An acute, yet aggressive agony
accompanies being in love with someone
who will never know
you exist.
When you mortgaged your heart
Your thoughts
Your appetite
Your breath
Like a gambler
Because the more you put in
Surely
Surely the more will be reciprocated
Patience, patience is no object
You can wait,
He's only 22, you're only 18, you need to wait anyway,
you know two, three, five years are not a big deal in the grand scheme of things,
and you know in your heart it's not a matter of if, but when, because how, how, how could it be if?
when his sense of humor mirrors yours like no one else's,
when his intellect inspires you to study for the final in a subject you hate,
when his eyes make you feel truly seen from thousands of miles away,
when the words "I love you" fall from his lips into your ears just perfectly,
when you know looking at his unworldly handsome face
will distract you from the nasty post on your "best friend's" account
when his laughter can drown out the sound of your parents fighting in the next room,
when him asking you to "love yourself"
can make you drop the pill bottle
where it's syncopated rattling against the toilet seat
flawlessly complements the chorus ringing out of your phone
making you smile for the first time in these 48 sleepless hours
because you remember that somewhere
he's alive,
he's working,
he's achieving,
and, you know what?
That's good enough for you.
So no.
You can't hear "if."
It's not a matter of "if."
You will meet him.
This is not the source of the agony.
There is no agony in certainty.
Practice makes Gods out of anyone;
He is living evidence of this adage.
You know how a meeting between you two would go
You approach him…
because you know he would have no motivation to approach you
(what you wear is irrelevant),
You tap him on the shoulder
realizing that you've interacted with him for the first time as living flesh,
that he can exist elsewhere besides your computer screen.
He turns around with a look of genuine surprise
in a moment so human your heart aches.
You smile and he smiles back,
and in that instant
every single other instance of that smile flashes before your eyes and
You're instantly reminded of and bombarded with
all the joy and sorrow that that smile has unknowingly witnessed…
And in the tear that falls lies unbearable agony.
Agony that it's started off this way
that any on-looker would pan over your bowed head,
reducing you to a brainless stan without so much as a blink
Agony, that he thinks the same…
Agony, because your own heart has reduced you to Ariel,
signing away your voice in exchange for the only time you will be able to cry prettily
But love, love is stronger than betrayal,
and you choke out, "I love you!"
to him who you truly love more than anyone
And the tears follow each other after that because you know that he won't believe you
He may hold your hand for a moment,
he may give you a hug,
He'll definitely smile, trying to cheer you up,
making the chaotic hurricane in your heart all the more destructive.
Agony, in suddenly becoming aware of the bodies pushing up around you.
More important bodies
Bodies of people he deserves to be seen with
And there's pushing and shoving
and you know you'll only have a few more seconds,
So you practically scream out the speech you've given to the showerhead hundreds of times
That you don't love his looks
You love
His humor,
his temper,
his compassion,
his greed.
You love him who exists behind the camera, not the personality he built.
You'll want to shout,
"You're perfect. You're perfect. You're perfect. You're perfect.
How could you think otherwise?
I love you."
You'd lock eyes for a moment.
He'll look at you with a look you'll spend the rest of your life trying to identify
on to more awards, bigger contracts, more followers, new records, and
Your face will slip away too,
Into the mush of other fan faces in his mind
And you'll walk around life, battle-scarred,
having fought and lost a battle never realized
Unable to explain why you look so despondent
Unable to understand
For more infomation >> IDOL (A Poem Written by during LY: Tear Comeback; Read Description) [ENG/한/SPA/Greek/& More CC] - Duration: 8:20.-------------------------------------------
2nd Free Toy Giveaway Winner Announcement
For more infomation >> 2nd Free Toy Giveaway Winner Announcement-------------------------------------------
İngilizce Dersleri - *** Türkçe ve İngilizce Altyazılı*** ( 's) in kullaımı - Duration: 2:24.
's is a short form of several structures. First of all, it is the short
form of 'is'; the form of 'to be'. Instead of 'he is' in a spoken language, in a written
language also, we use 'he's' or 'that is' we use 'that's'. When you want to say: 'She's my sister - 'She's my sister', 's we use.
The second use of ' 's ' is the possessive or the genitive case of nouns.
For example; 'my sister's bag' - here my sister's bag' ('s) means that the
bag belongs to my sister. The third use of 's is the
short form of 'has got'. 'has got' or 'have got' is a form like 'have - has'. It talks
about possessing something. Instead of 'My sister has got a car', you would say
'My sister's got a car', but how would you know that it is 'has got', because you
will see there 'got'. 'My sister's got a car'.
Where do you go to buy meat? - to butcher's.
Where do you go to buy vegetables?- to greengrocer's.
Where to go to buy bread?
- to baker's.
So this is another use of 's. It's summer, you want to go,
to travel somewhere. You will go to your uncle's house and you want to stay there.
So you'll say: 'I go to my uncle's'. 'Last summer I stayed at my brother's'- it means
that I stayed at my brother's house.
We saw five uses of ('s): The first is
the form of 'to be', second use is the short form of 'has got', third is the
possessive case of noun; four: butcher's, baker's, green grocer's,
five: 'my uncle's', 'my brothers'.
-------------------------------------------
Michel Drucker, la vie se complique, il livre la vérité enfin - Duration: 1:33.
For more infomation >> Michel Drucker, la vie se complique, il livre la vérité enfin - Duration: 1:33. -------------------------------------------
The Time-Lapse VCR - Duration: 17:38.
These days, if you want to install some sort of security camera system, you can just run
to your favorite big box store or wholesale club, buy a kit with 4 cameras and a DVR,
and within hours have a working CCTV system capable of recording days or weeks or even
months worth of HD, or sometimes 4K security footage.
Now we can even access them remotely over the Internet, or put them in doorbells, or
backup the footage to the cloud, or any number of things which, depending on your point of
view, you may find interesting or…
concerning.
But…
Not that long ago, we only had the world of analog video.
Sure, videocassette recorders were widely available, but even with the most generous
of tape lengths and the slowest of recording times, you're not going to be able to get
more than 10 hours or so out of a tape.
That's not great for security cameras, particularly if you want to be able to record footage over
a weekend when no one is at the office.
But this video is running at 30 frames per second and for surveillance footage, that's
probably more than we need.
If there were a way that we could reduce the frame rate, we could get more time out of
one tape.
If we recorded, maybe, only two frames per second, we'd still have a pretty good record
of what happened, and we could get 15 times as much footage.
Well, that idea did come to fruition in the form of the time-lapse VCR.
I've known about these things for years, but there have always been some nagging questions
in my mind about how they work.
For example, most VCRs just kinda…
suck at showing a still image.
If you hit pause on this one, you'll inevitably get some sort of snowy garbage at the top
or the bottom.
