Youtube daily report Oct 26 2017

[Tom Coughlin] To be honest with you I only wanted to go

to one school.

That's that's the only place I ever wanted to go was Syracuse University.

I wanted to hear that music.

I wanted to play in Archbold.

When I entered it in '64 Syracuse had been the national champion in '59 and I'm telling

you right now we had a lot of very good football players at Syracuse.

[Floyd Little] He was blessed and was misfortunate to be

in the same backfield with Larry Csonka and me.

And so he didn't get a chance to carry the ball that much.

[Larry Csonka] Tom was an excellent receiver, excellent halfback.

[Floyd Little] I said "you just gotta block, that's why you're back there Tom"

[Larry Csonka] He pretty much could do any job that you asked him to do and was willing

to do any job.

[Floyd Little] So every time we call the play 44 scissors

we say "backs switch."

Which means I take Tom's place he takes my place so I can carry the ball.

And Tom gets so upset.

[Tom Coughlin] We were full pads every day twice a day.

It was physical tough hard nosed football.

We practiced until Coach Schwartzwalder got tired.

[Larry Csonka]He was committed to the team he was committed to winning.

[Floyd Little] If you didn't know the play in the huddle

you'd ask Tom, hey what do I do?

[Tom Coughlin] I wanted to know.

You know I would ask questions and I would learn.

I was a wingback but you had to learn what the tailback did.

And I really studied and learned all those positions.

[Larry Csonka] He kept notes on everything.

Everything was important to him.

Everything that was mentioned in a meeting.

Everything that happened in practice he remembered he retained and he built off those things.

[Floyd Little] You could tell he was going to be great as

a coach.

This is a guy who was a football guy because he was really really intuned to the the game.

[Tom Coughlin] I knew at a young age that you know this does

look pretty good to me and I thought I could teach and I thought I could coach.

I like taking a group of young men you know fashioning them into a team a cohesive unit

who believes in themselves but also believes that it's team, team, team it's not about

I.

[Marv Albert] What is most impressive about Tom is that

he has succeeded at every level of coaching.

[Tom Coughlin] We've moved 14 times and it's always a job

a job a job a job a job.

It's just part of it.

The bottom line for me has always been the drive, the determination, the desire to be

the best.

The willingness to do whatever it takes to get there.

I've been blessed with my wife Judy who has always been by my side, who supported me in

my effort to give everything I could to my job.

[Kelli Coughlin Joyce] My dad when he was coaching at Boston College

had a young man on his team named Jay McGillis.

And unfortunately during the football season Jay was stricken with leukemia and in just

eight short months he lost his battle.

During the time that Jay was sick both of my parents spent a lot of time visiting with

him and his family.

[Tom Coughlin] Parents drop everything to run to the bedside

of a sick child.

They don't work, mortgage payments, car payments, electrical bills all of these things mount

up.

Our football team went out in the community got pledges and we gave them McGillis family

a check for fifty thousand dollars.

That was the forebearer of the J Jay fun Foundation.

And the reason was we saw how we could help.

[Kelli Coughlin Joyce] We've helped 4000 families provided nine million

dollars worth of support.

We feel that it's equally important that these families feel emotional support so we provide

opportunities for them to just take a day off of cancer and have a good time together,

connect with others that can really relate to what they're going through.

[Tom Coughlin] It means the world to all of us who contribute

because we have no agenda.

All we want to do is help and we have a system that works and it really works well.

[Marv Albert] What Tom Coughlin has accomplished as an NFL

head coach is extraordinary.

[Tom Coughlin] We were a motley group, we had players from

all walks of life coming into one situation, we were 4 and 12 the first year.

I still say that's one of the toughest teams I ever had.

We had another great offseason have more hard work hard work hard work and now they start

to believe and it's amazing when that happens with the team because I mean we were within

a whisker of going to the Super Bowl our second year in existence.

In the role that I have now which is a new learning experience for me.

I have a vested interest in this franchise being successful and nothing would make me

happier than to be able to make whatever contribution I can to see that that happens here in Jacksonville.

After the 2003 season.

I became the 16th head coach of the New York Giants franchise and obviously a dream come

true, I'm a New York kid.

It all started for us when we chose Eli Manning in the 2004 NFL draft.

[Eli Manning] He loves what he's doing.

He loves the preparation, the practice the work that goes into it.

And that feeling after a win I think that rubs off on his players.

[Tom Coughlin] Halfway through the '04 season.

I injected him into the starting lineup and all people did at that point was just blitz

blitz blitz.

We won the last game of the year against Dallas and then next year we won 11 games and we

were in the playoffs.

We go to Arizona to play the 18 and 0 New England Patriots in the Super Bowl.

We have the famous David Tyree catch which took me a hard time to teach him how to make

that catch by the way.

But anyway we end up beating them out there.

Another great football game.

[Eli Manning] Those feelings after you win a Super Bowl

are tough to explain.

You know usually the first thing you do when you when you see a coach is you know another

player you just hug.

We appreciate each other's hard work and dedication and commitment to making it work.

[Tom Coughlin] Remember this now, it's not you won the Super

Bowl.

Your wife won the Super Bowl.

Your kids won the Super Bowl.

That holds true for every coach, every player.

Everyone in the organization because remember in professional football everybody wins.

Everybody is a part of the team.

[Marv Albert] He won two Super Bowls.

How about 11th all-time on the NFL head coaching win list.

These are Hall of Fame credentials.

[Floyd Little] Last August I was with Larry Csonka and Jim

Brown at the Hall and I texted Tom a photo of us at the hall and I said where are you.

We're saving a seat for you.

For more infomation >> 2017 Syracuse University Arents Award Recipient Tom Coughlin '68, G'69 - Duration: 6:44.

-------------------------------------------

BREAKING NEWS TRUMP 10/26/17 , H O Chairman Trey Gowdy : HILLARY CLINTON AND Russia [ Probe ] - Duration: 17:29.

For more infomation >> BREAKING NEWS TRUMP 10/26/17 , H O Chairman Trey Gowdy : HILLARY CLINTON AND Russia [ Probe ] - Duration: 17:29.

-------------------------------------------

Need a Payment Plan? Consider Using the Online Payment Agreement Application - Duration: 1:46.

HI I'M TERRY AND I WORK FOR THE INTERNAL REVENUE SERVICE.

FILING YOUR TAX RETURN AND PAYING WHAT YOU OWE ON TIME IS ALWAYS BEST.

