paper about the object in 1961,
based on spectroscopy observations.
This is a common method that links the type of light a star emits
to the elements it contains, among other things.
And right away, he knew the observations of this star weren't normal.
For one, based on its spectrum, the star seemed to have barely any iron in it, which was weird.
Most stars survive by fusing lighter elements into heavier ones,
and iron is one of the most common results.
On the other hand, this star also seemed to be chock full of lanthanides,
even heavier elements like holmium and europium,
which normally aren't as abundant in stars.
At the time, Przybylski suggested this star must be pretty far along in its lifespan
to have produced so many heavy elements.
But today, we know the story is a little more complicated than that. Isn't it always?
Thanks to lots of scientists and telescope hours,
we now know that Przybylski's Star is actually part of a special class called
Ap stars, or A-type peculiar stars.
Regular A-type stars are usually hot and have no magnetic fields.
But Ap stars have cool surfaces, strong magnetic fields, and really long rotation periods.
For some reason, these stars also tend to have lots of lanthanides, but not much iron.
So in that respect, Przybylski's Star isn't as odd as we first thought.
But that doesn't mean it's normal, either.
According to a few papers, there's evidence that this star
also contains atoms that have no business being there at all.
Specifically, ones like promethium and plutonium.
These elements and their isotopes, or versions with a different number of neutrons,
have relatively short half-lives.
This is the time it takes for half of the atoms in a radioactive substance
to decay into something else.
Promethium, for example, has a half-life of less than 20 years.
And plutonium has a half-life of some 24,000 years at most,
which is still barely any time at all for a star.
That means that, unless they're new additions or are being replenished somehow,
they should have all completely decayed by the time humans and telescopes showed up.
So far, there are a few possible explanations for this.
Some astronomers have suggested that these atoms could have come from a recent supernova,
or from ongoing reactions catalyzed by a nearby neutron star.
But the evidence for these ideas isn't that strong.
You also can't have an astronomy mystery without some alien hypotheses.
But, uh, if you have any peer-reviewed papers about that, you can let us know.
Still, there's one other possible explanation that doesn't involve First Contact.
And if it's true, it would change the textbooks, and not just the astronomy ones.
In 2017, in the journal Physical Review A, three researchers suggested that
Przybylski's Star might actually contain super heavy elements or isotopes
we haven't even discovered yet.
And, over time, these super heavy atoms could decay into the short-lived isotopes we've observed.
Specifically, they proposed that the atoms could be versions of three elements:
flerovium, unbihexium, or unbinilium.
We've made really tiny quantities of flerovium in the lab before,
like, around 100 atoms total, but we've never seen it in nature.
And although we think unbihexium and unbinilium should exist based on what we know about chemistry,
we haven't observed them yet.
So if this hypothesis is true, it would mean that studying Przybylski's Star
would let us see these atoms in the wild, or at all, for the first time!
There's even a chance that the isotopes in the star would be part of the
island of stability, a hypothetical group of heavy, extra stable elements
that scientists have been trying to track down.
That would make this star not only important for astronomy,
but for chemistry and physics on Earth, too.
Now, it is worth mentioning that the team didn't have any new explanation for how
those heavy atoms would've gotten there.
And there's still a chance we misread the data, and that Przybylski's Star
doesn't really contain short-lived isotopes.
After all, the spectrum for this star, like the one Przybylski first used to study it,
is difficult to read.
Normally, spectra have a few fairly clear-cut lines that scientists can link to different elements.
But for this star, those lines are kind of all over the place.
So there's an ongoing debate about what's going on, because something weird is
definitely happening to produce that messy spectrum.
One helpful next step would be to take more measurements and hope they're clearer.
But there's a lot of other stuff to study, too, so most people aren't actively looking into it.
In the meantime, researchers will keep trying to solve this mystery with what they have.
And maybe one day, they'll get to name some new elements because of it.
Thanks for watching this episode of SciShow Space!
If you'd like to learn more about how stars have transformed the universe,
you can watch our episode about the very first stars.
Because without their influence, you wouldn't be here.
[♪ OUTRO]
-------------------------------------------
Reasons to Love BTS: Jimin Version - Duration: 12:04.
hello everyone, this voice is back and better than ever lmao, anyways we're here today
to discuss some of the various reasons as to why you should love our cute little mochi
Park Jimin. JC there's an unlimited amount but today we'll focus on quite a
few specific reasons,, alright let's begin.
Reason number one: his laugh//smile this boy has one of the prettiest laughs in
the entire world, like i swear to god,, listening to it regularly ensures clear skin, good grades,
and an unlimited amount of happiness ((these results are not guaranteed))
Reason number two: he is so selfless when it comes to others
If you didn't know, before putting this video together i asked everyone that followed
my instagram ((@squishyminyoongi 🐯💜 )) to comment reasons as to why they love Jimin
so that i wouldn't forget anything, and this girl really just hit home with what i
was trying to say for this category so here it is, his ability to make others feel loved.
He exudes just pure love and kindness at all times, he allows people to confide in him
and in return he gives out genuine love and hope, he makes people feel at home.