In later years, a digital frame buffer would grab a snapshot of whatever you were playing
so that there could be a nice clean still frame, but a time lapse VCR that's RECORDING
footage, how does that work?
Now I could do some research and try to find out exactly how a time lapse VCR is doing
all the magic stuff it does, but it sure would be great to just have one that I could poke
around with.
Oh right!
This is a Sony SVT-3050.
You can tell that this is a legitimate piece of A/V equipment because of its two-tone beige
and brightly colored transport buttons.
Oh yeah.
Matte black?
Heh, this is where it's at.
Seriously, why was so much professional A/V equipment from the this time period made in
this particular color scheme?
It's like it's trying its best to be plain.
From the front, this looks like any normal VCR save for its relatively few buttons
(most are hidden behind the door)
and surprising omission of the VHS logo even though this
uses VHS cassettes.
Are we bitter about something, Sony?
We'll get to that in a minute because there is some mystery as to why the label's missing,
but what gets weirder is when you come 'round to the back.
For starters, you won't find standard coaxial jacks for a television tuner.
Nor will you find standard RCA jacks for composite video.
Instead, you'll find BNC connections, which were and are to this day very common in
security camera applications.
You'll also find a bunch of screw terminals for various things like timers and alarms.
For example, the unit can send out an alarm signal if the tape becomes jammed or it runs
out of tape.
And it can also accept an alarm input to start recording.
When I got my hands on this, the first thing I did (as would anyone, I presume) was to
open the case.
I wanted to see just what's inside this thing!
Oh.
There's a circuit board in the way.
No matter, we'll just pop that up, and look at that!
There are little pegs made specifically for holding the board up and out of the way for
servicing.
That's neat.
Under the board was a completely normal looking VHS transport.
Real talk, if you are into old VCRs like I am, you actually should open them up before
you test them to make sure nothing is stuck which might cause it to eat a tape.
This one indeed had something preventing the take-up spool from turning, and after exercising
it a bit the problem went away.
But, had I not checked, it may have ruined a tape.
These are the sorts of life changing tips you can find only here on Technology Connections!
One of the more curious things in here is the use of a modular power supply.
You probably noticed the standard IEC C13/14 connector on the back, and it's clear that
it wouldn't be very difficult to swap out this power supply for another.
This not only makes repair easier, but it also means that the same chassis could be
used in many markets.
OK, so with it operational, I popped a tape in and starting messing with the playback.
On any speed but the normal 2 hours, the tape simply juddered forward one step at a time.
Is that really it?
I had imagined that maybe the head drum would spin at a slower speed, or that the machine
would behave in some other strange way, but it appeared that this was simply stepping
forward one frame at a time.
Lots of VCRs can do that… so what makes this special?
Well, keen eyes may notice that the quality of that still frame is perfect.
There's no snow, there's no jitter, and there isn't even any sign that that's
a digital frame buffer.
To be sure that this wasn't playing tricks on me, I touched the spinning head drum while
watching the screen of the TV, and sure enough the picture was distorted along with my touch.
So, this picture is coming live from that tape.
That alone isn't so surprising, as many high-end VCRs with four heads can do that.
But what is a little more interesting is that it not only has to do that when playing a tape,
but it also has to do it when recording.
After much searching, I found a great source describing how time-lapse VCRs work, and one
of the more remarkable things about them is how precisely they can move the tape itself.
See, in normal recording and playback, the tape is continuously moving at a rate of about
1.3 inches per second, or 3.3 centimeters per second.
This means that with each sweep of the recording or playback heads, which happens 60 times
a second on an NTSC machine, the tape has actually moved roughly half a millimeter.
That means that the end point of the sweep is about half a millimeter to the right of
the beginning, imparting a slight angle to the track.
That's why a two-head VCR can't display a nice still frame.
Without getting too deep into explaining analog video, each head is responsible for one half
of the frame, or one field.
With a two head VCR, if the tape stops, then the heads are suddenly misaligned a little bit.
One head will start showing the correct thing, but it will drift into the adjacent track.
The same thing happens when the next head sweeps.
In essence it's always reading the wrong thing for at least some part of the frame,
and the result is a noisy, incomplete picture
But a 4 head VCR actually has two heads passing by with each sweep.
It's capable of reading either the odd or even fields at any time, and can switch between
them on the fly.
This allows it to perfectly display either the odd or even field without noise bars.
There's a great link in the description if you'd like to learn a little more about
the specifics here.
Anyway, that's all fine and good, but what's most interesting here is how the machine records
onto the tape.
It needs to get that correct angle otherwise the signals will be completely out of spec
from VHS, and it won't be able to play them in fast motion for the purpose of searching
for the moment that your restaurant was robbed.
Or whatever.
And that is what makes this more advanced than your average 4 head VCR.
When recording, the heads are completely inactive except for when they write that single field
onto the tape.
Most of the time they're simply spinning for the fun of it.
And here's the kicker.
The writing action is perfectly synchronized so that it happens just as the tape is being
advanced to the next position.
This means that the machine actually is recording in a completely normal fashion.
But, it is able to start and stop the tape with such precision that although it's recording
up to 86 times slower than normal, the signals on the tape are unaffected.
Take a look at this slow motion footage.
I've placed a marker on the tape so that we can see it advance.
The tape is completely stationary, but the moment that head is aligned with it, it moves.
And as soon as the next head is in position, it stops.
This extremely precise control of the tape's movement, along with the idling of the recording
heads until the moment that next frame is to be recorded, enables the machine to make
intermittent, single-field recordings onto the tape.
Pretty neat.
Now here's where things get a little weird.
Keen viewers will have noticed that there is an audio input on here.
If you're familiar with how audio is stored on a non-HiFi VHS tape, you'll know that
it's recorded linearly on the edge of the tape, just like a normal audio cassette.
How would audio work if the tape is moving in steps?
Well, the machine can only record audio in the normal 2 hour mode, and the 12 and 24
hour time lapse modes.
It can't record audio in the slower speeds.
But, this means that when recording in the 12 and 24 hour modes,
the tape isn't advancing in steps.
Instead, it's continuously moving very slowly.
The images are still stored in a reduced frame rate, but the continuous motion of the tape
enables sound, albeit very very terrible sounding sound.
So, the same thing happens.
The heads only write in individual bursts for each frame, but we get an odd consequence now.
See, if I want to play the tape back with sound, it can't play the tape back very well.
It's certainly not awful, but there are noise bars and other anomalies.
If we want perfect quality, we need to switch the sound off, and then it returns to the
stepping mode that it was using before.
And this may give us a clue as to why the machine is missing a VHS badge.
Technically, the format specifications aren't being broken if it is recording in steps like this.
It is recording a normal SP signal on the tape, it's just doing it intermittently,
one field at a time.
But this weird extra super duper slow speed doesn't conform to that standard.
Is this THE reason?
I can't say for certain.