BUT IF YOU CAN'T PAY IN FULL FILE ON TIME AND PAY WHAT YOU CAN.

THAT WILL KEEP YOUR PENALTIES AND INTEREST TO A MINIMUM.

AND THEN CONSIDER A PAYMENT PLAN FOR THE REST OF WHAT YOU OWE.

BY SETTING UP A PAYMENT PLAN ONLINE YOU HAVE A FAST EASY AND SECURE OPTION TO USE AT YOUR

CONVENIENCE.

YOU WILL GET IMMEDIATE CONFIRMATION THAT YOUR PAYMENT PLAN IS APPROVED.

YOU MAY QUALIFY FOR A PAYMENT PLAN IF YOU MEET THESE REQUIREMENTS INCLUDING...

YOU HAVE FILED YOUR TAX RETURNS.

YOU OWE 50-THOUSAND DOLLARS OR LESS.

AND YOU CAN PAY OFF WHAT YOU OWE IN 72 MONTHLY PAYMENTS OR LESS.

BUSINESSES THAT OWE 25-THOUSAND DOLLARS OR LESS FROM THE CURRENT AND PRIOR CALENDAR YEAR

AND WHO CAN PAY OFF WHAT THEY OWE IN 24 MONTHLY PAYMENTS OR LESS ALSO MAY QUALIFY TO USE THE

ONLINE APPLICATION.

IN MOST CASES YOU HAVE TWO OPTIONS FOR MAKING YOUR PAYMENTS.

YOU CAN PAY BY DIRECT DEBIT FROM YOUR BANK ACCOUNT OR YOU CAN MAIL A CHECK EVERY MONTH.

WE ENCOURAGE YOU TO MAKE YOUR PAYMENTS BY DIRECT DEBIT.

IN SOME CASES IT'S REQUIRED.

DIRECT DEBIT IS CONVENIENT, SECURE AND IT COSTS LESS TO SET UP.

IF YOU NEED A PAYMENT PLAN FOR YOUR TAXES VISIT IRS.GOV/OPA.

UNDER THE SECTION "WHAT DO YOU NEED TO APPLY" YOU'LL FIND A LIST OF THE INFORMATION NEEDED

TO USE THE ONLINE APPLICATION.

IN ADDITION HAVE A MONTHLY PAYMENT AMOUNT AND DUE DATE IN MIND.

AGAIN, YOUR PAYMENT AMOUNT MUST PAY OFF WHAT YOU OWE IN 72 MONTHS OR LESS.

AND IF YOU WANT TO SET UP DIRECT DEBIT HAVE A CHECK HANDY WITH YOUR BANK ROUTING AND ACCOUNT

NUMBERS.

TO GET STARTED GO TO IRS.GOV/OPA.

For more infomation >> Need a Payment Plan? Consider Using the Online Payment Agreement Application - Duration: 1:46.

-------------------------------------------

Удивительная техника, Самоделки и Изобретения #27 #Amazing Homemade Inventions #Сделано руками - Duration: 8:33.

But at home and at the cottage we have other good helpers

Which any farmer can replace the whole harvester

But often what we remove will have to be disposed

And what is the suitability of fruitful use

And from the waste can get the right things

And even those who will serve honestly and forever

Thank you for watching!

And if you liked the video do not forget to put like,

and to not miss the new video click on the bell.

And of course if you are not subscribing to the channel yet!

For more infomation >> Удивительная техника, Самоделки и Изобретения #27 #Amazing Homemade Inventions #Сделано руками - Duration: 8:33.

-------------------------------------------

From SCALE practice to JAZZ LICKS - Work towards Music! - Duration: 12:31.

(Jazz Guitar)

- Hi everybody my name is Jens Larsen.

We are all practicing our scales and doing exercises

and hopefully you are also taking these exercises

and trying to make some lines with them.

You wanna do that because that's when you really know

that you can play the things that you are practicing

and this of course also a really great way

to expand your vocabulary.

In this video I want to show you how

you can take some of the fairly common scale

exercises that you are probably already doing

and turn them into lines and give you some strategies

about using the things you are practicing

and I also want to show you a few ways

to modify or adjust the way that you are

practicing your scales, so you get some exercises

that are really easy to turn into lines.

If you want to learn more about Jazz guitar

and you want to get better at playing over changes,

check out some interesting chord voicings or arpeggios

then subscribe to my channel.

If you want to make sure not to miss anything

then click the little bell notification

icon next to the subscribe button.

Let's just start with a really basic exercise that I'm sure

you are already checking out, so that would be

the diatonic triads, and if we do that in the key of C major

like it will be something like this.

(jazz guitar)

And a lick you could make with this,

could be something like this.

(jazz guitar)

So really what I'm doing here is I'm taking the

descending version of the exercise

that I didn't actually play so that would be

(jazz guitar)

and then I'm using that on the D minor chord

on the II V I so we have this

and then I'm just really starting quite easily

on the D minor triad so,

and then just going down the scale

(jazz guitar)

and then here on the G7 I turn into a G7 alterline

(jazz guitar)

and then resolve to the G.

And the idea here is of course that we are using

triads that are connected to the chords

so what I'm doing here is that I'm taking

on the D minor chord, I started with a D minor triad

and then just move down from D minor, C major,

down to B half diminished and then I turn

that into the G7 altered line.

Another common variation on this triad exercise

is to not play the triads so that the diatonic triads

in the same direction, so instead of playing the notes

like one, three, five, you can sort of change

the order and make it into some other pattern

and one pattern could be three, one, five,

and if I play that through the scale it sounds like this.

(jazz guitar)

So of course if you want to do this

you need to do the normal exercise first

and probably you want to do exercise like this as well.

If you want to check out that, actually I have

a video on scale practice, where I talk about

these exercises and I'll try to link to it

in the description of this video but also

in a card up there.

A line with this exercise could sound like this.

(jazz guitar)

Also again, just try this next to each other

because that's what the scale exercise is

and they are related to the D minor of course

because they are on the D minor chord,

so the top part of the D minor is of course a

F major triad, so I'm using a F major triad

and then moving up the scales, I'm moving F major,

G and then A minor, and that all kind of will work

just fine on the D minor chord, and then from there

I go into this G7 altered line,

and that's sort of coming out of,

you could call that, like a B major 7

sharp 5 arpeggio, in fact, which is a nice

sound to use on a G7 altered, and then

that resolves to the C major.