Reason number three: His Love for ARMY He is constantly expressing his appreciation
for us and making sure that we all know we're loved. He takes time out of his day to take
his silly little twitter videos and pictures of himself with the other members so that
we know everyone is doing well ;(( Please appreciate this man, like literally he doesn't
have to do that, but he does because he knows we'd like to see and loves and cares about
us. He also literally just said in one of their latest V live broadcasts that he misses
us so much, and just b**ch that makes my heart hurt so bad, i love you ;(
Reason number four: He is so passionate and hardworking
If you watched burn the stage, then you know by now how insecure Jimin can get at times
about his voice and the way he looks, and because of these internal issues he is constantly
working hard to better himself, but I wish there was a way for him to understand that
we all love him so so much just the way he is, and as tae said in the last run episode,
"it's not a big deal" if you have little mess ups Chim, you are human. It's okay 💝
Reason number five: His duality. This man can literally go from being Mr. McCgiggle
Farts to making me want to choke on my godd*mn remote because of how he's performing up
there on that stage. He also can have a bit of a temper when he's angry, and never forget
when the boys once said in an interview that jimin is the scariest when he's upset.
But he also naturally has a sort of cuteness to him, and can come of as this innocent and
childlike kind of man, but then jesus f**king christ he takes one long stride along that
stage and it's over for everyone. He lays h*es to rest.
Reason number six: His gentle and caring nature Jimin is literally such a complex person with
so many layers to his personality, like sometimes he's very loud and interactive with others,
but then other times he can be very observant and appreciative of simpler things, and that's
the side we're going to focus on right now. I'm not good with my words sometimes, so
like i don't really know how to explain it well enough for people to understand my
point, but literally jimin is so like good natured and understanding and just appreciates
the smaller things in life, like these clips made me realize that our boy jimin is just
such a level headed guy, okay this was such a mess of an explanation bye.
Reason number seven: Jimin is literally a visual god
i won't explain much for this one but just jESUS F**KING CHRIST IM TYPING IN ALL CAPS
BUT THAT DOESN'T MAKE A F**KING DIFFERENCE BUT HAVE YOU SEEN HIS LIPS? HIS CUTE LITTLE
NOSE THAT'S SLIGHTLY CROOKED? HIS PLUMP LITTLE CHEEKS? HUH? OR WHAT ABOUT HIS CHOCOLATE
BROWN EYES? HIS LOOKS ARE SO ALLURING AND STUNNING. THIS MAN IS THE EMBODIMENT OF THE
WORD BEAUTIFUL.
Reason number eight: He's an amazing dancer His energy and charisma on stage are so amazing
and eye-catching, like literally he puts so much passion and dedication into everything
he does and that aspect of him really shines on stage.
Reason number nine: His voice Jimin's voice is angelic and could literally
save a nation. Like i said about his dancing, he's hardworking as h*ll and strives to
be perfect and his hard work really pays off because i swear to god this boy has the voice
of an angel. I really wish he wasn't so hard on himself sometimes though, because
we all love his voice so much and are pleased with it no matter what condition it's in.
((Deada** he could release a three minute video of just him coughing and i'd be satisfied for months))
Reason number ten: His small hands I know the members tease him sometimes because
his hands are smaller than the rest of theirs, but despite that i hope that doesn't make
him insecure, Like his hands are literally the sweetest things i've ever seen.
love you baby and your cute little fingers ;(
Reason number eleven: Clumsy Giggles The way this boy kind of just falls into whatever's
next to him when he has a little giggle fit is so adorable I'm sorry why am i like this
lmao okay here are some examples,, bye
So there we go, those are all of
the reasons that we'll be discussing today. I think it's safe to say that overall we
have concluded that Jimin is lovable in every single sense and deserves unconditional love,
recognition, and appreciation. Please send him lots of love via twitter and other social
media platforms. For some reason these past few months he's received unnecessary hate
and threats and just jesus f**king christ, it's disgusting. So like i said, tell him
you love him !! Remind him to drink water and to take care of himself !! Continue to
support and encourage this sweet sweet boy, because he's the most caring boy in the
world and deserves it. Alright, well that should do it. Thank you so much for watching this video, okay bye, see you next week!
bonus reason: his drinking habits lmao this boy wild
-------------------------------------------
Moon Insiders Reveal ALL! NASA Eats Their Shorts 2018 - Duration: 16:26.
In part one of our Stanley Kubrik and the moon landing episode
We talked about the results we found through our research
and talking to various experts in this field
about what really happened during the Apollo 11 mission
In part two, we'll show our exclusive interviews with Ken Johnston
who was a NASA civilian astronaut from the Apollo moon program
A retired aerospace engineer and a U.S. Marine along with
Bret Sheppard - founder of LARS of the Lunar Anomaly Research Society
which we filmed at contact in the desert in June.
In this episode, they'll share their own understandings
of what they believe actually happened on July 20th, 1969
But wait
Before we begin, make sure to click that subscribe button and bell
so that you don't miss any of our awesome videos every week
Really curious about the Apollo mission with Buzz Aldrin
What we've heard is that it actually did happen
But they couldn't really record it because what was on video,
there was things on the video that they couldn't show so they recreated it
Is this true or...
You have to understand it
At that time we were in the middle of the Cold War with Russia, right
and it was a race to get to the moon technology
and who's the big movie guy that everybody...
So Stanley Kubrick is the one that everyone made this movie
Yes. Now, Stanley and them did create a backup
movie of the success of us landing on the moon and doing all of these fun things
in the event that we failed
okay, that we can prove we got there and did it. Now, what happened is those
fake movies, some people got a hold of that
"Oh, you never went to the moon did you?" and my answer to that is okay
now let me ask you a question. You know, what the Hubble telescope?
Okay, okay, and and you know about satellites going around the
moon taking pictures and sending them back to earth, right?