The S-VHS variant of this machine, the Sony SVT-3050P, does have an S-VHS badge on the
front, and it, too can record audio in 12 and 24 hour modes.
So… the missing logo may remain a mystery.
But we're not done yet.
Did you notice that "Faroudja laboratories" mark on the back?
Yeah, that got me curious.
Who are they and what do they want with my VCR?
Well, Faroudja Labs was quite famous for analog video processing technologies, in particular
devices called line doublers.
These could take a low resolution image, and double the number of horizontal lines of resolution,
to give it an apparent resolution bump.
This device would really benefit from a line doubler, because it records just one field
at a time.
Each still frame is only half the resolution of a normal television signal, and for something
like security cameras where you might want to be able to identify who is stealing your
stuff, that's not good.
Now I'll admit, you can't get more detail out of an image than was already there, so
the extent to which a line doubler may help with tasks like identifiability is up for
debate, but it's clear that this technology is helping.
Part of why these still frames seem remarkably clear may simply be due to Faroudja's video
processing prowess.
Now I can't say for certain that there is a line doubler in here, but knowing what Faroudja
had done in the past, it seems very likely.
At the very least, something of theirs is making this a very sharp picture for what
the raw signal is.
So, that pretty much wraps up how a time-lapse VCR works.
It's a lot less magical than I thought it might be.
More or less it's just a standard VCR.
There were some special considerations to using it, however.
With a normal video tape, the tape is only touching the spinning head drum for a few
seconds at a time.
But with this machine, on the slower recording speeds, it might be touching that drum for
a few minutes at a time, and this could quickly wear out the tape.
For this reason, manufacturers would recommend that you discard your tapes after a certain
number of uses.
Some would say to only use a tape twice if it was recorded with the slowest speed.
When these were in common use, you'd need to balance the desired detail of the recording
with your business hours and when the tapes could be changed, and how long of an archive
you need to keep (for legal purposes, usually at least a month of recordings).
So, you'd need to have something like 10 tapes on hand, use them in a rotation, and
discard them after they'd been used perhaps a dozen times.
For a 72 hour recording, this would let you use 10 tapes for perhaps a year before needing
to replace them.
And of course, a 24/7 duty cycle for a VCR isn't the kindest thing.
It was recommended that you replace the video heads on this at least every 10,000 hours
(which works out to pretty much every year).
You can still find the drum, the 2N4N-Q, for sale from people who specialize in security
equipment.
And it looks like this machine has had its heads changed at least once.
Poking through the menu shows that it's been powered on for 25,716 hours, but the
video heads only have 314 hours on them.
Now, it could be that this machine was set up to only record in an alarm condition.
This may be the original head, and it was simply idle the vast majority of the time.
There doesn't seem to be a way to determine if that counter has been reset, so I suppose
I'll never know for sure.
But before I go, I haven't answered one particular question about these things.
What happens when you have multiple cameras?
Well, that's a fairly deep rabbit hole so I'll be brief.
One option was to use what's called a quad.
This splits the incoming signal of four cameras into a single display showing all four at
one time.
The major disadvantage here was the very poor resolution of the recorded video, as each
camera only got one quarter of the screen.
Another option was a switcher.
This would simply cycle through each of your cameras one at a time, showing Cam 1,
then Cam 2,
then Cam 3
and so on.
You'd get a full resolution image, but you couldn't see what was happening on any of
the other cameras when one was being shown.
It also makes reviewing recorded footage a little…
nauseating.
The coolest solution, albeit the most expensive one, was a multiplexer.
These would combine the signals from all of the cameras, and send them over a single wire
by rapidly switching between them, and using the vertical blanking interval to signal which
camera is which.
When you want to see just one, the multiplexer would use a frame buffer to show only that
one camera at a reduced frame rate.
The beautiful thing was that this also worked with a time-lapse VCR like this one.
But, you'd have to synchronize the multiplexer with the VCR (using the switch out terminal),
and you'd also have to deal with an effective frame rate that's even worse than what the
VCR is natively recording.
See, if the VCR is recording 4 cameras, and it's recording at a rate of 4 frames per
second, those four frames are split between the four cameras, meaning that each camera
only gets a recording once per second.
So, while you did get to record four cameras on one tape with the full resolution, you
would get a seriously reduced update frequency.
That was a significant trade-off, but it was cheaper than having a dedicated VCR for each camera.
If I ever get my hands on a multiplexer, I'll revisit this video because I'd love to see
how it all works.
I'd be curious to know what exactly it stores in the blanking interval, and it may be fun
to set up a CCTV system using vintage equipment like this.
But for now, I hope you enjoyed this video on the time-lapse VCR.
It's a lot simpler than I thought it might be, although it ended up being far more mysterious
than at first it seemed.
As I'm sure you know by now, I end my videos with a thank you to my amazing patrons, but
this time I have more than one reason to thank them, and someone else to thank, too.
This video topic was a viewer suggestion!
A friendly gecko named Torrance reached out to me and wanted to know a little bit about
these time-lapse VCRs.
I've always been curious myself, and thanks to the people who support the channel on Patreon,
I was able to go and buy one and poke around with it.
And in addition to their generous financial support, this time around the Patreon crew
came to my rescue by helping me figure something out about this machine.
I was under a very mistaken assumption about how this thing was making such a great still-frame,
and thankfully you sent me some great resources (including one linked below) that made me
realize I was really overthinking this!
So, if you'd like to send in a video topic suggestion, please do!
You can leave them here in the comments, you can reach me on Twitter @TechConnectify, or
you can check out the Technology Connections subreddit linked below.
Down there you'll also find a link to my Patreon page.
With direct viewer support, this channel has really taken off and there are very exciting
changes coming pretty soon.
If you'd like to make a pledge of your own and get perks like early video access, occasional
behind the scenes footage, and general updates before anyone else, please check out my Patreon page.
Thanks for your consideration, and I'll see you next time!
♫ violently smooth jazz ♫
...because of its two-tone beige and brightly colored transport (unintelligible babbling)
Hu huh!
Huh huh!
[And other weird noises]
...to make sure nothing is stuck and might cause it to eat a pa…
(laughs)
Eat a pastry!
Did you notice that Faroudja Laboratories mark on that back?
Well that got me…
Is it laboratories or technologies?
It's both!
OK…
With a normal videotape, the tape
(pauses)
Yeah, dang it that was right.
Mmhmm!
Say the lines as written, please.
It's a lot simpler than I thought it might be, although it ended up….
(sigh)
[very high pitched squeaky sounds]
-------------------------------------------
Marc-Olivier Fogiel renié par sa fille Lily, sa « triste » confidence - Duration: 1:20.
For more infomation >> Marc-Olivier Fogiel renié par sa fille Lily, sa « triste » confidence - Duration: 1:20. -------------------------------------------
Vincent Cassel et Tina Kunakey comblés, ce succès sur Instagram qui les réjouit - Duration: 1:35.