Another great way of practicing triads

is to not practice them in a position

like this, but then also just to play them

on a string set and then up the neck

an exercise of that could be something like this

(jazz guitar)

And if you want to turn that into a II V I lick

then that could be something like this

(jazz guitar)

So here I'm really staying with, you can tell that

when I'm playing like this it's really easy to play

the different triads kind of fast, so

and that's really nice to have these sort of triads

that just keep moving as different colors

across the fret board so.

And then really what I'm doing is just taking

different colors out of that one

then when I'm on the, so I'm doing first the F

down to E, then down to D minor, so it's a little bit

like we have one that's sort of really close

related to D minor, one that's a little bit less

then back to one that's really related to D minor

and from here on the G7 altered, I'm sticking

with the triads idea, just because

that kind of works well to just stick with that

sort of melodic movement of a descending triad

and the first one is an Eb, which is a

like this, if you play it as a

as an open structure for G7, so that's really like

a #9 and a b13 and the root

and then the next one is, is an F diminished triad

which is really just the open part of a G7b9

so really all the getting of very clear G7 altered sound

and then I'm resolving that to the third of the Cmaj7.

But of course, when I'm doing this movement

so if I played as chords, it will be something like this

and then instead of going off to Eb, I can also

go down to Db, and then go up

and then resolve that, and if I do that

in a line, it sounds like this.

(jazz guitar)

So with these scale exercises, we kind of can only

make one type of movement and we always get stuck

in the fact that the structures that we are playing

are moving in step wise within the scale

and that means that the D minor might be really

related but the E minor is a little less

and then the F major is again and G will then be

a little bit less and then A minor works

a little bit better again.

We might want to try and change the scale exercise

a little bit and then try and make some exercises that are

little bit easier to turn into licks

and one way we can do that is to start

working with third intervals within the scale

so, let's see, if I do the triads again

and then, now I'm going to do them within the scale

not step wise but in triads, that means first D minor,

and then F major and then A minor, C major,

E minor, and G major.

So that scale exercise just like this.

(jazz guitar)

If we think of this from a sort of a D minor

point of view, which is 'course the way I try

to lay it out here, then we have D minor

which worked really well, and F major of course also,

and A minor will work and then now we get the ones

that are a little bit more big on the D minor

because C and E minor and G are probably not going to be

that useful, but we have these other ones that are

close to each other that we can start using.

And if we play those in a pattern, then we can

make a line and that could sound like this.

(jazz guitar)

So this line is using the same idea,

so we first are playing a D minor pattern,

but the pattern I'm using is like five, one, three

and then F, five, one, three, A minor,

five, one, three, and then we get on the G7

it's a, just the first, also three, one, five,

again a pattern of a B augmented triad

and then F half diminished arpeggio

and then that resolved to C major.

Until now I've been mostly focusing on the triads

and of course triads are important

and they are a very strong melodic tool

but you can also use other things

if we try the same ideas so maybe using the

third distance, and then play shell voicings

then that could be an exercise like this.

(jazz guitar)

So her I'm just starting on D and then I'm playing

the shell voicings that are found, diatonic shell

voicings from C major,

so Dm7, Fmaj7, A minor,

and then Cmaj7, and then this sort of strange

two string version of a Em7 shell voicing.

If I turn that into a line, then that

could be something like this.

(jazz guitar)

Using this approach where you are trying to move

your scale exercises from being more than just

step wise but then maybe using the

diatonic thirds a bit more, is a really useful thing

because the structures you end up with, as long

as you're doing arpeggios, so just triads

or seventh chords or stuff like that

are gong to be a lot more easy to put together

because you are going to have a more common note

they're going to be closer to being inversions

of each other and that means that they work really well

if you want to put them together

as a melody over a chord.

So, that will be useful to check out

and as you can tell also with another thing

that is quite useful to check out

is also that if you look at the shell voicings then,

(jazz guitar)

I'm moving around in positions, I'm not staying

in the same place on the neck, and the same goes for the,

(jazz guitar)

this type of exercise, so in that way it's opening

up the neck a lot more and that's a really useful

thing to also try to incorporate both into how you

practice but also how you try to put that to use

and really take advantage of the fact that you

are practicing like that, 'cause it does open

up certain things and they're just a lot

of things that are easy to play.

So the cascading triads that I'm playing

are really hard to play if you play them in position

so that's why you kind of want to check them out

on a string set like this.

If you want to try, so for the major scales

I think you want to stay mostly with stepwise

and also using the third motion.

If you are playing something that's coming out

of a melodic minor, like in this case the G7 altered

you can also start experimenting with sort of

moving around in fifths and fourths, so that could

be something like this.

(jazz guitar)

Where I'm using first, like an F half diminished,

then a B,

Bmaj7#5,

and then I'm actually kind of

just using the F again.

But the adheres here, you actually just get away

with just moving like, like that

so from the F to the B,

and that will work really often over

so here I'm using Bb,

so Eb7 arpeggio,

Bb minor arpeggio and then resolving that

and that will also work, actually as a G7 also lick.

We an also try to apply this to other types of scales

like Pentatonic scales, or use it with chordal harmony

or maybe try to add some other rhythms

like the triplet rhythm like I did a lesson on

a few weeks ago, so if that's something

you are interested in and want me to do a lesson on,

then leave a comment on this video

and then maybe I can get to that later.

If you want to learn more about Jazz guitar

and this is the first time you've seen

one of my videos, then subscribe to my channel.

I publish a new video every Monday and Thursday

and I've been doing this for quite some time,

so that's really a lot of material

already available on my channel.

If you want to help me keep making these videos

then check out my Patreon page.

I'm very grateful for the support that I'm getting

from my Patrons, and it's really that

that makes it possible for me to keep on going

and making these videos every week.

So if you are interested in helping me making

videos check out my Patreon page and if you

are supporting me on Patreon, I can also give you

something in return for your support.

That's about it for this week, thank you for watching

and until next week.

For more infomation >> From SCALE practice to JAZZ LICKS - Work towards Music! - Duration: 12:31.

-------------------------------------------

Peugeot 307 SW 2.0 16V Pack - Duration: 1:00.

For more infomation >> Peugeot 307 SW 2.0 16V Pack - Duration: 1:00.

-------------------------------------------

Cecilia e Ignazio: bacio al Grande Fratello Vip 2017 | M.C.G.S - Duration: 4:33.