Okay, and they photographed each one of the landing sites Apollo and
their sets, the lunar module descent stage still sitting on the moon
And the, the rover after the Pala 14 was still there that they wrote on.
Now, how in the hell did they get there if we didn't go to the moon?
and you know that guy, "Oh well-
I'll have to think about that." That's the point.
Don't just listen to somebody else's crap
Do your own research and know the truth.
So long as you stick with the truth, you have nothing to fear, okay?
Yeah, and well I mean, well that's been the story
that some people are saying we did go there but they saw
aliens there or other beings on the moon.
So, so then it was like, okay, we can't show this footage
So let's recreate it because we can't show the original footage
Those those films and things were withheld.
Bret Shepherd can tell a lot more about how those records and the videos were
hidden so to speak
so that nobody could see them.
Now Buzz Aldrin, for instance,
when he and Neil and Mike were in the Apollo 11 command module on the way to the moon
they, they were looking at this light that kept following them
coming closer and closer and
and
but Buzz talked about it, he said they got to thinking about whether
they could call Mission Control and say
you know, "What is this thing that's following us out here?" and nobody knew.
He said so in reality it was an unidentified
flying object, right?
He said so they decided they would call Mission Control and ask for
you know,
What's the location of the s4b, the big second stage
of the rocket that got him going to the moon and long pause at NASA and they go um,
it's about
you know twenty thousand miles at this angle from the
Command module and okay
thank you, because that was their way of saying there was
something there and then he mentioned after that
it came close enough. They could see that it was an actual being of some sort
so it was an unidentified flying object. Interesting.
Most of the astronauts have been
unable to come forward or not.
The problem you run into is after each mission
We, the astronauts, had to go into quarantine at the lunar receiving laboratory and undergo
Debriefing, okay and the woman psychiatrist, psychologist
that did the debriefing and I've had information from sources that said that they put-
and not only telling them that they couldn't come forward and everything else -
they'll kind of give them a mental block such as through hypnosis.
Now, with Dr. Sasha Lessin,
they decided it was time to get more information out of my brain and
I agreed. Okay, we'll sit down and go through a hypnotic session of regression
and that's where my next book which is always
Oh there's one
This is it, I gotta save it until I get a-
um
I was hypnotized and I thought for about 15 minutes.
Two and a half hours later, they, they-
I came out of it and we discussed -
started discussing events and things that took place and a part was me -
Yeah, the, the metaphysical are they...
Up until this point everyone is in America, Canada, in England that all have been
programmed them to laugh at anybody that says well
I've seen a ET's or seen this stuff like that. Other countries in South America
and Europe and other nations have come forward with their data and information
Ninety percent of it has already been out to the public.
Us Americans have been programmed when someone says:
"Well in reality I was I was kidnapped or -
I was just taken here with aliens"
and everybody goes snicker, hehe, haha, you're a wacko, right?
Yeah, it's very true.
Most people that's what they get.
And even here when I start talking to people about things that - and the new book
I have not come forward with any of the metaphysical stuff because of
the credibility that was required being a civilian astronaut and information,
which is out in the first books
Or people just, you know, treat me like the rest of - you're a wacko
oh, you don't know crap, right, but now that they've got the evidence
and the documents and the proof of what's going on,
now they're going to do another hypnosis.
Bring more data out. You asked the question: have I seen -
if we go by what came out in the session the answer is yes
Haha, that's great.
Guys, I'm actually really excited.
We're about to interview Bret from contact in the desert.
Bret Shepherd, he's actually been involved in a lot of imagery
image work, uh
related to NASA
So he has actually a very interesting perspective on the moon
that I want you guys to hear.
So Bret, Bret Shepherd
Can you tell us a little bit about what you what you've done?
Well when I was when I was 15 years old
Stanford Research Institute came to me in 1982 in an art class
I was you know
I was very young and but I was a very good artist
and they knew I had a photographic memory.
Her name was Amin,
I remember it because my art teacher used to make fun of her and call her Noxzema
but she came and she showed me lunar images and Mars images, but she said that they were
extraterrestrial communication
And that I should pay attention to this.
And she proceeded to ask me what I thought about each and every image that she showed me
some were very provocative and and showed palaces and all kinds of different things.
Some were very cartoonish, some were
Like of gods and goddesses and stuff like that
Well, I didn't think much of it until 40 years later when I found them embedded in space images
So I found all of this artwork embedded in our space images in black and white
Where were these - where did you get these spaces images from?
Where did you find them?
Well, I ran into a wall because I founded the Lunar Anomaly Research Society
and we researched the heck out of all these images I've seen,
every single moon image there is. They all have the same -
trait. Something's missing from all of them and it's a -
it has to do with the digital process that they used
So we we clarified that
you know, that section of it and the thing is
About the lunar images is why did they tamper with them
to the point where it's propaganda for the public?
And why did they tamper with the videos or whatever
and they simply don't want us to know what's in space
and what's on the moon.
Okay. So, so let's talk about that for a minute.
You, having been someone involved in actually doctoring these images,
What is on the moon?
Well, I wasn't involved in actually doctoring images,
but I do know that process from Donna Hare and Ken Johnston
So, you know
I believe their story because they see the evidence, you know, literally
Donna said that, that they don't want us to know what's on the moon so they doctored the images
They said they used an old method that Chesley Bonestell
invented for Disney and
where they put acetate over the the image they doctored it up do whatever they want to it and
refilm it. So it looks like an authentic original image and
that's what they do to debrief these images before they go out to the University or anywhere else
What is on the moon that no one's tell- like that they don't want us to know?
