Saturday, February 2, 2019

Youtube daily report Feb 3 2019

Greetings! I'm pro saxophonist Jamie Anderson. This is Get Your Sax Together -

bringing you high-quality sax knowledge straight from the pro stage. And on

today's free sax lesson for complete beginners you're gonna learn how to hold

your saxophone correctly and how to play your first three notes. Now, make sure you

stay tuned to the end of this lesson because I'm gonna share my top pro tip

that will instantly give you perfect finger position every time. Or, you could

just do it your own way...

"Never had one lesson"

So, just before we get into it

this free sax lesson is part four of my series for complete beginners. You'll find a

card up there linking to the other lessons in the series. Now, if you enjoy

what you're seeing please do subscribe down below and ring the bell to be

notified when my new lessons come out. I also love hearing from you guys so

please do post comments down below or ask me a question. If you want to get to

know a bit more about me and my life as a pro saxophonist have a look at my

Welcome To My World Vlogs linked on that card up there - full of candid backstage

footage, all very fun and hilarious stuff with top pro tips and tricks and, of

course, the famous blooper reel. So, without further ado, let's JUMP to it!

The first thing to cover is the length of your sling, or neck strap. Make sure that

when you're holding the instrument in a natural position the mouthpiece just

falls naturally into your mouth. You don't want to be having the sling too

low and craning forward like this, or you don't want the neck strap so high that

you're pushing the saxophone up into your mouth like this. So a nice natural

position for the neck strap. So let's cover where you're gonna put

your fingers. Let's do the left hand first. On your sax you're gonna have

some kind of button - metal or plastic - on the back, and your left thumb is just

going to sit on that button covering the octave key, but not pressing it. Now, on

the front you can see that there's one, two, three, four, five different buttons.

Often that front F key will be a gold flat key but whether it's a circular key

with a pearl or if it's a gold flat key we're going to ignore that so your

finger goes to the next button along, which will definitely be a circular button,

and your first finger goes there. Your next finger misses out that small

button, which is called the bis key, and goes to the next key, and then your third

finger goes on the next key. Just make sure you don't hit those side keys with

your palm accidentally. So to recap - thumb resting on the button covering the

octave key but not pressing it, miss the first key and then one... miss the small one, two,

three. And on the right hand, your saxophone will have a hook down here. It

might be black plastic, in my case it's gold, now you're going to put the main

joint of your thumb underneath that hook like that, and then, the right hand's

easier than the left hand, because there's only three buttons to push. One,

two, three. And again, be careful that you don't nudge any of these extra keys down

there. And you can ignore these ones, which are for your right pinky, and you

can ignore all these ones, which are your left pinky, so really we're thinking

much more like a recorder at this stage. Your thumbs aren't going to do anything

and your pinkies aren't going to do anything so for the moment it's only

these six fingers that were concerned with. So the vital thing about your

finger position is that your fingers should form a nice curve, like this, with

your finger tip on the button. Don't press this

knuckle into the instrument like this. you want your finger to have a nice

curve to it and the tip of your finger should be on the button like this. So

what we don't want to see is the fingers pressing down in that kind of shape. They

need to be a nice curve like this. Also, very importantly, the whole thing should

be very relaxed. Don't slump forward like this, don't hunch those shoulders up,

especially the left shoulder is famous and sax plays for going right up here.

That's going to put a lot of tension in your left hand. So, shoulders down, nice

relaxed upright posture and bring the saxophone into your mouth, then we're

ready to play our first notes!

So now, fanfare of trumpets...

...we're finally ready

to start playing our first actual notes on the saxophone! The next video in the

series is going to cover everything you need to know about reading music, written

music, and the previous video covered everything you need to know about the

basics of embouchure, how you have your mouth, teeth and tongue, so go and check

out those videos. Our first note is going to be a G and it is the first three

fingers down of your left hand. One, two three. So we're going to take a nice big

breath in to the bottom of our torso, we've got those first three fingers down

on the left hand, make sure you're not hitting any other keys, and here we go...

Great, so we've got our G. The next note we can learn is called an "A". That is two

fingers, first two fingers of your left hand. So we just take off that third

finger, and that sounds like this...

And finally, the third note is a B, and that is the first finger in your left hand.

So now we have our first three no tes: G, A and B.

And on tenor those first three

notes, that G, A and B are going to sound like this...

So I'm all about getting right into it and getting some tunes going straight

away, so what can we play with those three notes? Well, not that much to be

honest, but we can play something simple like Mary Had A Little Lamb. And

we're gonna start on B. The notes are going to come up on the screen, so this

is what it sounds like on alto...

And on tenor the first little section of mary

had a little lamb is going to start like this, again starting on B.

OK, now remember I promised you that top tip for having the perfect hand position

instantly every time? Well this is the secret - your hand should be a nice curved

shape like the letter C, and your right hand should be exactly the same, so when

you put your hands on the instrument if you look straight down you should see a

letter C with both hands, and the way to remember it is to say to yourself

"can I see a C" make sure you can "see a C", and not a weird little duck's beak!