For more infomation >> Cecilia e Ignazio: bacio al Grande Fratello Vip 2017 | M.C.G.S - Duration: 4:33.

-------------------------------------------

Colesterolo cattivo, i nuovi limiti per stare bene | K.N.B.T - Duration: 2:49.

For more infomation >> Colesterolo cattivo, i nuovi limiti per stare bene | K.N.B.T - Duration: 2:49.

-------------------------------------------

Grande Fratello Vip, Giulia De Lellis minacciata: espulso Raffaello Tonon? | M.C.G.S - Duration: 3:34.

For more infomation >> Grande Fratello Vip, Giulia De Lellis minacciata: espulso Raffaello Tonon? | M.C.G.S - Duration: 3:34.

-------------------------------------------

Alfonso Signorini: la scelta shock su Giulia, Valeria Marini lo appoggia - Duration: 4:40.

For more infomation >> Alfonso Signorini: la scelta shock su Giulia, Valeria Marini lo appoggia - Duration: 4:40.

-------------------------------------------

Nina Moric ospita un migrante in casa sua: la promessa da - Duration: 4:13.

For more infomation >> Nina Moric ospita un migrante in casa sua: la promessa da - Duration: 4:13.

-------------------------------------------

Hoe een interieurfilter vervangen op een MERCEDES-BENZ E W211 HANDLEIDING | AUTODOC - Duration: 3:02.

Use a socket №10

For more infomation >> Hoe een interieurfilter vervangen op een MERCEDES-BENZ E W211 HANDLEIDING | AUTODOC - Duration: 3:02.

-------------------------------------------

Mortal Remains - Movie - Duration: 1:34:04.

For more infomation >> Mortal Remains - Movie - Duration: 1:34:04.

-------------------------------------------

Doppelgänger-Alarm: Lady Gaga versprüht sexy Marilyn-Vibes - Duration: 2:38.

For more infomation >> Doppelgänger-Alarm: Lady Gaga versprüht sexy Marilyn-Vibes - Duration: 2:38.

-------------------------------------------

Nach Maß-Einlage: Helene Fischer trinkt Bier zum Frühstück - Duration: 2:18.

For more infomation >> Nach Maß-Einlage: Helene Fischer trinkt Bier zum Frühstück - Duration: 2:18.

-------------------------------------------

Insider verraten: Khloe Kardashians 1. Kind wird ein - Duration: 2:29.

For more infomation >> Insider verraten: Khloe Kardashians 1. Kind wird ein - Duration: 2:29.

-------------------------------------------

Thor: Ragnarok

For more infomation >> Thor: Ragnarok

-------------------------------------------

college events video - Duration: 13:22.

For more infomation >> college events video - Duration: 13:22.

-------------------------------------------

The Joker's Wild

For more infomation >> The Joker's Wild

-------------------------------------------

The Best Clothes Steamer of 2017 - Duration: 3:02.

After many hours of research and steaming shirts, drapes and dresses, our choice for

the best handheld clothes steamer is the Jiffy - ESTEAM.

And our choice for the best standing steamer is the Jiffy - J-2000.

Both of these steamers are sturdy and functional, knocking out wrinkles in a flash

and performing well on all types of materials.

Here's a list of the top four best clothes steamers:

Our top standing pick: Jiffy - J-2000

Our top handheld pick: Jiffy - ESTEAM

Our third choice overall: URPOWER

And fourth choice pick: Epica

So, how did we test?

First, we looked at steam time.

We turned on each machine, filled it up, and timed how long it took for the steam to run out.

Next, we wrinkled cotton shirts, silk dresses, and linen drapes until they were covered in creases.

We then looked at how successful each steamer was at removing them.

Before going over our top picks, you can check out links in the description below for more

detail on each clothes steamer.

There's also a link there to the full review on our blog post.

The Jiffy - J-2000 took the prize for best standing steamer in our tests.

With the longest steam time at 100 minutes, it has both the power and capacity to tackle

your toughest wrinkle situations.

Easy to setup and friendly with all the fabrics we tested, the Jiffy J-2000 is worth the slightly

higher price tag.

Plus, its tall pole and clear water chamber make steaming comfortable, easy, and efficient.

If you're looking for wrinkle-free technology in the palm of your hand, the Jiffy - ESTEAM

was our favorite option.

This small powerhouse has almost as much power as the Jiffy J-2000, but at a fraction of the size.

Its precision-oriented square steamhead and unique aesthetic appeal make it a standout

from its competitors.

Plus, its sturdy, simple design and light weight make it easy to use.

If you're constantly on the move, you'll want the URPOWER in your suitcase.

This light-as-a-feather steamer weighs in at just 1.2 pounds.

Plus, with quick heat-up and automatic shutoff features, it's a frequent traveler's best friend.

The small reservoir gives you just nine minutes of steam, but that's enough to get your

shirts looking acceptable as you rush out the hotel door.

Not looking to spend an arm and a leg on a steamer, or simply don't use one that often?

The value of the Epica steamer can't be beat for around twenty dollars.

While not the most powerful, it's still compact and effective with 13 minutes of steam time.

Like the video?

Have any questions?

Don't forget to like, comment and subscribe.

Current subscribers have a chance to win a giveaway product from our latest review.

Check out the description for product links and we'll see you next time on Your Best Digs.

For more infomation >> The Best Clothes Steamer of 2017 - Duration: 3:02.

-------------------------------------------

Capsule 2 - Le genre assigné - Duration: 4:02.

For more infomation >> Capsule 2 - Le genre assigné - Duration: 4:02.

-------------------------------------------

EARN MONEY WITH COMPUTER or MOBILE PHONE - Duration: 2:39.

WELCOME TO OUR YOUTUBE CHANNEL, CEYLON GANG.

So today, we talk about how earn money with your computer or mobile phone.

Firstly, subscribe our channel.

Lets start the lesson.

Firstly, click the link in the description.

This website is managed by google.

So, I can recommend 100 percent.

Type the verification codes and earn money !

Firstly, click the link in the description.

Then you can visit Megatypers.com

Click FREE SIGNUP to register.

Enter an e-mail address and a password.

Enter your name.

Choose a payment type to withdraw your earnings.

Don't fill invitation code and click to important and click I AM NOT A ROBOT.

After click REGISTER.

If you get a verification email then click verification link to verify your account.

After login to your Megatypers account.

Click START WORKING.

You can see what verification codes are displaying.

Type this verification codes correctly in the box.