Well, William Tompkins, who I very much respect who's not with us anymore
told us exactly what's on the moon and I believe every word he said because of the TRW thing and his
explanation of the s-band antenna and how they got the signal the separate signal back into that area where they were actually
witnessing spacecraft following Apollo 11 and landing on the craters on the moon
So if someone wants to know how did they get through the Van Allen belt, probably secret technology or alien technology
Okay
now there has been a lot of
discussion revolved around a Stanley Kubrick video that was made that apparently shows a fake moon landing and there is a
Lot of arguments as to whether or not they landed on the moon. What do you think?
This is exactly what I think: it's propaganda. They do not want you to know what is on the moon
so, of course they're going to hide it so a lot of our
- landing images were done in a studio. We do have a lot of fake images. The Lunar Reconnaissance Orbiter uses complete CGI
Graphics - to make their images at the University they were contracted to do that
Officially,
Officially, we landed on the moon. Officially, we not only landed on the moon, but we're still there
Not only are we still there but what, like, can you tell me from your perspective
what happened when we landed on the moon? When we landed on the moon we met a bit of our
intergalactic members and
When we met these people they told us that we weren't ready. Not that we couldn't ever come back
We were not ready. What- why weren't we ready? Because we're still blowing the crap out of each other. See people
Blowing stuff up never helps anything. Okay, that's great. So, how do you, like, how- how can you verify this information for our audience?
Tell me like
Why do you believe that this is- this to be true? and I believe you but I want to know, like, I want to verify
this for them. I'm very experienced, gentle...I
listen to people, I look at all the facts and I listen to any leads that I have.
The one thing I want to say is there is no such thing as proof
I can set a brick in front of you and say that's the facts
but it doesn't tell the whole story of all the factory workers that made that brick and and the factory that closed down and all-
everything else. This is something you would have to experience.
So along with this fact there needs to be context, there needs to be some kind of experience that, that
tells people hey, this is valid and this is authentic and this needs to be listened to. There were three people
that saw the Peacekeeper missile go up and watched the video of it UFO
disabling the nuclear weapon. I saw that it was crazy. Yeah, and and there was Mr. Solace that
not Michael
But the other guy that worked with the nuclear facilities and said that they came and landed by
the silos and disabled all of the nuclear weapons
So if you want to know what's going on and who's malevolent or benevolent?
I believe that we have been the malevolent race this whole time and that's why we're not ready to go
talk with our intergalactic community and I think we will be
someday. Eventually when we get over this whole like let's kill one another thing. Oh, yes, absolutely.
Is there now- you're an experienced guy you've been looking at this stuff for a really long time
What do you want people to know more than anything? What I want people to know more than anything is to use their own perception.
It's very important. This experiment with SRI was not an accident. They came to see
How, how someone that perceives everything
would react when they saw these, these embedded images and lunar images and such so they are very concerned about perception and
they want to know if you're buying the fake images or not
So there- it's almost like- I mean would you say it's like a social experiment? Yes. It's propaganda.
it's um, they needed us to
They wanted people to know that we needed a bunch of fuel to go to the moon so that they could sustain
You know their their lie about fuel. Yeah while they had all the secret programs
They had neutral buoyancy already and they had ways to get to space without using all of that fuel
So jet like propulsion wasn't the way that they got to the moon. It was a different type of technology
It was both, you know, they had to make it look real
Oh I see. So they used the secret stuff to get the tin cans to the moon and back
Yeah, very interesting so do you know what technology they're
they're actually using the other side of the technology? Well, there are extraterrestrial
Galactic people out there, you know and they helped us get to the moon
They thought it was a good step for us to show people
Hey that were down to interest people and going to space and become part of the galactic community
So they assigned it to- this was back in the Eisenhower days. They had already discussed this
Eisenhower was commissioned by Hoover to invade Area 51 at one time because these people were so powerful. They were above the government
when Eisenhower went in there, they actually
Invited him in instead of having him take the army in there and causing a bunch of problems
So they invited him just like Independence Day
they invited a president to go into the secret area and see the aliens and spacecraft and
technology
So that's when Eisenhower came out with that speech warning us about the in military-industrial complex
We must carve guard against the acquisition of unwarranted influence whether sought or unsought by the
military-industrial complex
I got you. This is actually starting to all
link in for me right now. This is awesome. Okay. Is there anything else you want our audience to know?
I would just say hang in there the, the truth is coming and it has to do with your own
experiences don't rely or listen to anybody else except for-
listen to their story and see where it leads and adapt it to your own experiences
That's what proof is. Proof is on the inside
Yeah, I can know these things
But unless someone experiences or has context it's very difficult
to get that person to believe and you should never believe anything
nothing
Absolutely. These are very wise words from Brett right now. Brett, thank you so much for being with us
So guys, what did you think of this episode with Ken Johnson and Brett Shepherd?
Do you have any of your own theories on what happened?
Let us know in the comments. Also
make sure you hit like and subscribe for more videos on all sorts of interesting topics. Until then,
we'll see you out on the edge.
You
-------------------------------------------
World News Polka - Anne Reburn on ABC World News Now - Duration: 1:43.
Politics and foreign wars All the weather, all the scores
That's the World News Polka
If you're an insomniac And a good night's sleep you lack
Do the World News Polka
It's late at night, you're wide awake, and you're not wearing pants (Sit down!)