For more infomation >> Vincent Cassel et Tina Kunakey comblés, ce succès sur Instagram qui les réjouit - Duration: 1:35. -------------------------------------------
SEED STORIES | Brad's Atomic Grape Tomato: Way Beyond Eye Candy! - Duration: 3:37.
Brad's Atomic Grape is a show-stopping tomato.
It's the all-time best-selling plant in the history of Baker Creek Seed Company.
It should come as no surprise that this incredible creation is thanks to Brad
Gates of Wild Boar Farms. Brad has been described as the Willy Wonka of breeding.
He's made a name for himself as an innovative open-pollinated tomato
breeder, selecting for the most wild and whimsical traits, from stunning stripes to
bold colors and complex flavors. While much of modern-day breeding is focused
on improving such prudent and passionless qualities as shipping
ability and storage life, Brad prefers to play to our senses. His
creations often defy definition with colors and patterns that truly changed
the tomato game, and the flavor is always on point. Wild Boar Farms is located in
gorgeous Napa Valley, California. Brad Gates has one main goal on his farm:
to create the most amazing tomato varieties. Using heirloom genetics and
mutations as a foundation, he focuses on bi-colored and striped varieties with
extreme flavor and fascinating looks. Brad's
tomatoes are beloved by heirloom connoisseurs and chefs. Those on the
cutting edge of the gourmet food scene have an appreciation for the eclectic
and nuanced flavor combinations in Wild Boar tomatoes. Top Australian chef Peter
Gilmore, an enthusiastic advocate for heirlooms, enjoyed tasting Wild Boar
tomatoes at the 2017 National Heirloom Expo.
Brad's Atomic Grape is truly out of this world. Its lavender and purple stripes
turn to technicolor olive-green, red and blue-brown stripes when fully ripe. The
olive-green interior is blushed with red when dead ripe. The fruits range in size
from a large grape to plum. Wild Boar varieties may be eye candy, but as a true
tomato man Brad always selects for healthy vigorous and highly adaptable
plants as well. The fruit holds well on or off the vine, making this amazing
variety a good candidate for market growers. The fruits are crack resistant
and extraordinarily sweet. The wispy foliage looks delicate but belies these
plants' rugged constitution and high productivity. This stunning variety took
the top prize at the 2017 National Heirloom Expo tomato tasting. This
prestigious competition pits the world's tastiest tomato varieties against one
another to select the most balanced, rich, flavorful variety. Brad's Atomic Grape
handily won. The Atomic Grape is truly exceptional, and it brings out childlike
wonderment in the gardeners who grow it.
-------------------------------------------
Amazing Beautiful Coastal Escape Park Model by Sunshine Tiny Homes - Duration: 2:52.
Amazing Beautiful Coastal Escape Park Model by Sunshine Tiny Homes
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Vanessa Paradis « négligée » à L.A, sa discrète mise au point - Duration: 1:17.
For more infomation >> Vanessa Paradis « négligée » à L.A, sa discrète mise au point - Duration: 1:17. -------------------------------------------
【作品講評】オート先生の総回診【Karte.12】 - Duration: 2:08:47.
For more infomation >> 【作品講評】オート先生の総回診【Karte.12】 - Duration: 2:08:47. -------------------------------------------
Por los Bosques del Sur. Cazorla. Jaén - Duration: 12:06.
For more infomation >> Por los Bosques del Sur. Cazorla. Jaén - Duration: 12:06. -------------------------------------------
সফলতার 5 টি গোপন সুত্র || Secret to Success || Success Motivational Video in Bangla - Duration: 2:47.
For more infomation >> সফলতার 5 টি গোপন সুত্র || Secret to Success || Success Motivational Video in Bangla - Duration: 2:47. -------------------------------------------
Holby City actor John Michie's daughter Louella's boyfriend denies drugs death manslaughter - Duration: 1:45.
The boyfriend of 's daughter Louella Fletcher-Michie has denied a charge of manslaughter relating to her drugs death at Bestival music festival
Louella, 25, was found unconscious in a wooded area at the edge of the festival at Lulworth Castle, Dorset, in the early hours of September 11, 2017 after taking Class A party drug, 2-CP
Ceon Broughton, 29, denies manslaughter and is expected to stand trial at Winchester Crown Court on Tuesday
Mr Michie, 62, who has starred in Holby City, Taggart and Coronation Street , is due to give evidence at the trial - and jurors have been questioned over whether they watch Holby City as part of the selection process
Broughton, of Island Centre Way, Enfield, north London, denies one count of manslaughter and another of supplying 2-CP to Miss Fletcher-Michie
He appeared in the dock on Monday with braided hair and wearing a patterned white sweater, black trousers and white trainers as the jury was sworn in
The indictment alleges manslaughter between September 9 and 12 2017. Broughton, represented by Stephen Kamlish QC, allegedly supplied 2-CP to Miss Fletcher-Michie on September 10 2017
A statement released through Mr Michie's agent after her death said she "inspired all who knew her with her joy of life"
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Когда нибудь и эта боль пройдёт.. 💽 cover by #DenisKorza - Duration: 1:42.
Denis Korza - Someday and this pain will pass ..
Someday and this pain will pass, your living wound will heal.
And on the ruins of late or early, the killed hope will come to life.
And the new love will burst into the house, others will live in it.
But it will only be all this later, when you absolutely become strangers.
When the tenderness of your meetings melts, and then the warmth that warmed your soul ..
Which you could not save ... For the three ninth kingdom flew.
And it does not turn back any more, and it will not knock again at your door.
And to the question of who is right and who is wrong, the answer is kept in everyone's soul.
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Resident Evil 2 Remake | Teste - i3 3220 GTX 750 2gb 8gb RAM - Duration: 17:02.
For more infomation >> Resident Evil 2 Remake | Teste - i3 3220 GTX 750 2gb 8gb RAM - Duration: 17:02. -------------------------------------------
トップニュース ミラクル美女・奈月セナに起きた「寝室の小さな奇跡」 - Duration: 2:40.
「ミスインター ショナル」ファ ナリストにも選 れた 写 を拡大 2018年5月 グラビアデビュ し、一気に業界 話題をさらった が、奈月セナ（ 2）だ
172cmの高 長ボディーに、 88・W58・ 89のスタイル 誇り、2016 には「ミスイン ーナショナル」 ァイナリストに 選ばれた経歴を つ。あまりの人 に、あっという に3作のDVD Blu-ray リリースした
ミラクルボ ィーの彼女に、 近起きたミラク な出来事を聞く ……。 「この いだ寝ている時 、"7時40分 から起きて！！ "と、友人を起 す夢を見て、パ と起きたらちょ ど7時40分だ たということが りました
小さなミラクル すね（笑）」 寝室では小さな ラクル、グラビ 界では奇跡のボ ィーを武器にミ クル旋風を巻き こせるか。今年 番の注目株なの 間違いない。 プロフィール】 ena Nat uki／199 年5月30日、 阜県生まれ
身長172cm B88・W58 H89。趣味： コード、映画鑑 、釣り。特技： 泳、弓道。DV & Blu- ay『RIDE ON TIME （ラインコミュ ケーションズ） 売中
2月1日から、 ラビアサイト『 ジュアルウェブ 』にも登場。
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Mini Cooper D Cabrio - Duration: 1:02.