Type this verification code while the seconds giving by them.

After click SUBMIT ANSWER

If you can't type this verification code then click DON'T KNOW

If you want leave from this then click SUBMIT AND PAUSE

If you want earn $1 from this then type 1000 verification codes.

If you are speed, your typings are speed then you can earn about $10 per 01 hour.

You can withdraw your earnings max $5

If you have any questions from this then comment in comment section.

SUBSCRIBE OUR YOUTUBE CHANNEL.

LIKE AND SHARE THIS VIDEO.

COMMENT YOUR COMMENTS.

We will meet in next video.

GOOD BYE !

For more infomation >> EARN MONEY WITH COMPUTER or MOBILE PHONE - Duration: 2:39.

-------------------------------------------

Protect Yourself From Cybersecurity Threats - Duration: 1:49.

♪ [music] ♪

Every cyber security threat that you read

about is data-related. And to be able to attack that situation,

you need to have granularity. You need to have focus. And you need to have a partner

that's going to take that information and use it to resolve any type of data

breach issue you may have. Today's ransomware

malware attacks are becoming much more

sophisticated. And to combat them, you need a platform that's going to provide

you with recovery time, objectives and Recovery Point Objectives that are in

seconds and minutes. And there is technology out there today that can be

deployed to do that. Traditionally, people have talked about RPO's in hours and

minutes. Today, the technology that is provided to you through journaling,

you can have RPO's within seconds, four or five seconds. So, you're losing absolutely

no time in keeping your data resiliency and your business active,

and in generating income and revenue that you need. So, what that translates to is

your RTO's, your Recovery Time Objective, is going to be sometimes minutes,

maybe one or two hours. We want your data to thrive. We want it to be trusted,

holistic, delivering resiliency to the information that is vital to your

enterprise. If you'd like more information about this, please reach out to us by

giving us a call or going to veristor.com.

♪ [music] ♪

For more infomation >> Protect Yourself From Cybersecurity Threats - Duration: 1:49.

-------------------------------------------

Ford Fiesta 1.25 TITANIUM AIRCO TREKHAAK - Duration: 0:57.

For more infomation >> Ford Fiesta 1.25 TITANIUM AIRCO TREKHAAK - Duration: 0:57.

-------------------------------------------

How to fix a radiator on a plaster wall - Duration: 5:27.

For more infomation >> How to fix a radiator on a plaster wall - Duration: 5:27.

-------------------------------------------

#24 Comment compter les pièces de votre logement ? - Duration: 2:40.

For more infomation >> #24 Comment compter les pièces de votre logement ? - Duration: 2:40.

-------------------------------------------

Joe Brook Talkin' MOB

For more infomation >> Joe Brook Talkin' MOB

-------------------------------------------

Survivor: Jeff Probst on Ben's emotional revelation|K CHANNEL - Duration: 6:40.

Survivor: Jeff Probst on Ben's emotional revelation

Each week, Jeff Probst will answer a few questions about the latest episode of Survivor: Heroes v.

Healers v. Hustlers.

JEFF PROBST: I remember when Ben walked into casting.

I remember what he was wearing and I remember the reaction after he left.

We were all really drawn to his powerful story but also his strong presence.

Ben struck me as a guy who knows who he is, knows who he wants to be and knows what it will take for him to get there.

His reason for playing — to help other veterans — feels completely authentic.

I dont think he is grandstanding.

I think he really wants other vets to see in him what they can have in their own life.

To your question — one of the many great things about the Survivor format is the people playing the game are always current.

They are always of the time. And if we do it right, the players represent a cross-section of America.

So that creates the opportunity for moments like this because this is what is happening in our culture.

I love these moments and I love that Ben is willing to be so vulnerable and so open about what he has been through and what he continues to deal with on a daily basis.

We saw Dr.

Mike and Jessica smartly looking for an idol in the same spot on a different beach where Joe found his.

Are you all concerned that by putting idols in identical spots it will increase the chance that one person can load up on idols during merges and tribe swaps, like Tai did last season?.

Nope.

Ryan chose to keep a possible ally in Chrissy while getting rid of a Healer (who have the most players still in the game) in Roark, but that meant pissing off another ally in Ali, who may never trust him again.

His other option would have been to keep the peace with Ali, but that would have meant losing a possible ally in Chrissy and keeping the Healers in a power numbers position heading into a merge.

What do you make of Ryan's choices and his decision?.

Ah, another reason I love Survivor.

There are so many choices and dilemmas and layers to this game.

You know I rarely second guess a decision as much as try to understand it.

And I see why Ryan made this decision.

He has already invested in Chrissy with the immunity idol from the marooning.

He gains a lot by getting rid of a Healer and he may have just sensed a better long-term gain.

What probably made that decision more difficult is Ali.

Shes clearly a sharp player and he already had a relationship with her.

Boy, this game is so easy to backseat drive.

Im definitely not saying Ryan made the right choice.

It could come back to haunt him.

Im merely saying that I see the path to his logic.

Judging by the preview, it looks like a scary scene with Cole next week.

What can you say about what's coming up on Survivor?.

Ah yes, Cole. Well… 1.) Survivor is real.

People continue to question that no matter how many times they see evidence.

And 2.) Dr. Mike.

Hes nutty. Hes an underdog.

But seeing him in the water with a spear trying to catch a fish is one of my favorite moments of the season.Check out a deleted scene from last night's episode at the top of the post and make sure to read our full episode recap.

And for more Survivor scoop, follow Dalton on Twitter @DaltonRoss.

For more infomation >> Survivor: Jeff Probst on Ben's emotional revelation|K CHANNEL - Duration: 6:40.

-------------------------------------------

Outlander: How Sam Heughan avoided making Sunday's episode 'melodramatic'|K CHANNEL - Duration: 3:55.

Outlander: How Sam Heughan avoided making Sunday's episode 'melodramatic'

Outlanders Sam Heughan is never one to openly disagree with the creative direction of the series, but he did publicly take issue with a moment in Sundays A.

Malcolm when he was expected to break down over news of his daughter, Brianna.

In a tweet Tuesday with fans, the Outlander writers were asked why Heughan didnt follow a script directive to completely fall apart and drop in Claires arms after seeing photographs of his daughter for the first time.

The fan managed to obtain a draft of the script, which led to the question about Sundays much-anticipated reunion in the print shop.

In the episode, Heughans reaction to seeing images of his daughter was far more subdued and tear-free.