So grab your World News Now mug and everybody dance!
Have some fun, be a pal Every anchor guy and gal
Do the World News Polka
--Wow, I can't believe I'm on TV. --Be professional!
That's the World News Polka
That's the World News Polka
Who cares what the bosses think, They're all a goofy crew
And if your neighbors call the cops Here's all you have to do
When they yell, "It's half past three!" Just tell 'em, "Hey, it's news to me!"
That's the World News Polka
If you're up this late you must be headed for the john
But hold it one more minute while we get our polka on!
You'll know that the weekend's near When this little tune you hear
It's the World News Polka
Do the World News
Bum bum bum bum
Polka!
--Bravo! --She's amazing!
--Very nice, nicely done Anne. --I like when you talk to yourself like that.
--That's my favorite part. --Yeah, exactly, she really layers everything
and edits it all perfectly into harmony. Really impressive.
So impressive. I want more! But that's it for this half hour. Stick with us.
-------------------------------------------
Arcanes Magiques : le making - of - Duration: 34:37.
We dedicate this video to all the fans of Fantasy. Without you, Cidre et Dragon wouldn't exist.
The idea of a short film comes at first from the association.
It was a will to renew the communication design
and in the row for Franceville, a will to highlight
the strategic sites and the landscape's diversity offered by the municipality.
That is. Initiate by Wilfried who took under his arm with his team the shooting,
the installation, the scenario, the stunts, well everything that you saw in the short .
Why this idea?
Because our trademark is to have a scripted festival, to propose an adventure,
a storyline that you can follow during the festival.
The idea of the first organizers was to present this scenario through a video trailer.
And when I arrived in front of the council
I said " we are going to face the challenge of the former organizers.
They managed to plan a festival and at the same time they managed to shoot a trailer.
Well, the start of the project is to say:
What I propose you it is to take up the challenge as organizer of Cidre & Dragon
to manage our festival and to propose a trailer
to present the festival live adventure"
Part 1 : The shooting
Action!
Tempus Draconis!
First day of shooting : scene of the masses
So we're here to make a scene of the masses.
We are going to film the first scene of the short film, which actually is the final scene. We start with the end.
A shooting that takes place right in the city centre, at the intersection of Caen avenue and Paris avenue.
I hope everybody can see, we didn't manage to lift it up higher.
The street down there is Paris avenue and
the one that comes from up there is Caen avenue.
You, as actors, are divided into three groups.
In group A : Alice , Alizée, Maxime Guerné..
Behind: Jean-Marc, Marie-Christine, Claudie, Guerné again.
In group B : Arnaud and the Legendary Agency which we're gonna try to fill.
Group C : Franck, Melissande, Zoé , Claudine , Laurie, Charline, Gaëtano and Marie.
So, the three groups gather, converge toward the centre.
We're gonna try to form a circle. It's ok if it's not perfect.
Our arch-mage Grelot : could you stand up, Arnaud, please ?
Here he is : the main actor of the scene.
Grelot the wizard!
Wilfried has decided it
so Grelot the wizard will be here.
Now, we're getting ready for the preparation of the final scene.
Did you take part in the shooting beforehand ?
Yes, I've written a few scripts. I prepared the wizards' room a little.
I brought some accessories,
tried to find some inspiration.
We keep a good atmosphere.
We're still gonna have fun !
A little…a lot…passionately. Come on !
... and the summoners of the 7 circles will banish wandering mind.
Last rewriting session
It's not bad ... it's not bad. But we can do better.
Must I do 5 to 7 sec ?
We can do better by trying to develop and…go on the 7 sec systematically.
And then, when you have a look at the scene listing that appears at the end,
you'll see the names of the processions
and this will help you making some connections.
At some point you mention a tower. Well, we don't have it, we don't have the tower. We do not have the feudal tower.
Right, but they're coming down from the tower.
I will not mention a tower if they don't come out of a tower.
For instance, at a moment for example, there is Max who gets out of the mill.
Well, maybe we can mention my ex fellow "Chronos…of the mill".
I am Alex,
I work in the audiovisual media. I am a cameraman, a steadycam operator
and when needed, I am a sword combat choregrapher.
« You attack with the arm. You attack with the leg. »
« Actually, the steadycam is composed of a jacket
with a rigid framework on which a mechanical arm is fixed thanks to springs or setters that are used to absorb the chocks.and
At the end of it there is a ball bearing on which a column
is set with weights and a screen at the bottom and the camera at the top.
So that it's possible to move or even run after people without the image becoming brutal.
Contrarily to a handheld camera work during which one moves,
the shoulder support will move.
On a steadycam, if you move, the camera will seem to be floating.
We will be able to follow people without any bumps.
This allows circular tracking shots,
turning around people,
following them, taking a quite unusual positions…
Is everyone ready ?
Action!
You walk all huddled together and when you get to the mark, you split into a circle.
So, first experience as an actor ?
That was so cool, we were frozen but it was awesome
And we saw all the inconveniencies in one go : the cold, repeating 50 times the same thing, etc.
What about the pyrotechnist ? Did he explode anything ?
Nope, they wouldn't let me kill anybody...
Anything else to say about the filming ?
Coke ?
Coke!
Tonight I'm gonna be on a fabric to go stealing some wizard/magic, and there I go.
Okay. -She's the star!
- Do you do acrobatics? - No, I'm just gonna do a descent.