For more infomation >> Mini Cooper D Cabrio - Duration: 1:02. -------------------------------------------
Comment Meghan Markle a un jour fait gagner une somme d'argent très importante à son père Thomas - Duration: 7:48.
For more infomation >> Comment Meghan Markle a un jour fait gagner une somme d'argent très importante à son père Thomas - Duration: 7:48. -------------------------------------------
George Clooney, terrible dispute avec Amal, elle est apaisée par une célèbre reine des podiums - Duration: 1:23.
For more infomation >> George Clooney, terrible dispute avec Amal, elle est apaisée par une célèbre reine des podiums - Duration: 1:23. -------------------------------------------
Marc-Olivier Fogiel renié par sa fille Lily, sa « triste » confidence - Duration: 1:20. For more infomation >> Marc-Olivier Fogiel renié par sa fille Lily, sa « triste » confidence - Duration: 1:20. -------------------------------------------
Initial D Arcade Stage 6 AA - Another - Part #4 - VS Kenji (ENG SUB) - Duration: 4:31.
Rival appears!
I heard you battled with Iketani.. I heard he has been practicing eagerly since then..
if the technique is that good.. please show it to me too..
Street racer level 11
Rear ladder bar
Body rigidity has been increased!
bad (refusing)
When you become an InitialD.NET member, you will be able to save/replace parts.
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Anne-Claire Coudray, des cheveux longs, cette déconcertante critique dont elle fait l'objet - Duration: 1:25.
For more infomation >> Anne-Claire Coudray, des cheveux longs, cette déconcertante critique dont elle fait l'objet - Duration: 1:25. -------------------------------------------
Semaine de l'immobilier multilogements - Duration: 1:46.
Yes, MREX, in fact, I heard about it mainly on social media and from friends
who are in the real estate industry. And also, Nikolaï is very active
on Facebook and Instagram. He always offers awesome advice on the web and
makes you want to learn about multi-family real estate.
Well, in fact, it is very simple, I saw an ad on instagram and I decided to come.
The cost of entry was laughable considering the unbelievable quality of information
that the MREX experts share in such a short period.
And what I find interesting is that he gives very in-depth explanations
on every data point and core principles.
It really was great, honestly. I was pleasantly surprised. Given the fact that I attended
other real estate conferences in the past, this one is much more complete
than one would think and I realized that, basically, I did not know much about
real estate.
It pulls us out of our comfort zone and it is very interesting because the content is so relevant.
It's a real deep dive into multi-family real estate.
So far, I find that they really have profound expertise.
Basically, I realized that I didn't know as much as I thought I did
and I will definitely attend their other events
because the quality is so high and they really know their stuff.
Even though I took the time to read everything on the web and in books, you realize that ultimately,
if you want to be a high-level investor,
it is necessary that you invest time and money
in your education with top-notch people like MREX.
-------------------------------------------
The Time-Lapse VCR - Duration: 17:38.These days, if you want to install some sort of security camera system, you can just run
to your favorite big box store or wholesale club, buy a kit with 4 cameras and a DVR,
and within hours have a working CCTV system capable of recording days or weeks or even
months worth of HD, or sometimes 4K security footage.
Now we can even access them remotely over the Internet, or put them in doorbells, or
backup the footage to the cloud, or any number of things which, depending on your point of
view, you may find interesting or…
concerning.
But…
Not that long ago, we only had the world of analog video.
Sure, videocassette recorders were widely available, but even with the most generous
of tape lengths and the slowest of recording times, you're not going to be able to get
more than 10 hours or so out of a tape.
That's not great for security cameras, particularly if you want to be able to record footage over
a weekend when no one is at the office.
But this video is running at 30 frames per second and for surveillance footage, that's
probably more than we need.
If there were a way that we could reduce the frame rate, we could get more time out of
one tape.
If we recorded, maybe, only two frames per second, we'd still have a pretty good record
of what happened, and we could get 15 times as much footage.
Well, that idea did come to fruition in the form of the time-lapse VCR.
I've known about these things for years, but there have always been some nagging questions
in my mind about how they work.
For example, most VCRs just kinda…
suck at showing a still image.
If you hit pause on this one, you'll inevitably get some sort of snowy garbage at the top
or the bottom.
In later years, a digital frame buffer would grab a snapshot of whatever you were playing
so that there could be a nice clean still frame, but a time lapse VCR that's RECORDING
footage, how does that work?
Now I could do some research and try to find out exactly how a time lapse VCR is doing
all the magic stuff it does, but it sure would be great to just have one that I could poke
around with.
Oh right!
This is a Sony SVT-3050.
You can tell that this is a legitimate piece of A/V equipment because of its two-tone beige
and brightly colored transport buttons.
Oh yeah.
Matte black?
Heh, this is where it's at.
Seriously, why was so much professional A/V equipment from the this time period made in
this particular color scheme?
It's like it's trying its best to be plain.
From the front, this looks like any normal VCR save for its relatively few buttons
(most are hidden behind the door)
and surprising omission of the VHS logo even though this
uses VHS cassettes.
Are we bitter about something, Sony?
We'll get to that in a minute because there is some mystery as to why the label's missing,
but what gets weirder is when you come 'round to the back.
For starters, you won't find standard coaxial jacks for a television tuner.
Nor will you find standard RCA jacks for composite video.
Instead, you'll find BNC connections, which were and are to this day very common in
security camera applications.
You'll also find a bunch of screw terminals for various things like timers and alarms.
For example, the unit can send out an alarm signal if the tape becomes jammed or it runs
out of tape.
And it can also accept an alarm input to start recording.
When I got my hands on this, the first thing I did (as would anyone, I presume) was to
open the case.
I wanted to see just what's inside this thing!
Oh.
There's a circuit board in the way.
No matter, we'll just pop that up, and look at that!
There are little pegs made specifically for holding the board up and out of the way for
servicing.
That's neat.
Under the board was a completely normal looking VHS transport.
Real talk, if you are into old VCRs like I am, you actually should open them up before
you test them to make sure nothing is stuck which might cause it to eat a tape.
This one indeed had something preventing the take-up spool from turning, and after exercising
it a bit the problem went away.
But, had I not checked, it may have ruined a tape.