Thats the way the actor preferred to portray the moment, lest it become too melodramatic..

I use action lines as guide only, the actor tweeted in response.

Falling apart doesnt have to mean tears, can be internal.

Was my creative choice.

Plus felt melodramatic. He went on to tweet that, Jamie hasnt met Bree.

Has had relationship with Willie [the son introduced in a previous episode].

Plus wonder at situation, new tech, never seen B etc.Way was written felt stalled scene..

It would seem the scribes who maintain the Outlander Writers twitter account, not to mention several fans of Diana Gabaldons books, would have preferred that he had stuck to the script.

In Voyager, Gabaldons third book on which the season is based, Jamie is unrestrained in his reaction to the Brianna images.

Its our intention that all action lines are filmed, the writers tweeted.

Were disappointed this one wasnt. The writers promised to address it more in their weekly Outlander podcast, out later this week.

Ultimately, many fans sided with Heughan, saying the scene played out perfectly and how its good to get a different perspective.

By Wednesday morning, the writers felt the need to clarify how they ultimately felt about Heughans interpretation.

Not every part of the ongoing twitter discussion about Sundays episode came with a certain level of discord.

At one point, Caitriona Balfe tried to inject a little levity to the discussion.

For more infomation >> Outlander: How Sam Heughan avoided making Sunday's episode 'melodramatic'|K CHANNEL - Duration: 3:55.

-------------------------------------------

Premiere Pro Videos - Duration: 16:47.

Hello, I'm Imani Muleyaar, the media production specialist at the Media

Production Center here at the School of Communication at American University.

Today I'm going to be talking about file management for Premiere Pro and just to

let you know these tips also work with other non-linear editing software

systems on any platform whether it's PC or Mac. and any version older news these

are just good habits has started right now

habit number one most important getting external hard drive I use this thing

almost every day yeah the external hard drive is

important not only as a place to store stuff but you need a good hard drive

that can communicate these video files to the computer into the software video

files are huge in the data that moves them is also pretty intense so you need

a strong hard drive to actually communicate that data to the

computer. So things like a thumb drive and SD card just don't work. And

sometimes even a hard drive in your computer won't work because you're running so many

different apps at once. So get yourself a nice fast external hard drive. And what I

mean by fast is Revolutions Per Minute. Sometimes you listen to your hard

drive, you can hear it's spinning, that's because there's a disk in there. So you

want it to spin as fast as possible. So the revolutions per minute you're

looking for is 7200, 7200 RPMs. And if you look

in the description of the hard drive you'll see it whether you buy it online

or in the store sometimes you can see it on the box and it's a 7200 RPMs.

They have slower hard drives but we'll get to that later. Also

they have solid-state hard drives, this is the newest thing right now, where

nothing's moving. It sends the data directly to the computer and it's quiet

because there's no moving parts. The only downside, it's a little bit more expensive

but that's the wave of the future and it's definitely a good investment. So I

was talking about the other hard drives the ones that may not be so fast, and I

have one right here this is my backup drive. It's not 7200 RPMs

which makes it a little bit cheaper. But I can copy my project to that drive

either when I'm done or while I'm working on it so I have a backup in case

my work drive crashes, which it will. Just like a car, eventually gonna

stop working. But I have everything backed up so when I get a new work

drive I can just copy it over and work off on my work drive. I don't like

working off my backup drive because it's not made for that. So let's see a few

other things you need to know about. It's a connection, this is probably everybody

knows this but I like using USB-USB3 - that's the speed that you want. That

usually comes with the faster hard drives.

Either that or a Thunderbolt cable, Thunderbar drive, and they also

have network drives, but I like USB because it's been around forever and

it's probably gonna be around for a while too.

And you have your backup drive and also the size of the drive. The drive is

the size is not too crucial but you should allot enough space for the

projects that you're working on. Because especially dealing with 4k now we're

getting the files that are in the tens of hundreds of thousands of gigabytes. So

you want high size hard drives and the terabytes if you can. So I'll let you be

the judge of that and then as you grow in your career, you're gonna get bigger

and bigger drives that have more and more storage depending on what you're working

on. So now we have all those drives, let's go to our computer and I have my drive

plugged up and you can see it, it's called my drive. I named it that, you can

name it whatever you want just keep the name whatever you keep it as. And I have

my SD card. I have the SD card for my camera, I use the Sony's

Z-150 since most people are using that on campus, so I took some footage, I put

on the card and put it in a computer. So now I have my drive and SD card, great. So

I want to get the contents from the SD card to my drive, first, before I open Premiere.

If I do an after I open Premiere, it's gonna be a headache. So I'm gonna

get the video footage off of the card onto the drive before I do that. I want

to create some type of structure, first in my head and then I'll try to map it

out on the hard drive. Let's open up the drive. I'll bring it over here. So this is

my drive. I already have some folders in here but here are my project folders. So

for this project I'm gonna make a new folder. Let's call it...let's see..

"New Project." No, I'm not going to that, that's a bad one. Let's call it

Imani's project. Yeah that's my project. And that's my project folder. So this is

great because in there I can create a structure. Everything's gonna go in Imani's

Project Folder. But how do I organize? Well, even though there are several

different ways to come up with something good for you, I'm gonna tell you a real

simple way to do it. First I'm gonna make a folder called "Video." That's where I'm

going to put all my video. So, new folder.

That's great, but I'm thinking ahead I know I'm gonna have music I know I'm

gonna have sound effects I may do some voiceovers too, so I'm going to need an audio

folder too, so let me do that right now. Like I said, we're creating a structure. "Audio."

And, I'm gonna have some cool graphics. I'm gonna have names flying around. Guess

what? I'm gonna make a graphics folder.

And that's all I need for now. You can get as deep as complicated as you want.