Preparation of the scene of the aerial silk
So now, we've hidden the harness
to be able to do a big shot, a large one and a close one
Yes, because originally, the harness is a bit orange.
Beggining of the first takes.
The gymasium scene, we had to place the lights as for us not to be able to see the background.
So that it would be dark.
It was very complicated because all the lights were reflecting from a wall to another.
Really complicated. We needed several spotlights on the ground aimed at the ceiling,
but without to much focus...
even with the camera we could aim at some specific points,
but every siltiest displaces and we could see the ceiling.
If we can make it, Gabrielle, it would be wonderful.
'cause we gonna fail ? If I break my leg or so, we can't make it, right.
Na, it's just me, I'm always thinking the worst. Till it's over.
Like we say at the circus, at training there is always mattresses.
And you need layers because the brain concussion always happens when you got a audiences.
How long have you been training ?
I started three years ago, but I'm not practicing really often.
How do you feel ?
-Tired. -Already?
It's gonna be long because of my sheet, It's brand new, I never climbed it so it's very stretchy.
I need to pull fifth time the regular efforts. Ergo it's a bit wearing, but it's gonna be fine.
"First day outcome" Well, we planned our two biggest shooting today.
Those that needed the most heavy logistic and security preparations.
And the more unsafe ones too.
This morning, it was a mass shooting in center town,
the smoking didn't go so well,
but we got our wizard circle.
So it was good.
Then tonight, the well acrobatics went perfectly according to plan.
We are eager to see the shots, I saw bit of it and it's nice. Wonderful.
So, a good outcome then ?
Yeah, very good one because we are done with the most difficult scenes and tonight brought us really beautiful images.
So it's cheering.
- Great, see ya tomorrow. - tomorrow.
"Council's shooting" Today is the council's shooting.
It's an indoor scene, with some characters gathering around a table to debate,
a meeting to talk about the future of the univers... It's basically that.
And who are those actors ?
We got the all council's actors that are starting slowly to get dress.
A load of chef operators because we are indoor, we will have to cheat,
to block the back-lighting, ceiling enlighten, characters focus lights and spot all dark corners.
It will be difficult, live sound recording, pole microphone
for a better outcome and avoiding post-prod.
So that's it, a load of small technical things to arrange, it's going slow us down,
but it's for a better delivering, is it not, 'cause you know, we are professionals.
No joking.
What I need, is for you to ask Frédéric coins, for your fabrics shipments,
by caravans through desert for example.
You need to find small ideas like that.
For you Christophe it will be the same goal and your opponent, The Great Paymaster, his goal is not to give you anything, he got no founds.
Do you understand the goal, you enter, place yourself, looking astonish, while Melissandre is talking
and it's Alain, because we want the punch on the table
Once you got them quiet, it's your line.
I need your fists on the table, we put some scrolls above for you not to scratch it.
You have a scroll with your hand's placement.
Silence!
Let our eternal warrior speak.
The mana well is corrupt.
Master Grelot, master of Brasiard!
Magic is corrupt,
and before you know who is behind all that
"The laboratory"
OK stop ! Pause, I don't know what you're looking for...
but it's there.
I don't know what you're looking for, but it's there.
Ooh I take it deeper.
For Grelot Lab's, we had to recreate the light,
but the shelves were crowded.
We needed all to be well seeing without disturbing the camera, no spotlight in frame or so,
while moving in a tiny space.
Here the most difficult was for the spotlights not to be seeing by the camera frame angle.
You been round back while searching is perfect.
-Because like that... -Do I need to be rounded ?
-Without overplay, like this... -It's my nose you got.
If you are like searching, you know, not over rounded, so that I can have your all face.
OK
Do you prefer in this angle or this one ?
I prefer bottom view
You tell me if it's centered for you.
It's good for me
Ok Grelot, when you're ready.
Ah, there, there is something smoking. The curtain yes, I think it's getting hot.
Could you... Nope, it's the spot, if you could put it a bit in the back kipping same angle.
Zoé look at your globe, we always need a reflection in here cape.
End of the shooting review,as I was saying earlier the first concerns are the injuries.
No one got hurt, we did not make any degradation
and except for some flesh wounds, everything went well.
So as we didn't get any damages nor injuries, the outcome is positive. .
Part 2: Stunts
As for the stunts, some of them were Wilfried's ideas.
I proposed two.
The "Aigle Jump" and when the thief has to throw his knives while jumping backward.
That's when having Aurelien with us was nice, as he used to be a stuntman
allow him to arrange his own stunts.
It's Wilfried that came to me.
He, somehow, knew about my past involvement on similar projects.
He already had a tight storyboard.
But with some blanks..
I was able to contribute by some stunt ideas.
Let's do a trial ! And go !
Now it's working, we saw you turning up.
It's just me, I did lose you but that was perfect ! So I will be right at this distance.
Well you just need to know how to, without hurting yourself, and been aware of your limites.
Because for this stunt, I knew,
we will have to retake 10, 15, 20 times, 'cause anyway,
the cameraman will need time to adjust, to get use to the take,
either way I will be off frame at a time or another. We will have to shoot again,
we will get the regular shooting delays, so at one time,
for this kind of stunt, you will need to be able to put up and do it again and again, always the same.
The first thing, when you're managing a stunt, is :
How can I do for the stuntman, not to be hurt ?
If your answer is :
"Naah, don't really know how we gonna do it"
then better forget the stunt.
What ideas did I bring :
at some point, we got a scene with Gaia in the sand dunes.