These are the sorts of life changing tips you can find only here on Technology Connections!
One of the more curious things in here is the use of a modular power supply.
You probably noticed the standard IEC C13/14 connector on the back, and it's clear that
it wouldn't be very difficult to swap out this power supply for another.
This not only makes repair easier, but it also means that the same chassis could be
used in many markets.
OK, so with it operational, I popped a tape in and starting messing with the playback.
On any speed but the normal 2 hours, the tape simply juddered forward one step at a time.
Is that really it?
I had imagined that maybe the head drum would spin at a slower speed, or that the machine
would behave in some other strange way, but it appeared that this was simply stepping
forward one frame at a time.
Lots of VCRs can do that… so what makes this special?
Well, keen eyes may notice that the quality of that still frame is perfect.
There's no snow, there's no jitter, and there isn't even any sign that that's
a digital frame buffer.
To be sure that this wasn't playing tricks on me, I touched the spinning head drum while
watching the screen of the TV, and sure enough the picture was distorted along with my touch.
So, this picture is coming live from that tape.
That alone isn't so surprising, as many high-end VCRs with four heads can do that.
But what is a little more interesting is that it not only has to do that when playing a tape,
but it also has to do it when recording.
After much searching, I found a great source describing how time-lapse VCRs work, and one
of the more remarkable things about them is how precisely they can move the tape itself.
See, in normal recording and playback, the tape is continuously moving at a rate of about
1.3 inches per second, or 3.3 centimeters per second.
This means that with each sweep of the recording or playback heads, which happens 60 times
a second on an NTSC machine, the tape has actually moved roughly half a millimeter.
That means that the end point of the sweep is about half a millimeter to the right of
the beginning, imparting a slight angle to the track.
That's why a two-head VCR can't display a nice still frame.
Without getting too deep into explaining analog video, each head is responsible for one half
of the frame, or one field.
With a two head VCR, if the tape stops, then the heads are suddenly misaligned a little bit.
One head will start showing the correct thing, but it will drift into the adjacent track.
The same thing happens when the next head sweeps.
In essence it's always reading the wrong thing for at least some part of the frame,
and the result is a noisy, incomplete picture
But a 4 head VCR actually has two heads passing by with each sweep.
It's capable of reading either the odd or even fields at any time, and can switch between
them on the fly.
This allows it to perfectly display either the odd or even field without noise bars.
There's a great link in the description if you'd like to learn a little more about
the specifics here.
Anyway, that's all fine and good, but what's most interesting here is how the machine records
onto the tape.
It needs to get that correct angle otherwise the signals will be completely out of spec
from VHS, and it won't be able to play them in fast motion for the purpose of searching
for the moment that your restaurant was robbed.
Or whatever.
And that is what makes this more advanced than your average 4 head VCR.
When recording, the heads are completely inactive except for when they write that single field
onto the tape.
Most of the time they're simply spinning for the fun of it.
And here's the kicker.
The writing action is perfectly synchronized so that it happens just as the tape is being
advanced to the next position.
This means that the machine actually is recording in a completely normal fashion.
But, it is able to start and stop the tape with such precision that although it's recording
up to 86 times slower than normal, the signals on the tape are unaffected.
Take a look at this slow motion footage.
I've placed a marker on the tape so that we can see it advance.
The tape is completely stationary, but the moment that head is aligned with it, it moves.
And as soon as the next head is in position, it stops.
This extremely precise control of the tape's movement, along with the idling of the recording
heads until the moment that next frame is to be recorded, enables the machine to make
intermittent, single-field recordings onto the tape.
Pretty neat.
Now here's where things get a little weird.
Keen viewers will have noticed that there is an audio input on here.
If you're familiar with how audio is stored on a non-HiFi VHS tape, you'll know that
it's recorded linearly on the edge of the tape, just like a normal audio cassette.
How would audio work if the tape is moving in steps?
Well, the machine can only record audio in the normal 2 hour mode, and the 12 and 24
hour time lapse modes.
It can't record audio in the slower speeds.
But, this means that when recording in the 12 and 24 hour modes,
the tape isn't advancing in steps.
Instead, it's continuously moving very slowly.
The images are still stored in a reduced frame rate, but the continuous motion of the tape
enables sound, albeit very very terrible sounding sound.
So, the same thing happens.
The heads only write in individual bursts for each frame, but we get an odd consequence now.
See, if I want to play the tape back with sound, it can't play the tape back very well.
It's certainly not awful, but there are noise bars and other anomalies.
If we want perfect quality, we need to switch the sound off, and then it returns to the
stepping mode that it was using before.
And this may give us a clue as to why the machine is missing a VHS badge.
Technically, the format specifications aren't being broken if it is recording in steps like this.
It is recording a normal SP signal on the tape, it's just doing it intermittently,
one field at a time.
But this weird extra super duper slow speed doesn't conform to that standard.
Is this THE reason?
I can't say for certain.
The S-VHS variant of this machine, the Sony SVT-3050P, does have an S-VHS badge on the
front, and it, too can record audio in 12 and 24 hour modes.
So… the missing logo may remain a mystery.
But we're not done yet.
Did you notice that "Faroudja laboratories" mark on the back?
Yeah, that got me curious.
Who are they and what do they want with my VCR?
Well, Faroudja Labs was quite famous for analog video processing technologies, in particular
devices called line doublers.
These could take a low resolution image, and double the number of horizontal lines of resolution,
to give it an apparent resolution bump.
This device would really benefit from a line doubler, because it records just one field
at a time.
Each still frame is only half the resolution of a normal television signal, and for something
like security cameras where you might want to be able to identify who is stealing your
stuff, that's not good.
Now I'll admit, you can't get more detail out of an image than was already there, so
the extent to which a line doubler may help with tasks like identifiability is up for
debate, but it's clear that this technology is helping.
Part of why these still frames seem remarkably clear may simply be due to Faroudja's video
processing prowess.
Now I can't say for certain that there is a line doubler in here, but knowing what Faroudja
had done in the past, it seems very likely.
At the very least, something of theirs is making this a very sharp picture for what
the raw signal is.
So, that pretty much wraps up how a time-lapse VCR works.
It's a lot less magical than I thought it might be.
More or less it's just a standard VCR.
There were some special considerations to using it, however.
With a normal video tape, the tape is only touching the spinning head drum for a few
seconds at a time.
But with this machine, on the slower recording speeds, it might be touching that drum for
a few minutes at a time, and this could quickly wear out the tape.
For this reason, manufacturers would recommend that you discard your tapes after a certain
number of uses.
Some would say to only use a tape twice if it was recorded with the slowest speed.
When these were in common use, you'd need to balance the desired detail of the recording
with your business hours and when the tapes could be changed, and how long of an archive
you need to keep (for legal purposes, usually at least a month of recordings).