Don't get too deep so you have so many folders that is hard to find your

own stuff. But that's a basic structure. We're going to use the structure and

we're gonna stick to it. Since I don't have audio or graphics I have a video

folder and I have videos on my SD card. Let's go into the SD card and see what that

looks like. So here's my SD card. It's called "Untitled." Depending on what camera

you use is going to name it differently. But inside is the important part. You'll

see a folder called "Private' and then - like I said this is different for every

camera - but if you go inside you'll start seeing folders, you'll start seeing more

folders, and you'll start seeing more folders and more folders and more files

and it gets complicated. The video files are in here but if you don't know what

you're looking at yet don't get bogged down,

don't start digging. The files are in there we're gonna let Premiere do all the

work for us. Since we know the files are in there we're just going to copy

everything. That's it simple as that. I'll close it and open it back up so you see

we're starting at the beginning. The only thing in there is "Private." Sometimes you

see other stuff in there depending on the camera you're using. I grab everything. I

want to get everything in there and I'm gonna put it in my video folder because

that's where the videos go. And let it copy. So now that videos are going into

video folder, just a tip if you have more than one let's say card, you may want to

make a new folder called Card number One and Card Number Two and drop

private folder, whatever is in there, in there. Or if you have multiple cameras

camera number one, camera number two that keeps them separate so you don't have a

whole bunch of private, private, private, or whatever is in there. So it looks

organized and you can import them nice and clean. But since I only have one

camera, one card, I'm just going to put everything into the video folder. So

that's great we have our videos now we're almost there let's fire Premiere up.

And Premiere Pro has an interesting way of opening up files and then saving them.

So we're going to do that first, we're going to save everything where it needs

to be. So here's the first menu. The first window you're going to see, and that pops

up for you to create a new project, and that's what we want to do. So let's create a

new project. Here's the important part. In the location we created a folder let's

use it. In the location I'm gonna hit the Browse button and I'm going to find my

location and it's called - it's in my drive, that's name of my drive, and my

folders called "Imani's Project." Click on that. I can make a new folder like a

Projects file folder, but I don't have to do this, it's not that complex for this

project. So I'm just going to click on a Imani's project and I'm going to put the

project inside of there. So choose, yup, and you can see location, Imani's Project,

and the name of it is a Imani's project. That's the name of my project.

And okay, now we're opened up, so what exactly happened, let's go back to finder.

Oh there we go, Imani's project. I still have my audio

folder and my graphics folder and my video folder, but it created our project

file inside of the folder. Everything's in one place which is great, which is

what I want. Cool let's keep it moving. So now let's get the footage into Premiere.

There are a couple ways. You can do it the traditional way with any software,

you click file and import and you can import that way. Premiere has a nice

option, there's a Media Browser where you can click on that and you can actually find

the files. And last but not least you can stay in this project panel right here and

you can drag and drop. I like that it's really easy for me. So what I'm going to

do, I'm gonna close out of SD card. Everything's on the hard drive so I'm

going to dump the SD card. I'm working off of the hard drive and hard drive only. I have my

videos right here, and there we go, and they have all these folder structures.

Once again I let Premiere do the work for me. So I'm just gonna grab the whole

video folder and grab it, drag it, and drop it right into Premiere.

And let it work. Aha, what happened? Let's check this out. We

have an error message popped up. And this is important. Because I dragged

everything in there, but Premiere can't handle everything. Like we saw in the

folder structure a bunch of different files. A lot of the stuff Premeire

doesn't need and Premiere doesn't want. Some other software may need it, let's

say like a Final Cut or something like that. But Premiere itself is like "No, I'm

done with this." So okay what do you need? Oh you know what you need? You don't need

this okay, you don't need this. Let's see what you brought in then.

Okay so Premiere is telling us, okay this is what I wanted. So we got rid of

stuff we don't need and we have the stuff that we want. I'm going to change

some stuff in this panel, I'm going to change this view because I don't like

these big icons, and make them small. That's a lot better for me. So let's see

what we got. Welcome to video, we're still getting some of these folders, and I've

opened up Clip, eventually I'll find the video. It's trying to follow the

structure on your hard drive but eventually the only thing that's going

to pop up are the video files. And let's double check, you know their videos

because there's a nice icon on the left, the green and the purple symbolizing audio

and video. But double click on that, then BAM! There I go, there's my footage. I'm

down in the equipment room, Tom's drinking coffee, so that's good. So

I have my footage, success, everything's in there and now what do we do with it?

We want to create a sequence. There's a couple ways to create a sequence, but

there's a couple ways to mess one up too. Because you may not know the settings

you need depending on the footage you have or what you want to export to. The

safe is been is to take the file itself and use it as a template for the

sequence. And the way to do that is to go down here to this little new item button

it looks like a piece of paper down here, by the trashcan, a new item button is

like a new sequence, you can create other new stuff like texts and shapes but

we're creating a new sequence. And a shortcut to do it is to grab your video

drag and drop it onto the new item button and voila, it makes a new sequence.

With all the proper settings if you look you can see all the audios right there,

all the videos there, and all the settings are matched to your video file,

which is great so you don't have to do any type of changes in your sequences

unless you're requested to do so. But this is where we're starting at. And I have

my video, so that's good. And if you look over here

in the project panel you'll see it says the name of the file was "Clip 0001" So the

file that I'm a basing the entire sequence on

the sequence took the same name. So as "Clip 0001", that's name of the

sequence. So we have everything where we want it, the sequence the files, and we

can see it and everything's still in the hard drive nothing's changed.

That's great, but what if I do want to make changes? What if I don't like these

names, what if I want to name it sequence 1, what if I want to name it clip 1?

Things like that or "Clip Tom". You can do that but in Premiere only, don't do that

in your file on your hard drive. The way this works is Premiere has everything

locked down. It knows where everything is now. You can start changing stuff in

Premiere, everything's in place as long as you don't move anything off your hard

drive you can start changing things in Premiere. So let's do that I'm gonna move

some stuff around. Let's see, I don't like all this other stuff, so I'm just gonna

grab my video files and I'm just gonna drag them out of here. Okay I don't want

all these other stuff, let me get rid of this, and this and this...you're like oh no

what are you doing you changing some stuff up! It's fine trust me it'll be

fine. So I got rid of that. Let me change this to sequence 1-1. Let me change this

to - what clip is this? - yeah that's Tom, coffee, Tom is drinking coffee...so there

you go, I changed some stuff in there. So you're thinking maybe I change it in the

hard drive right? Nope that's not how it works. Let's go back to the

hard drive, everything is still the same. Video is still there, the file structure

is still there. Even if I know where I'm looking now I may be even even be able

to find the original clips, the clips are still here. Yeah and none of the names

have changed, that's the way Premiere works. You can change things in Premiere

but not in your hard drive which is important because we're going to leave

everything in the hard drive. Now it's time to back it up let's go back to

Premiere and save. Save always, save often, save every chance you get.