It's a path crossing scene, where I actually roll over Gaia,
we needed an idea to do it quickly.
Knowing that I come up running and living running as well. The easiest way was the rolling over,
it combined securities requirements and Wilfried and Alex demand.
It ran smoothly with Gaia, because he always stay open mind.
Even if he imposes his convictions, 'cause we did find ourselves in a three people character.
That is with his background, his sport activity
of realistic medieval combats,
of which it gets hard to get out sometimes.
He wants it to be realistic, it's good, a nice dynamic,
but not always compatible with a shooting, and the screen.
Action!
no, the move isn't plausible
And then it's Alex, he's the one shooting, he got the camera,
he got the plan and he will be the one able to tell us if the timing, the visual,
give us something interesting, if it's OK, that we are still on screen.
So at one point we had to adjust one another, knowing that
it's really fast, it's an uncut scene, a sequence shot,
where we arrive running, marking the tempo, crossing and running again.
We arrive at a given moment where we can't make a mistake,
it had to be smooth, not for the accident or anything, just for the shot,
you feel it's slow and erratic whereas to be extra fluent.
Thus everything went fine, we had to do it several times
for everyone to adjust one to another, a trade-off between all of us.
You shoot the first blow, go on then, I push you back, and strike down!
I go up, evasion, attack, you move, I hit you on the stomach. End of the fight.
Remember, when he hits you on your stomach "huh!"
When you start composing a fight choreography there are two, three important points.
First : Who gonna fight ?
Because it will be very different if it's someone who knows how to,
or a total newbie.
The two other points : What kind of characters are they playing.
And the third one : What kind of weapons.
Starting from here,
there is always the basics moves.
simple that can be seen.
On the short, the fighters did not all knew how to fight,
so I stayed on simple moves, easy to learn.
Because the easiest the choreography is to remember,
the easiest it is to rehearse multiple times therefore get less slip-ups.
go up the choreography and the less there will be error.
That what's the most problematic about beginners.
The tend to forget the routine and do a wrong move,
and wrong moves when you got metal weapons in your hands could be very dangerous.
Action!
Back to the starting point, no prob'
It went quite well indeed, they remembered quickly all the moves, without mistakes
so they were able to rehearse as many time as they wanted,
without stress, calmly.
The more calm we are, the better.
You need to do the "hissing blade"
Precisely he's either far and you are like this, or he's close by and you are more like that. Do you see the difference ?
either you make a circular moove like this, or you come closer to slice it.
That's it, either you'll get him, or he's a little too close,
what we see it is the moment when the weapon unfolds.
So you voluntarily fold in front of him and then unfold once he's gone
To be safe, I asked them not to do it too fast,
to prevent any injuries
and at one point I asked them if they were OK
and they answered "Yeah, we can totally go faster"
while I thought they were at full speed. Sometimes you got nice surprises.
so if you can go a little bit faster it's fine if you do not feel it's
If you can do it fast it's good but if you don't feel it...Do you all think you can go a bit faster or so ?
Ok, let's try just a bit faster then. And Action !
We can not conceive an audiovisual project if we did not anticipate
the soundtrack.
Within the association we had people who
did the composition as an amateur
so obviously I got closer to Aurélien I knew who was a musician at the base, a luthier
and I knew he had already tried composing
so obviously I turned to him and wanted to know what he was doing
It's Wilfried who talked to me about it, he came to see me.
Because he already had in his mind
a running chase scene, it was there and will be there, he really was into it.
He wanted a soundtrack to go with the chase. So he came to see me, we talked a bit about it.
It happened that I already had
I already had two tracks, three small ideas that could work,
specially two melodies
already placed
and we were clearly on a metal symphony dynamic, that means a symphonic approach
adding heavy guitars and drum at the back.
Thereby I suggested it to Wilfried
who just joined me on it since that was what he had in mind.
That is we really were on something dynamic with the orchestral thing,
plus heavy drums background. It gave us a small preview,
he started to taste a bit his chase scene by putting on the music, it gave the all thing a meaning.
it gave the all thing a meaning.
And he started to believed in it. Therefore If he believes in it, that means we are in the right direction.
That how we worked at first.
The thing was to get some speed at this point, so we gonna do a question and answer between the Violins and the French Horns :
The Violin in staccato, and the Horns answering, deeper and lower with a slight more intensity,
something really fast.
Eventually it's the same thing that writing an action scene, short sentences,
subject, verb, add on, which allow the action to be smooth. Here it's the same thing,
we need something really short and really swift.
So fast staccato, swift horns all sentenced in questions and answers.
Everything wrapped by a heavy drum beat to keep the groove, a big rumble in the lower parts,
so that we have the all race, that we can feel how intense it is.
We need a pulse with a good beat that you can feel in your bones, something heavy.
What's a staccato ? A staccato, for a Violin, it's a really fast tones.
It's not a slow melody, well meshed.
Rather, it's precise tones, really, really, swift played very quickly
that give the dynamics and the speed.
And then after a climax with this leitmotiv coming back a quick tune
that end up on Horns holding a tone for the scenery tension, a pit of dramatic
before completely coming back to the chorus and the melody where everyone coming together :
The drums coming back, the orchestra, the guitars joining
for something that starts to be grandiose to close the composition, which seems consistent.
And all this give us a two minutes fifty piece, at nearly 10 seconds I fulfill my contract.
I'm good !
Me, I'm from Gargouille Prod. Team. It's a L.L.C.