So, you'd need to have something like 10 tapes on hand, use them in a rotation, and
discard them after they'd been used perhaps a dozen times.
For a 72 hour recording, this would let you use 10 tapes for perhaps a year before needing
to replace them.
And of course, a 24/7 duty cycle for a VCR isn't the kindest thing.
It was recommended that you replace the video heads on this at least every 10,000 hours
(which works out to pretty much every year).
You can still find the drum, the 2N4N-Q, for sale from people who specialize in security
equipment.
And it looks like this machine has had its heads changed at least once.
Poking through the menu shows that it's been powered on for 25,716 hours, but the
video heads only have 314 hours on them.
Now, it could be that this machine was set up to only record in an alarm condition.
This may be the original head, and it was simply idle the vast majority of the time.
There doesn't seem to be a way to determine if that counter has been reset, so I suppose
I'll never know for sure.
But before I go, I haven't answered one particular question about these things.
What happens when you have multiple cameras?
Well, that's a fairly deep rabbit hole so I'll be brief.
One option was to use what's called a quad.
This splits the incoming signal of four cameras into a single display showing all four at
one time.
The major disadvantage here was the very poor resolution of the recorded video, as each
camera only got one quarter of the screen.
Another option was a switcher.
This would simply cycle through each of your cameras one at a time, showing Cam 1,
then Cam 2,
then Cam 3
and so on.
You'd get a full resolution image, but you couldn't see what was happening on any of
the other cameras when one was being shown.
It also makes reviewing recorded footage a little…
nauseating.
The coolest solution, albeit the most expensive one, was a multiplexer.
These would combine the signals from all of the cameras, and send them over a single wire
by rapidly switching between them, and using the vertical blanking interval to signal which
camera is which.
When you want to see just one, the multiplexer would use a frame buffer to show only that
one camera at a reduced frame rate.
The beautiful thing was that this also worked with a time-lapse VCR like this one.
But, you'd have to synchronize the multiplexer with the VCR (using the switch out terminal),
and you'd also have to deal with an effective frame rate that's even worse than what the
VCR is natively recording.
See, if the VCR is recording 4 cameras, and it's recording at a rate of 4 frames per
second, those four frames are split between the four cameras, meaning that each camera
only gets a recording once per second.
So, while you did get to record four cameras on one tape with the full resolution, you
would get a seriously reduced update frequency.
That was a significant trade-off, but it was cheaper than having a dedicated VCR for each camera.
If I ever get my hands on a multiplexer, I'll revisit this video because I'd love to see
how it all works.
I'd be curious to know what exactly it stores in the blanking interval, and it may be fun
to set up a CCTV system using vintage equipment like this.
But for now, I hope you enjoyed this video on the time-lapse VCR.
It's a lot simpler than I thought it might be, although it ended up being far more mysterious
than at first it seemed.
As I'm sure you know by now, I end my videos with a thank you to my amazing patrons, but
this time I have more than one reason to thank them, and someone else to thank, too.
This video topic was a viewer suggestion!
A friendly gecko named Torrance reached out to me and wanted to know a little bit about
these time-lapse VCRs.
I've always been curious myself, and thanks to the people who support the channel on Patreon,
I was able to go and buy one and poke around with it.
And in addition to their generous financial support, this time around the Patreon crew
came to my rescue by helping me figure something out about this machine.
I was under a very mistaken assumption about how this thing was making such a great still-frame,
and thankfully you sent me some great resources (including one linked below) that made me
realize I was really overthinking this!
So, if you'd like to send in a video topic suggestion, please do!
You can leave them here in the comments, you can reach me on Twitter @TechConnectify, or
you can check out the Technology Connections subreddit linked below.
Down there you'll also find a link to my Patreon page.
With direct viewer support, this channel has really taken off and there are very exciting
changes coming pretty soon.
If you'd like to make a pledge of your own and get perks like early video access, occasional
behind the scenes footage, and general updates before anyone else, please check out my Patreon page.
Thanks for your consideration, and I'll see you next time!
♫ violently smooth jazz ♫
...because of its two-tone beige and brightly colored transport (unintelligible babbling)
Hu huh!
Huh huh!
[And other weird noises]
...to make sure nothing is stuck and might cause it to eat a pa…
(laughs)
Eat a pastry!
Did you notice that Faroudja Laboratories mark on that back?
Well that got me…
Is it laboratories or technologies?
It's both!
OK…
With a normal videotape, the tape
(pauses)
Yeah, dang it that was right.
Mmhmm!
Say the lines as written, please.
It's a lot simpler than I thought it might be, although it ended up….
(sigh)
[very high pitched squeaky sounds]
-------------------------------------------
Michel Drucker, la vie se complique, il livre la vérité enfin - Duration: 1:33. For more infomation >> Michel Drucker, la vie se complique, il livre la vérité enfin - Duration: 1:33. -------------------------------------------
Mimie Mathy « brisée », elle tombe de haut - Duration: 1:24.
For more infomation >> Mimie Mathy « brisée », elle tombe de haut - Duration: 1:24. -------------------------------------------
Everything I Need - Skylar Grey (OST Aquaman) [Synthesia Piano Tutorial] - Duration: 3:51.
Everything I Need - Piano Tutorial
Born on
the wrong side of the ocean
With all the tides against you
You never thought
you'd be much good for anyone
But that's so far from the truth
I know there's pain in your heart
And you're covered in scars
Wish you could see what I do
'Cause baby, everything you want
Is everything I need
You're everything to me
Baby, every single part
Is who you're meant to be
'Cause you were meant for me
And you're everything I need
You can say I'm wrong
You can turn your back against me
But I'm here to stay
Like the sea
Should keep kissing the shoreline
No matter how many times he pushes her away
'Cause baby, everything you want
Is everything I need
You're everything to me
Baby, every single part
Is who you're meant to be
'Cause you were meant for me
And everything happens for a reason
It's started passing in the skies
I used to question who I was
When now I see
The answer's in your heart
'Cause baby, everything you want
Is everything I need
You're everything to me
Baby, every single part
Is who you're meant to be
'Cause you were meant for me
Baby, every single part
Is who you're meant to be
'Cause you were meant for me
And you're everything I need
Aquaman Trailer Theme
-------------------------------------------
Cristel Carrisi, la figlia di Al Bano senza marito beccata in dolce compagnia a Roma. ... - Duration: 12:21.
For more infomation >> Cristel Carrisi, la figlia di Al Bano senza marito beccata in dolce compagnia a Roma. ... - Duration: 12:21. -------------------------------------------
Joe Gomez will undergo operation on broken leg - Duration: 3:10.