And whe3n it's time to back of the project I'm going to minimize this I

want to copy my entire folder emani's project wherever it is whether it's my

backup hard drive whether it's uh yeah you can root you can save your backup on

to your computer because you're not working off of it so it's not blocking

down not getting bogged down by the apps you can save it on in the media

production Center we have media drive so you can save it on just be careful

because other students have access to the media drive and you may not always

gain access to the same room every time but at least you have a backup somewhere

back it up online that way you have two copies but copy everything as is all the

names all the folders everything because once you start changing things I'll show

you what happens when you start changing things so let's say um humanities

project I'm going to copy to a drive but I'm going to call it something else

let's call it e money's project version 2 ok so I just copied it somewhere or

even on my own hard drive you know I want to change the name so let's go in

from here and see what happens ok premier just change it I hope you

change it to O know what's going on I know some people have seen the screen

what happened is the files were somewhere and now premieres like what

happened what happened I don't see the files anymore because if you look here

it's looking for the files in e Monty's project it's looking for all the files

of the Mannings project where this go where that go where that go your monies

project where's your monies project it's gone because I changed the name to

Maddie's project v2 so now it doesn't know where to look and say oh no now

we've got to find everything or have to rename everything we're after really

important after re-edited so that's when it becomes a problem that's when you

have to almost start from scratch so that's why it's important to name

everything first create a file structure first and stick to it when you move

between system and system hard drive the hard drive and keep it that way

and you may also see this if you have files on your you imported from the SD

card from the desktop from a different hard drive and then you make the project

and then you take us somewhere else and everything's gone that's because

everything's not in one folder so do that first put everything in one folder

first and then start editing and then when you're done make your copies but

just keep all the names the same okay i'ma close this cuz it's making me mad

oh so that's done I'm actually going to rename this name it the way it was and

see if that fix the problem please please please be pleased so it's opening

back up everything's still the same I changed everything back the way it was

it's opening project and there you go everything's still there so that's just

a basic introduction on file management it gets a lot deeper when you deal with

different file formats different cameras but the idea is to when you create a

project make a folder structure first then start your project and then edit

save and then backup and when you backup make sure everything stays the same

alright thanks for joining me on this file management for Adobe for any

nonlinear editing software for real my name is Emmanuel our media production

specialists at the School of Communication at American University see

you next time

For more infomation >> Premiere Pro Videos - Duration: 16:47.

-------------------------------------------

Herrilana - Duration: 1:00.

For more infomation >> Herrilana - Duration: 1:00.

-------------------------------------------

Los mossos secesionistas temen una «traición» de Trapero - Duration: 6:51.

For more infomation >> Los mossos secesionistas temen una «traición» de Trapero - Duration: 6:51.

-------------------------------------------

Tri ročné obdobia cestou na Rysy vo Vysokých Tatrách / High Tatras - Slovakia, Poland - Duration: 3:25.

Hiking trail to Rysy with overnight at Chata pri Popradskom plese and enjoying sunset at Ostrva.

We are heading to Chata pri Popradskom plese through autumn forest

Slowly moving to Ostrva, where we will enjoy sunset

View of Popradské pleso

Enjoying the epic sunset at Ostrva, 1984m

After early alarm we are heading with headlamps to Rysy to avoid crowds and to enjoy sunrise at one of the most popular trails in High Tatras.

Ascent to Žabie plesá

No wind and reflection on Žabie plesá were mesmerizing

Technical part to Chata pod Rysmi starts

Finally at Chata pod Rysmi 2250m

Snowfields are manageable without crampons

Amazing view from saddle Váhy to Bielovodská valley

Freedom at the top of Rysy 2499m

View to Czarny staw and Morskie oko in Poland part of Tatras

Sliding on the way down

Waiting for the bus :)

For more infomation >> Tri ročné obdobia cestou na Rysy vo Vysokých Tatrách / High Tatras - Slovakia, Poland - Duration: 3:25.

-------------------------------------------

12 HOURS IN MOSCOW - Duration: 6:04.

So, I just arrived in Moscow

This is the "Kievskiy vokzal" train station.

It's time to head off to our first stop:

The Red Square!

Beautiful!

This is (obviously) the most important site to see in all of Moscow;

There's the Kremlin!

Behind me is that famous church (St. Basil's Cathedral).

And uhh.... yeah

Let's go take a look

There's a ton of interesting things to see in the square.

Let's go!

Now I'm inside the famous church.

So my first impression are:

This is a really cool city! Also really big...

It's a totally different atmosphere

than in St. Petersburg.

This is unreal!

It's hard to believe I'm here...

...in Moscow: the capital of the Russian Federation.

So now at the end of a beautiful day

here in Moscow

It's time to enjoy a boat trip on the Moskva river.

We're just waiting for more people to show up right now.

Let's hope we take off soon!

(Tour guide) We hope you enjoy the ride!

(Guide) So now we're coming to the end of our trip

Today we saw some of the most beautiful sites of our city...

So now I've arrived at my final stop

on this tour of Moscow.

And that is this lookout point!

What a beautiful view!

Here you really get a sense of how big this city really is.

Here's Moscow (State) University by the way!

For more infomation >> 12 HOURS IN MOSCOW - Duration: 6:04.

-------------------------------------------

Capsule 2 - Le genre assigné - Duration: 4:02.

For more infomation >> Capsule 2 - Le genre assigné - Duration: 4:02.

-------------------------------------------

Доступ к телу Врио Васильева через скромность! Чиновники Дагестана задумались - Duration: 6:41.

For more infomation >> Доступ к телу Врио Васильева через скромность! Чиновники Дагестана задумались - Duration: 6:41.

-------------------------------------------

Don't Be Afraid of Retirement! Learn How To Plan For It! Halloween 2017 - Duration: 0:56.

CROWD: Happy Birthday JERRY: Today was supposed to be my special day, but today my wife asked me how long

until I CREEPY VOICE: Retire JERRY: Who said that?

CREEPY VOICES: retirement retirement

JERRY: I'm so scared! I don't know if I've saved enough. Have I invested in the right

places? What if my parents get sick or the kid needs help with college tuition.

MONSTER: I come for your golden years! NARRATOR: Don't

be afraid of retirement, call Blue Dot Wealth Management who can dispel

retirement myths and can help you create a plan for your future. DISCLAIMER: However if you have

actual demons your home, zombies ghosts, vampires, or other creatures that go bump in the

night we can not help you although we suggest you surround yourself with

garlic, attained silver bullets, holy water, other religious relics, and just start

hoping for the best