I'm a camerawoman, video editor and photographer,
and on this short I mostly worked on some video editing with my colleague Axelle.
We came for shooting to get some images.
I was in the crane, to shoot form high above.
-Light -Camera ! Both !
Wilfried brought us the raw's,
and a first video editing that he had done. Therefore it was a bit rough, even if he tried some colouring.
For us, after that, we had some fun, 'cause we do have fun in the end, doing some special effects.
Everything from sparkles, smokes,
shock waves, to colours.
We mostly did images calibrations and editing glitch.
Because from scene to scene, some people are place somewhere,
and then on the next one you see them somewhere else .
As for the CGI, the first scene, the really first sequence with the girl coming down the well,
we added the blue light and the sparkles.
After that there is a chase between two girls :
there is a small projectile with a sparkle, we added the sparkle.
We removed some street lights.
I erased some from the last scene.
As it for today, when this's been recorded, we haven't finished yet. We still got a week to go.
It's only be a week since we got the short.
I spend an all day on one minute
at the concil's scene, when they are at the table. So much glitches.
For exemple,
you must have seen the short by now,
for a short while, at the table a woman on a general view,
got her glasses, and on the opposite shot, she doesn't...
and there, I can't add them.
In the end...
Lastly, I hope you gonna like it.
Our work isn't always visible
and to get a good understanding of it
to see the advance in all the effects without the work that is done and after,
you should see the all steps until the end.
But it's the same for all the movies, we see them finished.
But there is a load of work.
It 's a touching moment because this kind of project
is always a strong human experience.
For getting involved,
to put your best efforts and you noticed that each one came to join you and brought his stone to the building,
and then, together a beautiful spell start,
where everyone is bringing, piece by piece, his knowledge and strength,
together
we do not end up with a Keops pyramid, but together we did go through the end.
And this project, from the day we finished it, that we made it trough :
Well, I say, we fulfill our contract, we did make it.
It's a fabulous human experience.
And it is a real pleasure for us as organizers to see the smile
and the glitter in the eyes of our volunteers, who have enjoyed and are pleased with what we achieved together.
It's all the magic of the project that we did together, by everyone's participation.
Eventually, I'm going to quote Louis de Rancourt, the French storyboarder leader
who says that "cinema is something that we do not do alone,
we do it with others, as a team
and that's what wonderful about it.
What are you doing here?
nothing
For the shooting?
nothing! I bored people
"actress, props woman, makeup artist, wardrobe woman, hairdresser"
I'm here to eat!
Thank you a lot! See you at the festival !
traduction : Alice et Audrey
-------------------------------------------
Exede - Lost With You - Duration: 3:30.
Cause I'd rather be lost with you
Then stay right here
but if I'm never going to find my way home tonight
We're lost and we'll find our way
That we crave
These are the days
lost with you
Cause I'd rather be lost with you
Then stay right here
but if I'm never going to find my way home tonight
We're lost and we'll find our way
That we crave
These are the days
You and I are not alone
Look in your eyes says that
And watch the memories come and go
We can take it slow
so far to go we're far from home
You and I have
To the other side across the town
We took a walk down
We're lost and we'll find our way
That we crave
the days
Cause I'd rather be lost with you
Then stay right here
but if I'm never going to find my way home tonight
We're lost and we'll find our way
That we crave
These are the days
We're a long way from home
Look in your eyes says that
The places that have been and gone
We took our time to see
Alone here you're the only sound
No one around just
To the other side across the town
We took a walk down
-------------------------------------------
Voici pourquoi vous avez des ballonnements et comment les soulager - Duration: 10:42.
For more infomation >> Voici pourquoi vous avez des ballonnements et comment les soulager - Duration: 10:42. -------------------------------------------
How to Make Jewelry from Sculpey Clay Beads - Duration: 2:17.
After creating your Sculpey beads, here are two easy jewelry projects you can try
to show off your bead-making skills, right here at BoredBox .
To create the earrings, we are using fish hooks earring hooks, two head pins, small silver beads,
and hand-made Sculpey beads, you will also need needle-nose pliers to finish.
Plan your bead pattern, and then begin placing your beads onto the head pin.
After you have finished adding your beads, use the pliers to cut any excess wire,
but leave about a half and inch.
Attach the wire to the fish-hook by stringing it through the loop and twisting it around with the pliers.
Make sure the wire is secure and that the end of the wire is fully wrapped and not sticking out.
You wouldn't want it to poke you while wearing it.
For the bracelet, use small silver beads, hand-made Sculpey beads, elastic string, and scissors.
Cut the elastic string to your desired size, be sure to leave extra length for tying.
Plan your pattern and add your beads, or add your beads at random for a more organic look.
When you are finished, tie the ends of the string by knotting it several times.
Cut the excess string, and you're done.
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How Cube Robots are Solving - RUBIX - RUBIK"S CUBE - Duration: 1:33.How Cube Robots are Solving - RUBIX - RUBIK"S CUBE
Hello! Welcome to Krishna Radhey!
WOW!!! Lets see how it solves !!!
I LOVE IT!!! T-T is incredible
This Rubik's cube starts to move when top face is rotated 360° continuously after scrambled. It can solve oneself !
In this video you can visualize the Best Rubik's Cube Official Solves Ever !
/!\ I put just 1 Solve by Cuber /!\
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Ethan Johnson - Too Much Time 🌊 [Lyrics] 🎤 - Duration: 2:58.
Comment '❤️' if you love Ethan Johnson 💕
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