Joe Gomez has been given the news he has been dreading and will undergo an operation on Monday to repair his broken leg
The Liverpool and England defender expects to play again this season but he could be out for up to six weeks, which would rule him out of huge games against Manchester United, Everton and the Champions League double header against Bayern Munich, as well as putting a question mark over his chances of being picked for the next England squad
Gomez suffered the injury to his right leg on December 5, following a clash with Burnley defender Ben Mee, and it was originally anticipated that he would be out for six weeks
The 21-year-old started running again at the beginning of January but the rehabilitation process slowed down and after consultation with Liverpool's medical department, an operation was deemed the only suitable option
He will have the procedure in London on Monday. Jurgen Klopp told the club website: 'It's a blow for the boy and for us - because prior to the injury he was in such fantastic shape
'But he is too valuable to take any risk with, both for our present and future, so we get this procedure done and he comes back when he's ready
Season at a glance Live tables Fixtures Scores Premier League Premier League Championship League One League Two Scottish Premiership Scottish Div 1 Scottish Div 2 Scottish Div 3 Ligue 1 Serie A La Liga Bundesliga More tables More fixtures More scores 'His attitude during this rehab has been outstanding but it just hasn't healed as we'd have liked so we will make this intervention and then he will come back
'Gomez himself admitted that the setback was 'hard to swallow' but accepts it is out of his control
'Obviously being out for longer than we'd first hoped for is hard to swallow but it's part and parcel of the industry,' he said
'It was an injury caused by an impact, like nearly all the injuries I've had in my career, so I know it's just a case of when it's fully healed I'm good to go again
'The hardest part is not being able to help the team and contribute on the pitch at the moment, so it's important I come back ready to go and this procedure will help with that
'My only focus is getting back for Liverpool as soon as possible and I can promise the supporters I'll be working hard every day to do that
'
-------------------------------------------
Joe Gomez: Jurgen Klopp suffers injury blow as Liverpool defender gets set for surgery - Duration: 2:46.
Gomez has not played for Liverpool since December 5 when he fell awkwardly following a challenge for Burnley's Ben Mee
The defender suffered a lower leg fracture and Liverpool boss Jurgen Klopp was reluctant to put a definitive date for his return
But Liverpool have confirmed Gomez will have an operation to "enable a more complete recovery"
Klopp told Liverpoolfc.com: "It's a blow for the boy and for us - because prior to the injury he was in such fantastic shape
"But he is too valuable to take any risk with, both for our present and future, so we get this procedure done and he comes back when he's ready
"His attitude during this rehab has been outstanding but it just hasn't healed as we'd have liked so we will make this intervention and then he will come back
" Gomez is likely to miss at least the next month of action which includes games against Bayern in the Champions League and Manchester United in the Premier League
But the 21-year-old is determined to remain positive and return as soon as possible
Gomez added: "Obviously being out for longer than we'd first hoped for is hard to swallow but it's part and parcel of the industry
"It was an injury caused by an impact, like nearly all the injuries I've had in my career, so I know it's just a case of when it's fully healed I'm good to go again
"The hardest part is not being able to help the team and contribute on the pitch at the moment, so it's important I come back ready to go and this procedure will help with that
"My only focus is getting back for Liverpool as soon as possible and I can promise the supporters I'll be working hard every day to do that
" Gomez had formed an impressive partnership with Virgil van Dijk in central defence before the injury
Klopp will now need to rely on Dejan Lovren and Joel Matip to play alongside Van Dijk for the foreseeable future
Liverpool visit West Ham this evening at the London Stadium, looking to extend their lead over Manchester City to five points
-------------------------------------------
BMW 640 Gran Coupé - Duration: 1:00.
For more infomation >> BMW 640 Gran Coupé - Duration: 1:00. -------------------------------------------
Une seule planète – Comment mesurer son empreinte carbone? - Duration: 2:06.
For more infomation >> Une seule planète – Comment mesurer son empreinte carbone? - Duration: 2:06. -------------------------------------------
Renaud tourmenté, cet accablent secret caché par sa mère décédée - Duration: 1:17.
For more infomation >> Renaud tourmenté, cet accablent secret caché par sa mère décédée - Duration: 1:17. -------------------------------------------
La preuve par 3: qu'est-ce que la planification patrimoniale ? - Duration: 3:12.
What is estate planning?
What we call estate planning
is in fact a series of tax planning, inheritance planning
and wealth protection techniques.
Estate planning enables an individual or family
to structure their wealth so as to optimise both wealth building
and the transfer of wealth to the next generation.
What are the advantages?
The advantage of estate planning
is that it covers all aspects relating to the family situation,
your wealth and the current regulations
to be taken into consideration, so that suitable wealth structures can be put in place.
These will not only protect your wealth by limiting potential disputes between spouses or heirs,
but will also facilitate the transfer of your wealth to the next generation,
while retaining control over your wealth and related income
and legally limiting income tax and inheritance tax consequences.
How can I make the most of the process?
Effective estate planning needs to take account of overall wealth.
It's therefore important to assess your wealth first, integrating all of the family's assets and expenses.
This will give you a clear picture of your situation prior to any structuring proposal.
The family's objectives then need to be clearly defined
in terms of building and growing wealth,
and wealth protection and transfer.
Successful estate planning needs to be carefully thought through
and must be organised with the help of experts.
Recap
Estate planning is a series of tax and inheritance planning techniques designed to optimise the wealth building and transfer process.
Estate planning enables you to protect, structure and build your wealth,
identify the income tax and inheritance tax implications,
simplify the transfer of your estate and avoid disputes between heirs.
Effective estate planning needs to take account of overall wealth.
An expert in the field can then help you clearly define your wealth building and wealth transfer objectives.
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Resident Evil 2 Remake | Teste - i3 3220 GTX 750 2gb 8gb RAM - Duration: 17:02. For more infomation >> Resident Evil 2 Remake | Teste - i3 3220 GTX 750 2gb 8gb RAM - Duration: 17:02. -------------------------------------------
Hertha Berlin set to discuss Grujic transfer future with Liverpool - Duration: 1:49.
Hertha Berlin sporting director Michael Preetz wants to keep Marko Grujic beyond the end of this season
The 22-year-old has scored twice in 10 appearances for the Bundesliga outfit since joining on loan in the summer with Hertha competing for a European spot in the table
The Serbian international was Jurgen Klopp's very first signing after taking over at Liverpool in 2015, with around £5million being paid
"First and foremost, we're happy that we have Marko," Preetz told Kicker via Bulinews
"I'd always prefer that a player helps me out for a year than not at all. We'll certainly talk to Liverpool about the next season
"All the guys can help us make a difference in a season when something extraordinary is possible
"That is our goal, and it would be wonderful to successfully take the next step together
" Read our detailed analysis on Grujic - HERE Grujic arrived from Red Star Belgrade with promise given Klopp's reputation at Borussia Dortmund for unearthing gems in the transfer market
Three years on though, Grujic has made just eight Premier League appearances under the German manager and it remains to be seen whether he will break into the starting XI at Anfield in the future
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