Next time in part 5 of my complete beginner series I'm going to demystify written

music for you. in the meantime if you've enjoyed the video please subscribe and

ring that bell to get notifications of when my new videos come out, and I'll see

you for more fantastic free sax lessons and fun vlogs next time on Get Your Sax

Together. See you later!

"You're still here?

It's over!"

For more infomation >> Beginner Sax Lesson 04 How Good Are YOUR First 3 Notes? - Duration: 9:08.

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PAKO FESTA is part of Geelong's Pakington St. This video looks at the Cafes, Bars & Restaurants 2019 - Duration: 4:56.

For more infomation >> PAKO FESTA is part of Geelong's Pakington St. This video looks at the Cafes, Bars & Restaurants 2019 - Duration: 4:56.

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H. Delbosco #17 : ¿Cómo responde S. Tomás a la interpretación averroísta de Aristóteles? - Duration: 4:32.

For more infomation >> H. Delbosco #17 : ¿Cómo responde S. Tomás a la interpretación averroísta de Aristóteles? - Duration: 4:32.

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Les 5 aliments SURPRENANTS qui m'ont fait PERDRE DU POIDS - Duration: 10:19.

For more infomation >> Les 5 aliments SURPRENANTS qui m'ont fait PERDRE DU POIDS - Duration: 10:19.

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Maintenant, ça va [5] - Peurs en Prose - Duration: 4:55.

Before, I used to live in permanent anguish.

I had a lump in my throat,

my palms got sweaty,

my eyes got filled with tears,

and my heart started beating as fast as a hummingbird's,

all of this without a warning.

In fact, the one I was afraid of was myself.

I was afraid of my own unpredictability.

And knowing myself only too well,

I was also afraid of my own predictability.

And this fear of myself changed into fear of others

and of everything that surrounded me.

I'm scared of myself

I do not know what my next reaction will be

I do not know what I am capable of

But I fear that I am capable of the worst

I'm scared of not blending into the background, of standing out

But I'm also scared of fitting the mould

It worries me to be looked askance

Or simply to be looked at

It doesn't help when people shift away from me

Or simply when they do not look at me

I then imagine all sorts of reasons for these behaviours

Only to realise that one's worse than the other

Do they know?

Does everything show?

I myself am also scared to look at others the wrong way

Whatever we do, whatever I do,

in any case it won't be right

I'm afraid not to make it

In the end it prevents me from taking action

Like a hunted beast, my fear has paralyzed me

So much that my life is nothing anymore

I'm scared to move forward, scared to move backward,

scared to stagnate

The unknown entices me but gives me cold sweats

What is known is reassuring

and at the very same time repulsive and frightening

I'm scared to talk to people

I'm scared to love and scared of not being loved

I love so much, I love too much

I'm scared of it not being normal

I probably love in the wrong way

And I feel unloved

And yet far too much loved for the filth that I am

I'm scared of the reactions of others

I don't want to frighten them

But I do not choose, I do not choose anymore

A fence fell down, a lock got broken

I believe, I fear, once and for all

There are no more limits, no more inhibition

Everything goes out as it is, all fresh and crude

No matter whether it is scathing or considerate,

provocative or harmless, hateful or peaceful

What kind of importance could there be, after all?

If it goes too far, it is however never the end

If I go too far, they will pull the rug out from under my feet

I'm scared of that, so I still need to keep a low profile

To pretend, to endlessly be deceptive

I become Houdini in my daily life

I'm scared to be found out

I'm scared of the masks of others too

Everything is nothing more than a gigantic deception

Our five senses are playing with us, nothing is real

I'm scared of emptiness and scared of fullness

Scared of yesterday and scared of tomorrow

I fear the laugh auguring tears to come

I fear the tears and the sobs,

open-ended sorrow

I'm scared to trust, scared to get help,

scared that someone would even want to help me

I'm scared that people would see qualities in me

Every day that dawns is a source of terror

I panic not to be able to keep up the pace

I dread each second spent in my own company

A company that is not chosen, compelled and forced,

imposed, inflicted

Why can't I turn myself into inert material,

incapable of this nasty fear

and this ineffable anguish?

Now, I'm more stable.

I am less afraid of trying various things,

just to see what could come out of them.

But in many situations,

I still dread my own behaviour.

All of this because me and myself, we know each other quite well.

When a conversation isn't in my favour, for instance,

I can see myself a mile off.

I know a very long time before that I'm going to feel upset.

To such a point that it's almost as if I had consciously decided

to feel upset.

And the result is almost always the one expected:

I'm upset!

It's very difficult to fight against oneself.

Luckily, while feeling upset,

a part of me rationalizes

and accepts the other person's view,

or accepts his or her remarks,

or his or her way to address the situation.

Often still, I end up telling myself that this person

is of course right to react like this in such a situation,

and that I am nothing more than a scatter-brained fool,

guided by out-of-order emotions.

But sometimes,

I tell myself that I'm simply showing tolerance.

I simply accept the arguments,

the point of view, or the behavior of others.

Even though I sometimes use this to diminish myself.

And yet tolerance is something positive, isn't it?

Which means that things are getting better.

Which means that now…

Now I'm fine.

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